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bsd-cherish-official · 1 year ago

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BSD: Cherish Second Anniversary Interview

On September 21st, the second anniversary of the fanfic, Bungou Stray Dogs: Cherish, a post was made on this account by myself, its author and first artist, @linklethehistorian, stating that in celebration of the big milestone, I would be running a poll-based interview consisting of 10 polls with five questions each — which fans of the fic could vote on and have the most popular questions in each poll to be answered at the end of the voting period.

This is the result of those polls, and my responses to the winning questions that were determined therein.

Full interview below the cut for minor Cherish spoilers. Proceed on to read.

Q: Why did you choose to have four different artstyles used throughout the fic?

A: Well, in the beginning, you know, for the first…almost a year or so, I didn’t really have a co-artist on the project with me; it was just me, myself and I that was working on Cherish alone, and I knew from the very beginning that I wanted to have artwork for — and included in — the fic, so in that first year-ish that it existed, I basically just had to make do with using my own artstyle that was based on the BSD anime.

So, you already have that going on, and I was pretty happy with that, but the truth is that from the beginning, I’d always really wanted to have at least some of the art — especially the cover art I’d sketched up years and years back — resemble the actual official art from Harukawa-sensei in the BSD manga and light novels. After about a year of procrastinating and overthinking everything about it, I finally worked up the courage to ask my friend, Asachuu, who was not only a fan of the story but also had a very lovely artstyle and was very good at recreating the look I wanted, if it would be possible for us to collab on a piece, and sent the old sketch for the cover, and from there things kind of just…took off. Pretty soon, one single collab had very happily turned into me suddenly having a dedicated co-artist who could contribute some absolutely beautiful BSD manga-reminiscent artworks for certain chapters.

Then, after the Storm Bringer Stage Play had come out, I ended up extremely inspired by a lot of the very cute and lighthearted official chibi artworks and merch that sprung up from it, and thus, by the end of last year, I ultimately wound up endeavoring to create some chibi artwork of my own for Cherish; originally, this was not intended to be any sort of long-term staple for the story, as I expected it would just be a one-and-done thing to surprise fans with during the holidays, but…as I’m sure most of you have seen, after discovering how fairly quick and easy yet still adorable the end result was, I made the choice to continue with that style of art for all of our little celebrations, events, and milestones.

Lastly, those little chibi drawings also unintentionally came to invent a brand-new style of coloration in regards to my methods, which resulted in the final type of my artwork that you see involving Cherish — a sort of lighter, softer way of coloring that results in an almost crayon-like effect. This was initially a complete accident, as it was nothing more than me using a random brush for the first colored sketch of the holiday 2022 piece, but after some experimentation with keeping it for the finished work, I found that I really liked it quite a lot and later began using it for more than just the chibi-style artworks, as it brought a certain warmth and light-heartedness to the scenes, and reminded me a tiny bit of this one still image from the first season of the BSD anime:

And so, there you have it! Although the gorgeous manga-reminiscent style of my co-artist may be the well-known face of the fic in a lot of ways given that our collaborations are reserved for and make up the bulk of many of the most intense or important scenes and chapters of the story, every artstyle that is involved with Cherish’s official art has its own special and equally important part to play therein.

Asachuu’s manga-like style lends a certain extra feeling of authenticity to Cherish as having its place among the other BSD light novels, and presents certain scenes and chapters in a uniquely stunning form, and with extra attention to detail that likely wouldn’t otherwise be possible.

The more typical BSD anime artstyle that is my usual signature, with its fuller and more official-looking coloring technique, is used to depict the rest of the darker, more somber-toned scenes that do not receive the previous treatment; this, I feel, not only properly represents the anime artstyle in some form as I had wanted to begin with, but also brings forth a sadder, more down-to-earth aspect than its lighter and fluffier, almost crayon-like colored counterpart, which is conversely used to evoke the happier, more heartwarming moments and emotions within the fic.

And, of course, the chibi artstyle allows me to make much more quick, cute, and mostly much less serious little drawings to share with my friends and fans of the story, easily celebrate special events and milestones, and express my endless gratitude toward Cherish’s continued support. 💖

Q: Who are your least and most favorite characters to write for in the fic?

A: Oh, this is kind of a tough one. I actually wouldn’t say I genuinely dislike writing for any of the characters that have appeared in Cherish thus far, but I guess if I had to pick one that I liked dealing with a little less than the rest, that would have to be Ango; it’s not that he’s a bad character by any means, and I honestly like him in BSD quite a fair bit, it’s simply that he’s the most…I guess you could say “ordinary” or “stiff”…out of the group, in terms of outward personality — at least, under the circumstances in which he was introduced and presented up until now.

“He was still pleasant to write and there was a moment or two there that was a little fun to do, he just didn’t really have the chance to truly show off the more intricate parts of his soul in that scene”, is I guess how I’d put it.

As for most favorite, that’s a bit harder to pin down. haha I like all of the main cast in different ways.

Obviously, I’m very, very fond of both Arthurs; not only do I just really love both of their personalities and find them both super interesting, but I also relate to them both in a lot of different ways, and the subjects that often get tackled with their scenes, dialogue, and thoughts are all very important matters to me that I treat with a lot of personal care, respect, and passion, so it would be very hard for me to say that those two aren’t one of the absolute main highlights of writing Cherish to begin with.

At the same time, though, also really into writing for Chuuya and Paul — especially when they’re interacting with each other, because of how perfectly their polar opposite personalities, apparent outlooks, and ways of communicating their feelings play off of each other, though definitely not exclusively there, either. I really just find them fun, well-written, and fascinating to explore in general, too.

And then of course there’s Mori. I guess if we had to talk about pure novelty and entertainment value alone when it comes to writing, then he would have to be the top pick for the most fun and smooth experience overall, since his ability to change from cheerful to chilling on a dime, like the simple flip of a light switch — or even accomplish both at the same time, without even doing anything explicitly threatening at all — is a uniquely cool concept and character trait to play with.

I don’t know, to be honest, I just think they’re all super neat in their own ways.

Q: Are there any outfits you really want to draw someone in, in a future artwork?

A: Oh God, you have no idea how many, but yes; I have a lot of planned outfits for the future that I want to draw and release some proper Cherish art for, and some that I really already have done and just haven’t been able to share with all of you because it is spoilery.

I think two outfits in particular I’d really like to draw in a full-on chapter artwork, though, are the outfit Arthur was wearing to the restaurant in Chapter 10, and then the cute little casual number Chuuya was wearing in Chapter 11. You can actually see both of those in the Valentine’s and White Day chibi artworks I’ve made for this year, but I consider those to be a little bit different from drawing it in a more properly proportioned piece…

Q: Are there any minor plotholes you’ve had to go back and fix that nobody noticed?

A: Well, technically, yes — if memory serves, at least; I mean, I believe the day that I released Chapter 10, I had left in one instance in which Mori called Paul “Verlaine-kun” right there in front of Arthur, despite that the doctor himself had been the one to insist that he use an alias, and I think I then had to go back and fix that retroactively so that he called him “Marion-kun” instead.

Granted, they were both speaking Japanese to begin with, so it’s not totally impossible that Arthur wouldn’t have picked up on what Mori was calling him, but…yeah, to be honest, I think that’s one thing that both Mori wouldn’t risk and Arthur wouldn’t so easily overlook or fail to hear.

Other than that…well, this isn’t technically a plothole or anything because it did have a reason from the start — it’s more just a case of something not having been elaborated on as much as I’d like — but there’s currently a scene in Chapter 6 where Rimbaud, in a fit of frustration and emotion, goes off to Paul about how no one back home was worth returning to or would even really miss him if he died or disappeared, and he references his past lover fairly clearly as having been a man.

The possible “problem” that I think there’s potential for someone to take away from this moment is that later on, Arthur acts deeply worried about Paul finding this fact out and being severely discriminatory or cruel to him as most people in his original time were about such things and refusing to continue being there for him or even helping him as a result — thereby possibly making it seem like I’d forgotten that Arthur had had this outburst.

That isn’t really the case, though; moreso, it was originally intended for there to be a scene at some point where Arthur would reflect back on what he had said and inwardly question why Paul had continued to be so kind to him despite knowing that he had been involved with a man, ultimately deciding that it was likely that Verlaine didn’t really pay attention or give enough thought to all of the finer details of all of what he was rambling on about back then, in the heat of the moment, too focused on calming the teen down to be bothered with picking apart every statement he’d made — as Arthur himself simply couldn’t imagine he’d have been lucky enough, on top of all the other ‘highly fortunate’ circumstances he’d landed in, to have also just so happened to find someone who would be that ‘absurdly’ willing to overlook his orientation. (It’s not like he could have imagined that Paul simply wouldn’t think anything of it at all — which was actually the case…)

Unfortunately, I forgot to put that dialogue in, so at present, it kind of just has to be inferred by the reader… I do have plans to go back at some point before the start of the next arc and add this in, in some manner, but thankfully no one so far seems to have cared that this wasn’t explicitly explained, so I’m glad of that, at least.

And if you have wondered…well, I guess you have the answer for now. Sorry it’s not explicitly in the fic at the moment, but hopefully it will be quite soon.

Q: Is there anything you’re afraid you might have been TOO subtle about?

A: Well…yes. I’m going to put up a disclaimer here and now that the response to this question could not only be potentially triggering for some people who have experienced certain types of trauma, but also is kind of NSFW, so…if either of those things might be a problem for you for any reason, you may want to skip over this question.

We alright? Have you decided whether you wanted to keep reading this or not?

Okay. Let’s get into it, then.

So…while I don’t exactly want to say there isn’t plenty of room or time or even plans to perhaps go into it more deeply later, since there definitely is and I most likely will in some manner, given that it is my first time delving into such topics, I do wonder now and again if some of the dark implications made in Chapter 7, Chapter 8, and Chapter 13 — namely, that Arthur had been through multiple cases of extreme sexual trauma, in addition to the other emotional and physical traumas he had endured throughout his life — were altogether too cryptic to have been picked up on by the average reader at present.

I did intend from the very beginning to be more subtle about the matter in these chapters and only make little references to it in passing where it was immediately relevant and/or was natural to come to mind for Arthur in light of the situation, but I frequently worry if the things that I see as having been decently clear indications towards that end actually were decently clear or not. I suppose it doesn’t matter if they were or not, since that is something that as I said is bound to be more obvious at some point in the future chapters anyway, but it is something I think about nonetheless.

I think that if you were fully familiar with and completely in the current know about the poet Arthur Rimbaud’s life as it unfolded in our world, and especially have kept up with all of the most recent findings, then you might have a slightly better chance at putting two and two together on your own, and in that case I think my words will almost certainly have served their purpose, but for anyone else, I do have some minor concerns that maybe my desire to have been more subtle about it at this stage in the story actually ended up backfiring and making it altogether impossible to assume or even question…

Anyway, that particular heavy subject aside, I often also just in general worry about whether or not I’m coming off clearly enough when it comes to any existing or possible future hints towards anything that is remotely non-traumatically sexual or relating to sexual attraction in nature as a whole, since, as an asexual person who myself doesn’t experience sexual attraction whatsoever, it is a subject matter that on some levels is fairly unnatural to my own personal human experience and sexuality; I don’t think that I’m bad at talking about it by any means, I just don’t know that I’m particularly amazing at it, either.

But yeah, those are…pretty much my only main times when being too subtle might have ever crossed my mind, I think…?

Q: What’s the message you most want people to walk away with after reading Cherish?

A: Good question.

The thing is, I wouldn’t say that I originally created Cherish with any specific message in mind at all; I mean, obviously, there were always going to be heavy themes and topics that I knew it would have to tackle, and there were things that it definitely represented to me on a personal level after it came into being, but back when I first created the headcanons themselves that would eventually become this story, considering that I had absolutely zero plans to share it with anyone at the time, I didn’t really ever consider the idea of it carrying an actual message I wanted to convey.

Even now, I don’t want to define Cherish as this thing that exists solely for the purpose of communicating a particular idea to others, because it isn’t; I’ve known from the very beginning that to some people, this tale is just going to be something they look at and enjoy on a completely surface level — as something that is exactly what it says on the tin and nothing more — and I’m fine with that.

To me, Cherish is both of these things: a story that exists simply for the sake of itself — for the love of its characters, its pairings, and its plot, taken entirely at face value — and something which on a deeper level also represents and carries a great deal of messages and concepts which happen to be very important to me, that I hope other people might see and feel touched by as well.

Given that it does represent more than one thing in my eyes, though, that makes this question a little hard to answer; provided I had the ability to ensure it somehow, I’m really not sure which message I would want everyone to walk away with the most.

I suppose, in the end, if I could only choose one thing, then the message that I would most want my readers to see would depend upon who they themselves are, and what they need to hear most.

As I’ve mentioned in one post before, I would very much like it if some victims of abuse and/or trauma might be able to feel seen and heard by the fic, and maybe even find hope or at least catharsis in reading it. I don’t want to say too much about the matter in this particular interview, as a lot of the commentary I could make beyond that could lead to spoilers for people who would rather not know certain things that will happen or the outcome of them, but I will say that there are many questions and themes in this fic that I would like to believe might strike a comforting note for some people who are going through a lot of uncertainty in their lives, in the aftermath of traumatic and/or abusive experiences.

Likewise, I would hope that for anyone who maybe knows someone who has gone through abuse or trauma but struggles with understanding it, because this story has not only been carefully researched and written about, but also by, someone who has been through certain types of abuse and experienced the lasting effects of trauma, it might be able to help them get a closer look at some of the possible ways those things can present themselves and the things that can potentially go through our heads as a result.

For someone who might be reading this with either a newly budding or already pre-existing interest in the real life Arthur Rimbaud who once lived here in our world, I would like to think that this story — albeit having some minor differences here and there that I will get to in a later question — might show a bit more nuance towards his situation compared to how many other forms of media surrounding the topic (especially, but not limited to, the English ones) tend to present it.

Having spent the many, many years that I have researching his life story in multiple languages and every possible remotely credible source I could find, digging to the bottom to find the absolute truth as best as one can, I have found that in many cases, there is sadly far too much of a focus around sensationalism when it comes to coverage of the individuals and events involved, and far too little of a focus on actually bothering to get all of the facts and the interpersonal dynamics straight in order to present the most accurate and nuanced recounting of history that can humanly be given.

While I don’t want to get too into it in this little interview, as I’ll probably be making a separate post about it sometime anyway, I will put it out there that it is largely thanks to this failure to share crucial details that for quite a while into my earliest endeavors of research, I myself was led to believe the very much false and yet sadly most widely spread, highly sensationalized narrative that either, at best, both Verlaine and Rimbaud were equally terrible people who were, likewise, equally to blame for what happened between them, or at worst, that Rimbaud was the one to blame almost entirely for Verlaine’s supposed “descent” into a crueler and less respectable person — both of which narratives, by the way, cannot exist without completely ignoring and omitting several key facts that provide much more nuance than most of these various coverages were willing to provide: such as the several extreme power dynamics involved in their relationship coming from Verlaine’s side, the extremely traumatic background that Rimbaud had come from and how that had left him a vulnerable target in numerous ways, and most notably, that Verlaine had a pre-established pattern of alcoholism, extreme abusive tendencies of practically all varieties, homicidal urges, guilt-tripping tactics, and exactly everything else for his entire adult — and to some extent even teenage — life, far prior to meeting Arthur, and also continued on that path for the rest of his life even after their parting, whereas Rimbaud by all accounts prior to their meeting was nothing more than what, by today’s standards, would be considered overall a perfectly normal, if (and understandably so, given his background) troubled, teenager, who would later also go on to be a perfectly normal if somewhat withdrawn, well-adjusted adult once their relationship was over.

My hope, then, in that vein, is to tell this story without shying away from or missing those facts, and in doing so, to hopefully present his life story from an angle that is rarely seen or covered by many of the most popular sources of information out there, allowing people to perhaps step away from the great echo chamber of omissions, sensationalism, and misinformation for a moment and view and understand Arthur from a much more real and human perspective — to see him as a real, feeling, troubled human being who once lived, breathed, loved, struggled, and suffered just like nearly anyone else, rather than some dehumanized, over-exaggerated spectacle spoken of purely to be gawked at and made into a shocking and scandalizing caricature into which only the most extreme of rumors and actions are projected, as is so often sadly the case.

So, uh…yeah, those are my main messages I’d like to get across, I guess. I’d like to return to talking about this more in the future when the fic is complete, since by then I can truly get into the topics more, but for now, there you have it.

…I think at the end of the day, though, what’s most important is that people who need it get from Cherish whatever it is they came for; if there’s a message they really need to hear right then, then I hope they hear it. Sometimes as writers, we see a certain message in our stories and we intend to have that come through, but someone finds an entirely different and equally beautiful one inside it instead — one that we didn’t even intend to be there — and it helps them. I think that’s pretty awesome.

Q: What chapter are you most/least looking forward to recording for?

A: Well, to be honest with you, despite that by the time of answering this, I’ve already finished what I think will be the final recording for it, Chapter 2 has been a massive bitch to work with from beginning to end — nothing like Chapter 1 — so…yes, that would be the one I was least looking forward to recording out of the thirteen chapters that already exist; I’m honestly relieved it’s over.

I don’t really know how to explain what the problem even was with that one; it’s not a bad chapter by any means, but the first time I recorded it — an impossibly perfect take all the way up to the last third of the fic, by the way — I sadly found out that the audio ended up somehow distorted beyond any repair or salvaging, and ever since then the lines for some reason have just refused to be spoken out loud the same way that they do when I read it in my head.

As of this moment, I still haven’t listened to that recording more than the few seconds that were necessary to make sure that it took this time, so I don’t even know whether or not I’ll end up completely unsatisfied with the result, but it was really the best that I could do, so whatever the case, I’m stuck with it the way that it is. Let’s just hope it doesn’t totally suck.

There are way too many chapters that I think will be a cool experience to record for me to narrow it down to just one right now, but the closest one that I’m really anticipating is actually Chapter 3; I’ve always been really fond of the whole exchange that happened between Paul and Chuuya there, and I think getting to narrate those lines would be really exciting, since up until now, I haven’t had a great opportunity to get into the more emotionally intense lines. I hope that when the time comes, I’m able to do them justice.

Some other chapters I’m really looking forward to recording, I think, are 6, certain parts of 7, 10, and 12.

Q: Is there anything you wish you had been able to keep in the fic, but couldn’t?

A: Well, I definitely think there are some things that would have been more intense and exciting for people who were maybe expecting a more canon-typical plot to what we’ve gotten so far, but I don’t really know that I have regrets about not being able to use them in the fic.

For example, because the very first iteration of the original headcanons that make up what would eventually become Cherish were, well, headcanons, and tied to a much longer overarching storyline with no clear-cut beginning or end, both the way that the story started and, in some aspects, how it will wrap up is somewhat different from how it was back then.

I’m not going to elaborate on that at this time, because there are some aspects of those things that I had to change which I intend to still try to potentially incorporate at a different point in the fic, and thus I don’t want to spoil any of what might happen in the future, but there were definitely things and characters that had to be cut from the final version of Cherish that I do wonder what it would have been like for my readers if I had kept it; I wouldn’t say it’s a regret, though, as I’m quite proud of the fic I have now, and I think it’s probably best as it is currently.

Other than that, I guess my only potential regrets about things I couldn’t keep would have to be some of the deleted scenes and lines delving into certain characters’ mindsets, but I talk about those in the development notes already, so I won’t delve into that here, either.

Q: Do you plan to find a way to reuse all of the scrapped content for Cherish?

A: As much as I reasonably can without impacting the story in a negative way, at least, yes; it would be utterly impossible for me to keep literally everything in the fic that was ever discarded, but within the margins of good sense, I will try to re-incorporate whatever I feel is important, insightful, cool, or interesting and works with the plot.

Almost anything worth talking about that is left over after that is likely to end up in my Cherish Development Notes, so maybe keep an eye on those if scrapped content tends to pique your fancy.

Q: Do you think Cherish would’ve been as successful if it kept its original title?

A: Honestly? In some ways, I think it probably would’ve been a lot more successful – at least, in terms of marketing.

The thing about Cherish as a title is that although it’s very fitting for the story, and I do love it a lot, it’s very definitely not even half as marketable as a name like Storm Chaser would’ve been; there’s simply no getting around that fact.

Yes, for a fic, something short, sweet, and romantic like ‘Cherish’ does just fine – it’s expected, even; searching it up as a fic title right now, in fact, there are a total of 764 results, 3 of which by the exact same title are in the BSD fandom – obviously including mine. That’s just the issue, though; sure, it’s a perfectly normal and acceptable title, but that just means that when it comes to marketing, it doesn’t help it to stand out at all from the others.

If we’re talking in terms of more conventional ideas of success and popularity, then for a fic that is meant to be a fully-fledged light novel of the same quality and effort as its official canon kin – and which has been made into such a massive project stretched out across so many forms of media – having a title that sounds like what one would usually expect to be some little oneshot drabble of the most common kind is absolutely a bad move.

Storm Chaser as a title for a fic, on the other hand, has only 29 total entries on AO3, none of which are in the BSD fandom, and it sounds like an actually plausible name for an official sequel to Storm Bringer; there is no doubt that at the very least, something like that would absolutely generate more clicks and hits out of pure curiosity alone than Cherish ever could.

That being said, though, generating more curiosity clicks doesn’t necessarily mean generating more genuine love and interest, and I’d rather have people clicking out of interest in the summary and description and tags than over something as petty as the title to begin with – not to mention that I decided a long time ago I’d rather make Cherish from the depth of my heart in every way, in accordance with what I want it to be, than to worry about its popularity levels.

Q: How historically accurate do you feel that this fic is in its representations?

A: Well, at least more accurate than a great deal of the more popular sources of information out there, when it comes to irl Rimbaud and Verlaine’s life stories and situations, unfortunately — as I said further up above.

Granted, there are going to be some small differences and creative liberties taken here and there, given that the versions of them presented in Cherish come from a slightly alternate universe to ours, but that’s mostly just to do with the fact that in this alt-world, Paul actually succeeded at making a second attempt on Arthur’s life at the train station where the teen intended to have their final parting; apart from that and the obvious connecting of dots and filling in of blanks wherever information simply didn’t fully exist about the more intimate and intricate details of their lives, great care was taken to ensure that everything was presented as realistically and accurately as possible, according to all of the intensive research I have done about them over the years.

As for the general historical representation of the time period they come from itself, I’d like to think that I’m doing well with it, as I try to do my research on every aspect the very best that I can, but aside from certain highly specific subjects, I don’t claim to be half so much of an expert of the general late Victorian era itself as much as I am an expert on them and their life stories, relationship, and circumstances specifically; if there’s a minor slip-up or two in regards to facts about the era that I somehow managed to overlook or misunderstand, I’m truly sorry about that. haha

Q: What is your favorite fan interaction you’ve had to this day?

A: I’m going to guess that my interactions with my dear co-artist don’t count here, right? In that case, it would definitely be finding out that my new pal, @dazaisshippingcontainer, is making fanart of my fic; that was such a touching moment for me — the thought that someone out there (especially someone that at the time I wasn’t close to) had been reading my fic and loving it enough to actually make fanart for it. 😭 Moments like this are moments I truly treasure beyond compare. Ily Clover, buddy. 💖

Let’s be honest, though; I love and live for every single fan interaction I’ve had to date. 🥺💖 They all mean the world to me.

And of course there’s Art — my dear, dear friend and co-artist, whom I appreciate so, so much… I truly feel blessed by it all.

Q: Do you ever read your own fic?

A: Oh, you have no idea... lol Yes, yes, and a thousand times more: yes. I adore Cherish; it’s not just something I wrote for you all to enjoy — it’s something I wrote for me, too, something precious that I adore with all of my heart, and something that I’m immensely proud of.

Every time I release a chapter, I read it together with my partner, and besides that, I probably re-read a chapter from my fic —if not multiple or all of them — just by myself at least once a week.

Needless to say, I really love Cherish.

Q: How many animatics do you plan to have for Cherish?

A: Ideally, I’d like to have at least one for every arc in the fic, plus one last animatic at the very end as a final look back on the story and a great celebration — which would make for six — but I don’t know how that will actually work out, in the end, given how massive of a project making even just one can be; I may end up making more than that or less — we’ll just have to wait and see, I suppose.

—

And, that would be all. Thank you for your questions, everyone, and I look forward to the next time we hold an interview like this together!

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gamerdog1 · 1 year ago

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Chainsaw Man Season 1 Review

Its that time of year again: the time where the hardcore anime fans gear up for a new batch of seasonal shows. This winter, a bunch of popular anime, including Vinland Saga, Tokyo Revengers, and Bungou Stray Dogs are releasing new seasons, to the raucous applause of most of the anime fandom community.

I say 'most', of course, excluding myself. Where am I in this, you may ask? Always behind the curve, picking up the hits years after they've had their debut, like a reverse hipster. What's old is new again for folks like me, who are still trying to watch all the 'old' series, nevermind keep up with new releases. There's merit in this method, though: given enough time, the shiny glow of newness fades, and we can experience the series without rose-colored glasses.

In my never-ending quest to understand why popular media got popular, I stumbled upon Chainsaw Man, a rather recent hit that was practically unavoidable last year. In a sea of generic anime girl snore-fests, it grabbed my attention pretty quickly for its sheer ferocity and love for bloodshed. After being assigned it in a monthly show exchange, I figured it was about time I'd given it a chance. After 12 episodes, though, I feel like my time could've better been spent elsewhere.

Chainsaw Man (2022) is an adaptation of the manga by the same name, written by Tatsuki Fujimoto. The series follows Denji, a homeless teen who is saddled with a ridiculous debt to the yakuza after his father dies. After surviving an assassination attempt, he fuses with the Chainsaw Devil, and gains its powers of, well, chainsaws. Now, he must work together with an elite team of public service agents to hunt down other devils, to keep a newly found comfy life.

One would be foolish to assume this wasn't a shonen series. With a teen protagonist, superpowers, monsters, and an overarching storyline about growing up, Chainsaw Man seems like your standard action/fantasy show. What makes it different, though, is its copious amounts of gore. Most 'shonen' series are marketed towards kids and teens, and because of this, are limited in how far they can go with their violent content. Chainsaw Man, it seems, got a free pass from it's producers to show whatever it wants, and really runs with it.

Most of the series revolves around Denji and his team hunting devils, monsters which personify common fears, and gain power from the fear of them. From hulking furry masses like the Bat Devil, to thousand-eyed pushovers like the Tomato Devil, Denji and his team take them down in a brilliant display of blades, sharp teeth, and blood spray. Violence is the life blood of this series, the thing that keeps its main characters alive, and what keeps viewers like me paying attention.

Each confrontation is intense, as the human-looking heroes face off against monsters that dwarf them in comparison. The series establishes early on in every fight just what the opposing devil can do, and how that poses a threat to Denji and his team, making it feel like there's little hope in their survival. This, combined with the constant reminders from Denji's superiors of how many previous hunters have died on the job, gives each fight a sense of stakes to it. Characters can (and eventually do) die, so each fight, even those early on, are tense.

The music, as well, its pretty damn good. I'd already heard the opening track, KICK BACK this summer, and play it a lot while doing chores, but the opening animation that goes with it is really interesting. Look closely, and you'll see shot-for-shot references to famous films, like The Big Lebowski and Pulp Fiction. Each episode also has a unique ending theme, something unique to this series that made me sit and watch each episode all the way through. Most endings are abstract, mostly just the main characters standing around or posing, but all are experimental, including one that is mostly rotoscoped. They were all a joy to watch, a happy surprise at the end of each episode.

Unfortunately, nice music, dynamic fight scenes and a few gallons of blood tossed around can't distract from the many sins of this anime, ones that made it a very uncomfortable viewing experience. When I started this series, I was optimistic about it, and wanted to learn more about its world and characters. But by the second episode, it became difficult to ignore the less savory aspects of this series, which only worsened with each subsequent episode.

Denji, the show's protagonist, is a teenager who had his youth stolen from him by the Yakuza, when they forced him to take up his father's debt. Once he is freed from it, however, his true nature is revealed, one which makes it challenging for viewers like me to like him. This series, it seems, has broken new ground with its protagonist, since I doubt any self-respecting shonen would have a main character (who we are meant to like and care about) be as unabashedly horny as this one.

That's not to say that having a character who likes sex is a bad thing. People, fictional or not, are allowed to like whoever they want, however they want (with consent of course :)). Denji, though, takes the trope of 'sex obsessed teenager' to the extremes, proudly declaring that the only reason he hunts devils is to have sex with his boss. It gets to the point where one of his teammates accuses him of not taking the job seriously, and Denji has the audacity to claim he is. Meanwhile, Denji is lured into a trap by a female character, all because she offered to let him touch her breasts. These, as well as the countless other instances of Denji staring at women's chests instead of their eyes, or whining about how he wants to 'cop a feel', made him a character that was infuriating to watch get his way.

To make matters worse, it seems like nearly every woman in the series is infatuated with him enough to not only let him do these things to them, but outright encourage them. Halfway through the series, Denji and his teammates join up with another trio of devil hunters to investigate an apartment complex. Before entering, one of the female hunters declares that whoever kills the devil inside will get a kiss from her, and when Denji declines, she whispers that she'll do it "with tongue". Around the same point in the show, Denji's boss Makima explains to him about the Gun Devil, the most powerful and most feared devil ever. When he shows apprehension about taking on such a fearsome foe, Makima offers to do whatever he wants if he kills it, heavily implying that she'll sleep with him.

Never in my life have I watched a show where adult women proposition a teenager, something which I was proud to say until today. I wish I could say that it had its purpose in the overall story, but the show hardly has anything to say about it, almost as if it had no problems with it in general. Denji is sixteen, and the hunters that offer to kiss or sleep with him are easily in their 20's, maybe even early 30's, making every 'romantic' or 'sexy' moment in this show a fur-raising experience that took me a bit to recover from. If it was once, and to make a point about the transition to adulthood, or how its morally wrong, I'd understand, but this is absurd. Whoever thought that a scene where the main character's co-worker drunkenly kidnaps him, then coaxes him into have sex with her is okay, should be fired, and have their hard drives searched by the FBI.

I wanted to like this show. Really, I did, especially after all the hype it has, and all the lovely fanart of it I see on my social media feeds. But after having to sit through all 12 episodes of this, I think I'm tapping out. Sure, the fights are great, especially the final one between Denji and Katana Man, where they fight on a subway. The sharp teeth, blades, and constant blood spray were so thrilling, they almost made me forget about the sexual assault stuff. Keyword 'almost'.

Chainsaw Man isn't just a shonen series about the tumultuous journey from teenager to adult: its an action series with cool monster designs, a feral hero, and more blood than a used tampon. But also, its a series where the main character demands sexual favors, and is rewarded with them by adult women time and time again. This series was a mixed bag, one that had me either glued to the screen or wanting to shut it off, with hardly any in between. The main character should've been anyone else (honestly I'd prefer to be following Power, she's way more interesting), and as the series went on, I felt myself wishing for characters to just die already, so I wouldn't have to put up with them anymore. Here's hoping in season 2 that I get my wish.

#anime and manga #anime review #film critic #review #anime #anime critique #chainsaw man #chainsaw man anime #power is best girl

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aesthetic-bastard · 2 years ago

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Media Interaction 2023

January

Great Teacher Onizuka - starting the year off with an absolute banger of an anime. I really appreciated the constant message in this anime about how teachers are human and that the connection they form with their students is extraordinary. I can see now how an anime like GTO is considered one of the classics with an excellent balance of heartwarming messages about life and high-stakes drama that makes every arc exhilarating. I thought the character development was outstanding and I didn't expect so many characters to receive genuine depth over the series. After watching the entirety of GTO I learned that the anime only adapted so much of the manga so I am hoping to continue GTO later this year by reading it.

Skullface Bonehead - very short 14-minute experimental hip-hop album. I had to listen to this album at least 3 times to truly appreciate it since it is just so short. Each beat is so catchy with fast-paced rap lyrics but are only ever a minute long which left me wanting more with each track. after listening to it a few times I do think this may be my next favorite hip-hop album.

Mobile Suit Gundam - There are just some series I can tell will make me extremely autistic and this was one of them. I thought this was a fantastic series, especially for 1979, and an excellent commentary on the tragedies of war. I'm amazed not only by the character development given to each member of the main cast but by the fact women are very prominent in this series considering the era it's from. It's been a hot minute since I've interacted with a series that makes me pick apart and dissect so many scenes and characters I genuinely enjoy the depth the original series has to offer along with its anti-war philosophies. I am very excited to continue with this series throughout the year with its extensive list of entries.

Herman's Hermits Retrospective - this is a compilation album produced in 2004 featuring the greatest hits from the 1964 English rock group, Herman's Hermits. I didn't realize this was a compilation album at first because Spotify is dogshit at assessing its library of classic music and was labeled as a studio album and not a compilation album. Some songs were pretty good, some songs were decent, and some songs were the most British thing I have ever listened to.

You - this is the fifth studio album by the progressive rock band Gong released in 1974. I had to listen to this album twice to truly appreciate it. I am very fond of the opening track and how oddly silly a lot of the other tracks sound and made me remember how much I appreciate progressive rock.

Shazam - this is the second studio album by the English rock band the Move released in 1970. I had only really listened to one song off of this album for the longest time and after my first listen of the whole album itself I greatly enjoyed it which is rare for me to feel when listening for the first time. My favorite track on this album is Beautiful Daughter

#media interaction 2023

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rukimakino-heirofheart · 3 months ago

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All of them are good to varying degrees.

Tart is a good generalist pick, as it's a high-quality chuuni action manga. Pick this one if you miss Symphogear and want to recapture some of the same vibes.

Kazumi is experimental in a way that only a spinoff produced before the original source material had finished could be. Its worldbuilding goes hard, but sometimes at the expense of the plot making sense on a first read. Still worth it, though.

Suzune has its issues certainly (I've detailed them in my liveblog tag) but it's pretty good on the whole. The MagiReco crossovers are arguably the meat of the spinoff, so if you take the original manga by itself you might be having a worse time of it, but it's still good on its own. It struggles with action paneling, but the art itself is really good. Give it a shot if you want to be introduced to new blorbos.

Oriko and its two spinoffs are often considered the Dostoevsky of magical girls. Give them a shot if you like tragedy in your yuri.

The Different Story is a Kyouko-centric spinoff that does an excellent job of telling a tightly-written narrative within the confines of the loop. It's written by the same author as Kazumi, with a different artist, and consequently the fights are really creative. Give it a shot if you want to be convinced of KyouMami.

Wraith Arc is an interquel set between the TV anime and Rebellion. It does a great deal of work to flesh out the setting and helps a lot to ground Homura's arc from the movie. Give it a shot if you liked Rebellion, or if you didn't like Rebellion but are open to having your mind changed.

The MagiReco Manga is a straightforward adaptation of the game with beautiful art courtesy of Fuji Fujino-sensei (Yozuru's designer). There are some very small changes that won't matter too much until deep into Arc 2, assuming that she even adapts Arc 2 to begin with. Last I heard, it was currently wrapping up Arc 1 Chapter 7.

Not a manga, but Null Magical Girl is the Detective Pony of Madoka. Give it a shot if you like weird surrealism.

chat what are the good madoka manga i have reading time today

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deusvervewrites · 2 years ago

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Because I'm interested, what are some of your favorite fanfics and what fanfics do you love but feel like they should be more popular than they currently are?

You fool.... you have opened the flood gates!

I'm going to stick with the fics that deserve more attention because also listing my favorites that are popular would make this post way too long

In The After by HopeNight. It's a post-canon fic that ignores everything past the Cultural Festival Arc, and follows Midoriya training a girl named Watashi Kiyomi who wants to be a Quirkless Hero. It's excellent and severely underloved.

Ripples on Deep Water by Silver_Snek, which is a rewrite of a fic I really enjoyed up until the ending took a sudden turn, which I assume is related to it being rewriten. This rewrite is still on chapter one, and hasn't updated in... a bit, but I have high hopes.

Don't Forget The Support by FandomsandFlowers, if you want that delicious Support-Heroics Hybrid Quirkless Midoriya

A Sort of Patchwork by DyedViolet, sadly discontinued after the author fell out of the fandom, but otherwise an extremely good urban fantasy with Quirks AU

Syzygy Series by orkestrations. It's Dad For One but everyone already knows and is supportive, and is real good

The Kaiju Hero: Titan Monarch by TreeKiller. The fic that hooked me on Hero Course Hatsume. Should note it has some All Might bashing and Endeavor accidentally gets Inko killed very early on, but if you're cool with that it's fun and wild. Also hasn't updated in a while.

Paper Agency by The Feels Whale, which I'm surprised to see has >100,000 hits. Due to a Department of Education scandal, Midoriya wasn't allowed into any high school. If you think this will stop him, I don't know what manga you've been reading. Starts after graduation.

Okay so Izuku Midoriya vs the World may have been orphaned, but it also has the most interesting take on All Might Negativity I've ever seen in that his entire character arc is overcoming the internalized discrimination he faced growing up that he never had to examine after getting OFA. Abusive Inko.

Flashback by Psyckosama has less than 100,000 hits and that should be a crime. It is easily one of the best Time Travel Fixits, and has some really cool worldbuilding.

Inheritor of Two by The_Mad_Mystic. It's very similar to Chaos For All. Be aware that Midoriya does lose a limb though.

Crossfire by CosmicMerman. Midoriya fakes a Quirk by buying experimental nanites online.

Shared Dream by Beaumains. Midoriya adopts a cat with a Quirk that lets the cat share traits with people she bonds with. So now he has an intelligent cat he can talk to with his mind and also cat mutations.

Duplicity And All Its Cold Comforts by DragonflyxPardoies. Wanna watch a bunch of kids take down society?

Blood and bones and heroism by Elia41. More urban fantasy fused with MHA. Interesting in that after learning magic, Midoriya figures he may as well make his classmates at UA learn magic too.

Born of cold (and winter air) by StormySkiesAhead. Yes it's another urban fantasy. No I will never be sick of them. Midoriya and Todoroki are dragons, and there are a handful of other magical being in Class 1-A. The LoV breaks into Endeavor's agency to glue tiny plastic camels to everything. Literally what more could you want?

i'll be your biggest kept secret and your biggest mistake by sascake. This one has a pretty dark backstory as a future fic, so be careful of that. Namely, there was an explicit suicide attempt. While it's never shown in detail it's discussed pretty heavily, so be careful about that. Despite that it's mostly a cute love story about Midoriya and Todoroki.

Elemental Storm by CatnipKDODO, who follows this blog, so hi! This fic is getting a rewrite but this version is still available for reading. It has that fandom concept of a third transferable Quirk, in this case one themed around all the elements. Hurricane, that Canadian Hero from WIMTBAH is a cameo from this fic. Tagged as All Might bashing but really isn't.

Drown Together by Zirconium40. Wanna watch everyone destroy society? Darkest HPSC depiction I've seen.

Parallel Lines by Endivinity. Midoriya has AFO and is implied to have killed AFO. Mysteries abound.

if I make it through tonight, everybody's gonna hear me out! by x_asche_13. Described as a Leverage AU, and has one of my favorite 'Izuku and Himiko are siblings' dynamics.

Then I'll Do It My Way by justaglitch. BAMF Yaoyorozu.

Defiant by arc1m3d35. OFA!Uraraka and AFO!Midoriya are trapped on an island AFO uses to hold animalistic Noumu.

Son of a Gun by Randomsumofagum. Izuku is the son of Inko and Nagant.

hell is empty (all the devils are here) by idiot_onion. Midoriya is possessed by a demon. This goes surprisingly well for him.

a cubic centimeter of flesh Series by Lucifra. Due to a series of coincidences and a serious mistake by AFO, Midoriya ends up killing him and stealing his body on complete accident.

My Battle Acamaidia by Drink_Some_Water. Shigaraki played a few too many games and decides that what he needs before the USJ attack... is maids. This is a surprisingly wholesome Villain!Fem!Midoriya fic

Key Lime Pie by Violetsumire, another person who follows this blog, hello! The future daughter of Inko and All Might was left unsupervised with Hatsume and naturally Hatsume sent her back in time, and she sets out to save Izuku's life. Discussed suicide.

Eldritch by CosmicAce. A rewrite. Death asked if anyone was gonna mom Izuku and didn't wait for an answer.

#asks #fic recs

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ravysu · 4 years ago

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Sannin headcanons and thoughts

The last thing I would like to post for the sannin week. It is still 24.04 here! :D @sannin-central

This is long. Spoiler alert. Mostly Orochimaru, some Tsunade, a little of Jiraiya (because his story is pretty clear and spoken and idk what I can add). Also I recommend to read this meta about Orochimaru, it has influenced me a lot and has some good points. Sorry for any posible grammar mistakes. Also I really should put here a lot of references to the manga or anime but it was something that was piling up for a year and I'm soooooooo lazy. After all, those are just headcanons. Also: Im not excusing Oro's bad stuff here, Im trying to understand the reasons.

Ive already posted some hcs, here, here and here.

1. First if all, the chronology pic of sannin lifetime based on the info i found on naruto wiki and also some statements about wars from this post. It was tough considering what a mess naruto’s chronology is.

2. Sannin story shows what it cost to be a legend. They're like Team 7 but more realistic. Tsunade literally carried the war but left with nothing and developed a ptsd and have problems to just live on. Also anger control issues. I think she can be pretty bossy and stubborn which is not always nice. Jiraiya is the hero of the day but also very idealistic and can ignore some important details in the real word whether its the fight (he always injured during flashbacks maybe because each time he took too much to handle and on the one hand it's heroistic but on the other is a mistake that can lead your team to situations like in that Iwa cave) or your friends issues (I bet he saw what's going on but thought it's fine until Oro actually got red handed and left). He lives in his world and may have problems to get out to see it through someone else's shoes. As for Orochimaru, it seems like he was a normal guy for 20+ years (I mean, he didn't do crazy criminal shit and had something good in him and it was stated somewhere that it was his teammates influence. It is obvious they considered him as a friend, I don't thinks it was for nothing) but we mostly know his darkest side. Despite being a moster he is a human that have empathy and some ordinary human traits (man just decorates every bit of an environment he is in lol).

3. Tsunade was the leader of team Hiruzen.

4. Tsunade sometimes hit Jiraiya for some stupid things he did or said but never touches Orochimaru even if he did something same. Jiraiya complained about it once and almost got another hit.

5. Jiraiya had problematic parents that didn't care about him much and a lot of time he was wandering in the streets.

6. Judging by the look of Oro bangs and hair, he sometimes cut it off. A stress relief huh? And the fact that he doesn't do it now in Boruto..

7. It was shown that Tsunade and Orochimaru was acknowledged before they become a team. Maybe they did just before, or maybe some longer time before. I prefer the second option and hc that they met because both had no real friends - Orochimaru seemed weird and scary for everyone and Tsunade was Senju so everyone wanted to hang out with her but didn't really care. They weren't seen as what they were - people put the labels on them. But they didn't care about each other's labels and actually saw each other in true lights.

8. Tsunade knew it was an accident and it's not right but still she blamed Orochimaru for Nawaki's death for some time. It was something that seriously damaged their friendship and the team. Orochimaru was mad but also guilty, after all, he was responsible at least as a shinobi since Nawaki was under his watch. So he started to act cold and emotionless and was trying to distance himself from his teammates.

9. Jiraiya was in Ame while Dan died.

10. The whole his orphans mission was a bit irresponsible tbh. They already fought Hanzo and as he stated the conflict between Konoha and Ame is going to an end with Konoha's win. It's weird to stay here for three years in the middle of the war while there were other lands to fight. He left his teammates for some idea. Maybe that caused another crack in their team friendship.

11. If Tsunade would have find a way to live on with her trauma and follow the will of fire and stuff it would affect Orochimaru as well just as her grief affected him. It's like he would get an example that you can live on with this pain. So death isn't above human capability and we are not just the slaves of mortality (sounds stupid but i dont know how else to describe sorry). But as we know what he actually saw is that it broke her crucially to the point she couldnt be herself again. And so the death is above everything.

12. Oro wasn’t just acting as a cold pragmatic bitch in that cave but also tried to save Tsunade. Jiraiya knew it and that’s why he showed this sign to him like "I see what youre doing here" and that stunned Oro because he would prefer to look rather like a cold pragmatic bitch hehe

13. Just a thought. People in the village probably treated Oro as a foreigner or just wouldnt accept him because he looked so differently and had a weird attitude. That's why he sometimes didn't feel that Konoha is his home. After the wars where people were treated as means and tools, even the children, he himself developed this view on people - he dehumanized them and used as the means to his goals, just as his village did. Funny thing some people were straightly dehumanizing him too like Ibiki thought that he was a demon (tho he was a child). And he probably weren't the only one. Anyways the point is that it's logical that Orochimaru don't care about anybody but some few people, he's the product of his era. He's like Naruto that would chose the hatred way. But naruto had some good and understanding people around him and.. Orochimaru had them too, but match how Iruka treated Naruto and this Hiruzen's "I sAw tHe mAliCe in This cHiLd fRoM tHe BegGinNinG". And oro didn't even have a big ass evil fox in him. sry i hate hiruzen

ANYWAYS the moral of the story is not "go criminal if they hurt you" but always treat people like people. Waving my hand to Kant.

14. The reason why Orochimaru didn't pick some good morals to stick with through the hard times no matter what (like, idk, Jiraiya or Naruto) is because 1) I think he is/was pretty depending on people around him 2) the war fucked him and his friends up too much (Nawaki incident + Tsunade) 3) twisted addictions (though I don't think he's that sadistic, we never saw him torturing randoms just for fun, it was always some science experimental shit. He tends to get fun out of cruelty only when it's personal) that maybe developed as a way to sublimate anger and sadness caused by his parents loss (that's what they share with sasuke - unlicke naruto, they knew their parents and it's other kind of pain. Sasuke developed a revenge issue and Orochimaru - cruelty pleasure which... is kinda the same but less epic and more occasional lol).

15. Speaking of that, Orochimaru cared for Sasuke because he saw himself in him.

16. Oro hold grudges against Hiruzen for not choosing him to be Hokage not only because he was ambitious and/or egoistic, but also because Hiruzen was some kind of a father figure for him and his approval was important tho i doubt he was aware of that. He also probably could tell that Hiruzen was suspicios about him when he was a child and that led to many conflicts and was hurting as well.

17. Tsunade knew things weren't pretty with Orochimaru after the wars but she never expected them to be this bad. During the week that she was given in her arc she thought not only about how much she wants to see Nawaki and Dan again despite how wrong would it be but also was trying to bury all the good memories she had left of Orochimaru so it would be easier to kill him.

18. She poisoned Jiraiya exactly because she knew he would not let her do it. Jiraiya was always hesitant to kill and inclined to forgiveness, while Tsunade, as mentioned by Orochimaru, could be merciless (so much so that he was not surprised when Kabuto suggested that she wanted to use Jira for Edo Tensei).

19. That was one of her traits that scared Jiraiya and fascinated Orochimaru.

20. Remember how Oro grabbed Jiraiya's neck when the latter was trying to cover with hair jutsu? On the snake, in Tsnade's arc. Orochimaru could have easily kill Jiraiya by pulling the sword out of the mouth (arteries are right there) but he didn't. As well as he could kill Tsunade when she was still shaking - just aim for the neck or the heart. Instead, he just injured her lung and kicked her which is not a big deal for the kind of shinoby like her at all.. Also he helped Anko not accidentally kill herself but it would be way much profitable to let her do it. "Orochimaru has no feelings".

21. The reason he suddenly wanted to kill Tsunade instead of forcing her to heal his arms as it was planned (which is weird since it will not going to get him heals and he kinda said that he wouldn't want to kill her just minutes ago) is that not only she refused to help him (he thought he could work it out) but she also prefered the village over him (from his point of view). Out if everyone she was the closest to being able to understand him since the village caused her painful losses too but nevertheless she agreed to be on it's side.

22. He wasn't fighting her back in the end partly because he thought he deserved that. Somewhere deep inside hahah.

23. Tsunade got a fear to develop deep bonds so they probably weren't very close with Shizune (also the way she knocked her down in this hotel.. oh).

24. Orochimaru will be here when she'll die.

25. Orochimaru's eng dub to Tsunade: "I often wondered what it would be like to ring that pretty neck yours". No comments.

26. Orochimaru is either bi/pan or ace. Anything or nothing lmao

27. Hiruzen knew about at least some of the Oro’s illegal experiments and was okay just as he was okay with the Foundation all the time. Because it’s useful. Then he has discovered he went too far OR he knew everything and oro just became too inconvenient because of his methods. The way Orochimaru tells Sasuke about reasons they are well treated as the criminals is based on in his experience with Hiruzen.

28. As you may know the lyrics in Orochimaru’s music theme goes “don’t talk with the silence of the heart”. It was taken from one Indian song that also had lines like “don’t question life too much”, ”pain arose somewhere in the chest”, “don’t speak to the wounds of the heart”. Though I’m not sure 100% because I was translating it with some hindi dictionary with like zero knowledge of hindi

29. I like to think that this “silence of the heart” theme and the fact that he called his village a hidden sound village are somehow connected. The hidden sound is the possible explanation of all things waiting to be listened to but the truth is silent and you know it deep in your heart and it bothers you. The world is silent just like the life is meaningless but people can only hear. *Sigh* anyways

30. Orochimaru’s journey is the one about accepting death. When he saw Karin released her chains while was trying to get to Sasuke he understood that the death is a part of human’s strength.

Can’t wait to feel that everything I wrote is wrong or not enough or stupid and obvious lol. Anyways, it’s something that I wanted to share until I move to some other fandom.

#sannin week 2021 #orochimaru #tsunade #jiraiya #sannin #naruto #naruto headcanons

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canmom · 3 months ago

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Gobelins is a great place to start! the works of the Gobelins animation school are available free online and consistently incredible. here's the playlists for 2023, 2022, 2021, 2020, 2019. given your interest in war history, you might like this one Dogs from 2019:

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Also check out the brief intro videos they do for the Annecy film festival.

For film, there's so many good places to go. I'm naturally a big fan of the works of René Laloux. He's best known for Fantastic Planet, about a rebellion on a world where humans are kept as pets by giant blue aliens...

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His other two films, Time Masters (made together with Moebius!) and Gandahar, are also incredible. I wrote more about Laloux here, including the story of his time working at Felix Guattari's experimental psychiatric hospital, and some of his early films. (Unfortunately some of the video links have since rotted.)

France has an incredibly active comics (BDs) scene, and many of its notable films are adapted from BDs. Among these, I can highly recommend Joann Sfar's charming and fascinating film The Rabbi's Cat (more on that here), and of course Marjane Satrapi's sharply observed and striking Persepolis.

For more recent works, I highly recommend Mars Express directed by Jérémie Perin. It's a cyberpunk detective story that definitely pays its respects to the anime tradition, but full of charming bits of design and strong naturalistic character animation.

And then, one of my absolute favourite French animated films of the last few years is The Summit of the Gods, adapting the manga by Jiro Taniguchi. It is absolutely gorgeous and has some of the most tense scenes I've watched in animation, and a compelling character study of why the fuck you'd climb mountain.

No list of French animation could be without Sylvain Chomet, one of the absolute masters of traditional animation. The Old Lady and the Pigeons is a great intro to his style:

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but of course his magnum opus is the film The Triplets of Belleville (aka Belleville Rendezvous), in which an old lady's cyclist son is kidnapped by the mob and she teams up with a group of old music hall singers to rescue him. Chomet's unique sense of movement and caricature is on full display, and it's a really unique film. (He's also known for The Illusionist, but honestly that film has never clicked with me.)

That's honestly just a brief introduction - I haven't talked about I Lost My Body or the Kirikou series for example. France has probably the most active animation industry in the world after Japan, and tends to be pretty involved in the films of other countries as well - usually other European countries, but this year we have the wonderful French-Japanese collab Ghost Cat Anzu coming out. And that's not even to mention Arcane lol.

french animation is always so gorgeous. and underrated

#animation #french animation #i wouldn't call french animation underrated... at least among animators lol #if anything france pretty much sets the tone of global animator culture with like catsuka and the annecy festival #Youtube

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kohiu · 3 years ago

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Q&A - Let's chat!

Hi, it's Kan. Thank you for everyone who has sent me questions since last week, I am also combining this QnA with questions I've received directly before, so brace yourself!

1. What brushes do you use?

Hi!! I mostly use my custom brushes which can be downloaded from my Clip Page. Or simply search for "kohiu" on Clip Studio Profile, in case the external link doesn't work.

Here is how I've customized my G-Pen brush in Clip Studio Paint.

2. I love your poses and compositions! They're always so dynamic and unique. Do you have any particular thought process when coming up with illustrations?

Thank you! I will just repeat this answer from my fanbox: When it comes to personal illustrations (whether fan art or original), I tend to muse from the music I listened to. Which is why I often include "BGM" in my posts! Even with my Goretober book, I don't want to try too hard to commit to the set prompts. I like to break myself from the conventional illustrations I have to work with on a daily basis.

TL;DR: I'm pretty much anti-boredom.

(11 more questions answered under Read More!)

3. Would you ever consider posting speedpaint videos? How about tutorials?

3a. This is more of a request than a question and I am sorry. If you have the time and do not mind would you mind recording or doing more step by steps of your sketchwork or casual drawings? I really enjoy watching processes and from what Ive seen of yours in the past its very interesting. The way you use fill brushes is really neat. Thank you

3b. not a question but I really love watching that one speedpaint you put on youtube ages back (it was just a white haired person in a tracksuit sitting on the ground) and find it inspiring, i hope you'll make more in the future sjdjshffh or if you have uploaded any other ones in the past, can you link them for us??

Hi!! I thought of just combining these questions into just "timelapse video request", but the messages are so nice... So I have to show them here, so thanks! Though I apologize for the textwall for everyone else though.I managed to spend a day to record, edit and upload this timelapse

and semi-explanatory of the tools I used for the illustration. This video is not a tutorial, nor it should apply to all of my works, so keep that in mind!

youtube

Timelapse Video: https://youtu.be/ch-uPze1CII

(if you're seeing ads in the video, let me know so I can replace the video with no sound instead).

4. How did you get into art?

Playing with crayon pencils, doodling at the back of a receipt papers, you know, kid's stuffs. Otherwise, persistence and stubbornness have led me here now today.

5. What did you major in?

I have a Bachelor of Arts in Language and Linguistics.

6. What are your (art) inspirations?

In my younger years, I was most definitely influenced by manga and video games. By the time I got access to the internet, seeing all the independent creators out there, they definitely influenced me from time to time too.

If you're looking for arts recommendation: Check out AKIRA, I love the way they compromised the calligraphy thick brush into their illustrations.

My only most consistent "inspiration" is music. Even the video games and shows, the sole reason why I was so enamored by them was because of the sound design. As I am reaching my 30s, I am finding more experimental music to listen to everyday.I can recommend a ton. For now, I can't stop binging Kamen Rider Zero-One OSTs.It's on spotify!! Wow!! Please watch this show with me!!

7. Do you have any anatomy resources, figurine/mannequin for drawing recommendation?

I bought this Anatomy-kun and Anatomy-chan series just a few months ago! All four of these costed like $25 from a Chinese storefront. I hope you can find a good price, depends on your local store and such. They help me the most in positioning characters in different perspective and angle!

For Anatomy book, I got this one: Anatomy for the Artists by Sarah Simblet. [Store Link].

I'd say my anatomy observation isn't the most accurate out there. I prefer to draw body parts which are considered attractive to me (yeah).

8. Typically, are you more likely to draw with no idea in mind and have that turn into an illustration, or do you go into illustrations with a goal in mind from the start? which is more enjoyable?

It depends!

In commissions, I'd have first to memorize the information given to me, and then coordinate it into my already prior knowledge of the topic. It's a fun challenge for me to work with external direction!

With personal arts, this is also 50/50 in terms of "go wild" vs "work with intention". I can also definitely change my mind in mid-progress, scrap and redo everything over. Either method requires Patience, I don't see which one is considered more enjoyable to me (laughs).

This is also why I'd have to flat out refuse request commission of my typical "sketch page", or "just a rough sketch!", usually refer to my typical personal doodles. It is difficult to price something that is considerably spontaneous in nature. I don't set any certain standards when doodling for myself too. So um, even if they look "so easy" in the audience's eyes, they're... actually... not easy to make.

TL;DR Sometimes I go head empty no thought AND sometimes I want to draw with a structure.

9. Do you have plans to develop your original stories/ideas into anything?

I don't have any plan to develop my original projects into anything yet. I appreciate there is a tiny crowd that keeps an eye on them though!!

10. I've noticed you disabled most reply/message methods on tumblr and twitter. I assumed you might not like it, or something must've happened to you.

Yeah so basically I just quit social media. I've tried to come up with several explanations (or excuses? (ง ´͈౪`͈)ว ), the only consistent reasons are:

- I have zero energy. - Mental health weird. - Is in constant self-quarantine and not touching as much grass as I should.

Friends would come reach me out to ask "why? what happened?" out of concerns. And it'd be, too incorrect to say "oh no nothing happened!!". But, yeah, apparently, right now, having an offline hobby is actually more emotionally rewarding. Eh, on a side note-

If you're long-term mutual or a friend and would like to keep in touch with me pleaaaaase I'd love to have your discord. Come talk to me!! Kinkshame me!!! Email me!! Go to my email address!! (it's kohiu(@)outlook(dot)com OR contact(@)kohiu(dot)com ) (and YES i have to have to add the (@) and (dot) because I get so much spam mails for the span of 2-3 years, theyre SO BAD).But yeah please don't interact with just my public posts bc 99% I will miss those.

11. Do you post your art right away after completion? Or do you prefer to wait for awhile before posting? (Do you collect your arts from a different times before posting?)

With my years of realizing how I'd notice a million mistakes after posting, I prefer to Not post art after completion anymore.

It took a bit of self-discipline, and a private discord server for me to upload drawings I've finished in real-time. It does help a lot! Especially with large paintings that I cannot finish in one-sitting. I totally recommend you to create some sort of private blog platform in which you can keep in check with your progress. Discord server works for me because of how easily searchable it is. I can organize on-going projects in directory, and when I'm done with them, they can be exported with an app called "ExportChatExporter".

Being able to archive things... feels really good....

As of how I operate now with Patreon, Fanbox and Gumroad ebooks. Yes, I do prefer to post collage of drawings I've completed in different times. And these platforms suit me best. With celebratory (fan) arts, I did have to draw them prior to posting date, and sampled and then scheduled the publishing on different platforms. My apologies if it seemed like I was online when my posts were live (lmao), I only check on my posts once I start to schedule another one again.

12. Are you into any video game lately?

On the top of my head. the games I've managed to finish (last year) were Red Dead Redemption 2, Life is Strange 2, Hades, Obra Dinn, and some [redacted] ero games.

Right now I'm glued to Dont Starve (Together), and slowly going through Blasphemous.

13. Been a long time fan of yours but has there ever been times where you wanted to stop drawing?

I thought a lot about this question, and I don't know how to answer this genuinely without sounding grim.

I always have a difficult relationship with arts. One example was around summer last year, I'd break down crying in front of my friends how I'd like to quit drawing altogether, find a job related to my degree instead. Another example is around earlier this year, I reached out to a complete stranger that... went under really difficult circumstances with their arts. We're friends now!! Although we didn't get to find any solutions to our original problem (laughs).

These days I limit myself to post online, and I may one day stop posting arts altogether. I'm at peace with that idea now, I think.

At the very least, I never run out of things to draw.

Q&A ends here.

Those are all the questions I have gathered!! If you have any more questions uhhh, just email me. I will keep my anonymous google form open for now until I decide to close again. Thank you so much for everyone who have helped me this QnA!! I can now go back to sleep _(:3_|

#QnA #QnA2021

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therefugeofbooks · 3 years ago

Text

July felt like an eternity! I made good use of the time, though, and finished a book with 600 pages! I haven't been reading big books so I'm glad I didn't dfn it. Overall, July was a mix of lightheaded reads and some dark ones.

Talking about all the books I read in July under the cut!

Hide and Seeker by Daka Hermon

Spooky! I liked the concept of the story, and the execution was pretty good. I can't get tired of kids saving the day and fighting the monsters and their fears. I was pleasantly surprised by all the turns the story takes and the end as well.

Read if you want: middle-grade horror, kids saving the day, a harmless play turned dark.

The Misadventures of an Amateur Naturalist by Ceinwen Langley (x)

I didn't like the first part of the book because of the pacing and lack of the magic and romance I was hoping for, but the second part is great! See my complete review of this book here.

Lady Killer Vol. 2 by Joëlle Jones and Laura Allred (x)

It's super fun! I loved the thriller and dangers that came with Josie's new situation and was shocked at the end! I'm even more curious to see where the story will head now.

Catherine House by Elisabeth Thomas

I loved the gothic atmosphere of the story, the seclusion, the cult things, the mysterious deaths. The dark academia vibes are on point! Nevertheless, I didn't feel hooked up in the mystery, and I didn't particularly care for the main character.

The Queer Principles of Kit Webb by Cat Sebastian

Oh, this was lovely! I loved the romance, the characters, and their backgrounds, and all the action of it. I liked the plot twists and the ending was really sweet.

Read if you want: adult mlm romance, historical fiction, planned thefts.

The Chosen and the Beautiful by Nghi Vo

It's been a long time since I read The Great Gatsby, so I vaguely recall what happened to compare with this book. Anyway, I liked that the protagonist is a Vietnamese girl and all her inner conflicts. The magic and its repercussions on the world were interesting, but I was not that interested in the story. Apart from Jordan, I thought the characters were annoying and didn't care for their conflicts. Also, the magic is sl fascinating but in was not a major focus.

Prince Lestat and the Realms of Atlantis by Anne Rice (x) (x)

So, I think I disliked it less than Prince Lestat because many things happen in this book. But I'm baffled by the new additions to the vampire lore. The consequences to the vampire as individuals are interesting, at least. I'm glad Lestat and Louis had a moment, in the beginning, to talk things through and are on good terms again.

Sasaki and Miyano Vol. 2 and Vol. 3 by Shou Harusono

The romance is super fluffy and lighthearted, and I needed something between some heavy reading. Super excited to read the next volume!

Read if you want: fluffy bl manga, school romance.

Crota by Owl Goingback

Scary! I haven't read a lot of horror about monsters but this one was super cool. It deals with indigenous legends and the cave hunting part was suffocating and scary! Just not a big fan of a disabled child getting cured at the end of the book, the kid is not the main character but it kind of put me off in the end.

Read if you want: horror with monsters, police procedure, indigenous legends.

As I Descended by Robin Talley (x)

This was pretty dark! The arc of corruption and madness was pretty well-done, and the characters made me want to read more and more. I read it for Disability Pride Month as the main character is disabled. I was glad that her arc isn't only about her disability while also mentioning her difficulties and people's prejudice.

Read if you want: spooky YA, queer retellings, Shakespeare retellings.

The Devotion of Suspect X by Keigo Higashino, tr. Alexander O. Smith

I'm not a big fan of police procedure, but this story is full of twists and turns that made me so curious about what would happen next! It's more of a mind game between the police and the killer than a thriller full of action, but it was an enjoyable read.

Read if you want: psychological thriller, police procedure.

Erotic Stories for Punjabi Widows By Balli Kaur Jaswal

Super fun and thought-provoking! It deals with stories bringing a community together, women finding a space to share stories, and also a mystery in the middle of everything. One of my favorites of the month!

Read if you want: fun stories, book club books, contemporary fiction.

Midnight's Children by Salman Rushdie (x) (x)

I took my time to read this book as it's a literary work, and it's very experimental. I liked the narration and the flow of the story. There're so many fascinating things about the story, the magic, the culture, India's history, and many others things. However, it's a long book. I was a bit tired at the end, but still, a great read.

Read if you want: literary and experimental fiction, magical realism.

The Other Black Girl by Zakiya Dalila Harris

The pacing of this thriller was slow, but I was interested in the diversity drama in Nella's work, so I was not bothered at first. But most of the main events happen right at the end, and the known villain does a "villain explaining their plan" that was a bit cartoonish. Also, the villain was only a part in the big scheme, and we don't get answers about this big thing happening. Still, there're some thought-provoking topics in this book, and the more "fantasy" aspect of it was super spooky.

Read if you want: slow-paced thrillers, psychological thrillers.

Ariel by Sylvia Plath (x)

I want to read more poetry, so I chose this one from the library. I enjoyed some poems and the images the writer created, but most of them fell flat for me.

Rereads:

Reborn! Vol 1 by Akira Amano, Frances E. Wall (translator)

Livros disponíveis em Português:

Links para os meus reviews no skook!

Baú de Sonhos Impossíveis de Filipe Bedendo (x)

De Repente Adolescente de vários autores (x) (x)

A Botija do Fantasma de Pablo Praxedes (x)

And feel free to talk to me about the books of this list :)

Read in: Feb | Mar | Apr | May | June |

☆Book Photography ☆ Storygraph ☆ Scribd ☆

#booklr #monthly wrap-up #mine: original posts #the refuge of books

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deltaengineering · 3 years ago

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Spring Anime 2021: Embarrassment of Riches

So this current anime season absolutely stinks, which just makes the last one look even more impressive. Well, maybe not all of it...

Zombieland Saga Revenge

First off, you don't need to tell me that the following is a severe outlier opinion. We good? Ok. ZLSR is, in a word, subpar. I liked S1 back in the day, but it was already in the process of getting lazy towards the end. S2 continues this trend and is basically just another idol show. And as someone who actually does watch other idol shows I have to say that it's not a particularly good one of those either. The zombie gimmick has mostly stopped mattering and we're just doing what every idol show does, only with the odd occasional sight gag. The alleged subversive qualities mostly amount to a flashback for Yuugiri, which is admittedly the best part of the show but feels like it barely has anything to do with anything. Apart from that, it's a bunch of generic idol plots, rehashed character beats, shoddy attempts at twists (while not connecting to any setups from S1), and the obligatory "idols give us hope" ending, which is terribly hackneyed and flat out bad. Tae gets further memed into the ground, because of course she does. And there's stuff that was simply never good to begin with, like Kotarou and his comedy schtick, which gets truly insufferable now that there's no qualities to distract from it. It really makes me think that S1 wasn't even all that good to begin with and seems like an attempt to turn this surprise success into an easy money longrunner with no edge and no ambitions. "The idol show for people who don't watch idol shows" indeed, but not the way you mean it. 4/10

Bakuten

But not to dwell on the failures, with the second show we're already above the cut — barely. This one got my attention with its really impressive performance scenes early on and it totally sticks to that, which is even more impressive. But besides that? Well, this is by far the most predictable show in a season where I watched an unambitious Kiraralike and put ZLS on blast for having no ideas. The characters are a mixed bag, some are cool (Shida, Asawo), some are very annoying (Mashiro), but those are the supports. The main cast is extremely one-dimensional, which is fine until they try to heap a ton of pathos on their lead, which doesn't go well. But I guess execution matters, and Bakuten is slick enough to get by. Writing this down in stark daylight I feel like I overrated this show somewhat (I actually put it over the next one originally, which definitely doesn't hold up when thinking about it), but I was indeed mostly entertained. 6/10

Yakunara Mug Cup mo

Yeah. Of course Mug Cup definitely doesn't invent or subvert anything either, but it's a pretty good Kiraralike that's always entertaining to watch. Explaining the qualities of such a nothing genre is as difficult as ever, but it mostly comes down to me liking the characters and it having nothing to annoy me. It's shorter than normal, which is a plus for slim shows like this. And yeah, you can make an excessive amount of dick jokes with the clay fondling. That helps too. Looks are just fine, pleasant but nothing out of the ordinary. Comfy low-effort anime. 6/10

Vivy: Fluorite Eye's Song

This one is decent, but sadly still a major letdown. Because the first few episodes of Vivy were excellent and kicked ass, but then it became increasingly clear that the writing can't cash the checks the ideas wrote while the action starts running into severely diminishing returns. Vivy just keeps slowly getting worse and worse as it goes on, not by a huge amount each episode but by the end there's a pretty sizeable gulf between potential and result. Going into detail would probably be a little much for this venue because there's a lot, but from the top level view the issue is that while Vivy has good fundamental ideas and steals at the right places, it just isn't a smart show — it's schlock, and by the end, poorly thought out schlock that tries to smooth out every problem with liberal application of the big feels hammer and le epic twist at that. Yeah, couldn't tell that the Re:Zero dude was aboard here, for sure. That said, it still works pretty well as entertaining schlock that is not to be taken too seriously, and the characters are generally just very fun to watch even when they're doing stupid things. Still, I can't in good conscience rate this higher than Beatless, a show that looks like butt but properly executes on its ideas. 6/10

Super Cub

So this is 100% a Honda commercial, and I got really mad a Yuru Camp last season for being a blatant shill. Yet I'm feeling this, what gives? I think the main difference is that Super Cub is specifically a commercial for one product (and a very iconic product at that), while Yuru Camp is so all over the place that it ends up mostly a commercial for consumerism in general. And when Super Cub goes too hard on the product (which it does), it's at least pretty entertaining. That's something about Super Cub in general: It goes hard. Your regular Kiraralike this is not, because it's uncommonly slow, focused and moody - yes, it almost measures up to Yuru Camp at its best and demolishes it at its worst. Also, it's just extremely amusing to see sadblob Koguma grow a huge grizzly biker beard and become a badass outlaw dad to her goofy wife and cute daughter, all thanks to the power of afforable personal transportation. Needless to say, that can get unintentionally silly, but Super Cub has so much charm that it doesn't matter — it's great when it's good and still funny when it's not. 7/10

Shadows House

Shadows House turned up with a lot of potential, and I have to say it at least delivered on most of it. It has some problems; notably I'm not a fan of how the entire middle turned out to be a tournament arc of sorts that seems curiously inspired by Resident Evil memes, crest-shaped intentations and boulder punching included. I also think that this is a show that would be perfectly fine without explaining much, but I guess it is a shounen manga after all so we got dumped on eventually anyway. At least that came late - close relative Promised Neverland didn't show that much restraint. Shadows House is generally well written though, with great characters, interesting interactions and a great hook. But what really makes it memorable is that it's exceptionally good at the cute/creepy contrast, something that is often tried but rarely works as well as here, with great character designs and very appropriate production. I hope this gets a sequel, because it seems like it's just getting started. 7/10

SSSS.Dynazenon

Coming in with a fondness for Gridman, Dynazenon didn't have to do much to convince me. The surprise though is that it's not a rehash even if it's basically the same show, a character drama where occasionally huge and goofy fights break out. Dynazenon is Gridman done better, and the interesting part is how it accomplishes this - mainly by being far more conventional. I do appreciate that Gridman went for something weird and almost experimental, but that only really paid off towards the end while most of the show was a distraction/holding pattern. It just didn't feel like there was enough material for a full series there, more like a movie maybe, if even that. Dynazenon fixes this by just being a TV show, with an actual cast of characters that each have their own arc. And by spreading the material this way, Dynazenon ends up having a lot more nuance than its intensely focused predecessor, while having the same themes and not actually being any deeper. In a way, Gridman ends up looking like the spinoff in retrospect, while Dynazenon is the full package. 8/10

Thunderbolt Fantasy S3

So how good was this season? So good that Thunderbolt Fantasy doesn't end up at the top, that's how. And all the elements that made Tbolt such a sure thing are still there, big hammy puppets doing stunts and scheming never gets old. However, I do have to note that at this point, the writing appears to have gotten too comfortable. I don't expect it to ever top the amazing S1 ending, but at this point it's like Tbolt has stopped trying to deliver on endings at all and seems in the process of retooling itself into a longrunner instead. Barely anything gets resolved in S3 (the climax is that the climax of S2 is resolved again, for good this time... maybe), and everything else is just setting up plotpoints for the next season. Tbolt is truly lucky that it doesn't actually need to resolve anything to be a great time, but at this point I have to say that I'd appreciate it if they wrapped it up with S4. 8/10

Nomad: Megalobox 2

Speaking of sequels to shows I liked, Nomad doesn't so much improve upon its predecessor but steamrolls right over it. This is a tall order, since Megalobox was surprisingly good for a sports shounen and had a real nice, heartwarming ending that Nomad instantly negates for purposes of drama and everyone being extremely miserable. That sounds like a pretty terrible idea - and it would be, if Nomad wasn't as excellent as it is. To call it not the same show would be an understatement, because it's a true sequel, not just the same characters doing their thing some more, or new characters doing the same thing as the old ones did. Indeed my biggest problem with Megalobox was that it still closely adhered to its genre template and was very predictable; Nomad fixes this issue thoroughly. Nomad is about questioning what being a hotblooded shounen protagonist eventually leads you to, and how to fix everything you screwed up by being one. You could call it a deconstruction, but that term has been so abused for cynical, edgy "thing you like actually sucks" takes that I feel like it doesn't really fit here. Nomad isn't cynical at all, it's just a character drama about some boxers past their prime, and it being a sequel to a show that is indeed rather formulaic just enhances the experience. My biggest issue with it was that I really like what they did with Joe in this story, so the big focus on Mac's backstory felt like a distraction for a long time. But in the end that turned out to be absolutely necessary to make the ending work. The ending's just great, by the way, and I shall say not more about it. 9/10

Odd Taxi

Yeah boy, here's the show that has apparently become somewhat of a "greatest show you didn't watch" meme, which I can feel smug about because I don't need YouTubers to tell me what's good and followed this from day one. Anyway, Odd Taxi is indeed great, the greatest show in a few years even. What starts out as seemingly a relaxed hangout show in the vein of Midnight Diners quickly turns into a psychological murder mystery while never losing its quirky humor. The character writing is outstanding, with even small bit players being on a level that the average anime wishes it could have for leads. And the rollout of the mystery is exemplary, with answers given and new questions raised every episode with a satisfying and logical payoff in the end. This is also the rare anime that has rock solid production from the first to the last second; it's never really flashy but excellently done and highly consistent nonetheless. And the music just owns. I have a few complaints, mainly that there's a few logical weaknesses in the story (which wouldn't even register in a lesser show, but sticks out here since the rest is so immaculately constructed) and that the ending overextends on the emotions when the rest of the show is so reserved and dry in comparison. But those are only the reasons why I didn't give it perfect marks, and I almost did that anyway. 9/10

#Zombieland Saga #bakuten #yakunara mug cup mo #vivy: fluorite eye's song #super cub #shadows house #ssss.dynazenon #thunderbolt fantasy #nomad megalo box #odd taxi #anime #review #spring2021

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goji-pilled · 3 years ago

Note

I don't know if you're still looking for series recommendations but could I suggest my personal favourite series?

It's called D.Gray-Man and it's honestly one of the best written series I've ever come across. It's about a fourteen year old boy called Allen Walker who joined an organisation called the Black Order that use a power called Innocence (It's different for everyone; Allen's arm transforms, Kanda has a sword, Krory is basically a vampire, Miranda can control time, all of them are great) to fight against beings called Akuma created by the Millennium Earl.

It goes into a lot of deep topics but the main one is grief because Akumas are created by the Millennium Earl preying on people who have recently lost a loved one into making a deal that will bring back their loved one's soul but unfortunately that soul becomes the Earl's servant and they kill and steal the body of the one who brought them back. But it explores the points of view of both the people who lost and the people who were brought back. For example, Allen is valuable to the Order because he has a cursed eye that can see Akumas through their disguises, but he got that eye because his father figure that he brought back as a child was enraged that he would fall for the Earl's bargain and cursed him.

There's also so much well written development for all of the characters and it's honestly a bit of a mystery series but everything is set up so subtly you barely notice until about halfway through. It's a series that definitely gets better with repeated viewings.

Also, the artstyle is gorgeous. In the beginning, it's good but the artist's style now is downright ethereal, seriously I stare at her pieces for hours. Plus, the overall aesthetic of the series is inspired by gothic and Halloween tropes in everything from the architecture to the antagonists' designs to the overall feel of background elements.

Plus, Allen is such a unique protagonist. I know we've had dozens of 'Optimistic Teenage Boy With A Tragic Past' protagonists in shounen series but Allen's optimism is different. His optimism is more of a coping mechanism, it's pretty much the only way he can get through everything he goes through. Considering his backstory as an orphan working in a circus, the best description I've seen for him is "a lonely clown with a painted smile" which sounds cheesy, I know, but it fits.

I should point out the series isn't finished. There was a lot of drama for a while when the writer had to take a break due to injuring her wrist and then higher ups tried to alter the story so there was a whole ordeal of her getting the full rights and recovering and an anime company completely ignoring her requests in regards to marketing but she's back to updating and it's usually every few months a new chapter comes out.

I would recommend reading the manga if you want to check the series out since obviously it has more of the story and again, Hoshino's artstyle is to die for. But the anime is fantastic too, with about 200 episodes and all of the few filler episodes being adaptations of the light novels written by the author's good friend, plus the continuation series D.Gray-Man Hallow that came out years later (after the whole rights debacle). Plus a certain arc has a song as an important plot point and that scene in the anime makes me sob every time.

I'm not really sure about warnings, there is some vague body horror but they never really go too into it and a few characters have backstories of human experimentation but that's about all I can think of.

I'm really sorry for such a long freaking essay of a recommendation but I adore this series and would love to get someone else to watch it (all my friends refuse). I really hope this didn't annoy you but considering your love of the themes and characters of Madoka Magica, I thought it might appeal to you so I took a chance. Again, sorry for the behemoth of an ask. If nothing else, please look up Katsura Hoshino's artwork. It's gorgeous.

Its been a long long time since I had a recommendation on here but all of this sounds very interessting.

I do however also have the attention span of a toaster, like I barely managed shows with a bit more than 20 epsiodes (like Kill La Kill, The Ancient Magus Bride, Evangelion, etc.) and I have a bunch of stuff I started and haven't finished yet (Jujutsu Kaisen, Violet Evergarden, and more) so the anime will probably not be it...

The manga however.... I have a suprising talent at binging mangas, like I read all of Chainsaw Man (and another one that I won't name) in two days, I binged over 130 chapters of JJK in two days as well so. I can see myself reading it yeah.

So I am adding it to my list, even if it might take a long time because I have like 120+ different series on my list but I'll get it to it eventually, and thank you for the recommemdation!

#felix answers

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pleaseshutupaboutsatou · 4 years ago

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Before and After Ajin Volume 1

Part Three

[Part One] [Part Two]

This was supposed to be the last part but I had a lot to say on this one particular subject.

Ajin: Human or Demi-Human

Spoilers ahead and I will refer to Tsuina Miura as TM.

Before V2 - Ajin: Human or Demi-Human

Okay, so it’s always kind of perplexed me that Ajin are so objectified. They look like any other person but in the world of Ajin, they’re referred to as ‘another species’, a ‘life-form’, and sometimes even ‘it’. When someone finds out they’re Ajin, it’s not readily apparent and can easily be hidden. Probably the most conspicuous aspect of an Ajin is their IBM if anything -- especially if they can’t control it.

Anyway, the way I’ve really looked at it, I’ve always kinda assumed that the objectification of Ajin was a purposeful and systemic way of othering people with immortal abilities so that they can be more easily taken advantage of.

I forget that this thought is just pure speculation and not actually explicitly said in canon. (TBH, I would really like to know the origins of why people see Ajin as non-human.)

This aspect is just part of the unique takes Ajin has on immortality. Immortals can age. To be an Ajin is not seen as a cool or fun but something terrifying and unknown. You don’t want to be an Ajin. In fact, in the first chapter of the manga, when the teacher suggests the possibility that someone in the class might be one, it immediately makes everyone uneasy.

In TM’s part of the manga, there’s a strong emphasis on the idea of Ajin not being seen as human. It’s repeated a lot in Kei’s dialogue with Kai and in the pilot chapter with Shinya. In fact, the opening line in the pilot chapter is ‘Those life forms do not die... They are know as demi-humans’.

The language in the Wikipedia article about Ajin that Shinya reads uses dry language when discussing the relationship between Ajin and human experimentation. It seems like there’s no hint of controversy!

If you’ve read Tenkuu Shinpan, this cynical worldview will probably be very familiar. Miura’s writing has this sort of color.

Anyway, in volume one, the humanity of Ajin is constantly questioned and touched upon in the dialogue.

What a bizarre question for Izumi to ask, of all people... Izumi could be playing detective a detective role here, but knowing that she’s an Ajin, this almost comes across as self-loathing. Perhaps Izumi might have gone down that path if Miura stayed on?

This bit of dialogue from Tanaka, shortly after the former scene, feels more consistent with the story thus far. Satou made being a demi-human a point of pride for Tanaka and for Izumi to pretend to be one definitely made her less in his eyes. Actually, he was pretty cruel to everyone in that room in this scene, but if you take into consideration Izumi’s anti-Ajin-like dialogue and her explicitly saying she’s from the Demi-Human Control Commission (the ones responsible for his imprisonment), I can see where it comes from.

Anyway, much of the compelling dialogue on an Ajin’s humanity is between Kei and Kai. On the run after being outed as an Ajin, Kei is constantly questioning his own humanity.

And, as long as Kai is around Kei, he constantly reassures Kei that he is indeed human and even if he isn’t, he can be human if he wants to be.

Now that I think about it, perhaps the idea of demi-humans not being human comes from the human fear of death and the loss of its universal certainty. Death is scary, unpredictable, unavoidable and not really something a lot of people like to dwell on. However, despite those feelings, it’s ubiquitous and maybe some comfort comes from that - that it will happen to everyone. Not to Ajin though (as far as the public knows, they don’t really know about aging or natural-death Ajin). In fact Ajin can tiptoe between death and life. Perhaps that comes across as grotesque and maybe that’s a reason why they’re feared? A scene that exemplifies this is Kei’s first suicide - or reset, as it’s later called.

Kai’s expression is of sadness, worry, and terror because he just witnessed Kei, someone he’s trying to protect, harm himself. He obviously knows that Kei will likely be fine but you can’t really logic away the visceral reaction to seeing such a thing. Meanwhile Kei, is excited, almost ecstatic, because he sees he’s able to walk on his own two legs again and not be such a burden to Kai. His relationship to death has totally changed. Does the lack of ability to die correlate with a loss of humanity?

Perhaps, TM wanted that to be constant question in their story. Are Ajin really human? Or maybe TM wanted Ajin to actually not really be human and for us to mistakenly think they are? TBH though, it doesn’t really seem like TM’s fast-paced action writing style... but maybe those kinds of questions piqued Sakurai’s interest.

After V2 - Ajin: Human or Demi-Human

I think Sakurai is interested in exploring the theme of humanity and human experience in general through these immortal characters.

As the story progresses, he seems to go with the notion that Ajin are just people who can’t die. I think this is emphasized with Tanaka’s increasing mundaneness. His very first appearance is incredibly striking. He looks diabolical.

And he doesn’t seem that way to just the audience but to Kei as well, who sees Tanaka with a mean face and a knife in their first encounter and is instantly scared. In Kei’s dreams, Tanaka becomes a symbol of aggressive masculinity.

It’s all a front though, and through Tanaka’s flashback a handful of chapters later, it becomes clear that, like Kei, he’s an ordinary person put through extraordinary circumstances.

Satou, however, comes across as a force of nature and inhuman. Physical obliteration and philosophical ideas of death do not phase him at all. His flesh body is a tool that he takes apart and puts back together with casual indifference. In the end, though, he is a human being, though, damn, does he make it difficult for other people, ourselves included, to believe that.

Last, but not least, Sakurai spends a great deal of care on Kei’s transition from teen to young adult throughout the story with all the self-doubt, risk-taking and awkwardness that comes with it. What kind of person will he become? What does he really want?

He puts on a front as a disinterested, self-serving person whose no-nonsense, but, actually he does care and maybe he likes a little of nonsense (but not too much). As for the person he might become, it’s interesting that Kei has two older, contrasting figures in his life who serve as influences: Hirasawa and Satou. Hirasawa says he’s fine the way he is and that it’s okay to run away; he kind of indulges Kei and tells him what he wants to hear - maybe he sees himself in Kei and tells him what he wish he could have heard. Meanwhile, Satou wants to challenge Kei, though, for entirely selfish reasons and maybe, he too, saw some of himself in Kei. Though, lmao, he got bored with that towards the end.

A big part of Kei’s journey is self-acceptance. Self-acceptance as a person coming-of-age and as a person whose an Ajin. To a person like Kou, he probably seems like he has a concrete idea of who he is, but that’s not the case at all.

Kei starts out as an incredibly reluctant hero. In fact, he only came into the role out of necessity as Satou grew to be a bigger and bigger problem that could no longer be ignored. In the period between the attack on Grant Pharmaceuticals and the attack on Forge Security, his lack of enthusiasm is very explicit; he even dreams of being whisked away. Nevertheless, he begrudgingly concocts a plan for defending Forge Security.

It’s in the aftermath of Forge Security that he starts to change and aggressively pursue Satou. However, this change of heart will be repeatedly tested as Satou continues to evade him.

Sakurai has also had some things to say about the question of a demi-human’s humanity on a grander scale, particularly, through a character like Ogura. When you first meet him, he’s very blunt and sarcastic and seems to have little value in his own life. To Ogura, life has lost its meaning. It’s heavily implied that this is in large part due to the death of his 8-year-old son.

The only thing that he really talks about with any kind of enthusiasm are Ajin and his FK cigarettes.

His fascination with Ajin could be, in part, a way to cope with his grief. Ajin defy death and the human spirit seems to play a large role in how they function. IBMs are invisible but can be seen if a strong emotion is present. Floods of IBMs are triggered by death along with an accompanying strong emotion. He states outright that life is meaningless, but his obsession with Ajin seems to come from a part of himself that doesn’t want to believe that.

Whether or not what Ogura says is true or not, it’s undoubtedly true that Ajin are inextricably linked with their own humanity. This is where Sakurai arrives at with the question of a demi-human’s humanity.

This ended up being wayyyy longer then intended but thoughts kept coming and coming. Hope I didn’t go off on too much of a tangent here. I will make another part with Kai, Tanaka and talk briefly about gore before and after volume 2.

I think Miura is really good with coming up with concepts, but I think, personally, I’m glad that Sakurai was able to take those ideas and make them into what we have today.

#ajin #death talk #mentions of suicide #analysis #sorry this is so long...........#i may bump this later actually

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