#the main thing of my work is... my comics!

[fallen-lucifiel]

#BUDDIE : Meet Me Halfway Across The Sky 🌌 ~Main Story~ | Story & Art by @fallen-lucifiel

60-pages of Buddie comic?? Am I crazy?? Yeah, crazy about Buddie lol I wanted to upload everything in one post so I combined 2 pages in 1 photo since there’s a max of 30 photos in a post. I hope it’s still readable. Pls lemme know if it isn’t ^^

Storywise, I’ve always wanted to write a scene where Eddie is hit with all the things Buck had done for him in the show. I thought this was the perfect chance to do it and have Eddie realize how much he meant to Buck and how much Buck meant to him. And the separation just begs for the ‘what if Buck gets into an accident while Eddie isn’t there?’ hahaha and who isn’t a sucker for a happy head over feet (yes Alanis Morisette inspi— played it on repeat while making this) in love Eddie???!!?!?!

Although I wasn’t able to translate everything I had in mind into this comic, I’m still pretty proud that I was able to complete it. At least, the main story! So there will be some supplementary comics that will follow this storyline. I’ve written out most of them and drafted two so far. I hope I’ll be able to finish everything in time before 8B coz I’m suddenly moving this month and will be busy, as if the comics jinxed me haha

Thank you so much for reading my work and if you’ve reached until here, thanks for listening to my rambling as well. Take this as a Christmas gift from me and hope it makes anyone reading it happy. Til next time! <3

[ajaxbell]

Fangs of Fortune (Bai Ze Ling): perfect on pure aesthetics alone, but also it will tear your heart out while being very gay.

I was lured in to this show by Tumblr gifsets and friends on Bluesky talking about how queer and poly this show is. I'm old and I've been in fandom more than half my life. I know how to read queer subtext. I'm also pretty well versed in cdramas, so again, I know how to read subtext. So I went into this ready to, well, read the subtext.

But no this show is just puts the queer it right there in the text. The vague information we have about Chinese censorship repeatedly left me asking, 'wait how are they getting away with this?' Like some of these jokes and implications are just so blatant it seems incredible this show ever made it to being broadcast. It just feels very much like queer media made for queer people even if t's more subtle than something western like Queer as Folk.

Even without the heavy coloring of gay this show is incredible and so much more than I expected from the title and the promo. The premise is essentially the death of the goddess, who governed relations between humans and demons, leads to an influx of demons in the human world. This brings together the goddess's disciple, Wen Xiao--seeking to restore the goddess's power. WX's childhood sweetheart, Zhuo Yichen--seeking to restore the demon-hunting bureau after the powerful demon Zhu Yan killed his father and brother. It opens on Zhu Yan, in human disguise as as Zhao Yuanzhou, volunteering to help the imperial court restore the demon-hunting bureau to quell the chaos. They are joined by Pei Sijing, a retired female general from the rival demon hunting sect, and a very young doctor (and comic relief) named Bai Jiu. It starts off as a sort of monster-of-the-week with a grim Scooby gang doing detective work and fighting monsters. Each major demon has a mini arc that relates to the larger case (restoring the power of the goddess to balance the realms), and they are repeatedly blocked by either the demons or the rival demon hunting sect. Each mini arc also acts as a mirror or parallel story to slowly revealed backstory of all the main characters as well. In true cdrama fashion it's a mix of adventure, intense emotional drama, romance, and comedy. And queer and poly jokes and romance. It also has a kind of manga vibe in the way the comedy is woven into the more serious story, and in the fantastical depiction of the characters and how the story unfolds.

It is also just insanely beautiful. Every single shot is lovely. The costumes, make up, and hair are incredible. The casting director made all the major demons inhumanly beautiful. The sets are spectacular. The effects are nicely done. Every bit of has the vague surreality of a fairytale. The perfection of each shot ads to the manga vibe, as if we're seeing each critical storytelling panel come alive. There's recurring water-based special effects that are just gorgeous. Based on aesthetics alone this show would be worth watching to me. That it is combined with a complex, very emotional story is a spectacular gift to the watcher. A lot of the negative reviews of this complain about the staginess or that it's overly contrived in how each scene is shot. But I think it's gorgeous, works perfectly with the storytelling, and if we criticize art on whether it achieves the goal it intended then this show is doing exactly and perfectly what it means to do and doing it beautifully.

Additionally the acting is also very good, but Neo Hou is the stand out for sure. I enjoyed him in Back from the Brink, especially the later part of the story, but in Fangs of Fortune he's transformed, utterly embodying the role, the way Dylan Wang is Dongfang Qingcang in Love Between Fairy and Devil. Neo Hou has the right look, a slightly uncanny beauty perfect for a gorgeous immortal not of this world. The show does incredible things with his styling between the various looks and personas the role requires. But in acting he somehow manages to utterly transform his face and demeanor to manifest each aspect of the character as story demands changes from him.

There is a lot of crying in this drama. Like early on I joked that there was going to be a character crying a single perfect tear in every ep. Lol nope. Multiple single perfect tears per ep and many outright full on sobbing scenes. This show is just waiting to rip your heart out and you see it right from the beginning. But it was such sweet pain all the way through. Just a truly engaging and utterly wrenching set of intertwined stories.

My only criticism is that the pacing falls apart in the last 3 episodes. But overall the story is solid through the end, though like so many cdramas, it's saved by the epilogue.

You should absolutely watch it if you want the chaotic bi polycule (it's her, her girlfriend, her boyfriend, her boyfriend's boyfriend who is also her boyfriend, their two idiot sons, and her boyfriend's ex-who is also eventually sort of his boyfriend again), or if you want your heart torn out and stomped on. Or even if you just like really gorgeous cinematic things. Also if you watch, please don't skip the ending credits, as they change as the arcs change, and the radiant joy Tian Jiarui has as he dances is an excellent antidote to the emotions of each episode.

[internetgiraffekid1673]

Bring Back the Bombshells Batgirls!

In helping a friend of mine map out who all has been Batgirl across various DC continuities, I remembered a little jaunt to TVtropes where it mentioned that in a charming little number called Bombshells, the batgirl identity is shared by a baseball team.

This reminded me to actually go READ Bombshells, and oh. My. GOSH. It is the BEST FUCKING THING EVER!

What is Bombshells?

Basically, almost every male superhero got yeeted from the story or relegated to side character/civilian, while every female superhero takes the spotlight and gets to KICK SOME NAZI ASS (it's set during world war 2). Plenty of people get spotlight, but I'm gonna argue that the MAIN characters are probably Kate Kane's batwoman, Diana of Themyscira's Wonder Woman, Mera's Aquawoman (she hates that name, lol), Harley Quinn and Poison Ivy, Zatanna, and Kara Starikov's Supergirl. All the storylines tend to revolve around them.

Oh, also it's super gay. Like, every single character is a lesbian or bi, there's tons of ladies kissing and dating and having implied sex, and at least one character---one of the batgirls actually---is trans.

In summary, go read bombshells it's really good, but today I'm here to specifically talk about:

The Batgirls (and boys)

"One for the ribbon, two for the pearls! Three for the crimefighting---

So first off, Bombshells is an elseworld, so it can do whatever the fuck it wants with backstories and shit.

Subsequently; this version of Kate Kane is a major league baseball player, and her Batwoman costume is literally just a pallet swap of her baseball costume (plenty of people figure out her "secret" identity because of this, but she's not super concerned about it). She uses an actual bat as her main weapon as Batwoman, and it kicks ass. More fanfic writers, and hell, comics writers need to hand the Batfamily some baseball bats, because it gives us scenes like this:

Or this:

(Yes her bat has a gun, it's supplied by Amanda Waller through goverment money, don't question it. Her baseballs are also explosives).

Oh, and also this:

Anyway, point is, Batwoman has a bat and it's great. But this means when Gotham's bat-weilding protector gets drafted into the Bombshells to go fight Nazi's, some new faces have to pick up the slack in Gotham.

And so:

Inspired by their vigilante/baseball hero, Harper Row, Kathy Duquesne, and Nell Little pick up some bats of their own and start busting up crime! The three of them are mechanics, that old car is their batmobile, and they're the best of friends!

Of this original trio, Kathy is "the brass" or the leader, and she remains nominally in charge through the whole thing. Nell is "the brawn" and while every batgirl is good in a fight, Nell is a bit of a demolition specialist. Finally you have Harper, "the brain" who invents their gadgets, works on their batmobile, and also jokes that she's the mascot, as this whole thing was her idea.

They don't stay a trio for very long though! They're quickly joined by "the beauty" Alysia Yeoh, an old friend of Kathy's, in an effort to break Cullen Row out of a prison-like orphanage (she's the t-girl btw):

You may notice another girl crouched in the corner up there too! That's Bette Kane, Kate's niece and the rightful owner of Kane Industries who will forcibly take it over, clean it up, and use it for good on her 18th birthday in like a week!

In the meantime though, she heard about the batgirls and decided she wanted in! She crashes their jailbreak and helps them wreck shop! She mostly shares the "brass" role with Kathy---a leader in her own right.

Anyway, their now quintet quickly finds the awful headmistress of the Pinkney orphanage berating one Tim Drake, who still has a living dad somewhere, but was snatched up by a dirty cop because this whole city runs on Newsies rules (not even kidding, I'll get there in a sec). Turns out Tim and Alysia are old best friends. Anyway, Tim fills them in on the sitch: the headmisstress has been using the orphans as slave labor to build war robots for the nazis.

The batgirls (now including Tim!), bust up the basement and the robots, free all the orphanage kids, including Cullen, toss the awful headmistress and the dirty cop helping her to one Detectice Maggie Sawyer---Kate's wife---and the day is saved!

In the subsequent week, Bette takes over Kane Industries, starts funneling funds into housing for immigrants and refugees and relief and aid and all that good stuff, and also recruits the final batgirl of the team: Felicity Smoak (the chick in braids)! Thus we have a full team!

Who's who in the alt text

I'm only halfway through Bombshells, but the batgirls and their adventures are a recurring plot thread, since protecting Gotham is entirely up to them while Kate is away. They gain lots of other allies and enemies (including one hispanic immigrant Lois Lane who does straight up help them pull a newsies and make their own newspaper with the real news in it at one point), and their sections are probably one of my favorite parts about the comic. It just feels so sweet and high school, while still feeling Batman-esque/Gotham-typical.

Why You Should Care:

Now. I may only be halfway through Bombshells, but I am in LOVE. With the story and the characterizations and everything!!! And the batgirls are a personal fave of mine cuz I'm a sucker for found family and teens fighting crime and bat-weilding superheroes!

But my point is: for all that fanfic loves these tropes too, there is NO fanfiction for them (or at least not on ao3). There's practically nothing for the Bombshells continuity PERIOD, which is a shame, but also to be expected for an elseworld.

But that's why I'm here and telling you about it!

You guys! This is fanfiction! We love flinging the batfamily through alternate universes and making lots of different characters take on the familiar Batgirl and Robin roles!

Why not bring forth the Bombshells Batgirls?

If you're writing your own elseworld, I suggest you nab this adorable team, or something like it! If you're writing an alt universe crossover, feature these guys!

They are the Batfamily found family you want! They CALL THEMSELVES a Bat-family! They all move in together! They loooooovvveee each other! And, as is the nature of the Batgirl mantle, they do what they do largely as independent operatives without adult supervision!

I would really love to see these guys yeeted into an alternate universe and have to cope with just HOW different their continuity is. Not only will they inevitably be flung way into the future, since they're around in the 40s, but in most continuities they're completely unconnected from each other and are absolutely not a team of bat-weilding crime fighters! It would be so baffling for any mainline batgirl and robin to meet a team that is so disconnected from them and so unconditionally supportive of each other and so Badass Adorable!

In Summary:

I may have lost the plot a little with this, but my points are:

Bombshells is really good and you should all go read it

Bombshells has a team of adorable bat-weilding batgirls that has all the found family crime fighting tropes you could want without the bad blood of the mainline batfam

More people should write fanfiction for Bombshells

The Bombshells!Batgirls in particular I think are a great place to start with that. Nab the premise of a baseball team being crime fighters, or Gotham being protected by a group of scrappy children whenever the big bad vigilantes are away, or give these colorful kids their Bombshells!backstories.

Also use the Bombshells universe in particular when you're flinging bats across the multiverse. Yeet these babies into a mainline comics verse and let the juxtaposition and chaos run WILD! There's a million and one of these fics for the Young Justice cartoon, I know ya'll can do it for Bombshells

Also. Take every opportunity to give your Batfamily, and your Batgirls in particular, an actual bat. It'll be so much fun, I promise

Anyway, I'll probably be back with another Bombshells rant later, PEACE!

[its-not-a-pen]

Wow your comic looks really fun, I love the cartoonish artstyle mixed with historical styles, it's really neat for me

thank you im glad you enjoyed it! i have two great loves and those are a) history and b) 80s manga, and i like combining the two to emphasis the fact that history is alive, fantastical, and often deeply hilarious.

while im here, i've just realised i never shared this fun tidbit. here are the references I used for Emperor Qin Shi Huang and William Shakespeare:

This image of Qin Shi Huang is from the 19th century, created some 1700 years after his death, so take it with a big level tablespoon of salt. No image exists of him, and physical descriptions are contradictory, which is rather ironic considering this is the guy who commissioned the extremely lifelike terracotta army. I decided to go with a Qing dynasty depiction because it's the last imperial dynasty of china, and acts as a nice bookend to the first Qin dynasty which kick started the whole thing. You'll notice that QSH is wearing an anachronistic yellow robe, he should actually be wearing black. Yellow did not become the imperial colour until the Ming.

Shakespeare is based on the Chandos portrait. We don't actually what he looked like either, this is simply the oldest known painting thought to be him. (I made sure to include his extremely stylish earring). The history of the painting, and the quest to put a face to the famous name is a deeply fascinating read. Xenophobia also comes into play here, one of the main critiques leveled by painting's detractors is that this man looks too dark and Jewish to be an "English" playwright. Our perception of history is coloured by the biases of society. A more definitive (albeit much cruder) portrait would be the 1623 engraving published with the first folio. It was viewed by people who knew him, and should have been reasonably accurate.

you can read the comics here: terracotta + thee fyrst roule ov inglish

once again, thank you for the lovely feedback! i've got another exciting qin dynasty comic in the works, it's like almost 60% done but i've been so busy with my coursework so idk if i'll be able to publish it until july next year. stay tuned!

[mahoganystudios830]

Introducing…

END OF THE CRYSTAL CRIMINAL!!!

Disclaimer: THIS IS A FAN COMIC!!! I’m not associated with the creators of Phighting, and this is NOT canon!

This is somewhat of a “what if” au about Coil 2.0, combined with a lab au type of thing!!

It unfortunately won’t update often, my main focus is still Isoclese vs The Corruption, but it’ll be worked on in the background as long as I have motivation!!

It’s gonna be crazy, so stay tuned!!!

[kaburion]

Hello Kaburion! I recently discovered the Raigaar and I really want to make a tribe with my friends! I suppose the only issue is that we're missing some information... Firstly, since poaching is seemingly something that happens in this universe, are fighting rings, illegal trading (etc..) a thing as well? We're also very curious to know more about a tribe's hierarchy! Does it work like a lion's pride or is it more like a clan like in warrior cats? Lastly, we would love to know more about the language! Do they only speak it or are they able to write it? Similarly, what about names? Do they have a 'human' name and a Raigaar name or does both name would mean/be the same? I also plan to create a 'world' on toyhouse for me and my friend's Raigaar OCs and we would love it if you would join us on said world! (If you are unfamiliar with toyhouse, I would love to teach you more about it and gift you an invite code.)

It makes me so happy to hear people like the species enough to make their own OC's and stories!

The Raigaar species is part of my comic idea, and the lore is a little bit barebones at the moment, so I encourage people to come up with their own ideas, what I've shared so far can be used as a blueprint to build from, all I ask for is of course to include credit for the species : )

They do have a language, some of the raigaar are also more advanced than others, so some may rely more and growls and other animalistic ways to communicate, while others rely more on words.

They don't have written language however.

They generally have one name, usually the names are inspired by nature or their personality, like for example the main raigaar oc I have is named Leo, which of course is also a human name, but in their language the rough translation is fierce. (No I haven't actually created a whole language you can just improvise)

The way they live can also wary, some live alone or with 1-3 others, while some form big tribes as large as 20-30 members. The way they determine a leader/leaders also depends, some may take the position by force while for some it's a mutual agreement between tribe members, etc etc.

I'm not familiar with toyhouse, but I wouldn't mind an invite!

I also encourage everyone who has made raigaar oc's and any projects related to them to share them with me! I love seeing what people come up with!

[kartoonatic]

The Amazing Digital Circus Ep. 4 - Thoughts on Gangle

As I said before I’m a big “themes” guy and I was making some connections while watching the newest ep. Here are my thoughts on how Gangle’s character design visually represents a lot of what she goes through in this episode, and how this ep expanded on her inner world and coping skills.

Spoilers Ahead

And disclaimer: I don’t care if you think this is obvious and I don’t care if you think it’s not that deep.

Now:

There are two main elements of this last episode I wanna talk about - Gangle’s masks and the setting being a fast food place.

Gangle is a ribbon body with two different faces, a tragedy mask and comedy mask. She takes on the emotions of whichever mask she’s wearing as soon as she puts it on, meaning she’s either at an extreme joyful high or an extreme depressive low. In Ancient Greece where the tragedy and comedy masks were rumored to originate, actors would wear them to better telegraph those emotions to audience members sitting far away (this is relevant). What’s especially interesting to me is that Gangle wears one on top of each other, making it so when she’s hit hard or stumbles her comedy mask shatters and reveals her tragedy mask underneath.

To the actual episode, I believe the reason Gangle acts the way she does is because she knows at the beginning the new mask doesn’t change her but she’s trying to make it work. I think that she was the one who suggested the fast food adventure at some point because it’s familiar to her (she was a manager in her normal life) and she took initiative in being the manager again because she wanted to engage in that very grounded kind of experience. Day to day in the Digital Circus is intense and abstract, I feel like she wanted a chance to feel normal again, and working customer service provides that sense of complete mundanity.

Here’s when I really begin to enjoy the way the masks represent Gangle’s coping method. This new mask she wears through out the episode is the face she puts on to hold it together. It’s possible to mask mostly for yourself, and people often do, but for a lot of people masking is solely for the benefit of *other people’s comfort*. She’s putting on the mask to get work done. When she wears it she’s upbeat, she’s assertive, she holds people accountable, and she’s got a “can-do-it” attitude the bosses probably love. But something’s really off about her to everyone else. They know she’s not typically assertive and the way she’s behaving feels unnatural to them, but she steps into a leadership role here for the sake of engaging in this fast food role play. So she can feel “normal” even if only temporarily. This is my projection, but I think one of the reasons Jax and Ragatha’s comments cut her so deeply was because she’s not behaving that way because it’s authentic to who she is. She’s doing it to hold things together. For the benefit of everyone else and the "company".

My favorite parts of this episode were the moments of monotony and the bits of silence where the relative normalcy of the situation just hangs. Watching that clock stand still, the changes in lighting throughout the day, the quietness at closing. It brings out a side of everyone I really like to see especially in Gangle. Gangle's emotional center *is* this food joint, this stale representation of "normalcy". In the Digital Circus she's forced to inhabit two emotional extremes every hour of every day. It makes sense that she desires a neutral ground, and the fast food place she used to work might be the only way she can conceptualize that. The setting is corporate, impersonal, and monotonous, but also familiar and has clear policies for how to behave. While she’s here, Gangle *presents* herself as feeling less extreme and upbeat, but that presentation isn’t true to her, and it’s certainly not healthy.

It's worth noting, given the context that Gangle's dream was to be a comic artist, the fast food place can also represent "normal" in the sense that it's a "normal job", an honest job, a stable job. Here Gangle is a normal, honest, stable person mentally and emotionally. Or at least that's likely what she told herself in the real world when she really had to show up every day and play the role perfectly at the risk of a write up.

As the day goes on we see more and more cracks in her armor, and while this new mask won’t break it doesn’t change the fact that she’s still got the tragedy mask hiding underneath. What really saves her from going to a very dark place fast is the fact that Zooble and Pomni recognize what’s going on with her and step in to offer her a bit of relief. I’d argue that so far Zooble and Pomni are the most honest of the cast, with Zooble being a bit more jaded. When Pomni offers to close for Gangle she’s basically giving her permission to drop the act. She allows Gangle to walk out the restaurant, where she’s not being held hostage by her coworkers or customers or the threat of corporate punishment, and feel at the intensity she needs to feel at. Zooble essentially reassures her that she’s wanted in the group even at her emotional lows.

I like the insight this provided into everyone’s character. Ironically I think what’s revealed about Zooble in this ep is more interesting to me than what we learned in the last one. I like knowing how these people treat each other under certain circumstances. It’s subtle and welcomes interpretation. love what they did with Gangle’s character, I like the way they wrapped this one up, and girl I hope you

[the-100-days-of-junkan]

Day 82

Another one that I love!~ Gonna be a lot of those from here on if you couldn’t tell!

Junko’s the Ultimate Fashionista (in the english release at least but hey Ultimate Gyaru has to have a little crossover right??), so of course she handles Mikan’s wardrobe the moment she’s allowed to. So . . . Extremely cute scene of her having Mikan try out clothes to see what she does and doesn’t like. 

An opportunity for Junko to pamper Mikan, AND i get to draw Mikan in a sweater???? Heaven. Also like are we all in agreement that sweaters just look fuckin amazing on Mikan?? Like I admit, I think I just like drawing Sweaters on Mikan but they just make her look so much cuter because of how god damn cozy she looks in em. 

Unfortunately that’s all I have to talk about for that topic? I think? So instead let’s shift over to a recent development involving Junkan!

I’m in the midst of working on the Junkan Christmas Eve comic, which hopefully will be getting posted on time a few days after this, and during the process of making there’s been something new with my current abilities.

I have officially hit the point of proper freehanding on these two.

Y’see this probably won’t make too much sense but i’ll do my best to explain. 

So normally when it comes to sketches I’ve done things a bit less proper compared to more professional artists. I usually get a little start on the anatomy, and then just start sketching all the character details and moving out from there. It isn’t often that I do a full sketch for the basic anatomy of a character, I only do it when I really wanna not fuck up a pose. And as you also know up till now only one piece in this event was drawn normally. Everything else is a sketch that i cleaned up and colored, or just a sketch. 

This is because generally speaking I can’t do art using my normal pen tool without a sketch to work off of, it requires a lot more finesse to use the G-Pen both because of the larger shifts that can occur in line width, and the slightly looser feel it has compared to my Pencil Tool. 

That’s all to say that I have drawn Junko and Mikan so many fucking times that I can just, draw them without proper sketches now. I’m at a point where I just need to draw the head, torso, and legs for an anatomy sketch, and then with the G-Pen I can just, draw from there. That’s big for me personally, and also fucked up because god how even??? There hasn’t been a drop in quality either so far, i’m still able to refine the expressions and i haven’t fucked up with the arms too much yet, I’d even say it’s resulted in some of my favorite Junkos and Mikans period.

Now, the catch is that again, this is only Junko and Mikan. I could prooooobably get to this point with Mukuro eventually just because her design is much simpler compared to other DR Characters? I struggle with getting her colors right rather than linework, but that’s about it and still not really useful in my main line of work unless I memorize every character that’s ever existed, and it took like 150 fucking times for Junkan I can’t do that for an obscure RPG character that I might get commissioned once and then never again. 

It’s also not something that I think i’ll apply to my normal Junkan works, because I am a perfectionist to a fault when it comes to pieces I care about and I want to make sure every detail these is exact. I need to be meticulous for ship art like this, every detail is important. And I can maximize that with sketching.

This new skill is basically useful for one thing. Speed. 

I pride myself on my efficiency, even if I have waned over the years due to burnout and overwork, when I get into it I can fuckin move with my art. And so if I need to say, make a 28 page comic in under a month? Being able to mostly skip an entire phase of the art process is very, VERY useful, ESPECIALLY because it’s a comic. Something which generally takes more time than my normal art by nature of it’s format and what it involves. When making the Comic for Day 60 it was all sketches, which was equally fast but could leave small imperfections at the time that either went under my radar or I just let slide because i was trying to be efficient. 

This is basically perfect for having to speedrun a Junkan comic, it’s all the speed with the usual amount of visual quality.

So in short . . . I’m turning into a nightmarish hell machine but specifically for drawing Junkan. I am genuinely curious how much farther I can go up from here, like, what the hell else could I be capable of with this???? Am I just gonna learn how to fuckin beam the art onto the canvas with my brain???

Moral of the story is just get mind numbingly obsessed with a ship and I guess you’ll get better at stuff??? I have no idea, i’m still kind of processing the comedic value of what this year has been because I was desperate for these two to make out. 

As always, Reblogs, Comments, and Little Notes in the Tags are appreciated!~ They always make my day!~

[loopyarts]

Agree, I have been reading some of the Golden Age comics for fun and I am always baffled when people say they weren’t writing as father/son until recently. Like no they were always family, yes it took some time in universe for them be father/son. But it’s not a new concept believe me they’re two more story in Golden Age that heavily focus on this very concept. Like these takes makes me cry in my soul slightly because this was exactly how my dad was like when I was growing as a wee lad.

Also sorry if I accidentally come off as rude but I wanted to corrected you slightly on a some information regarding Batman creator or should I say creators. Firstly Batman the concept was indeed created by Bob Kane but the one who helped make Batman who he was in the comics and suggested he look more like a bat was Bill finger the main writer for almost all the Golden Age comics. He also wrote a good amount of the Silver Age comics as well.

Fun fact Robin was also a collaborative effort as well. Both Bob Kane and Jerry Robinson helped come up with the concept and Bill helped flesh it out and also Jerry designed the Robin outfit as well. The sad thing is Bob Kane never gave Bill the credit he so rightfully deserved he only did it after he had passed away. So yeah Bob was kinda an ass and he also hired ghost artist to do the comics artwork for him as well and he also didn’t credit any of those artists either. So while I will acknowledge he was the one who came up with the Batman idea as a person he wasn’t that great of a guy really and many artists who had worked under him hated his ass.

Also if you like #20 of Batman here are some panels from the other two comics with being openly father and son. ^v^) Fun fact all three of these stories were written by Bill finger which I find so fascinating because he was the only writer who was really playing around with this concept in the Golden Age. So if wanted to give one of the creators of early Batman some roses for writing Dick and Bruce as father/son that would be Bill.

Some panels from The Trial of Bruce Wayne.”Batman #57 By Bill Finger, art Dick Sprang and Charles Paris released in 1950 Golden Age.

Ta da The issue where Dick practically was calling Bruce dad it only took Dick like what seven real life years to say it ha ha.

Some panels of one my personal favourites Batman #66 Batman Sr and Robin Junior written by Bill finger art Bob Kane, Lew Sayre Schwartz, Charles Paris released in August-September 1951 Golden Age.

Why do these comic book writers and honestly DC really keep trying to kill this aspect of their relationship by making it cold and neglectful for so long I will never know. Bruce being a good mentor/father towards Dick is so important for Dick as that is how he was able to heal past the trauma of losing his parents. Because he never got to grew up practically alone, he had Bruce who was like a second father towards him. Just let Bruce be a good dad you cowards and also stop making Bruce younger and younger DC let the man be in his late 40s already.

Bruce Wayne loses the guardianship of Dick Grayson!

Batman #20 (December-January, 1943-1944)

[deoidesign]

Hii! I have been recently getting more and more obsessed with your art and webcomic and was wondering if I could use your art as like a profile picture? (With credit!!) If not that's perfectly fine! :)

yeah you can use my art for whatever as long as you're not stealing it or selling it

I don't mind if people print my art out for themselves either. I do sell prints, but it doesn't bother me either way

In general I don't post anything that I haven't made my peace with all that comes with sharing my art publicly! So feel free to use it as you please pretty much.

Giving me credit for the things I've made is respectful and helps me in my career, and I would hope that most people intend to respect my work... And the people who don't respect my work were never going to whether I asked or not.

I make my work for other people to enjoy it, I want you to enjoy it!

[naomistares]

mini comic about a kinda freaky terrible queen and the nonsensical takes she has about the times people have tried to kill her

(more thoughts in notes)

UP NEXT! ANOTHER short comic, (and then one more) this time taking place one month before the kings death, in which we will have: one annoying prince! one lousy fight scene! rejoice's dismissive nature! and row reveals a secret.... tune in next time for all that

[jahdefender]

So I found this posted to reddit and I wanted to share it here because I'm sure there are some fans who haven't seen the Adventures Bible stuff. (I had not so this is just referencing myself)

[snek-of-eden]

Just a heads up, AMVs are a bit different from edits: AMVs usually take all of a song or most of it, and set it to arranged clips formed to tell a bit of a story. They're longer and typically made using a movie editing platform like Adobe, Final Cut, or applications like that. Edits are shorter, they tend to use repeating clips or 'poppy' filters/transitions, and they're usually made on platforms like Capcut which require a lot less effort and experience. They're both super cool and valid, just different. If you want advice on edits, there are so many cool editors out there and I'm sure one could help you with resources.

I primarily use Final Cut Pro, but I'm pretty sure this stuff will work in most video editing platforms. I use a computer to edit.

So for the ones that i've done, i start with picking what media i want to make the amv out of (raeda, arcane ect.) and then i go to Spotify and scroll through my playlist to try and find a good song. that's a really hard part for me, but some criteria I use to pick is: finding a song with defined beats (good for scene changes), interesting lyrics, and not too long/short. You can usually shorten the beginning or ending or the song, so don't worry about it too much. Then I listen to the song on repeat a few times, and decide what the theme of the amv will be - sad and slow, energetic and fast, hopeful? That's just to get an idea of how you want your finished product to be.

Then (I'm not sure this is the best way and I'm open to suggestions but this the only way I've figured out how to rn) I go to a music platform like Soundcloud or Spotify, copy the song link, then use a platform like spotifydown.com or similar to convert the song to mp3 and download it. Try to make sure that the artist you're using lets their song be used on platforms like Youtube copyright free.

After that, I start compiling clips. There are two ways I know how to do this. 1: You can search up [Fandom/ship] screenpacks or compilations on Youtube and then go through them, screen recording clips you think will look good in your AMV. Shots with action and shots where the camera is moving are best in my opinion. Try to make these fit the theme of your song (sad, happy ect.). You will need way more than you think you will, and you'll likely have to go back for more. On a computer, these will save to files, which you can then drag and drop into the media section on your editing platform. 2: Some people (usually on Instagram or Tumblr) have high definition downloadable full episodes/movies of your media. With credit, you can generally download them and drag and drip them into your editing platform.

Once you've got your clips in the media section, drop your mp3 file in and put it in the section where you actually work on your video. You'll have to have some knowledge of how your own application works - most of that can be found online. Choose where you're going to start your music, and then begin dragging all your clips into the timeline. (If you dragged in whole episodes, clip them down first and delete unnecessary parts.) Then start arranging them and cutting them down so they work with the beat of the song. Continue this until the whole thing is clipped.

After that, you'll want to crop the borders of all clips to be the same size (i only know how to do this in fcp, sorry). For colour filters, they'll differ with each platform so I suggest looking up a tutorial for your platform. For making the words you put look good (I'm assuming you mean lyrics), there'll likely be a lot to choose from in your app, but the main thing is to make sure they show up at the same time as they're sung in the song - too early or too late is a big turn off, and you can change when they show up by dragging them back and forth on your timeline. Really common text effects like the purple sparkles or comic sans usually look a bit cliche.

For blending scenes with each other, just changing over scenes without a transition is fine. That's probably what you'll do in the beginning. It looks better on fast paced things, especially when you've got movement in your scene (ei. someone swings a hammer from left to the right edge of the screen, and it quickly cuts to someone moving in that same direction in another clip). You can also experiment with transitions that fade into one another, and a whole bunch more. These will be pre-made, and can just drag and drop them where you want.

Keep remembering to watch your AMV back from the beginning, tweaking things and making sure to change anything that makes you feel 'uncomfortable' to watch, whether that be a clip going on too long or being too short, or not having enough movement. Don't be afraid to delete clips if they're not working, and switch them around to try new things. It'll take a lot of trial and error to figure out, but it's so fun so definitely give it a go!! Hope this was somewhat legible and helpful, and feel free to dm me if you want to know something specific, i can probably show you on my mac and if not we can figure it out together :)

For the love of GOD someone needs to sit my ass down and teach me how to make amv’s bc I NEED to make a Raeda edit to Hoziers Cover of Do I Wanna Know that starts from Raines perspective and turns to both of theirs BECAUSE THAT WOULD HIT!!! Or GOD FORBID “BE RUDE TO ME” BY GIGI PEREZ

[katabay]

THE JETSET LIFE IS GONNA KILL YOU, ERIC CARTER!

my laptop charger uhhhhhh. met its end in a very permanent, very fire hazardy kind of way last week. while waiting for a replacement I decided to try and get some work done at the library and was asking around for some urban fantasy (extra points for a mystery plot of some kind) recommendations to check out while I was there

the eric carter series was mentioned a couple of times, AND had the added bonus of having a necromancer for a main character. I love necromancers. someday I'm gonna play one in a game instead of immediately defaulting to vampires.

Fire Season, Stephen Blackmoore

[girlboyburger]

hi i'm alive i'm just struggling my way to happiness & productivity

[moeblob]

You literally spent three hours having an ENTIRE SCHOOL (teachers included) slut-shaming a guy just for him to be a (spoiler).