#the majority of these are posts i saved while on mobile to look at later | Explore Tumblr posts and blogs

becomewings · 4 years ago

Photo

BTS Universe Timeline

» next

INTRODUCTION

The goal of this guide is to chronologically map the major plot points of BTS Universe (BU), a fictional transmedia narrative centered on the lives of seven young men who share names with the members portraying them. The complexity of the timeline is magnified by the time loops that begin and reset on 11 April Year 22, so careful attention will be given to tracing how the loops diverge from one another after that date. The guide will be published over multiple posts.

Most of the information in the timeline is drawn from the official English-version publications of The Notes: The Most Beautiful Moment in Life 1 and The Notes: The Most Beautiful Moment in Life 2 (hereafter shortened to Notes 1 and Notes 2). Other resources are referenced as necessary, including the Notes released with certain physical albums, the Save Me webtoon, the official BU content in the BTS Universe Story mobile game, and BU music videos/short films. Summaries from the album Notes are based on translations by twitter user @/origamifirefly. Character names are abbreviated in parentheses next to the print sources to indicate the perspective from which the original entries are written.

Dates are presented as they appear in the texts. The single or double-digit year number most likely corresponds with SeokJin’s age rather than a calendar year. (In Korea’s age-calculating system, everyone’s age increases by one year on January 1st regardless of when their birthday falls in the calendar.) There are enough clues scattered throughout the text to suggest that the characters’ ages reflect the real-life age differences of the members. For example, JungKook is five years younger than SeokJin; they overlap in high school because SeokJin is held back a grade after returning from the American school system. Ages that are explicitly stated in official sources will be included in the timeline whenever possible.

BTS Universe deals with many difficult and potentially triggering themes, so please read the content warning in the Timeline Guide before proceeding. The Guide section will be included on all future posts for quick reference.

TIMELINE GUIDE

Content warning: contains references to death, suicide, suicidal ideation, child abuse, domestic violence, blood, homicide, depression, trauma, PTSD

This guide contains major spoilers from all BU media

Revisions and additions will be made as necessary, so please visit the original post for the most up-to-date version (update log is included at bottom of post)

All names are provided as fully as known

Bracketed dates are inferred or calculated from references in the text

While the timeline is presented here as objectively as possible, I acknowledge that there is a level of subjectivity in choosing which information is significant enough for inclusion and in certain connections drawn between entries

Please inform me of any suspected errors; I will investigate and correct them

Do not repost, copy, or quote without permission

Shadows of Our Childhoods

- Beginning through Year 18 -

[Year 9]

Jung HoSeok (age 7) is abandoned by his mother at an amusement park and moves into an orphanage. His age is referenced in his 31 May Year 22 entry from Notes: Her.

The earliest entry of the Notes published so far is HoSeok’s 30 August Year 9 (Notes: 7). Some older boys wake him up at night, and he reluctantly sneaks up to the rooftop with them. Fireworks explode in the sky. HoSeok is shocked at first and then entranced. The older boys tease him for crying, but he can’t stop the tears.

Note: It’s reasonable to assume that this unidentified rooftop location is the orphanage HoSeok grows up in. Therefore, his mother left him sometime before 30 August—possibly that summer, due to his unexplained tears.

10 October Year 9 Notes 1 (SJ)

Kim SeokJin (age 9) runs away from school with a friend to protect him from men who want to use him as leverage to get money from his father, Mr. Choi, who disappeared after his company shut down. SeokJin tries to hide the friend in his room at home, but his father, Kim ChangJun, arrives with one of the men and allows him to take the boy away. ChangJun tells SeokJin to be a “good kid.” The friend never returns to school.

Note: SeokJin’s age is specified in BTS Universe Story: The Boy on the Threshold, ep.3.

28 February Year 10 Notes: 7 (TH)

Kim TaeHyung encounters an older boy feeding the dog that he frequently plays with outside of the supermarket. He tells the boy that when his father earns a lot of money and moves their family into a big house, he can take the dog and raise him. After TaeHyung presses him a second time, the boy reveals that his name is Kim SeokJin.

23 July Year 10 Notes 1 (HS)

While counting in front of his class, HoSeok recalls the day at the amusement park when his mother handed him a chocolate bar and told him to close his eyes and count to ten. He feels like she will never come looking for him if he finishes counting to ten, and then he collapses.

Note: His mother abandoned him at the amusement park when he was seven (Year 9).

29 December Year 10 Notes 1 (TH)

TaeHyung’s father returns home drunk and disheveled after an absence and abuses him for the first time.

6 April Year 11 Related post: The Arboretum Notes 1 (JM)

Park JiMin (age 8) visits the Grass Flower Arboretum on a school picnic day. While his classmates are all accompanied by their mothers, his own parents are too busy to make it. At the end of the trip, he ignores his teacher’s call to wait and tries to walk home alone. With only his backpack in hand, he is caught in a torrential downpour and seeks shelter in a small warehouse near the back gate. JiMin wakes up in a hospital after he is found unconscious in the arboretum with no memory of what happened. He develops seizures as a result of this unnamed trauma and is frequently hospitalized as he grows up.

Note: This day is also referenced in his entries for 11 May, 19 May, and 4 July of Year 22; the lattermost specifies his age.

Notes 2 (JM)

JiMin reflects on what really transpired at the arboretum in his 12 August Year 22 entry, which also reveals that his memory returned due to a chance encounter on 15 September Year 20. Inside the dark and cluttered warehouse, young JiMin falls asleep and is awoken by an iron door clanging shut and the sound of someone breathing. He discovers an interior room and creeps closer. A small, pale hand appears on the other side, startling him. Someone whistles outside and opens the warehouse door. He hides under a desk and watches a man enter the interior room. Through the man’s legs, JiMin can see a small boy lying on the floor with bruised arms and legs and scars on his wrists from being tied up too long. Their eyes briefly meet. JiMin senses that he is asking for help. The man turns around, and the boy stabs his thigh with a boxcutter before he notices JiMin hiding. The man disarms the boy and slams the door shut. JiMin escapes the warehouse under the cover of the violent noises within. No one is around to help. He runs through the pouring rain and mud, frequently falling and scraping his knees. He collapses at the back gate with an image of the boy’s bleeding hand in his mind. He wakes up at the hospital surrounded by his parents, a doctor, and a nurse. They question him about what happened, but JiMin does not remember.

Note: In the same 12 August Year 22 entry, JiMin explains that he conducted research online into the incident. He learned that the boy’s family name is Choi, he was five at the time, and he was discovered near Hwayong Mountain on April 10 suffering from temporary amnesia caused by shock. JiMin could not find any follow-up articles on the police investigation. Additionally, he reveals the real cause of his seizure at the bus stop on 15 September Year 20: he saw the same boy in the window of the Grass Flower Arboretum shuttle bus. “His empty eyes no longer spoke” to JiMin.

21 July Year 12 Notes 1 (SJ)

After his mother’s death, SeokJin is sent by his father to live with his maternal grandmother in the U.S. (The city is specified as Los Angeles in his 1 February Year 22 entry from Notes: 7.) His father breaks his promise to see him off at the airport.

30 September Year 12 Notes: 7 (JK)

Jeon JungKook (age 7) slips through a crowd of people surrounding a massive sinkhole, wanting to see what’s inside of it. Dirt crumbles beneath his sneaker and he almost loses his balance at the edge. When he steps back, he sees something that is both like a light and another hole inside the hole.

Note: Compare to his Notes 2 Epilogue, XX XX Year XX, when he sees a bottomless hole below and the moon (or “a big hole in the sky”) above where he floats.

[Winter Year 12] Notes 1 (JK)

JungKook (age 7) overhears his father telling his mother that the world “was too heavy for him to bear” and that “there’s nothing he can do for JungKook.” He leaves their family forever.

Note: I calculated this season/year from his 11 September Year 17 entry, in which JungKook has waited ten days to receive a birthday card from his father; he has four cards saved in a drawer. (This also matches his real-life age difference with Jin.) He reflects on his father leaving him during the winter when he was 7 years old. He believes: “I was the world that was too heavy for him to bear—that world that he gave up on. A child who can never be the reason to endure it all. That was me.”

21 May Year 15 Notes: 7 (NJ)

Kim NamJoon returns home late from playing with his friends. The house is unusually dark and empty, giving him a chilling sense of foreboding. The phone rings and he senses that if he answers it, his life will forever change.

Note: It is likely that this is one of the times, if not the first time, his father is hospitalized due to a serious illness. About a year later, in his 21 June Year 16 entry of Notes 1, NamJoon describes how he coaxed his boss to hire a middle school student to post flyers. His family struggles financially with his father’s hospital bills and their overdue utilities.

19 September Year 16 Notes 1 (YG)

Min YoonGi arrives home and finds it devoured by flames. Frozen, he thinks of his mom and watches the house collapse. A neighbor asks him if his mom is inside, and he answers “no” without thinking. YoonGi’s mother dies in the fire.

Note: Some people suspect that YoonGi’s mother set the fire deliberately. In episode 6 of the Save Me webtoon, YoonGi recalls his father warning him against pursuing music unless he wants to “go crazy and kill [himself] like [his] mom did.”

2 May Year 18 Notes: Persona (NJ)

NamJoon and his father return home from the hospital to see the family’s belongings piled outside. They were evicted after his younger brother NamHyeon got in a fight with the landlord’s son who came to collect their overdue rent. The owner of the local supermarket allows them to move into its storage room. Exhausted, NamJoon snaps when his mother frets and asks where his brother is. The supermarket owner gives him a can of beer. In a later Notes 2 entry, he reflects that he was probably 16 at the time.

Note: On 18 June Year 22 in the Notes 2 timeline, NamJoon recounts this story to SeokJin at a street pub as a preface to asking when SeokJin drank alcohol for the first time, testing his memory.

----------------------------------------------------------

Update Log

Posted January 13, 2021

Linked to next part added May 5, 2021

Do not repost.

296 notes · View notes

brooklynboysficrecs · 4 years ago

Text

Ria’s Top 10 Canon-verse Fics

So, I’m a little surprised I’ve held off on doing this particular Top 10 as long as I have, if only because this does cover the majority of stucky fics that have been written. It also contains some of my all-time favorite fics, which I will be screaming about below. You’ve been warned. But anyway, this is getting down into the nitty-gritty of why I love stucky -- the original ‘verse, with the original storyline (although there are a fair few canon-divergent fics in here, I’m sure). Pure, unadulterated Steve Rogers loving Bucky Barnes. What more can you ask for, honestly? You could ask for it to be legit canon, but lmao, no, we don’t expect things like that, especially not from the MCU writers. Also, some of the fics I might’ve included in this list are recced in an ask I got a while ago, so go check that out for some mostly-canon angst. Regardless, here are my personal Top 10 canon-verse fic recs:

1. Ain’t No Grave (Can Keep My Body Down) by spitandvinegar. Alright, buckle up friends, because this is the end-all, be-all of my favorite stucky fics. I have reread it probably four or five times in the four years I’ve been in this fandom, and it hits me just as hard every single time. This is canon-divergent post-WS, where Bucky’s come-down from his Hydra conditioning is accompanied by a drug addiction and two smart-mouthed kids he rescued from the streets. Steve literally loves nothing more than he loves Bucky and he is determined to bring Bucky home, kids included. There is just -- so much I love about this story. I can’t possibly fit it all into a little blurb. But this is my favorite stucky fic, hands-down. It’s a must-read if you can handle the incredibly sensitive topics it covers, which means it’s not for everyone. But it has my highest seal of approval.

2. Perilous Underside of the World by eyres. I reread this recently because I was in the mood for both angst and badass Bucky, and this delivered in spades. Steve’s been kidnapped and held captive by Ross for months, tortured and experimented on, and it as devastating as it sounds. Cue Bucky and the rest of Team Cap coming in for a rescue mission and an adrenaline-filled adventure through the Antarctic wasteland. The summary says it all, honestly: Steve throws a snow-mobile at a helicopter in this one.

3. Steve Rogers at 100: Celebrating Captain America on Film by eleveninches, febricant, hellotailor, M_Leigh, neenya, tigrrmilk. A lot of fics are enhanced by visual media, usually some type of fanart, but few are incomplete without it -- this fic is one of them. It’s a look through in-universe media depictions of Captain America over the years, with real-life casting and amazingly done posters for the movies. The various Avengers are there to react to it all and it’s nothing short of glorious.

4. Came Back Haunted* by Brenda. You guys should know how much I love Brenda’s writing, since I waxed poetic about it when I was doing the rec for Prince Charming, but I’m going to say it again: I love her writing. And this is yet again another fic series that will tear at your heart and stitch you back together again. It features, among other things: Bucky and Thor friendship; a road-trip; dark Steve; and bearded Steve! All good things. It’s been a while since I’ve read this, but I’m pretty assured there is much angst to be found here as well, plus the requisite happy ending, because, as previously mentioned, I don’t do unhappy endings.

5. Tender is the Ghost* by Hark_bananas. OH WOW. Okay. So. I started reading this series right before the second part had been published, and I just. Fell in love with it. The first part is set right after Bucky turned himself into SHIELD, and it features Steve and Bucky re-learning about each other (and themselves) through a closed door, considering Steve isn’t allowed to see Bucky face-to-face. And the second part picks up once Bucky is ready to go home with Steve, and it’s. So sweet. Bucky and Steve recovering, together, and finding love along the way. Bucky loves plants. What more could you ask for?

6. Infinite Coffee and Protection Detail* by owlet. I think this is probably one of the most popular series in this fandom, and for good reason. It’s Bucky setting himself a new goal after the fallout of Project Insight, and that goal is a protection detail for Steve Rogers, well before he has his memories to back up the need for such a thing. Bucky and Steve don’t get romantically involved until much later in the series, but their friendship is a thing of beauty in this, as is Bucky learning how to be human again, through coffee, grilled cheese, and The Olds, the elderly neighbors he comes to care for while he’s watching Steve’s back from across the street. I adore this series and I think most people would be hard pressed to find anything they don’t like about it.

7. The Blood Will Dry by castiowl. There are clones in this one. It might be the sci-fi nerd in me, but honestly that’s enough information to hook me already. But this fic is a fantastic, gripping read from start to finish, and the clones are only a part of that. It’s another fic that written right after The Winter Soldier came out, and so it has a lot of the hallmarks of that era: Bucky dealing with his conditioning, coming back to himself and Steve, Hydra-hunting missions, some kidnapping, unfortunate throwbacks to torture, and Steve having to figure his own shit out right alongside Bucky.

8. To Stop My Mind From Wandering by Lynchy8. This one is a little shorter than the other fics on this list, but it’s still one of my favorites, and for a much different reason than the others. This is Bucky and Steve separated for the majority of the fic, with Bucky taking up residence in Steve abandoned apartment while he’s off being Captain America and also looking for Bucky. Bucky does home repairs for Steve. Steve broods and worries. Bucky heals on his own terms and it’s lovely. And the ending is very sweet when Steve finally does come home.

9. despite the threatening sky and shuddering earth (they remained) by praximiter. AKA The Mask Fic. Which. Jesus Christ. This should’ve gone in with my angst fic recs, because this will hurt you, in the best possible way. Bucky’s mask doesn’t come off, and so there’s no pivotal moment of realization for Steve, no hellfire determination to ensure Bucky survives their fights against all odds. But he’s saved regardless, and the rest of the fic is the team trying to communicate with him, learn his story, all while Bucky can’t speak and the mask physically cannot come off. Like I said, it’s a recipe for Pain, but the pay-off is more than worth it, in my opinion.

10. waiting for the winter by coldhope. Also just recently reread this one, and I loved the progression of Steve and Bucky’s relationship here as well. It also has Bucky befriending all of the Avengers, not just Natasha or Sam; getting to see from other characters’ POV how their perception of Bucky changes as the fic goes on was so interesting, since it’s not something I’ve seen done in many fics. Which also might be a personal thing on my part, who knows. Anyway. Good fic. Steve and Bucky don’t take forever to figure out their feelings, but they do take a while to get on the same page with each other, which should surprise absolutely no one who has ever read a stucky fic before.

*series, not individual story titles

#stucky #stevebucky #fic rec #canon-verse #canon-divergent #top 10

142 notes · View notes

its-afucking-mess · 3 years ago

Text

A little guide on ao3 (by an ao3 user and writer)

Friendly reminder for mobile users! Ao3 is a website. It doesn't have (as far as im concerned) an official app for mobile, so better get comfy with using crome on your phone.

Some video links ill leave for people who prefer video and audio:

- navigating the fanfiction sites

- popular fandom terminology part 1 and part 2

- shipping etiquette

i really reccomend coley's videos if you want to get to know more fandoms, or get an inside look to how some stuff works. There also might be more vids about fandom's and fan works, so don't hesitate to look through some of her stuff!

the explaining under the 'read more' ao mutuals wont kill me :)

(also tagging @ethanesimp since they asked for this advice )

So, what is Ao3 really?

Ao3 is a website made by fans for fans. There are no ads, and all content is free on Ao3. Anyone can post (with some age restrictions) and they can post anything.

How can I browse Ao3?

Ao3 does not require an account to view stories. You can easily browse as an anonymous user. You just are not able to view certain works, as creators have the ability to show their works to registered users only. Some cases, commenting is possible while anonymous, but again, it's up to the creator of the work.

If you want to be a creator and share works, you need an account.

An account also gives you the ability to bookmark works, so you can re-visit them, mark works for later, keeps a history of the works you've visited and allows you to favourite tags.

How do I get an Ao3 account?

When you first open the site, it gives you the option to "Get Invited". An invitation will be sent to your email anywhere from 24hrs later to a week later, depending on the amount of people in the automated queue.

After the invitation, you are able to set up your account like any other social media account. Pick a username, pseuds (name), description and bio. You can have a profile picture as well.

How do I navigate the site?

There are few ways to do so efficiently, but there's countless of ways you can experiment with to find which is more comfortable.

1st option: As the website loads, you can go to the 'Fandoms' tag.

Then, after clicking on it, this column appears. Through there, you can pick which media your fandom is from and from there, browse the huge list of different fandoms until you spot your own.

The list is in alphabetical order, so if your fandom begins with an "C", it shouldn't be too far down.

2nd option: At the top right, under your profile, and the options 'Post' and 'Log Out' should be a white oval search bar.

(im using my own account for demonstration)

When searching, there are many ways to work around it.

Personally, I press search as it is. It will lead you to a page where all the fanworks of the site are listed. (i believe its easiest, but always feel free to experiment)

From there, you press the 'Edit Your Search' button, located near the top right.

It will then lead you to a page with multiple fields.

Don't panic when you see all the fields. Only half those are of interest when you want to browse works for a fandom.

The most important ones are those under the Field name 'Work Tags'

Whatever you select under this field will be included in the works the site presents you with.

What are the work tags? What do they do?

Lets go through the options.

Fandom(s): when typing on this option, multiple fandom names will autofill in a list under the white space. If your fandom shows up, you can just click on it.

example:

From there, you can select the fandom you want to see works from. If your fandom doesn't show up, it can mean one of two things:

-there are no works for it

-it isn't popular enough to be picked up by the algorithm

After selecting one fandom, you can select another fandom, or more, to see works that are crossovers over universes.

Ratings: Ratings are selected by author. It defines the level of maturity it has in the work

- General audiences is the tag you want to use when nothing bad happens in the work. No swearing, no sexual activities, no violence or gore. It wont contain scenes that minors are not allowed to see.

- Teen and up audiences is the tag used for most works on the site. It is what would be used when you have mentions of/vague sexual content or violence. Normally, the most extreme stuff on there is excessive swearing, heavy angst and hurt/comfort with no excessive details

- Mature is the tag that is for 18+. It is mostly filled with one of following : Violence, Sexual Content, Ab*se, R@pe, Death and SH.

Reader descretion is advised by looking at the additional tags the author has provided, especially for those with triggers.

- Explicit is like Mature, but contains more graphic content. Works rated explicit mostly fall under the 'Graphic depictions of sexual content', 'Graphic depictions of Violence and Gore' or 'Graphic depictions of Ab*se, R@pe, or Self H*rm

Reader descretion is advised, stronger than mature, since it can be much more triggering. The works are scarily detailed sometimes.

- Not rated: the author has not given this work a rating because none of the other ratings fit the work. Pay special attention to the tags.

Warnings: Also known as Archive warnings by older users. The trigger warnings of Ao3. There are 6 archive warnings:

-Creator Chose Not To Use Archive Warnings: The author didn't use the warnings, either because none of them fit the work's theme and warnings, or to avoid spoiling the story. Pay attention to the tags for any warnings.

-Graphic Depictions Of Violence: It is pretty self explanatory. Can contain any sort of violence, from wars, to simple fights, to ab*se of any kind. Can and often contain death. The type of violence is in the tags.

-Major Character Death: A main character in the story will die in this work. Pay attention to the tags always. The name of the character will be mentioned, as well as the way they die.

-No Archive Warnings Apply: None of the warnings apply. It is most times a perfectly safe work. Check the tags to make sure though!

-R@pe/Non-Con: The work contains non-consensual activities. Ranges from non-consensua sex to non-consensual use and ab*se of substances. Very close attention to the tags!

-Underage: The main character(s) in this work are underage/minors. This is normally tagged along sexual content so be aware and pay close attention to the tags!

Categories: This regards the relationships in the work:

- M/M, or better known as mlm or a relationship between two non-woment (men mostly, can include characters under the non-binary umbrella)

- M/F, a heterosexual relationship (is inclusive of trans characters too!)

- F/F, or wlw, or a relationship between two non-men (women mostly, can include characters under the non-binary umbrella)

- Gen, no sexual or romantic relationships are in this work, or if there are any, they arent of main focus.

- Multi: Polyamorous relationships, or multiple relationships are included in this work (this is also where threesomes+ are tagged in sometimes)

- Other relationships: One of the two people in the relationship is non-human (mostly), or the relationships are platonic/family.

Characters: The characters you want to be included in the story. This works just like the 'Fandom' filter, so the same things apply. You can tag as many characters as desirable.

Relationships: The relationships that you want present in the work. This includes both major and minor relationships. It can also include ended relationships (tagged Past x/y) and implied/referenced relationships. This works just like the Characters and Fandom filter.

Additional Tags: These are things the author has included to give potential readers an insight to the story. 'Angst', 'Fluff' and 'Smut' are additional tags. Works like the Relationships filter, so all same applies.

Is there anything I have to avoid/ I should avoid?

There is this very infamous tag, 'Dead Dove: Do not eat.' This tag is a warining to readers that the things in the work are really messed up, and can include anything illegal in it. PAY VERY CLOSE ATTENTION TO THE REST OF THE TAGS IF YOU STILL ARE INTERESTED.

How else can I filter works?

You can choose how they are:

sorted (Titles, Authors, Hits, Kudos, Comments, Bookmarks, and Best Match)

the word count (from 1 word to millions)

the language (most are on there)

the amount of chapters

if the work is complete of not

when it last updated/when was posted

and if there are crossovers.

These are all options that author has to include, and therefore you can sort freely. Most are bulletin options you can click on.

What if I want to find a specific work?

If you happen to know one of these: Author, Title, Fandom or Rating, you will find it. If you were reccomended one, it's better to ask for the author or the title, to make looking for it easier.

Can I find a specific author/ user?

People search is for finding users on the site

Bookmark search helps you look through other people's public bookmarks. Not really used.

Tag search finds works that include this specific tag you searched. Also not used a lot.

People can see my bookmarks?

When bookmarking a work, you are able to do a lot.

if you do not want your bookmarks to be visible to the public, make sure to check off the Private bookmark box at the bottom left.

Common terms thrown around by Ao3 users:

-tags: the additional tags of the work

-kudos: liking a story

-bookmarks: saving/saved stories. makes it easy to revist. you can see your bookmarks from your profile

-hits: the amount of people that have clicked on a story. Isn't necessary they liked it, but they did click on it.

And those are the basics! If you had to take one thing only, its ALWAYS READ TAGS

I hope this helped the clueless souls even a bit :)

Im open to reply to any other questions, and you can send me them in my asks, messages or comments of this post

#sofi's advice #navigating ao3 #help #advice #ao3

16 notes · View notes

runeterrankhaleesi · 3 years ago

Text

Hey, Khaleesi! Remember that alternate Ruination link? So here, for @theruinednymph and all who don't understand Polish, I give a translation of the script to English :)

Here's the (more or less accurately) translated version of Marvecc's Ruination. I'm giving you the closest thing to what he said but in English. Sorry for inevitable inconsistencies, typos and misspellings 😅

It is commonly known that for quite some time I've been complaining about the Ruination, I shamelessly admit. But I think nothing I said was unjustified. When the Ruination came to an end, I had sort of a bad hangover. I noticed wasted potential. "So make a better event. If you're so smart!" So uh… let's try!

I may not have plentiful resources as Riot Games do, I am no graphic designer or animator but I know a bit of game lore so I've decided to take it one step further. I've decided to fix the Ruination. It will be a huge test for me, because some day, in five, ten, fifteen or twenty years I'd like to create my own world. My own universe. That's why today you yourselves will judge if in any way, knowing the lore of some world, I am fit for this task.

Welcome dear viewers, I am Marvecc, and today I will be telling you how, in my opinion, the plot of the Ruination should've looked like, or how I would create it.

Let's assume some basics in the making of the plot. Let's leave the cinematic from the season's beginning because it was fantastic, let's be real, and let's leave the regional structure. It's clear that a very important changing element was the characters' journey in a way that everyone could find themselves in their favorite region. Well, maybe not everyone because not all regions had been presented, but the majority of them. So without further ado, let's move onto my machinations.

As we know, the cinematic ended on a ship with the sight of Senna and Lucian, and in my opinion the champions should've immediately headed for Bilgewater it was there Lucian had allies in the fight against Harrowing and it is there the plot of the game "Ruined King" begins. We reach the harbor, Lucian and Senna meet with Miss Fortune, shed light on the situation and she decides it's time to head to the Temple of Nagakabuross on the hill, asking the high priestess of the Kraken - Illaoi - for help. The four of them meet at an inn, discussing the end of the world and the apocalypse of the undead. Everyone is wondering how to stop Viego. What to do to save the world from destruction. It turns out that our conversation was unintentionally being listened to by Yummi - yes, exactly. Yummi - who quietly has been sitting in a corner in the shadow and eavesdropping on what our champions were talking about. Lucian and Mf obviously laugh the cat off, but she had taken notice of the unease of humans and all creatures while travelling, caused by the sudden attack of the Mist. When those attacks had taken place, she was in Freljord with her friend Braum and they'd witnessed the Mist and its abominations slaughter the inhabitants of one of the Freljordian villages. Braum jumped into the frey, trying to protect the people but he was anguished when he realised that he's, sadly, powerless.

Caring deeply for his homeland, he asked his friend Yummi to try and gather some information. And she did. After a while of sitting on a table, she leaped onto the Book, vanished and jumped out of a portal moments later with Braum in tow. You know, it makes sense, they're both friends and Braum understands that now the biggest threat for the Freljord is Viego. Our characters debate on how to stop him. It turns out however, that they don't really have any plan. They don't see a light at the end of the tunnel. How are they supposed to face the might of the undead, having so little force at their disposal? Now, if the power of Nagakabuross and Illaoi, who despise the dead, is some sort of a natural counterpart to the undead, our group heads to the Temple of the Bearded Lady. Illaoi decides it is there they would find the solution.

And curiously enough, Buhru Sentinel awaits them there with Gwen who met him while searching for Senna whom she'd sensed because Viego didn't take the whole fragment of Isolde's soul, which we know from "the Ruination", as she herself also possesses a fragment. Buhru Sentinel has a similar role. He's, somewhat, an introduction, tells us he'd fixed the connection between the base in Bilgewater and the one in Ixtal - of course I'm talking about the Sentinels' bases. His role is of a man who travels with us, a sage of sorts, who stays behind and repairs the links in bases.

Well then. We've been to Bilgewater and we have the means to travel to Ixtal. You may be thinking "Marvecc, okay, but the event started in Demacia". Mind you. I'm making up my own version. Also, Demacia lies, you know, on the opposite side of the known Runeterra and honestly the Mist comes from Shadow Isles, so we constantly, not paying mind to the danger of it, travel to those regions. In the original Ruination, the role of the Mist had been terribly diminished to a substance which just searches for Isolde. I would make it so that we fear the Mist. We fear Viego's army and we flee from east to west, not go to random locations. And obviously we don't go to Shadow Isles just like that in the end where a huge army if undead resides which for some reason can't see us and doesn't murder us on sight.. Of course, just so you know. The Mist can materialise in various places thanks to Vex, as it was shown in the cinematic but a path from Shadow Isles - escape from the Mist - seems more logical to me than braving overtaken regions.

Anyway, Buhru Sentinel also tells us that he knew about our arrival and had sent Rookie to greet us or welcome us to Bilgewater. He wasn't supposed to reveal anything to Senna and Lucian, because Buhru found out about a Sentinel who abandoned his post and didn't really respect Sentinel's rules - you surely know I mean Akshan - and wanted to check what are the intentions of Senna and Lucian.

At the same time in the scriptures of the first Sentinels, Buhru has found information about an ancient prophecy, foretelling the great return of the King of the Dead and his defeat. Now, just a head's up, because I wrote a prophecy:

Darkness of his heart will swallow the world

Nations and countries will not bend the knee

It is not his goal

It is her goal

Obsession of feeling, love is all that matters

No matter how, it only matters when

The dreary King of the Dead beside his Queen

They shall change the future world

Darkness only darkness can defeat

Love can be beaten by vengeance

And Heavens can fell Death itself.

I don't know what it's like, this was my first prophecy, I hope it's not abysmal, but it will be important later on.

Anyway, our whole group debates on how to defeat Viego and it turns out that they don't have a better chance than to rely on the prophecy. The Sentinels don't know how to trap Viego, how to stop him. So far, they only know that he can be slowed down, with relic weapons for instance but not just with them. But eventually, the old Buhru Sentinel interprets that it won't change a thing. For this reason, our group decides to follow the prophecy and travel to Targon, where, as it is stated, Heavens can fell Death itself.

And that's how our adventure begins, where without chances or resources, Sentinels aren't trying to stop Viego from finding the fetters of his wife, but attempt to follow an ancient prophecy of the Sentinels of Light. Let's add something extra from me. A lore accurate expansion to the cinematic about the Ruination. In the cinematic, the locations of Noxus, Demacia and Ionia weren't an accident, in my version that is. Let's add Freljord as well, because we know that something like this has happened there too but it didn't make it to the cinematic. All those places in my opinion were important to Viego. Why he's so powerful also wasn't really explained by Riot Games. I have a good idea for this. Sure, partially thanks to Vex he could cause a global Ruination, but to me a magical aid of a teenage Yordle is a bit too little.

In Demacia, Viego discovered a piece of his wife, the same in Freljord. When it comes to Ionia, he knows that the land is too magically powerful to allow him to freely take over Runeterra and search for Isolde, when Ionia with its primordial magic can challenge him. This is why, in the cinematic, the Ruined King first wanted to weaken Karma, the land itself and its Spirit, while in Noxus he wanted to check something out. He wanted to discover the dark secrets of the Immortal Bastion. Here, let's remember that Yummi is still with us, and let's assume she knew that Vex fled from Bandle City, met Viego and Yummi figured it out when she encountered the Mist, as she sensed Yordle magic within it. She explained to the group that the combination of the King of the Dead and Yordle magic is.. very powerful. That's why our characters decide on a plan consisting of three elements. First is strictly about the game "Ruined King". Illaoi, Braum and Miss Fortune want to head to Shadow Isles as a distraction, to focus Viego's attention on themselves and buy more time. Yummi goes to the Bandle City to mobilize and convince Yordles to help the creatures of the Physical Realm. And this was the second part. For the third part, Senna, Gwen and Lucian set out to Targon. And here our party splits up.

As we prepare for the journey in "Ruined King" we're attacked by Pyke, which makes sense. MF, as a captain, is on his list. Due to the preparations for the sail, nobody notices anything, nobody notices Pyke. But! MF is saved at the last moment only by a strong tornado which knocks the assassin back. It turns out it's Ahri and Yasuo. The tornado gives Illaoi a chance to subdue Pyke with the power of the Goddess. He's a bit brainwashed and decides to assist in the quest. You know, it would explain his odd behavior. The group thanks for the help and asks who the unknown newcomers are - which are Ahri and Yasuo. Ahri explains that she's looking for a craftsman by the name of Melo, which is accurate with her lore, and Yasuo is her bodyguard, which is accurate as well. During the game "Ruined King" we gather resources for the journey, prepare our crew and collect information as Ahri and Yasuo, to find out that the aforementioned craftsman had headed - for reasons unknown - to Shadow Isles. Because of that. Ahri decides to join the expedition but she and Yasuo don't know - Illaoi, MF or Braum (who's very upset about it) haven't told them - the true goal of the quest, a mission with no return. A mission to delay the march of Viego or at least busy him.

I didn't make up what the craftsman's fate could've been because I didn't write that much about it, I just created the basics. We set to Shadow Isles and - not to make an entire plot to "Ruined King", because it's not the goal of this video - our task is to activate the pillars with the defense mechanism of the Blessed Isles, which could lead to the imprisonment of Viego and the Black Mist. You know, like in the cinematic with Thresh. The overall plot of the game would be about it. But this we would find out from the old Keeper on Shadow Isles. From that moment, our party struggles against the abominations of the Mist, Ahri and Yasuo find out about the true goal of the expedition, Ahri gets to know the truth behind her origins and the craftsman, she develops mutual feelings for Yasuo, only for their mission to fail in the end.

The finale is this: Hecarim stands in the way of Braum when he attempts to activate a pillar, Illaoi - using the Goddess' power - begins winning the fight with Viego (initially she was only supposed to stop him). However, she has used so much of her strength that her influence on Pyke weakened enough for him to snap out of it and take her with him to the depths. Viego - having no better opponent - takes control of MF, Pyke, and on the battlefield remain only Braum duelling Hecarim in the distance, and Viego, MF, Pyke - and of course a lot of creatures of the Mist, nothing new - versus Yasuo and Ahri. Suddenly, on Shadow Isles appears Yummi who hastily exclaims that she will save her friends. Unfortunately, Yasuo realises that the cat won't make it on time. He tells her to save Ahri and Braum, while he alone faces Viego, saying - imagine Yasuo's voice - "Time for me to atone for my sins". With a tornado, Yasuo repels the Mistwraiths as Ahri strikes Viego with all her force, which doesn't do him much harm but disorients him enough for Yummi to take wounded Braum, return for Ahri and the last thing we see in the game is Viego running Yasuo through with his blade. And may I remind you, at that time we didn't know yet that being impaled by Viego causes Ruination. That's why the game ends with a scene in which we are certain that Yasuo dies - because "Ruined King" was supposed to come out before the event. Additionally our characters leave to god-knows-where and Illaoi, from what we know, is also dead. A whole lot of cliffhangers.

That's it for the first part regarding "Ruined King". And considering that the game by Riot Forge was going to come out before the event, instead of the cinematic in Demacia, I would release a cinematic which shows Yasuo's ultimate sacrifice, Ahri and Braum on some neutral background, being approached by a stranger. A tiny stranger with a hammer. And the last look at Shadow Isles, Ruined MF, Pyke and Hecarim. And Hecarim asks Viego: "My liege, what now?" And he replies: "Everything is going according to plan."

Let's leave Yummi's plot for now. Let's now move onto the story from the client. Senna, Lucian, Gwen and Buhru Sentinel, who will be our Wayfinder, a person who repairs the links between quarters, head to the base in Ixtal, which happened to be hidden but lies close to an Ixtalian outpost. Of course, Buhru Sentinel - who, for short, we will be just calling Buhru - stays to fix the portal but characters are taken hostage during a scouting mission. Everyone here thinks they are spies from Piltover, which, lorewise, would be correct. In secrecy to talk with us, comes Qiyana intrigued by our presence, to check what the Sentinels do as she isn't so quick to wrongfully judge them. Senna explains that the Black Mist is approaching and they need to take all measures to fight it. Qiyana goes to Yuntal to give them the story of captured Sentinels. No one approves that she talked to them at all and she is about to be punished but the news of the Black Mist and the undead come from the east borders of Ixtal. Yuntal decides it's not the time to dwell on what Qiyana did, protecting the country from the Mist is their priority now. Ixtal's authorities order for as many citizens as possible to be moved to their archology, to have all masters of the elements stand against the Black Mist. Of course, nobody bothered with releasing Sentinels, because why would they? Qiyana, knowing that this fight is pointless, frees Sentinels, committing treason in the eyes of Ixtal's people and flees with them to Sentinel quarters where Hecarim catches up but is ultimately fended off. Buhru managed to make the connection with the base in Piltover. Before heading out, Sentinels find armor and relic stone in Ixtal quarters and allow Qyiana to upgrade her blade with relic stones, put the armor on and join the ranks of Sentinels of Light. Though, her devotion isn't entirely sincere. She knows that if she's the one to defeat Viego, she will have the right argument to seize the rule over Ixtal. Region's finale goes like this: Viego arrives, talks to Hecarim who tells him the news that the Sentinels have a plan to stop him. The last look is at the capital of Ixtal - Ixaocan - and its siege. As we know, Yuntal - the masters of the elements - are very powerful but have thousands upon thousands of foes to go against.

Let's move on to Piltover. The Mist has also reached it but something stopped it from breaching the city. Senna and Gwen, alone in the quarters, discover the closeness between one another, through the fragments of Viego's wife. Senna suspects everything before Gwen does and tells her that Viego did say that Isolde is his world, and this will be his main plan, which Senna knew earlier already but I won't spoil the ending.

In the base in Piltover we encounter Dess and Adda, of course. Those characters I would 100% leave because they have been very nicely done. Senna tells them of Viego's true plan. Dess and Adda mention a long-nonfunctioning device called Zindel's Incognium, which is able to find every person on Runeterra. Making use of the lack of the Mist in the city, the Sentinels go to Heimerdinger who is the only person capable of uncovering the secrets of the device's function. Heimer initially complains about not having time, about having enough of his own things to do but the professor is ultimately convinced by Gwen's positive attitude and pleas. He repairs the device, and it is revealed that Isolde's fetters are still in Demacia, Freljord and Shurima. The party thanks Heimerdinger for assistance and returns to the quarters. Meanwhile, it turns out Viego also knew about the device from one of the souls from Piltover and headed for the city. And, of course, here initially, during the first wave of the Black Mist, Viego was doing reconnaissance. A scouting of the terrain. But he didn't know, didn't find the locations of all fragments of Isolde. Because, honestly, from what I remember it wasn't specified why Viego and the Mist follow Isolde. Okay, we know that it does and that it's linked to Viego's despair but the despair in itself knows where all the pieces of Viego's wife's soul are? I think if it was made in the way that Viego doesn't have full knowledge about Isolde and the location of her soul's fragments it would've been more interesting. Either way, Viego goes to Piltover. And there at the entrance he meets Janna, and discovers it was her using her powers to defend Piltover and Zaun from the Mist at all costs. You know, Mist, and Janna is the Goddess of the Wind. For 20 days she's been keeping the Mist at bay but exhausted, she was no match for Viego who quickly defeated her. However, because Janna is after all a Goddess and not some poorly dressed lady who is just standing and calling tornadoes, with the last bits of her strength she makes an escape. Although Viego is strong, it's not like other champions are trembling in their boots before him at all times. Viego steps into Piltover, finds the device and bumps into Ziggs who left Zaun to see what's happening. And he notices that Heimerdinger repaired the machine and, being his former student - after being Ruined by Viego - betrays the secrets of the location of the fetters. Ziggs, naturally, gets "Ruined" skin. On the other hand, Heimerdinger brings along Vi and Caitlyn to the base to assure safe return and aid. Both Caitlyn and Vi decide to stay in Piltover to try and stop Viego alongside Adda and Dess but once he discovered the placement of his wife, he'd long made his escape and began his search. The Mistwraiths however, remained. At the end we see Thresh who goes around - like in the normal event - gathers power and collects souls from the Mist. Here, Buhru exclaims that the portal is too weak to take everyone to the same place. But it can take us to two places. Either to the base in Noxus, to find out what Viego wanted to discover there, or ti Shurima. The party breaks apart. Senna, Qiyana and Rookie go to Noxus, while Lucian, Gwen and Buhru - to Shurima. We witness a touching farewell between Lucian and Senna, and canonically the Noxus is unlocked because that's where we head first.

We know that there aren't any fragments of Isolde's soul in Noxus but Senna decides to discover Viego's plans. We come across Darius, Draven and Samira who lead the investigation on this case. Why has the Mist suddenly appeared in Noxus? Draven immediately wants to fight the Sentinels but Darius holds him back, seeing that Sentinels mean no harm to Noxus, quite the opposite. They want to discover what the King's deal is. Turns out that Viego, desiring to become unbeatable, already empowered by Vex, seeks a way to make it impossible for anyone to face him in a duel. And to make sure no one and nothing stands in his way as he searches for his Queen. For this reason, the Ruined King descends into the depths of the Immortal Bastion. He finds the demon summoned by the Black Rose. Viego right away kills all members of the organisation and stands face to face with the demon.

Turns out the Black Rose and LeBlanc beckoned it to fight another monster, another demon. She even has a line in the card game: "One monster to end another".

But the demon is unable to leave the chamber it was summoned in. And so, Viego proposes a deal, to join forces with one another and together become invincible. Why is this particular demon so important for Viego? We know that it is as powerful as big is the sum of its allies and Viego has plenty of allies. Plenty of souls in the Mist. Plenty of the dead. Atakhan realised Viego's potential and agreed to his terms. The demon and the King of the Dead merge into one being. Viego's fingers elongate, his armor appears more ethereal and he's wearing the demon's helmet. Viego gets a skin "Demonic King Viego" or something like that. He leaves the Immortal Bastion and comes across the Sentinels. Seeing him, Draven jumps him, after a second ending up Ruined. Viego naturally laughs at this pathetic attempt and flees. The Ruined King becomes pretty much indestructible.

Darius exclaims that he needs to consult the Grand General, while Samira follows the Sentinels. In Noxus quarters she is given a relic pistol as well as upgrades to her blade. Unfortunately, our team has no clue how to get to Demacia, because as I said Buhru is in Shurima with Lucian. Here, Darius proposes a solution in the form of magically modified Drake Hounds, tame towards those who were assigned to them. The Hounds are made for incredibly fast travels and were supposed to be a special tool for spies and messengers. They only nees a. Couple hours of sleep, thanks to which the Sentinels in around a week would reach Demacia.

Here, we completely cut off from the plot of the Sentinels and Rookie. Instead, we impersonate one of Camavor's soldiers who accompanies Viego alongside many others in a journey to Ionia. There are no fetters there but considering this is the magically primordial land, it poses a threat to Viego's plans. The magic of Vastaysheirei - ancestors of the Vastaya - as well as the Vastaya themselves, and all forces and all champions can use the power of the Spirit Realm and challenge him but this won't be possible once Viego conquers and Ruins Ionia. He goes to the Everlasting Altar right away and duels Karma, for her to ultimately fall. The Spirit of the land was corrupted but the duel didn't last five minutes but rather long hours. Karma realised that the King of the Dead is coming for her much earlier too. Shen, Kennen and Akali answer her summons along with Kinkou Order. Irelia stands with them. The champions try to get through to the Everlasting Altar barred by the wraiths but once Viego seized control over Karma, the fight was turned around. Viego descends along with Karma who throws all fighters back with a flick of her hand. Irelia stands up first and to extinguish the Spirit of the land once and for all, Viego impales her, causing her Ruination. Here, we're avoiding an inconsistency - why Sentinel (Ruined in this story) Irelia could fight with her blades.

Viego, Karma and Irelia vanish into the Mist but the wraiths remain to kill the rest. As they're about to die, Yone arrives, who has sensed the presence of a powerful demon, one he'd never sensed before. He felt the bond with the King of the Dead and came to fight him. Yone rescues the group because his demonic blade of Azakana can cut through the wraiths, and the last to fall is our Camavorian soldier, ran through with a spiritual blade by Shen. Before passing, he heard Kennen say that he has a plan to save Ionia and the whole Runeterra.

Next, we move to Shurima. As I said, we have Lucian, Gwen and Buhru here. And just so you know, because Rookie - the person we associate with - is not here, we remain nobody. A passive spectator of the events. Like we have on Shadow Isles, because Rookie, the person we steer, is bot always necessary. Of course we meey Akshan in Shurima Sentinel outpost, he doesn't give a damn and his story is very similar to the one in the client. I wouldn't change it that much because the construction in my opinion was fine but I would split it into two separate segments.

First - similar to the one in the client. And second - in which Viego heading to Shurima, before he claims the fetter, meets Azir and his devoted soldiers along with Nasus who knew about the approaching calamity from Ixtal - honoring the old alliance of countries. Viego decided he doesn't have time for this, knocked everyone aside and moved onward to reach the fetter which he takes. He kills Lucian and takes Buhru but Akshan revives Lucian, while Gwen - by Lucian's orders - hid herself away in the Hallowed Mist. The group meets up with Azir and Nasus, introduce them into the subject, and the emperor sends his most powerful warrior to join the Sentinels and assist with fighting the dead. Azir stays and defends his land from the wraiths. Nasus is given a special weapon in the quarters and Azir gifts him with the golden armor of the elite. Nasus joins the Sentinels and because Targon is nearby, this part of the team heads there.

Let's come back to the first part of the group. Senna, Qyiana, Samira and Rookie reached Demacia. The Mist has already taken the majority of the known lands and reached the capital of the Kingdom as well. The team meets the Dauntless Vanguard by the entrance who don't want to let them in at first but after Senna explains - that this is the matter of life and death and everything going on around - the warriors call for their leader, Garen who quickly takes the Sentinels to the palace where Jarvan and Tianna Crownguard debate what to do next. How to stop the Mist and Hecarim who - according to a published story - was already in Demacia. As a reasonable ruler, Jarvan simply asks what the Sentinels need. Senna switches off for a moment, hearing a small voice of Isolde whispering, telling Senna to find her in the city. She says she wants to stop Viego, which would add up since she'd already warned Senna in one of the stories. After a while Jarvan asks again and Senna replies "We only need time to stop the advance of the Mist". Jarvan promises to give them as much time as possible and sends Shyvana with them.

When the group leaves the palace, the Ruination is raging across the city. Unexpectedly, from a rooftop jumps down Vayne who says she'd been watching them and has parted with Poppy, and that she's ready to help the Sentinels. Senna - knowing where the base is - heads to the quarters and gives Vayne a weapon, accepting her among the Sentinels. As they leave, everyone spots a flock of wraiths and Camavorian dragons as well as Ruined Cadregrin mounted by Viego. Shyvana decides to battle him but becomes Ruined. The Sentinels flee, prompted by Jarvan and the rest saying that soldiers of Demacia will stop Viego but he grew.. bored after a short fight with Shyvana and followed the Sentinels tracking down his Mist leading them to Isolde's fragment. Taking it, Senna once again hears the voice of Viego's wife and the fragment merges with the one inside of her. Viego arrives and says it's impossible. Isolde doesn't want to return to him? What do you mean? What's that about?? While he's shocked by his wife's behavior, the animated colossus Galio grabs him, which gives the Sentinels some time.

Simultaneously, Poppy appears, telling Vayne that she's found what they'd been looking for. You know. The thing from the cinematic. The Sentinels ask about it, Poppy explains there's no time for that. The champions quickly escape, enter some tenement, dead down into the basement where lies the tile engraved with the symbol of the Sentinels of Light. Poppy says it has taken a lot of time to discover all this and put all the clues together. Senna steps onto the stone, activating a passage in a wall where a secret portal to one of the bases was hidden. The entire group goes out into the unknown. Exactly! Into the unknown. We have no idea what's happening to them. I love such cliffhangers. I think it would be an interesting turn of events.

Once again, we're not Rookie and our plot guy is another Ruined soldier of Camavor. Viego heads to Freljord with Vex where they seek the last inanimate fetter. Not much is happening in the Freljord and Viego passes through one, two, three villages. The Ruined King doesn't fight anyone, he doesn't mean to Ruin anyone, he doesn't particularly care about taking the Freljord. He does nothing but search for the fetter. Vex absolutely dislikes it, asks Viego why he's becoming such a lamer, to which the King orders her to be silent. Vex asks again, again and again what's this about until he loses patience. He strikes her and she lands a good couple of meters further away. Viego floats up - with the demon's aid he can naturally - to the young Yordle and tells her she was just a pawn in his game. She was to empower him so that he could spread the Mist all across Runeterra in search of his wife. Vex is surprised that Viego is so prosaic and he strikes her again, once more causing her to fly quite a distance. The Shadow of course stands up to Viego but it has no chance - it is thrown back as well. Viego leans over Vex, calling her naive and says that after all, she can't undo the spell given to him, that he fulfilled his goal and has no regard for her.

Vex runs away in tears with Shadow's aid, saying "This isn't over yet". Viego finds the last fragment but suddenly he bumps into Thresh. The King asks if he tracked down the rest of the living fetters. He doesn't realise that Thresh is changing, because the Chain Warden tries - thanks to the newfound strength - to manipulate his looks as he did before. Exactly how it was in the novel. Thresh says he'd found Gwen in Targon and that's where the undead are heading but sadly.. he is unable to locate Senna.

We move onto the final region that is Targon. Here, Lucian, Gwen, Nasus, Akshan - you know, the entire party from Shurima - reach the base at the foot of Mount Targon. The group locks themselves inside to reconsider their next move. What happened to Senna, is she going to send them some information as to what they'd found in Noxus, what was Viego looking for? To Lucian all that mattered was that his wife had not returned. Nevertheless, the Sentinels decide to stop for the night at the base to rest up and regain strength. In the morning everyone is woken up by the arrival of Senna, Samira and the rest of the party. Lucian hugs his wife, asking what was happening, how she's back. And she is about to reveal to Lucian and others what happened when suddenly they hear someone calling from outside. "Sentinels of Light! You are surrounded! Come out with dignity and without tricks as our goal is one and the same!"

It turns out that before the base wait armies of Solari and Lunari with Diana, Leona and Atreus on the lead. Everyone is shocked by this sight. Leona comes up to the Sentinels, saying that the Heavens told them of a great threat looming. That the time of the world's union has come. This is why - by Leona's orders - the Solari stand side by side with the Lunari in the face of oncoming doom. While in Ionia, Diana heard the will of the Aspect to the Moon to make haste and return. In Targon she met Aphelios who is now in the army of the Lunari - naturally much smaller in comparison to the Solari - and he'd found Diana's weapon, kept it hidden, knowing that the First Light of the Moon would one day return. This is why Diana would have her blade here. Diana returned to Targon and there duelled Leona as the card game implies but both the Aspect of the Moon and the Sun ordered them to cease, unite against the approaching danger. Senna tells Leona of the ancient prophecy, it turns out that Leona knows it and tells the group to climb Mount Targon as soon as possible, as in the face of such a threat truly only Heavens can lend their aid. Solari and Lunari stay to delay the march of Viego.

At the beginning of the path we meet Taric who becomes our guide. Thanks to his powers and help the journey to the top is incredibly short. In the span of one day the Sentinels - thanks to the help of the Aspect of the Protector, which would be accurate with the lore - summit Mount Targon. Taric helps them bypass the Arbiter but at the top there's.. nothing. Gates to Astral Targon, the place where the Aspects reside remain closed. Sentinels go into a panic, what's happening, why is nothing here? And then.. the Mist reaches the peak. The last place of Runeterra not claimed by Viego. Sentinels lose hope but regardless, they are ready to fight. All Ruined champions step out of the Mist. MF, Pyke, Karma, Shyvana, Ziggs and even the old servants such as Hecarim. Yasuo, if you still remember him, and all others. Additionally, Ruined Atreus comes forth - not Pantheon, let's not be pretentious with resurrecting the Aspect of War. Viego exclaims that the vicious fight at the bottom still continues, that hehe underestimated Targon's strength but he managed to win a duel with Atreus, corrupt him and head with a part of his army to the peak. In desperation, Lucian steps forward and proposes Viego a deal. He can have his soul, he can have whatever he wants, as long as he lets Senna and the Sentinels live.

Viego simply laughs, with one swift motion killing Rookie. Lucian goes into a rage and attacks Viego, but barely in a second Viego laughs again and floats up, runs him through and to Senna's dismay Lucian is Ruined. Very pleased with himself, Viego orders his servants to kill the Sentinels. All Ruined champions charge at them. No hope, none. Here, I imagined a scene, like from the endgame. A portal appears out of which jumps Yummi. A positive little aspect, Gwen is happy to see her favorite cat. Yummi brushes dust off of her fur and nose with her paws and says: "You didn't think we forgot about you, did you?" And THEN. From the portal comes Yone wielding his red blade but the other that of a Sentinel and wearing Sentinel armor. Out comes Sentinel Kennen, Sentinel Tristana with her Gunners and Sentinel Teemo. Yes, Sentinel Teemo ·-·

In addition, Sentinel Poppy, Braum, Ahri and Lulu. It turns out that the second group travelled to Bandle City where Poppy and Kennen were secretly members of the Sentinels from the Spirit Realm, from the city of Yordles. That's why Kennen knew to take Yone to Bandle City and knew what to do next. Poppy too knew what to do in the case of Ruination. It's just a little Yordle twist, not to make the entire event too dark. I was also thinking about Corki because he's cinematically the best Yordle and the cinematics with Yordles in general are probably the best but I was afraid I'd overdo it.

Of course, Viego hasn't been expecting the enormous comeback, he orders to destroy the Sentinels. Some champions generally fight with the armies of wraiths but certain duels break out, like Yasuo/Yone where the elder brother strives to save the younger, Taric, as the Aspect's host and the mightiest warrior, stands against Atreus. In front of Senna stands Lucian who is defeated by her. But during this fight Senna sees Viego tearing out a fragment of Isolde from Gwen who soon collapses to the ground. Then, Senna hears a faint voice saying: "Now".

She drops her cannon, runs up to Viego and musters up her whole strength to draw in fragments of Isolde's soul. Viego, to put it shortly, looked at Senna, intending to end her life but in the same moment Taric - having already won with Ruined Atreus - jumps at Viego. Only he stood some chance. However, after a short struggle Viego manages to, not defeat per se, but knock Taric back. Meanwhile we see Teemo who addresses lieutenant Lulu "It is time". And Lulu, as a powerful sorceress - certainly more so than a teenage Yordle - reverses the spell which Vex bestowed upon Viego. In turn, Viego weakens, he senses it, but says that it changes nothing. Because, really, it does change nothing. The alliance of the demon and the King of the Dead is still much more powerful.

Even still, meanwhile, Senna connects all fragments of Isolde's soul in herself. Senna becomes Isolde. After a moment of transformation, Senna's appearance drastically changes. At first, she looks like a spectre. The fighting stops, everyone is astonished. Viego gazes at his beloved and says "My love, you have returned to me at last". Isolde comes up to Viego, embraces him and strokes his cheek. After a while though, out of the Mist she summons Thresh who approaches asking: "Yes, my lady?" Viego is disoriented and asks Isolde how she knows Thresh, and the Warden replies in his charismatic mannerism: "Well, your highness… I have always been loyal. But not to you." Then Thresh holds up a mask which he secretly obtained in Ixtal and hid from the eyes of all. How? If it was a soul fragment, he could easily lock it in his lantern and make it undetectable to Zindel's Incognium. Now, Thresh pulls the jade mask out from his lantern and tosses it to Isolde who absorbs the last fragment. And from a spectre she turns into a horrid monstrosity. Albeit.. with curves and features of a woman. We know Riot doesn't like to exaggerate. Isolde - or Senna - after the change says to Viego that the Ruler of the Dead can be only one.

In despair, Viego stands before his love, not really knowing what's going on but - not to make him a total noob easy to beat up - he decides "So be it". They cannot defeat him because he's too strong. To which, Thresh lifts his lantern and in the blink of an eye begins to absorb the power from the Mist. Remember the demon I mentioned? The more allies it has, the more powerful it is. I think it would be an interesting way to weaken Viego. You know, Thresh drains the Mist, the souls within it, simultaneously taking power of Viego and the demon. He takes pretty much everything. Even the demon. You still might think I made Viego a bit of a noob anyway because in the end he's still defeated but throughout the whole adventure I was trying to paint him as a guy you really should be afraid of. Who really does something to the Sentinels. Here however, he loses. In the end, Isolde using Senna's power drains the remnants of the Mist from Viego like in the cinematic. His servants stand stunned as he kneels in disbelief. Senna comes up to him and he asks her why she's done that.

Here we have a bit of a retrospection. Isolde tells him that despite his great love, the King treated her as his property, he was sickly jealous and Isolde thinks it was because of him she passed in agony. Because of the pain and misery, the gentle woman changed beyond recognition and wished only for vengeance as her shattered soul also suffered unspeakably. Isolde looks at Akshan and tells him to shoot Viego. He hesitates but she says it's the only way to reverse what Viego had done after his return. To reverse the Ruination of the entire Runeterra. To reverse his deeds. He almost shoots but looks at Isolde, asking how she knows this. And suddenly, she changes to resemble Senna more and with her voice she says she's always here. That she's an ally of Isoldeof. It's only to convince the Sentinels and gain their trust. Akshan takes a shot at Viego. He cannot die but the effects of the Ruination recede from champions as well as the Mist releases Runeterra. Additionally, Gwen creates a prison from Hallowed Mist for Viego. Why Gwen, you ask? Let me explain. Powerful magic of every fantasy world is love. In youth, Isolde pouring her feelings into the doll accidentally - she was no mage but certainly a strongly magical character - creates certain magical abilities which made sort of a sentient construct that afterwards, I mean now, without the soul fragment could exist on its own.

Lucian comes back to himself as well, we have a touching scene but this isn't the end. Terrified, Lucian runs up to Senna. He asks how all this could have happened, what they're going to do now that Senna has two souls. Senna looks at Lucian, a tear runs down her cheek and Thresh says: "It is time, my dear". Lucian turns to the wraith and is about to shoot from his pistol. But Senna stands before him. She turns to Thresh "He at least deserves an explanation". Thresh replies, alright but make it short. Senna reveals a great secret to everyone..

In Bilgewater, after learning of the prophecy she encountered Thresh while she went out to get some air. He already had absorbed some of the Mist and could assume human form. He approached Senna and asked her for the way but she didn't know and had no time to react as Thresh caught her with his chains, saying that if she starts screaming, he's going to kill everyone.. in Bilgewater. Senna promised to be calm, Thresh released her and told her how he hates Viego and if they work together, they can stop him. He explained that Sentinels without aid from the dead stand no chance against Viego. He reveals to Senna Viego's plans regarding Vex, the facts about the demon and Isolde. He adds that this is the only way for Lucian to survive. And here, in spite of herself, Senna decides to trust Thresh. She shares the prophecy, the plans of the Sentinels but together they come up with a secret plan of their own.

Thresh convinced that Sentinels's prophecies are worthless and the only way to defeat Viego is to use his weakness against him. Isolde, who - Thresh knows - wants revenge against Viego. And he promises to spare Lucian if Senna absorbs all fragments of Isolde who was unspeakably powerful due to the Ruination, which will cause Senna to have two souls, giving her enough strength to beat Viego. In the end though, the deal was simple. For Thresh's aid Senna promised him the soul of Isolde

Despite his hatred towards Thresh, Lucian understands, Senna explains she did this all to save their love but Thresh grows impatient. Senna takes a couple of steps away, once again changes to Isolde and Thresh begins to drain her soul. It takes a while, everyone is blinded by blue light which fades after a moment. And once it does, we see only Thresh. Without Senna. Thresh becomes even more powerful through the absorption of Isolde's soul. Everyone thought that Senna would remain with them. Disoriented Lucian furiously says that it was supposed to be just Isolde. To which Thresh replies: "Don't tell me that after all the trouble you have caused me I would stop tormenting her.. and you."

Laughing, Thresh knocks back everyone with his chain. With the might of thousands of souls, demon and corrupted by Ruination's paradox Isolde, no one present could be a match for him. Most of the Sentinels fall from the summit of Targon bit Yummi - thanks to her Book - saves all one by one and takes them to the bottom where Diana and Leona wait for them. At the peak there is only Taric. Here I will tell you how I pictured it in my head. Immense power of Thresh thrums in the air and his great plan was truly a masterpiece. Taric attempts to attack Thresh but the host of the Aspect of the Protector is also thrown off the peak. But here we have another twist.

Remember the prophecy? It would be nice if it was fulfilled. Grand, golden Astral Gate. Thresh stares stunned as from the sky descends a creature with blazing wings, donning armor of cosmic stone and wielding twin blades burning with astral fire. Kayle returns to Runeterra. She doesn't have her helmet and her eyes are filled with white energy revealing that she.. is an Aspect. Not just a host. But she herself became the Aspect of Justice. The mightiest champion currently residing on Runeterra. In a split of a second she flies up to Thresh and starts a duel. Still, with all the power he possesses, Thresh is certainly a worthy opponent. The fight between the Aspect and the new King of the Dead is murderous. Sentinels, Solari and Lunari gaze up at the skies, at the peak of Targon in awe, watching the shifting colors as Kale and Thresh battle one another. In any case, Thresh - unwilling to lose so soon and endanger his newfound power - says "This isn't over, Aspect", dissolves like mist in the air and retreats. Unmoved by this Kayle flies down to Lunari, Solari and the Sentinels, announcing that an end must be put to Thresh and his likes.

And here we have a bittersweet ending. Yummi returns everyone to respective regions and Viego is moved to Shadow Isles where he's guarded by previously allied with the old Keeper Yorick, and yes, I know the Maiden wasn't here as a fetter but instead of changing the concept, in my Ruination I'd rather not turn it around by 180°. And Yorick, in truce with Kalista and Maokai, guards the King of the Dead and attempts restoration of the isles. The Shadow Isles are still dangerous and betrayed by Thresh Hecarim, Karthus and the likes want to free Viego and give Thresh a payback. We also find out that thanks to the power of her Goddess Illaoi survived and she stays to watch over Viego as well. Thresh on the other hand, no longer bound to Shadow Isles, travels across Runeterra and quietly, without drawing too much attention enlarges his collection of souls and tries to find a way to win with Kayle. All regions try to stand up after the Ruination. Qyiana tries to become the head of Ixtal, Nasus returns to Azir, Leona and Diana decide to bring peace to Targon together. Braum returns to Freljord, Yordles to Bandle City. Meanwhile, Lucian becomes a shadow of himself. Revenge consumes him in full. Vayne and Yone join him to find Thresh and defeat him. Samira and Draven go to Noxus, Irelia goes back with Karma but here I would expand Karma's plot. That she steps out and chooses solitude, unable to forgive herself. You know, all champions go more or less back to normal. I realise there are a bunch of inconsistencies here, more detail is required, dialogues etc. But making this scenario took me about 3 hours. And those unexplained parts should be clarified and if I was working at Riot Gamespolice, I would say before the event that things left unclear will be resolved in future stories. The event itself I would end with such a cinematic:

Vex, attacked and used by Viego, wandered around Ruined Noxus. Unsure what to do with herself she even considered returning toto Bandle City but she came across a man named Yanuk (Januk? Sorry, for the misspellings, I was writing it without a script xD). The very same who told Ezreal to retrieve the Uloa elixir. A special elixir which could revive a certain person. Ezreal however, tricked him. Vex didn't care what Yanuk had to say but he shouted that she looked like she wished for darkness. And he knows how to give it. Along with Shadow, Vex hearing the plan came back toto Yanuk with the Uloa elixir. Yanuk performs the right ritual which leads to a certain dark event. An ethereal gateway opens. And through it steps out none other than Mordekeiser who ends the cinematic with one sentence. Imagine I am saying this with Mordekeiser's voice. "I will show you… Ruination."

~~~~~~~~~~~~~~

submitted by: @sophi-s

Holy shit, that was super long.

I haven't actually read it because I wanted to share this to everyone as soon as possible, but I WILL read it.

How long did this take you, darling? Three days?

But thank you for this incredible translation and thank you very much for your hardwork. I really appreciate you doing all this for us, thank you sophi-s.

#submission #ruination #lol

10 notes · View notes

vale-studies-ir · 4 years ago

Text

Hello lovely people!

It seems that life made me take a leave of absence from tumblr. Thanks to all of you who have continued to interact with my page! I'm sorry if I've missed any messages or questions in the time that I've been away. I'm back now and I'll continue to share my journey with you all...

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

In order to be able to keep moving forward, I think it's important to accept the past and move on. Accept any of the difficulties that happened, and see them as moments you've gone through that have made you stronger. My way of accepting and turning over a new page will be through this post.

I haven't shared too much information about my studies and how they've been going. My studyblr was very new, and I was using it more as a means for motivation by seeing all the wonderful things people in the community were doing. Little by little, I started to make posts of my own.

So let me formally introduce myself and share my ongoing journey...

My name is Valentina, I go by Vale for short. I jumped from graduating from my BA in International Relations and Political Science in the Spring of 2018 to starting my PhD studies in International Relations the Fall semester of that same year. No break, very smart... I know. That's only just the beginning. I'm not sure how it works abroad, but here doctoral students usually go through most of their studies being funded by a graduate assistantship. This pays tuition and provides a stipend through working as a TA (graduate teaching assistant). Of course they vary across universities and departments. When I was applying to the PhD program, one of my professors advised me not to accept if I was not given funding. There are only a limited number of spots that are given to incoming students each year that will be accepted as a TA.

In March of 2018 I received notification that I was accepted into the PhD program in International Relations at my university, however, the department could not guarantee funding for me. This put me at a loss, and I spend months wondering where this was going and what I would do. Because I'm an immigrant in the US, though I've been living here practically my whole life, I didn't have too many options. My mobility is constrained.. my access to scholarships is constrained (even though I may qualify for them in terms of academics and merit, migration status trumps over all of it). I was lost, to say the least. My family can't afford to have paid for this program or a Master's program out of pocket, and I am not able to take out student loans even if I wanted to.

Regardless of this all, I still attended the incoming graduate student orientation; which surprised the outgoing graduate program director. She did not think I would show up, considering the whole funding predicament. She and the new GPD told me that they would try to find something for me. On the first day of class, I showed up, still not knowing what would become of this situation. Not knowing if I would actually get to start the semester or not. We are usually given a week to pay tuition - because of status, I am considered an international student so my tuition came out to nearly $10,000 for three courses. That day, out of nowhere, I was told that the dean of our school (School of International and Public Affairs) was looking for a graduate assistant for new projects that he wanted to work on. In the span of a few hours, I ended up interviewing with him, being told that they would let me know because there was another student they were considering, and later being called and told that I got the position. I was ecstatic. I called my parents in tears. This was actually happening; I was actually going to be able to start my PhD.

It all happened so fast. It all seemed so exciting. The dean seemed very enthusiastic and pleased that I would be working with him. Things eventually took a turn for the worst...

Transitioning into graduate school itself is extremely difficult. Many graduate students find themselves experiencing heightened stress and strain on their mental health. I did not give myself the space to transition into graduate school without the added stress of being a doctoral student, without the added expectations. On top of that, the dean had not had a graduate assistant before. This was new for him too. The expectations of me were blurred and my contract would only last for a year to be considered for possible renewal (the typical TA contract in my original department lasts 4 years), this led to disaster. I needed this position to continue to fund my studies, so I needed to make sure that I was on top of my work expectations. Because these expectations were unclear, the dean's secretary took advantage. It seems they were short staffed, and I was given administrative tasks that did not belong to me. I was made to come in to the office for strictly 20 hours a week. (Our contract states that we work up to 20 hours a week). If I was ever sick and missed a day, that would be added onto the hours for the next week. So if I missed a day where I was supposed to be in the office for 5 hours, I'd have to be there for 25 hours the following week. A breach in the contract, I know - but who was I, a lowly student, against the dean? This office (a shared space) was not a place where a person could focus on studying. There were students coming in and out, loud conversations occurring, and having to see if the actual student employee in charge of taking phone calls was at their desk - if not, I would have to man the phone. While I was doing administrative tasks for the dean's secretary, the dean was having me create themed presentations and CO-LECTURE with him. Me, a person who had been an undergraduate student only months earlier. I had to create these presentations from scratch and know all of the material. All of my focus had to be on this. My performance in my own classes and mental health declined quickly. I could not focus, I could not get my reading assignments done, I felt unprepared. I felt like a failure.

After a year, I realized that it was not worth to have my tuition paid for if I could not focus on my classes and was set up for failure. It took a lot, but ultimately I turned down the contract renewal. Here comes the fun part. My GPA dropped tremendously. I graduated Magna Cume Laude just a year before. I developed depression and didn't realize it; to the point where a friend practically made me go to counseling. The office manager at my actual department knew what I was going through. I had shared a lot of my experience with her. She advocated for me. Because of this, I was told that there was a student who had been awarded an assistantship for the incoming Fall 2019 semester, but had decided not to take it. The contract was going to be made for me instead, for not 4 but for 5 years since I had only come in with a BA degree. When they ran it through the associate dean's office... it was denied. My GPA was lower than the threshold. A LOT lower. I was told by the GPD - the same woman who had just started her position that said she would help me, the woman that had gone on maternity leave during that whole year after she started meaning she was not aware of the situation - that I should really take my studies more seriously. She received a very long email from me and apologized afterwards, to say the least. Nothing could be done.

I had no funding, only savings and ended up working Full Time in Fall of 2019 in order to try to pay for 1 course, that costed me a little over $3,000. Somehow, even though I strongly considered it, I managed not to drop out. By this time, the majority of the courses I had taken before had INs - incomplete grades. Two of them had automatically turned into Fs. Things were not okay.

I got a bit of a mental break during that Fall semester. I worked in a friendly environment. The office manager pulled some strings and let me work as an office assistant there... so I was still at my department, but working as staff. It was a little awkward. I'm eternally grateful to her, she became a close friend. And because of her, someone at another department got word that there was a graduate student who needed funding.

This office manager was good friends with a recently graduated phd student from our department who is now working for a different center in the university. Because she was part of my department, many of my current colleagues know her, and are good friends with her. We spoke, I rushed to get my GPA up to the 3.0 threshold and with the help of my professor's I was able to be awarded an assistantship with that center. I started in December of 2019.

Again, I was ecstatic. Things were looking up. When I went in for the first time, I immediately felt a huge difference. It was a smaller, more homey place; and a lovely environment to be in. The people there were sweet and caring. I've gotten along with the few professors I've had the chance of meeting and working with.

Where did it start going downhill? The professor that recommended me (graduate from my home department) continuously requested that I work with her. Her reason being that I got along better with her (something that I was not aware of). Because she considered herself as my friend, professional lines were horribly blurred. I found myself doing additional work for her as a "favor for a friend." She then started having us meet multiple times a week for hours - distracting from the time I needed to actually get work done. This center does not cap classes - I've had to grade for up to 400 students in one semester. The meetings she scheduled were incredibly unproductive, and I found myself having to take extra time to get the grading done. Again, my own studies were effected. The past academic year went on like this. I ended up assisting in creating a new course and new assignments from scratch.

Later I noticed that something was wrong. I was doing way more work than stipulated by my contract. She was giving me access to her courses that I was not assigned to grade for. Instead of assisting for one course in the semester (the one with the highest enrollment), I was assisting for three. This was constantly under the guise of 'friendship'. How was I supposed to reject my 'friend'? When I tried to draw professional boundaries, I was met with resistance.

My mental health declined again in the fall and I missed a few of her scheduled meetings (meetings which she said were NOT mandatory). Because of this, she decided to throw me under the bus with the director and making it seem as if I was not actually working - when I was addressing students' needs and getting grades in. This worsened in the Spring. With the help of my counselor I finally got the courage to communicate with her. Albeit through text, because she's the type of person that does not allow you to get a word in during conversation.

"On that note, there’s something I’ve wanted to talk about. I’ve been struggling with concentration and fatigue. This is something that I’ve been working on with my doctor to try to find solutions. I’ve noticed that being in Zoom meetings in general where there’s casual conversation makes it exceptionally difficult for me to focus on what I’m trying to get done. This has been problematic in the work zoom meetings. You probably have noticed I seem really quiet, that is because I’m trying my hardest to focus.

I need to be able to focus during the time I’m assigned to work as a GA. Otherwise, I must take more time to complete tasks that normally wouldn’t take up that long or just wait until the weekends to finish them. That is conflicting as I have set that time to work on class assignments and my own projects. So in the end I end up falling behind and not working well because my productivity levels are being affected."

She seemed to understand me and be supportive. Then I noticed coldness, and condescending passive aggressive texts from her part.

I realized that I could not do this any longer. I could not allow myself to continuously be taken advantage of. Both of the people I've worked for were aware of my vulnerable situation due to migration status. They both knew that it was not easy for me to pay for my studies through any other means. My studies depended on these people, and if they 'liked' me. They abused and absorbed my time to the extent that my studies suffered tremendously.

But I finally stood up for myself. I spoke with the director and she affirmed that my concerns were valid. Time and time again she assured me that my studies should always come first. She supported me. I will no longer be assigned to work with this person.

I finally feel heard.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

It's been 3 years since I started my program. A lot has happened in this time. I have a lot of catching up to do this summer if I want to stay on track and take my comprehensive exams by the end of the year. But someone finally heard me, acknowledged the wrongdoings and helped me.

Don't let people walk over you and take advantage of you. I'm learning this the hard way.

Speak your truth.

#my story #my phd story #experiences #struggles #growth #don't give up #don't silence yourself #share your story #speak your truth #long post #studyblr #phdblr #phd studyblr #phd student #gradblr #grad student #stand up for yourself #keep moving forward

24 notes · View notes

theshinobiway · 5 years ago

Text

I Fix Team Gai’s Endings:

CAN I GET SOME LITERARY PAYOFF PLEASE?

Might Gai

How it Ended:

Gai fails to defeat Madara despite having the ‘best chance’ as a Taijutsu master.

Gai narrowly escapes death and his leg is shattered, disabling him for life.

One of his precious students is dead.

He’s forced to retire from the career he’s spent his whole life attempting to build.

Well, be does get to spend his time with Kakashi (who is also in retirement), so he does have some silver lining.

What SHOULD have happened:

Gai defeats Madara, cementing his reputation as the legendary Taijutsu Master and gaining respect for Taijutsu users worldwide OR

Gai narrowly fails to defeat Madara, but Rock Lee avenges Gai by surpassing him (Possibly inventing a new level of Taijutsu that surpasses the 8 Gates).

Even if Gai is disabled, he gets the fame he deserves by being the most renowned Sensei in history. He becomes the model for all future Jounin instructors, and his training methods and philosophies (and by extension, Duy’s) become ingrained in Konoha’s teachings.

Might Duy receives the honor he deserves post-mortem because of Might Gai’s heroism.

People from all over come to battle Might Guy in his dojo, who still manages to defeat all of his challengers despite the lack of mobility in his leg. He accepts students who show particular grit, and it’s considered a badge of honor to receive tutelage from Gai.

Gai still spends retirement with Kakashi, going on trips and leaving his dojo to Lee and Tenten when he’s gone.

Rock Lee

How it Ended:

Rock Lee is an Average Dad

Despite being a romantic, his wife is nowhere in sight. He was never shown with a happy marriage with someone who loves him for who he is.

He has no particular fame or renown for his part in the war, and he has no major fights in the final war arc.

Lee doesn’t get a rematch with Neji OR Naruto.

We find out in the final war arc that Lee has a…CLAN? And then it’s never mentioned again.

What SHOULD have happened:

Lee needed way more screentime during the war. This would cement him as someone important and give us a chance to finally see Taijutsu at it's most advanced‐and I don't mean just the gates. I'm talking sheer technique and will of the human body that simply decimates.

Lee would either team up with Gai in the final fight (or attack) against Madara. If Gai gets defeated, it's Lee who steps up to the plate, delivering this badass monologue: "You all thought Taijutsu had its limits. You all thought I had my limits. Well, let me say this now: I, Rock Lee, have finally pushed Taijutsu beyond what you thought impossible. And how did I do it? Simple. You decide your limits from the beginning... and I reach them."

Lee, to the witness of the entire world, defeats Madara. No one is sure what to make of it at first, but it's clear: he's unlike any other Shinobi in history. He's created something they've never seen before and it's strong. And now, they believe in him like never before.

In the post-war, Naruto is approached with an offer about about a path to becoming Hokage. At the same time, he learns that the village is banishing Sasuke for the time being until they can sort out what to do. Naruto realizes political corruption exists so our precious war hero chooses going/being with Sasuke/his team. It's unintendedly a major political statement that has the elders clutching pearls and clamoring to pardon Sasuke. In his sendoff amid the uproar about him leaving, Naruto loudly nominates Lee in front of all the other Kage and drops the mic.

When finally confirmed after much drama, Lee makes for a FAR better Hokage. His arc goes from disadvantaged, talentless youth to the most impressive Ninja in existence by sheer hard work, the guiding theme of the series. No one worked as hard or stayed as humble as Lee, and Naruto recognized that.

Naruto can be his ‘War-Hero’ right hand when he returns. The "Hand of the Hokage." He still gets the “heroic” validation he REALLY wanted without the responsibility of governing.

Shikamaru is nervous about working with Lee since he's the opposite style in terms of, ahem, "actually working," but after a few early riffs and some honest communication, the two actually learn to balance each other out: Lee teaches Shikamaru be more diligent, Shikamaru teaches Lee to pace himself.

This also frees Naruto and Sakura up to actually accompany Sasuke on his redemption journey, be more present in the series, have relationships develop naturally, and explore the political repercussions of the war and everything that led up to it. It's a point of humility for Naruto to admit he wanted love and confidence over the real responsibility of governing, and let's just say the most effective ruler is always the one who never asked for the job. Naruto is better suited having his own squad as a jounin.

Shikamaru gets exasperated by the shenanigans Lee sometimes pulls in the office to train while doing paperwork. Lee often overworks himself too much and Shikamaru feels bad on his behalf, eventually encouraging him to delegate work. He has a much easier time guilting Lee into going home, though, because Lee would never choose to miss time with his family when it comes down to it.

Lee Clan? Don’t know her.

Lee surpasses Might Gai to become the most renowned taijutsu user in existence, paves the way for taijutsu specialists in shinobi culture.

Lee happily lives with his wife and Metal, who were definitely introduced either in a stand-alone novel or earlier in the series. They are the quirkiest, but most loving family in Konoha.

Their love story is meant to be cute and has the theme of “loving someone for exactly who they are.” I would love it if his wife was also disabled but excelled in her own field and Lee admired her for it.

Lee invents a new style of Taijutsu techniques that he uses to defeat Madara. These techniques are on-par with some of the most legendary jutsu in existence.

Lee finally defeats Neji in a match, completing the arc we started in season 1. It’s a legendary fight that's still talked about to this day.

Lee’s condition is finally explained as being from a sickness he had as an infant that almost took his life. Gai had the same illness, but not as bad.

He spends his adulthood looking for information on this sickness. He doesn’t want a cure for himself, but he has research done so it can save the lives of other children.

Lee does a training routine every morning. Academy students who idolize their Hokage eventually join in and try to keep up. It’s also endearing to the village that their Hokage makes time for the kids.

Even if they can’t finish the routine (and none of them can) Lee congratulates them every morning on doing their personal best.

Often, Lee teaches valuable life lessons at the end of his morning training sessions–just like Gai.

Tenten

How it Ended:

Tenten sets out to become a Legendary Kunoichi, but only manages to be legendary because she wields/owns all the Sage Weapons.

Tenten is never given a thorough backstory.

Tenten ISN’T the head of Konoha weapons research.

Tenten finally accepts that she isn’t like other girls and doesn’t want to have relationships or get married, her friends support her.

Tenten embraces her goofy side, becomes more like Gai and Lee and is heavily involved in their lives.

What SHOULD have happened:

Tenten originally sets out to be like Tsunade–the woman who could heal an entire army. She isn’t great at medical jutsu, but later discovers that her abilities mirror the Fourth Hokage.

Tenten vows to be legendary like the Fifth, powerful like the Fourth.

Tenten rediscovers and revives the Uzumaki’s sealing jutsu. This, coupled with her mastery of Minato’s jutsu, make her untouchable.

Tenten acquires all Sage weapons, gains fame for using them in battle to turn the tide of the war. Minato meets her and recognizes her as his successor. He gives her his blessing to revive the Uzumaki techniques as her own.

Tenten instead becomes the “Legendary One-Woman Army” In the war arc, she can teleport entire platoons of shinobi in an instant. She rains destruction down on the Zetsu army.

Tsunade comments that her “strength of a hundred″ seal would have been wasted on Tenten; Tenten has the strength “of a thousand.”

Tenten’s mastery of seals lets her identify and rig the reincarnation seal; All deceased Shinobi that were forced to fight have their free will restored. Tenten has your army now.

Post-War, Tenten, at Hinata’s command, finds the way to remove the Caged Bird seal from the Hyuga clan.

Instead, a new seal is given to EVERY member (starting with Hinata) that functions to protect the Byakugan after death but has no other effect. It effectively halts all attempts by outside forces to steal the Byakugan.

Tenten keeps her weapons shop only because it suits her and her down-to-earth personality. She also likes the freedom to travel as she pleases, exploring the world and discovering more about the Uzumaki.

Tenten is famous for being Konoha’s #1 desirable single, but she will never settle down. It’s not what she wants.

Tenten deflects suitors with sharp objects as a gag. Everyone, though they may not understand, supports Tenten being exactly who she is, and they protect that. It remains a quietly apparent choice her character has made, and doesn't act as a challenge for the plot to fix.

She eventually becomes the sensei of Metal (and Neji’s child too, if he has one.) She pulls pranks on her team to both train them and remind them of who's in charge.

She still is involved in the lives of Gai, Lee, and Neji.

Neji Hyuga

How it Ended:

Sigh.

He begins his arc by cursing the fact that he’s going to die for the main branch and then…dies for the main branch. (And Naruto, I guess.)

Neji does not see his clan unified.

Hiashi’s throwaway comment during the war meant nothing. Neji and other branch members still had their seals. The Hyuga clan still went into the war with “head” and “branch” families.

Neji does not get a rematch with Lee.

Neji doesn't speak to his father during the war.

What SHOULD have happened:

Hiashi dies for Neji, proving beyond a reasonable doubt that familial love comes before the hierarchy and reversing the old narrative.

Hiashi declares Hinata the new leader of the Hyuga with his dying breath, and tells her she knows what to do. He cryptically hints that Neji will lead the Hyuga to a brighter future. Hiashi knows the elders wouldn't accept Neji as head right off the bat, but he knows his daughter will stop at nothing to fight for her family.

This is also Hiashi’s redemption, finally repaying his brother’s sacrifice.

Neji gets to speak to his father during the war. It’s one of the most heart-wrenching scenes in the whole anime.

Post-War, Hinata stands before the elders and abolishes the status of head and branch families. She also has Tenten abolish the seal, as well as create an entirely new seal that goes on every member to completely protect the Byakugan from thieves but serves no other purpose.

Neji is the first to have his seal removed, Hinata is the first to have the new seal.

Hinata then declares Neji the new head of the Hyuga while she finally gets the quiet, peaceful life she’s always wanted. If the opportunity did present itself, however, she may have her own squad with a similarly shy kunoichi. She comes to Neji often for advice on how to best train them.

Neji leads the Hyuga through major reform, abolishing harmful training methods and teaching the younger generation about the importance of family.

Neji is rightfully respected and hailed as the greatest Hyuga as he single-handedly creates new techniques that we see used in the next generation.

The Hyuga clan now selects their future leader from the most capable in the family. Hanabi is fine with this because she ‘knows she’ll be the best anyway.’ Neji teases her by saying he ‘isn’t so sure’, which pushes Hanabi to work harder.

The Hyuga are one of the most fiercely loyal and loving clans. Any affront against a single member will bring the wrath of the others. It's like one giant, close-knit family. Make fun of a Hyuga kid and now you’re getting drop-kicked by their third cousin.

Neji loses to Lee in a rematch, but warmly acknowledges his growth from when they were children. Neji is the first to officially support Lee becoming Hokage and is the one who gives him "the talk" that convinces him to accept Naruto's nomination of him to the council. Neji becomes Lee’s confidant and closest advisor.

Neji is an amazing uncle who is sometimes out of his element when it comes to dealing with his energetic niece and nephew. It’s all fluff.

When no one is looking, Himawari will stare intently (threateningly) at her uncle, who will slowly grimace and hand her a piece of candy from inside his sleeve, glancing around to make sure no one sees him complete the exchange. No one knows where Himawari gets her spontaneous candy and stash from. It's a mystery as to what he seems to be paying her off for, but it'd probably be a delicious secret to find out..

Neji’s relationship with his niece is heartwarming. He constantly threatens Naruto to be a good husband and father to his niece and nephew OR ELSE.

Neji trains Boruto and Himawari. He’s strict, but as kind as he is firm.

Neji teaches Boruto to have a closer relationship with Himawari, mirroring the relationship he had with Hinata. If he has children, they're the "cool older cousins" to the siblings and have their dad's clout for sure.

Neji might get married or have children. If he does, it’ll be the subject of a Gaiden novel. Perhaps also a quick throwaway scene in the epilogue post-war where he meets someone that catches his eye. His child(ren) will be on the same team as Metal, where they will also be rivals.

He might have twin boys if we really want to go hard with literary parallels, but it’s not necessary. He'd name his kids after his father first.

There, I fixed it.

3K notes · View notes

botwstoriesandsuch · 4 years ago

Text

Back here with another episode of:

Read Part 1 here!

If you’re on mobile, and tumblr hates this post, follow along on this google doc!

Rules/overview this rewrite in the beginning of Part 1

Alrighty then, so let’s just jump into it!

- - - - - - - - - -

Recap! So when we last left off, we had just finished off Act 1 of the story. We’ve used the character introduction segments and the gambit feature as a means to give more life to everyone, without sacrificing too much cutscene time. Allowing us to save and focus the major story details and set up on the more cinematic cutscenes.

I had forgotten, but after Part 1 came out, an anon pointed out that Impa’s character introduction could use some work, and while you don’t need to read it right now to understand the rest of this post, I encourage you to look at it eventually to see the strengths and flaws in the original Impa introduction, and the reasons for my rewrite changes! All you need to know is that eggbot was lying around, deactivated, but when in proximity to the Sheikah Slate, was turned on like other Guardians. Eggbot being activated by the Sheikah Slate is kinda brushed over in the original game? But in my rewrite it’s gonna have some later significance. Also during the Royal Lab cutscene, I want Robbie or Purah to mention how Zelda’s control of the Sheikah Slate is quite exceptional or something. It’s a bit obvious already in Hwaoc, but I need it to be verbally said in a story scene for, again, later significance. Alright that’s it for my added details, moving on now.

After Chapter 1, we moved into the characters accepting the Call to Adventure, whether by the general external reasons of wanting to save the world, and developed a little bit further with more internal related reasons to give nuances and identities to different characters. Revali wishes to prove that his hard work earns him better merit than a sidekick, Urbosa wishes to protect and help Zelda on an emotional level, Mipha wishes to get closer to Link and come back to her family proud, etc etc.

Then, the climax of Act 1 ends with the Yiga ambush, and the characters get a first taste of leaving their areas of comfort, and journeying into the unknown world. Although the gameplay and the successful defeat of the Yiga establishes the Champion team’s strength, our interaction with Rhoam shows us that they still have a ways to go. The momentum into the full story now has a bit of tension and conflict.

So now we crash into the beginning of Act 2, the longest Act in a story, as it’s the part where the....story, happens. Let’s take a look at changes to the Hollows, eggbot mysteries, Zelda character growth, and our first real dip into the character of our antagonist, the Prophet of Doom himself, Astor…

So in the game, Chapter 3 opens on the flank of Death Mountain, our heroes overlooking the view of Korok Forest.

There are a few problems I have with this scene. It’s really stale, there’s no movement, nothing dynamic about it other than the opening shot. They just kinda stand there and say words until Revali’s done ranting and summons Medoh. Also Revali’s dialogue is a bit “much” to say the least, and uh, spoiler alert, he’s gonna be reworked a bit more than the other Champions. Finally, this scene doesn’t have a lot of purpose or substance. Sure, it has some character conflict with Revali and Link and the team, but that’s kinda established already, plus it’s something that I’ve already fleshed out in the last scene with King Rhoam, so it’s a bit redundant. So that leaves this scene serving only as a boring current draw to the Medoh fight and nothing else. This is the opening set up for the Chapter where important story stuff goes down! Needs a lot more substance. So! Here’s my rework.

We open on the sound of running. Link, along with Zelda, Urbosa, Daruk, and Mipha are running upwards on a path by Edlin. They’re chasing a small group of bokoblins and it looks like it’s the end of the fight. Urbosa is more near the back, with Zelda, but Daruk and Mipha both kill a bokoblin, their bodies of the monsters exploding in a cloud of malice upon their demise. When the camera shows each of their kills, the shots are quick, but I want the angle of the camera to be in such a way that the malice evaporates center frame, with Daruk and Mipha being behind the malice. This is because for a split second, it looks like the malice lingers around them like smoke. Huh, I wonder if that’s foreshadowing or something.

Anyhow, Link chases the final red bokoblin uphill, boots pattering against rock. However, we’re now seeing this from a moving, flying, bird’s eye view [quite literally wink wink]

Cut back close to Link, he kills the bokoblins. Stands there for a sec as he sheathes his sword. And then...

“Well I’ll be plucked. You defeated it, eh?”

Reveal Revali flying from above, and he lands in front of Link, but faces away from him. “Who would have thought that some little knight, amongst a group of chosen heroes, would get some action. You must be pretty proud of yourself, hm?” Cue that classic Revali head turn with a glare. Also when Revali says “heroes” I want him to flick his scarf dramatically, while staring at Link’s armour, as if internally he were judging Link on a runway.

Zelda runs up and starts speaking. “Oh Revali, I apologize our meet up with Medoh got a bit delayed. I assume that you’ve already positioned them by now for the attack?”

Revali hums a yes, but doesn’t bother to entertain a more fleshed out answer. Instead, he flicks his wing (as if to say, “come on”) and turns his back to walk up the trail. The others follow.

“I was informed that only the Champions and yourself would be present. What are…” Revali flicks a wing in the direction of Link and eggbot, like a Karen shooing a waiter. “...they, exactly contributing?”

Zelda says some stuff about Link being her bodyguard like: “Well, my father was impressed enough with Link’s actions from the other week that he’s assigned to give me further protection.’ She can say this a bit grumpily, to Link’s ignorance. Daruk can pipe in like “And a good thing too! Always great to have little guy at our backs.” and Mipha can nod sheepishly or something. But their dialogue is cut off by another rude interjection (because hell if Revali wants to listen to more rambling about Link)

“Right, right. And this thing is still around?” Revali gestures to eggbot.

Zelda: “Well, This little one's technological prowess has been quite useful in battle, allowing us to access the rune functions and all. So I figured it’d be a big help should something unexpected happen. Plus...” cute shot of Zelda staring at eggbot, “it just...feels right.” Then the little eggshit can like, chirp happily or make some cute whistle or whatever. Just shove in a bit of that egg fanservice, might as well since I need to better establish its presence for later.

Revali mutters something about “big help,” before gesticulating with his wings as he continues walking up the trial. “Mooore like a big liability should anything happen to your little pet, and one of us be forced to risk our lives just to save it from becoming scrap. Honestly, when it comes to you, and you.” Revali points to both eggbot and Link, “Your presence is an entire waste of time. ‘Backup?’ Help?’ Tsk. Humouring.” Eggbot can make a noise or something while Link just tilts his head. Revali continues: “You’re only here because of a non-existent, fantastical, imaginary hypothetical in which I somehow fail, and I don’t, fail.” When he articulates that last part, he stops walking and does another little head turn/glare, but he still doesn’t bother to fully face him. “I’m sure that your duty will no longer be of importance once your reputation...is nothing but a memory overshadowed by today’s great feats. A forgettable knight, heh heh!”

“Revali,” Urbosa sighs, “How long do you expect us to put up with your showboating and prattle?”

That when Revali finally turns fully to face the group, with a more grim glare. They’ve reached the top of the ledge anyhow, so they’ve stopped walking. This is where the camera can view the Lost Woods in its fullest as it zooms on Revali. Then, that ending is the same as the game with the pan up to Medoh’s presence.

“Fine. I’ve said enough. The time has come to show you what I’m made of. Now witness...Vah Medoh’s divine power!”

So that’s that. Revali is toned down a bit, and his rude remarks have more of a precision as to their point. It’s a bit hard to explain over words alone, but the fact that this scene takes place as the Champions are walking up the trail, means it’s a lot more interesting to look at. (Kinda like the walk and talk premise that you see in The West Wing) Plus, the trail being uphill establishes that hint of power dynamic as Revali is above everyone else. Also there’s just a bit of some botw dialogue connection, not only in just the opening, [Hwaoc Revali vs Botw Revali “Who would have thought” is put in different context based on their development, so it’s a good establishing point to show where this Revali is at in dynamics with Link in comparison to botw, all in just one line rather than in a more longer explanation] but I also scattered a few dramatic irony pieces in there heheh. There’s a lot more reasons why this scene is an improvement [and hopefully to you, it already *feels* better] but I’m not going to explain them until near the end, as its importance is connected to the later scenes of this Chapter.

In fact, that's the overarching change that I’ve made to these cutscenes, I’ve actually connected them and related them to the other scenes. This is the very first introduction to Chapter 3, after all, so it’s important that this introduction serves to be of more significance than “ok here’s the champions, here’s revali, there's medoh. Now go wreck stuff.”

Medoh’s fight is the same, the cutscenes after are mostly the same. Except here, when everyone runs into Korok forest and you see Astor, I want this scene to end not on Astor’s face (because it’s not as significant anymore since we’ve already see Astor in full in Chapter 2 with Urbosa’s stage) but it should end with Astor reaching out a hand towards the camera. The camera angle would be just a bit below Astor. This is because I want the implication to be slightly more clear that he killed those two Yiga underlings to craft the Hollows. It’s a nice little “watch it for the first time it doesn’t mean anything” but watching again it’s like “ohh how did I not notice that” kind of thing.

Then, Hestu’s introduction is roughly the same. I don’t think I really need to rework it too much, since Hestu as a character doesn’t serve anything major to the plot, so it’s fine for it to just be fun and cute. I will however, change just a few pieces of dialogue.

Revali: “Are we even making progress? We could just be going in circles.”

Daruk: “Good point. If only someone could fly above and scout the way.”

Revali: “As though I could see anything through this muck. Honestly, do you even think before you speak?”

Revali!!! Don’t be so rude to Daruk. Like yes it’s a bit funny, but that last part with “do you even think before you speak” is a bit much, because honestly Revali doesn’t really have a reason to hate Daruk. He’s characterized as being rude to Link and those he deems unworthy of respect, but Revali respects Daruk, Mipha, and Urbosa fairly well, considering they were chosen alongside him. So personally, I’d just tweak this to

Daruk: “Good point. If only someone could fly above and scout the way...”

Mipha snickers at this. And Revali mutters more quietly to himself, “As though I could see anything through this muck.” and gives little “hmph!” at Daruk, moving away.

There we go! It still serves it purpose of showing how the Champions are still not completely in sync (which is what I can assume was the original purpose of Revali’s rude comment line) but it’s played a bit more comedic (which makes sense considering this is in the context of Hestu’s introduction) and we get to poke fun at Revali, since just early we had spent so long boosting up his ego. Also Mipha laughing a bit with Daruk while Revali broods adds to that point of them being too busy to see Hestu right behind them.

Another small change, I don’t want Zelda to discover Hestu first. I want eggbot to discover Hestu, maybe they shake their maraca and eggbot notices and gives a little curious whistle. When Zelda notices eggbot not walking with her, she looks right, and that’s when she notices Hestu. It’s almost insignificant, but I really want to establish the eggbot’s presence for this chapter. Especially since this game writes him out of cutscenes a lot.

Final small change. That Hestu scene ends, not with Revali wordlessly shaking his head and following the group after hanging back. But with Mipha actively turning back, saying something like “Come, Revali. We should all stick together. It wouldn’t do for us to get lost.” and then a reply like “As far as I’m concerned, when it comes to mystic swords, magic trees, lucky knights, and walking eggs...I already am.” I’m just trying to keep intact that Nintendo “vibe” of flicking the character stances right in your face, especially since this game's only forms of telling the story are through these less than a minute cutscenes.

OKAY! Gameplay stuff. There are no real mechanic or level design changes to the Battle of Korok Forest, BUT there is one important change that I want to make here.

When the party splits up to take on the bosses in order to get rid of the malice. I think that the Hollows should speak.

Not like full on sentences and stuff (yet) but I think they should mumble and groan and be able to speak a few simple words. Now why do I say this? Well, let’s take a look at how I think we should introduce them.

First off, I think it should be a cutscene. Not just some 2 second animation where the Hollows spawn in. Nonononononono, this needs to be a cutscene, because it needs to be acted, because we need to see the character reactions. Like, if you’re gonna have that cliche “dark evil clone of the protagonists” thing, then you might as well go all out with the angst. In fact, personally, I would have rewritten is as the hollows actually *being* the champions and astor can temporarily control them but then when he sees that fail later in the game that can be his motivator for making the blights to kill them off since they’re no longer of use to him alive or whatever but we’re scrapping that idea because like I've said I want to try to keep the integrity of the original story.

Ok, so you have a character come up to one of the map points, and when they get there it fades into a cutscene. It’s not gonna be super long, but here’s the vision.

Character is in the lost woods, they killed a stalbokoblin or whatever. Just some low tier enemy, and then it dies and becomes that whisp of malice. Great. Character turns to leave, but then they hear something. Like a snicker, or laughter. Cut to this angle from behind the trees, but instead of astor it’s the character you’re playing as.

They go over to investigate, creeping closer with caution, until they see a shadow. The shadow of a small figure, about no higher than Link, with a long, trident weapon.

FWOOSH! An explosion of malice, almost like a fountain behind the character. They turn just in time to block the attack, the Lightscale Trident, but yet...it’s not the Lightscale Trident, because it’s covered in malice. Hollow Mipha is striking from the air, because this is basically her fountain teleportation thing, but malice. Once the character blocks the attack, time slows just a bit so you can see Hollow Mipha’s face, and then cut to the other characters face to give them a reaction. And that’s it.

Then you can pop back into gameplay, but there should be textboxes on the bottom where you can see the character’s surprised reaction like

[Unimportant detail, but if Daruk fights his Hollow self I want his reaction to be like “Woah! I sure look grumpy. I look like I skipped breakfast.” and then his gambit attack is like “eat THIS!” Also Revali can say something about how imitation is a form of flattery]

Through that fight, the Hollows also have like one textbox and a line of Evil™ mumbling and/or laughing once they’re defeated. The laughing is kinda used in a later scene, but it’s never really seen again so I just want that to be more prevalent. You all could probably think of more angsty “evil version of you” lines that are specific to each character, but I’m just thinking stuff like “You...won’t...last” or even just *muttering*. In fact, this is another thing that I want to flesh out with my gambit feature. It not only serves as interaction between whatever two characters you’re playing as, but also as interaction between your antagonists. So if you use a gambit on Kohga, he’ll say something specific about the characters he’s fighting. Same idea with Sooga, or Astor, and now here, the Hollows can say stuff to you.

There’s gonna be someone out there more creative than me out there that can think up some cool dialogue for them, but basically what I want to establish is that we know that these Hollows are made from people’s like, souls? Or life force or whatever you wanna call it. So it wouldn’t be farfetched to give them the ability to speak. Over the course of the game, I want their textboxes/dialogue to be more and more lifelike, like without the pauses or muttering. This is because the entire point of the dialogue is not only to serve that trope of “I’m the evil you I’m gonna say stuff that emotionally impacts you mwahaha” but it also makes them just a bit more menacing in my opinion. Also overall gameplay wise, I think they need to become stronger with the Champions because idk if it was just me, but they were so easy that I just forgot about them.

So! Korok Forest Battle introduces these creepy mumbling Champions, people react and are a bit freaked out, but they eventually clear the malice and we hit the next cutscene.

This is where the shit goes down.

You all probably remember how this scene goes down so I’ll try not to spend too much time explaining it. But here’s my two cents as to why I’m gonna rewrite it a bunch. I think it’s not a good villain reveal.

Like first off, it doesn’t establish Astor as a threat. His memorable action here is the summoning of the Hollows, and while yes, they do beat up Link and that’s very good, it also let’s Link easily beat them and Astor as soon as he gets the Master Sword IN THAT SAME SCENE. There was no time to let the threat of Astor linger, and when we see Link instantly beat him once he gets his Mcguffin, it really hinders the effect of this reveal.

Secondly, everyone is just silent during this??? Like, obviously Link doesn’t say anything, but Zelda doesn’t do stuff? Astor just kinda says “kill her!” and thats about it. Zelda never says “who are you?” or “what do you want?” or anything because as far as she’s concerned this is just some random dude, he’s not Yiga or anything. Also Astor never even introduces himself?? Throughout the entire game??? So while we the player know who he is because of his fancy title card, as far as all the characters are concerned he’s just a Mystery Clown.

It’s just super weird how no one asks any questions during this scene like no one acts like a human being with common sense. In fact, one could say that no one asks any questions for this entire game. Things just happen, and happen, and happen, and everyones just kinda chill. And then Zelda just kinda receives 17 flashbacks over the course of two minutes at the end of the game like she’s speedrunning botw memory%. Obviously having an aura of mystery over the course of your game is fine, it’s good to keep questions lingering over the audience’s head. Just so long as you answer them in a satisfactory way later on. Like, that’s not something I need to spell out for you right? If you set up a question, give the audience a good answer. If you set up a mystery, give a cool explanation. If you set up an interesting character you have to give the people a pay off that was worth their investment into them, right? Right? Right? You understand right? Cause as the writer for a story, it’s you’re to explain the significance and importance of why things happen in a creative way. It’s almost as if that’s the entire purpose of storytelling, you know, an explanation of events in a compelling manner. Like please, this is a concept that you are able to grasp right? This isn’t just me right? See that’s how writing works when setting up anything ever, you gotta give an explanation to the choices you make in the plot. You gotta explain why. You gotta explain why. Explain why. Explain why. Explain, why? Explain, why? Why? Why? WHy? WHY? WHY? WHY? WHY? WHY? WHY? WH

Sorry I got carried away. Anyhow, here’s the rewrite.

Link and Zelda don’t enter the forest at the same time. They run through the wooden tunnel thing, and Link makes a gesture like “go!” while he stays back a bit to hold off some monsters like stal-lizalfos or something. So Zelda runs into the center of Korok Forest.

As far as any of the characters know, this is a safe haven now, this was their destination, so there’s no monsters here, so they’re good. The princess is safe, the Champions are just cleaning up in their respective corners of the forest with the Hollows, and Link is fighting off the monsters by the entrance. So while there is still tension from the battle, Zelda lets out a sigh of relief once she sees the Master Sword.

She approaches it, cautiously, but doesn’t step onto the stone pedestal, still staying a ways back in the grass. “We’re finally here,” she says to herself. “Now we just have to protect the sword, await for the hero to retrieve it, and await for destiny to arrive.” She looks down at the ground, and then at the back of her hand (fuck what hand was the one with the triforce, her left hand? I’m gonna say left hand). So she looks down at the back of her left hand, before letting it fall. She turns away from the Master Sword and to herself she just mutters, “I only wish that I could make as much progress in fulfilling my own role...in making myself to be of actual use, like the others.”

There’s a moment of silence as Zelda wraps her elbows and closes her eyes. Then,

“If that is what you wish,” a sudden voice echos, and Zelda spins around to face it, “Then perhaps I can be of some assistance.”

Cut to Astor, standing in front of the Master Sword, facing Zelda. Roughly where he is shown here, but Zelda is a couple feet away from him, standing on one of those rocks.

Zelda steps back in shock for a moment. “W-Who? Who are you?”

“Me?” He takes one step down the stairs. “Oh, I am just someone, same as you, who wishes to see destiny fulfilled.” Zelda takes another step back, and seeing this, he stops approaching. “Ease your mind, Your Highness. There is no need to be frightened. You may call me, Astor”

Cut to title card on his face, it can be like this, BUT, no malice or glowing magic around him, it’s all still lush green forest, and I don’t want as much focus on his astrolabe. It’s just his face, and he’s giving a warm, yet chilling smile.

Zelda is still stammering. “Y-You...do I……. how did you—”

“It doesn’t matter. What matters now is taking every step towards stopping the Calamity, correct?” Astor starts to take a step towards her again, and this time Zelda doesn’t flinch.

“Y-Yes. Yes of course. But I’m afraid I’m still a bit confused. ...What exactly do you...want?”

Astor doesn’t immediately answer. He steps off the pedestal and starts to circle around Zelda, eyeing her, but still with that creepy smile. “Tell me, Princess, how fares your recent training? Adequate progress, I presume?”

He continues circling around her, still a few feet away. Zelda looks to the ground, defeated. “I’m afraid not. I’ve been trying to aid the researchers with the Guardians and Divine Beasts. But when it comes to this power…” she looks down at her hand again. “...it seems despite my great efforts and restless hours of prayers, they have yet to awaken.”

Using his free hand, Astor places a hand on his chest, tilting his head in a sorry pout. The gesture seems exaggerated. “My...you poor thing. How harrowing this must be for you.” He continues walking, eyeing her as he circles behind. “But, I am certain it is not your fault. You are but a child, after all.”

“I…” Zelda is still staring at the ground in front of her. Astor continues.

“I mean really, have you ever stopped to think about how absurd this all is? A collection of mis-match warriors, demanded to pilot gods. A sword for an unseen hero. The lives of us all, in the hands of one girl. Expected to lead us all, awaken a divine power, and save the world, all before her 17th birthday…”

After a beat, Zelda finally looks up at him, confusion and suspicion back in her eyes. “What did you say?”

Astor stops walking, he’s back directly in front of the pedestal. The camera is on him center frame, so that when he turns to face Zelda, his figure blocks the sword.

“Now Princess, is that truly what you want? Do you really believe yourself prepared to live up to such a monumental task?” He’s walking directly towards her now, arm outstretched.

“I—” Zelda pauses, before shaking her head. “Of course not, but that doesn’t mean—”

“Yeesss. Precisely! You needn’t not let yourself live like this, like some beggar to the gods, like a failure.” Astor is walking more quickly towards her, and Zelda is stepping back.

Zelda lets out a gasp of fear now, as Astor approaches, there’s a swirl starting to form around the astrolabe in his hand. “I don’t understand! What’s your point, what do you want? Who are you!?”

He stops walking, he’s so much closer now, just a foot or two away from her. “It’s quite simple my dear.” He gives another smile. “I’m a man who wants to live.”

Fwoosh! The air around them is now tinted purple, the astrolabe’s power surrounding them both. Zelda gasps again.

“If we truly wish to see this realm prosper, we must accept the indisputable truth.” Astor reaches out his hand. “You are not worthy of saving this Kingdom. You do not have the power to oppose such an unimaginable enemy! Therefore I shall relieve you of your burden, for the sake of us all. I will steal, your, destiny!”

Astor is seconds away from touching her, before suddenly...the sound of a sword unsheathing.

Astor flies back, crumpling on the steps of the pedestal, he looks up to see Link, sword at the ready. Link had pushed astor back with the pommel of his sword [because no stabbing or blood for our PG Nintendo game] and the motion has cause him to drop his astrolabe, which now lies a few feet in front of him in the grass.

“Link!” Zelda says, relieved. From behind, eggbot also appears. It walks infront of Link and gives a little whistle and does that sassy pointing thing in the direction of Astor, as if telling him off.

Astor frowns when he sees Link, but when he sees eggbot his face morphs into confusion. “You…? But I…” he glances at his astrolabe. Astor gets up to retrieve it and stands.

“It doesn’t matter how you’re here again. You can’t stop this.” Astor summons the Hollows, and they appear in front of him. It was harder to see in the lost woods, but here in the lush grass, its undeniable that the Hollows are draining the plant life around them.

“Kill whoever he is. Fight the Guardian if you must, though I’d prefer it intact. But don’t touch the girl.” He narrows his eyes. “Her thread shall be cut by my hand alone.”

Then it goes into that action sequence. Link is desperately fighting off the Hollows, while also trying to keep eggbot close to protect it. The hollows are laughing, even taunting him, as Astor is just walking calmly forwards towards Zelda, and Link can’t do anything to stop it.

Then it’s roughly the same, Link flies back as his sword breaks. Zelda is kinda helpless. And then just as Astor is about to reach Zelda again, Link cries out, the Master Sword glows. Everyone looks back, confused. Link pulls the sword. Boss fight.

After the fight and after Link defeats Astor, he’ll say something like. “That sword...is too powerful.” and blah blah blah. He looks up at Zelda. “Should you come to your senses, Your Highness,” he hisses the words, “I will delightfully accept an invitation with your company again.” He glares at Link. “Perhaps one day, when we have more time, you will fully come to understand where your arrogance is leading you.” He stands, though clutching his side in pain. “Until then, I shall make certain we meet again.” Link charges him, but he disappears in smoke and malice. End the Korok Forest arc.

Okay so! Why is this scene better? Uhhhhhhhh because it fucking is that’s why. We got 1) A villain introduction that’s more menacing 2) an establishment of character goals, but a mystery of character motivation to keep suspense 3) a more insightful look at different character’s feelings and thoughts 4) a much more interesting interaction with dialogue that raises tension and properly climaxes to the action and 5) the story’s momentum moves forward with ascending action, and new story details that set up later scenes.

I find it absolutely absurd that in the original game, these scenes are not written with more impact. This is the first look into the real mystery and substance that the story has to offer, and the first real look into the prime antagonist’s head. The actions and stakes throughout Act 2 have to properly ascend and rise in order to truly keep the audience engaged. You can’t just rely on mystery alone, you have to make use of character goals.

Reiterating Zelda’s internal struggles means that this can more easily connect and flow into the later segments where she doubts her ability and sees Link and the others grow stronger. In addition, Astor’s presence is a direct foil to Zelda’s arc. You can already see it a bit based on his dialogue, but I will more fully explain the true depths of how his is a direct foil to Zelda further down the line when all the aspects of his character are revealed. It’s almost as pacing the amount of information you give about a character can properly incite your audience to be more invested in the story, hmm. Anyhow, all you need to know for now is that good antagonists have similarities and aligning viewpoints as the protagonist in the beginning of the journey, much more, than you might think.

= = = = =

That is it for now! I can’t believe I had to dedicate an entire section to just one battle. But! That is how the story must go, as I need to flesh out as much as possible in only a few cutscenes without ruining the pacing. Tune in next time for flashbacks, backstory, Yiga husbands, token Zelink hours, aaand perhaps just a bit of Impa simping.

#Hwaoc: The Kip Cut #Part 2 #hwaoc spoilers #long post #hwaoc #age of calamity #hw age of calamity #hyrule warriors age of calamity

52 notes · View notes

supernaturallyobsessedchic · 4 years ago

Text

Save Him

Warning: A total rewrite of Carry on because…well…it’s shit. And maybe not from start to finish, the beginning half of the episode was good. No other warnings, just a feel good fic to help cope with the end of SPN.

Pairing: Dean x Reader

A/N: Events are after the fight with the vampires.

Word Count: 1,369

Mobile Masterlist

Summary: Sam and Dean go on one last hunt. But just before the older Winchester can accept his fate, his little brother fights for him one last time.

(My opinion, the acting was awesome. Jared and Jensen deserve all the Oscars after that performance. Just, story-wise, it’s shit. Too fast and rushed. And out of character, Sam didn’t even call 911, or put an attempt into saving Dean. They just accepted ‘fate’. After they said they’re better together, and worthless apart. Dean saying, he sees him retiring from the life in Season 13, and actually seeming like he was looking forward to it. Sure, it’s the only way to end the show, but too soon. Dean deserved more, and Sam’s kids deserve an uncle. The boys deserve to grow a family of their own. But that is just my opinion, Jensen and Jared will forever be my favorites.)

“It’s okay,” Dean says. Fighting off the pain as best as he could. “It’s okay, it’s good.”

“It’s good.” He says, smiling.

“No Dean, this is not good.” Sam argues. Clearly upset and freaking out his older brother is dying and there’s nothing he can do about it.

Unless…

“Jack!” he calls out, pacing the barn.

“Sam, don’t.” Dean groans. “He said he was hands off.”

“Jack if you can hear me, save him. You owe us that much!”

Moments later Jack appears in the barn.

“Jack, save him.”

“Of course, Sam. You don’t have to ask me twice.” Jack says. Snapping his fingers. Snapping the boys back to the bunker, Dean fully healed. Miracle running over to them, greeting them with licks and tail wags.

“But I thought—”

“I owed you guys that much. For all the things I’ve done to you, Mary. I just wanted to not only make it up to you guys, but to give you a proper chance at life.” Jack explains.

Dean stood there, speechless and taken aback by Jack’s reasoning. He was still wanting their forgiveness, and he did it by bringing Dean back to life.

“A proper chance?” Dean asked.

“I got Cas out of the Empty and we’re working on making a world just for monsters. So, this world can be free of them. No more monsters, no more hunting.” Jack says.

“That’s amazing Jack, thank you.” Sam says.

“Yeah, that’s awesome.”

Jack smiles on his family. “Anything for my family.” And vanishes.

“So,” Sam goes. “What now?”

“Now, we start living.”

5 years later…

After 5 years of leaving the bunker and living the apple pie life. Sam, managed to get back together with Eileen, and have been married to her for two years. Sam working at a law firm agency, having gone back to law school, and graduated recently with honors.

Dean’s story. Dean always liked working around cars, he liked working with his hands. Dean tried his hand at school, wanting to open up his own garage. Not being a fan of being bossed around and such, following in Bobby’s footsteps. Opening a garage, scrap yard, fixing up cars, reselling them. Restoring them. At Winchester’s Restorations.

It wasn’t until a few years later, after his garage has been opened, and the Winchester’s are living comfortably in their apple pie life, he had a visit he didn’t know he was waiting for his whole life.

It was a stormy night, his garage normally closes around 8pm, later than most garages in Lawrence Kansas.

A car pulls up to his garage, sounding god awful. The engine making a noise even he didn’t like the sounds of it.

Hurrying outside, he urged the driver to shut off her car. She does so.

Grabbing her things, she gets out of her car.

“My car has been making this noise all day today, and just as I’m driving home from work the check engine light came on.” She explained. “Now, I know you do restorations, but what about just, regular like, garage stuff like fix up cars like mine.” She asked.

“I know what you mean, and yes, I do that stuff too. Let’s get you squared away so I can do it tomorrow.” Dean says with a smile.

They hurry inside to get out of the rain.

Dean grabbed the correct paperwork, having her fill out her information of her car and her contact information and the problem. And handing it back to him.

“Alright, I’ll start on it first thing tomorrow.” He tells her.

“Thank you so much.”

“It’s not a problem.” He says with a smile. “Do you have a ride home miss?”

“Um, no I don’t. I’m new to Lawrence.” She says.

“It’s totally fine, I have no problem giving you a ride, if you like.” Dean offered.

“I don’t know you.”

“Just thought I’d offer.” Dean says.

“My name is y/n. I’m from Nebraska, and I’m a writer.” She says.

“Dean Winchester, I’m was born and raised here.”

She nods. As the two get to know each other.

Dean happily gave her the ride, she accepted happily given the storm not lighting up.

As Dean sat outside her house, while she gathered her things and got ready to head in.

“I really enjoyed your company Dean, maybe you should call me some time.” She offers.

“I’ll take you up on that offer sweetheart. See you soon.” Dean smiles.

She smiles back, as she exits the impala, she’s taking a number of times looking back at Dean. She shuts the car door behind her, running inside so as to not get soaked by the rain.

Dean keeps an eye out to make sure she is in the house, safe and sound before driving off.

Only to make a turn seeing the road flooded. Turning around he tries another route to getting out of the neighborhood, getting the same road.

It had been raining all day that day, and well into the evening. It’s no surprise if the creeks and rivers have gone over their banks, or even the storm drains having a hard time keeping up with the rainfall. So, he drives back to her place.

Rings her doorbell. She opens the door after a few beats. Dressed in her more comfortable clothes, sweats, oversized t-shirt and a pair of big warm socks.

“Problem?” she asks, when she sees him.

“Roads are flooded, kind of trapped here.” He says sheepishly.

“It’s not a problem, come on in.” she offers

She had popped in a couple of frozen pizza’s in the oven while Dean got himself comfortable.

She headed up to her guest bedroom, where she had spare clothes stashed away. From number ex-boyfriends who have forgotten most of their clothes. She grabbed Dean a pair of sweats and a comfy t-shirt.

She heads back downstairs to offer Dean the clothes.

“I have some clothes, hope they fit.” She offers.

“I’m sure it’ll be fine, thanks sweetheart.” He says, taking the clothes.

“Bathroom is down this hall here on the left.” She points out.

Dean makes his way to the bathroom, getting out of his work clothes and into the comfy clothes offered to him.

The beeping of the oven going off as he exits the bathroom.

“Hope you don’t mind, I heated up some pizza.”

“It’s okay, I am starving, thanks for offering.”

She smiles, offering him a styrofoam plate of pizza.

Dean spent the night that night, and every night since then.

After that night, they bonded over stories. She learned of the places he’s been, she knows he’s keeping a major part of his life secret. But maybe it is for the best that she doesn’t know the hell he has been through.

As the years went on, Sam and Dean having families of their own. Sam had his son, who he named after his brother Dean. And Dean having him kids of his own, two boys, twins and a girl. Kevin, Jack and Charlie.

Monsters really were a thing of the past. But the people over the years up to this point, the people Sam and Dean have saved, made stories. Like heroes to legends.

They lived their life, happy and to the fullest.

Sam and Dean died of old age in their homes, surrounded by family and those they love.

Up in heaven, where Bobby sat on the porch of Harvell’s Roadhouse and waited for the boys to enter heaven.

“It’s about time you boys showed up.”

“Bobby?” Dean asks.

“What memory is this?” Sam asks.

“This ain’t a memory. You’re not living in your golden years anymore. Rufus just lives about half mile that way. You’re parents there.” Bobby pointed out.

“Wait, mom and dad are here?” Sam asked. Bobby nods.

Sam taking off, Dean following him.

They catch a glimpse Dean’s Impala, with his old Kansas plates, KAZ 2Y5. Dean excited he sees his old baby again.

“Let’s go see our family.” Sam says. Dean smiles, agreeing.

Dean turning the key in the ignition of the impala, roaring the engine to life.

The radio playing Carry on Wayward Son by Kansas.

“God, I love this song.” Dean sighs.

“Same.” Sam says.

Dean Tag List:

@luci-in-trenchcoats, @supernatural-jackles, @becs-bunker, @mlovesstories, @winchesters-favorite-girl, @winchest09,

Copying and reposting someone else’s content is plagiarism and illegal. This work is property of supernaturallyobsessedchic. ALL RIGHTS RESERVED. These works contain material protected under International and Federal Copyright Laws and Treaties. Any unauthorized reprint or use of this material is prohibited. No part of these works may be reproduced in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system without express written permission from the author / publisher. An electronic reference link to the original posted work may be provided for purposes of promotion or assistance of publication by the readers discretion, if proper credits are given to the author in the re-post. 12/2/2020

49 notes · View notes

sweetest-honeybee · 5 years ago

Text

How come literally everyone on Instagram and Twitter are super active and retweet stuff and share it and comment on your posts and stuff or post it to their stories once in a while but the moment I post something on tumblr where I have the most followers suddenly nobody wants to say anything or do anything with the post.

Y’all I post stuff to get attention to it and to share my ideas and if y’all follow me for my artwork then show me. A like won’t get it anywhere. It just means your saved it privately for later to look at whenever. Nobody else is seeing it unless your likes are manually changed in your settings to be seen by everyone.

A reblog gets more people to see it. Besides, over half the people on tumblr these days are on mobile so I don’t see the big deal in taking not even .5 seconds to click the little reblog button and drag it to your blog icon. Like literally, I reblogged all of that Aquabats stuff in like 5 minutes because it was that easy.

Look, I’m 10 times more excited to post on Instagram and Twitter because my followers engage with me. They comment, they share their thoughts, they ask questions, hell they message me!

Because they show their interest. They don’t like the post and just move on, no, there people who have shared my posts on their stories once in a while, people retweet it to their twitter page for people to see (and sometimes even with a comment!)

I’m more excited to post on a platform that gets the attention. I hate that I just end up coming back onto tumblr with 345+ notifications and the vast majority are just likes and no comments whatsoever and no asks, no engagement. Because people on tumblr like to make it a big deal about the ‘hard work’ of reblogging anything.

Y’all, look, I hate to be that person. You’ve seen this a million times. Hell, you’ll probably unfollow me for it, but I don’t think those of you who are not creators understand how much we rely on your input. It’s builds us up, it boosts confidence, it ensures that we can create me because we know that we will log on and see people asking creations, praising our content, sending messages of love, etc.

That is what we strive for.

So please

Please

For the love of everything

Reblog the damn post.

Even on desktop it takes like 3 seconds of your day to reblog one post.

586 notes · View notes

notallthosewho-wanderarelost · 4 years ago

Text

Real quick scattering of thoughts on Loki 1x02 and x03 before I watch the newest episode. I watched them pretty much at the same time so it’s a two-for-one post. Here be spoilers for episode 3! On mobile so no cut again, sorry.

Spoilers ahead. You’ve been warned.

Okay. In no particular order but attempting to start with ep 2 first:

Loki trying to get info on the Timekeepers and the TVA in ep 2 and being blocked by the most bored archive librarian ever was hilarious. The whole sequence of him trying to get her attention only for her to completely ignore him until he rang the bell was creepy but so funny.

Loki’s reaction to getting the details on Ragnarok made me so sad. :( Same, Loki. SAME. I’m also still gutted Asgard was destroyed and I refuse to even watch the movie ¯\_(ツ)_/¯ But him going to look at that in the first place made me wonder if maybe in the back of his mind Loki’s coming up with a plan to save Asgard? (Or at least, one version of Asgard in the multiverse.) I would love that. I want Asgard back in general and was hoping for Thor 4, but having Loki be the one to save Asgard would be SO fitting. He may be adopted but he’s still an Asgardian at heart, truly. Having Loki be the one to save Asgard would be a great way to show him finally acknowledging that and have all the Asgardians acknowledge it too.

We have an official population for MCU Asgard! 9719 people. That fits. It’s about twice the size of a pretty small suburban town. Asgard is SMALL. It just doesn’t have the space for a lot of people. It’s still a city, but Asgard the Realm has other things on it besides just the city, so it can’t have a huge population.

I wonder what the official population of New Asgard is when we see it in Endgame? And how many Asgardians come back post-Blip? This would really all depend on how many people made it through Hela’s rule and onto the ship during Ragnarok- and then half of them would’ve been killed by Thanos in the beginning of Infinity War. Would half of the remainder have been Snapped away at the end of IW, or would Thanos leave them out since he already halved their population? File under questions Marvel will probably never answer. Also file under “Thanos continues to be really bad at math.” (Should probably go look at the New Asgard sign again to check, but I don’t think it listed population.)

Loki annoying Mobius by messing with his salad was great. Loki annoying Mobius in general was great.

Loki letting the goats free in Pompeii made me think he might have a liking for goats, which means I now have a headcanon that Loki was friends with Thor’s goats as a kid and would sometimes let them loose to get their assistance with pranks. Thank you show, for cute kid Loki headcanons.

Tom Hiddleston probably had a BLAST yelling at people in Latin in character as Loki, and good for him!

Sylvie’s entrance sequence at the beginning of the episode with the fight scene vs the TVA set to “I Need a Hero” was amazing. I haven’t seen Shrek in a while but this might just reach the same levels of A+ “I Need A Hero” song usage as the Shrek sequence.

Speaking of the beginning of the episode, the Ren Faire setting was SO good. Great way to get laughs, and it made me want to go to a Ren Faire again.

The Roxxcart setting for the big encounter later in the episode made me flash back on all the times Roxxon’s appeared in the MCU. Two main thoughts: 1. I so want a Jane!Thor movie where the main villain is Dario Agger, evil Roxxon CEO and Minotaur. Preferably working with a better version of Malekith (from another universe probably) like in comics, because as much as I love Thor 2 my one complaint is that their version of Malekith was SO LAME. Especially compared to comics!Malekith. Plus an Agger + Malekith teamup would mean both the Nine Realms AND Earth are in danger, by definition. Thor 5 please, Marvel. 2. I really, really miss Cloak and Dagger and that show deserved so much better.

(Our) Loki’s perpetual insistence that he’s better and that the plot (pun intended) is about him is both funny and also a little sad- because he knows, or at least thinks, that if he stops insisting those things, everyone will stop paying any attention to him whatsoever. And he needs attention.

Poor Mobius probably felt so betrayed at the end of this episode. :(

Onward to episode 3!

This was by far my favorite episode so far. I LOVE Sylvie. I love her and Loki’s dynamic. I love that we get Loki talking to someone he considers an equal about some very personal things, and that Sylvie does the same thing with him. They understand each other in a way nobody else has. Because they’re the same person, sort of. I’ve taken to calling them “alternate reality twins” and that’s what I’ll keep calling them unless told otherwise.

They also annoy each other in a way nobody else can. And it’s hilarious. They look equally annoyed at the other not falling for their tricks and equally annoyed at needing the other’s help before they really start to bond and I LOVE ALL OF IT. I also feel like they adopt each other a lot quicker than either would be willing to admit, and then they’re annoyed at that! Loki yelling “you’re so weird!” at Sylvie made me go “OH they’re bickering like siblings!!!” and that was pretty early on! I’m an only child but that had peak sibling energy to me. Even them trying to trick and outdo each other had sibling energy most of the time.

Their earlier fight when they first get to Lamentis, before they realize where they are, had some VERY quality quips and also really had me wondering who would win in a fight between the two of them. Sylvie seems to have more physical strength, and she’s got a sword instead of daggers so longer reach, but Loki has skill and he has tricks. I think with his skill at magic (he can TELEPORT?! Probably only a few feet and probably limited by where he can see but that’s SO COOL!!! I don’t think we knew he could do that?!) Loki would likely run rings around Sylvie IF there were no people around for her to enchant. And assuming that she wasn’t able to set any traps beforehand, because Sylvie has proven well able to set traps to take down people who should be at a major advantage against her. Otherwise, I think Sylvie would win. She seems to have better physical training than our Loki, and if there were any people around for her to enchant he’d have to contend with them too. And if Sylvie could lay traps ahead of time, then it could go either way (you never can tell with a Loki, much less two) but I think Loki would probably lose. Loki is just as tricky as she is but that seems to be something she’s had a lot of practice in. Loki is more about confusing opponents with illusions and duplicates and talking his way around people. Sylvie sets traps instead, and is more comfortable/better at using brute physical force.

Speaking of enchanting, me while watching episode 2: “Hey, these mind controlling powers remind me of Enchantress’ powers!”

Sylvie in episode 3: calls her powers “enchanting”

Me: “OH.”

So Sylvie seems to be a composite of 3 characters. 1. Lady Loki, as in Loki when identifying as female. (There’s also that time from before they said Loki was genderfluid and a shapeshifter and back when Loki was still evil when he possessed Sif’s body and went by Lady Loki, but we don’t talk about that.) 2. Amora the Enchantress, a major Thor character/villain who uses magic to “enchant” people into doing what she wants-yes this is definitely a cringey “magically enchants people into loving her, consent-issues-out-the-wazoo” evil seductress stereotype in old comics, but it’s gotten better recently. And 3. Sylvie Lushton, the much lesser-known second Enchantress, who was a regular teenage human girl when after a Ragnarok (don’t remember which one, there have been multiple but this would’ve been early 2000s) Loki for shits and giggles decided to make her think she was Amora and give her the powers to match. She was on the Dark Reign-era (aka when Norman Osborn was in charge of SHIELD and the Avengers) version of the Young Avengers, the Young Masters of Evil, and that’s where I know her from. She’s a great character- she genuinely wants to do good and help people, but her brain is a bit messed up by the number Loki did on it, so she gets confused. I believe she’s currently in comic book limbo after Amora found out about her a while back, got pissed at her for stealing her name and her whole Thing, and tossed her somewhere dangerous on the World Tree while saying something about how if she can survive it then she’ll prove she deserves the name Enchantress. She sadly hasn’t been seen since as far as I know.

So each of those characters have similar characteristics with Loki’s Sylvie. Sylvie 1. Is a Loki who is female (Lady Loki), 2. Was presumably raised on Asgard and uses her magic to “enchant” people via a form of mind control into doing what she wants (Amora the Enchantress), 3. Is named Sylvie (Sylvie Lushton, Encanhtress II). Also worth noting that both Amora and Sylvie Lushton have blond hair, and so does the MCU’s Sylvie. All three characters also have green colored magic!

May turn the above bullets into their own post just for informational purposes. Also, when we said we wanted Enchantress in the MCU, this is not what we meant. Stop with the Monkey’s Paw-style wish granting, Marvel! (Looking at you, X-Men comics’ response to us wanting more Wanda.)

Anyway. Will round off with my favorite thing: everything on the train. Everything on the train was WONDERFUL.

Loki telling Sylvie about Frigga and how she taught him magic and then demonstrating the fireworks made me tear up. 🥺 Right in the feels. I miss Frigga a lot. I miss Asgard/the old Thor franchise in general a lot, but this is about Frigga. She was AMAZING and I miss her. Forever love the detail that Tom and Rene came up with the idea on the set of Thor 1 that Frigga is the one who taught Loki magic and fighting and how that informed their characters’ dynamic to the point of it being canonically discussed later. There’s a great Thor 2 deleted scene where Frigga talks to Thor about this exact thing. Frigga is such a fave of mine.

Sylvie telling Loki about her own past in turn made me very curious what her life was like and what the differences are. She seemed to have had a really hard time of it as a kid and I just want to hug her. (I also want to hug Loki, but that isn’t news.) Loki has had a very tough time, but really only after finding out he was adopted. He doesn’t appear to have had many friends on Asgard before (though I headcanon that he was friends with Lorelai before her exile, and since it’s my headcanon I imagine a similar situation with Amora, if not quite as close a friendship because comics Loki gets along better with Lorelai than her sister) but he at least had a family who loved him and who he loved, and a status as a prince that would’ve given him a good life and protection. Sylvie doesn’t seem to have had any of that as a kid. :(

“Surely there were some would-be princesses? Or perhaps a prince?” CANONICALLY BISEXUAL LOKI YES! YES.

Comics Loki is canonically both bisexual and genderfluid! Explicitly discussed on page, multiple times, and expounded on by writers too. (One of the most heartwarming Odin moments for me- yes, Odin does have heartwarming moments!- is when he’s telling his kids he loves them and he says something to the effect of “my son, my daughter, my child who is both.” The latter is Loki, the former are Thor and Angela. I might still be bitter over MCU Hela taking Angela’s place in the family sorry not sorry. This was in Original Sin: Thor and Loki, for anyone wondering.) I tend to default to he/him pronouns when talking about Loki because Loki tends to be male more in appearances, and also partly because it’s what I’m used to, but when Loki is clearly female I’ll of course switch to she/her. I have seen people use they/them pronouns for Loki too. I don’t think Marvel has ever said what pronouns Loki prefers though.

Speaking of which: I realize the “Sex: fluid” on Loki’s info card in episode 1 was probably foreshadowing Sylvie, but I kind of want to also read it as a nod to Loki being genderfluid. (Loki is also a shapeshifter, so gender would = sex in this case.) Whether it would be a nod to specifically comics Loki or also to MCU Loki is anyone’s guess as of now. We’ll find out I guess, or if it turns out to be strictly headcanon than it’s whatever floats your boat. :)

Back to the train scene!! Sylvie loudly protesting that she can’t sleep near people she doesn’t trust and then promptly falling asleep across from Loki a few minutes later made me emotional. ALTERNATE REALITY TWINS. Also VERY much a parallel to Loki falling asleep across from Mobius last episode.

Loki realizing that Asgard was really his home and his family really was his family only to also realize that he’ll never see either again and deciding to handle this by getting ABSOLUTELY DRUNK is SO ASGARDIAN OF HIM. I cannot. He even did the “Another!” *smashes glass* thing just to bring the point home.

Oh gosh, LOKI SINGING IN ASGARDIAN. FEEEEEEELS. I know, it’s actually Norwegian. I wonder a bit why they didn’t use Icelandic instead? Anyway, this was lovely and I love that going by the translation it’s a song of longing to go home, and it mentions Idunn’s apples of immortality. Apparently the full version of the song is going to be on the soundtrack and I’m so excited for that.

Loki’s metaphor of “love is a dagger” was actually quite good, he and Sylvie just lost the thread of it right at the end there. I wrote about this in tags somewhere, I’ll copy it in here later.

Edit: here’s an edited version of what I wrote on this post: This was a great metaphor until it got away from him. So close to the point (heh) and then they veered right away. Let me finish this for them: “Love is a dagger. It’s a weapon for far away and up close. You can see yourself in it. It’s beautiful. You have to give it to the right person.” So what this scene tells us about Loki is that he’s been hurt by love because it hasn’t been real. Or hasn’t felt real to him. Maybe he’s given it to the wrong people, or maybe he couldn’t tell who the right people were. (And if this is in reference to his family then I think he’s still too close to the revelation of his identity to be able to think clearly about the situation. Because his family DID love him! Even Odin. He just lost sight of that with everything happening.) Love is also about trust. And Loki doesn’t trust easily.

I really love this quote and this scene. Kinda want to do a “Love is a dagger” graphic of i ever have time.

I also wouldn’t be surprised if Loki and Sylvie come back to this conversation and come to a more satisfying conclusion. I hope that happens actually.

Sylvie using her headpiece against an opponent in the train fight instantly made me think of Wonder Woman. A+. Also, I haven’t mentioned yet but I love the fact that Sylvie’s headpiece looks exactly like God(dess) of Stories Loki’s from Agent of Asgard. Loki’s Ragnarok headpiece definitely had big AoA Loki vibes, but Sylvie’s headpiece is much closer- mostly it’s smaller, which is very Agent of Asgard Loki in general, but the one horn being cut off is specifically a God(dess) of Stories Loki thing and I love that they pulled from that.

Loki throwing the dagger and missing because he’s drunk was hilarious. Not good for Sylvie, but hilarious to watch. Don’t fight while drunk, Loki. Also, he threw “love” at Sylvie and I laughed when I realized that.

I didn’t realize until I saw a parallel gifset of it why Loki carefully going up to Sylvie after her scream felt so familiar- it’s just like how he went up to Thor after Thor overturned the table in Thor 1. The CONTINUINTY!! Absolutely amazing.

While trying to save the Ark Loki was probably thinking a lot about what he saw in the TVA clips of his own people trying to escape Asgard during Ragnarok and that hits kind of hard.

Loki apparently using telekinesis to stop the column from falling on him and Sylvie threw me off a lot until I saw another gifset that included the moment in Thor 2 (trailers only, I think) when he finds out Frigga is dead and all the furniture close to him breaks and flies away from him. The pose was even the same as when he stopped the column. I think he can sort of... push things away from him? (Almost like a Force Push 🤔) He seems to need to stop and tense up his arms while he does it though. And it doesn’t have the green effect the rest of his magic does, which is odd.

Speaking of Loki’s powers, I’ve said this in tags for sure but I’m so happy they’re FINALLY letting Loki hit people with green magic bolts. He does tend to prefer more subtle uses of magic, but I still can’t believe it took over 4 movies for that to happen. It’s kind of a no-brainer magic attack- probably exactly why Loki prefers other things- but you’d think he would’ve done it at least once after 4 movies.

I saw a post point out that by the end of the episode, Sylvie has lost both her headpiece and her cloak/robe thing, which makes me wonder if she’s going to get a new outfit by the end of the show. Or at least different accessories. I’m also curious if she’s going to take up the Enchantress moniker by the end of the show.

Finishing this with theme analysis and theory time:

The revelation that TVA agents used to be variants and were somehow reprogrammed makes so much sense. There’s something immediately shifty about the idea of 3 Time Keepers dictating the fate of everyone in infinite multiverses, and this just solidifies the hint that the Time Keepers are going to be the overall Big Bads. Which makes sense, narratively! But this shifts the TVA agents from villains to victims. Mobius gets to stay sympathetic and so does Sylvie, AND once the TVA agents find out about their origins it puts the same choice onto them that Loki has. They all have a choice now about who they’re going to be. They’re not who they thought they were, but are they going to let themselves be defined by what other people (here, the Time Keepers) think they should be, or are they going to be who they want to be.

This is exactly what Loki: Agent of Asgard is about, by the way. And I know I said in the last post that Loki’s greatest villain is himself, but I’m going to amend that because I didn’t say it quite right. Loki’s greatest villain is his evil self. Loki the god of evil, the Loki that is the villain. Loki (and all the other Asgardians) in Agent of Asgard is genuinely a god, and AoA tells us that gods are defined by belief- they are what people believe them to be. That’s how they exist. So because so many people believe Loki is an evil villain, the universe tries to twist him to fit that role. The plot of AoA is Loki trying to avoid that fate, to be better, be who he wants to be. It’s a meta story. It’s Loki trying to break free of the narrative he’s been part of up until that point. And eventually he manages to break the fourth wall itself and take control of his own narrative by becoming the god of stories. He controls his own story and it no longer matters what other people think he is, only what he thinks of himself. Nobody else gets to change or define him.

AoA’s villain is a future version of Loki that does go back to being evil. He’s basically the cosmic force- destiny, the narrative itself, etc- that’s trying to fit Loki into the “evil” box personified. Loki is seemingly taking that idea and subbing in a different personification for that same idea of lack of choice: the Time Keepers. We know from the Miss Minutes short in episode 1 that the Time Keepers want one timeline. We don’t know if that’s actually to prevent a multiversal war like the short suggests or if that’s just propaganda. When Loki tries to find out more about the war or about the beginning or end of time in episode 2, he can’t access those documents. Something doesn’t seem right there.

Edit: Also, in episode 2 Loki compares the TVA to Asgard by saying both the TVA agents and Asgardians are equally stupid. The reveal of who the TVA agents are adds a new dimension to that comparison. They both see themselves as guardians of the world around them, special, but really they’re no more special than the people they’re fighting to protect. Or in other words, they’re only as “special” (“heroic,” really) as they make themselves.

Also an edit: damn I just realized the continued stupidity of R*gnarok having Fenris and Odin in the same movie and Odin dies but get killed by Fenris. Asgardians have a saying about watching for wolves’ teeth.

I’ve seen the theory around that Sylvie might be a former TVA agent (which seems to be backed up by the midseason trailer I very belatedly saw, oh my GOD TINY SYLVIE!!!!! But also oh no tiny Sylvie at the TVA :() and I really like that. It makes sense. Maybe she went rogue because she realized the TVA is preventing people from choosing for themselves. Maybe she even knows what it is the Time Keepers actually want. Or maybe she’s doing this just for herself because she didn’t enjoy being brainwashed by the TVA and she doesn’t like being told who to be! That is after all part of “what makes a Loki a Loki,” even if she doesn’t use that name anymore.

I’m also wondering (hoping?) if maybe her being a former TVA agent could explain why she’s a mashup of different characters, instead of it just being Marvel mashing characters together because they can. This is mostly wild speculation, but could the TVA possibly have put multiple people’s timelines/memories inside her head? What if she’s in universe an amalgamation of a Loki, an Amora, and/or a Sylvie?

We’ve had some clips of what looks like a Thor 1 era Loki in front of the throne on Asgard- which looks different to me; maybe Loki redecorated? We’ve also gotten a shot of Loki in front of a ruined NYC skyline, including Avengers Tower. Maybe we’ll get an episode where Loki wins and we’ll see different timelines where he wins in different ways, until he realizes that this isn’t actually what he wants?

Whoops this got long??? Thanks for reading if you read this far!

#long post #loki spoilers #loki 1x03 #loki 1x02 #loki series #meta #a rare text post appears #my stuff

5 notes · View notes

becomewings · 4 years ago

Photo

The Most Beautiful Moment in Life <I’M FINE>

BTS Universe Story Highlights, pt. 1 / 4

» pt. 2

Introduction

BTS Universe Story, a mobile game published by Netmarble, was released on September 24, 2020. While the majority of the app is essentially a sandbox and engine for users to create their own interactive stories, it also includes official and canon BU content. The first eight segments were introduced between the release date and December 2020, gathered under the title The Most Beautiful Moment in Life <I’M FINE>.

“I’m Fine” is half of the I’m Fine/Save Me ambigram introduced in the Love Yourself era. Notably, all of the BU content available in the game so far falls between events of the webtoon Save Me (also called HYYH0 in its logo) and The Notes 1—chronologically, that is, while bearing in mind that time resets to the morning of 11 April Year 22 whenever SeokJin fails to avert a tragedy among his six friends. I want to assure anyone who is unable to play the game that you are not missing any new, major plot beats from the overall BU narrative. Instead, the stories provide more insight into the motivations and consequences of SeokJin’s decisions in the earlier time loops, as well as more depth to individual characters and their circumstances.

The goal of this guide is to summarize each of the eight stories and highlight noteworthy details, especially if they are not yet present in other BU media. Within each story (which I often refer to as an arc, due to their character-focused nature), episodes must be played successively, but the stories themselves can be played in any order. I will present them over a series of posts in the order they are listed under the <I’M FINE> heading. The Prologue and NamJoon’s arc are free to play; the rest are paid content. Please note that due to the app’s Terms & Conditions, I will not include in-game footage here. The images in this guide are sourced from the official trailers/videos and the live action MVs as appropriate.

Content warning: contains references to death, suicide, suicidal ideation, child abuse, domestic violence, blood, homicide, depression, trauma, PTSD

This guide contains major spoilers and includes references to other BU media

Do not repost, copy, or quote without permission

Game Mechanic

Before diving into the summaries, I would like to address the primary mechanic of the game: the user’s control of character choices at designated moments in the stories. It’s a primary marketing point that the player can influence the progression of the narrative, with a frequent in-app tip also declaring, “stories’ endings can vary depending on your choices.” The latter is not strictly true—and it cannot be true due to the structure of the game. Choices are presented within most (not all) episodes, but each episode is an isolated unit: episode 2 provides the same content regardless of what you choose in episode 1. Since the consequences of your decisions are not cumulative, each episode reaches the same ending, and each decision inevitably rejoins the “main” story path (effectively reducing the script size).

So what is the point of this mechanic? While the system is not nearly as complex as what major platform titles are capable of nowadays (I suspect due in large part to the story creation portion of the game), it does foster a sense of interaction with the narrative that isn’t present in static visual media like comics or film. The episodes with choices also have incentive for replay to discover the impact of changing a character’s dialogue or action. Sometimes the differences between the outcomes are inconsequential, but other times you unearth new details, interactions, or memories that are missing in the other path.

I say this partially in reaction to all of the comments and tweets I read for the game trailers and even Smeraldo Book twitter’s choose-your-own-adventure style teasers with The Notes 2 excerpts released last summer. Many users expressed excitement, through words or memes, about finally being able to give the boys the happy ending they deserved. I don’t fault anyone for wanting that happy ending—I wish for it, too. But no matter what the rather overzealous marketing has claimed, I don’t believe that the canon ending of BU is ever meant to be in the audience’s control. But I do feel that this mechanism fits the BU narrative. It echoes the “countless loops” SeokJin has experienced in an effort to save his friends, the choices he must make at every crossroad, and the butterfly effect those actions have on all of their lives. I think it is reasonable to interpret the simple branching paths in the game as alternatives SeokJin has explored across multiple loops in his struggle to find the “right” way forward. I’d love to hear if you have theories of your own!

Prologue

The prologue is a brief episode introducing SeokJin’s repeated struggle and failure to save his friends. He wakes up yet again in his bed on 11 April Year 22, the beginning of the time loop. After reflecting on the tragedies that keep befalling the others, SeokJin realizes that he has only tried to fix the problems he can see. He wonders: “Have I tried to understand the root of my friends’ misfortunes? How much do I really know about my friends? Maybe I was never brave enough to confront their real scars and the worlds they’ve been living in. But I need to do it. Because it may be the key to saving them all.”

How to Offer a Hand

In this story, SeokJin attempts to prevent NamJoon’s arrest after he gets in a fight with a rude customer at Naeri Gas Station, his place of work. The first episode opens on the night of 11 April Year 22 with NamJoon curling his fists, glaring as crumpled bills lie untouched on the pavement. (The money looks similar to the shot from the I Need U MV.) SeokJin reaches for his shoulder, but NamJoon shrugs him off and strides away to punch the customer who deliberately dropped the bills for him to pick up. The gas station owner runs over at the customer’s furious shouts and orders NamJoon to apologize. He refuses, and police officers soon arrive and charge him with assault. No one listens to SeokJin’s protests that the customer started it first. The man sneers as NamJoon enters the police car. “Do you even have money for a settlement? Hey, you’re done for.” NamJoon is sentenced to prison again, and SeokJin hears glass shattering before the loop resets.

Rising from his bed on the morning of 11 April, SeokJin reflects on his failed efforts so far. He has hit the customer’s car, called for NamJoon in the middle of the incident, and stopped the fight himself, the latter of which caused his friends to avoid him later. The fight has even escalated; the details are unspecified, but the audience is provided an ominous shot of SeokJin speaking to a police officer alone at the scene. NamJoon is not the kind of person who would normally respond to that kind of provocation with his fists. SeokJin realizes that he cannot merely stop the fight but must discover and fix the true cause of it.

With this in mind, SeokJin heads to Naeri Gas Station during the day and tries to engage NamJoon. This is their first time meeting since they both returned to Songju, although SeokJin has experienced it in many loops already. “It’s been a while,” he greets (as he does at the end of the Blood Sweat & Tears Japanese version MV). Before SeokJin can dig deeper in their conversation, NamJoon is called away by his boss. SeokJin enters the small employee break room which serves as NamJoon’s living space when he’s not at the container, hoping to find some clues about his friend’s life. SeokJin locates something bundled in newspapers. If the player chooses to open it, he sees a strange shard of glass inside that may belong to a car or motorcycle headlight. He continues on, finding the book Cosmos by Carl Sagan and a notebook. SeokJin hesitates over the invasion of privacy but decides to read it since he needs all the information that he can gather. The journal entries detail NamJoon’s daily life since returning to Songju: his work at the gas station isn’t too bad despite the occasional rude customer; he purchased a book and hopes to get more in the future; he picked up a second job at a wedding hall to help catch up on bills; his brother NamHyeon got in trouble again, leading to more expenses; and his dad’s health has worsened, with hospital bills after an emergency surgery rising to levels that the family cannot afford. SeokJin knew that NamJoon was the de facto head of household due to his father’s illness but was unaware that it was to this degree. He feels sorry for NamJoon yet is also impressed by his maturity, for NamJoon never writes how difficult his situation is.

NamJoon arrives and asks what SeokJin is doing in the room. If the player chooses to answer “reading” instead of “just sitting there,” SeokJin privately observes that the conversation flows more easily when they talk about books. NamJoon says he must leave and declines when SeokJin offers to wait for him there. SeokJin knocks over a pile of books along with money and receipts as he stands. He thinks it is unusual that NamJoon picks up the books before the money. The books seem to be more than a hobby to NamJoon, holding special meaning. Walking to his car, SeokJin wonders if it is pride or determination not to falter that keeps NamJoon from journaling his grievances. He realizes that money is a constant source of frustration and misery to NamJoon, and that’s why he can’t stomach being insulted over the customer’s dropped money. SeokJin’s new plan is to prevent NamJoon from picking up the money. He also calls Palgok County Hospital and offers to pay the patient bill for NamJoon’s father. Anticipating that NamJoon will be angry if he finds out, SeokJin says the payer is Songho Foundation.

That night, SeokJin returns to the gas station with the excuse that he forgot to fill up earlier. The luxury car arrives with a honk, and NamJoon hurries over to assist. He shakes with anger when the customer drops the money on the ground. “Why aren’t you picking it up? You don’t want it? What’s with that look? Pretty arrogant for a part-timer, aren’t you?” goads the customer. SeokJin intervenes. Whether the player chooses to have him advise NamJoon not to pick it up or to order the customer to pick it up himself, the end result is the same. SeokJin asks the customer, “Why are you harassing a pitiful part-timer?” The customer drives away, and something about NamJoon seems off. His face is expressionless, not mad or humiliated. “SeokJin, you…” He stops. “Never mind. Thank you for your help.” The words sound difficult for him to speak.

SeokJin believes that he has saved NamJoon, although this ending feels sloppy. He continues on in the loop to rescue JungKook and later YoonGi, but uneasiness plagues him. Though he meant to help NamJoon with his actions, SeokJin wonders if he hurt him instead. On 5 May Year 22, he returns to the gas station and follows NamJoon when he leaves work early. NamJoon enters a bookstore, and SeokJin sneaks in after him to watch from afar. He overhears employees talking about NamJoon, worrying that he might dirty the pages of the book he’s perusing. NamJoon is too absorbed in the book to notice one of them calling for his attention. SeokJin recalls a memory from their school days when he found NamJoon reading alone in their classroom hideout: he asked why NamJoon read so diligently, and his friend explained that he found it comforting to empty his thoughts of everything else while focused on the book. In the present, SeokJin wonders how he forgot how much books mean to NamJoon. He sacrifices some of his food and transportation budget to afford them, but they enable him “to endure the weight of the world he’s forced to bear on his shoulders.” After realizing this, SeokJin wants to apologize for carelessly sympathizing with the reality that NamJoon has weathered alone.

The next episode is from NamJoon’s perspective, revealing his excitement over being able to purchase a book for the first time in two months. He wants to buy two but can only afford one. The employee at the register sighs and asks why he leafed through a book he wasn’t going to buy. NamJoon apologizes, and she mutters, “So dirty.” He notices his reflection, clothes worn and smelling of gasoline, and realizes she’s talking about him, not the book. He tries to shake off these depressing thoughts, but he is still not accustomed to this treatment despite experiencing it regularly at work. As NamJoon begins to exit the store, the security alarm goes off. The employees demand to check his bag despite his insistence that he didn’t steal anything. Their certainty of his theft angers him. NamJoon allows them to look through his bag, and they are suspicious of the like-new book in it which he brought from home. One begins to call the police until SeokJin appears, vouching for NamJoon by saying he saw everything. The employees accept that the alarm malfunctioned and excuse their suspicions as a mistake.

Outside, SeokJin asks NamJoon if he is all right. NamJoon is thankful but wonders how SeokJin materialized right when he needed him. “How’d you find me here?” he asks aloud. SeokJin explains that he happened to notice him while walking through the neighborhood. NamJoon wonders if it’s because they said goodbye on a weird note last time. He thanks him and turns to leave. SeokJin calls after him. “I’m sorry. I wanted to apologize. I didn’t mean to upset you that day at the gas station. It was a mistake to have called you pitiful. If my rash actions hurt you, I’m really sorry.” NamJoon accepts his apology, believing it to be sincere, and says that things would have turned out a lot worse if SeokJin had not intervened. Thunder rolls overhead, and NamJoon uses the impending rain as his excuse to depart. He declines SeokJin’s offer of a ride and runs home, feeling his friend’s eyes on him.

Before he can settle down to read at home, NamJoon receives a call from his cheerful mother. She thanks him for paying off the entire hospital bill. NamJoon is perplexed and asks what’s on the receipt, since he didn’t pay it. His mother wants to leave it be, but he insists that they investigate so they don’t get in trouble or sued. She reads that the Songho Foundation is credited as the payer. NamJoon calls the hospital, introducing himself as the guardian for Kim YoungMin, but they can’t transfer him to the administrative department at this time. Disappointed, he looks up the foundation’s website, unable to recall why it sounds familiar. He wonders why a scholarship foundation in the city would get involved with him. Spotting photos of a recent launch ceremony on the site, he recognizes a few people: Songju High School’s principal, the familiar-looking face of the foundation’s chairman, and SeokJin. First, NamJoon forces a laugh, and then it’s difficult for him to breathe. He thinks that SeokJin really had pitied him at that moment. The only thing keeping NamJoon going is the idea of getting through life on his own strength. Why does he have to live like this?

The last episode opens on 5 May back in SeokJin’s perspective. He is confident now that he has saved NamJoon, although it occurs to him that a better alternative may have been to simply pick up the money himself instead of stepping forward. (This decision is enacted in a later loop and depicted in the Euphoria MV.) While reflecting on what comes next to save his other friends, he receives a text from NamJoon. “What’s your account number? I’ll pay you back for the hospital bills. I don’t need your help. I’ll handle my concerns on my own.” Heart sinking, SeokJin wonders how he found out. With a sense of foreboding, he tries calling NamJoon, but no one answers. SeokJin texts him back, pretending that he doesn’t understand, and tells NamJoon to call him. SeokJin’s second attempt connects while he’s gathering his car keys to visit the container. “That’s enough. Just send the account number over text,” NamJoon instructs. SeokJin coaxes him to talk for a moment, and NamJoon asks flatly, “Are you going to apologize again?” SeokJin attempts to salvage the situation, but his friend turns cold when he insists that NamJoon is misunderstanding and that he just wanted to help. “So, why? Why are you helping me?! Yeah, you’re always a good person. You’ve done nothing wrong and I’m the one misunderstanding.” SeokJin apologizes again. NamJoon refuses his request to meet in person. “No, I thought maybe there was a reason for everything you did… But I guess I misconstrued it. I’ll pay you back, so I’d prefer if you stopped contacting me.” Long after the call ends, SeokJin stands holding his phone, feeling that the glass is going to break at any moment. He wants to believe that it’s not over, but hope is slipping through his fingertips.

The episode finishes in NamJoon’s perspective. On 8 May and 9 May, he accepts part-time delivery work and reflects on his three jobs. Whenever he thinks he’s at his breaking point, he focuses on his new goal of returning SeokJin’s money. On 10 May, NamJoon wakes up to his buzzing phone and is called in to work. On a scooter, he passes by a bus stop and notices graffiti. (This is the same bus stop, with matching graffiti, that appears in the Highlight Reel.) Mesmerized, he wonders if it’s TaeHyung’s. As soon as NamJoon looks up, the scooter’s brake fails, and he crashes. The shattered glass on the cold pavement reminds him of the headlight shard and the kid who looked like TaeHyung. (So the piece of glass SeokJin saw in April was really a memento NamJoon retrieved from the scene of the crash in the mountain town, where the delivery boy whom he privately called TaeHyung died. This event is described in NamJoon’s 17 December Year 21 entry in The Notes 1.) NamJoon’s vision grows blurry, and the distant sound of an ambulance doesn’t come any closer.

The arc concludes there, but it obviously marks another reset for SeokJin. It is interesting to note that in this failed loop, NamJoon suffers the same fate that he narrowly avoided in the snowy mountain town before returning to Songju.

Please stay tuned for the next Highlights post featuring JungKook and YoonGi!

#armiesnet #networkbangtan #bangtanarmynet #armysource #dailybangtan #bts universe #hyyh #bangtan universe #bts universe story #bts universe story highlights #seokjin #namjoon #namjin #bts theories

157 notes · View notes