#the movie serves the purpose I need

[diaqueenunderthemountain]

✨ Unpopular opinion ✨Most people hate the hobbit trilogy but I actually love it and think it’s better than the books

[micamicster]

Was saying to my sister yesterday that one of the most important differences between a good and bad tv show is like, the amount of dead space? By which I mean a scene should feel full. A shot should feel full. Not in terms of stuff physically in it but in terms of meaning. There should be Stuff Going On and there should be Layers… a scene should never be about just one thing. No more “this scene is for exposition, delivered to the camera” and more “in this scene the exposition is delivered with characterization” Every character in a scene should be doing something and every actor and writer should be paying attention to what that character is doing! No more dead space! Put Stuff In Your TV Shows 2024!

[fromevertonow]

Suzanne Collins is one of the few contemporary writers who realizes the importance of names in her stories and the significance they bear. They add so many layers to the story, additional meanings that otherwise would not have existed.

The original trilogy:

Katniss: named after a plant of which you can eat the roots. Her father taught her where to find it and told her that “as long as you can find yourself, you’ll survive” (quote may be a little bit off, but it’s from one of the early chapters in THG). Additionally, the leaves are in the shape of an arrowhead, referencing her skills with the bow which her father also taught her how to use.

Peeta: literally bread lmao. But bread is one of the basic nutritions humans need, a little bit goes a long way to keep you alive. Peeta’s presence in Katniss’s life also kept her alive, literally and figuratively—the burned bread he threw her in the flashback and their complicated relationship.

Primrose: a plant with medicinal purposes, even more significant in light of her work as a medic in Mockingjay.

Gale: literally means “strong wind” and considering that in every encounter with Katniss he’s caused some reaction, he pulls her into directions she maybe initially doesn’t want to go in. Additionally, his name also represents his determination and steadfastness in his beliefs.

TBOSAS

Lucy Gray: named after William Wordsworth’s poem “Lucy Gray” which is about the titular character of the poem who got lost during a blizzard. She literally got lost in snow. Rachel Zegler sang this poem in two parts on the original soundtrack of the movie. When Snow asked who the girl in the song is, Lucy answers that she’s a mystery, just like her.

Snow: aside from the obvious snow references, I think his name is most significant in relation to Lucy and the poem. The only one who knows what caused her disappearance is Snow. He is the reason that Lucy is gone. But her traces in the snow are still visible. He will always remember her because the memory of Lucy has manifested itself in every part of his life.

Coriolanus: named after the Roman general (and also the titular character of Shakespeare’s play), Coriolanus wanted to attack Rome and become its ruler. He was scorned and celebrated by the people, only to be later exiled from the city by them. In TBOSAS, Coriolanus is the star pupil at the Capitol’s academy but sent into exile to the districts after he won the Games with Lucy through cheating.

Volumnia: Coriolanus mother who played a part in his ascent to power. In TBOSAS, she almost serves like a mentor to Coriolanus, teaching him how to think in terms of power.

(Edit) Sejanus: a roman soldier who was betrayed by the roman emperor Tiberius, just like the future president betrayed him.

(Edit) Plinth: got this info from here, but it was too good not to include here. A plinth is a base for a statue or vase to stand on. After Sejanus’s death, all of the Plinth fortune was given to Snow for being such a good to friend him. It was this money that skyrocketed the Snow family from poverty to filthy rich. The Plinth money was the foundation upon which Snow built his power.

There are so many other names that have historical (mostly Roman and Greek) connotations—Plutarch, Seneca, Cinna—but also regular names like Trinket and Beetee bear meanings that represent the character beautifully.

Names are important. For any lover of literature or (aspiring) writers, please look closely at them. They can shape your story into something unique.

Feel free to correct me if I’ve said something wrong. I know there are many names missing, but I can only add so many examples ✊🏻😔

[percheduphere]

LET'S TALK ABOUT LOKI'S SHOES (ACTUALLY, HIS WHOLE WARDROBE)

Production costs aside, clothes tell the audience about how characters think of themselves.

Loki's shoes in the S2 finale raised a lot eyebrows, but I find them quite fitting: they are comfortable, practical, and most importantly, they are humble. The camera brings this to our attention to communicate his evolution in character.

Loki has always dressed well, often times ostentatiously. Whether he is at war, passing as a Midgardian, or held captive as an Asgardian prisoner, Loki communicates his social class and sense of superiority through clothing. For him, clothing armors his fragile sense of self and against others' opinions of him. He intends to be perceived as deadly charming but ultimately unapproachable.

His attire in the first Thor movie is roughly equal parts green and gold, signifying his royal status. His style is dressed down for his brother's misadventures in Jotenheim, yet overall both silhouettes are lofty, princely, but not hardened or threatening.

In Avengers, Loki's look has more black and leather, with exaggerated emphasis on his shoulders meant to intimidate as he assumes the role of villain. The silhouette is very hard, heavy, and edgy. Gold detailing is prevalent as well. Combined with the goat's helm, this is Loki's most pretentious outfit, which speaks to an undercurrent of low self-esteem and a compulsive need to impress. There's no mistaking he is the main antagonist of the story.

In Thor 2, Loki's attire is similar to Avengers but the overcoat is exchanged for a less bulky version (perhaps conveying he is less guarded now that the effects of the Mind Stone are no longer influencing him). Loki's role likewise pivots from the harsh lines of a villain to the more flexible edges of a reluctant villain-turned-ally. This aligns with his character arc when he protects both Jane and Thor, seemingly sacrificing himself.

In Thor 3, Loki's silhouette is streamlined even further. The overcoat is done away with in favor of what appears to be a leather doublet, pauldrons, and vambraces. Gold accents are minimal. While stylish, Loki's attire is more practical than showy, and his helm serves the dual purpose of protection as well as weaponry. At this point in his arc, Loki has become a full antihero, joining his brother's side in rescuing as many Asgardians as possible, and eventually dying in a vain bid to protect Thor from Thanos.

The TVA does something very fun and interesting in taking away Loki's ability to dress himself. Since Loki cannot use his magic in the TVA, he is forced to wear the same clothing as his captor/advocate, who eventually becomes his best friend and peer.

Perhaps, on a subconscious level, this helped Loki to feel included. We know by his pwn admission that Loki fears being alone and desperately craves a sense of belonging. At the same time, he intentionally dresses to put people at a distance, thereby protecting himself from potential rejection at the cost of isolating himself further.

When Mobius gives him that TVA jacket for the first time, Loki seems uncharacteristically pleased. It is not an attractive jacket by any means, yet he neither scoffs at it nor refuses to wear it. Instead, Loki puts it on and is content when Mobius says it looks "smart" on him. He continues to dress like Mobius and, indeed, mimic some of his mannerisms such as placing his hands on his hips. Without clothing meant to push people away, Loki opens up, has more fun, and makes friends.

Loki's choice of attire as he assumes the mantle of God of Stories (and time) is fascinating. Setting aside the clear design inspiration from the comics, Loki's silhouette is soft, remarkably so. His colors are earthy hues of green, and the only bit of flare are the light gold trimming and crown. The look brings to mind the garb of sages and wise wizards rather than royalty or warriors. He's powerful yet approachable because there is humility in his bearing. And that humility springs from a well of healthy self-worth, self-love, and a deep love for others.

The shoes are not meant to be attractive. They are meant to help him ascend the throne, nothing more.

[whispers-whump]

Some writing advice

that I like to use when I write. None of this is meant to be taken as hard and fast rules, they’re just things I like to do/keep in mind when I’m writing and I thought maybe other people would enjoy! <3

Never say what you mean

This is an offshoot of the very common “show don’t tell” advice, which I think can be confusing in application and unhelpful for scenes where telling is actually the right move. Instead, I keep the advice to never say exactly what I mean in stories.

By using a combination of showing and telling to hint at what you really mean, you force your reader to think and figure it out on their own, which makes for a more satisfying reading experience.

You might show a character getting angry and defensive in response to genuine care and concern. You could tell the audience that the character doesn’t see/talk to their parents often. But never outright give the real meaning that the character feels unlovable because of their strained relationship with their parents and as a result they don’t know how to react to being cared for.

Your readers are smart, you don’t need to spoon feed them.

Be sparse with the important things

You know how in a lot of movies there’s that tense scene where a character is hiding from something/someone and you can only just see this person/thing chasing them through a crack in the door? You get a very small glimpse of whatever’s after the character, sometimes only shadows being visible.

Do that in your writing. Obscure the important things in scenes by overdescribing the unimportant and underdescribing the important.

You might describe the smell of a space, the type of wood the floor is made of, the sound of work boots moving slowly across the room, a flashlight in the character’s hand. And there’s a dead body, laying in a pool of blood in the far corner of the room, red soaking into the rug. Then move on, what kind of rug is it? What is the color, patterns, and type of fabric of the rug?

Don’t linger on the details of the body, give your reader’s imagination some room to work while they digest the mundane you give them.

Dialogue is there to tell your story too

There’s a lot of advice out there about how to make dialogue more realistic, which is absolutely great: read aloud to yourself, put breaks where you feel yourself take a breath, reword if you’re stuttering over your written dialogue. But sometimes, in trying to make dialogue sound more realistic, a little bit of its function is lost.

Dialogue is more than just what your characters say, dialogue should serve a purpose. It’s a part of storytelling, and it can even be a bridging part of your narration.

If you have a scene with a lot of internal conflict that is very narration-heavy, breaking it up with some spoken dialogue can be a way to give some variety to those paragraphs without moving onto a new idea yet; people talk to themselves out loud all of the time.

Dialogue is also about what your characters don’t say. This can mean the character literally doesn’t say anything, they give half-truths, give an expected answer rather than the truth (“I’m fine”), omit important information, or outright lie.

Play with syntax and sentence structure

You’ve heard this advice before probably. Short, choppy sentences and a little onomatopoeia work great for fast-paced action scenes, and longer sentences with more description help slow your pacing back down.

That’s solid advice, but what else can you play with? Syntax and sentence structure are more than just the length of a sentence.

Think about things like: repetition of words or ideas, sentence fragments, stream of consciousness writing, breaking syntax conventions, and the like. Done well, breaking some of those rules we were taught about language can be a more compelling way to deliver an emotion, theme, or idea that words just can’t convey.

Would love to hear any other tips and tricks other people like to use, so feel free to share!!!

[cherrychilli]

18+ Eddie Munson x f! reader, best friend! Eddie, friends to lovers, mentions of bodily injury, mentions of masturbation (m), oral sex(m)

Summary: Eddie hurts his dick and as his best friend, you decide to help him ease his pain.

WC: 3K

A/N: I am so tickled by the idea of Eddie wrecking his cock and balls on accident so I had to write about it and wedge in some spice as well. Enjoy!

When Eddie had told you he wasn't feeling well enough to hangout tonight he should have realized that someone like you, caring and loyal almost to a fault, would take it upon themselves to help in any way they could, showing up at his trailer a few hours later with dinner and a zipper pouch full of medicine he might need.

"Ding dong, I'm here to take care of you, Munson", you'd gleamed at him playfully.

It was no secret that he didn't take the best care of himself whenever he was under the weather. Eddie was known for skipping his meds and spending most of the day swathed in a cocoon made of blankets, emerging hours later to pad into the kitchenette where he'd nibble at cold, leftover takeout before weakly traipsing back to bed.

So, when you showed up at his front door with your arms wound around a thermos full of homemade chicken soup and a Tupperware container warm with baked salmon, he should have felt happy. He should have felt grateful for the trouble you'd gone through just to make sure that he ate well and was looked after while he was on his own but instead, all he felt was the sharp, piercing sting of guilt.

The thing was, Eddie wasn't really sick.

He wasn't running a fever like he'd claimed over the phone. He'd purposely hidden the real reason why he couldn't come over to your place and watch a movie like the two of you had planned because well, he was embarrassed.

The truth was, Eddie couldn't come hangout because his dick and balls were killing him.

It had happened last night.

He'd been spread out on the couch while Wayne was away, dressed only in a pair of boxers snug around his hips with a movie playing on TV to keep him entertained throughout the night.

As usual, a blunt was held between his plush lips for most of the evening too, a bottle of jack by his feet which he'd pick up and gulp from time to time.

The combination of alcohol and the weed served a particular purpose that night – helping to make the tooth achingly bad acting in Zombie Lake more tolerable, a movie he'd picked solely for the gratuitous nudity.

Forty minutes of naked, unsuspecting women wading in zombie infested waters later and he was more than a little strung out at that point, rendered blissfully languid while he lay slumped against the couch.

Eddie had picked that moment to reach for the whiskey with his bloodshot, half lidded eyes still plastered on the TV screen, missing twice before he managed to pick it up with light fingers.

Bringing the three quarters full bottle up to his lips for another swig, that was when the booze slipped out of his loose grip, too high to react quickly enough and catch it before it was too late.

With his thighs spread far apart, the full weight of the bottle landed directly on his crotch, the pain shooting from between his legs like daggers, enough to make him feel like the air had been kicked right out of his lungs.

The carpet and couch soaked up most of the spilled whiskey, the nearly empty bottle lying on its side on the floor while Eddie couldn't do much but cup both hands over his junk and curl into himself, trying to grunt, groan and hiss through the pain as tears brewed in his eyes.

Now, it's almost been a full 24 hours since the incident happened but his dick's still super sore from the impact. And to make matters worse his balls are blue in more ways than one.

See, Eddie's got the kind of sex drive that had him jacking off at least twice a day to keep himself sane but now thanks to his injury, he's already feeling pent up, unable to tug his swollen cock and give himself that much needed release.

So, though your outfit isn't provocative, it's still you, his best friend whom he's harbored less than platonic feelings for so of course your denim shorts and your tank top are making him want to act up, the swirling desire at the base of his stomach burning even hotter with the way you're taking care of him, showing him a level of concern no one else has before.

It isn't fair, he thinks, having to sit across from you on the couch while he tries to fight off the growing ache in his cock, tries to will his sore member soft for the sake of your friendship as well as curbing his own pain.

You're yet to notice his dilemma though, rummaging through your bag while Eddie tries not to let the scent of your body wash trigger flashes of you sitting in your bath tub with your bare tits above water, all wet and soapy with your nipples all hard and the bubbles trailing between your cleavage and–

"Shit", he hisses when a twinge of pain flares as his dick starts to twitch in his sweats.

"Everything okay, Eds?", you look up from your bag when you hear it but he's quick to wipe the grimace from his face, faking his best smile at you.

"All good. So, what are we doing next?"

He's relieved when he watches your soft smile slowly return to your face, the kind that reaches your eyes and curves your lips in that way that makes him want to reach out and cup your cheek, running his thumb over your soft skin before he tells you how pretty he thinks you are.

"How about casual sex?", you ask, all chipper.

"…what?"

In an instant Eddie's whole body alternates between flashes of frigid cold and scorching hot. Had he heard you right? were you…offering? fuck, his dick is throbbing so bad in his sweats right now.

You dive your hand back into your bag, pulling out a VHS tape and holding it out for Eddie to see.

"Figured a comedy would be for the best", you waved the tape in his gawking face, his stomach somersaulting when he reads the title. Of all the movies you could have picked, you just had to go pick the one called Casual Sex? didn't you?

"Plus, I know how much you like Lea Thompson so I figured this would be a good pick", you smiled sweetly at him, tapping a finger over the actress pictured on the cover.

Another sharp prick of guilt and another dull ache radiates in Eddie's crotch because his mind's being especially cruel to him right now, dredging up unwanted memories of the time he wore out a copy of Howard the Duck by beating his meat to Lea Thompson's scenes all day and night.

"Uh, got anything else?", he croaks, clearing his throat when you narrow your eyes at him a little suspiciously.

After a little back and forth, the two of you end up watching The Thing to Eddie's relief. Nothing there that might trigger a boner except the couple of times you squealed adorably when Kurt Russell popped up on screen, kicking your feet and hugging your knees to your chest, inadvertently making your cleavage more noticeable over the neckline of your tank top.

Eddie's able to ignore it for the most part, that was until you offered to help clean up a little once the movie was over, bending over in your denim shorts to gather the empty soda cans sitting on the table in front of the couch.

Despite the alarm bells echoing in his head, he can't seem to help it, eyes trailing up the back of your smooth, bare thighs, settling on your ass and the way he can just about make out a peek of your cheeks now that your shorts have ridden up high.

Oh shit.

Up until now you'd been pretty pert all night but when you turn around, you're instantly startled by the look on Eddie's face, all twisted up and pinched as he presses a cushion into his lap and begins to wince.

"Eddie, what's wrong?", you set the cans aside, dropping back down on to the couch beside him.

Yet another flash of pain courses through him when he catches sight of the way your breasts bounce in your tank top when you take a seat. Jesus, this wasn't going to be easy, was it?

Eddie tries to mask it but you can read the pain there easily, especially when you're so close to him now, close enough that your shoulder brushes against his bicep.

"Eddie please, you can tell me. What's wrong?"

If there was a way out of this without having to admit the truth, without having to tell you how he'd given a whole new meaning to the term whiskey dick, he couldn't seem to find it, feeling helpless as he crumbles under the weight of your concerned, round-eyed stare.

"I lied, okay? I'm not sick, I just…"

Insides twisting, he has to squeeze his eyes shut the moment he sees the confusion register on your face, the way your eyebrows draw together and your eyes narrow. It's too much for him to handle and it all comes flooding out at once.

"I dropped a bottle of whiskey on my dick last night and now the damn thing's killing me because you look so– uh. Fuck. You look so…like, this and it's just– it's a lot"

Daring to open his eyes again, he finds that your own eyes have gone understandably wide, your lips slightly parted too and he hates himself for thinking how badly he'd like to slip his fingers between them and watch you suck.

"Oh. So like, is it– are you hurt badly?", you break the silence after a few seconds of processing his word vomit, blinking up at Eddie like you're fascinated to learn more about his injured cock.

"I mean, I don't think it's anything I need to go to hospital over but yeah. Hurts a lot", he replies a little sheepishly, a side of Eddie you don't see very often because he's far and away from the shy type that's for sure.

"Like when you get hard?", you tilt your head to the side curiously.

Eddie blinks back at you when you say it, clearly taken aback by how casually you're treating this whole situation after how hard he'd tried to hide it but he manages to answer you with a slow nod.

He shivers next when suddenly you drop your gaze to the cushion he's got pressed over his aching boner. "Hm… it’s probably not going to go away anytime soon either, huh? we should do something about that", you suggest thoughtfully.

In that moment, all he can do is look at you in disbelief, sweat beading at his temple and his fingers trembling on top of the cushion. This couldn't really be happening, could it? His best friend since, forever, offering to get him off?

Eyes drifting up to his once more, you lean a little closer, voice dropping down to a whisper. "I could help you", you offer, tentatively placing your hand on Eddie's knee. "Only if you want me to."

Adams apple bobbing, it hurts Eddie when he swallows, finding his throat's turned dry and tight in the last few seconds.

"Seriously? you'd actually do that? um, are you sure?"

You bite back a laugh because the look on his face is nothing short of adorable, all wide eyed and eager like a puppy awaiting a treat.

"Well, you could sit here with your bruised dick and keep whimpering like a baby or you could let me make you feel better. What's it going to be, Eds?", you quirk up an eyebrow at him at the same time the corner of your mouth picks up into a playful smirk.

"The second one please", he answers quickly, his cheeks flooding with so much color you kind of want to pinch them and tease him about how cute he looks right now.

"Thought so."

Smiling, you pick yourself up off the couch, carefully lowering yourself to kneel between Eddie's legs when you place your hands on his knees and gently encourage him to spread them apart.

He's quick to help you when you reach for the waistband of his sweatpants next, carefully pulling both it and his boxers down to finally free his cock.

For both of you, it's surreal being in this position – Eddie with his cock out, all hard and throbbing for you and you wedged perfectly between his legs like a puzzle piece he'd been searching for all his life.

You have to take a few seconds to admire it; the way the length of him blushes red and curves up towards his belly, the way the many veins wrap around his thickness and the dark, wiry thatch of hair at his base, untrimmed and full. Just how you'd always imagined based on how wild Eddie kept the hair on his head.

Eyes trailing lower, you have to resist the urge to palm his balls to keep from possible hurting him. You want to feel the weight of them in your hand though because you can't help but think they look so full and that makes you feel sorry for Eddie and how he'd had to deal with that discomfort all day.

The thought has you pushing your lips out into a sympathetic little pout, hand reaching out to finally touch him. Gently, you use your fingers to pull back his soft foreskin, leaning forward and parting your lips to delicately kitten lick at his red, leaking tip, keeping your eyes fixed on his face for any signs of discomfort.

You're pleased to find none, chest blooming with pride as you watch complete bliss wash over Eddie's face, swirling your tongue gently and collecting beads of precum when you hear him sigh and moan with relief.

"Oh my god, that's – that's really fucking good. Please keep going", he whines unabashedly because that persistent ache that's been troubling him since last night is being soothed so fucking well by your eager tongue. At this point he doesn't even care what kind of sounds you might pull out of him, desperate to feel more of your touch.

"Don't think I'm gonna last long", he gulps when you blink up at him with your pretty lips wrapped around his tip. "Your mouth feels too good."

His words make your confidence rise like steadily billowing smoke. "You don't need to", you tell him truthfully. "I just want to make you feel better", pressing a sweet kiss to the top of his smooth head, loving the way his breath stutters when you do it and the feeling of his sticky precum coating your lips in a shiny film. Like he's marking you..

As you continue, you refrain from using your hands while you pleasure him, keeping them pressed flat against his inner thighs, using only your mouth to kiss and lick up and down his rigid shaft as your nose nudges against it softly, returning to suckle at his tip from time to time.

It's easy to tell how badly Eddie must have needed this because he's unravelling so quickly under your touch as he throws his head back against the couch, his hands balled into fists by his sides while he whimpers about how well you're doing.

He's so pretty like this with his neck bared to you but you miss his gaze, removing your swelling lips from his cock to coax him back. "Don't hold back with me, Teddie. Tell me what you need and I'll give it to you", you coo earnestly.

Lifting his cloudy head to look down at you, it's Eddie's turn to surprise you when he brings one hand up to brush back a few strands of hair that'd gotten stuck to your damp cheek, a brief moment of tenderness that makes the butterflies resting in the depths of your stomach wake and beat their wings.

"Could you go a little lower?", he asks you, chest heaving and lips slightly pink from biting.

"Want me to lick your balls?", you try to clarify.

That makes him chuckle, a sweet, airy sound that makes you feel like there's sunlight spilling through the spaces between your ribs, filling up your whole chest with pleasant warmth.

"When d'you start talking like this, huh? Y' got such a dirty mouth on you, sweetheart", he teases you lightly, pulling his hand back so you can get back to working him.

You simply smile against his shaft in reply, feigning coy and innocence while trailing kisses lower and lower until you reach the seam of his balls. Placing your warm tongue flat against it, you draw it up slowly, wetting his heated skin before pressing more kisses against his sack, giggling when the hair there starts to tickle your lips.

"Think you can handle it if I take you in my throat? I'll go slow, I promise", you speak up from between his legs.

Given how often he's pumped his cock to the very thought of you throating him, Eddie nearly trips over himself trying to find the words to answer.

"Holy shit, yes please", he manages to let out with a strained groan.

That's all you needed to hear before you're taking him into your mouth again, bobbing up and down a few times slowly, careful not to let your teeth scrape his sensitive skin before you bob deeper and let him reach the back of your throat, triggering your gag reflex and making your throat close around him nice and tight.

"Baby– baby, fuck I'm going to cum", he gasps, hips jerking, eyes squeezing shut.

And that's all the warning he can manage to give you before he's spilling down your throat, thick, creamy ropes of it which you swallow down eagerly and as best as you can.

Most of it slides down the warm, wet contracting walls of your throat but you realize just how pent-up Eddie must have been when your cheeks puff out a little with a generous amount of his cum that you couldn't manage to gulp down fast enough, pulling off of Eddie's softening cock with a mouthful of spend sitting warm on your tongue, coating the insides of your cheeks.

Sitting there on your knees while Eddie pants and recuperates, a deeply curious part of you has you swishing his cum in your mouth, savoring the distinct, tangy taste of him before you part your lips and let him look inside.

Exhausted but entirely amazed, he gawks at you and the viscous mess of spit and semen in your mouth, tempted to stick his own tongue in there and taste himself on you before you press your swollen lips back together and promptly swallow, a beaming smile breaking out on your face.

"See? told you I'd take care of you."

[hana-no-seiiki]

YANDERE HUSBAND x GN CELEBRITY!READER

— based off of a dream i had of a childhood friend/crush. hiatus not over tho lol.

— morally bankrupt reader. clingy husband. the usual yandere stuff.

YANDERE! HUSBAND who was your childhood best friend. Your parents shipped you two since you could speak.

YANDERE! HUSBAND who had a crush on you since forever. He doesn’t even remember a time where he didn’t get butterflies and an aching need to be the only one close to you

YANDERE! HUSBAND who’s the biggest flirt. He knows you the best. Although you were completely oblivious. He’d always try to be around you, compliment you, tease you.

He’d give you matching keychains, and would beg his parents to buy whatever gift he’d think you’d like.

YANDERE! HUSBAND who sadly had to move away for a while. He comes back during high school. And the first thing he asks while he’s there? To be put in the same class as you.

Now that you two are older, you finally started to notice how much of a tease he was. Always grappling unto a piece of your attention.

You acquiesce and begin to date him. Not necessarily feeling anything for the guy but thought it was high time that you finally settle down. It was the perfect storyline you could share once your ambitions were fulfilled.

That and cause your parents would only let you go to acting school if he married you.

Which you two eventually did before college. Was it rushed? Definitely. Did you even love the guy? Nuh uh. But you had places you had your sights set on. And he was the only path.

YANDERE! HUSBAND who drops out to be your full time househubby. His parents could always give him a job at their corporation anyways. There was no real pressure for him to study and get a job.

YANDERE! HUSBAND who almost always supports your acting career. Watching all your shows, movies, and interviews. Basically buying out all the merch you featured in. And paying advertisers across the globe to have your face plastered everywhere.

YANDERE! HUSBAND who unfortunately stops you from having any romantic or sexual scenes. Essentially blocking you from any roles that could be your breakthrough just cause it could have a tiny kiss or so.

Your anger at his blatant attempt to have control over you began simmering. Ever so slowly reaching the surface. Not improving at all when you found out he’d been trying out a job that his mother gave him.

Fuck the gifts. Fuck the yachts and cars he’d swarm you with. Why did he get to do what he wanted and you didn’t?

So you follow him to work once, only to catch him in a compromising position with a coworker.

You didn’t care about him or his business beneath the sheets really. So you had to thank the gods above that you knew exactly what and how to do the following act.

Cry. Scream. Throw things at them.

The coworker already left. Shuffling as they tried to hide from your anger.

Your husband is unresponsive. Catatonic. Even more of an excuse to hurt him.

You call him filthy, uncaring, the worst man to ever exist. Hell, even some of your true feelings come out as you yelled about how you regretted ever being with him.

You find out later from his mom that he had been framed. That this coworker was just trying to get money out of the heir.

Still, you wanted out. He had already served his purpose and you needed to expand your horizons.

A week later of radio silence from him as you prepared the divorce papers he walks in.

Covered in red his hands caressed your face,

“You called me filthy did you not? So I cleansed myself with their blood.”

[socksonat3am]

In the days after

I dunno what i wanna do with this. I’ve had it for a while but it needs...more.

Anyways, enjoy this little blerby thing i made but haven’t touched for a while. I technically have more but idk what i wanna do with it.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

“<They are not warriors. They are children. Your children.>”

“<Oh yeah? Why don’t you tell that to the sky people who won’t think twice when they’re shooting at them!>”

It was another one of those nights. Neteyam’s death had only brought more of them. The mourning was long and hard. It weighed heavily in Neytiri’s heart. The mere thought of him made her hand raise up to the necklace she had taken from his lifeless body. His spirit was with Eywa and his body placed with the ancestors of the Metkayina, his song cord finished, but this little piece of him she couldn’t let go. Under her fingertips the cold beads only reminded her of the hurt she suffered that day.

“<Then what was the point in running away?! If they are just going to follow us and our children still aren’t safe? I trusted you. I put my trust in you Jake, and nothing you promised has come true! I do not know if my clan is safe. Our family is not safe. Our first-born son should be proof enough of that!>”

“<I did everything I could to protect this family! I gave up everything! You aren’t the only one hurting Neytiri. I lost a son too!>”

“<You gave up everything? I lost my father to the sky people. I lost my sister. I lost Seze. I lost my home, twice. Jake. I have been made to flee from my home when I wanted to fight. You gave up everything? I have lost so much and yet I continue to lose. You have given me much Jake Sully, but you have also taken much more than you can imagine.>”

“<What do you want from me Neytiri?!>”

“<I want my family to be safe and protected! Which you cannot seem to do!>”

Jake didn’t seem to react to the venom in Neytiri’s words. He froze for a moment before the eyes that bore down into her own faltered for a moment while hers remained steadfast in their gaze. She felt scorned. And she did not regret her statements. Not yet at least. The realization and pain would only hit after she had enough time to think about it and reflect. He was the father of her children after all. She loved Jake. But she was so angry with him. How could you forgive someone who has done such horrible things to you? How could you not forgive someone who has blessed you with so much? Stones would be laid in her heart tonight when he didn’t return to their shared space.

He’d be back eventually, just like usual. Some nights it was Neytiri that left, others it was Jake. But they always came back to each other. She would apologize later but for now she sat down on the woven flooring and began tracing the patterns in it as an attempt to calm her mind. Her people were known for their weaving of textiles and fabrics but those were for an entirely different purpose than these suspended floorings and walkways. It reminded her of home. A home she may never be able to see again. The thought caused her eyes to drift towards the opening of the Mauri pod she and her family had been gifted to stay in.

[leclerc-hs]

wait for your love - cl16

pairing: arranged marriage!charles x fem!reader summary: in which you're in a fake marriage OR you and your fake husband might be in love with one another warnings: none?? no smut in this part (SORRY), badly translated french (pls correct me), NOT PROOFREAD!, angst, pining???, jealousy, complicated feelings word count: 3.6k author's note: I'm still unsure how i feeeeel about this one but I tried my best!! I think writing about an arranged marriage is a little hard because i didnt want it to be mafia related so this was my take on it. there will be a second part!! i also want to mention that all these separate parts are just events that are little peaks into their marriage. it is not in the span of a week or anything, it takes place over time. they do not go from nothing to being in love in the span of one week. just wanted to make sure you guys were aware of that LOL. ok love u all. sorry if this sucks.

✦ . 　⁺ 　 . ✦ . 　⁺ 　 . ✦ ✦ . 　⁺ 　 . ✦ . 　⁺ 　 . ✦

THE MARRIAGE WAS merely a façade, designed solely to serve the interests of both of your media images. You weren’t in love—far from it…right?

“Charles! How are you and the beautiful Mrs. doing?” A reporter placed a microphone in his face, an eager grin pulled on his lips as he awaited an answer.

“Elle est tellement merveilleuse, n’est-ce pas?” She’s so wonderful, isn’t she? His gaze strayed from the reporter to where you stood a few feet down the carpet, posing for the dozens of cameras. “Tellement belle.”So beautiful.

His eyes remained transfixed on you, the rest of the world fading into insignificance as he watched you approach. The chatter of the reporter beside him became distant background noise, overshadowed by the sight of your radiant smile. With each step you took closer, a surge of warmth flooded through him, causing his heart to swell with an overwhelming sense of anticipation. Charles turned back to the reporter just as he said “Looks like she is making her way over here!”

“Salut beau gosse!” Hi handsome! You gently press your lips to his cheek, the warmth of your smile radiating as Charles’ face lights up upon feeling your kiss. His hand finds its place on the small of your back, a comforting and possessive touch that speaks volumes of his affection and protectiveness towards you. A united front.

“You guys are seriously too cute!” 

The both of you smile largely at the reporter, thanking him, before heading down the carpet to enter the movie premiere.

It wasn’t until you crossed through the main doors of the building that you drop the smile, and his hand drops from the small of your back.

“Tellement crédule.” So gullible. He utters the words briefly, prompting a nod from you before you take a small, deliberate step back, putting some distance between the two of you. 

-

You learned early into the arrangement that Charles wasn’t capable of love. His heart seemed barricaded behind the walls of his ambition, his sole focus on climbing up the ladder of success in his career. It seemed easy at first though, it’s not like the either of you had any feelings for each other.

“Assez!” Charles roared from behind his imposing oak desk, his voice echoing through the room. “That’s enough!” His words cut through the tense atmosphere like a thunderclap, commanding your attention and halting any further discourse with an authority that brooked no argument.

With a subtle roll of your eyes, the delicate sundress draped over your form swayed gracefully with each purposeful step towards his desk. His gaze, cold and piercing, met yours as you reached out, your fingertips lightly grazing the polished wood surface. Leaning in just slightly, you locked eyes with him.

“Je vais me répéter une fois de plus,” I will repeat myself once more. You declared, your tone carrying a hint of assertiveness. Tracing the edge of the desk with a meticulously manicured nail, you maintained your composure, refusing to yield under his scrutinizing stare. “You need to be more careful in public.”

Your cheeks flushed red with frustration, a stark contrast against the determined set of your jaw. Despite the tension, Charles couldn’t help but be captivated by just how stunning you appeared in that moment. He couldn’t tell if he hated you or just wanted to fuck you.

He scoffed before reclining back in his chair, the top buttons of his shirt carelessly undone. His tousled hair appeared as if he had run his hands through it a dozen times—or perhaps someone else had.

He watched as your eyes traced along his disheveled hair and the partially undone buttons of his shirt, a knowing smirk playing on his lips. “Jealous, mon ange?” He teased; voice laced with amusement. Now it was your turn to scoff.

Mon ange. Him and that stupid nickname.

“Jamais.” Never. You replied firmly, your tone leaving no room for doubt as you turned around. With a subtle sway of your dress, it raised slightly, offering him a glimpse of the lace set beneath it. Without another word, you walked out of the room, leaving him to ponder just how badly he wanted to remove that dress from your body.

He always resented how you seemed impervious to his charms. No matter his efforts, you remained aloof, seemingly untouched by his presence. It bothered him to no end. To him, you were an epitome of perfection, a constant reminder of his own shortcomings.

-

“Es-tu affamé?” Are you hungry?

You didn’t care if he was. You just needed to distract yourself from the fact he never came home last night. From the fact that he came home obviously smelling like another woman.

The marks on his neck had your throat feeling tight. Marks from another woman. Marks on your husband.

You tried your best to ignore the dark purple marks littered on his neck, and the tiredness in his eyes as he plopped down on the chair across from you. The umbrella in the center of the table, protecting you both from the bright sun as you sit beside the pool.

“Non, simplement fatigué.” Just tired.

You nodded slowly, your movements languid as you bit into a strawberry, its juices trickling carelessly past your lips and trailing down your neck in a sensuous cascade.

Charles couldn’t help but allow his gaze to follow the path of the juice, his eyes tracing its journey down your neck, almost reaching the enticing curve of your breasts.

You made no effort to wipe away the trail of juice, the glistening droplets lingering on your skin like a tantalizing invitation. With a knowing smile, you relish in the anticipation, fully aware of the effect it had on Charles. Men, they’re too easy.

“You should cover up those marks.” You bit into the rest of the strawberry, before standing from the table, preparing to dip into the pool. Charles hands reached out as you walked by him, his fingers dipping into the strings of the bikini bottoms at your hips. 

His touch seared through you like a branding iron, leaving a scorching trail of sensation in its wake. 

“Est-ce que ç ate derange?” Does it bother you? He looked up at you, his face serious.

The words felt like lead in your throat, heavy with unspoken truth. It didn’t bother you, did it? But deep down, it gnawed at you like a persistent ache, an undeniable discomfort you refused to acknowledge.

“No.” You attempted to push out of his grip, to no avail. “Lâche-moi.” Let go of me. He didn’t.

Never, is what he wanted to say.

“What’s wrong?” He questioned; his eyebrows scrunched as he looked up at you from his chair.

Your hands slipped around his wrists that rested on your hips. “Rien ne va pas.” Nothing is wrong. He cocked his head to the side, as if to say liar. You finally pull out of his grasp, walking towards the pool and jumping in.

End of discussion.

-

“Did you really need to eye fuck her the whole night?” You half-shouted in the passenger seat of his car, the cool leather seats contrasting with the warmth of your bare thighs clad in the mini skirt.

“Did you really take that guy’s number?” He half-shouted back, his hands gripped tightly on the steering wheel. 

“What’s wrong with taking his number?”

There was nothing wrong with taking his number. You both agreed you can date other people if it was kept under the wraps. But despite the coolness of the leather against your skin, it did little to quell the agitation simmering within Charles.

Perhaps it was the rarity of you into dating others. It wasn’t that you couldn’t attract men; in fact, men often vied for your attention. Rather, it was your own inclination against one-night stands that set you apart. Charles concluded in that moment that this must be the reason for his discomfort. And considering you had finally shown interest in someone, did it imply he was special?

“Tout le monde remarque!” Everyone noticed!  He spat out the words, unable to conjure a coherent response in his frustration. Deep down, he knew there was nothing inherently wrong with simply exchanging numbers.

You laughed, a carefree melody that seemed to dance through the car, causing you to lean forward over your lap. The casualness of your reaction grated against Charles, intensifying his frustration. How could you be so nonchalant about accepting another man’s number? The knot of unease in his stomach tightened, gnawing at him with a persistence he couldn’t comprehend.

“So?” You turned towards him; his eyes were focused solely on the road. “It’s not like I fucked him in front of everybody.”

Charles head snapped briefly towards you; his eyes narrowing with sharp intensity. The mere thought of you being intimate with another man felt like nails scraping against a chalkboard, setting his teeth on edge with raw, visceral discomfort.

Why was he so bothered? It’s not like he doesn’t fuck other girls.

-

“Où vas-tu?” Where are you going? You found yourself stood in the archway of the kitchen; Charles leaned against the kitchen island with a glass of water in his hand. 

His eyes trailed down your figure, a short black dress that hugged your curves. He felt his patience wearing thin as he watched you engrossed in your phone screen, fingers tapping away and a large smile on your face. 

Who were you texting?

“Hm?” You said, still smiling down at your screen. “Où vas-tu?” He egged on, his tone dripping with impatience at your lack of an answer.

“Oh, j’ai un rendez-vous.” I have a date. You tore your gaze away from the screen for the first time since you came downstairs. Lifting your eyes, you met Charles with an infectious smile spreading across your face. The sheer warmth and joy emanating from you caused Charles’s heart to momentarily falter in its rhythm.

A date? He felt sick.

Charles remained silent for a few moments, his grip tightening around the glass in his hand betraying the turmoil within him. The sudden crash of the glass hitting the kitchen floor startled you both, causing a shared flinch as shards slid across the tiled surface.

“What about my event tonight?” He disregarded the broken glass around him, his attention consumed by the word “date” echoing relentlessly in his mind.

“Pretend I’m sick or something,” You tilt your head in confusion. “You’ve gone to events without me before.”

It wasn’t until you went to make a step towards the broken glass that Charles snapped out of it. “Don’t come near, tu pourrais te faire mal.” You could get hurt.

The words made you stop in your tracks and your heart clench slightly.

“Je dois y aller.” I must go.

Your eyes meet Charles one last time, you offer him a small smile before pulling your phone to your ear and answering it with a smile.

Leaving Charles alone in the kitchen, the lingering question of when this feeling would dissipate hung heavily in the air.

“Je ne veux pas que tu partes.” I don’t want you to go. He muttered to nobody but himself in the empty house.

-

You went on a relentless series of dates since then, each time returning home with a grin that seemed to mock Charles. He longed to wipe that smug smile off your face, but deep down, all he truly desired was to see you genuinely happy. Yet, the idea of your happiness being derived from someone else filled him with a sense of dread he couldn’t shake.

One night, Charles felt his sanity slipping as he anxiously waited for your return, each passing minute amplifying his restlessness. Was this what you did when he was away?

His unease peaked when you finally walked through the door well past noon, wearing a smile that seemed out of place and with your hair tousled, a stark departure to your usual pristine appearance. A faint, barely perceptible mark gracing your collarbone served as Charles’ triggering a tumult of emotions within him.

“Did you fuck him?” His voice was gruff as he walked up to you by the front door, essentially cornering you between the front door and his body.

Your eyes widened at his tone and question.

“Cela ne te regarde pas!” That’s none of your business! You shouted, your finger pressing into his chest.

His eyes blazed with fury, the green in them almost appearing black. “C’est tout à fait de mon affaire!” It’s all of my business! 

He was aware of his irrationality, but despite that knowledge, he couldn’t shake the overwhelming emotions stirring within him. All he wanted was for the burning ache in his chest to subside.

“Ce n’est pas juste.” That’s not fair. You countered, your narrowed eyes reflecting your simmering anger, your chest flushing red with frustration as you breathed heavily.

“Tu es ma femme.” You are my wife. He folded his arms firmly across his chest, the sinewy muscles of his biceps straining against the fabric of his shirt, emphasizing his imposing presence.

You rolled your eyes, “C’est faux.” It’s fake. The words almost hurt to say aloud.

“Is it?” His words were short as he looked down at you, his gaze unfaltering, almost begging you to admit that there is something between you two.

“Oui.”

You pushed past him, rushing up the stairs and slamming your bedroom door shut.

-

You didn’t always fight though. There were good and bad days. Almost like a real marriage, right?

“Mon ange, wear the blue one.” His voice came from a distance as he sat on the edge of your bed, surrounded by the chaos of your closet. You felt a sense of panic wash over you, unable to find solace in any garment you tried on. You couldn’t even decide on a color.

“You always look good in that one, yeah?” He continued; his tone almost absentminded. Despite your turmoil, his words elicited a small smile, causing a faint blush to rise on your cheeks. Grateful that he couldn’t witness your reaction, you silently thanked whatever higher power existed. You vowed never to let him see you blush from his words.

You stepped out from your closet a few moments later, the blue silk dress that left little to the imagination of your breasts, with a small thankful smile on your face. Charles felt his hands itching to touch you as you leaned over the vanity, applying a last coat of lip gloss.

“Prête?” Ready? You turned back towards him, the small pebble of your nipples poking through the thin fabric, a sight that momentarily arrested Charles’s attention. With an effort, he tore his gaze away, clearing his throat discreetly before nodding in response and leading you out the house.

“Pourquoi cela?” What is this for? You quickly ask about the purpose of tonight over the low murmur of the radio as Charles pulls into the valet area of the event.

“It’s for charity,” He swung open his car door, the faint sound of camera clicks filling the air in the moment it remained ajar before he swiftly closed it again. With a sense of urgency, he hurried around the car to open your door, his movements a flurry of activity as he sought to ensure your comfort.

Tonight, he remained steadfastly by your side, his attention solely focused on you, his wife. He didn’t allow his gaze to wander, even as other females vied for his attention with near desperation. It was a departure from his usual behavior, as if he finally decided to listen to your complaints.

“Tu es magnifique.” You look beautiful. He muttered into your ear, his words meant for you alone, shielded from prying cameras. It caught you off guard—a genuine compliment, untainted by presence of the reporters or observers.

-

“Mon ange, regarde tes cheveux!” Look at your hair! Charles laughter filled the kitchen, reverberating off the walls with a hearty resonance. It wasn’t long until you joined in, your laughter mixing with his in symphony. The sight of both of you covered in flour from your baking rendezvous added a touch of whimsy to the moment, the white powder dusting your hair like a playful snowfall.

You stepped closer towards him, a playful pout forming on your lips, while he looked down at you with a twinkle in his vibrant green eyes. The intensity of the green hue in his eyes was so striking that it caused your stomach to flutter with nervous anticipation.

You noticed his eyes briefly flicker to your lips before meeting with yours again. A silent ask.

His flour dusted fingertips rested against your jaw, holding your face in the palm of his hands, while his eyes flickered to your lips again. 

“Laisse-moi t’embrasser, s’il te plait.” Let me kiss you, please. His words were so quiet, as if you both were secluded in your own bubble. You didn’t answer as your eyes trailed all over his face. As if you weren’t sure if you heard him correctly.

“Ne me fais pas supplier.” Don’t make me beg.

He could feel the rapid pace of your heart, almost beating out of your chest as he uttered the words. You nodded in response, but before you could even finish the nod, his lips crashed into yours.

It was anything but gentle. As if, you both had waited years to be able to do this without a camera in your presence.

His tongue slipped into your mouth almost instantly, eliciting a soft moan that escaped your lips and melded with his own. He groaned in response, his arms encircling your waist to draw you closer, pressing you flush against his chest before guiding your back against the messy countertop. One hand found its place against the nape of your neck and jawline, holding your head in place with gentle insistence. Meanwhile, the other hand tenderly played with the ends of your hair before wrapping them around his fist, holding your hair firmly yet tenderly.

“Si doux.” So sweet. He murmured against your lips; his breath warm against your skin as he continued to savor the moment. 

Your hands instinctively wrapped around his biceps, holding him close, though he showed no inclination to pull his body away from yours.

His lips trailed along your jawline as he pulled the ends of your hair, lulling you head back to give him more access to your neck. Another soft moan left your lips, escaping into the kitchen, as he sucked on the spot where that mark once was.

“Drive me crazy, mon ange.” He muttered against your skin, peppering kisses along your neck, along your jawline, until he met your lips again with a soft peck.

Your eyes met his and you could’ve sworn you would’ve dropped to your knees right then and there for him. 

The distant ring of a cell phone was heard in the background, immediately causing you to push him away from you. Your cellphone.

You looked at Charles with a sense of panic. What were you doing?

As if Charles could sense that panic, he brushed off the pain with a small smile. “Tu devrais répondre à ça.” You should answer that.

-

You didn’t see Charles for a few days following the kiss. 

“Que fais-tu ici?” What are you doing here? Charles eyebrows were furrowed as he took in your figure standing before him, an unnamed bag in hand.

You shook the bag in your hand, “Déjeuner.” Lunch. You waved the bag around like it was no big deal. Like you didn’t come all the way to Maranello to bring your fake husband lunch.

You found yourself unsure of the exact reason behind your actions, yet you did it anyways. With Charles away for the past few days, leaving you alone at home, a peculiar sense of longing seemed to linger in the air. Though you refused to admit it outright, all indications hinted at a quiet, yearning for his presence that you got so accustomed to over time.

“Tu n’avais pas besoin de le faire.” You didn’t need to. A smile pulled on his lips as he slung his arm over your shoulder, grateful for the sight of you.

“Je m’ennuyais.” I was bored. You confessed with a shrug, a hint of sheepishness coloring your tone.

He pulled you into an empty room, wordlessly. Instructing you to take a seat as he grabbed two waters from the nearby fridge.

“Comment se passe le travail?” How’s work? You asked, although your inquiry was more out of habit than genuine interest. Since the kiss, you found yourself at a loss for how to engage with him, unsure of how to navigate the shifting dynamics between you two.

He chuckled softly, choosing to settle into a chair beside you rather than sitting across from you, as if he wanted to be close to you. “Tu m’as manqué.” I missed you. He confessed quietly, his tone revealing a vulnerability he rarely displayed with you.

The tips of your ears flushed with a rosy hue in response to his confession, a shy smile tugging at the corners of your lips. Your gaze softened as you reached into the bag, delicately arranging the food on the table before him, each movement infused with a tenderness that spoke volumes.

“C’est bon.” It’s okay. He muttered, a silent acknowledgment passing between you two. “I know you missed me too.”  A smirk pulled on his lips as you shoved his shoulder half-heartedly. 

You didn’t deny it.

[gothhabiba]

The 2023 Barbie film is a commercial. I’m sure it will be fun, funny, delightful, and engaging. I will watch it, and I’ll probably even dress up to go to the theater. Barbie is also a film made by Mattel using their intellectual property to promote their brand. Not only is there no large public criticism of this reality, there seems to be no spoken awareness of it at all. I’m sure most people know that Barbie is a brand, and most people are smart enough to know this and enjoy the film without immediately driving to Target to buy a new Barbie doll. After all, advertising is everywhere, and in our media landscape of dubiously disclosed User Generated Content and advertorials, at least Barbie is transparently related to its creator. But to passively accept this reality is to celebrate not women or icons or auteurs, but corporations and the idea of advertising itself. Public discourse around Barbie does not re-contextualize the toy or the brand, but in fact serves the actual, higher purpose of Barbie™: to teach us to love branding, marketing, and being consumers.

[...] The casting of Gerwig’s Barbie film shows that anyone can be a Barbie regardless of size, race, age, sexuality. Barbie is framed as universal, as accessible; after all, a Barbie doll is an inexpensive purchase and Barbiehood is a mindset. Gerwig’s Barbie is a film for adults, not children (as evidenced by its PG-13 rating, Kubrick references, and soundtrack), and yet it manages to achieve the same goals as its source material: developing brand loyalty to Barbie™ and reinforcing consumerism-as-identity as a modern and necessarily empowering phenomenon. Take, for example, “Barbiecore,” an 80s-inspired trend whose aesthetic includes not only hot pink but the idea of shopping itself. This is not Marx’s theory on spending money for enjoyment, nor can it even be critically described as commodity fetishism, because the objects themselves bear less semiotic value compared to the act of consumption and the identity of “consumer.”

[...] Part of the brilliance of the Barbie brand is its emphasis on having fun; critiquing Barbie’s feminism is seen as a dated, 90s position and the critic as deserving of a dated, 90s epithet: feminist killjoy. It’s just a movie! It’s just a toy! Life is so exhausting, can’t we just have fun? I’ve written extensively about how “feeling good” is not an apolitical experience and how the most mundane pop culture deserves the most scrutiny, so I won’t reiterate it here. But it is genuinely concerning to see not only the celebration of objects and consumer goods, but the friendly embrace of corporations themselves and the concept of intellectual property, marketing, and advertising. Are we so culturally starved that insurance commercials are the things that satiate our artistic needs?

— Charlie Squire, “Mattel, Malibu Stacy, and the Dialectics of the Barbie Polemic.” evil female (Substack), 2023.

[risestarkiss]

Rise Ramblings #789

While researching for a certain project, I realized something interesting about our boy Mikey.

In TMNT lore, clothing is worn for the purpose of “fitting in.” Yet in Rise, gone are the days of wearing “disguises” to pass as humans (whereas some iterations went as far as wearing human head masks.)

I think the closest we get to a “disguise for the purpose of fitting in” is when, for some inexplicable reason, they decide to wear their wrestling costumes while running a mundane errand.

Yet normally, and when sane, the Rise boys wear clothes based on the occasion, just like everyone else.

However, when I started to look at the clothing choices of a certain boy in orange, something stuck out to me.

Other than the winter gear which serves a purpose, and the basic default hoodie for most outside shenanigans, Mikey’s clothing choices are…unique compared to his brothers.

Let’s take his choice of swimwear, for instance.

While his brothers go for more traditional beach attire, what is Mikey wearing?

He’s wearing a one-piece bathing suit from the 1920’s. 😂

Of which, nowadays, is sold as a costume.

Likewise, when the boys need to infiltrate April’s school, Raph and Leo dress accordingly.

But what does Mikey wear?

Now I could be wrong, but I believe that Mikey’s fit is a reference to the movie, “Redline,” complete with an outrageous pompadour.

There are not many other instances of Mikey wearing clothes, but here are a few honorable mentions:

The most clothes Mikey does wear is obviously in “Clothes Don’t Make The Turtle.” Yet, his reception to the situation is different than that of his brothers.

My final thoughts:

This is the most normal outfit that Mikey owns.

It’s a simple sweater, pair of jeans, and glasses. This is a fit that anyone else would wear while out and about.

But for him to wear this particular look, a certain stipulation must be met.

He has to be “Doctor Feelings.”

Given all of the evidence, I’ve come to a conclusion.

I believe that Mikey doesn’t see clothes as a way to be himself. Michelangelo, instead, sees clothes as simply…Cosplay.

[houserautha]

These Destined Ends

Part 1

Summary: Jessica fulfilled the wishes of the Bene Gesserits to produce a daughter. You’re now burdened with the task of not only marrying the na-Baron, but also bearing his child — the Kwisatz Haderach. Will you take your fate into your own hands? Or will it always belong to those who control you?

Pairings: Feyd-Rautha x F!Reader

Word Count: 2.1k

Warnings: none for this chapter. Masterlist of warnings overarching the series

A/N: Hello! If you’re here then there’s probably something wrong with you too, so let’s be friends. I haven’t been able to write anything lately until I saw the latest Dune movie and then all of my thoughts became dedicated to Feyd-Rautha. I must get these thoughts out. Help. Me.

“Chin up.”

Your mother brushes your hair back, bronze, like hers, and lifts your chin. Her gaze is critical. You stare back, thinking only of the things that she will find fault in you. An endless amount, you muse. The slightest flicker of expression on Lady Jessica’s face informs you that she suspects what you’re thinking. Your teeth grit.

“Must you do that?” You hiss through your painted lips. The servants have dressed you specially for the occasion. A floor-length black dress and, settled on your shoulders, a red cape clasped together with the House of Atreides insignia.

Jessica withdraws her hand. Your mother radiates femininity and power, a feat you’ve yet reached. Even the cool way in which she regards you drips with regality.

“Do what?” She asks, feigning innocence.

“Don’t make me say it.”

Jessica’s blue eyes harden. “You don’t have to, daughter. It’s plain enough.”

Mother and daughter stare at one another.

She tried to teach you the ways of the Bene Gesserits, but you failed to take to it. You were too expressive, too…volatile. You struggled to detect the slightest change in voice, you could never sit still long enough to study, and your facial features always betrayed you. The only aspect you succeeded in was combat — there was no need to mask your feelings, your thoughts, able to just completely lend yourself to the blade.

But it wasn’t enough.

“You’re fortunate the Reverend Mother has chosen to see through with this arrangement,” Jessica all but snarls. “There’s hope for you still, in form of an heir.”

The Kwisatz Haderach.

The only reason your mother still spoke to you, affords you any attention at all. The fact that you’ve been painstakingly bred to produce him: a Bene Gesserit of male origin, capable of accessing the memories of his ancestors and see through time and space itself.

A terrible mantle for an unborn child.

In the black of night, you sometimes lay your hand on your abdomen and utter apologies to the egg nestled in your ovary; burdened with horrible purpose. If only you could avoid its fate. But you were not even in control of your own.

“I want to stay here,” you plea finally, pitifully.

Jessica steps away from you, brushes off her skirt. “You know that you cannot.”

“I can help Father,” you insist. “You know that he worries about gaining the approval of the Fremen. I can —”

“Enough!” The Voice. It snaps your mouth shut and renders you mute. “This is bigger than both of us.” Jessica snatches your upper arm, pulls you close enough to feel the heat of her anger. “Your father wanted a son. A heir. But it was my duty to produce a daughter. I ignored the pleas of your father because I understand what it is to serve. Don’t make me regret my decision.”

You swallow your disgust, though it lingers like a foul taste on your tongue.

This isn’t the first time that your mother has told you this. Nor did you think it would be the last.

Perhaps making a home among your enemies would be better than staying here among family.

“Fine,” you say. You wrench your arm from her grasp then turn away. It’s futile, you know the heighliner will be here soon to whisk you away, but you can’t stand to be in the presence of your mother any longer. Fortunately she lets you go.

You’re not even aware of where your feet are taking you until the familiar sound of the baliset meets your ears. Gurney rests lazily on the ground in the massive corridor, back against the wall and string instrument in his scarred hands. He doesn’t look at you as you approach nor when you collapse down beside him.

Usually Gurney’s situationally appropriate songs bring you a modicum of comfort, but today it seems more ominous than insightful.

“I won’t miss your singing,” you say.

He stops playing. “You jest.”

Playfully, you crack open one eye and peer at his baffled expression. You try not to laugh. “I don’t.” A sigh escapes your mouth then, and you slump further down, uncaring if you rumple your gown. “I will, however, miss the singer.”

“Don’t bother appealing to an old man like me. It won’t get you anywhere.”

“Hm,” is all you say, lost in thought.

Gurney sets the baliset to the side. His hand finds your knee and he squeezes. “You will be fine, Lady Y/N. I’ve taught you well.”

“Not even what you’ve taught me will suffice for what I’m up against.”

“Nonsense.”

Both eyes open now, you stare pleadingly at the swordsmaster. “Just come with me. Please.”

It’s Gurney’s turn to sigh. With a groan he heaves himself to his feet and offers you a hand. “You know that I can’t,” he murmurs.

His loyalty to your father doesn’t extend to you.

He is Leto Atreides, Duke of Arrakis, after all. And you are just his daughter. A pawn. A womb and nothing more.

You reach out to ghost your fingers over the scar on Gurney’s cheek. “Tell me about them.”

The Harkonnens.

“There’s nothing you don’t already know or haven’t learned from the filmbooks,” Gurney says to you in a terribly soft voice. It’s unfitting of the great soldier. “They are a cruel people. Do not trust them.”

You nod, irrationally devastated that your final plea to Gurney did not work. But his words were not anything new.

Nothing you learned about the Harkonnens has been pleasant — from their oppressive rule and misogynistic society down to their industrialized homeworld. Your chest aches.

First you were forced to leave the lush beauty of Caladan for Arrakis. You had even grown admittedly fond of the desert planet, just to yet again be snatched from another home.

“Thank you, Gurney. For everything.”

He dips his chin in acknowledgment, then holds out his arm for you to take.

Gurney has been like a second father to you over the years. While Leto was out securing political alliances and holding meetings, it was Gurney who kept you company. He aided in your combat training and believed in you when no one else did. To lose him would be to lose a great friend, indeed.

By the time you return to the antechamber where you’d been, Leto has arrived. He looks as cunning and handsome as ever, and the smile he flashes you is enough to cut you to the bone.

If what Jessica said was true about your father wanting a son and being sorrowful he did not get one, you would never know. He has only ever made you feel loved.

“My beautiful daughter,” he greets you. He smells wonderful. The same way he did all of those years ago when he would tell you stories of your grandfather and tuck you into bed, his beard tickling your cheek.

You breathe him in for one of the last times. “Hello, father.”

“You look marvelous,” he says. His smile falters slightly. “Are you ready? I wanted to ensure that you’ve said your goodbyes before we leave.”

Bitterly, you think, Before I leave. Everyone else will return to Arrakis and you will be moored on Giedi Prime, married to a bloodthirsty monster and forced to grow round with his child.

The thought makes your knees tremble.

The Harkonnens controlled the fiefdom of Arrakis before your family and were unbelievably outraged that it, and the flow of spice, had been stolen from them. You couldn’t even begin to imagine what your reception on their planet will be like. It’s any luck if you don’t get slaughtered upon arrival.

Especially since the Baron’s nephew, the na-Baron Feyd-Rautha — your betrothed — was known for his brutal nature. You hoped stupidly that the arrangement of marriage and promise of an heir would be enough to keep you alive.

At least for awhile.

Feyd-Rautha killed his own mother. Who knew what the status of wife meant to him?

“I’m ready as I’ll ever be,” you answer Leto. He squeezes your hand.

You hug Gurney goodbye then board onto the heighliner after your parents. It’s difficult to suppress the tears threatening to fall as the ship takes off in a flurry of sand and departs.

Normally you’d be completely enraptured with the endless golden dunes, but today you stay rooted to your seat and refrain from crying.

The flight to Giedi Prime happens much too quickly for your liking. Already your heart is in your throat, hammering out your nerves in a steady rhythm.

The view from your seat reveals the strange nature of your new home — a black sun. Never again will you see the stretch of blue sky from Caladan or feel the formidable heat of Arrakis. The entire world outside the ship stood in sharp black and white contrast, all color drained from the surroundings and its people.

You spy hoards of Harkonnens gathering beyond the ship, awaiting the arrival of the na-Baron’s wife and their future Baroness.

Your stomach churns. How could you ever lead such ugly, wicked people?

Jessica’s voice engulfs you. “Chin up,” she says again to your dismay. “You mustn’t show any weakness. Not here.”

You raise your chin the slightest amount. Jessica nods stiffly in approval, and it’s in that moment you understand that your mother’s harshness has been preparing you for this. While you hardly feel the urge to forgive her, an odd sense of calm washes over you.

You are an Atreides. And you always will be.

No one can take that from you.

The boarding ramp disengages and you’re the first one to step onto it. A hush of silence befalls the crowds.

You stride forward with as much confidence as you can muster, focusing not on the leering eyes of the Harkonnens but instead on the Baron’s fortress. A large pathway separates you from it, granting you plenty of time to get your fill. It’s as grand as it is excessively boastful; tall, pointed towers cleverly connected, all sharp lines and edges. It leaves the impression of a finely crafted dagger.

A display of power and wealth.

Behind you your parents emerge and the carefully observant crowd launches into disarray — shouts and yells of anger, of hatred, grate your ears. You know that they take it in stride, however, and their strength fortifies your own.

By the time you’ve crossed the distance from the heighliner to the inner walls of the fortress, your eyes are blurried by the strong contrast outside now given away to darkness. It takes a few moments for you to adjust. When you do, you quickly look over your surroundings.

There’s few decorations or art. It’s cold and impersonal and extremely clinical.

Your slippered feet reverberate off the high ceilings.

Bracing yourself, seemingly, has been for no reason. For it’s not the Baron and his nephew that meet you but rather a line of Harkonnen soldiers. Their faces are stoic.

You bristle. “Where is the Baron? And my betrothed? Do they not wish to receive us?”

The soldiers do not answer.

A man appears then from down the hall, a Mentat by the look of him. He’s pale and bald and clad in black like the other Harkonnens.

“My apologies, Lady Y/N,” the Mentat says. “My name is Piter de Vries. I am here to escort you. The Baron and na-Baron will receive you now in the throne room.”

Leto lays a hand on your arm as if to stifle your response. “Please, Piter, lead the way.”

You can’t help but glance curiously at your father. This entire situation was delicate, you knew, but you wonder at his subservience. It’s an insult not to be immediately greeted by their hosts, especially when your guests happen to be the Duke of Arrakis, his concubine, and their daughter. If Leto agrees with this affront, though, he doesn’t show it.

Leto simply strides after Piter with you and your mother in pursuit.

The fortress boasts sleek walls and floors, polished to perfection. Piter guides you to the throne room a short distance away, the sight of it stealing the breath from your lungs. It’s larger than any room you’ve seen before, outfitted on the far side with steps leading up to a grand dais.

And upon the dais, demanding your attention, is Baron Vladimir Harkonnen. The man is as large as the throne room itself but not nearly as impressive, pale and beastly, his enormous weight supported by suspenders. He makes no movement as you enter.

Your gaze moves quickly, eagerly, away from him.

Standing on either side of the dais are his two nephews. Aware that you can’t stand to face your betrothed yet, you fix your attention on his brother. Rabban, you recall his name.

Rabban is bound with hard muscle and swathed in what you can only describe as thinly veiled anger. At his side, his fists clench and unclench restlessly.

Then, without permission, you look to your future husband.

Feyd-Rautha stands as tall as Rabban but roped instead with lean, attractive muscle. His brow sits above dark eyes and a generous mouth. There’s a frightening intensity to the way he stands, encapsulating both nonchalance and a dangerous arrogance. Clearly this man is used to getting his way and will stop at nothing to do so.

And it’s this man that makes no effort to disguise the way he studies you, starting at the top of your head and trickling languidly downward.

A chill dances down your spine.

When he catches this, catches you watching him — he must’ve known that you were — his lips twitch into the faintest of smirks.

Part 2

[an-android-in-a-tutu]

Been seeing a lot of takes like this and I appreciate where they're coming from, it's a good idea to be especially wary of excessive criticism aimed at things made by and for women but like. Yes you do see hot takes about Marvel, and the lego movie, and Batman films. To say this with your whole chest you have to spend zero time in leftist circles and pay zero attention to criticism of big blockbuster movies or just. Yknow. Lie to make your point.

More relevantly you see this specific thing happen whenever a big corporation makes flaccid listless gestures towards progressivism for the sake of their bottom line. Because the end result is always too toothless to have meaning for leftists while still being offensive enough to right wingers simply by virtue of having a lot of women or gay people or people of colour in it to have them frothing at the mouth. Sexist dudebros hating Barbie doesn't shield it from feminist critique, they were going to hate it whether it succeeded or failed but it can still fail.

And as nice as the big feminist speach in barbie is I have to wonder if its primary purpose is to actually uplift women so much as it is to shut down criticism of the movie and the brand. If even Barbie can't escape this criticism what hope is there for the rest of us, right? Except Barbie isn't a real woman, she's a plastic toy made in sweatshops by a brand attempting to rehabilitate a progressive image out of a long history of being criticized for its portrayal of women because that's what will boost sales. This movie is part of that, and pointing that out is important.

You don't need my or ayone's permission to enjoy the Barbie movie, if it was meaninful to you I'm genuinely happy for you, if you just thought it was fun and funny, great! But to act like the only reason to criticize the movie is sexism is glossing over some very real problems and like, straight up falling for the corporate propaganda. Yes every big blockbuster movie actually does get criticized bc they are political tools that serve the people in power. Not every big blockbuster is also being sold as a feminist masterpiece though, so you probably are gonna hear it more about Barbie. You'll also hear it more about Barbie bc people are hypercritical of women and that will motivate some critique, but to assume bad faith is to shut out conversations that need to happen.

[eatmangoesnekkid]

I don’t live my life thinking a lot about money, trying to ‘get’ more money, or not having enough money yet I am not motivated by money either. The act of receiving more money does not make me rush to hurry up and finalize my books or open up my school. I can’t remember the last time I worried about money because having money is an intimate frequency and energy of FREEDOM. You have to break the frequencies of constantly penny-pinching, being stingy, allowing how much money you have in the bank to dictate your mood or living afraid to buy the very things that you need that will expand or evolve you, which is not the same thing as shopping all the time as a coping mechanism for being human, incurring consumer debt or being irresponsible and reckless with your money. And your life force will never thrive when you are a slave or prisoner to money.

The Practical and Spiritual Journey to Making More Money —You Must Enlist Your Warrior and Your Energy

You have to look at earning money like a game and enjoy growing your money and playing the game or else you never win. Not just saving or hoarding it away in your bra but allowing your money to work for you while you sleep like putting it in stocks. I have a degree in Accounting and have always believed that women were born to be skilled in financials but we are socialized to perceive ourselves not. But when you were born with a womb, you are naturally gifted at multiplying a seed into something much larger and intelligent like a whole baby. You are a natural amplifier, nourishing and growing what has been received. Be willing to look into investments and not be afraid of accumulating “healthy debt” and learn to move your money around in order to grow it. Look to investing part of your earnings into different funds, even if it is just cutting back on buying coffee and putting that money you would have paid for a daily coffee into a savings that will accrue and be used to invest in the future. If you already have cash flow, getting rental property to airbnb or sell (everyone I know that is quietly wealth-oriented owns at least 2-3 homes) which can be overwhelming to think about when living pay check-to-pay check but just beginning to think about how you can earn more money from your own money passively gets the ball rolling in your consciousness like what would it be like to open up a laundry mat, build it up and sell it in a few years for huge profit? Laundry mat ownership is such a fast lucrative business, just like what you see in the hood in movies. Or buy a raggedy house, build it up and sell it for a higher cost and incredible profit. Some of you straight and bi women entrepreneurs who are ready for good lovers must find love and attraction with lovers who are builders and handymen and can help to upscale and modernize your home that you can then resale for great profit and stop messing with dusties who have zero skill sets and create more stress on your life. 🙏🏿 Because when you live a highly stressful, parasympathetic, flight or fight life, the first thing you lose is your sexual desire or libido i.e. your umlimited creative power. No thank you!

If you have a spiritual business like me, you can do deals underneath the table but also work towards a LLC to legitimize your company which gives you tax breaks and allows you to earn more money. Something about going through the channels to make something official moves it from just being a hobby to a legit business. As magical spiritual woman, your power move is to attract someone willing to invest in your work as a start-up. If you do, you must cherish this person, love this person with all your heart, hips and soul (if the relationship is romantic but of course it can also be platonic or familial, either way, love this person), adore them deep and true. The person, this angelic being, this God, is saving you massive stress and headache. Their presence in your life serves a larger purpose —you must help them to understand this because our world teaches us to be so fearful and suspicious of being helped or helping someone rather than gracious and honored. Too many people are missing out on great blessings of interdependence because they live afraid and suspicious of the big heart of another human. So sad that many amazing beautiful people are stuck in their little corners hoarding away and missing out on healing, thriving, and experiencing the gifts and/or talents of another human because of how we have been wired to perceive the desire to meet one another’s needs and desires by status quo culture. To be a woman who can love someone in ways that relax their body so deeply that they can finally get out of their head and rest well and regenerate their tissues at night is incredibly priceless.

**This is not the same thing as looking for a handout, walking around broken like the world owes you something or hoping someone will help because you tell a victimization story. It is about being mature and resourceful and consciously manifesting what is needed and not simply what would be cool or cute potentially through love and loving.

But not every woman is ready or qualified for the aforementioned experience because you do have to develop skills that will be greatly useful, nourishing, nurturing, decompressing, relaxing or expansive or beneficial in other ways to another person. You can’t just be attractive or whatever. You have to be a woman who has developed a certain ease and peace in her body and life first and and that is what joining my school and online temple will help you master. And I personally believe you must also really love someone if the harmony is right because 1. love is incredible and healthy for the body to experience for however long it lasts 2. love is essential for the brightest sustained outcome. I’m not talking about the “sprinkle, sprinkle“ foolishness being promoted online. I am advocating for more love between people and all that comes with truly loving someone.

Be so skillful in your mature womanhood that you don't run from challenges, but face and engage them head on, and refine, recalibrate, and evolve beyond them. Never lose the boundaries that you are running a business albeit a spiritual one but still a business. Stay devoted and disciplined, both are essential. Work towards hiring people who can help you scale and grow eventually.

The Spiritual Journey to Making More Money—You Must Invoke Your Lover

The key to having more money is to learn to surrender and trust and truly allow the universe to be your provider, which is not an intellectual idea but a frequency of feminine energy. This is less about gender and more about the willingness to live a little bit beyond the egoic surface layer of reality of urgency that tells you to hurry and produce, to hoard or take or trigger you to constantly need to check off a to-do list, always needing to plan or to cross your t’s and dot your i’s which will allow you to buy that nice house and cute car eventually, but could greatly inhibit your energy from flowing where you never really can feel the joy of a simple moment pulse up your spine because you live in stress and overwork for external things that never make you fully truly happy.

No matter what stage of life you are, the undercurrent of your reality must feel like more relaxation and freedom if you want to have more money but not exhaust yourself in rigorous pursuit and constant labor for it.

I had to learn to draw in the frequency of freedom—to laugh at myself, to play, to rest, to relax, to do silly shit like twirling throughout my day —when life was very stressful, drama was high, and money was low. Neighbors would see me twirling. I would sometimes twirl for customers whose shopping totals were over 200 dollars. Because changing frequencies or weaving new realities is most potent when life is hard. You have to discover strategic ways to do the things you really want to do in life but was told you couldn’t afford. You must also have this hunger and desire to play the game of life to win while laughing at yourself along the way as you refine more and more and develop intimacy with the currencies of relaxation, love and freedom, which naturally include having more money.

But do not just copy and paste and take from others. Give. —India Ame’ye

Keep me away from the wisdom which does not cry, the philosophy which does not laugh and the greatness which does not bow before children.

Kahlil Gibran, Mirrors of the Soul

Chapter: The Money Drop (unedited)

[annes-andromeda]

Wish Rewrite

I have this tendency for rewriting material I either don’t like or think had wasted potential. At the time of writing this, Wish hasn’t come out in theaters but I did pirate it as there was an early screening. I also read the junior novelization and bought the concept art book. Needless to say, I was disappointed by what I read/saw.

I feel like Wish could’ve been better. Granted, the story and characters are not terrible, but they certainly leave much to be desired. This is literally Disney’s 100th anniversary, yet it doesn’t really feel like it. Not only that, but the movie felt incredibly rushed. Yeah I know that most Disney movies try have a run time of 90-100+ minutes, but I think a few more minutes could’ve been added to this film.

So, I decided to indulge myself and outline some changes that I think could’ve made the story slightly better. These ideas are by no means perfect, and in the end, this is all in good fun.

Spoilers ahead btw

The main story of Wish is essentially that Asha wants to get a job as Magnifico’s apprentice so that her grandfather’s wish is granted. But Asha finds out about the King’s true nature, and after questioning him, doesn’t get the job, and Magnifico vows to never grant Sabino or Sakina’s wishes.

Asha makes a wish on a star, and the star comes down, Magnifico tries to hunt down the two of them, he uses an evil spell book to create a staff, Magnifico destroys some wishes, Asha gets help from her friends, they sing a song to defeat Magnifico (I ‘wish’ i was joking), Star gives Asha a magic wand, and all is well.

Oh, and Amaya is… there.

It’s nothing complex, pretty cut and dry. And I don’t have a problem with a simple story! But this feels like it’s… missing something.

Firstly, I’d change the title. Disney already has a boat called Wish, and not every movie needs to be one word like Tangled, Frozen, and Brave (amongst others), so the story could be renamed “Asha and the Wishing Star” or “Asha and the Kingdom of Wishes”. Idk, something that evokes a classic fairytale book feel (or that does confuse people with a boat).

((Side note #1: I honestly enjoy that the story started off with a book, as a nod to classic disney movies, especially Snow White. That was cute))

Secondly, and I know I sound like a broken record at this point…

AMAYA👏🏼SHOULDVE👏🏼BEEN👏🏼A👏🏼VILLAIN👏🏼ALONGSIDE👏🏼HER👏🏼HUSBAND👏🏼

The original plan, according to the concept art book, was to have Magnifico and Amaya to be a villain couple who were partners in crime and owned a black sphinx cat named Charo. However for… reasons, the creators took the ‘safe’ route and made Amaya the good one out of the two.

But the problem is, by erasing Amaya’s evilness, the creators of Wish essentially removed any purpose or personality she may have had and thus, she was left to become a literal ‘supporting’ character. First supporting both Magnifico and Asha, then leaving Magnifico to prop up solely Asha.

Deadass, you can literally remove Amaya from the story and nothing would change. Which is probably why she was exempt from much of the promotional stuff minus the dolls. Because she literally serves no purpose but to be… there.

So, in my version of Wish, Amaya would be a co-conspirator to her husband and yes, I’m adding Charo too. Her personality would be inspired by classic female villains such as the Evil Queen from Snow White, Lady Tremaine from Cinderella, and Maleficent from Sleeping Beauty.

Vain, glamorous, cunning, and unabashedly evil, Amaya would be the Morticia to Magnifico’s Gomez, the brains to his brawn. She’s the girlboss, he’s the wife instigator. Magnifico spoils Amaya rotten with countless gifts and praises, whilst Amaya is the more calm and collected evil compared to her husband’s ever-growing temper.

While she starts the story with no magic, Magnifico just can’t leave his wife hanging and shares the power of the evil spell-book with Amaya. And yes, even Charo gets in on the fun, turning from a small house cat, to a massive shape-shifting beast who breaths blue fire similarly to a dragon (shut up i think it’d be cool)

Magnifico and Amaya essentially keep the wishes of Rosas locked in the castle as a form of obedience. By giving the citizens false hope, it makes them more dependent on the royal couple, and the two have more power over everyone.

Anyways, let’s get to the main characters: Asha and Star.

I don’t have much of an issue with Asha’s character, more so her design. I already made a post showing my redesign of her, so that’s out of the way. Tbh tho, I also have an issue with the rest of the costume design of Wish, being a big costume nerd myself. The movie’s supposed to take inspiration from the Mediterranean, primarily places such as Spain and Morocco (and the Amazigh people for Asha), but the fashion feels like generic European medieval fashion.

I feel like the whole storyline of Asha’s interview with Magnifico was pretty pointless, so I would have it that she just starts off as the kings apprentice, whilst also working as Amaya’s scullery maid.

The couple took Asha in when the girl lost her father at the age of 12 (according to the film), and she’s been working for them for five years. Asha works not only to support herself, her family, and her community, but also as a way to distract from the grief of losing her father. Which is no issue, as Amaya always bombards the girl with chores, and Magnifico only teaches Asha the most basic of magic for fear of her growing more powerful than him.

I made Asha work as a scullery maid not only as a reference to princesses such as Snow White and Cinderella starting off their respective stories as maids, but also because scullery maids acted as assistants to the kitchen maids. Dahlia works in the kitchen, Asha and Dahlia are best friends, I figured it made sense.

But anyways, on the day of Sabino’s 100th birthday, Sakina tells Asha to take a break and return home, as she hardly visits anymore due to work. Asha says she’ll try asking the king and queen to get off early, but that she can’t make any promises.

Asha meets with Magnifico and asks for the day off, but the king refuses. However, wanting to keep her loyalty, Magnifico finally shows Asha the wish chamber, and even allows her to witness the wish ceremony that night. But once Asha starts questioning the king on his methods, any goodwill between them begins to fade.

Another thing I’m disappointed in, is that originally Star was going to be a shapeshifting humanoid inspired by the Genie and Peter Pan, and may have even had a romance with Asha. But, the idea was scrapped for the more cutesy, ‘marketable’, version of Star.

In my retelling, I’d choose to do this human shapeshifter version of Star, but I’d name him something else. The star Earendel was mentioned in the concept art book, which is the farthest known star from Earth and not only means ‘morning star’ in Old English, but is also named after the Tolkien character, Eärendil.

I would call this shapeshifter Star Earen, and because Disney loves their animal/cute sidekicks, Earen can have the ‘Kirby’ Star as a companion, just like how Asha has Valentino and Magnifico and Amaya have Charo.

((Side #2: Anybody else notice that Star lowkey looks and sounds like Kirby😶))

Earen and Star journey down to Rosas once they hear Asha’s pleas for guidance. Once Asha tells of Magnifico and Amaya’s lies, Earen reveals that he actually met Magnifico decades ago. The amount of years shocks Asha, as she realizes that the King and Queen might be far older than what they are.

((Side note #3: I didn’t realize this till someone mentioned it, but if Sabino is 100 and he gave Magnifico his wish at 18, then he’s been waiting 82 years for his wish to be granted. Which means it’s likely that Magnifico might be immortal. That, or Disney didn’t think this shit through (most likely)))

Anyways, Earen actually attempted to stop Magnifico and Amaya’s ploy to keep the wishes of Rosas locked away, but he was sealed within the heavens until he and Star heard Asha make her wish.

We can have it that the king and queen spun the story so that Earen was made out to be an evil that once threatened Rosas, but Magnifico banished him and saved everyone, essentially making himself out to be the good guy and manipulating the narrative.

Asha and Earen must now work together to expose the lies of the royal couple, and along the way, the two begin to fall in love. Earen disguises himself as a peasant boy so as to remain inconspicuous, while Asha tries to go about her job as if nothing happened, evading the King and Queen’s suspicions.

Star gives Asha a stick infused with stardust once finding out she is, quite literally, the sorcerers apprentice. It is also so that she may defend herself, as Earen has his powers and a sword (similarly to Peter Pan).

Unlike Magnifico, Earen and Star teach Asha the wonders of magic and the potential she wields, showing that there is no need for her to hold back when her gift can help so many, including those she loves.

The three manage to sneak into the kings study, but only have time to retrieve Sabino’s wish and return it to him. However, Magnifico and Amaya, now strengthened by the powers of dark magic, find Asha and Earen and threaten to destroy all the wishes should Earen not surrender to them.

And as a way to ensure that Asha doesn’t foil their plans, Magnifico destroys both Asha and Sakina’s wishes, despite Asha not being eighteen yet. However, the evil magic allows him to do so. This act weakens the two women, and infuriates Earen.

Earen then willingly complies despite Asha’s opposition, and Sabino takes Asha and Sabina to the seven (well six) teens for aid, who are in hiding after Simon ratted them out and who now serves as a puppet to the king and queen.

Despite loosing her wish, Asha finds the strength to carry on through the memory of her late father, enlisting the help of her friends and Star, who managed to evade the royal couple’s grasp. The team must work together to save Earen, whose power will be drained by Magnifico and Amaya. And if such a feat were to happen, then Earen would die and Rosas would be lost.

The five teens go into the woods to distract one of the royals, with the aid of the forest fauna and Star. Amaya chases the group alongside Charo while Magnifico tortures Earen and begins stealing his power. With the help of Dahlia, Asha sneaks into the castle to confront her former mentor and save Earen before it’s too late.

At first, it seems that the heroes have the upper hand with Magnifico neutralized, but then, Amaya swoops in riding Charo, who now takes the form of a giant dragon. Earen transforms into a dragon himself and battles Charo and Amaya, while Asha continues battling Magnifico. Star even comes to help after the original plan fails.

However, the unholy trio have the upper hand, and Amaya strikes down Earen, giving Magnifico enough time to not only drain Earen’s power, but to trap Star within his staff. With their combined powers, Magnifico and Amaya gather all of the peoples wishes, even stealing the wishes of those not yet of age, which includes the teens.

With all the wishes gathered, the couple and their pet destroy all the wishes, taking their energy for themselves.

Asha falls into despair as she watched her friends, love ones, and community succumb to the grief of loosing their wishes. The king and queen force Asha to apologize to the people, mocking her and making her feel even more guilty.

However, Earen comforts Asha despite his weak state, telling her it’s alright and that she shouldn’t be ashamed of wishing on Star, as he brought the two of them together. The two kiss, the strength of their newfound love and hope shining through the darkness and inspiring the people of Rosas to rise up.

As the sky and stars become alive, Magnifico’s staff is destroyed, releasing Star in the process. All the evil magic he, Amaya, and Charo used is sucked out of them and vanquished, and Earen is restored to full vitality.

Think of this as the transformation scene from Princess and the Frog. Asha and Earen get new outfits, with Asha even gaining a crown and a new wand from Star.

((Side Note #4: The “transformation” in the finale of the film is so stupid. Asha could’ve literally gotten a new dress once she becomes a fairy godmother, but instead, Star just made her sparkly. How magical🙄))

Rosas rejoices, as they realize they don’t need the king to make their wishes come true, and they can pursue them themselves. With Magnífico and Amaya banished from Rosas, Asha and Earen become the new rulers, being names Prince and Princess respectively.

And that’s basically how I would’ve done Wish. It’s not perfect, but it’s just an idea. I’m just disappointed that Disney do something better for their 100th anniversary.

[greekmythcomix]

How I teach the Iliad in highschool:

I’ve taught the Iliad for over a decade, I’m literally a teacher, and I can even spell ‘Iliad’, and yet my first instinct when reading someone’s opinions about it is not to drop a comment explaining what it is, who ‘wrote’ it, and what that person’s intention truly was.

Agh. <the state of Twitter>

The first thing I do when I am teaching the Iliad is talk about what we know, what we think we know, and what we don’t know about Homer:

We know -

- 0

We think we know -

- the name Homer is a person, possibly male, possibly blind, possibly from Ionia, c.8th/9th C BCE.

- composed the Iliad and Odyssey and Hymns

We don’t know -

- if ‘Homer’ was a real person or a word meaning singer/teller of these stories

- which poem came first

- whether the more historical-sounding events of these stories actually happened, though there is evidence for a similar, much shorter, siege at Troy.

And then I get out a timeline, with suggested dates for the ‘Trojan war’ and Iliad and Odyssey’s estimated composition date and point out the 500ish years between those dates. And then I ask my class to name an event that happened 500 years ago.

They normally can’t or they say ‘Camelot’, because my students are 13-15yo and I’ve sprung this on them. Then I point out the Spanish Armada and Qu. Elizabeth I and Shakespeare were around then. And then I ask how they know about these things, and we talk about historical record.

And how if you don’t have historical record to know the past, you’re relying on shared memory, and how that’s communicated through oral tradition, and how oral tradition can serve a second purpose of entertainment, and how entertainment needs exciting characteristics.

And we list the features of the epic poems of the Iliad and Odyssey: gods, monsters, heroes, massive wars, duels to the death, detailed descriptions of what armour everyone is wearing as they put it on. (Kind of like a Marvel movie in fact.)

And then we look at how long the poems are and think about how they might have been communicated: over several days, when people would have had time to listen, so at a long festival perhaps, when they’re not working. As a diversion.

And then I tell them my old and possibly a bit tortured simile of ‘The Pearl of Myth’:

(Here’s a video of The Pearl of Myth with me talking it through in a calming voice: https://youtu.be/YEqFIibMEyo?sub_confirmation=1

And after all that, I hand a student at the front a secret sentence written on a piece of paper, and ask them to whisper it to the person next to them, and for that person to whisper it to the next, and so on. You’ve all played that game.

And of course the sentence is always rather different at the end than it was at the start, especially if it had Proper nouns in it (which tend to come out mangled). And someone’s often purposely changed it, ‘to be funny’.

And we talk about how this is a very loose metaphor for how stories and memory can change over time, and even historical record if it’s not copied correctly (I used to sidebar them about how and why Boudicca used to be known as ‘Boadicea’ but they just know the former now, because Horrible Histories exists and is awesome)

And after all that, I remind them that what we’re about to read has been translated from Ancient Greek, which was not exactly the language it was first written down in, and now we’re reading it in English.

And that’s how my teenaged students know NOT TO TAKE THE ILIAD AS FACT.

(And then we read the Iliad)