#the mind robber

[doctorooh]

[noseances]

The weird guy you thought you were tight with cant remember your face well enough to put it back together in a wizard's whimsical saw trap wyd

[donutdrawsthings]

It's almost impressive how consistent this issue is

[intuitive-revelations]

Tales of the TARDIS | Reunion Hugs

"We never really did this sort of thing, did we?" "We do now!"

[brainless-tin-box]

the mind robber!

[mxxnpills]

that scene in the mind robber:

[demigodofhoolemere]

Happy birthday, Frazer Hines!

[notyoujamie]

Borrowing from the past: — Second Doctor

[halestromthewhoobsessed]

Doctor Who robot designs really peaked in the 1960s

[do-you-know-this-dw-story]

the mind robber (tv: 1968)

[pizzacade]

How to void a TARDIS' warranty; A guide on what NOT to do by the Time Lords.

[doctorooh]

[nkp1981]

BTS Of "The Mind Robber"

[soupforsoup]

The Mind Robber most episode of ever

[ziraelfell]

[armageddon-generation]

The One Who Waits Should’ve Been the God of Fiction, not Sutekh

Sutekh was wasted as Series 14’s Big Bad & had no thematic connection to the rest of the stories. He was only there for fan-service. I realize this is partly Big Cope on my part, trying to rationalize the bad writing decisions this series, but it would’ve made way, way more sense thematically for the One Who Waits to be the God of Fiction, from the Land of Fiction.

The Land of Fiction is a pocket dimension the Second Doctor visits in The Mind Robber. Created by the Gods of Ragnarok, in it all the fictional lands and characters ever created exist and evolve, powered by the belief of our universe. It’s perfect for the themes RTD is exploring with series 14.

The God of Fiction latches onto the TARDIS at the edge of the universe during Wild Blue Yonder. The TARDIS as the ultimate narrative machine, the centre of so many twists and stories and myths, all the central plot-developments of this universe. Meta-commentary on the Doctor having slowly become the ‘main character’ of the universe. Of course a parasite that feeds on fiction would attach to him!

Now all s14’s fantasy elements- Goblins, a Bogeyman powered by storytelling, the folklore Fairy Circle, Boom tapping into faith & the afterlife, Rogue’s Bridgerton-fanfic romance & cosplay, all tie into the series arc. Narrative purpose for the experimentalism and scattershot tones, as the God of Fiction forces the TARDIS to new narrative extremes to feed itself.

(Also, 73 Yards- where Ruby is trapped in a nightmare world fuelled by dream-logic that she applies the structure and rules of traditional narrative to, latching onto a villain she has to defeat in order to make sense of the inexplicable- now becomes a microcosm of the whole season.)

People were initially worried RTD might re-use his original plan for Rose with Ruby- i.e. the Doctor manipulating her life to create his perfect companion. It’s a bad idea, but what if it was an external force? Like what Missy did with Clara, turned up to eleven.

The God of Fiction chose Ruby, the foundling, as 15’s perfect companion. The God is the one who shrouded Ruby’s regular human Mum in a Dickensian cloak, and the reason Ruby’s attempts to find a perfectly normal woman failed. They’re dressing her simple story up as a mysterious fairytale. The ‘we create legends out of ordinary people’ idea is baked into the spine of the season.

(This also lampshades 15 & Ruby being BFFs from the start. Skipping over/fast-forwarding through vital Doctor-companion milestones is explicitly because the God of Fiction has seen it all before & wants to get to the good stuff.)

Mrs Flood, with her fourth-wall breaking winks to camera, would be the God of Fiction’s servant in this version.

All the mystery boxes without satisfying answers this season- Susan Twist, the snow, the changing memory- were overtly placed by the God to keep 15 & Ruby on the hook. This way we can talk about the show’s overreliance on the Mystery Box structure, and the nuances of subverting expectations. The God knows they’re in a TV show! They acknowledge baiting 15 & the audience with Susan as shallow key-jangling.

By defeating the God of Fiction at the end of the season, through the genuine, human connection they’ve forged travelling together irrespective of mystery boxes or plot-twists or destiny, Ruby is freed from the constraints of the Narrative, and finally allowed to reunite with her Mum.

15 leaving Ruby would also make way more sense here; Mr. ‘I bring disaster, Kate’, ‘Maybe I’m the bad luck’ just got told his best friend’s life had been manipulated by a God because of him, and the foundation of their relationship was itself orchestrated, choreographed, puppeteered from the outset. He leaves Ruby to finally let her live a real life.