#the like 2020 movie is terrible. so bad

[measureformeasure]

do you have any measure for measure production recommendations?

yes! the 2019 RSC prod is pretty good imho, very solid even if angelo's wig is so bad. the cheek by jowl production is in russian and you can watch it here: it gets a lot grimier than RSC, which is a good thing.

[goryhorroor]

this needs to be addressed because this annoyed me. i hate when people say: "classic horror films suck because they're not scary." i need to put this in perspective. let's take a silent horror film for one; nosferatu might not be frightening to modern watchers because it wasn't made for this generation or generations in the 80s either, so you won't find it scary because they're relying on tactics that will terrify the audiences who lived in the 20s. I mean they didn’t have talking in films yet so they had to rely on other things.

you also have to take in account that the internet did not exist to these people, so yea a lot of people today have seen some gory things and are desensitized to some of the horror shown in these classic horror films, that doesn't make it a bad horror film that you were not terrified by it. not to mention horror is subjective anyways.

even further back, house of the devil is 1000% not scary to anyone today, but in the 1890s all this technology advancing was terrifying to them. like the use of appearing and disappearing on screen is very simple to do nowadays and some people won't find it scary, but for people in that era it was fucking terrifying because this technology didn’t exist out in the public so freely.

the exorcist, I’ve come to seen that to modern day watchers don’t find it scary (I’m not saying everybody but there’s a new influx people who are saying this stuff and I mean a lot of people) , but they never had people from the 2000s-2020s in mind when they were making the film. they weren't saying "ooh we need to make sure it's scary to people in the future." no they knew their audiences in the 70s was either overly religious or not religious whatsoever and a movie using religion as a form of terror, got people in those seats.

people that say "horror movie classics are terrible because they're not scary," bother the hell out of me. horror is all about it’s context!

[utdrmv-confession-box]

Transcript: i think the fandom was genuinely better before 2020. or at least 2021. maybe i see nostalgia through rose-tinted glasses, but 2015-2019 was the best era of this fandom. people say cringe and free but there’s a difference between unknowing cringe and acknowledged cringe, and the former is just more genuine. more fun, more free. things were better, in my eyes. now there’s useless discourse (there was, of course, discourse then, but now people have wrapped morals into it. you’re not a bad person who wants to abuse people if your favorite character is canon nightmare sans, god), even worse fanon that people have dubbed as canon (dream is not an uwu baby, yes, but going in the entirely different direction and making him a mean smoker is just as fanon and inaccurate, you’re no better, so get off that pedestal), and just the bullying that comes with liking older interpretations.

blueberry is fine. uwu star sanses are fine. slendermansion bad sanses are fine. teddy bear horror is fine. any interpretation is fine. but there’s art left and right of people drawing characters punting those other interpretations whilst the creators themselves continue to make their own interpretations that are the same, if not worse, levels of inaccuracy and mischaracterization. it’s hypocrisy and i don’t doubt that in four or five years this era of the fandom will be mocked and a new, just as wrong interpretation will emerge. i don’t mind this, you can characterize anyone however you want. that’s what makes this fandom great. it’s just the fact that this is combined with the bullying of other interpretations that makes it hypocritical and me upset. not even to touch upon the new fanon of “sans would show no emotion of papyrus died”. in an attempt to move away from one side of the spectrum they went too far to the other, rather than settle upon the perfect balance.

in general i also grieve what will never come back. the style of older popular artists drawing sans, that line weight jakei and superyounma used that pulled the style together, the obsession when dream and nightmare became truly popular, the formation of the star sanses, the overuse of the word ‘senpai~’ when it came to crossmare, the comic dub movies on youtube, or how everyone obsessed over sans and made him overly edgy and emotional. the animation memes, the genuine sans fangirls, not the satire ones. ichika. the othertale animations. early underverse and the silly comics jakei made for it. the terrible wattpad fanfiction. amino. actually, we can leave out amino. i don’t miss amino.

it wasn’t all perfect. if i’m honest, it was a dumpster fire in a lot of ways. but it was my dumpster fire, and what once burned became nice and toasty. the fandom now is great, don’t get me wrong. i love how it’s turned out, i love how characters are no longer white anime boys and how people have begun to acknowledge how certain things are bad, rather than ignoring it. how underrated characters have been getting more attention.

but if i had to pick between the fandom now and the fandom then, i’d pick then in a heartbeat.

[onbearfeet]

Kat watches Moon Knight

Okay, so with the encouragement of several people on here and the emotional support of my roommate, I have finally (in February 2024) started watching Moon Knight, a show whose basic concept scares the shit out of me.

Context: I had an adopted older brother with DID. Note that I said "had". That's past tense because life treated him so appallingly poorly that he died (horribly, in prison) when I was 19. Part of that abuse was enabled by pop-culture depictions of DID in the 1980s and 90s that convinced everyone who knew about his condition (including the court system) that he was a walking time bomb.

One of my earliest memories is of my brother as a young adult, playing Super Mario Bros with my toddler self. Another is of him patiently teaching me how to make friends with a large dog. I never met any of his alters, afaik; I was small and cute and safe for him to be himself with, so he probably didn't need them around me. He was a profoundly gentle man when he was allowed, and it hurt like hell to see him turned into a monster in movies and on TV. I've turned off a lot of "psychological thrillers" in sorrow and disgust.

Ironically, I loved Moon Knight comics as a kid in the 90s, BEFORE he was retconned to have DID circa the mid-2000s. Because those comics came out right after my brother died in 2002 and leaned HARD into making people with DID seem like violently unstable monsters (for reference, see the cover of Moon Knight: God and Country), I stopped reading them around 2008, when I couldn't take being poked in the trauma by a comfort character anymore.

But I do love Werewolf By Night, and there's been a lot of good fic mashing Jack up with Moon Knight without dehumanizing anyone, and several people have encouraged me to try the show. So this post will be a place for my thoughts as I try to work my way through with my Essential Editions in one hand and my memories of my brother in the other. I'll add to it as I watch.

If this entertains the Moon Knight fandom or provides useful fic reference, so be it. Just don't be jerks on my post.

Also, anyone who chooses to be shitty about my brother will be eaten by bears. I don't make the rules.

Episode 1

Okay, we open with Steven as our POV character, and he's...convinced he's a sleepwalker. All right, not terrible. Steven is now a bumbling nerd, which is probably an improvement; good luck making a billionaire playboy sympathetic in the 2020s. Jake would be the logical everyman POV from the comics, but I understand from fic that he's got a different role now. I'm confused about the accent, but it's only episode 1, and Steven clearly doesn't yet know who Khonshu is, or that Marc exists, so obviously there's a ways to go here. (Is Marc ... undercover inside Steven? Ugh, this is a trope I have seen and do not like.)

Did Marc kill Steven's fish? Did Khonshu kill Steven's fish? I'm baffled by the fish. Which is a nice break from the larger anxiety. I'm gonna try to worry more about the fish.

The bits with Steven losing time and finding himself in odd situations were distressingly close to the old tropes, but both of those happened to my brother, so I'm not going to bitch about them quite yet. I want to be as fair as I can.

Oh, hey, I recognize Harrow from the comics. What up, dude. How's the cult biz treating you?

The end of the episode, with the jackal thing chasing Steven into the bathroom, came RIGHT up to the line for me. I realized that what I was most afraid of was that the story would assign "good" and "bad" labels to the alters--make Steven the sweet, innocent one and Marc (or maybe Jake, I guess) the monstrous killer. The early flashes of Steven covered in blood didn't really help allay that anxiety. And now Marc is demanding that Steven let him have control in a pretty threatening manner. But so far, it seems like the contrast between Marc and Steven is one of competence--Marc is better at fighting and Steven is better at ... panicking? Unclear. At least Oscar Isaac is playing the protagonist, so his character(s) might remain sympathetic. Nobody has been monsterized quite yet.

I finished the episode with every muscle in my body locked up, waiting for the emotional punch in the face. But I did finish it, and I think I'm gonna try episode two.

[stinkybrowndogs]

Some dog movie observations:

The 1990s to like 2010 seems to be the golden age of dog movies. We got Beethoven (1992), Homeward Bound (1993), Air Bud (1997), 101 Dalmatians (1996), Snow Dogs (2002), Because of Winn Dixie (2005), Hotel for Dogs (2009), Beverly Hills Chihuahua (2008) to name a few that I enjoyed. There is also a slew of B-rate movies that while not as good, still have some charm. I will say I think it helps that cgi wasn’t heavily used in movies until the later 2000s and 2010s, and it is my humble opinion that too much cgi ruins the movies. The more tricks the dog actually does on camera, the better. Bonus points if clever camera shots and practical effects are used instead of cgi.

Anything before the 80s? Questionable animal ethics. (The Animal welfare act was passed in 1966, so really anything before then is… wild.)

Now. As we travel into the 2010s-2020s, we see an uptick in copaganda. (Max, Dog, Rescued by Ruby, and a Dogs Journey are some recent ones). We also see an uptick of Really Bad Movies (think like a dog-BAD. Lady and the tramp? WORSE.) we also see a lot of strange indie films about dogs (white god was….. weird.) this is also when the “air buddies” took off to be their own thing, which has turned into an entire studio that makes Bad Dog Movies (and also shows! Pup academy, phantom pups, and one other one on Netflix. They are Bad)

There are also several with like 100 remakes (lassie, benji, where the red fern grows, like 200 different white fangs smh) so I’m not super sure how I’m going to tackle those….

The most popular dog breeds in these movies are probably goldens, labs, German shepherds, Great Danes (! At least 3 so far; marmaduke, the ugly Dachshund, and Chestnut hero of Central Park), old English sheepdogs (! Surprising but there was a few!) and beagles (again at least a few movies). Also, terriers.

Dobermans, Rottweilers, Beaucerons, and German shepherds are top picks for the antagonist characters, or just as Menacing Dogs

There are several I haven’t watched yet because they are not on any streaming service, and I will have to check my library to see if they have any of them to loan. I am looking forward to the Tim Allen shaggy dog (horrifying poster- dog with human eyes photoshopped on), marmaduke (I remember this movie being terrible), cats & dogs (I remember liking these)

Im tempted to try and make a big long video just. Reviewing all the movies I have watched but that is a massive waste of my time and also I have the personality of a shoe so I’m not sure who would actually be interested in watching it. Much to think about.

[galaxythreads]

i literally don't understand the mcu script writes who've bragged about never having seen the previous movies, like bro??? how do you expect that script to be consistent with the rest of the canon?????????

normally I'd laugh and be like Yeah, anon, these guys are insane, but you have bypassed Mental Breakdown part of my brain and now I am deeply, deeply curious.

---

Why is it that mcu script writers are so proud to be arrogant?

---

Warning for minor language.

So anyway, the person I thought of specifically as being Generally Terrible to the Franchise Lately was Michael Waldron, who wrote Loki, Dr. Strange 2, AND is currently working on Avengers: Secret Wars. (Yay)

So I did a lot of research about where this guy CAME from and how he's impacted everything because I swear to God I'd never heard of him before Loki. And now I see him everywhere, but usually only in loathing.

---

Michael Waldron, according to Wikipedia, is currently 35 as of 2022 and graduated from some Film School i haven't heard of and can't be bothered to remember. He is unmarried(?) and has been active in the film industry since 2014. (8 years, for those of you counting.) He started work on Loki in 2020(? unconfirmed).

The thing that struck me the most was how incredibly short his project list is.

My man has six (6) completed projects. He had three before he started on Loki. And while this doesn't necessarily mean that he's bad, it does show a level of inexperience that baffles me personally.

For comparison, Kenneth Brangah, one of four screenwriters for Thor 1's list is this:

And again, it's not like Brangah's list is enormous, but I do see a lot more experience under their belt before they were approached by MCU rather than Waldron, who had done three projects. Brangah had 20 years in sceenwriting when he went to work for Thor. Waldron had six.

And the amazing thing to me is that even the shows Waldron's executive producer on, he wrote like, two episodes for it? Then he handed it off to other writers. So he doesn't, as far as I can tell and I found, seem to have a lot of experience actually working the writing process, just supervising it.

(I could be wrong)

But here is his latest series Heels, for reference.

the section says "Written by" above the names, I cropped it weirdly.

---

So we have a man who has, at this point, worked six years in the industry. He has worked on three shows. He was the assistant for one show, he did not write in the other one, and he has written for ONE show, total. Produced one show, was the executive producer for ONE show.

What I am seeing here, is, from what I can see, a lack of experience. And it shows. Badly.

So why did Marvel hire him?

----

According to an interview Waldron did, where I'm drawing a great deal of this information, he has always wanted to work for the Big Leagues. He wanted to work on Star Wars mostly, from what I could see, but he didn't think that Marvel would be bad either. When he approached his agent about how to get working for Marvel his agent told him he needed to have written a movie.

Now you're probably wondering. I DID look at that list of projects he's been involved in, and there wasn't a movie.

You are correct!

Waldron wrote a movie called The Worst Guy of All Time and the Girl Who Came to Kill Him. It's on The Black List and was never filmed, to my understanding. But he sure did write that script. And that script, I believe, is where a lot of issues in Loki start to come to light, but we'll get to that in a minute.

"At some point the script made its way to Marvel as they were meeting people for Loki and that got him in the door to pitch and that pitch got him the job."

When Kevin Feige was hiring directors, Waldron walked in and "I thought I was going to get it, but that's my attitude, I guess, hopefully as unarrogantly as that can sound, but I think you got to be confident" (Waldron). Feige was apparently impressed and hired him on.

Which again, a bold choice that COULD have been great, to give a small name the chance to work on a project like this?? Incredible. Just not in this context.

I feel immensely confused that MCU, which is a multi-billion dollar industry, did NOT actually hire someone with years and years of experience like they did for Thor 1. Instead, they went with someone who, personally to me, didn't have enough experience to seem like he knew what he was doing.

So now Waldron is working in MCU. Things are going great for him. He has TWENTY WEEKS to come up with the plot, the scripts, and the story for the entire Loki series.

TWENTY. I cannot emphasize this enough. That is no time at all. They went from blank slate NO IDEAS to a full script in TWENTY. WEEKS.

So HOW then, did Waldron get approached to do Dr. Strange 2?

Apparently, Waldron and Owen Wilson were talking one day and Waldron got asked to do Dr. Strange 2 because it was just as chaotic as Loki was.

WALDRON: Yeah. By that time, I had been able to build the trust. We'd written Loki. Loki was in good shape at that point. It was headed into production. I was getting ready to go to Atlanta. Fortunately, the scripts were in good shape. One of our writers, a close friend of mine, Eric Martin, took my place and went and was the writer on set, which you've got to have, and he did amazing work carrying the show across the finish line, from a writing standpoint. And yeah, it was just, "All right. You did Loki. That was crazy. Come do Dr. Strange. This is going to be crazy, too." That was really fun.

And guess what! This is the instructions he was given FOR Dr. Strange 2.

WALDRON: It is purely, 100%, "Make the most kick ass Dr. Strange movie you can possibly make." There was no, "You got to get here. It's got to fit here."

Which, by the way, Feige stated that he had no plans for the Loki series beyond time travel, and Waldron was instructed to do whatever he felt like. A 100% most kick-ass time travel series, you might say.

---

Okay. So now that we have some background, I'm going to get onto my soapbox and explain why this man was a horrible, horrible directing choice and shows 0 understanding of the characters. This is going to go over Loki and Dr. Strange 2, for reference.

---

LOKI:

The biggest disaster I see with Loki is that the FIRST -- and I emphasize this, the FIRST -- thing that Waldron says about Loki in the interview is this:

Waldron: And I'd written a time travel movie about a character who was kind of a villain, and kind of a sh*thead, like Loki.

I think that the problem that Waldron suffered from the most in Loki is that Waldron didn't want to make a TV series about Loki. He doesn't like the character very much from what I can tell. Obviously, he calls him a sh*thead, but he never has anything nice to say about Loki as a whole either. He doesn't want to talk about Loki as a person, or Loki's story, Waldron wants to talk about the TVA. I seriously cannot emphasize this enough. Not once in the interview did Loki as a person come up. Loki didn't even seem to be a character to him.

The TVA is where Waldron seems like most of his time was spent, because that was, after all, what MCU wanted to do. I honestly, genuinely do not believe this man would have taken the job for Loki if it wasn't about time travel. Because Waldron could focus on the TVA and not Loki. Loki was an irritant he had to occasionally do something with.

And now we get to his script that was pitched to MCU.

Waldron: I sat down and I wrote a script that was a time travel action rom-com, is how I would describe it...because they [Marvel] wanted to make a time travel show. And I'd written a time travel movie about a character who was kind of a villain, and kind of a shithead, like Loki.

And the thing is, to me, sounds a lot like the TV series. A romcom, with time travel, and a sh*thead kind-of villain. That's the series we got. I do wonder how much of this pitch made it into the final series, because this is what Waldron had as a reference. (The director wanted to make a romance from what I understand, that was her vision of the series was this long-winding romance, and it doesn't look like anyone sat down in the writer's room and explained to them that the last thing that would fuel Loki's story forward was romance.)

And the thing is, Waldron doesn't seem to understand Loki as a character at all, if Loki is "kind of a villain and a sh*thead" because yeah, sure, Loki can be considered that, but that's not WHO Loki is. That's what people SEE him as.

Waldron at no point references having read the scripts for the Avengers, Thor 1 or the Dark World inside this interview. This doesn't mean he hasn't seen the movies or read the screenplay, as I often hear said about him, but it is strange to me that he makes so little mention of Loki.

This man is so focused on the TVA. Despite how much of a disaster the TVA ended up being. Here's some notable quotes:

WALDRON: What did I learn? Don't write one about time travel, because it's a pain in the ass.

WALDRON: ...A foundation of what constitutes a broken time law and what doesn't, so that we could then just, which is about Loki breaking a time law, and then you have to move all that stuff as far to the background as humanly possible, because you don't want the audience focusing on the rules of time travel during your show.

I love how "Loki breaking a time law" is supposed to be the center of it all and comes off as an afterthought.

And.

"don't want the audience focusing on the rules of time travel in your show" YEAH. CAUSE IT'S GARBAGE. Maybe if he and the others had had more than a weekend (exaggeration, untrue statement) to work on how time travel works, we'd have something that didn't make me want to scream into a pillow for ten years.

WALDRON:  All over our writer's room, our white boards were just covered in timelines. And it's just, "No, time travel works this way," "No, time travel works that way." That was the great challenge of our show, it was because the Time Variance Authority is an organization that literally manages and polices all of time, we had to define what time is to them and what time is in the MCU. 

I think we can blame this disaster on the Russo brothers. ^

WALDRON: Those are all questions we had to ask and define for ourselves. I think that what's fun about the TVA is it takes something remarkable, like time travel, and really packages it in a very soulless, sort of bureaucratic way. That's what was exciting to me, as a writer, was to take something so magical and just make it utterly soulless. -- So what we have is a writer's room so focused on the TVA that Loki becomes a secondary concern and the lens from which we VIEW the TVA, and then it stops becoming Loki's series and starts to become the TVA's.

But no one seemed to realize this.

And also "That's what was exciting to me...was to take something so magical and make it utterly soulless" is a GREAT way to go about time travel. I also think he applies this to everything and it shows.

So again. Writer focused on the TVA. Appears to me to not care about Loki. Spends a majority of the interview discussing ANYTHING but the main lead of his show. Does not want to talk about growth or character or WHERE LOKI CAME FROM? WHY ARE YOU NOT TALKING ABOUT YOUR LEAD?

But that's okay. Because we all know that the TVA was the main character of Loki, don't we?

---

Another interesting point, I thought, was how Waldron writes relationships. I watched a review of his TV series Heels, where the reviewer came to this conclusion about the main characters:

"...And that's just what made this show so fascinating, is that…all these characters, that in some way, treat each other horribly, but in other sense do care about each other, and they're all so entwined with trying to make this thing work."

and that sounded extremely familiar. Because this is the cast of Loki. Waldron seems to have discovered his Character Formula.

Thanks. I hate it.

I just...this man can't have been a bad writer in just Loki right, and this has to be a consistent theme across all his work? And honestly, he's worked on so little that I don't know. I can't have an honest opinion of him. From what he has worked on, terrible character chemistry seems to be the general vibe. Waldron does not seem to know how to write characters that you understand why they like each other.

Hence, Loki being abused by every figure of authority in Loki, and Slyive treating him horribly, but somehow they all like each other in the end.

Because that's Loki. The TVA series, Loki on the side, getting beat up. Because he's bad.

---

DR. STRANGE 2:

Dr. Strange 2 has a similar set of problems. It was written in a rushed time frame, there was no overarching idea for a plot and where the story needed to go, Waldron was just told to do what he wanted, and Waldron didn't seem to be too focused on character arcs.

Wanda, obviously, takes a devastating hit as far as arcs go, but I wouldn't say that Dr. Strange was spared, either. The two of them go through rapid flipflopping in terms of the growth they've incurred throughout the entire MCU, and it shows. Badly.

One thing that Waldron did say that absolutely baffled me was this:

WALDRON: I became good friends with Jac Schaeffer, head writer of WandaVision, while I was writing Loki. Her and I became good pals, because we were kind of in it together and everything...So, I had the benefit of just being able to call Jac and talk to her about Wanda's character and everything, because it was really important to me that I do right by her with what she did with Wanda as a character. And also, with Lizzie, who's a friend of mine. I really worked with her and made sure, "Okay, you guys just did this incredibly intimate show about this character that grew her so much. Let's make sure that we're doing that justice and telling a fulfilling next chapter of that story."

I am so confused. Waldron honestly appears to want to do right by Wanda, but Wanda's growth from WandaVision was destroyed in Dr Strange 2 (and I want to emphasize here that Waldron made no such comment about talking to Tom Hid. or previous directors of Thor movies) so then how did Wanda end up going through such a downward spiral? Waldron wanted to do right by her, and yet???

I think the biggest problem is that Waldron doesn't have to think long term. He's almost not supposed to. He said this:

WALDRON: Well, I think one of the joys of being a writer in the Marvel world is getting to make terrible messes and leave them for your predecessors

WALDRON: For instance, you write the Loki show and then you end up writing Dr. Strange 2, having to clean up your own mess and that can be a lot of fun.

WALDRON: And it will naturally connect to the MCU and it will naturally get the MCU to where it's supposed to go, in some ways that we expect and ways that sometimes you don't expect, and I think that's part of the fun.

Waldron was given the explicit instruction to write a good Dr. Strange movie, but not a good MCU movie. Part of the reason that Phase 4 feels like a bunch of puzzle pieces from different puzzles is that it was designed to be that way. Feige is just going with the flow to see what will happen rather than having any sort of idea of where to take the series.

"It will naturally get MCU to where it's supposed to go" is one of the most hilarious statements I've ever heard, by the way. As someone who has done original writing, and planned out a series, my 200+ page document of planning, background, and worldbuilding laughs at you. (And I still don't have it all finished, because I've had MONTHS to work on this). Maybe. Maybe they want to try and not publish the first draft of phase 4?

Waldron wasn't told to make a movie about Wanda, or how to progress Wanda's character in a way that made sense post her growth. And any problems that were there they blamed on the Darkhold, because it's someone else's problem to clean up. Very neat. Very good planning.

---

So overall, I don't think that MCU writers are proud of their ignorance, I just don't think that they see a problem with it. Writers are told to do what they want to, without there being any plans for character growth or plot advancement, so they do. They put whatever they want out on the sandbox and wait for someone else to clean it up.

Feige seems fully onboard with this plan. So the real problem, I think, is the fact that MCU is expecting writers to come up with complex, interconnected plots in twenty weeks, and the writer's don't have the time to write consistent character arcs, they just tell a flashy story because at least you get something out there.

I honestly don't imagine Secret Wars will be any different. Waldron has shown that he really really enjoys writing stories, but not characters. This is not to say that we should blame all of this on Waldron, because I don't think it's really his fault. I think it's more the fact that he's the byproduct of a system set to fail.

The writer's ignorance is someone else's problem in MCU, apparently. But don't worry. This will naturally get MCU where it's supposed to go. Just tilt your head and squint a little. Then close one eye. And then the other. Now you can see what brilliance Phase 4 is clearly.

[professorllayton]

my rating of the current list of callum turner projects I've seen is

GLUE. I love u so much murder horsegirl show I literally love u so dearly. will be doing a rewatch soon and if in the near future they for some reason decide to find and delete all archives of this show and then edit the show and release it w another actor's face superimposed on callum's body well. i would still watch it. highly recommend.

emma 2020 <33333 just an absolute favie of mine I saw this around the time it came out and I was not turnerpilled at all I had no idea he was in but . I think he does frank churchill very well despite like having 3 lines for some reason . my kind of terrible little pookie bear. darling adaption of one of my favie jane austens. not bc it is also my namesake.

masters of the air. I think we all by now know where I stand w this fucking show. jesus christ. jesus fucking christ truly. have issues w the writing decisions definitely and the script sometimes sucks but JOHN BUCKY EGAAAAANNNNNNNN u will always be famous to meeeeeeeeeeeeeeee I LOOOVEEEE UUUUUUUUUUUUUUUU

mobile homes 😘. kind of a sad ass movie it made my heart hurt badly ill be real. thought it was quite good tho and I liked how deranged callum was in it . he was very silly at times and it seemed like he had a lot of fun . abusive little freak demon of a man tho that he played . :[

the last letter from your lover. sweet and kind of darling movie but ultimately it was just ok and I think the writing and cinematography was not great. he was very charming in it tho would 100% also cheat on my wretched husband w him and have a sad and upsetting decades long affair w him.

victor frankenstein. frankly an embarrassing movie. truly. like he had 3 lines total in it and was a COOOOP. AUGH. not even james mcavoy could save this movie from being bad tho abt halfway thru he was the only reason I was still watching. just goofily bad in a way that is neither fun nor entertaining.

The Only Living Boy In New York. all I can say abt this movie is it truly was one of the worst movies ive ever fucking seen. he kind of ganseyed it up a bit w the living in a shitty flat while rich and wearing glasses all the time. only way in which he ganseyed tho there is nothing else comparable. sorry

[notthatnoodle]

Tombstone Redemption

~Van Der Linde Gang meets the Cowboys~

”Gentlemen! May I simply ask you to listen to my, proposal.”

”Hear that, boys? We’re going to have some fun tonight, shall we!”

~~~~~~~~~~

And my dumb talk about cowboys, mental health, and me being so unsure of my drawing skills. Buckle up cowboy, it's going to be a long one.

~~~~~~~~~~

Do you know that feeling, when you have an idea. And that idea is something that scares you? Because I do, too clearly if one may say.

I wanted to do something. Draw something that I would be proud of. But how to do that when you just hate everything you do, when it feel overwhelming to do.

Well, just trying to do it. Just trying to enjoy the journey and the things I'm doing while on it.

It was scary to start, but I still had a plan for it, you know.

Something big, scary.

"This is never going to look good. It's going to be terrible."

"It's going to take so long, it's going to look stupid."

"I already hate it."

That's what I thought at the time, while doing the sketch.

And you know what...

I did. But after days of just doing the lines again and again, it finally got better. After DAYS. For me it might take weeks before I can continue working on something which looks bad in my eyes.

I hated to do the line art first, I hated to do it, so much that I almost gave up because it already, alone, felt overwhelming. I didn't like it one bit. The characters didn't look like themselves, and I wasn't happy. No one has any idea how long it took to do it.

BUT i finally did it. I got flat colors done. And from there, I could finally move to the next part. And I was so happy how it turned out, it gave me hope, feeling of success.

"I can do it."

"I can do the next part too."

I was in halfway now, the RDR2 side was ready, except the lighting and the shadows of course but anyway. To get myself to do the rest, I asked myself...

Why I do this again?

And the answer to that was surprisingly simple.

I do this because even it feels so overwhelming at times, I love to do it. I love to see what I'm capable of. I love to draw, sketch, do things like that.

Because it helps my mental health.

Because I need to get my inspiration out to a paper.

Because I love westerns

Because RDR2 became my comfort game.

Because Tombstone became my comfort movie.

Because I have no money to travel to the other side of the world to a meetings or something. I have to create my own "meetings", in a way of an art.

Because both, RDR and Tombstone, have helped me in the past year, in the ways I never imagined would be possible.

Who would've known long time ago that I wouldn't need any meds in couple of years because some sad, rough, cold, unstable cowboy men, huh?

I've heard so many times that people have called comfort characters "cringe" or "weird."

And that "you should get real help."

Well, I did. I had that real help, but beside the medication that helped, I just couldn't find anything to talk about with the professionals.

I never personally have liked talking (but it's still good, try it) and I've always used art and writing to get all my feelings out. Tbh, it haven't helped the situation that I'm terrible at recognizing my own feelings.

And, well.

If anyone would've said back in 2020 that "In couple years your mental health is going to get better because of Arthur Morgan and Johnny Ringo" I would've been so confused.

"Who??? Where??? When???"

The two most mentally stable men in the universe, right?

But you see, here we are. Still trying to decide do I hate my art or not. But even still, it's finally on place where I dreamed it would be when I was 14 years old and could only draw poor dogs and cats.

I may not feel like it, but I try to remind myself many times in a day. That this is what I wanted, this is what I worked for.

The progress has been slow, but it's still showing up. But I want to get better, I want to draw even more better, to get more realistic or something. I'm not even sure myself. Can you believe it? 10 years of drawing and I'm still not sure what I want my style really to be, other than somewhat realistic.

The progress is slow, but it's here. The mental health and drawing skills are both growing even I may not admit it to myself. And I still want to get better.

There is going to be bad times, there is always going to be bad times, those are never going to disappear. But what also is not going to disappear, is my passion to my art. To the characters, to the world they live in.

It's surely going to stay a big part of me, even it may fade in some point. But it is still there, a part which shows what helped me get back up.

As a reminder to myself how I got better. And that healing journey isn't in the end. Is only just begun.

It's a journey I'm afraid of, excited, curious, terrified...

But it's going to be amazing, hard, I'm going to hate and love every second of it.

And that's good. It means I've finally managed to dig up my closed emotions.

I may be able to know what I feel for the first time in years. I might be able to feel something that has been hidden away since forever.

And all that just because of some Cowboy Depression Simulator and the movie with the Cowboys and tuberculosis.

Seriously, they both end almost same way and managed to broke my fucking heart while doing it. And still they are probably the best things that have ever happened to me.

What I learned, what I thought while doing this art and thinking it's meaning... Only person you can let down in this planet is yourself, and only person who really knows everything you've done to get back up, is yourself. So, give a hug to you, give a tap to you, give a hamburger to you or something.

The good begins before the bad things end.

So go kick this day to the balls or something, somewhere where the sun doesn't shine, get it all back to yourself.

Carpe diem and have some FAITH to yourself...

Because you really don't know how good the light of tomorrow morning could feel.

Thank you for coming to my TED talk. I believe in y'all.

~~~~~~~~~~~

-Setri.

[brotoman-exe]

So seeing as the trailer is finally out and one of my more frequently revisited posts is about this movie let's talk the trailer. Now these are off the cuff barely put together ramblings with like an hour to think on it so don't take this as a final verdict or my hardest stance ever.

The Good

- It looks generally alright. There is some clear signs someone was flipping through the art book for the War For Cybertron games when designing a lot of this stuff. As well I'm interested to see how the 'surface' is seeming to be overgrown with plant life and the like.

- Alpha Trion and some sort of grave, of the other 13?, shows up and seems like they are going with the G1 style of him making Optimus and Elita into their present selves, just adding Megatron and Bumblebee there.

- Elita One even getting to be a major player is pretty neat. Really a rise to prominence from a time when I think people didn't even know female characters existed before Arcee.

- Also Quintessons seeming to be an oppressive class enslaving the Cybertronians is another good G1 call back.

- Also having both Orion and M-16 start as workers is nice since it means you can't accuse Optimus of not knowing just how bad the system was when he opposes Megatron going full Peace Through Tyranny.

The Bad

- The dialogue, like you know it, I know it, and everyone else knows it. Now to start not saying Transformers can't be goofy or funny, '80s film everyone has a dance party to Weird Al and fandom loves the hell out of that movie. But that felt more organic to G1s general sillier side versus this where it feels the writers looked up a bunch of posts satirizing later stage MCU diaologue and thought "yes let's do that".

- Bumblebee being there, since seems he is just being shoved in as comic relief and cause marketers love Bumblebee versus a fourth main character being needed for this story.

The Fear

This is more speculation on from what the trailer presents could be bad about the film but I can't say 100% from the trailer.

- Elita One being in the movie being reduced to other three main characters are going to spend parts of the movie having the hots for her or the plot being configured into any kind of terrible love shape. (I will barely accept a love triangle with Orion and M-16 if those two are also onto each other. Transformers made enough strides in LGBT rep to not back slide into the worst of Het writing now.)

- Bonus negative points if Elita One getting hurt or dying is used as the final straw for Optimus and Megatron's relationship breaking apart.

- The reveal of the names Optimus Prime, Megatron, and Elita One not being allowed to be good moments and instead get ruined by shitty jokes (Like how the RWBY/Justice League film had to constantly make jokes about Superman being called Superman. I get it writers are so above silly naming schemes like that in the 2020s now, but just shut up)

- Speaking or other things that are atrocious I'm worried this movie is going to pull a Devil May Cry reboot and just have Megatron swerve into "I wanna be Big Dick Dictator of the Galaxy" two seconds after they beat the Quintessons like how Fedora!Vergil went "I'm actually evil and we should now in some vague way rule the world Dante" right after the 'Kingpin From Marvel but turned into a giant made of buildings' boss fight. So no time will be given to the deteriorating state of Orptimus' and Megatron's relationship before hand. That or they sequel bait the downfall and we have to cross our fingers it was good enough to get a sequel.

- The Quintessons will have their menace damaged by bad pot shot jokes/references to the original animated movie.

- We spend all movie with MCU quips Bumblebee but Starscream never shows up.

The Hope

But that is all nerves and speculation as so far I've just seen a single trailer. So what about positive possibilities.

- The major one is the trailer is just cut by brainless add executives and a lot of the worst quips are either not in the movie or there is way more good dialogue and the stuff in the trailer was all of it.

- They actually do give some other members of the Decepticons appearances and completing backstories of their own.

- Optimus and Megatron are in unambiguous romantic love before the big break up.

- They do some really interesting stuff with the lore based on some of that cool environmental design. Perhaps a more interesting version of Megatronus for Megatron to be inspired by?

- Lastly this film just needs to clear the low bar set by most of the Bay Films to not be bad at this point. And I highly doubt this movie can do anything to hit the "Your Racist Uncle" level of some Revenge of the Fallen scenes or "Mmm I sure do love high school girls" level of the first one and especially Age of Extinction scenes.

[endreal]

Noticed netflix got a load of DCU movies sometime this winter, figured what the heck I'll watch the suicide squad movies, got titles mixed up and started the last one first, committed to the bit and watched in reverse order over the course of about 4 weeks.

The suicide squad (2021) - kinda bad. Comic bookishly entertaining tho. Not upset about having watched it one time (esp since it didn't cost anything extra to put it on). Unexpected levels of pathos (still fairly shallow, but deeper than I'd have expected). Broadly speaking, satisfyingly attractively casted. Unsure if that's the shark that fucked Constantine or a different shark.

Birds of Prey (2020) - what to say about this movie that hasn't been said before? Sporadically gory comedy action escapade. Not sure if spin-off, AU, or narrative interlude, but serves the focus character (Harley Quinn) very well. Mary Elizabeth Winstead still hot. Only movie I'd seen before, so I knew where to set my expectations. Not remotely mad about a re-watch, even if it took two watch sessions over like 3 and a half weeks to finish. As described to my nesting partner, "it really is a love letter to a breakfast sandwich".

Suicide Squad (2016) - opens with Viola Davis' Waller introducing the idea of task force x. Obviously I'm gonna pay attention when madame EGOT herself is on the screen (authors note: in the course of writing this post, I learned what EGOT means). Is that will smith? Yeah, I trust that guy to play an emotionally complex villain/antihero. Oh wow, this is where the dcu harley quinn started huh? thank god for character growth. Ahh, so this is the joker portrayal everyone had opinions about after this movie came out. what the fuck everything about this man is terrible - I can't tell if it's the character or the actor I despise more. Watched approx 17 minutes, tapped out, removed from my continue watching list, have no plans to return to it. Ever.

[salvadorbonaparte]

2024 in Films - Part I

I watched too many films again this year so here's some reviews from the first quarter of 2024

January

Kuch Kuch Hota Hai (1998) - Pretty much the opposite college experience as depicted in 3 Idiots and also there's a scene where a child spontaneously converts to Islam to keep a wedding from happening and that works

Rocky (1976) - I got a little too into that series this year

The Karate Kid (1984) - Turns out the original is actually pretty good and I just watched the bad reboot as a kid! Oops!

Face/Off (1997) - This feels like it should be a fake film within a different film. Why is the face transplant plan A? There are some great scenes though, like the wife not recognising her husband, that made me question if this is actually a really deep exploration of identity. And then it got silly again.

Theater Camp (2023) - Almost makes me wish summer camps were real

Gone are the Days! (1963) - I watched this for Alan Alda's terrible high pitched southern accent but stayed for Ossie Davis infectious energy

Eternal Sunshine of the Spotless Mind (2004) - Manic Pixie Dream Girl Amnesia. Joke aside, why is it that I can't stand Jim Carrey in comedies but love him in dramas

Moonstruck (1987) - This won an Oscar????

February

That Touch of Mink (1962) - homophobia stops insider trading apparently

Carol (2015) - This probably would have given me a sexuality crisis in 2015

Ay Carmela (1990) - no scene in any film will portray the horror of the civil war and fascism as well as the half eaten dinner table in the abandoned house

Rope (1948) - people only focus on the gay subtext (which is real) but can we pleeaaase talk about the politics of the film

Catch-22 (1970) - did a pretty good job in adapting a book that is really difficult to adapt

Platoon (1986) - This was another entry in my grad school watch list

Pan's Labyrinth (2006) - I wanted to watch this since forever but wanted to wait until I could understand it in Spanish. Well worth the hype.

Rocky II (1979) - a sequel that initially made me go "was this really necessary" but then brought me a lot of joy

Rocky III (1982) - Intricate Rituals

Rocky IV (1985) - A metaphor for the Cold War but also. Bad.

Rocky V (1990) - Bad

Rocky Balboa (2006) - Better but like what the fuck was that editing during the fight

March

Hannah Gadsby: Nanette (2018) - I love when stand up comedy is recommended to me with "this will make you cry and change your life" and then it's true

The Holdovers (2023) - Liked it so much I watched it twice but the guy playing Kountze looked too modern like he definitely knows what an iPhone is

The Zone of Interest (2023) - the banality of evil is kind of a cliché phrase by now but it's real

American Fiction (2023) - clever satire, if I say more it probably turns into an essay

Capote (2005) - Rip Truman Capote you would have loved true crime podcasts. Also this was a continuation of my Philip Seymour Hoffman haunting

An American Werewolf in London (1981) - I love when a werewolf film doubles as survivors guilt

Poor Things (2023) - Horrible

Creed (2015) - Pretty much just Rocky but with a 2015 soundtrack and I'm not mad about it

A Fantastic Woman (2017) - a wrote a long ass review on letterboxd about this film is about loss

Creed II (2018) - As haunted as a sports movie is allowed to get before having to add real ghosts (please tell me there's sports films with ghosts). It's about "like father like son". It's about legacy. It's about being defined by your family names. It's about fatherhood. It's about breaking the cycle.

Creed III (2023) - Finally a film that asks the brave question "what if Rocky V was good?"

Dune (1984) - I liked the worms

The Joel Files (2001) - the story of two families in the third reich and one of them happened to be Billy Joel's

Oppenheimer (2023) - Would have made me insufferable during my teenage physics phase

Shiva Baby (2020) - a film that's also an anxiety attack

Searching for Sugar Man (2012) - insane!!!

Menashe (2017) - first Yiddish film I ever watched

Fruitvale Station (2013) - haunted

I, Tonya (2017) - a film keenly aware of the unreliability and subjectivity of both interviews and biopics, this is a sports biopic but also a moving story about the human need for love and the cycle of abuse and it's also damn funny.

Nosferatu (1922) - both scarier and more boring than the novel and also uniquely blood libel flavoured

Mädchen in Uniform (1931) - people were right this is gay

Picnic at Hanging Rock (1975) - Lovecraftian horror for cottagecore lesbians

I do not care if we go down in history as barbarians (2018) - history repeats itself, first as a tragedy then as a farce

La Haine (1995) - I watched this because of my professor :)

A Most Wanted Man (2014) - Philip Seymour Hoffman Haunting Continuation

Ödipussi (1988) - "Mommy calls me Pussi" is an actual quote

13 Little Donkeys and the Sun Court (1958) - Yeehaw???

[princeescaluswords]

Did You Know That Carol Danvers is Too Politically Correct?

So, back in 2020, I made a post criticizing the double standard that some fans were bringing toward the movie Captain Marvel. In one scene, a man driving a motorcycle makes a nasty comment to Carol Danvers, who at the time believes she is an elite Kree soldier tracking Skrull agents down on a primitive planet. So, instead of being an alien warlord and straight up vaporizing him, she just steals his motorcycle.

People were outraged. Of course, they neglected the entire context of that scene and decided that they just couldn't like Carol Danvers, that her character had been "ruined."

I pointed out that no one thought Bucky was unpalatable for yanking that guy off his motorcycle to steal it in Civil War. I pointed out that many other characters have done things like that in the past. James Bond, as a character, literally made a career of using his status as a double-oh agent to ignore common decency and local laws.

However, someone tonight replied to my post that the only reason the Captain Marvel movie was made and Carol acted that way was for ... "Empowerment Points."

I tried to defend the idea that Marvel making a movie about a tough-as-nails enhanced soldier learning to be a hero may be interesting because she's female, but it's not really 'outside the box thinking.' But I was assured that the only reason they created Carol Danvers was to gather 'empowerment points.'

Did they have these things in 1967, the year Carol Danvers was created? This characters is older than I am, and it's quite an accomplishment.

Now, they also said that it was bad writing, the moving was boring and the villains were terrible, though they didn't go into any depth about why they were. Maybe they thought that the Supreme Intelligence and Yon-Rogg were created to criticize militaristic colonial cultures running roughshod over others as a form of 'social justice warrior'-ism.

I agree, that's exactly why they were created -- IN 1967, too.

Fandom misogyny is such a trip.

[safarigirlsp]

Halloween Requests Open

✨🍁🐈‍⬛🎃💛✨

✨🍁🐈‍⬛🎃💛✨

REQUESTS ARE NOW OPEN for anything related to AUTUMN and HALLOWEEN! Please read this entire post for complete information, and if you're new, please take a look at my Masterlist.

This is my general theme and what I expect to cover this season, however, feel free to send in absolutely anything! I will definitely deviate from the regularly scheduled program if I like an idea. More info and prompt lists below.

Monster Monday - Zombies, Cryptids, Mummies, Dragons, Beasties, and any Monsters not covered by another category ☠️🎃🧟‍♂️

Transfusion Tuesday - Vampires 🌙🧛🏻🌙

Werewolf Wednesday - Werewolves 🌕🐺🌕

†hursday - Demons, Devils, Exorcists, Possession, and any related themes 🔥😈🔥

Phantasm Friday - Ghosts, Ghouls, Specters, and everything else that goes bump in the night 👻🪦☠️

I Put A Spell On You Saturday - Witches, Magicians, Spells, Rituals, Occultism, and anything similar ✨🐈‍⬛✨

Sunday, Bloody Sunday - Murder, Mayhem, Slashers, Cannibals, and Serial Killers 🪓☣️🔪

I’m only writing for Mills, Flip, Jacques, and Kylo for big oneshots. I will do HC’s for anyone I have ever written for. I am open to shorter ideas for Clyde and Henry, although full disclosure, they interest me a lot less these days, so any idea would have to really pique my interest. I have a strong preference for horror, adventure, and AU's.

This is an Adults Only event. My content is not for minors, or people who are easily triggered or offended. I write mature content intended for a mature audience only.

My Official Lineup will be announced October 1.

Here are Halloween fics from previous years.

Halloween Fic Recap 2022

Halloween Fic Recap 2021

Halloween Fic Recap 2020

This is my favorite time of the year! As far as I’m concerned, Halloween runs from September 1 - November 15, if not longer! I currently have a big fic to finish up that should be done soon, but nothing else slated fic wise. After that, it’s full steam ahead for anything and everything related to Autumn and Halloween. I generally put aside other non-fic writing projects during this time to focus on Halloween content.

For the week of Halloween, October 25 - October 31, I intend to post a big daily oneshot. My stories generally range in size from 5k to 25k, and some are even more! Look for a mix of horror, humor, romance, and adventure! Everything will contain adult themes and mature content. There may be other writing throughout this time too. The quantity of stories I post depends on the length of them. In the past, I have posted a lot of shorter things, but I’ve gotten more into writing longer stories now. The last few years, I have averaged over 100k words for Halloween and Autumn content!

Please send me requests, ideas, thoughts, HCs, anything you like! I’ll pick my favorites or, very likely, a combination of a few different ideas, and I’ll write a oneshot that includes everything I can fit in. Feel free to send in multiple ideas or requests! The more ideas to choose from, the better! All AU concepts, time periods, etc are welcome. Anything is fair game. This is generally the only time of year I open requests anymore, so get them in if you ever want to. Requests will be open from now until Halloween. However, because I tend to write longer stories, the sooner an idea comes it, the more likely I am to use it.

Below the cut are some of my favorite prompt lists, but do not feel bound by them. If you do include a prompt in your request, copy and paste the prompt itself because I hate chasing them down on lists.

Edgar Allen Poe Prompts

Ballroom Prompts

Eerie Prompts

Halloween Themed Prompts

Things to do in October

Autumn Aesthetic Starters

Terrible First Meeting Starters

Magic Starters

Spooky Aesthetic Ideas

Spooky Alphabet

Sexual Tension Prompts

Spicy Prompts

XXX Prompts

Pirate Prompts

Battle Prompts

Bad Reputation Prompts

Fighting Prompts

Attacked Starters

Witch trial Prompts

Horror Movie Starters

Stupid Things to do in a Horror Movie

Horrorland Prompts

Tarot Prompts

October Writing Challenge

General Prompt Masterlist

✨🍁🐈‍⬛🎃💛✨

Tagging some witches who may interested!

@babbushka @in-silks-and-flesh-and-leather @mrs-gucci @mrs-zimmerman @iamburdened @gabesprincess @reborn-rekall @maybe-your-left @rynwritesstuff @caillea @cas-backwards-tie @candycanes19 @queeniebee @lumberjack00fantasies @mythrielofsolitude @icarusinthesea @ghoulian13 @darkhairedmenrule @reyloaddict55 @fizzywoohoo @heartlight-starlight @richbrittstein @clydesfavoritegirl @bensolodyad @thepalaceofmelanie @celiholland @durangoninetyfive @reveluving @fax4life27 @vedavan @queen-of-elves @srorgana1 @reylokisses @kyloremus @vixenofcourse @loveofaddy @kylofrk @dyaddu

All edits by the amazing @kyloremus

[batmanisagatewaydrug]

reading update: January 2024

as long as I'm talking about The Gargoyle's Captive, let's discuss what else I've been reading this month.

Maeve Fly (CJ Leede, 2023) - I really liked this slender debut novel, which follows the titular Maeve Fly as she prowls LA like a homicidal alien, playing an unnamed ice princess in a certain theme park by day and indulging her murderous tendencies by night. Maeve is in a downward spiral; she's 27 years old and is preparing to lose her grandmother to illness and her only friend to a blossoming acting career. she sees no future for herself beyond losing the only two people she cares about and has no further goals, contenting herself with alcohol and porn while she rereads the same books, rewatches the same videos, and listens over and over to her playlist of Halloween music. Maeve is, it must be said, an abysmal loser, and I like her terrible melodrama a lot. I do think some of the hype is perhaps overstating the feminist credentials of this book; it sort of reminds me of when a college friend told me their favorite feminist movie was Suicide Squad (2016) because Harley Quinn was in it. Maeve talks a lot of big game about how women are always expected to have some tragedy to be deranged serial killers, while men are allowed to just do it, but it hit me as a little tryhard. there are a lot of books trying to be "the female American Psycho" right now - Eliza Clark's 2020 novel Boy Parts is frequently described as such - but it feels a bit too on the nose when Maeve's ultimate climactic rampage is directly inspired by a glimpse of the American Psycho novel. it's not that deep, but it is a gross, captivating read told from a fascinatingly cracked POV. check out Maeve Fly.

Laziness Does Not Exist (Devon Price, 2021) - yeah Devon Price is still following me (though my days are numbered, I'm sure) so it's a massive relief to say that I did like this book. Price has sort of become my self-help ride or die, mainly because a.) he's so much more self-aware than the average self-help writer that it feels kind of insulting to call him one and b.) he's actually dealing with topics that are relevant or interesting and providing actionable advice. while LDNE didn't engross me quite as hard as Unmasking Autism (while I am, famously, not autistic, I do believe in their beliefs, by which I mean I'm the token allistic among my close friends and I vastly prefer autistic company) it hit me hard in several unexpected pressure points. I'll happily admit that I can't relate to Price's interviewees who willingly work 50+ hours a week for jobs that hate them and are destroying their minds and bodies, but I still struggle to escape the perpetual sensation that a moment at rest is a moment wasted. It probably didn't help that I was reading this book while on vacation at my mother's, where I visited the beach almost daily and was so work-averse that we didn't even bother going grocery shopping because I didn't want to cook. and yet, despite getting dummy chill in some aspects of my life, I am still constantly possessed by a malevolent ghost insisting that I'm wasting my time and have never actually done Enough. maybe Price's next book, Unlearning Shame, will finally fix me; it's out in four days and god knows I'll be getting my hands on it as soon as humanly possible.

Patternmaster (Octavia E. Butler, 1976) - y'all know I love a messy political fantasy, and this is just... god, the absolute messiest. I thought Mind of My Mind was bad, but it turns out Mary's descendants are going to full-on reinvent feudalism with psychic powers, treating non-psychics as chattel and causing technological advancement to regress since they refuse to handle their problems with anything but psychic powers. and it's even got two brothers duking it out for the throne that will give them power over every bitchy psychic on earth! you love to see it. if I can be 100% honest I do think it's straight up bananagrams that this was the first book released in the series even though it's chronologically last; I genuinely cannot imagine caring enough to figure out what the fuck these people were talking about if I didn't have the previous four books for context. and even "context" may be generous; Octavia still has absolutely 0 interest in explaining what's up with the fucking outer space werewolves who are the psychics' #1 enemy. if I could have brunch with any person living or dead I would summon Butler up in a heartbeat to explain what the fuck her thought process was in plotting out this series over some mimosas, and I would take extensive notes on every word she said. an absolute genius and the uncontested queen of freak shit forever.

Thirsty Mermaids (Kat Leyh, 2021) - I purchased this graphic novel in November 2023 at a conference where I bumped into Queer Comics Peddler, my very favorite queer midwestern pop-up. running into them is always a delight, and this time I came with a question: could they give me a recommendation? the very nice people working offered up Thirsty Mermaids, which was the PERFECT companion for a long airplane ride. it's cute without being overly sappy, and avoids the trap of sacrificing a plot for the sake of checking off as many representation boxes as possible. the story is simple: three mermaids use a spell to turn into humans and go ashore in search of booze, only to realize in the morning that they don't know how to turn back. taken in by a generous bartender, they're faced with the reality of having to make money for the first time in their lives. hijinks ensue, but also a very sweet and warmhearted story about the friends looking out for one another as they try to figure out exactly where they belong and what home even means. also the artwork is GORGEOUS, with the mermaids' extremely memorable character designs being a real standout. if you're a graphic novel enthusiast, definitely check this out 🧜‍♀️

Sugar, Baby (Celine Saintclare, 2023) - Sugar, Baby came to me in a very similar way as Thirsty Mermaids: while visiting a witchy little bookstore that I was immediately charmed by, I asked the cashier what they would recommend. they offered up Maeve Fly (fab) and this novel, a stack of which was on the counter advertising an upcoming event with the author. neither have disappointed, so shout out to that one employee with the great taste! Sugar, Baby sees a young cleaner named Agnes, one of the only biracial women in her unnamed English town, befriending the daughter of a wealthy client and getting whisked away to her new friend's London lifestyle: crashing in an apartment with fellow models, staying out all night to party, and making money by going on dates with extravagantly wealthy older men. Agnes starts out having a swell time, but the cracks pretty swiftly start to form as she realizes how much more dependent she is on these men than her wealthy new friends and she begins to wonder exactly how much she's willing to diminish herself to get the bag. it's not a perfect first novel but it is a compelling one, a perfect airplane page-turner that crashes from glitzy to ghoulish and back with breakneck speed.

The Gargoyle's Captive (Katee Robert, 2023) - my full review is over on patreon for my darling supporters who want me dead (and picked this book in the first place, damn them to hell), but suffice to say this is a fun book to read if you like the sensation of your brain melting out of your nose, if you're really turned on by baby's first bdsm, you are not particularly concerned with trifling matters like "plot coherence" or "character motivation" or "writing that is complex and artful," and/or you've ever wanted to have sex with a dude whose penis is so big that you feel genuinely fear. also, hey, I forgot to include this in my patreon write-up so fuck it: Robert REFUSES to tell us what kind of food the protagonists are eating, ever. whenever they have a meal it's just "the food was placed on the table" "I took a bite" etc. drop me a HINT, man, come on! is it a protein? grain? starches? the only thing I know for sure that they're consuming is wine and a single marshmallow, and god does it show. it's just a very weird and distracting omission and it's absolutely not the worst thing about this book but it is a hill I'm willing to die complaining on.

[sliceofdyke]

what r ur favorite wlw movies u would recommend (and also possibly where i could watch them for free)

also unrelated but i was trying to remember the url u had right before this one and i can’t 😭 i’m terrible at remembering stuff like that. but i feel like u always have urls that are so You, like i remember i came back after a hiatus once and u sent me an ask like “oh im maddie btw this is my new url!” but i could already Tell lol bc it’s always aggressively aquatic and/or sapphic. queen of urls fr 🔥🔥

HI STARRY!!! resident dyke at your service 🫡 pleased to share some of my favs! linked is each movie's letterboxd, and ill also share where i watched them! (i recommend watching on a computer with some sort of adblocker extension like ublock origin.)

saving face (2004) dir. alice wu - MUST WATCH for all the gaysians out there! it's about a closeted chinese-american lesbian and her traditionalist mother, and centers on their relationship as well as both women's individual struggles in love and life. it's primarily a comedy but it has its serious moments, and i absolutely loved every second. racial and cultural familial expectations are an element present throughout this movie, and that's one of the reasons i like it so much. but i think it's presented in a way so that people who aren't chinese can understand! also, the relationship between the mc and her love interest is so engaging, and it really captures the struggle of many queer relationships where one person is more "out" than the other. the first site i found that has this movie in good quality was 0123movie.net!

next up is the incredibly true adventure of two girls in love (1995) dir. maria maggenti!! this movie was so good i audibly yelled at one point. although it's a lesser-known indie movie with a low budget, it has a raw honesty and heart to it that modern queer cinema often lacks (cough cough euphoria cough cough love simon). i was absolutely sold on the two mcs' chemistry and the progression of their relationship, and i loved how their blossoming first love was portrayed so authentically complete with all the rough edges and awkward glances. randy and evie were so endearingly dorky and cute, and i related to them SO bad. the heartfelt depiction of a multiracial sapphic teen love story really made me burst with joy. also a note to anyone who watches: trigger warning for pedophilia, lesbophobia & the d slur, verbal abuse, and threats of physical abuse. i can elaborate on these if anyone wants! btw a lot of more popular p1rating sites don't have this movie, but one that does is braflix.ru!

we all know her. we all love her. it's bottoms (2023) dir. emma seligman!! truly one of the best satirical works of our generation /srs. it's about two lesbians who end up starting an after-school fight club to lose their virginity before the end of senior year, and the shenanigans that ensue. bottoms does not take itself seriously at all, and lots of things make no sense plot-wise, but that is exactly what enables it to be so hilarious and silly. class periods are less than five minutes long, there are curse words in the school announcements, murders occur that are never addressed. and it's so FUN!!! a super good movie to watch with a group of friends that are as gay as you are. trigger warning for blood (lots of it) and comedic use of homophobic slurs. you can watch it on most p1rating sites but one that i've seen has it is myflixerz.to!

fourth, the half of it (2020) dir. alice wu! another masterpiece by miss wu, this time about a nerdy introverted high school girl who gets roped into ghostwriting love letters from a cheerful jock to the hot girl he has a crush on, and she ends up falling for the crush as well as they become friends. i watched it a couple years ago and rewatched it last year, and i loved it both times! i really appreciate how it's a story about friendship above all else and shows how platonic love can be just as important (if not more) than romantic love. and from what i remember, the filmography is also really good. this one is also available on myflixerz.to!

last but not least is kase-san and morning glories (2018) dir. takuya sato! anime movie about the budding romance between a shy gardening enthusiast and the charismatic ace of the girls' track team. this is a perfect movie if you want to watch something very low-stakes and laid-back! you can watch it on allmanga.to (this site has no ads on mobile which is so nice). i watched the subbed version but there is a dub as well. this movie is based off the manga of the same name, which finished in 2017, but there is also a currently ongoing sequel series about the couple's post-high school lives! if you're interested in reading that after watching the movie, feel free to reach out and i'll send you the website i read it on.

some other sapphic movies i've been meaning to watch but haven't gotten around to yet are: but i'm a cheerleader, the watermelon woman, portrait of a lady on fire, the handmaiden, and desert hearts!

hope this helps :)))

[melancholicobscureity]

I dont get why people are saying My Suicide is a bad movie. It's a good movie and all these people saying its like "glorifying" suicide or that its a disgrace to suicidal people are just wrong. I first watched in movie in late 2020, and i was so confused and lost. Back in early? late?? 2022 i watched it again and it changed me but the 3rd rewatch really had me somewhere. When i watched it for the 3rd time, i had recently been diagnosed with all my disorders and i was down in the dumps wanting to just like end it and what not. I was scrolling netflix and then i stumbled upon a movie i didnt really know how to feel about. The editing of the whole movie is alot, and kind of anxiety inducing, nd thats what helps the movie kinda get to the point. There's so many uncomfortable scenes, like the cutting scenes, the two suicide scenes, and a multitude of other ones. That movie made me realize, in the end suicide is never the awnser, all it is, is a chain reaction. Suicide should never be a comfortable topic, but it should be spoken about more. Archie said something about how it's all so much its nothing. and like it drives me insane cuz the girl was like "so you wanna kill yourself cause everuthing is perfect?" and he was talking about how it really isnt because hlah blah blah and then she talked abt how her brother killing himself made her suicidal. but what the movie really teaches is how terrible suicide happening is, what it does to people etc. some people get that realization, others dont. all that movie does is show how it affects different people, how different people and ones you woulfnt thknk abt wabt kill themselves or harm themselves and uts nust lke like okay and all these people rsaying its bad when tehyre not the targeted audience for the movie