#the madness!! it spreads!!

[your-local-grinning-cat]

Soon

This will be on my shoulder as my conscious for chaos

A mini cheshire on my shoulder

HE is going to be the CONSCIOUS for your CHAOS?

…

Heeheehee~!

Ooooh Boxy Foxy Birdy Friend you’re going to be having a lot of

F U N ~ ! ! ! !

😸😸😸

[jedi-starbird]

Palpatine: My boy, I'm afraid to report that Master Kenobi is very likely sleeping with your wife.

Anakin, who knows for a fact that Obi-Wan is sleeping with his Commander, a good chunk of Ghost company, the Organas and Quinlan Vos: ...where is he finding the fucking time???

Palpatine, oblivious: Oh I've heard from some very reliable sources that-

Anakin: *pulls out a spexcel spreadsheet, the 3rd System Army's shared spoogle calender and a calculator*

Anakin: Your Excellency. That's just. not logistically possible.

[themirokai]

I got this comment on a story from my Other AO3 Account this morning.

(Info redacted because I prefer keeping these accounts separate but no one follows me on the side blog I have for that account.)

The story was posted almost a year ago and is relatively “popular” by my average statistics even though it has tropes and themes that are big turnoffs for a lot of people (hence separate accounts). This popularity is undoubtedly because it’s a Marvel Loki story and that fandom is massive.

So there is obviously an algorithm or a bot scrubbing ao3 statistics and leaving this comment on fics that meet a certain metric with the main character of the fic inserted into the comment.

I had a little time to kill this morning so I decided to investigate further. And y’all this is so predatory. Come on this journey with me. It made me mad. It may make you mad.

First, if you go to Webnovel’s website, you HAVE to choose between male lead or female lead stories before you can go any further. WTF?

And that’s weird, but this gets so much worse. This is basically a pay-to-read site that has different subscription models. Which… okay BUT! The authors don’t get paid! Look at that comment again. They’re promising a supportive and nurturing community, but zero monetary compensation. It’s basically, “post your stuff here so we can get paid and you can get… nice vibes?” I mean look at this Orwellian writing:

Using the phrase “pay-to-read model” in the same sentence as “qualitative changes in lifestyles for authors” deliberately makes you think that you can get paid and maybe even make a living on this website. But that’s not actually what it says and authors will not receive one red cent.

Oh but wait, the worst is still to come. In case this breaks containment (which I kind of hope it does) this is where I mention that I’m a lawyer in the US.

I don’t do intellectual property or copyright law but I do read and write contracts for a living. So I went to look at their terms of service. It was fun!

Highlights the first, in which Webnovel gets a license to do basically whatever they want with content you post on their site. This is how they get to be paid for people reading authors’ writing without paying them anything.

Highlights the second, in which Webnovel takes no responsibility for illegally profiting off of fan fic. This all says that the writer is 100% responsible for everything the writer posts (even though only Webnovel is making money from it).

Highlights the third which say that by posting, the author is representing that they have the legal right to use and to let Webnovel use the content according to these terms. So if a writer posts fan fiction and Webnovel makes money from people reading the fan fiction, and the House of the Mouse catches wise, these sections say that that’s ALL on the writer.

So that’s a little skeevy to start off with but the thing that is seriously shitty and made me make this post was that these assholes are coming to ao3. They are actively recruiting people in comments on their fan fiction. And they are saying they are big fans of the character you’re writing about and that they share your interests.

They are recruiting fan fiction writers and giving every impression that you can make money from posting fan fiction on their site and hiding the fact that you absolutely cannot but they can make money off of you while you try, deep in their terms of service which no one but a lawyer who writes fan fic and has some time to kill will read.

I see posts on here regularly from people who don’t understand how this stuff works, don’t understand that they (and others) can not legally make a financial profit from fan fiction. And there are tons of people who will not take the time to dig into the details.

Don’t deal with these bastards. Fuck Webnovel.

[writer-room]

Dragons Rising really is the best sequel series for diehard Lloyd enjoyers, cause, yes, we acknowledge that he has panic attacks, crappy mental health, and also he's the grandson of God, but you know what really gets me? Lloyd is tired.

He's plagued with migraines (the visions are also migraines don't @ me), he's bemoaning about never getting a good nights sleep, hes struggling so hard to be a good leader and clearly doesn't have all the answers, and he's just some 20yo who's been cursed with saving the world since he was younger than his own students.

That's the realest way Lloyd could've ever been written in a future-series. It's what he is. But he's not angry (usually), he's not telling everyone to deal with it themselves, and he's not giving up. I love when Lloyd has finally had enough, but the real, genuine Lloyd? He'd never stop caring. He cares so much it'd kill him. He's tired and by god does he refuse to quit. I love that kid. Please get him a warm blanket

[5ummit]

AO3 Ship Stats: Year In Bad Data

You may have seen this AO3 Year In Review.

It hasn’t crossed my tumblr dash but it sure is circulating on twitter with 3.5M views, 10K likes, 17K retweets and counting. Normally this would be great! I love data and charts and comparisons!

Except this data is GARBAGE and belongs in the TRASH.

I first noticed something fishy when I realized that Steve/Bucky – the 5th largest ship on AO3 by total fic count – wasn’t on this Top 100 list anywhere. I know Marvel’s popularity has fallen in recent years, but not that much. Especially considering some of the other ships that made it on the list. You mean to tell me a femslash HP ship (Mary MacDonald/Lily Potter) in which one half of the pairing was so minor I had to look up her name because she was only mentioned once in a single flashback scene beat fandom juggernaut Stucky? I call bullshit.

Now obviously jumping to conclusions based on gut instinct alone is horrible practice... but it is a good place to start. So let’s look at the actual numbers and discover why this entire dataset sits on a throne of lies.

Here are the results of filtering the Steve/Bucky tag for all works created between Jan 1, 2023 and Dec 31, 2023:

Not only would that place Steve/Bucky at #23 on this list, if the other counts are correct (hint: they're not), it’s also well above the 1520-new-work cutoff of the #100 spot. So how the fuck is it not on the list? Let’s check out the author’s FAQ to see if there’s some important factor we’re missing.

The first thing you’ll probably notice in the FAQ is that the data is being scraped from publicly available works. That means anything privated and only accessible to logged-in users isn’t counted. This is Sin #1. Already the data is inaccurate because we’re not actually counting all of the published fics, but the bots needed to do data collection on this scale can't easily scrape privated fics so I kinda get it. We’ll roll with this for now and see if it at least makes the numbers make more sense:

Nope. Logging out only reduced the total by a couple hundred. Even if one were to choose the most restrictive possible definition of "new works" and filter out all crossovers and incomplete fics, Steve/Bucky would still have a yearly total of 2,305. Yet the list claims their total is somewhere below 1,500? What the fuck is going on here?

Let’s look at another ship for comparison. This time one that’s very recent and popular enough to make it on the list so we have an actual reference value for comparison: Nick/Charlie (Heartstopper). According to the list, this ship sits at #34 this year with a total of 2630 new works. But what’s AO3 say?

Off by a hundred or so but the values are much closer at least!

If we dig further into the FAQ though we discover Sin #2 (and the most egregious): the counting method. The yearly fic counts are NOT determined by filtering for a certain time period, they’re determined by simply taking a snapshot of the total number of fics in a ship tag at the end of the year and subtracting the previous end-of-year total. For example, if you check a ship tag on Jan 1, 2023 and it has 10,000 fics and check it again on Jan 1, 2024 and it now has 12,000 fics, the difference (2,000) would be the number of "new works" on this chart.

At first glance this subtraction method might seem like a perfectly valid way to count fics, and it’s certainly the easiest way, but it can and did have major consequences to the point of making the entire dataset functionally meaningless. Why? If any older works are deleted or privated, every single one of those will be subtracted from the current year fic count. And to make the problem even worse, beginning at the end of last year there was a big scare about AI scraping fics from AO3, which caused hundreds, if not thousands, of users to lock down their fics or delete them.

The magnitude of this fuck up may not be immediately obvious so let’s look at an example to see how this works in practice.

Say we have two ships. Ship A is more than a decade old with a large fanbase. Ship B is only a couple years old but gaining traction. On Jan 1, 2023, Ship A had a catalog of 50,000 fics and ship B had 5,000. Both ships have 3,000 new works published in 2023. However, 4% of the older works in each fandom were either privated or deleted during that same time (this percentage is was just chosen to make the math easy but it’s close to reality).

Ship A: 50,000 x 4% = 2,000 removed works Ship B: 5,000 x 4% = 200 removed works

Ship A: 3,000 - 2,000 = 1,000 "new" works Ship B: 3,000 - 200 = 2,800 "new" works

This gives Ship A a net gain of 1,000 and Ship B a net gain of 2,800 despite both fandoms producing the exact same number of new works that year. And neither one of these reported counts are the actual new works count (3,000). THIS explains the drastic difference in ranking between a ship like Steve/Bucky and Nick/Charlie.

How is this a useful measure of anything? You can't draw any conclusions about the current size and popularity of a fandom based on this data.

With this system, not only is the reported "new works" count incorrect, the older, larger fandom will always be punished and it’s count disproportionately reduced simply for the sin of being an older, larger fandom. This example doesn’t even take into account that people are going to be way more likely to delete an old fic they're no longer proud of in a fandom they no longer care about than a fic that was just written, so the deletion percentage for the older fandom should theoretically be even larger in comparison.

And if that wasn't bad enough, the author of this "study" KNEW the data was tainted and chose to present it as meaningful anyway. You will only find this if you click through to the FAQ and read about the author’s methodology, something 99.99% of people will NOT do (and even those who do may not understand the true significance of this problem):

The author may try to argue their post states that the tags "which had the greatest gain in total public fanworks” are shown on the chart, which makes it not a lie, but a error on the viewer’s part in not interpreting their data correctly. This is bullshit. Their chart CLEARLY titles the fic count column “New Works” which it explicitly is NOT, by their own admission! It should be titled “Net Gain in Works” or something similar.

Even if it were correctly titled though, the general public would not understand the difference, would interpret the numbers as new works anyway (because net gain is functionally meaningless as we've just discovered), and would base conclusions on their incorrect assumptions. There’s no getting around that… other than doing the counts correctly in the first place. This would be a much larger task but I strongly believe you shouldn’t take on a project like this if you can’t do it right.

To sum up, just because someone put a lot of work into gathering data and making a nice color-coded chart, doesn’t mean the data is GOOD or VALUABLE.

[parkerstorms]

im sorry i dont usually do this but this post pissed me off so fucking bad and op has replies turned off (because of course they do)

fellas. is it gay to wear pink and have long hair and sing and dance? cause i didn’t realize we were using bioessentialism in movie analysis now that’s crazy

sarcasm aside this is literally why i don’t go in tags anymore because none of you are media literate. not a single one of you. longlegs is not wearing makeup in the movie. it’s shitty plastic surgery; that’s why his lips are red. you can literally tell by just looking at him that it’s not lipstick. the clothes he wears are all off-white or white. the falsetto he’s doing is very obviously meant to mimic that sort of “goochie goo” baby talk a lot of adults unironically use towards children. also coding? ‘coding’ is not when you interpret something from a movie as anything you want because you feel like it. coding is an intentional act committed by creatives to further their story and allude to specific real life things for a specific narrative purpose. it is an intentional act of storytelling. it is not you looking at a movie and assuming something as fact based off slight vibes

and i’m just gonna say it. if you see a male character with long hair that’s acting generally creepy in the vicinity of a child and automatically assume that that character is being coded as a transwoman, YOU ARE THE ONE BEING TRANSPHOBIC.

like holy fuck some of y’all have never actually looked inwards once in your life and it shows

[sabellart]

he’s a little upset

[deoidesign]

I'm so mad that post was misinformation because there is actually an EXTREMELY important conversation to have about the production schedules artists are forced into. There's no need for exaggeration, the conditions are bad.

I work for webtoon. My publication schedule is weekly. While publishing I'm required 10-15 pages a week. Fully colored.

This means I'm finishing a 150 page fully colored graphic novel every 10-15 weeks.

When my comic is not updating, I am not getting paid. Any time writing, editing, or off is out of my own pocket. I don't get healthcare. They do not provide any assistants. They expect me to promote myself; they chose to deprioritize me before I even launched and gave me an end date half a year in. I never had a chance.

And this is the industry standard! Every company has artists forced into crunch hours, overtime, and burnout. Artists are literally dying early due to it. So many of my friends can't afford to go to the doctor.

It's unsustainable and untenable, and it's also the expectation our audiences have.

If we want to have this conversation, there's plenty of conversation to be had with the realities of the situation. It's bad as is.

[rocketbirdie]

The Rebirth B-Team that we deserved...

[applecranberryjuice]

They could have solved this sooner if any of them bothered to look at a calendar

Hear me out

Ninjago doesn't have the best track record with dates (Wu's lifetime...) and I don't expect DR to be any better at it. But rewatching the season I realized the fact that when Lloyd narrates, he mentions being "alone for weeks" and, in the carnival, recalls not being around many people in a while, nailing down how he was secluded to the monastery during those weeks he woke up alone. This is fine, typical Lloyd behavior, just that when Nya encounters Cole, he says years. Lloyd has no reason to lie, he doesn't have to make it seem like he was less time around so if he is not lying, and he truly was weeks alone, while Cole spends years lost after the merge? What happened?

And Nya and Kai! Kai woke up early enough, and in the bounty! to be able to map and travel a big part of the new land and try to find his way back, we don't know his side, but considering he pretty much arrived and then left again, had he entered the monastery before? I do believe he was longer out, awake and traveling. Nya also mentions having traveled before encountering the cranglings-- and she was on foot, she's resilient and strong, but for how long can you travel unknown terrain without a vehicle and survive it.

The idea of time getting messed up is plausible, other than reality coming undone and messing up every physics law-Cole is hanging out with what seems to be a kid formling, whose realm is confirmed to move differently time-wise, how could two different time progressions reacted to each other? How did that affect dates? Growing rates? So interesting.

I want to know if dr is planning on going somewhere with this, if not, then it'll be one more concept I'll rotate in my brain like a skewer, its such an interesting concept to me

Its also free trauma for the ninja! Win-Win

[ylceon]

we are blessed with two hands: one that gives, and one that takes

[multifandommadness1300]

Fuck man Kinger did not deserve to loose Queenie

[sereniv]

Can someone who is NOT a zionist tell me why Jewish people have so much conspiracy and hate? when did it start and why? how and why did it spread?

Preferably someone who is jewish or really knows what theyre talking about answer

[megamindsupremacy]

So. ive been going through your billy batson tag bc im very normal and super hinged about this kid and you ARE right about Billy growing up the normal way and how that would effect him, but I need us all to consider the opposite: The Magic went "Ah, he's pure of heart bc he is but a lad", and not *letting* him grow up. Billy being immortal but stuck as a kid forever. The realization everyone is going to grow up w/o him. That he is *always* going to be a kid. That could be a very bad time too.

OH MY HEART. you're so right and i'm kissing you on the mouth. okay i need to marinate in this now stand by

so I think it's fairly accepted now that the Wizard chose Billy to be Shazam when he was so young because all of the previous Champions were adults, and that went Badly (see: Black Adam). So obviously, if the adults can do the whole superhero thing, then we should give the role to a kid. But then, to take it a step further: if the adults can't do the superhero thing, then we should make the next Champion stay a kid.

And like, it takes a hot minute for Billy to notice. Say he became CM at 8 - he doesn't know the average rate of growth for a boy. He just thinks he's not getting as tall as quickly as his peers. It's not like there's adult supervision around to go "hello small small child, why are you still small and a child?" I could see him going at least a few years before realizing there might be something wrong. Then it takes him a little bit to figure out what exactly is wrong, and then a little longer to be in denial, before he finally has to come to terms with, yeah, he really is 8 years old for the rest of forever.

I wonder how it affects him, mentally? Because you could go one of two ways: either he stays mentally an 8 year old forever and doesn't mature, although he gains knowledge and experience with time, or he does mentally mature and becomes an adult, just stuck in the body of a child.

For angst reasons, I like the second one, but realistically, the whole reason he's in this mess is because the Wizard wanted someone who was pure of heart to stay pure of heart. Why go through all the trouble to not let him physically age but allow his mind to change? So now we have an eternally "both mentally and physically a child" situation.

I feel like, when you're that young, you can't really... process how devastating that is? He's only a little kid - at that age, you can't even imagine turning 18 yet, much less living out the rest of your life as an adult. He doesn't know what he's lost. So instead of Billy angst, it's outsider POV angst. Everyone is growing old and watching Billy stay the same as always. I imagine he reveals his identity at some point, a while into being Captain Marvel, and they have a Twilight moment of "I'm 8" "....how long have you been 8?" ("no, but actually, we've known you for 12 years, you can't actually be 8. what do you mean 'a wizard did it'."). Everyone is just quietly mourning the person Billy could have become, had he not been chosen to be the Champion of Magic, meanwhile Billy is living out the eternal childhood dream of Superpowers + Adult Body w/o Adult Responsibilities. It's tragic in a way Billy can never comprehend because of what the wizard did to him.

Feel free to add onto this post!

[evilvalentin3]

spacedogs page bcuz im not normal

[pixiatn]

Another random sleep deprived 3am Duke and Danny prompt

Duke summons the Ghost King as a desperate last attempt to heal/help his parents. He receives not only help but also a new husband (Danny said "oh yeah I'll help you with ur parents but in return I get ur hand in marriage" as a joke, Duke immediately agreed on the count of desperately wanting his parents to get better. Danny tries to explain "IT WAS A JOKE, IT WAS A JOKE" but whoops too late ghostly deal has now been sealed, the wedding invitations have already been sent out🫠)

2 days later John Constantine burst into the watchtower during a meeting, slams a wedding invite in the table, points at batman and says "why the FUCK is YOUR SON MARRYING THE GHOST KING"