#the most important

[yourlovelyspace]

Nice to meet you 💝

[object-obsessed]

hfjone doodles from the last couple days!

[imissthembutitwasntadisaster]

Thinking about how ouat had characters (even the most cynical and cruel) constantly saying "well, you know, true love can break any curse" like it was a formal prescription like it was scientific fact and I cry a little for the state of the world that I was so surprised by this earnestness and straightforwardness but I also cry because this show believed it so much!!! And it was right!!!!!!

[babstheyaga]

Imma just drop these and run away🏃‍♀️

i will stay calm and fucking steady. i will stay calm and fucking steady. i will stay calm and fucking steady.

YOU GUYS CAN'T KEEP GETTING AWAY WITH THIS. NOT NOW. NOT AS FMOD IS COMING TO AN END. I'M.

oh dear great goodness oh dear goodness me of great googily oh gracious

lordy loo i'm going to hell for the sins I'm going to commit

[blmpff]

To My Star (2021) 1x9

[hannahssimblr]

Lucky Girl - Relationship Analysis

Evie & The Kilbride Family

Evie’s family (excluding Marian who we’ve already covered) don’t show up often, but when they do it’s with a particular intention. These people represent something crucial in the story; Evie’s potential future. 

Each one of them has a specific role to play. Starting with her grandmother, a strong, hardworking housewife who dedicated her life to looking after her husband and children. Granny Kilbride - as she’s known in the story - is a traditional woman who does things the way they’ve always been done, and that’s that! She’s definitely the type of woman who is stuck in her ways and resistant to change, and this is most evident in the Christmas chapter in part 2. The men will sit around and watch TV, and all the women, even those unrelated to her will help in the kitchen and let there be no argument. 

While washing thyme in the sink in granny’s kitchen, Fabiana confesses to Evie that she doesn't know what she’s doing exactly, and that she’s uncomfortable about asking for help as her future mother-in-law is ‘tense’. Granny Kilbride expects things to be done quickly and right, and there should be no room for mistakes, because while men can be allowed to loll about, women must exude perfection. Though in this unconventional family, all expectations of this should have been put aside long ago, still, we must cling to what we know and what is comfortable. 

Granny Kilbride is the archetype of the traditional Irish mother and represents what Marian will become, and maybe even Evie one day if she fails to walk her own path. 

Decky and Conor further the traditional theme. These are two men in their twenties already falling into step with tradition with such ease and comfort, never even considering helping or speaking up to protect Evie against her mother’s insulting trade at the dinner table. They’re weak, they shrug and move on because emotional conversations are not for them and they refuse to stand up against the system that benefits them. Decky in particular shifts in Evie’s viewpoint here, and she realises that the fun and games of their childhood are a distant memory, and those children have gone and been replaced by two people too different to ever see eye to eye again. 

Catriona represents another path for Evie, but none any better than the first. The single, working woman. Catriona has dedicated too much time to her career, and now trudges from one failed relationship to the next, slowly ageing out of all that men consider to be valuable about her. It’s Evie’s father’s comment to her about her ex boyfriend that sets the tone for the whole dinner. Perhaps Catriona should have fallen in line with Granny Kilbride’s idea of what a woman should be, then maybe none of this would have happened. 

The Fabiana/Evie relationship is my favourite. Fabiana is a total outsider who has landed in the middle of this family, and now here she is, isolated from her own family and traditions, miles from home and eight months pregnant. Evie is drawn to Fabiana because of her outsider status - this is how Evie feels too, like she doesn’t belong to this family. When they chat in the pantry on Christmas day, Fabiana expresses jealousy over Evie’s Dublin party lifestyle, and Evie considers all that Fabiana left behind for her uncle Sean. 

Fabiana tries to live vicariously through Evie, feeding her wine, asking for details about the clubs and bars, and it’s clear that Fabiana wasn’t ready to give up her party girl lifestyle in Venezuela - this is just what has happened to her, and for better or for worse, she is here now. 

She represents a third path: What may happen to Evie if she gives up her dreams for a man, and this is significant when this exact choice is presented to Evie at the end. Is this what she wants? When she looks at Fabiana in the Christening chapter, miserable and overwhelmed by her circumstances, is this what Evie sees for herself. Does Fabiana resent her husband? Does she resent her children? Her life? What if she had made different choices for herself and chosen her own independence? 

I think that Evie is aware of this by the time we get to that chapter (3.26), and yet still she is in denial. This is why she feels insecure when her cousin’s girlfriend starts asking too many questions about Jude’s plans. If they think about it too much then they will realise that things are going to fall to pieces and perhaps, if they make the easier choice then they will fall into the same traps as Sean and Fabiana.

[theowlthatwrites]

Let's work harder for the world, everyone.

[fear-no-mort]

this

[osc-piastri81]

PATRICK MAHOMES POST GAME INTERVIEW DIVISIONAL ROUND JAX @ KC

[shana-rosee]

*gasp* An actual update!!!

Elyan works on a script with the Arthur Pendragon.

-A collection of one-shots based in the universe of The Most Important.

[yourlovelyspace]

Who cares about the other numbers? 💝

[arosnowflake]

My biggest tip for fanfic writers is this: if you get a character's mannerisms and speech pattern down, you can make them do pretty much whatever you want and it'll feel in character.

Logic: Characters, just like real people, are mallable. There is typically very little that's so truly, heinously out of character that you absolutely cannot make it work under any circumstance. In addition, most fans are also willing to accept characterization stretches if it makes the fic work. Yeah, we all know the villain and the hero wouldn't cuddle for warmth in canon. But if they did do that, how would they do it?

What counts is often not so much 'would the character do this?' and more 'if the character did do this, how would they do it?' If you get 'how' part right, your readers will probably be willing to buy the rest, because it will still feel like their favourite character. But if it doesn't feel like the character anymore, why are they even reading the fic?

Worry less about whether a character would do something, and more about how they'd sound while doing it.

[cowboysmp3]

there’s something sooo sickening about how dunmeshis whole energy is like sometimes something terrible and awful happens to you and it changes you forever and nothing can make you the person you were before but there’s still love and there’s still sharing a meal together and there’s still living

[ganymedesclock]

I think cis people should also be their gender of choice. Like, if you're a man, you should get to really enjoy being a man- have fun with it! If you're a woman, take the parts of womanhood that really deeply make you happy. If being a little androgynous or ambiguous or hidden is the part that really makes you happy, you don't have to be trans for that. If you wanna lean really hard into being femme or masc- do it! You have one life in your body, do what makes you happy. Ditch the stuff you don't like.

My sinister queer agenda is I think that everyone should be the gender they like in the way they like it.

[kensatou]

meanwhile notes put up by the guy hired by my dad to help with foreign guests at his little ryokan in rural japan (“my english is not perfect,” said the guy earnestly. “but i think i can always get the meaning across.” “great,” said my dad. “that’s all that matters.”):