#the lack of resolution for a lot of stuff is definitely the point though like. you never know if you can get the person who you used to be

[crunchycrystals]

i just finished we are okay and ive been crying for 40 minutes straight

[welcometogrouchland]

sorry if I'm bothering you but I FINALLY FIND SOMEONE ELSE WHO PREFERS FTF BUT PURELY BECAUSE OF OUR LOVE FOR WILLOW (we're the only ones right about her) like yeah, it's DEFINITELY not a perfect episode but IT'S ABOUT THE CHARACTERS. and I LOVE TTT TOO BECAUSE OF LUZ but tbh I didn't like being in the fandom when TTT came out because THERE WAS SO MUCH STUFF ABOUT HUNTER, TO THE POINT WHERE PEOPLE THOUGHT HE SHOULD BE THE MC AND NOT LUZ??? I love my boy but I felt overwhelmed at all of this so him not getting too much in FTF was fine for me :)

Firstly, I'd like to say YES!! FOR THE FUTURE SOLOS!!! LITERALLY SOME OF THE BEST CHARACTER WORK, ART DIRECTION, SOUNDTRACK, BOARDING, HUMOUR AND HORROR IN THE WHOLE SHOW!!!

Secondly I'd like to say that this is SUCH a can of worms that I've held back on talking about for A While™. Tbh it kinda feels like u read my mind I was literally thinking about this this morning.

(BIG ASS RAMBLE UNDER THE CUT. I AM NOT JOKING THIS POST IS SO LONG IT'S NOT EVEN FUNNY)

Both episodes are really fucking good, both on their own merit and when you take into account the circumstances under which they were made. I do not want to labour this point. I hate pitting two bad bitches against each other.

I AM however interested in investigating why, when two episodes are of similar quality, but with different priorities and focuses and (for lack of a better word) Vibe™ does the fandom demonstrably prefer one over the other?

Thanks to Them is BIG on plot. It's big on "establish what the kids have been doing, introduce Lore and Mystery, do the possession, fight the bad guy, get back to the demon realm, bada bing bada boom!!". I don't think it's nearly as relentlessly paced as some people think, and I think there are definitely emotional moments to be gleaned out of characters who AREN'T Luz, Hunter or Camilla- but overall it's similar to the most plot focused episodes of season 2. Your knock knock knocking on hootys doors and your hollow minds.

But for the future is a lot more concerned with character. Everyone gets some small moment to shine, though you're correct in saying that the focus is mostly on Luz, Willow and then probably the collector. But Camilla, Gus, Amity, Hunter, King, Eda and Lilith all get more emotional depth in a few lines than like. Willow did in half of thanks to them. even Belos gets more screentime this ep than he did in thanks to them, screentime that's much more illuminating (do love the moments he had in thanks to them but they weren't huge character moments really, just him villain-ing it up).

Less plot stuff happens, if you count the main goal as "get into the titans skull" then that's only introduced about a quarter of the way through the episode, whereas "get back to the human realm" is established as the goal of thanks to them in like. Negative screentime lmao. You basically know it's the goal coming in because you've watched king's tide already. For the future isn't like this!

And I GET IT MAN! checking in on the YouTube progress bar at the 3/4 of the way through elicited pure fear in me! But I feel like the fandoms fear of plots going unresolved and questions going unanswered has created this. Like. Attitude that the episodes need to be completely spartan or they're wasting time.

Like, with bringing back Boscha and Kikimora. Some people consider that a waste of time because they weren't Big Bads in seasons prior, meaning they should be low priority and don't belong here. And ppl are entitled to feel that way!

But I don't think you can call them wasted! Or irrelevant! I think the writers put a lot of work into making their storyline fit with the themes of the show! I have an essay I may never finish in drafts about this but- one of the most popular aspects of seasons 1 and 2 was the whole corrupt government storyline, which reached it's climax in king's tide but still had no resolution, same way hexside had no resolution from what happened after labyrinth runners. The writers combined these storylines by showing how hexside wasn't going to become a mini dictatorship like the isles old system (hence the title of the episode, changing things for the better "for the future"). That's efficient storytelling! Combining two plots into one in order to resolve both at the same time!

But people don't take this as an example of efficiency because it's not Lore or Plot based. And I think that's a real shame.

Both episodes have pacing and balance issues but I don't think one is especially egregious compared to the other? Nor do they have more pacing and balance issues than say, Clouds on the Horizon, which I'd say is one of MY least favouritely paced episodes of the show. Maybe thanks to them just had more novelty factor because of the setting (not to mention it probably benefitted from having one less subplot to juggle, but eh)

And about the fandom response after each episode....yeah. yeah.

I love Hunter. He's my baby. My scrimblo bimblo. He is like my twin brother. Literally. For reasons I cannot begin to explain here, hunter the owl house is like my twin brother.

And in all fairness to the fandom, plenty of people are normal about him. I know this because I've curated my experience to entirely be the people who are normal about him.

But the people who are not normal about him...my god.

Tbh I think this issue of focus actually lands on why I prefer for the future to thanks to them (THOUGH AGAIN. THEY BOTH SLAY)

The ending of thanks to them was so abrupt and emotionally charged that it felt like a betrayal, almost. The show went so hard and so fast that afterwards there was no breathing room and I didn't fully trust the show to be able to pull back afterwards. I thought either Hunter is going to eat up more and more screentime next episode by having to deal with the implications of every that happened five minutes from the episodes end, or they are literally never going to touch on him again. The ending of thanks to them was SO MUCH in so little time that I literally could not fathom a middle road.

Whereas the ending of for the future was a lot more. Aha, eureka! Moment to me. Like "OHH so that's what we're dealing with next episode!!! Nice". There was excitement and yeah, fear that things wouldn't land, but overall there was more trust in me. And of course, they did find a lovely medium between it being the Hunter show and addressing his trauma adequately. His arc was very emotional and satisfying this ep, without the borderline hard-to-enjoy turmoil that the ending of thanks to them put me through lol.

But I think, to some people, the sheer angst of thanks to thems ending was more emotionally rewarding than the well paced stability and slight ominousness of for the future. They felt that episodes end was too "mid". Too soft. The end of the show needs to go all out all the time, so this episode that focused more on emotional arcs and early season callbacks and payoffs is weak.

And to be honest, maybe my analysis here isn't as in-depth or as in-touch with fandom complaints as it could be! I've generally avoided the people harshly criticizing for the future because I like it when fandom is fun. I don't like watching one of my favorite episodes to date get dunked on. But that in and of itself (combined with the leak situation) has led to an inability to really Go All Out with fandom engagement rn. It's a struggle!

I've seen people describe for the future as en episode where Everything happened, and yet nothing happened. I get why! I personally prefer it to thanks to them because I feel like too much happened during that episodes climax to the point where it didn't even feel like the episode had true resolution.

But also, I get that for a lot of people, it's not even about construction. It's just about expectation and preference. People weren't expecting hexside, and when they got it, they got upset. People weren't expecting Willow, and when they got it, they didn't like it. And I get that. Really I do.

But this show is so fuckin wild. It does so much and throws so many curve balls at you. Never the big twists either, always the shit u don't expect. And it's great. I've honestly grown really fond of the way this show pokes me in the ass with something I didn't really expect or consider.

Not everybody is though and like. That's fine. But I do wish sometimes people would just. Kinda. Let it go when something goes in a direction they didn't expect. Because I didn't expect the direction FTF went in at all and I loved it once I stopped to think about it. But that's just me.

I think this is only like. 25% a direct response to things you said in the ask, so to conclude by answering/engaging with your ask point by point:

Willow stans and For the Future stans unite. This is our nation. Also shout-out to the fellow willow understanders I am mutuals with/follow you guys were really keeping us going in the pre for the future times

It's not a perfect episode but circumstances considering, it never could've been, and I'm okay with most of the ways it falls short. I'm also fully willing to hold out and see whether or not watching and dreaming rectifies any of my complaints, considering several of the issues I took with thanks to them were solved this ep, lol

Luz and Camilla literally stole the show in thanks to them and while I understand that the ending of that ep was very hunter centric, hence the hunter centric fandom atmosphere afterwards, I do prefer the environment in fandom rn that's appreciating this mother daughter duo rn

Hunter is not a main character imo. Not because he couldn't be but because his story is rendered infinitely more interesting when he is a supporting character. It's one thing to tell us that Hunter lives for other people and is made to forever be a second- best underling. It's another thing to show us this with his narrative role as the ultimate foil. He Is Better Off This Way. Also this point is dumb but I fully believe Hunter would be miserable as a main character. He does not want this

Also Luz is genuinely one of my favorite main characters in television. Maybe ever. If I start talking about her we'll be here all day. Just look at literally anything sepublic has written about her it's all on point

For the future had the perfect amount of Hunter content tbh. No episode should have more or less. I'm banging my gavel like a judge decreeing this to be so

[thenightlymartini]

I had an idea!

I know New Year resolutions aren't a thing everywhere, but because the New Year for a lot of places just started I thought it might be cool.

What is one resolution that each of them keep, and one that they drop?

You know, I honestly can't remember if I've done something like this before. I'm also not the most adept at searching Tumblr archives, much less lots of behind the scene stuff, so if there was a way for me to figure that out I just don't know about it.

This also gets a little tricky since I know Chinese New Year is more prominent in both Koreas, and I definitely know very little about it other than small bits and pieces I've seen on blogs, fanfics, and Tik Tok. Basically next to no knowledge. As such, this is mostly going to focus on New Year customs I'm familiar with, because I don't feel comfortable talking about Chinese New Year due to my lack of knowledge.

Also this is going to be long, so be prepared.

CW: light mentions of the Korean War and the separation, alcoholism, issues with weight loss, a swear word or two that is censored

------------------------------------------------------------------------------

Kimchiburger: America introduced this concept to SK fairly early on after they began to build a friendship, and SK found it kind of amusing but also kind of a cool idea. Amusing mostly because, since he's lived so long, he knows it's mostly just going to be the same thing every year and most of these resolutions don't actually get followed through with, but cool as in it kind of is like setting up goals for oneself and sort of makes people try to better themselves.

America obviously makes one for getting into better shape or lose weight, which usually just doesn't keep for long because his diet is very weird and his expectations are extremely too high or too low. Like he under or overestimates how much work it will take or how much he will actually lose, much less what is actually healthy for his body type. SK has to remind him that at least he tried and it will take time, though he will love him even if he does gain weight.

As far as the one he keeps, America made one about trying to be less ignorant of other's customs. He cringes at every memory where he unknowingly and/or accidentally did something rude towards others purely surrounding customs, as well as constantly wonder if being belligerent and his ignorance caused unneeded tension between him and others when they could have potentially become friends. Thus, he makes it his goal to learn as much about other cultures as he can, even those within his own country, no matter if they are minorities or majorities. SK helps him with this a lot when it comes to Korean culture and pointing out the differences between cultures, such as eating etiquettes between Japan, South Korea, and China. SK would also invite the Philippines over to help out with pointing out sub groups in each country and how similar and different certain customs are across multiple countries.

SK tried making new year resolutions when he first heard about them from America, and he always makes the same one every year nearing the end of the 1980s, no matter if it is kept, even if only with marginal results, or drops catastrophically: Have a better relationship with NK. He knows he has very little control over it, considering politics, but in an ideal world where it was just he and his brother influencing their relationship, he would do anything to start mending it. They were bonded together and had each other's backs through thick and thin for centuries if not millennia, only for it be shredded to bits in the span of half a century. There was a time for a few decades where he truly despised NK, just because the wounds kept reopening and the resulting emotional rollercoaster was extremely chaotic, but his anger and feelings of betrayal have been tempered enough where regret and sadness have slowly started to form with some logical reasoning behind it. He's also starting to realize that the longer they are separated and at odds with each other, the less likely reunification will be possible, not only from practical and logistical standpoints like economy, military, and what not, but even from a cultural perspective where he's beginning to see that their own languages are slowly starting to split and certain cultural norms don't hold up as well between them. SK actually was terrified slightly when one day he and NK were in an argument and he was having a hard time understanding him.

Rusnk: From what I understand and have researched briefly, I believe New Years is a bigger deal in Russia than Christmas is, considering Christmas came back after the Soviet Union fell.

Russia loves New Year's. Not necessarily for the idea of "new year, new me" that is common in America where it's a clean slate, but just because a new year means a chance to try again, to learn from the previous year and do better. The idea of making a resolution is still a fairly newer concept introduced, but he likes the idea of them. One in particular that he made that he kept was try to find the good, beauty, or happiness in even the littlest of things. He's lived so long with bitter cold and such a dark history, often by his own hand too, that he's forgotten that not everything in the world is a cold, cruel place or is meant to break him. Even if it is only in a few things or even one thing for an entire year, he finds it as an accomplishment. He's recently started to see snow as more than just brutal winter and has started to see the beauty snow fall can be and the happy times winter can bring, like children making forts or snowball fights, gathering around warmth for celebrations and family time, the way silence doesn't have to be deafening or oppressive and that it can bring peace of mind. It helps that NK likes to indulge in these kinds of things on occasion, and often times will compose poetry with Russia as a means to help organize thoughts and see the better aspects of things.

One that he definitely drops is trying to cut back on his liquor intake, not necessarily due to liking liquor that much, but mostly cause it is so hard to do and political matters and emotional trauma don't make it any easier. He tries, at least around NK, to not drink that much mostly because the other tries to drink with him and it is an absolute disaster when the Korean does. He's also noticing the effects the amount of liquor he normally drinks is starting to have on his body, despite being an immortal. Probably died of cirrhosis of the liver a few times before he knew what it was in his time as a nation. He's realizing he has an addiction of sorts, but doesn't have the knowledge, constant support (NK can't always be by his side 24/7 and he lives alone majority of the time), and massive amounts of will power to either consistently drink less or kick it entirely. He still makes this resolution each year because he is learning from the previous year of what has worked and not and is getting better each time.

NK is far more inclined to Chinese New Year, but indulges in the Western New Year once in a while, mostly because Russia loves it so much. He's very much a pessimistic pragmatic when it comes to resolutions, since he believes people mostly do them as a front and don't actually mean to follow through with them, and that a new year is just "new year, same sh!t". He also doesn't care for them cause they are a Western tradition, but did some mostly to humor Russia.

One he did keep was just doing more creative things, like practicing his instruments or writing or drawing, mostly because he's realized he hasn't had time as of late to do any of them for several years and missed them to an extent. Thankfully, part of Russia's resolutions helped to keep his, since he and Russia write poetry together when Russia is struggling to see the good in things on a particularly bad day. He also likes to play his violin with Russia when the other has his own out. They actually work quite well together once they get through the rusty phase.

One he actually thought he was going to keep turned out to be the one he dropped, which was just trying to say one nice thing to people, whether daily or just whenever he actually saw any other nations. He figured out quickly that his attitude and temper make that really difficult for himself, and when they aren't a factor he botches it and will accidentally insult someone or stumble over his words because his social skills are near zero when not in a professional setting.

Commieburger: America loves making resolutions, but is bad at keeping them unless he has help, while NK is the pessimistic pragmatic that sees right through the sugarcoating and calls bullsh!t on them. The only reason America got NK to made a resolution at all was through compromise and a deal. America broached the subject with the idea of a shared resolution between them, that way both of them work at it together and progress will be made in their relationship. NK mulled it over for a bit, but gave in when he thought about how this would benefit them in the long run.

Their two resolutions were to be able to read each other better so they were more likely to be on the same page more often, which they did end up keeping, and the other was lessening petty arguments, which they debate over if it technically was kept or not.

A lot of their miscommunication, after some discussion, mostly stems from either not understanding intentions, word choice, or just a lack of accurately reading the other. Like, America often thinks NK is in a foul mood when really he's either just deep in thought about something or he's actually neutral (his resting facial expression doesn't help). NK had a hard time figuring out if America was actually boasting or was trying to hide his insecurities or nervousness with the hero complex. The resolution was open-ended on how they would achieve it, but it allowed both of them to generate ways that would hopefully work. NK was prone to doing round-about ideas, such as playing chess to analyze ticks and expressions of the other to get a general idea of certain behaviors or ticks he sees occurring in other situations, since he knows he sucks at directly communicating when it comes to opening up or just with emotions in general. America is more direct and will just ask on occasion, at least giving NK a heads-up that he's trying to ask about more minor stuff so as to not make the other too uncomfortable. Usually he does this while treating NK to food or drinks he made that he knows the other won't turn his nose up at, since NK is more agreeable when there is food involved. It actually worked better than anticipated when America realize he was no longer walking on egg shells with second guessing if NK was in a good mood or meant any of the things he says, especially with verbal ticks or slight expression changes or physical ticks. NK, in turn, became more aware of when America was trying to put on a show and became better at understanding the sources of these acts while being able to temper the other's fears or nerves.

Now, the petty arguments. America makes the point that what people would call "petty arguments" tend to be more debates between them, and, since major arguments are now only happening once in a blue moon or under very specific circumstances, shouldn't count as petty arguments and that they did keep that resolution, too. NK still sees them as arguing, considering they both get pretty riled up when defending themselves, rather than civil debates. He also believes, due to have been around the block a few times as far as age goes and has experienced far more in terms of nationhood in comparison to America, that he knows the difference between light arguments and civil debate and is very steadfast at keeping that stance, thus this was a flop. Ironically, this topic in of itself results in one of those petty arguments/debates between them that will still be talked about years later.

[strooples]

Slow stories

I’m genuinely curious on different takes for story pacing + plot progression from different people!! Why? Because something comes to mind on that topic for me tonight…

So I’ll note out my thoughts from that!!

There was a Webtoon that I dropped — though I come back sometimes just to see if it’s farther along plot-wise because it was memorable to me. I remember starting it 6-7ish years back, and it’s still running (and very drawn-out, though arguably a lot of the drawing out is pretty helpful for a handful of story elements at the expense of others). My observations conclude in how there’s still tons of plot points going on with no resolution/expansion. Most of the things that were unrevealed stayed in the same manner as they were 7 years ago. So of course, many who loved the obscure details, symbolism, and foreshadowing lost the hype back then — where we’d all excitedly wait for plot points to come and hit hard eventually. It was essentially the fuel for the theorists who were attracted to the fandom & discussions.

Now, a lot of readers (casuals or hardcore theory people alike) experienced burnout and lost motivation. They most commonly say it’s due to the slow pacing and lack of any progression.

But a different opinion I’ve read from those who are still reading is that they actually enjoy nearly a decade’s worth of build-up because you get a feel for the situation the best (like how all the flashbacks put you in the position of the main character’s descent into a depressive haze + what likely explains a lot of her present-day tendencies as if you were her yourself & seeing it through her eyes). Of course, a huge aspect of the story is its psychological case study elements. Which TBH is inherently going to take A LOT of buildup. As I can’t easily imagine shortening stuff as complex as people’s actions being a byproduct of their childhood + traumas, social environment, and conditioning. You basically have to give every slow-burn moment of their past a chance to be fleshed out — because the only quick way otherwise is flat-out exposition dump.

Of course, I still don’t think we should completely avoid criticism for the things we like, even if they have reasons for being that way! I can’t deny the massive pacing issues and resulting feeling of its disorganization. But frustration does comes from passion in most cases, such as with art and storytelling!! And in this case, criticism tackling the basis of its problems (too many plot points at once for an already-slow burn story) is pretty necessary for improvements. So yeah — I still stand by how many feel unable be motivated to read/stay interested in that Webtoon. But I do think it’s a good point on the opposing end to mention that sometimes people may have a lack of patience for complex topics, where the desire for instant gratification at the expense of something in-depth may be an added factor?

So it was one of the better points in terms of why there’s still a handful of fans sticking it in for the long-run. We probably won’t see a resolution soon — if at all. But it’s definitely a story you’ll have to sacrifice the desire for progression and novelty in order for thorough understanding. One that I admire for its depth and breadth, but sadly can not bear to continue.

I suppose a love of complex stories and the love of a gratifying plot has to have a good balance, to make a story that feels both satisfying and meaningful.

[goodgrammaritan]

My personal favorite is season 3. Minus how they treated Aneesa. She got shit from every partner. And she and Fab were cute and had chemistry. I wish they'd stayed together.

But I also love season 2. Not only is that Ben/Devi stuff great, but there are so many emotionally resonant moments with Nalini and Devi, like Nalini calling Devi crazy, but then their resolution.

And Paxton is reeling from the loss of swimming. He doesn't know what to do. So first he coasts and uses Devi, but then he gets motivated to try (partially inspired by none other than Ben). It's a little rushed, sure, but it sets the stage for him doing well and applying to colleges in season 3.

Kamala's lab plot is a great device for demonstrating that chemistry (no pun intended) and similar interests (Jimmy Kimmel) aren't enough for Prashant and Kamala to have a healthy relationship. Good for Kamala for standing up for herself in the lab, and also for realizing that Prashant's advice was bad and wrong.

Nirmala gets introduced in this season! She's a compassionate parent for Nalini, though moving in together is not without its growing pains. And her involvement with Kamala's presumed engagement sets up their season 3 arc, probably the best plotline for both of them.

The Fabiola, Eve, and Sasha stuff is important. Not necessarily because of their relationship or the Cricket Queen stuff, but because Fabiola is learning what it is to be a lesbian. Sasha is very gatekeeping, thinks there's only one way for lesbians to be, and Fabiola doesn't fit that. (Maybe also Sasha is jealous? Has a crush on Eve?) And Fabiola tries to fit in, to be that lesbian, because she's new to being out and, in typical Fabiola fashion, wants to get it right. It's not until the last episode, her talk with Devi, Eleanor, and Jonah, that she realizes the way to be a lesbian is just to be herself. As Devi points out, all that's required to be a lesbian is liking women. And Eve is sweet, but does not defend Fabiola to Sasha enough. I think she definitely likes Fab a lot, but gets carried away with being Cricket Queens, and doesn't focus on Fab's feelings.

Eleanor...yeah, Malcolm is cartoonishly evil, but it's totally believable that a teenage girl will ignore her friends' advice for a celebrity crush. No, it's not mature, but I do like that it allows Eleanor to bond with Sharon, her sweet stepmom.

And I love Aneesa. She is in many ways what Devi wants to be: popular, yet also someone to make Indian moms proud. Hot, confident, coordinated...but also a fully rounded character. And she makes Devi confront herself at her worst. (But then, Devi gets development with Nalini when Nalini convinces Aneesa's mom not to make her change schools. It's a great Devi/Nalini moment.)

Oh, and why does Nalini do this? A talk with Chris, where he suggests just saying yes when your kid asks you for help. He's a good guy: he admires Nalini, but also won't take any shit (the client list stuff). They're colleagues, and while the timing isn't right, I think they were good for each other.

And Devi in therapy. The whole "you feel a lot, so you'll hurt a lot" session. I weep every time.

Overall, season 2 gets me emotional in ways season 4 doesn't. I liked the first and last episodes of season 4, and Devi's college admittance trials, and Fabiola's tension with Devi re: Princeton, where Devi realizes that Fab being scared to tell her about being accepted is a flaw in their friendship. But other than that...

I wish Paxton hadn't come back. That was such a dumb plot, a very 90s/early 2000s trope where no character ever leaves. If he was going to be in the season, I'd have preferred him not to be a teacher. That was just asinine. And it undoes the closure, the being a dream, the lack of stomach knots.

And then Devi and Nalini regressed to a season 1/2 relationship. All their progress in season 3, Nalini's utter smackdown of Rhyah in defense of Devi, and her reassurance that Devi is always enough, and never too much.

And Margot's dad. He's... there, I guess.

And Kamala has nothing to do. She did her big, "I'm a grownup, I'm moving out, I'm not doing an arranged marriage" plot in season 3, so in season 4 she's reduced to investigating Len and hiding under tables.

Basically, did season 4 make me cry? Maybe two tears. It just didn't hit as hard. I still enjoyed it, but it didn't hit me.

what do you think are the best and worst nhie seasons?

Hmm… IMO, the best is probably a tie between the third and fourth seasons. I love them for differenr reasons. The worst is by far season 2. Other than the stuff with Ben, almost nothing about that season worked. Devi’s motivations for acting, well, crazy, being explained very late into the season. Kamala’s cartoonish science plot. Nalini and what’s his face. Paxton’s tedious and underdeveloped crap, despite the screen time. Fabiola, Eve, and that annoying friend Sasha. Eleanor and Malcolm. God… at least the Ben stuff was really good.

[thedoubteriswise]

okay so. I am a smart adult with many important responsibilities. I have good taste and care about things that matter. for this reason, I’ve been trying to identify where in cql canon wangxian manage to fuck.

because they definitely do; I like a good post-canon getting together fic as much as the next guy, but it’s just not realistic.

allow them. it’s already been so long.

(just like this goddamn post turned out to be, let’s do a cut)

right. so initially it looks like you could place this right after the time skip in episode 33, because it shows us that wwx is with lwj in cloud recesses. we know that he spent the night in the jingshi because he wakes up there the next morning before he goes for a nostalgic tour of his old school.

and also visits the cold spring, where lwj is mostly naked. nice.

but wait! wwx is surprised by the scars on his back and chest. that seems like something he would have known about if they’d already been naked together the night before, so I’m going to say they did not fuck immediately upon wwx’s return to cloud recesses. okay, fine, they’re taking things slow, that’s cool.

maybe they could work it into the next night, then. oh wait, lqr is injured and... staying in the jingshi? for reasons?

I don’t know why. he must have his own house in cloud recesses, and it’s probably at least as comfortable as lwj’s, but here he is. he lives to stop his nephew from getting laid, I guess.

the next day they do some Q&A with the kids and determine that they need to head to qinghe to figure out what’s going on with this sword thing. great! we love a romantic road trip, plenty of alone time. but they also have to do their jobs, and then jin ling needs to get rescued from a wall of dirt, and jc is unfortunately there being himself, and then they have to grill nhs about his tomb full of angry sabers, etc. etc.

with all that going on, their next obvious chance is at the inn immediately after interviewing nhs. this evening has already included:

wwx gazing lovingly at lwj from afar

lwj carrying wwx on his back

lwj pawing at wwx’s robes trying to deal with his cursed leg

lwj helping wwx up the stairs, serving him wine, fixing his flute, and generally being at his beck and call

a very sexy and homoerotic duet

and now they’re alone and drooling over each other as usual. this seems like a plausible spot, right?

it does! but no. after they go back to the nie basement o’ swords and hear the backstory on nmj’s death, we see them walking in yueyang and lwj asks wwx how the curse mark on his leg is doing. wwx says it’s almost healed, which may or may not be a lie, but his inner monologue says:

he’s more concerned about the wound on his arm from the sacrificing curse, which lwj doesn’t know about, because wwx won’t tell him and they still haven’t been naked together.

also, this silly teenage shit doesn’t make much sense unless they’re still dancing around each other.

you guys love the sound of opportunities as they go flying past, don’t you?

right after this, lwj gets drunk. I’m aware that Stuff Happens in the novel scene that inspired this bit, and they do incorporate some of that into the show by having lwj commit petty larceny and admit that he “likes rabbits” as part of the softest and most loving conversation in human history oh my god

but lwj goes to sleep right on time, and the next morning, wwx is laughing and reassuring him that nothing happened.

after this, it’s time to go on a fucked up field trip with the kids in yi city, so they don’t really have any time alone for a few episodes until they’ve finished that and everyone is back at yet another inn. I wonder if they learned something about wasted chances and poor communication from this miserable songxiao story?

maybe! look, they’re being cute and domestic. there are currently no material barriers preventing them from having sex, nor will there be any specific evidence later on proving that they didn’t.

but they’re still firmly in mystery-solving mode and the juniors and lxc are floating around. the vibe isn’t quite there. if I were to pick the most solid reason why I think they’re saving room for jesus at this point, it would be the tension that happens when wwx again asks how lwj recognized him. lwj asks why his memory is so bad, and wwx replies that he wishes he had a bad memory. even though they’re comfortable and happy being together, there’s still some fundamental distance remaining. there’s no sense of romantic resolution. that was actually a point against all their previous opportunities as well; they’re all very sweet, but none of these feel like the place in a story where the romantic leads Officially Get Together.

okay, off to koi tower! shit is getting extremely real. everyone’s busy insinuating that they recognize wwx, but no one is saying it explicitly. wwx isn’t supposed to be here. the guy he’s pretending to be also isn’t supposed to be here. he and his boyfriend and his boyfriend’s brother are trying to figure out if his boyfriend’s brother’s boyfriend is a murderer. no one is comfortable and the political intrigue leaves no time for fucking in front of anyone’s salad.

I guess there’s plenty of time to make dozens of armed guards and like half the people they know wait while they have a romantic moment, though.

could they be more in love? And that sure feels like a romantic resolution that might be followed by narratively-earned sex.

ah. no, unfortunately wwx gets stabbed again. this certainly sucks, but it does have the helpful consequence of making lwj take him back to cloud recesses, where they are mostly alone and as safe as they can be in the circumstances. now there’s even more tenderness and also some plot-justified touching and skin exposure. plus, lwj just made a very public declaration of love.

too bad wwx has probably been unconscious since he started coughing up blood in the forest near lanling. he’s also still visibly in pain. fresh abdominal wounds tend to kill the mood.

but hey, the injuries on this show are only as serious as they need to be to move the plot forward and facilitate gentle h/c scenes, so by evening he’s looking perfectly healthy and walking around under his own steam like nothing’s wrong. I guess that problem can be ignored moving forward.

lxc then offers the the most devastating highlights of lwj’s backstory, like, all at once. it’s nice that he includes a flute solo to give wwx a second to process this mountain of terrible information. what the fuck.

there he is! the most devoted man in the whole world! turns out they can actually be more in love after all.

and then the following scene... look, I’m lazy and I don’t know how to make gifs, but screenshots cannot properly convey how good it is. you all know. the hesitant way wwx approaches, the slow and gentle piano version of wangxian, the two of them watching the snow together, it’s. ugh.

remember how I was talking about how the last scene with no material barriers was an unlikely candidate because of the lack of romantic resolution?

well, here’s wwx still being cagey at the beginning of this conversation.

and here they are in the middle of this conversation, having some epiphanies about the course of wwx’s life - I love this shot for a lot of reasons, but I extra love it because it shows wwx out in the snow, with lwj as the safety and warmth waiting behind him, god this show goes hard, holy shit

they both recall their vow to live with a clean conscience and internally say some very corny things about each other because they are both So Much, and then,

ah, what the hell. he can say it out loud after all. romantic resolution accomplished.

and then the camera slowly pulls away as wuji plays.

a slow zoom out? swelling music? listen, I am a connoisseur, I know a tasteful fade-to-black indicating a sex scene that won’t happen on camera when I see one. at last, we have a winner!

now you may think this post is finally over, but I actually have one more piece of evidence for you - the next scene shows the two of them the morning after, meditating behind a screen in the hanshi while lxc is waiting for jgy to show up.

before wwx got de-cored, he was a pretty powerful cultivator, right? the chances that he’s just bad at meditating or that he can’t stay focused on this task seem slim to me. so why does he keep falling asleep?

well. he had kind of a late night.

[clairecrive]

“Burn” - Bane x reader [Requested]

A/N: this is for this anon. Thanks again for requesting! I missed writing for Bane.

Warnings: angst

Word count: 2.5K

Taglist: @mollybegger-blog, @evelynshelby, @br0ck-eddie, @sopxhiea, @shadow-of-wonder, @fandom--0verdose, @fuseburner, @kind-wolf, @innerpaperexpertcloud (let me know if you wanna be added or removed)

The vastity of the night sky had always helped y/n ease her worries. Surely, whatever was bothering her couldn’t be as big and impossible to solve as she was making it out to be. Because, would you look at that? The universe is so big and we’re so small, so insignificant. and that applied to her problems too. 

At least that was what she always told herself whenever she’d feel lost and hopeless. Thinking this way helped her put things into perspective. And sure, not everything was as easily solved but, even in that case, it helped a bit.

And so here they were, she and Bane were laying down staring up at the starry sky. Sometimes, they would spend it in silence, just enjoying the warmth and comfort the other’s body would bring. Others, like this one, they would easily fall into conversations about everything and nothing.

“Was there someone special in your life? Someone you wish to get back to?”

“You mean, romantically?”

He nodded.

“No. Single for life.” She did a peace sign to lighten up her embarrassment but Bane was curious and did not pay it any mind.

“You mean to tell me that you’ve never given your heart to anyone?”

“Well, if you put it that way I have to change my answer to yes. Being in a relationship with someone and giving someone your heart are two wholly different things.”

“Let me rephrase then. Have you ever been in love?”

She really thought about the answer, her mind going back to any romantic involvement she might have had during her life. Even if she scouted her memories, she found that it wasn’t a yes or no question.

“I guess,” not only was the word she chose explicative of her indecision but the tentative tone of her voice left no doubts as to where she was standing. But Bane was confused, to say the least.

“I’ve always been under the impression that love was one of those things where absolute certainty was involved when it came to its presence or absence.”

“I don’t know what to tell you. I have had mostly one-sided crushes, you know?” she started but Bane could see the faraway look in her eyes and knew that she had more to tell but was lacking the right words. So he waited.

“I said ‘I guess’ because I don’t really know what love is. I mean, everyone has a different take on it depending on their experiences but I don’t think I’ve ever felt it,” she paused turning to meet his eyes, “once there was a guy I strongly had feelings for. Even that was one-sided though and it took me a long time to recover from that because he was my best friend at the time. Looking back to it, I guess it was love or the closest thing to it that I’ve ever felt for someone. It hasn’t happened again though so I don’t have anything to compare it to.”

“Maybe it wasn’t love, just deep infatuation. Or maybe I just confused my love for him as a friend for something more. I don’t know. I guess I’ll figure it out when I fall in love with someone else. “ She concluded and refrained from correcting that when with if. she couldn’t see herself being as lucky as to have someone that cared about her and that loved her in the future. But Bane didn’t need to know that.

Turns out that those unspoken words had become a sort of oracle, ‘cause here they were now, years after they had that conversation. Just when she thought that she had found that one person to share her life with, to give her heart to, life quickly come into play letting her know that that wasn’t the case.

Because the man that had saved her from a destiny worse than death, who had given her hope and made her trust him to the point where she had felt safe enough to open up to him and allow him close to her heart, had now shattered whatever remained of it.

"So let me get this straight, first you save my life than you decide to keep me with you so you basically kidnap me, get me to fall in love with you, put me through an insanely difficult training so that I could stay with you but it was all done in vain because now you’re  sending me away?"

"I'm not sending you away but you cannot stay here anymore. I’m doing this for you."

"And why is that? What changed?" and when Bane stayed silent she added, "what happened to 'I want you always' ?"

"I did not lie to you." His words were in striking contrast to the ones he had said before but y/n had learned to read him and could tell that this time he was not lying. But then the question naturally arises, what's really going on?

Nothing out of order had happened in the last few days. Bane and she had been the same as always, even his work had proceeded as usual. So what was it? What was she not thinking about? What was she not seeing?

Letting her mind go back through the last day to fat check that nothing happened, she went through their actions. Light breakfast together followed by a not so light tête à tête then they trained together until he had to deal with something for his work and she had occupied herself otherwise. She had called him to see when she could get dinner started and he said that he had a meeting with Talia first but had come right after. They had dinner and while they consumed their healthy and perfectly balanced meal she shared with him whatever came to her mind while he ate in silence. See, nothing out of order.

Wait a minute...

He went to meet Talia.

"It's her, isn't it?" Suddenly, everything was clear. She knew what had happened, what had changed. And she sneered at the pull Talia had on him. Suddenly, she understood but at the same time, the last year lost its meaning.

"I just wish I realized earlier that you didn't care about me as much as you said you did," turning she went to her cabinet to get her stuff, "I wouldn't have put myself through so much otherwise." 

Nodding, she knew what she had to do. She had to leave. There was no reason to stay. Resolute and defeated she put everything her eyes fell on that was hers in a little bag. Clothes, lingerie, cosmetics, books. But when her eyes landed on the little box where she kept everything connected to him, her heart broke further and her anger was fueled. 

In there, there was every present Bane ever gave her. Every little thing that made her think of him in some way. The letters he wrote her whenever spoken words failed him. She knew that going through its content would equal to a chronology of their relationship. If it was possible her heart broke even more. Everything she did to stay with him, everything he did to keep her now was all vain. She gave up so much for him, for a man. Her former self would be ashamed of her and knew that her heartbreak was contributing to making her feel something akin to that. 

"Here," she said walking where he was standing, "take this. I don't want it anymore," and she threw it at his feet. The only acknowledgement on his part was a tilt of his head but it wasn't needed. He knew what it was and what she kept inside of it. He felt a pang in his heart but kept his face void of any emotion. 

"I'll want you always," she said mocking his voice, still stuffing stuff in her bag and chuckled with mirth, "what a load of bullshit." 

"Actually," stilling for a second, with a shirt cramped in her fist she faced him, "I am the biggest clown between us because I believed you." retrying her stuffing, shaking her head she added in a whisper, "I should have known better," but Bane heard. 

As soon as he decided on this course of action, he had also prepared for her reaction. He knew her well and so far she hadn't done anything that he hadn't expected. And while he had been ready, he couldn't help but feel hurt by her words. He knew how she was looking at this situation, knew that his words had led her to believe it to be so. At the same time, a little part of him wished for her to oppose to his words, to see right through them and see that he was lying. That he had been honest when he had told her those things, he had opened up to her and meant everything. But knew that she was too lost to rage and hurt to think clearly. And it was also the reason why she was acting up and had thrown the box on the floor. He knew that she deeply cared about it and what it meant to her. He almost thought of offering some kind of comfort, to give her some hint about what was really going on. But knew that it would be unfair to her. After all, he was doing for the sake of her safety.

“You know,” her voice brought him back and his eyes were immediately drawn to her, “isn’t it funny how you man always pride yourselves to be strong and all that bullshit when even someone like you, who’s the epitome of masculinity and strength, at the end is totally subjected to a woman?” 

They would always have this kind of conversation. Bane, being a leader of a huge army, had the tendency to be bossy. Even in situations when it wasn’t needed. It was just who he was and he felt the need to remind her of his alfa status an unnecessary lot of times. While she could enjoy this inclination of his when they were in bed, she definitely couldn’t stand it in their everyday life. And now, it made her feel stupid that she had to put with it and learn how to deal with it but when it came to Talia, he just did whatever she told him to. Also, this changed her consideration of him. What a clown. She had tried to warn him about his rather toxic relationship with Talia but he’d always get angry and dismiss the conversation either by leaving or shouting at her. She could remember their last fight about it like it was yesterday. It was also the first time that she had ever doubted her relationship with him. The first time that she had thought that maybe she had made a mistake by staying with him, by falling in love with him. Maybe she should have left as soon as she had rescued her. It wasn’t for the motive of their fight, neither her jealousy and worry about his relationship with Talia, but it had all to do with what he shouted her in rage that made her blood run cold and her heart shatter. For it was said that angry and drunk people were the more honest ones. And since that moment she couldn’t help but wonder if he really thought what he said to her or if it was just an impulse propelled by anger as he had explained.

“Maybe I shouldn’t have saved you.” 

And then, as if that wasn’t enough, he decided to twist the knife further.

“I told you not to fall in love with me.”

As if one could choose who they fell for, she remembers thinking.

Those words still haunted her to this day. It happened a while ago and Bane had made it up to her, mostly. But it was in situations like this that they would come back and mock her for even forgiving him and thinking that he loved her as she loved him. To think that even a small part of him thought that it was best that he had left her to suffer in the hands of a sex abuser until he would have eventually tired of her and killed made her sick. How could anyone say something like that to another human being? One they presumedly loved? She couldn’t wrap her head around it. Bane had then explained that by that he didn’t mean leaving her with her captor but simply bring her with him and keeping her with him. Despite the fact that his explanation made sense, y/n still didn’t think it made things better.

And as for his second statement, it went mostly unmentioned. 

Sure, that had been something he had told her in the beginning. It was after her training required them to spend most of their days together since he wanted to attend to it personally. Y/n knew that being in the military and with his past, it wasn’t easy for Bane to show emotions let alone let someone close enough to him to allow himself to love them. She understood that. She had a few things she was dealing with that made it difficult for her to entertain the idea of something more between them.

But that was almost a year ago. So much had happened in their life and between them that even though the words were not spoken aloud, she felt the shift in both their behaviours when it came to them. Hell, they even started dating. 

Not that any of them labelled it that way. But that was beside the point.

They slept together, they ate together every meal, they lived together. If there was a band on both their left ring fingers and it was a more conventional setting, people would assume they were married. 

While y/n didn’t like thinking about what they had in that way, she surely considered the commitment they had made to each other equivalent to a marriage. 

She hadn’t considered Talia though. 

Or at least, she had hoped that if she ever would try and come between them, Bane would stand up for her. 

Turns out that she really was foolish.

“Whatever, I guess it’s not my problem anymore.” Giving him her back again, she closed the almost full bag and went to put on some shoes and coat. 

“I don’t have any use for it, you should take it with you.”

“Neither have I. Burn it, see if I care.” 

And with that, y/n turned around and walked out of their shared apartment at last.

It hurt to say the words, it hurt that things had ended to abruptly, it hurt that even after all this time he didn’t care about her, it hurt like hell but y/n was resolute in leaving all of this behind her. Yes, it wasn’t going to be easy and maybe it would be like leaving a hot fire trail behind her but at one point the fire would burn out, wouldn’t t? 

It may take a while but she would be okay,

[rapunzel-the-pun-master]

Hi everyone, I’m sure that most of you are aware that there’s been some discourse (again) from certain whiterose shippers (again) towards the rosegarden community. This time they’ve crossed a line, but I will get back to that. I’m going to write about my own interpretation of the reasons behind their actions, and then I will provide some ways I think we all can avoid this in the future. I can’t stress enough that this is my own interpretation based in what I’ve seen. This is not an attack against anyone, and this is not intended to be a definitive glance into these people’s thought process. Everyone thinks differently and I could be way off the mark. I’m more using this as an example to figure out why discourse happens in fandoms at all. One last side-note before we get started: this does NOT represent whiterose as a whole, this discourse has been consistently lead by what seems to be the same whiterose shippers with some stragglers contributing here and there.

A lot of people prefer some ships over others because of self projection. So when someone tells them that their ship sucks, or another ship containing one of the characters starts to have a chance at being canon, the shipper will naturally begin to feel threatened. The certain whiterose shippers that have been causing all this discourse probably feel threatened by rosegarden merely existing. This is not an insult, I want that to be very clear. To be fair, while I haven’t seen it myself, these whiterose shippers justify their harassment by saying that rosegarden shippers leave mean comments on their posts unprompted. Even though I haven’t seen this, I will take their word for it. When the discourse first began, it was very nitpicky. They would argue things that aren’t true such as Ruby and Oscar being too far apart in years, and Ozpin making the ship akward. We would argue against these points, and the same arguments would resurface again a little while afterwards. Recently, Miles did a cameo where he disproved these points. He said (once again) that there is only a two year age gap, and when asked if it is okay to ship rosegarden, he said yes. There was also another cameo where someone tried to bait him into saying that Ruby and Oscar have a sibling relationship but it backfired completely and ended up adding fuel to rosegarden. I think that these certain whiterose shippers got frustrated with rosegarden’s increasing momentum, backing and lack of things to nitpick and they didn’t really know what else to do. Very recently, someone posted on twitter “we should bully Rosegarden.” This became a troll thread, and from there, people began to add increasingly vulgar stuff, all targeted towards rosegarden shippers. I will not go into detail, there is no point in resurfacing insults in a post that I want to be helpful.

So how do we avoid conflict in the future? Here are some helpful tips:

1. The block button is there for a reason. This is a very obvious solution that many of you have heard countless times before, but it does work. Now, the block button should not be used just because someone says they ship something different. The block button is there to avoid harassment and cyberbullying. Wait to see if the person you want to block actually means you any harm.

2. Take a 5 minute break. This works in in real life, to. If you are ever in an argument with someone and you can feel yourself or the other person getting angry, it is perfectly fine to say “I’m starting to get angry, I’m going to take a break to calm down. I will come back to this conversation, though.” The purpose of a conversation is communication, if a conversation is going nowhere, then it is also fine to say “this conversation isn’t going anywhere. Let’s just stop.” If the person tries to continue the conversation, give them a warning and say something like “I don’t like this conversation, and it isn’t going anywhere. If you keep trying to continue this conversation, I will block you.” In real life, you can’t always use this because some conversations need to find a resolution. But on the internet when you are talking with a stranger, this is a great tool.

3. Don’t comment on posts about your ship unless they directly reference it. This should be a given, but it does happen quite a lot. It doesn’t help you or your ship at all, it just gives the other person reason to retaliate. Not to mention the fact that it is just a really mean thing to do.

4. Don’t “take revenge.” It is very easy to justify insulting someone because they or their community has done it in the past. This will never result in something good. So just avoid this all together.

5. Try to diffuse the conversation. If a conversation is going nowhere, or the other person is getting aggressive, act subjective. You may feel very angry in the moment, but when people become angry, they actually become dumber in the moment. So act subjective, and if it begins to get difficult, take your five minutes. Do what you need to do to calm down.

6. Ask for advice. Go to someone you trust and show them the conversation. Ask if it seems like the conversation is going anywhere or if it is an appropriate time to block the person. Try to say the conversation word for word so that your feelings don’t mix up what was actually said.

7. Report the person. This is a very last ditch effort kind of thing to do, and it should only be done if the person has actually violated the platform’s community guidelines.

These are some ways to avoid conflict off the top of my head. Fell free to add your own if you feel I’ve missed something. Fandoms are here so we can geek out about something we all enjoy, at the end of the day, try to remember that these are just fictional characters and that it’s okay to step away for yourself. Your mental health and other’s mental health is much more important than your OTP. I hope everyone has a great day!

[rivers-rambles21]

The one with the road trip

Part 15 of The one where Bucky has a cute neigbour series!

Pairing: Bucky Barnes X Reader (f)

Warnings | 18+ only  - no smut but mentions of it

Chapter 15 | Chapter 14 | Chapter 13 | Chapter 12 | Chapter 11 | Chapter 10 | Chapter 9 | Chapter 8 | Chapter 7 | Chapter 6 | Chapter 5 | Chapter 4 | Chapter 3 | Chapter 2 | Chapter 1 | Masterlist

Apologies for any mistakes, this has been written on my phone and its a bit difficult to edit. Once I’m back with a working laptop I’ll give it a once over :)

Bucky had intended on renting a bike so you could ride down to Louisiana but with Sam’s suit it would’ve been an impossible feat. 

He settled for hiring an SUV and added you both to the insurance so you could take it in turns driving on the long trip down south. 

“Been together one day and we’re already on our first trip” You teased as you rested your feet on the dash, taking in the scenery as Bucky drove. His metal hand gripped the steering wheel as he peaked a glance over to your bare legs, resisting the urge to pull over. 

“You’re the one having a mid life crisis doll not me” You feigned offense and swatted the soldier beside you, pleased to get a hit in as he tried to dodge your attack. His eyes remained on the road as he grasped your hand in his. “Less of that thank you” He laughed, bringing your hand to his lips, leaving a kiss on the back before giving it back to rest on your thigh, his hand not leaving yours. 

“Looking forward to seeing Sam again?” He didn’t respond but his face said it all. “You’re so dramatic” You chuckled as you leant down to root around in your bag for the road trip snacks. Retrieving a bag of cashews, you offered it to Bucky who gladly took a handful. 

“I just know he’s going to ask a billion questions about stuff we’ve not even discussed yet, that we’re probably not even ready to talk about. He didn’t stop asking about you y’know? Y/n this, Y/n that…he kept threatening to ask you out.” 

“Oh he did” 

The car swerved slightly as Bucky's grip on the wheel tightened, his concentration lapsing for a split second. 

“He did what?” He asked, tearing his eyes from the road to glance over at you. 

“It was just a bit of harmless flirting-” You began before being cut off. 

“We flirted.” Bucky stated, his jaw clenching. 

“We also did a lot of things just friends don’t do. Relax Sarge, he only asked to get a reaction out of me.” 

Bucky grunted in response, knowing his reaction was a tad over the top but he couldn’t help it. You were his. 

“We could always mess with him in return.” You pondered as you took a swig of your drink. “Maybe hold off on telling him about us, it’s only meant to be a flying visit anyway isn’t it? So we wouldn’t have to pretend for long… play him at his own game?” 

Bucky smirked in response, completely on board with your little plan.

  The next few hours passed with the typical car games and a quick power nap as Bucky continued driving. 

“How long until you start at Starks?” 

“A month thank god, the GRC wanted me gone pretty quickly, I didn't have to work my notice which was a blessing really. I’ll schedule a day to go and clear out my desk and say my goodbyes. Will you still get your pension if we live out of the country?” 

“I’m not sure to be honest, I can pick up work wherever we are though, it wouldn’t be the first time. I’m good with my hands” 

“You’re telling me” You muttered under your breath. Bucky heard you loud and clear and let out a laugh as he recalled how you spent most of last night. “Are we crazy? Travelling with no plan, barely any money and only just starting out as a couple?” 

“Oh absolutely”

Eventually Bucky took a break from driving after you stopped for food in a roadside diner. It had been a while since you’d driven but you wanted to give Bucky the chance to get some sleep, something you knew he still struggled with. 

Despite telling him to try and get some sleep on the back seats, he remained upfront with you, doing his best to battle the drowsiness that had overcome him. He’d not gotten much rest the past few weeks, from battling the Flag Smashers in Europe, to hunting down Zemo and then back to New York. In truth he was worried he’d have a nightmare and wasn’t sure on how he’d react but upon your insistence, he tried to get some shut eye. After an hour or so he dropped off, the sound of you humming along to a song on the radio sending him off into a dreamless sleep. 

Bucky couldn’t quite believe it, he couldn’t remember the last time he slept without being haunted by memories of the Winter Soldier. Granted, he only got four hours of sleep , but it was the best he’d felt in a long time.

When it came to your turn to get some shut eye Bucky insisted on stopping over in a hotel for the night. You’d tried to convince him a motel would suffice after you lost the battle of you sleeping in the car but he was victorious. 

To be frank, after spending so many hours in the car, you were grateful to be sleeping in a bed with your super soldier by your side. 

As you slept, Bucky took the time to fire off a few emails advising he’d be ending his lease. Having slept earlier, he felt energised and was content in browsing the internet as you slept tucked into his arm. 

He did his best not to wake you as he opened a selfie from Shuri of her with Ayo and Nomble, a chuckle escaping his lips as Shuri and Nomble looked to be thoroughly enjoying themselves on a boat trip in New York whilst Ayo sulked in the background. 

He also replied to an email from his therapist's office, letting them know he’d be absent from his next session but planned on returning the following week.

Bucky was tempted to let Sam know he was coming but thought it best to surprise him.

The next day was much of the same, both of you switching the drive and stopping off at diners for food. Due to the lack of respect Bucky had for the speed limit, you were making good time and would be in Delacroix the following morning. 

“-it was like I didn’t exist. Honestly it was the most humbling experience of my life” 

“Sergeant Barnes in his uniform… now that is something I’ve got to see.” 

“Maybe one day”  

Your eyebrow perked at the thought. “Good god man” You groaned dramatically and sank further into your seat, giggling as you caught sight of the blush covering his cheeks. “For what it’s worth, lack of nutrients from the rationing clearly messed with her eyesight.” You were genuinely baffled how Peggy didn’t swoon for the man next to you.

“Where were you in the 40’s when I needed you huh?” 

“I doubt I’d have been your type” 

“Intelligent, strong woman with a great sense of humor? And thats not even mentioning your ass.. Oh no, definitely not my type” He replied sarcastically. 

“Ha ha fine, I’ll take your word for it.” 

“I’d have taken you dancing, maybe gone to a show or even the carnival. Anything you wanted.” He took your hand in his again and kissed the back of it as he pondered just how he’d of won you over back then. He usually didn't like to dwell on life before the war, the pain of losing his family and the future he lost was too much but having you in his life somehow made the memories hurt less. Having you with him now along with the future he could picture with you helped him make peace with his past life and accept that it wasn’t something he could ever go back to. 

When Steve was returning the stones, he did wonder whether he should go back with him but the realisation that there wasn’t anything waiting for him apart from a time that he didn't belong to made his decision to remain in the present resolute. And by god was he thankful he stayed.

On your way to your final hotel before arriving at Sams, you’d taken over the driving and had kept Bucky entertained with your off key singing and terrible car games. 

“You’ve got to be fucking kidding me” As it turns out, Bucky was a sore loser. 

“What? It counts!!” 

“You cannot see bacteria Y/N” 

“Yes I can! It’s right...right… right there!” You pointed to a random bit of the car interior and held back a laugh at a clearly unamused Bucky.

“You’re so full of shit” 

“How do you know I can’t see it huh? Guess it’s my turn again, I spy with my little -” 

“No” He cut off as he pulled his phone out of his pocket. “Absolutely not. I’m going to choose a game.” 

You let out a little smile and continued focusing on the road until the super soldier landed on something he liked. 

“Okay okay, would you rather sounds fun. Doll, would you rather have the superpower of being invisible or ability to fly.” 

“Aw come on Buck these are tame! If I have to answer, without a doubt invisibility.” 

“Not dirty enough for you sweetheart?” A tingle rang down your spine at your new nickname. “I’d have to agree, invisibility easily.” 

“Buck you’re an actual superhero, you’ve already got powers, leave some for us mere mortals!” 

“... you think I’m a superhero?” 

“....you’re literally an Avenger.” You reached across towards the man beside you, keeping your eyes on the road as you pressed your hand against his forehead. “Are you feeling okay?” 

Bucky rolled his eyes at your sarcasm and swatted your hand away from his head. “Fine you made your point.” 

You shook your head as you returned your hand to the steering wheel, tapping away to the song on the radio. 

“The rest of these questions are boring” He muttered as he furiously scrolled through his cell. 

“C’mon, go R rated” 

“It’s no fun when I already know the answers to these!” 

“Pfft doubtful, come on, hit me” 

“Spit or swallow, you’re a swallower doll.See?” 

“Okay okay! You’re right, I give in. How about we just ask each other some questions?” 

“But you already know everything,” He remarked, throwing a few cashews into his mouth. 

“When did you first see me as someone other than a friend?” You’d thrown him off guard with that question, his hand stuck in mid air as he went to throw more snacks into his mouth. 

“Wouldn't you rather know my most embarrassing sexual encounters?” He offered but was met with silence. “Fine……. I’ve never seen you as just a friend. Yes we were friends before we became more and honestly Y/n if it never progressed further than just friendship I would’ve been fine with it, more than fine with it y’know? Meeting you was the best fucking thing-” “Buck, it’s okay” Your hand reached out towards him and squeezed his thigh as you kept your eyes on the road. 

“There’s more… before we officially met in the lobby when that creep wouldn’t leave you the fuck alone, I’d seen you around. I was coming back from lunch with Yori and he was complaining about having gone for burgers instead of our usual and there you were, headphones in completely oblivious to the world and searching for your keys in your purse as usual. You were just so carefree - everything I wanted to be. And then a couple of days later we met and I was a goner.”

You bit your lip as you fought back a smile, overwhelmed by his honesty. It was a welcome feeling, knowing you weren’t the only one that felt an attraction almost immediately. 

“I’d seen you around too, before we officially met I mean. It’s kind of hard to miss you” You chuckled as you snuck a glimpse over at him and found him doing his usual glare. “It was pretty early on for me as well, do you remember when we went for coffee?” 

“And you ordered us two cups of sugar? Yeah I remember” 

“Mocha Latte’s aren’t bad for you… they just give you a bit of a buzz” 

“Especially if you order extra cream…” 

“Anyway! I’ve always been attracted to you, I’m not blind y’know but after seeing this dark looming strong man consume a drink like that, and have some residue cream left on his lower lip mind you, I just knew that it was more than just a crush. There’s something oddly charming and attractive about seeing someone so intimidating be so soft. It’s like I’m the only one who gets to see that side of you and I love it” 

Bucky didn't quite know what to say, he was slightly flustered at the compliments you were throwing at him and by the knowledge that you’d been interested far earlier than he had ever dreamed of. 

“We’re idiots aren’t we? For not realising sooner.” 

“Oh without a doubt”

Tag list:

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[raven-at-the-writing-desk]

WOW i loved your Ch 2 rewrite ideas!!! but now you’ve made me curious (and i love your other writings so that too) are there any other points from the OG plot you would change? i think the ending/resolution of Ch 4 needs some work and the way Ch 5 tried but kinda failed at making the conflict between Vil and Epel balanced. i mean how even tho they are both right to some extent in their views, only Vil comes out as a “winner” after they fight and it’s not talked about how hard he pushed everyone.

[Referring to this post!]

I'm glad you like my stuff! ^^

I actually haven't read the main story for months now (I only recently reread chapter 2 to make sure I had the order of events correct in my rewrite), so I can't say off the top of my head which exact points in each chapter I'd change...

But to summarize my thoughts (let me know if you'd be interested in more in-depth explanations if this interests you!):

The prologue, chapter 1, and chapter 4 were relatively fine to me! There wasn't anything I recall that I had an issue with (at least nothing that would warrant a big rewrite).

Chapter 3 was... okay? It could have been a lot better. I felt like it was going fine up until Yuu and co. had to go and retrieve the photograph as Azul asked. This is mostly because (based on the way it was framed), it writes the Octatrio out of the story as Yuu tries to find a solution and I just wanted to see more of them manipulating others and trying to interfere.

Another issue was the story kept telling us "Azul is smart, Azul is SO smart, there's no way we can outsmart him", but it felt like he didn't really do anything in the chapter (to Yuu and co.) to warrant that. The Tweels have it way worse because they just act like Azul's cardboard henchmen and constantly resort to magical violence to solve their problems. Octavinelle doesn't really get a chance to shine individually because most of their bad deeds were already done before/at the beginning of the chapter. Heck, they shone more in CHAPTER 4, where the focus wasn't even on them.

I didn't like chapter 5 that much, but some of the reasoning for that is because I personally dislike the "idol" theme of the chapter. Disregarding my qualms with the VDC plotline, I felt like the training arc poorly focused its time and energy (despite being so lengthy) and kept bouncing from character to character without giving some of them enough time to finish their arc. There was definitely screen time imbalance between the 7 characters of the VDC group, and it shows (most notably with Rook; I hope he'll get to do something big and flashy in chapter 6 to make up for his lack of presence in chapter 5).

As for the thing about Vil not being told off for being strict with the others, I felt like (although it was never outright said), the boys just accepted it as part of the grueling VDC training? I mean, Vil is a pro, and his goal was to make the others “pros” too. That requires not babying them and exposing them to his harsh training regimen, which Vil himself joins in on. It’s not as though he was being a hypocrite by NOT doing his part.

Common complaints I see about chapter 5 are that Yuu is "just there"/doesn't play a super active role compared to the previous chapters and that NRC should have won instead of RSA, but honestly? I'd leave those unchanged. Chapter 5 is already cluttered enough trying to balance all the boys and their own conflicts and struggles, and I would say that they don't necessarily NEED Yuu's help to grow and change. For example, Deuce is able to discover his Unique Magic completely without Yuu's help. If Yuu had to help even half of these characters "get better", they'd be stretched super thin.

To address the second common complaint, NRC's loss makes sense in both the world of the game and in the context of the game's themes. NRC has been on a losing streak, and the huntsman (whom Rook is based on) did betray the Evil Queen. (In chapter 6, they also explain other factors as to why NRC lost, such as being worn out from fighting OB Vil and Neige having a sympathetic backstory that resonated with voters.) Not everything is perfectly wrapped up, there's no happily ever after guaranteed. I would even say that Vil needs to feel that loss to be humbled and to drive him to move on past the numbers and popularity game.

Okay, I'm done throwing my thoughts out there~ Time to retreat back to my nest!

[deluweil]

Ok, so I finally watched the episode - (I slept in really late today, it was amazing)  and learned how to do an under the cut - because this is going to be very long - I will not start with buddie, or how sweet exhausted Madney are, or how I feel bad for Albert who has the same grievances as Buck did while recuperating, or how I was happy to see more of Mrs. Lee.

I want to start by how completely shattered I was by watching Nia leave, I literally had to pause because I was crying like a baby and couldn’t bring myself to move on and change the mood. 

I am happy that Nia’s mom is just a woman who had trouble to provide for herself and her baby, especially with the pandemic hitting around that time, and that Nia will be happy and safe with her mom, but I was absolutely heartbroken for Hen and Karen and even while I’m writing this I’m tearing up again.

I do love that while Karen managed to bring Hen around to foster kids again, I actually asked out loud “what about Denny?” - I love that they sat down with him and asked for his opinion, because this involves him too. 

Which is btw, in complete parallel to Edmundo not asking or talking to Christopher about how he feels about him dating again, or bringing her to the house to crash movie nights - because it involves him too and we get no resolution on that particular end to this day.

I have to say that the side stories, while emotional in nature - the flashbacks of complete strangers felt unnecessary - and after pretty much crying my eyes out for Nia and the Wilsons, the side stories felt like a waste of time.

Watching Athena and May finally ‘have it out’ over May’s suicide attempt from S1 was so overdue, and I’m glad we got to see it. Athena’s overreaction and May’s lack of understanding where her mom is coming from was a stepping stone for Athena to have a talk with Bobby that allows her to forgive herself if only a little and for May to show growth on two fronts - 

1. she gave a second chance to a high school bully. - High school is a breeding ground for bullies and victims, it’s only when we see the world through the eyes of an adult, especially through May’s who’s working in dispatch and having weekly therapy sessions - I love that she is being the bigger person here and allows that horrible girl - who may have changed into a better adult - another chance.

2. Working in dispatch also allows May to go back to the worst day of her mother’s life and hear just exactly what happened, and that allows a second kind of growth - she shows compassion and understanding towards Athena, she now knows what happened and how her steel made mom shattered to pieces because she thought she lost her daughter. - I love how May comes into the house and just hugs her mom and apologizes - the story was very well written.

Madney - was super adorable, my own sister recently had a second baby, brother to a 2yo toddler who’s new favorite word is ‘No’, so the exhausted parents sight was very familiar. 

I love that both of them returned to work, personally I don’t know if I would have been able to leave so quickly after giving birth (here maternity leave is 3 months most mothers extend to 6 months or even a year.) but it’s good, in my eyes, that both parents got to get back to normal life, breath some air outside crying, feeding and diaper changes.

Also important to remember - it really does take a village, and I’m glad they showed it here too. I absolutely adore Mrs. Lee, she’s a sweetheart. I found it so funny when Chimney, in his exhausted state said “strangers” and seconds later realized he insulted his adopting mother, I really laughed a lot. 

I also love that Albert moved in with the Lee’s, he will finally have a place where he will not feel guilty about lying and resting while the rest of the house members deal with a newborn baby on top of everything. I hope his return to normal will be easier than Buck’s. On the plus side he’s not working yet so no one can tell him no. ;)

Buddie had me breathing new life this episode, the “she looks like Buck when he’s gassy” (like dude why do you know that?), the “I’ll take it as a complement” retort and Eddie’s fond smile response.

Eddie looking to Buck with the saw with a confident look, to get the lady who was unfortunately pinned to the donkey off with the door. I have to point out that Eddie’s uncertain, sympathetic, I know how you feel look, when the lady talked about no matter what she does it’s wrong - giving me all the signs I need to know that things with Christopher are not ok. and exactly as the fics tell it, Chris is not happy with his dad’s life’s choices right now and it bleeds into everyday life stuff too.

The quarter life crisis- I loved that call!! - Buck says it’s a real thing from experience - God knows we all saw it (also I may have had it myself 😂) and Eddie (or was it Ryan?) laughing again with that fond look of his when it involves Buck.

And the best part  - can’t you both be good cop? - Buck and Eddie’s simultaneous “NO” was so Awesome!! I watched it again and again and again and laughed a lot. But what stood out the most it that no one retorts that Buck is not a parent, or ask how he could possibly know that, there was only slightly confused look from Chimney, who looked thoughtful 0.01s later and a Bobby knows look, Hen doesn’t even dignifies these moments with a response anymore because she definitely knows! 

Also loved Eddie flirting with Buck a moment later saying “curious to see what your definition of too much discipline is.” - Yes my loves that is very much flirting, there will be no discussion here. - I love that Buck’s response is a smile and a tilt of the head to the side, you can see Buck’s expression even under the mask.

It wasn’t a lot of buddie, but the scenes themselves were huge, in my eyes buddie is alive and well and if you can’t see it, I advise you to go to station 19, check out the brother connection between Miller and Gibson, or Strike Back’s Scott and Stonebridge, or Teen Wolf Scott and Stiles then compare it to Eddie and Buck’s, and only after you’ve done that come back and tell us we’re seeing things 🙃

I would have addressed that poor excuse for a scene (1-2 seconds was it?) between Edmundo and she who I refuse to name (rebounds are usually forgotten very quickly, I already forgot her 😈) but the only 3 things worth mentioning is that: 

1. That scene in the promo where she cuddles up to him and looks happy? They cut it in editing.

2. Christopher interrupts them, as always. She allows him to join them even though it’s a school night and she didn’t even look at Eddie before she did.

And last but not least - The amazing Christopher in being seated, By Eddie, between them. - Also he (Eddie) does not look happy about it, he’s fond with Christopher, but looks confused as hell by her allowing it without asking Eddie. 

Now Buck - Buck would have looked to Eddie, and should the answer would have been no, he would have bargained, as we know he does when he babysat last time, and Buck would have gotten Christopher back to bed. - Just saying.

Overall it was a good episode, I liked most of it, kind of reminded me of S1 energy, it felt good. (you know, except for the obvious)

[s1i9d]

AMPHIBIA: SEASON 2B TRAILER BREAKDOWN

NEW AMPHIBIA EPISODES!! (Trailer spoilers and speculation! DUH!)

Y’all have NO CLUE how excited I am!! After that huge mid season finale drop, Amphibia fans all around have been waiting for the second half of the season! I did a Speculation post based on the episode titles, and another one based off of the episode loglines for the March drop!

Check them out, cause I will be referencing them as we go!! I’m first gonna do a scene by scene breakdown, then I’m gonna see if my predictions were right, or wrong. So many theories!!! I will also be mentioning the episode titles Matt released in the AmphibiaDirect, so if you don’t want to know, leave now!

If you haven’t seen the trailer yet, click here to see it all!!! Let’s begin shall we!

00:00–00:21: Completely old information and clips from Season 2A that we’ve all seen before with the music box and Sasha-Angst. One thing I did not expect was that this trailer would be so Sasha heavy. I expected her to kinda fade into the background and we’d focus a lot more on the temples, so this makes me have theories I may not have had before.

00:22–00:26: Marcy’s new bird (as teased in the Amphibia-Big City Greens promo). We have two shots with them, one where they are flying down with only a bunch of books that would last a lifetime, or a few minutes with Marcy. The second shot is them flying in the air with Anne and Marcy riding through the sky. I am trying my absolute hardest to not hope for gay then to be disappointed, but c’mon!!! Has no one seen How to Train Your Dragon?!!?!? But Hop Pop is being held in the second shot by the Bird’s talons so I think this is a little more Marcy and Wartwood kind of situation. Maybe somewhere around “Ivy on the Run” with Marcy and her bird being the B Plot.

00:27–00:31: The First Temple. We know from the colours and the shape from the book that it is the First Temple. It seems to have water flowing out of Frog statues’ mouths, and on the temple’s walls there are imagery of brains and a vague Newt Shape reading a book! Definitely talking about wit here! Even all the mushrooms are green, and we know how much Amphibia loves to use colour.

00:31–00:33: The Second Temple! We don’t actually see the Temple, just the archway leading to the Temple. Marcy seems to have the charged green gem on the music box, which is pointing them in the direction of the Temple, very Onyx Equinox-esque.

00:34–00:36: The entrance to the Third Temple. Lava pouring everywhere and pink statues of buff Amphibians? Definitely Sasha, no questions asked. I have no other thoughts about this shot other than the jagged rocks atop of the cave, seems like it could collapse in on itself and cause people to get hurt.

00:36–00:37: Ivy and Sprig jumping on treetops, I think this is from “Ivy on the Run” where Ivy is running from her mother’s strict rules, and Sprig is trying to talk her out of it. They’re so cute! It makes me wanna hold onto them and never let go.

00:38–00:39: Bessie jumping over a ravine with Sprig and Polly at the reins, which is from “Night Riders”, the first episode we’re seeing this Saturday!

00:39–00:40: A First Temple Puzzle where you have to solve a cube to enter the next stage. Seems like Marcy is in “her own little bubble” (heh. sorry i had to) and as she’s solving the cube, the room also moves on its own, with the Plantars being shifted to another side. Kinda like Wulfric’s gym in Pokemon X and Y. This sets interesting character work for Marcy, since she’s known to have issues with connections, but she’s so into knowledge and smartness that she may not realise the issues she’s causing to the people around her.

00:40–00:41: MADDIEEEEEE!!!! Definitely from “Maddie and Marcy”. I feel like they would get together and Marcy would be so into learning about Maddie and creepy magic that they will form a bond. This is how nerds make friends everyone, they find something the other is SUPER invested in and they learn about it. Either that or an extrovert claims them both, and they know each other via association.

00:42–00:43: Giant chicken bat for “Return to Wartwood”. Don’t ask me how I know, I just do. Seems like the Plantars set up a banquet for them, and they’re running away. So shenanigans!

00:44–00:45: Okay, so I initially thought Sasha’s next episode was gonna be in episode 16 (”Toad to Redemption/Barrel’s Warhammer”) and I initially thought that it would be Toad to Redemption, because y’know... Toads. But with Sasha’s pink powers shown in her using that giant warhammer, I think it’s going to be either one of the two, but Sasha is definitely showing up in 216. They don’t seem to be on a train, but the Earth is moving very fast for some reason. 

00:45–00:46: The Newt Lady from the Bizarre Bazaar seems to be activating the tippity-top of the Second Temple, with Anne near her. The position of this is high above the clouds, and there is a blue glow coming from the writings/symbols on the ground. Perhaps this is the charging method for the gems on the box.

00:47–00:48: More First Temple stuff! Writing’s on the wall (man these visual puns just write themselves y’know!) and they are in the inside of the temple. Interestingly enough, the main floor is green like the rest of the temple, but the other side (puzzles) seems to have red and blue squares, perhaps representing the heart and strength (blue and pink) which is what the wit lacks.

00:49: The Newt Lady from the Bizarre Bazaar opens a Scroll with the Music box, the three gems (which seemingly came before the box) and three people in coats almost praying to it. This is definitely “After the Rain” with the story of the Music Box being revealed. Cause we still have no idea what “After the Rain” is gonna be about.

00:50: GENERAL YUNNAN!! Scourge of the Sand Wars! Defeater of Ragnar the Wretched! The youngest Newt to ever be named General in the GREAT NEWTOPIAN ARMY!! (Can you tell I stan her? because I stan her.)

Anyways, she seems to be in the first temple or King Andrias’ throne room. I’m mainly assuming this because the temple because the building is blue or because the spires from King Andrias’ throne room are in the way back there, but there are several Toads there defeated on the ground. Either these were people to protect Marcy at the Temple, or this is an episode where all of Grimes’ command are trying to take over Newtopia under Sasha and Grimes’ command. Quite the plausible amount for theories and plot just from a one-second Yunnan shot.

00:51: A chess board with Frog knights shooting lasers at Marcy. Another one of the First Temple’s tricks, or it could be King Andrias’ plot, since we saw him with Chess pieces of Anne and Marcy at the end of “Marcy at the Gates”, so this clip could either be “The First Temple” or “True Colors” and either or are exciting!!

00:52-00:53: A mole comes out of the ground as Mayor Toadstool walks around seemingly trying to please Newtopian guards and soldiers. “Toad to Redemption” now makes complete sense! I called that it would either be Anne and Marcy helping a battle-hardened Toad, or it would be a Sasha episode. I think its the first part, where Newtopian inspectors are coming to suprise visit Mayor Toadstool and inspect if he’s doing a good job taking care of Wartwood, to no one’s surprise find out he’s embezzling money from the town. The episode would be Marcy and Anne helping Toadstool to become better so he doesn’t lose his job as Mayor.

00:53–00:58: We have three shots here, one of each of the girls. Anne looks back in the rain, almost distraught. This is definitely “After the Rain” and I’m not ready for the angst. Marcy is visibly frustrated over chess pieces, this is either a challenge from the Temple or she’s found out about Andrias’ plan. As much as Option 2 is interesting, I think the first one is more realistic. Sasha in the Third Temple, activating her Colour Power and breaking the ground underneath her to a circle. I am constantly terrified by and for Sasha.

00:58–1:00: Polly and Sprig’s silhouettes running in the rain. Also “After the Rain” but still nothing much to say here.

1:00–1:01: Giant tentacles grab Sprig and the Plantars. I have no idea what this is, but it also appeared in the “Night Riders/Return to Wartwood” trailer/promo, so I’m assuming it’s from that episode.

01:02: Sasha is facing off against a giant golem! Probably the Third Temple’s trial.

01:03: Newt Lady from the Bizarre Bazaar reveals the secrets of the Music Box. Definitely an “After the Rain” episode. I did not expect Marcy to be there though, that’s interesting now. 

01:04–01:06: Two shots from the Third Temple. First one being Anne having a moment of realisation, and the other with the Golem roaring in front of Anne and Sasha. This freaked me out because wtf??? Sasha and Anne together?? Are they solving it together too??? Interaction equals resolution/conflict/character drama.

01:07–01:12 & 01:17–01:22: So how are we integrating baby Marshanne into this??? As for which episode, I have no idea! But some interesting details in this is that Sasha seems to have been the last out of the three to have joined. Since Anne and Marcy are together crying, while baby Sasha is one on the slide standing up (hehe) for them. Between the first clip and the second, Sasha has a bruise on her forehead, so she may have gotten hurt trying to protect them. They introduce each other and that’s the end of the clip. I’m assuming this is finale material, because otherwise I have no idea where this is coming from or going to.

01:13–01:16: Anne pulls the Plantars in for a hug. Still not sure where this is for, but it is a thing.

01:23–01:28: Two shots of Sasha and Anne, which seemed to have been slowed down to around half speed. Shot one has Anne standing, almost distraught wearing what seems to be Newtopian armour, with Sasha’s foot in the foreground. The second shot is Anne holding her sword at the top of the Newtopian Walls to Sasha who is weaponless and has her hands up in surrender. Smoke is rising from the land below, and Anne looks visibly angry. I have no idea what is happening, but this definitely has to be finale material.

A title card shows Amphibia returning 6th March!! Hype.

01:34–01:45: Of course we need happy stuff to counter ANGST! So we have a bizarre sequence of Frobo making a garden and growing flowers in a matter of seconds. Hop Pop is enthralled by this and welcomes him to the family, and Polly looks at him knowingly. This is a very big development played very casually, since we know nothing about the robot besides his goofy self being able to do this. Frobo is the most cryptic thing this season besides the King’s basement, we also have no information on Frobo so this is a striking change. This will take place in “Friend or Frobo?” and I am stupid hyped!!! I don’t know anything about Frobo and I want to know more!! Also Wartwood is on fire. It’s just a normal Tuesday everybody. 

That ends the trailer breakdown!! But I did have some more general theories and thoughts I’ll include here.

Something I did want to mention before we started was the music in the beginning of the non-speaking part of the trailer. To me, it sounded like an epic reprise of John Legend’s “All of Me”, and I’m thinking there’s one of two things happening: one is that the finale song that we’re all crying to is “All of Me” by John Legend, like how Reunion’s was “Lean on Me” by Bill Withers; or, I’m just theorising like a mad person. Who knows!

Also another general observation is the puzzles and how we’ve been prepped for them by “Family Shrub” where each one has puzzles and riddles each person who fits a specific role must solve. Each girl with each of the Temples, and they need each one to deal with their own Temple. Meaning Sasha being at the Third Temple means some form of resolution/character interaction.

As for Sasha, I don’t know if she’s gonna be redeemed necessarily, but I think she might go to the good side and Marcy goes to the bad side. I don’t wanna believe that cause I love Marcy to death, but Season 2 finales are always horrifying before Season 3 finales wrap up nicely. So I’m expecting even more drama than the Season 1 finale. I want all the girls to be happy, and it’s not happening this season for sure. So much excitement!!!

That concludes all my thoughts on the trailer for Season 2B! Let me know what you’re excited for, your thoughts and theories, and if you agree or disagree with what I’ve said here!! So excited!!!!

[rachelbethhines]

Tangled Salt Marathon - The Alchemist Returns

Strap in folks, cause this is going to be a long one. In truth, there are very few flaws in this episode, but in order to explain them I have to really get into some character analysis first. 

Summary:  Varian comes to Rapunzel for help in finding the remnants of the mystical golden flower, which may hold the key to stopping the Black Rocks. Working together, they venture through the old tunnels beneath Corona. Meanwhile Cass and Eugene work together to figure out who drugged the castle’s populace with a truth serum. 

Behold! The One and Only Time Frederic is Called Out on His BS; and Nothing Comes of It. 

Rapunzel finally, finally stands up to her dad and points out both his abusiveness and his poor leadership. It doesn’t affect the narrative in anyway. Neither character learns anything from this nor changes their points of view. This conversation might as well not have happened given how the characters behave in later episodes/seasons. 

The only reason this scene exists is to give Rapunzel motivation for stealing the flower within the episode. A goal that she changes her mind about towards the end. Thereby walking back on such motivation and putting us back at square one with her development. 

Rapunzel Isn’t Being Truthful With Herself Nor the Audience 

So people aren't always one hundred percent truthful about what they want and their goals. Especially if it involves admitting something about yourself or a loved one that you don’t want to acknowledge. Fictional characters are meant to give the illusion of being real so they can sometimes mimic this behavior.  

Throughout the episode Rapunzel keeps on assisting that she’s doing this ‘for Corona’, but we’re given context clues along side that to tell us that her real reasons are about her relationship with her father. 

Unfortunately, the show has a bad habit of not communicating information clearly and also has a history of expecting the audience to take what the characters say at face value. Ergo, it’s easy to miss Rapunzel’s true motivations and thereby fail to fully understand her actions and decisions throughout. 

Once Again, These Prophetic Dreams Go Nowhere 

Dream Varian mentions Rapunzel has a ‘destiny’ but the show never spells out what that destiny actually is nor why she needs to fulfill it. Sure there’s a big quest for the moonstone in season two, but the rocks stop being a threat by then so really, she doesn’t actually need to go on that quest. In fact, she would save a lot of people at lot of trouble if she did nothing at all. That’s poor storytelling. You need something driving the action; a reason to motivate the hero.  

Secondly, we never get an explanation for why she randomly has these dreams in the first season but for none of the others. Nor why Varian is at the center of the them when it’s other villains she needs to actually be warned about, like say Zhan Tiri. 

No, the real reason why this dream sequence exists is just to reiterate Rapunzel’s internal conflict. She wants a relationship with her Dad, but he’s a male Gothel, and she’s now caught in the middle of his and Varian’s conflict because she failed to take responsibility when she needed to. And is still failing because she doesn’t want to shatter her illusions about Frederic. 

Shoving the main protagonist’s driving conflit into a subtextual dream sequence is lazy. Especially since we get no official resolution to said conflict. Rapunzel never acknowledges the problem here, never follows up on any type of action, and she never faces any true consequences for ignoring the issue. 

She carries on believing in her fantasy version of Frederic, even as he continues to do harmful things, and the narrative just rewards both her and him for it. 

There Should Have Been an Episode Showing the Audience Varian’s Side of the Story 

What happened to Varian in between Queen for a Day and this episode is told only through context clues. Nothing is stated outright, meaning the audience has to rely too heavily on inference and are left to piece together what happened on their own like a puzzle. That’s poor writing. 

Even something as simple as ‘how much time has past’ (its three months btw, S1 is six months long and QfaD is the meant to be the midpoint) is left up to the viewer to keep up with rather then being clearly stated. This is made even harder to do by the marketing team showing most of the episodes out of order. 

You need to clearly relay information to your audience. That means repeating said information in a variety of ways over the course of the story. Have those context clues, but also have more overt hints, and direct reveals interspersed along with that. Especially when dealing with the motivations and goals of the character driving the main plot. 

Even if you attribute the lack of a Varain episode to the ‘twist’ in this one, (a twist that was revealed in QfaD anyways) there’s still no excuse for why we didn’t get a flashback episode afterwards to fill this hole in narrative out.  

Don’t Pretend Ignorance Rapunzel 

Nigel literally repeated the rumor to her face last episode. She knows her father is lying about the rocks and attacked her for the scroll. She knows from the letter that those same guards were chasing down Varian for said scroll. She knows about Corona’s laws and what would happen to Varian if the guards caught him. 

There is zero reason for her to be acting like this is new information. Let alone have any right to feign concern after three months of ignoring his plea for help.

That’s what I mean about the series not communicating clearly and wanting the audience to take things at face value. The show deliberately has the characters say things that contradict established events to try and get the audience on their side. 

The episode is trying to telling us, ‘See! Rapunzel is innocent in all this cause she didn’t know, but she’s trying to make up for it now’. Yet, if you’ve been watching and paying attention to the details, you know that’s not the truth here. 

Good writing is about communicating ideas to your audience. But this show can’t decide on which idea to communicate. Is Rapunzel at fault or no? You can’t have it both ways. Either she screwed up and thereby caused the conflict in question now or she didn’t. If she didn’t, then events shouldn’t progress like they do. If she did, then it needs to be acknowledged and she needs to held accountable by the narrative.  

More Hints into Rapunzel's True Motivation 

I can’t stress this enough. Rapunzel’s reasons for stealing the flower has nothing to do with Corona. That is an excuse. It’s about trying to find out what her Dad is hiding from her and why he’s lying to her. This comment right here is what compels Raps to go along with his plan.  

Also...

Varian Isn’t Lying Here

I also want to make it perfectly clear that Varian is being upfront with Raps. He tells her his plan is to steal the flower and why. She’s the one that makes the assumption that this entails them only taking one petal and the assumption that ‘all our problems’ only means saving Corona. Even though saving Corona and saving Quirin are the same problem. (more on this later) 

It’s important to understand Rapunzel’s thought process and her true motivations in order to make sense of her actions later in the story. 

Rapunzel’s internal conflict is her need for autonomy versus her fear of rejection. The ‘for Corona’ and ‘one petal’ excuses are used because she thinks they’ll play well with her Dad. In order words, they’re reassurances to her that should she get caught and have to face her father’s disapproval then she could counteract his arguments with his own belief system about ‘putting the kingdom’s needs first’ and ‘following your own inner voice.’ 

And yes, both Rapunzel and Frederic are big fat hypocrites for this, but Rapunzel hasn’t acknowledged that fact to herself and is trying to convince herself throughout the episode to believe in her own excuses. 

Why Do You Care About Treason Rapunzel? 

For context, treason is the highest crime in any country. It’s punishable by death, even in the real world. Now each country has its own legal definition of what constitutes as treason. Here in a America, in Article III, Section 3 of the United States Constitution, treason is specifically limited to levying war against the US, or adhering to their enemies, giving them aid and comfort. And only during a time of war. Legally, a time of war has to be approved by the US congress. Technically, congress hasn’t declared war since World War II. This is why certain people haven’t been convicted of treason like acts both in, and out of, later US conflicts because the definition is arguably too narrow and specific. But it’s intentionally that way to help prevent false accusations and to keep people in power from murdering their political opposition. 

Before the US, treason just meant opposing the ruler of the land in any way. The founding fathers committed treason just by signing the Declaration of Independence. They all would have been executed had the US lost the revolution. Here in Corona, that old definition still stands. Simple theft of royal property, a non violent act, is considered treason and we already know it’s punishment. Eugene stole royal property and was almost hanged for it in the movie. 

Now Rapunzel though, she is royalty. This stuff she’s stealing is technically her own property. She’ll inherit all of these things once Queen. Moreover, we all know that Frederic wouldn’t harm Rapunzel let alone kill her. She’s not in any real danger here. So why does she care? 

Remember that Rapunzel’s internal conflict is personal autonomy versus her fear of rejection. She only hesitates in her pursuit of answers when reminded of Frederic’s possible disapproval. That’s why she stops under his frowning picture to say this. “Treason” only means possible rejection or disapproval from her father. The worst thing she faces is another argument with him.   

Meanwhile, Varian’s life is very much at stake here. He is risking everything, quite literally, to save his father. But his life was arguably forfeit as soon as Frederic decided he wanted the scroll. What’s to prevent the king from claiming that as his own property even when it’s really not? If he’s already sent guards after Varian and the scroll then that’s precisely what he’s already done. 

The series is acting like Rapunzel is the reasonable one here because she questions stealing, but the reality is she’s being selfish and willfully obtuse. Multiple lives are at stake here, including the one of the person she is talking to right now. Breaking the law, defying her father, in order to save those lives shouldn’t even be in question at all. 

Corona and Quirin Aren’t Conflicting Interests. 

Quirin and Corona are both facing the same problem. Solving one will inevitably mean solving the other. Any distinction between the two is solely created within Rapunzel’s own mind. 

She does this to to hide her true motivations and conflict from herself. The show does this to try and villainize Varian over Frederic. 

There’s a clear bias in who the series wants you to root for and so it skews the perception of what’s actually at stake by creating a non-existent competition between Quirin’s life and the country’s safety. Even though Quirin, Varian, and Old Corona are all apart of the kingdom. They’re all Rapunzel’s and Federic’s responsibly too. Saving Quirin’s life should be more than reason enough to steal the flower on it’s own. 

But this is ‘Rapunzel’s show’ and according to the creators, that means that her personal feelings are more important than actual human lives. Not really, but that’s their mindset and approach to conflicts in the show.

Rapunzel’s True Motivation is Revealed

So we’ve followed the hints, but here it is stated outright. This was never about Corona, the rocks,Varian’s safety, nor Quirin’s life. This is about her need for autonomy. Her own personal quest for assertiveness. She’s been bullied and abused by two steprate parental figures now and she’s growing tired of it. Which is understandable and valid, but it shouldn’t be made more important than everyone else’s problems. Everytime Rapunzel says ‘for Corona’, she really means ‘for herself.’ 

Rapunzel Shouldn’t be the Only Person Solving the Obstacles Here

Varian is just as smart as Rapunzel, if not smarter. This has been established throughout the show both before and after this episode. Meanwhile, Rapunzel is more physically adept than Varian. This whole sequence in the tunnels should have been both Rapunzel and Varian teaming up and complementing the other’s skill sets. They need to be on equal footing in order to sell their conflict later on. But the show deliberately down plays Varian’s competence in this episode in an effort to make Rapunzel look good.  

‘Girl power’ shouldn’t mean making the character perfect. It especially shouldn’t mean making other characters weaker in comparison. Women want equality. That means we want to see female characters treated as people. That means we want female characters to be flawed while still contributing to the plot same as the male characters. That doesn’t mean we want to be paraded around as the only competent person in the room. We want to be on the same level as the boys not above them.    

Over idealization and glorification of ‘strong’ female characters is just as problematic as damsels in distresses.

Writers like Chris Sonnenburg grew up during the heyday of Third-wave Feminism. Right on the cusp between second-wave and third-wave points of view as women really started to challenge Hollywood’s portrayal of themselves as homemakers and love interests. They wanted to be the heroes for once. Starting in the 60s and reaching pick popularity in the 70s and early 80s, film makers responded by making female characters who could physically fight but either failed to give them any sort of depth and/or made them the only archetype available.   

Chris, and several other male writers who lived during this era, have internalized this approach by default without actually examining how it came into existence nor why women would no longer be satisfied by this portrayal of them, if they ever were. All we’ve done is trade one stereotype for another, as male creators fetishize what was once meant to be an attempt to empower ourselves.       

Had Chis actually brought more female writers onto the show and listened to the criticisms from his female crew, he could have better avoided problems like the one above. But instead he dug in his heels and insisted that he already knew what we wanted. He doesn’t. 

Why Would You Assume This Eugene?

Varian hasn’t actually done anything wrong yet. His worst crimes are drugging people with a magic potion, which is what Xavier did without consequence only two episodes ago, and attempting to steal a magical healing flower that the king has been hoarding from his subjects anyways. A king who has been persecuting Varian unfairly and they know this because of Quest for Varian. 

Eugene of all people should be sympathetic towards Varian’s plight. He’s been there himself. He should also know that the rumors about Varian attacking Rapunzel are untrue because Raps told him about the events of Queen for a Day herself. 

Meanwhile Cassandra was actually there. She knows Varian’s problems and is supposedly his ‘friend.’ She has even less reason to be hostile towards him. 

But once again, the series has the characters respond to things that contradict established events in order to create a bias in the audience. “See, Eugene and Cass doesn’t trust Varian and neither should Rapunzel. See, how evil he really is?” It tries to tell us. In order to convince us to excuse Frederic’s behavior so that when the series does just that through Rapunzel choosing his side we’ll be on board with it. You know, unless you have been paying attention, already have a developed moral code, and the reasoning facilities of an adult. 

Rapunzel Lacks Empathy     

Keep in mind, ‘for Corona’ really means ‘for herself’. The only competition between Quirin and the kingdom is one that she’s fabricated in her own mind. Varian not caring about the island punctures holes into her excuses. Even though Varian is a fourteen/fifteen year old who holds no responsibility for the safety of a whole country. Especially one that’s mistreated him. Of course his father’s life is going to be more important to him. 

What Rapunzel is really asking here is, “Why don't you care about what I care about?” “Why aren’t you concerned about my feelings over your own?” 

Which makes sense for her character. She’s a woman who has been trapped in a tower her whole life. She lacks the experience needed to be an empathetic person. She’s never had to grieve before. The only permanent death she’s known is that of her abuser. Her trauma over nearly losing Eugene and Pascal was the fear of loss, not the actual process of living without someone. Rapunzel has no framework of reference in order to truly understand what Varian is going through. 

Sympathy is feeling sorry for someone. Empathy is understanding how a person feels. Rapunzel may be a sympathetic person but she’s not an empathetic one and there’s a difference between being ‘nice’ and being kind. The show presents to us a woman who needs to learn that difference. The problem is that she never does. 

This is actually a brilliant conflict and point of characterization. It’s taking what we already know about a character and expanding upon it to give us believable flaws that impact the story. I actually like this conflict. I like this portrayal. I initially preferred the series over the movie because of this. 

I want Rapunzel to be flawed. I want her flaws to to inform the plot. I want to like her as a character. But I can’t. Because the show never acknowledges these flaws, never has her grow as a person. She remains unempathetic and selfish till the end even as she gains more experience, and the show acts like she is justified in hurting others.  

This exchange is the quillivant of  a rich person who donates money to environmentalist causes trying to shame a poor child for daring to ‘waste water’ in order to take a bath, even while ignoring their own factories spewing pollutants into the local river. The show tries to claim that classism is okay so long as it’s perpetuated by the creator’s favs. 

Varian is in the Right   

First off he never claimed that he was only going to take one petal. Rapunzel just assumed that. Also, he’s right there is no difference. Once again Rapunzel has fabricated a distinction in her mind in order to have an excuse to sell her  dad. She only hesitates now because taking the whole thing means there’s more risk of getting caught and less possibility of weaseling out of punishment through deniability. 

Never mind that Frederic doesn’t own the flower anyways. He stole it from Gothel first, outside of his land’s borders. Never mind that him taking the flower actually causes harm to others while stealing it back does not. Never mind that breaking a law to save a human life is not only justifiable but preferable. Never mind that the king is essentially hoarding medicine from the populace, thereby breaking the social contract of a leader towards his people and becoming a despot instead.       

No, Varian hurt Rapunzel’s feelings so he’s evil don’t you see? He placed his needs above the main character’s wants and desires, ergo the series treats him as a villain. 

Look, I’m not saying that Varian is without fault nor that everything he does is justifiable. But the show (and certain fans) goes out of its way to demonize the character even when he’s doing what’s actually morally right. This isn’t the point when Varian falls to the darkside, that’s yet to come, but it is the point where the series starts to play favorites with its characters at the expense of teaching coherent lessons. 

Inconsistent Messages 

Yes, how dare he do the exact same thing as Pascal and Max did two episodes later. Don’t you know, he’s the villain; even though he actually has more reason to use the truth serum than they did the mood potion. 

The problem of centering so much of the conflict on Rapunzel’s personal feelings means that Rapunzel and the show has double standards for how characters are treated. Friends of Rapunzel gets free passes. Lack of friendship means you’re now the enemy and can’t be excused. Even though in real life that is what we call nepotism and an abuse of power.   

Authoritarianism Vs Consequentialism   

When you mention the word authoritarianism to someone they automatically picture in their head armed men in uniforms marching in the streets attacking innocent people on behalf of a dictator’s orders. Yet, that’s not what authoritarianism is. That’s fascism, which can spring forth from authoritarians gaining political power but it’s not the only manifestation of this philosophy.  

Authoritarianism is the belief system that the ‘authority’ is always right, even when wrong. An authoritarian will find any excuse to follow and believe in their chosen authority even when that authority has failed them or others.

The opposing philosophy here is consequentialism. That’s the belief that right and wrong are directly linked to consequence. To their minds something is morally wrong if the action has a bad outcome for others. 

To illustrate the difference let's look at a near universal rule. 

“Murder is wrong.” 

Now both the authoritarian and the consequentialist will normally agree with this. But the ‘why’ to them couldn’t be any more different. 

To an authoritarian ‘murder is wrong’ because the authority has deemed it so. That authority can be anything that the anthoritian has personally chosen; God, the government, their parents ect. It’s completely arbitrary and subject to change on a whim. The authoritarian lacks consistency and conviction and will often have multiple chosen authorities that will contradict one another. If one of those authorities came out in favor of murder then there’s a strong chance that the authoritarian will change their position or belief as oppose to denouncing their chosen leader.     

Meanwhile, ‘murder is wrong’ to the consequentialist because there are clear irreversibly bad consequences for doing it. It removes a life from the world. All possibilities for that person are now forever snuffed out. It hurts those left behind. ect. The consequentialist is consistent in their beliefs so long as the consequence remains the same. They can’t be swayed by mere orders. That’s not to say that consequentialism is incorruptible. A consequentialist can easily become a knight templar if they are forced to weigh consequences against each other. Then it becomes ‘murder is still wrong unless it achieves this arbitrary goal’.  

In truth, morality is a sliding scale for most people and you normally hold more than one ethical belief system. However history has proven that authoritarianism is the more often dangerous and corruptible philosophy as it relies heavily on peer pressure, groupthink, and yes, abuse. Most authortians don't come from healthy loving homes. Either they were abused or are abusers themselves. When conducting studies on authoritarianism psychologists and sociologists use questions about parenting in order to pinpoint who is and isn’t an authoritarian as most people aren’t going to just come right out and claim we should go back to feudalism and the divine right of kings. 

An out of control authoritarian is a bully with power. An out of control consequentialist is just a vigilante. 

Frederic and Varian are the representatives of the two sides of these opposing belief systems and the representatives of what happens when people with those belief systems become corrupt. By having the main character choose between the two of them and siding with the her father, the authoritarian, the show is now validating this philosophy. 

Breaking an unjust law shouldn’t be presented as a bad thing here. Blindly accepting Frederic’s rule shouldn’t be the end result of all this. Excusing his abusive behavior shouldn’t be the finale outcome of the story. There’s not a single thing that Frederic, and by extension Rapunzel, does that hasn’t been done by corrupt governments in the real world. Their reasons for doing so be damned. 

Given the current political landscape and the increasing push to give real life anthortirans more power, this was absolutely the wrong message to put into a children’s show. It’s not that children will grow up to become authoritarians themselves by just watching the show, but it can condition them to go along with authoritarian abuse if they are now familiar the excuses abusers use to validate their actions. Especially, if they are already trapped in an abusive environment and are being fed these excuses by their current abusers. 

I've already seen this toxic thought process played out by younger members of the fandom who are only just now forming their moral codes. “Accept what’ve you’ve been given.” “It’s okay, your parent (the authority) loves you and knows what’s best” “Hurting people is alright because they’ve been hurt you need to ofter up understanding” 

NO!

Theses aren’t good lessons. These are the lies fed to you by abusive people. And the show repeatedly validates, justifies, and excuses both abuse and political corruption. Whether the creators believe this philosophy or not, they just  approved of it anyways through their own incompetence.  

Varian has Every Reason to Not Trust Rapunzel

This the third time in three months that Rapunzel has backed out of helping him. All for increasingly flimsy reasons. She’s making a lot of promises here but not offering up any concrete solutions. Remember she’s not ready to confront her father yet, and neither of them know that she’s the sundrop herself. So what is her plan here? How is she suppose to recuse Quirin and prevent Varian from being unjustly punished if she can’t stand up to the one person who is responsible for causing these problems in the first place. 

Can you really blame Varian for going through with what he does here given how she has treated him thus far and would most likely continue to treat him? Yet that’s precisely what the show wants you to do because ‘stealing is wrong’ even though in this case it actually isn’t. 

This is Out of Character

Once again, both Cass and Eugene have no reason within the current narrative to be so hostile towards Varian, yet. They’re only doing so now to create bias in the viewer. For Eugene this is especially out of character. I mean we’ve already seen Cass place her ambitions of above others people’s needs both before and after this, but Eugene is constantly written as the heart of the show. He’s suppose to be the most empathetic and caring person in the group, and yet here he is trying to arrest an orphan who’s only stealing to survive. Sound familiar? He of all people should be the first to defend Varian not attack him.

Excuse You, Raps!

You know very well what he is. He’s a child. A lost, lonely, grieving, and desperate child who’s been let down by everyone who is responsible for him including yourself. But far be it for the show to actually point this out by stating it plainly and show you for the self centered ass you really are. 

Scenes Like This are Why Varian Should Have Been the Deuteragonist

His story maybe connected to Rapunzel’s but it doesn’t revolve around her. He has his own stakes and conflicts that happen to intersect or oppose with Raps given whatever point in the narrative we’re at. As such we gets scenes like this one in his lab where he is the sole focus and is pushing the story forward. No other character actually gets this. 

Eugene’s arc has little to no bearing on the overall plot and Cassandra’s solo scenes in season three do nothing to further push the story nor give new insights into her character, as her given goal and motivation is too dependent upon Rapunzel herself to be shown separately.  

Out of all the main characters, Varian’s conflict is the only one that holds enough tension to maintain a separate story line. He needs this focus in order to make sense of what's going on with the larger picture and to resolve his conflict in a satisfying manner. Had the the creators been smart enough to follow through with Varian’s story till the end instead of dumping it at the last minute in season two and hastily rewriting a half-arsed resolution it in season three, then we’ve could have gotten the Disney equivalent of a Zuko vs. Aang, Loki vs Thor, or even Duck vs Rue/Fakir arc. As is, we’re only left with the table scraps of several loosely connected stories none of which are very satisfying to watch. 

Conclusion

I still like this episode and Varian’s arc overall but I can't in good conscience call it well written knowing now where it all leads to. Nor can I in could good conscience recommend the show knowing the awful morals it touts. And that makes me angry. Angry that I was fooled into thinking that this show had depth and maturity. Angry that I ever once held this show up as being good. Angry that I invested myself into believing that this show would finally give me a decent Disney anti-villain that I could like. Angry that trusted the creators not to be raging arseholes who made poor creative decisions based off of ego and questionable ethics...

I started this marathon so that I could vent my feelings and gain some closure, while also opening up a frank discussion about how bad creative decisions can lead to bad lessons in children's media. This show has many of the same problems as a lot of current tv series do but all condensed down into one place and there are things to be learn from that.However after this series of reviews are over I doubt I’ll ever watch the show again. It’s honestly not worth the time. 

[whentheynameyoujoy]

If There Was One Thing That Could Make Me Go ‘Spoilerphobia’ Good…

Although I generally don’t give a damn about spoilers and in fact sometimes seek them out, there’s a point the anti-spoiler crowd makes that I agree with. When you know how things are going to turn out, your viewing experience tends to change from “first-time discovery” to “analytical repeat viewing”. Suddenly, you’re not watching a story unfold, wondering how it turns out, but interpreting it in the view of the ending, assuming that everything that precedes it ties into and sets it up—because it should. Now, this doesn’t matter all that much if the thing you’re watching is internally consistent and actually does set up the conclusion.

If it doesn’t, well…

So anyway, if there’s something my ATLA rewatch highlighted to me, it’s how confusing and trippy it was to watch the show as a thoroughly-spoiled presumed Cataanger-to-be.

Here are my thoughts from eight years ago as I viewed the story for the very first time, knowing that Cataang was endgame and expecting the story to actually conform to the ship.

The Boy in the Iceberg

“If no one told me Cataang was endgame, I’d have guessed from this single shot. A story about a hero saving the world, and when the hero meets the main female character it’s shown like this? Doesn’t exactly spell ‘trope breaker’ to me. I’m glad TPTB are committing to this ship and developing it from the get go.”

“Though I don’t understand the necessity for the age/maturity gap, or for it to be highlighted in this way. It says quite a lot that while Aang views himself as a child and seems to have lots of growing up to do, Katara needs to be reminded she’s still a kid and almost immediately assumes the role of the Gaang’s resident caretaker.”

The Warriors of Kyoshi

“After a few episodes of pretty heavy stuff and Katara interacting with it while fully embracing her motherly role, we’re getting a filler with lots of space for developing the relationship in a romantic way... yet nothing happens. All pursuing is decidedly done by Aang who seems desperate for Katara’s attention which she doesn’t give to him until the end when it’s framed like a mum lovingly watching a nagging son. Neither does Katara recognise Aang’s obsession with fame for what it is—a desire for her to be smitten with him, just a little bit. Not even the opportunity to display some jealousy on her part is seized as she seems more annoyed with his vanity than put out by being sidelined.”

Jet

“Alright, I guess Cataang is going to be the ‘get out of the friendzone’ type of romance because this is getting ridiculous. It’s been ten episodes and so far not a single sign of romantic interest on Katara’s part. Yet there is absolutely no doubt the girl’s crushing on Jet hard and itching to pursue it, war or no war, so it’s not like there’s any ambivalence in terms of her feelings for Aang—they’re not romantic at this point, period. I wonder what Aang will do to become a blip on Katara’s luv radar.”

The Fortuneteller

“So we get a romantic shot of Katara from Aang’s POV, a hilarious romantic shot of Aang from Meng’s POV, no indication that Katara perceives Aang as a romantic possibility at all, and the whole episode is about unrequited crushes, failing to catch your crush’s attention, needing to move on, and destiny being bullshit. Yup, definitely the ‘get out of the friendzone’ type of romance.”

“OK, I’m confused because there is some thematic clashening going on. The point of the episode so far has been about not minding prophecies and that everyone’s the master of their own destiny, yet Katara’s marriage to a powerful bender is apparently bang on the money? So what is the story telling me, that a) Katara learned nothing about her crippling reliance on fate? Or that b) she’ll pursue Aang, of whose existence she needed to be reminded, to fulfil Aunt Wu’s prophecy? I don’t think I like this. On the other hand, the romance is beginning at last. It’s now impossible for Katara not to factor this revelation into her dealings with Aang, and since Cataang’s endgame, there’s no way she won’t see him in a new light. We’re totally getting lots of pining, aborted touches, and blushing, Toph’s-crush-on-Sokka style, baby.”

The rest of Book I—no sign of Katara’s emotional investment in a romantic Cataang whatsoever

The Cave of Two Lovers

“I have no idea why this episode exists. Not only does the legend of lovers from enemy villages not fit Cataang AT ALL, but the whole story is a thinly veiled excuse for getting the two of them to kiss—and they don’t? And Katara’s so weirdly utilitarian about it? You know, for a girl who was validated in her obsession with destiny and informed she could very well end up marrying this guy, she’s acting pretty nonchalant about possibly kissing him for the first time and forgets about it the second the plot stops hinting at it. So what was the point? Christ, I hope the experience at least finally gets Katara to reflect on her relationship to Aang.”

The rest of Book II—no sign of Katara’s emotional investment in a romantic Cataang whatsoever

Return to Omashu

“OK, I really need her to verbalize her feelings once because ffs.”

City of Walls and Secrets

“I could so do with a single moment of Katara reacting to Aang in a similar way and suppressing those feelings. Hell, being infatuated with his power as The Fortuneteller seeded would be enough at this point because I’m being fed nothing.”

The Guru

“My post-catholic brain has no idea what this episode is saying about Aang’s feelings for Katara. Are Avatars as an entity supposed to live like hermits, with no romantic relationships whatsoever, otherwise they won’t ever master the Avatar State and will only go into it at random? Wait, that can’t be correct—Roku is in a loving marriage yet can glow up at will, meaning that romantic love clearly isn’t an obstacle. So what, is Pathik full of crap? Well, no, because everything he teaches Aang works, up to and including his advice to let go of Katara. So what about Aang’s love is such a problem? I’m also pretty confused about Pathik’s likening of the Air Nomads to Katara. Like yeah, the love and belonging Aang had with the Nomads survived and was transformed, but isn’t Cataang supposed to be a romance, albeit one that’s so far failed to manifest? I didn’t get romance from Aang’s relationship to any airbender. I don’t get this.”

The Headband

“FINALLY, a clear sign of Katara’s romantic feelings for Aang. And it took only 41 prior episodes where she either treats him like a baby, or has to be reminded by outside circumstances that he exists as a romantic option, so it’s not like there was much setup. I would also appreciate if Katara didn’t realise she’s attracted to Aang in the very same episode where she literally pretends to be his mum but beggars can’t be choosers. I now feel pretty confident in saying that I’m getting Katara blushing and pining like crazy at last.”

The romance doesn’t come up again for the next seven episodes

The Day of Black Sun

“WAIT, SHE WAS INTERESTED IN THE HEADBAND! She displayed romantic attraction! WTF happened? Why does she look like someone who was just violated by her sonion? OK, I need a resolution, I need them to address this, have a conversation, something!”

The romance doesn’t come up again for the next seven episodes

The Ember Island Players

“So we’re officially pretending The Headband didn’t happen, I guess. The only thing that surprises me at this point is my lack of surprise. Anyway, what’s the nature of Katara’s confusion? Because with four episodes left to go until the ship becomes endgame, I’d like more specificity as to her feelings since this line reads less like ‘I’m confused because war/I have no clue what my feelings are exactly’ and more like ‘I don’t know how to let you down gently/I had no idea you felt this way or what to do with it.’ Address this, please!!”

The romance doesn’t come up again for the 99% of the next four episodes

Avatar Aang

“They turned my girl into a golddigger. Fucking end me.

So what I’m getting from this is either a) Katara wasn’t interested in Aang until he became the best candidate for Aunt Wu’s prophecy, or b) Aang was originally supposed to recognise his one-sided puppy crush for what it was and overcome it.

I feel dirty.

Anyway, I heard people are into Zuko x Katara, maybe there’s some decent brain bleach about that.”

[creative-frequency]

Inquisitor!Cal Kestis x Reader: Bright Time

Word count: 2321 Pairing: Inquisitor Cal Kestis x Reader Notes: Thank you all for the support and the lovely messages I’ve been receiving concerning this fic. You guys are definitely what has kept me writing since I never would’ve thought anyone else would be interested in this Inquisitor AU. So, thank you ❤️ This is the third part of the series!

Previous Part

My Writing Masterlist

It’s been another tedious week in Fortress Inquisitorius. Each day has been filled with dull tasks, really making you work for what they pay you. In a sense, you’re glad that there is no shortage of work but still time has moved extremely slowly. You’re anxiously waiting for any sign or a message from a certain Inquisitor.

You haven’t heard of or seen Cal ever since the day you fixed the melted control panel of the door to his quarters. Just thinking about the incident makes your blood boil and the Inquisitor will certainly get what he deserves. Somehow, one day. The details are still a little unclear, but you’re determined.

In the tranquility of your own living accommodations, you can finally strip off the dark overalls and faintly ponder the fact that it’s the only outfit Cal has ever seen you in. The uniform isn’t exactly complementing. Though, he didn’t seem to mind on your last encounter.

You sigh and toss the clothes to where you’ll to pick them up again in the morning, which means in eight hours – a luxury, really, in the light of the recent week.

As you slump on the elevated mattress posing as bed, one of your most faithful engineering droids rolls into the room.

“What’s up, MK?” you ask without getting up to look. Your back muscles are crying a symphony at finally relaxing on a soft surface.

The droid makes an uppish beep and you roll your eyes. This one has a handful of a personality.

“If it’s that important, why didn’t you say anything earlier?” you question, full-well knowing the MK droid will be galled by your lack of interested in its business. It lets out a series of drills, which sound a lot like scoffs for a being that has no respiratory channels.

“A message?” You frown lightly and get up to your elbows. A bad feeling creeps into the back of your mind. “Let’s hear it.”

The MK droid boops coolly and plays the recording.

“Hey, uhh, I think there’s a busted light bulb in here? Can you come and fix it today? Thanks.”

You freeze, blinking and staring at the messenger. You only just got away from work and now he wants you to go over to the other side of the base and urgh.

That kriffing stupid Inquisitor.

Ten minutes later you’re dragging your feet, once again wearing the stupid overalls and carrying a small toolbox. Fixing a light bulb shouldn’t be a big deal. You’re as equally vexed about having to get up as you’re anxious about getting to see Cal.

There has been no shortage of subconscious reminders about the last incident in his quarters and the more you try not to think about it, the faster your heart beats. Getting worked up about having to go and do your job doesn’t really help but at least you feel better when you think about all the ways to tell the stupid Inquisitor off. How can he be one of the Empire’s finest if he can’t even fix a kriffing light.

That inconsiderate man-child and his stupid pecs. If he weren’t an Inquisitor, I swear I’d–

It’s so late that the hallways are mostly empty save for the guards that you greet with yawns and earn a few sympathetic nods in return. If Cal isn’t wearing a shirt this time, you’ll give him a good old slap across the cheek, to hell with the consequences.

That perv might actually like it if I hit him. Oh, for kriff’s sake–

By the time you reach the right door, you’re positively fuming.

“How many Inquisitors does it take to switch a light bulb? Oh, I don’t know? None, since they have nerf shit as brains and can’t even– oh, hi. Ahem.” You settle the most perfectly neutral look to your face and hope Cal didn’t catch you muttering to yourself.

He gives you a cursory glance from your head to toes. At least he is wearing a shirt, even though it’s a very snug one.

“Come in,” he says.

Cal’s timid smile and casual tone set your cheeks alight and heart fluttering.

You clear your throat. “…Thanks.”

The sound of the door closing surges you into a mild inner panic but you draw in a breath to hide it and put the toolbox to the floor. Cal stays skulking by the entrance as you look up to find the target, eager to be on your way before he can think of anything reckless like the last time.

“Which one was it?” you ask slowly, craning your neck. All the lights seem fine and staring at them is making you see stars.

“The one in the middle,” Cal says and nods towards the culprit.

The light is as bright as the others and your eyes are starting to water from looking at them. You turn to Cal – his smile is nothing like timid anymore. It’s downright impish.

You should’ve known it was a trap.

“What’s the meaning of this?” You try to hold back the exasperation in your tone but it’s difficult. “Cal?”

The Inquisitor holds the eye contact and shrugs. You’re about to open your mouth to give him an earful when a loud crack makes you jump and you turn just in time to see the bulb explode into millions of tiny pieces. The shards scatter all over the floor as you instinctively hold your arms up to cover your face from the shrapnel, but not a piece even touches you.

The energy that was pouring into keeping the light on, no longer has a proper outlet and the fuse blows with a loud pop. You’re standing in the middle of the now dark room with the idiot Inquisitor.

The emergency lights near the floor cast an eerie red light and you can just barely make out Cal’s silhouette. Your eyes will need a moment to adjust to the darkness.

“Happy now?” is what you eventually set into snapping out at him.

The fuse box is in the hallway, but to get to it you need to find a way past the Inquisitor.

“Did you plan this?” The bravery falters in your tone. You swallow.

“Not really,” Cal says but you don’t believe him. “Hold on. Don’t move.”

Light clatter of glass against the floor echoes all around you and while you don’t see what happens, you assume that Cal just cleaned up the mess he made.

“Right,” you sigh, gather the ripples of your anger, and start walking towards the exit in resolute steps. Cal doesn’t move a muscle as you march past him. You’re almost to the door, already heaving out a relieved breath but come to the realization that you’re no longer moving.

In fact, your feet are taking you backwards. You yelp in surprise and almost get knocked over when the back of your legs hits the sofa in the middle of the room. You take purchase from the furniture to stay on your feet. Your eyes are steadily becoming acclimated to the darkness and you can see Cal’s silhouette coming closer.

Your blood pressure will lead to an early retirement at this rate.

“You need to stop breaking stuff to get me here,” you whine, “I’ll give you my personal comm frequency.”

“That’s not very exciting,” Cal huffs amused. He is standing right in front of you. The scarce light reflects enough from his eyes to hint where you should be facing.

“Well, sorry for not living up to your standards,” you quip frustrated and barely manage to finish the sentence since Cal’s hand comes to rest on your neck. The careful touch makes you quiver and your heart beats a mile a minute.

The breeze from Cal’s shallow breaths hits your skin as he leans forward. You would be lying if you claimed you were not waiting for this. He is smiling when your lips touch and you sink to sit down on the sofa back.

At least the door lock is fixed now.

“I’ve been, mmh, thinking… about you,” you confess even though Cal tries to make sure you can’t waste your mouth on talking. His lips move down to your jaw with a thoughtful hum and start trailing down towards your neck. It’s difficult to stay still with your already precarious balance.

“Glad to know I’m not the only one,” Cal husks.

His hands come down to rest on your waist and before you can reply, your world revolves again with a yelp as your back softly hits the sofa cushions. Cal climbs over and lifts you up to straddle him. Faintly, you register that the sofa is really large and comfy, and this man is done playing around.

Cal’s lips find yours again, more demanding and eager. He starts unzipping your uniform and thrill shoots up your spine. A pleasant haze is starting to settle into your mind and you have to strive to keep your wits about you.

“I don’t suppose you have any more requests when the light is fixed?” you ask as you let Cal do his thing with your work overalls and pull down the part covering your upper body. You’re still wearing a tank top underneath it.

“Mm. I want a kitchen droid,” Cal replies and plants his lips onto your shoulder. Pushing your nose into his hair makes you giddy and you don’t at first realize what he said.

“Huh? A kitchen droid? Why?” you fumble to question.

“The meals in the commissary are horrible,” he simply says and continues peppering your exposed skin with kisses. You can’t argue with that point.

“Mm. I’ll see what I can do.”

You ease yourself better into Cal’s lap, perfectly accidentally grinding yourself against him – to which he responds with a grunt and furrowed brows. It’s music to your ears.

Cal stops and straightens up, hands still somewhere around your middle body, rudely interrupted from hiking your top up. Even in the dark, you can see the warning in his eyes and it sends your pulse flying.

“Look. Do you want me to hold back or not? ‘Cause I can’t if you–”

You grind yourself again against the growing hardness in his pants and cut him mid-sentence.

“Who said anything about holding back?” you purr in a bit too seductive tone.

You hide your devilish smile by taking the turn to kiss the side of Cal’s neck. He groans again and you can feel his body going slightly rigid underneath you. Serves him right to taste his own medicine. Stupid Inquisitor.

“Alright. You asked for it,” Cal coos gently. His grip on your waist tightens and he throws you to your back on the sofa.

“Oh!” you yelp but quickly regain your stance even though your positions have been reversed.

You kick your shoes off and wiggle down the overalls with Cal’s help. Gripping his shirt hem, you yank the piece of clothing up to get it off. If you’re going to do this, you deserve to get a glimpse at how well his training has paid off.

When you reach his pants and open the zipper for access, the fervent undressing slows down and molds into a make out session. This time horizontally, on the sofa, with the Inquisitor on top of you and your legs tangled with his – and hands in each other’s pants. It’s hot and messy and you can’t see a thing, but who needs eyes when his fingers dip inside you and it feels so good that you want to cry out loud. The hums and moans Cal makes against your mouth as you massage him drive you deeper into the moment. With each passing second you fight the regret about still having your underwear and top on.

You’re feeling so dizzy and elated that you’ve completely forgotten who you’re playing with. You’re in the den of an Imperial Inquisitor. The kind of who is not known for his mercy or empathy.

“You should stay for the night,” Cal utters suddenly.

In a motion so quick and nimble that you didn’t think you’d have it in you, you’re up and away from Cal’s arms, heart drumming in your ears and panicking. Every breathe is a drag and your hair must be in upheaval. Your underpants are uncomfortably damp and the room feels chilly when Cal’s body is no longer warming you.

“S-stay? You mean like… I, uh, wouldn’t want to impose… on your…” Your eyes skim the Inquisitor’s almost naked frame in the dark. “Hospitality.”

Cal straightens up but you bounce away from the reach.

“What? You’re not imposing. I’ll make you coffee in the morning,” he says slyly, clearly not understanding what is going through your head.

You almost give in. Your very soul hurts as you shake your head. If he wants you to risk life and limb and stay, he will have to do better than high-end coffee and what presumably would’ve been the beginnings of amazing sex.

You grab your overalls and almost fall onto your nose trying to put them on as swiftly as possibly.

No, this is bad. Worse than what you should get yourself into.

“So, uhh, sorry! I’ll fix the bulb tomorrow!” You snag your shoes, tugging them under your arm and take the toolbox from the floor. With a free hand, you fumble for the button to open the door before Cal can retaliate. What were you even thinking? People who get too involved with the Inquisitors disappear and you wish to keep existing.

“Wha– Hold on!”

“Nope. Bye!” You wave as you tiptoe into the hallway, praying that it’s empty. It’d be fun explaining to a Stormtrooper why you’re barely dressed behind the Inquisitor’s door.

Cal stays sitting on the sofa in the dark, looking after you, pants halfway down and utterly confused. He cannot comprehend what he did wrong.

//

Tagging (please lmk if you want to be tagged or not! I probably forgot someone cause I couldn’t find the list anymore OTL): @europhiacs @froyuhh @sinner-effy @droidrights @annoyedguildmaster @mysteriouswritingzonthewall @boxfullofcats @maulblr @sevansheart

[silentauroriamthereal]

So, I watched Happiest Season yesterday, and I have thoughts. A lot of thoughts. Spoilers abound and this is long, so I’ll put this under a cut. 

Happiest Season: a review

You have to ask yourself how “happy” a happy ending really is when you glance down at the time bar on the film and see that there’s less than fifteen minutes left and none of the story’s problems have been even remotely resolved.

Skip to the closing credits, and I hadn’t changed my mind. This is a “happy” ending where a great deal of the problems in the plot were left either completely unresolved, or whose happiness wasn’t earned – wasn’t properly fleshed out, developed, supported, or in fact, even happy.

What an incredibly toxic family the Caldwells are. Let’s start with them: there are three daughters. Sloan has apparently cemented her parents’ permanent disappointment by having left a promising legal career in favour of raising a family. Side tangent: are we really still having this discussion, in 2020? This binary choice between family OR career? Besides, Sloan evidently developed a different, and very lucrative career. I also strongly dislike the way the perception of her marriage ending is portrayed as a failure. Her awful parents both resent her having left the legal field, yet have refused to now see her as anything other than a parent, ignoring her new career choice and, it seems, literally anything else about her. Then we have Jane, who is overtly abused. Treated as lesser than anyone else in the family apart from technical support with malfunctioning printers, Jane is constantly criticized, chastised, literally told to not put herself in the centre of the family for a holiday photo. I was horrified and devastated by the wanton destruction of her painting at the end, too. I’m happy for her that her book got published and that she found success there, but I hate that this brutal, completely unnecessary destruction of her art happened and was totally overlooked.

I’m going to come back to Harper, because there’s a LOT to say there.

The way the parents, Tipper and Ted, treated Abby, was appalling from start to finish. Leaving aside the ENTIRE question of the secret girlfriend thing, if my family ever treated a friend or even distant acquaintance the way the Caldwells treated Abby, I would be furious with them. I used to frequently bring friends who were international students or just on their own for the holidays to my parents’ place for Thanksgiving dinner or Christmas festivities. These people were so, so, so incredibly rude to Abby, from ignoring her when she first arrived to giving her a terrible bedroom with a door that doesn’t lock, to walking in on her multiple times while she was changing or in bed – that level of complete disrespect infuriated me! Just allowing those awful kids to be in her private space without any sort of discipline, consequences, or apologies was unacceptable. The way they treated Abby after those same kids – which she was stuck with, without any sort of request to watch them – planted that necklace on her, was unacceptable. The utter lack of apology for having literally accused her of theft, for accusing her multiple times after that – WOW. Treating Abby as though she was the unexpected, extra guest at the restaurant that first night, and giving the ex-boyfriend the parents kept shoving on Harper the proper one was unacceptable.

Then there’s how Harper treated Abby. Let’s start with the restaurant: first of all, had my parents pulled that stunt on my friend/guest/secret girlfriend, I would have let them know then and there that it wasn’t okay. And then I would have, I don’t know, asked the staff to bring a proper chair, and if that turned out to be impossible, I would have insisted that she take mine instead, and sat on the little chair myself. Asking anyone to closet themselves is an act of violence, and watching that as a member of the LGBTQ2+ community was actively harmful to witness. Again, a lot of the crap that Harper subjected Abby to would have been awful no matter WHO Abby was: you don’t abandon your guest to hang out with old friends. If they’re ready to go home, then you go home with them. It’s basic hospitality. Considering that Abby was Harper’s partner, that’s a whole extra layer of harm. THEN add the ex-boyfriend, a horribly-treated ex-girlfriend, and toxic old friends to the mix, and you have something beyond appalling. Adding this stuff on top of not standing up for Abby to her family, not insisting that she be given somewhere proper to sleep during her time in her parents’ house, not insisting that she be treated with the most basic respect, not defending her during the whole jewellery theft situation, and even going along with the parents’ de-invitation to that dinner – that’s inexcusable. You don’t treat other people that way, much less your partner. Then add Harper calling Abby controlling, while simultaneously having the nerve to get angry about Abby spending time with Riley, which is possibly the only good thing that happened for Abby during that entire, awful trip – yeah. I was finished with Harper by that point.

Harper also actively participated in the way her sisters were constantly put down by their parents. The responsibility of being the privileged favourite is to use your status to bring others up. Harper doesn’t appear to have any sort of spine or courage whatsoever. It was only after she was forcibly outed by Sloan – and such was her privilege that the parents believed that it was a “malicious” lie rather than a “shocking” secret – that Harper even admitted the truth, and that was only after forcing Abby to watch her deny it yet it again. While I did love John (the gay best friend)’s entire speech about someone’s love not being the same thing as being ready to come out, there is nonetheless a ton of harm in forcing your partner watch that. It does affect them. It does disavow their identity at the same time, when they’re in a relationship with you. Her pattern of behaviour of throwing other people under the bus, like Riley, is very much intact.

I completely comprehend Harper’s fear of being rejected by her family. Apparently it was a well-founded fear, based on her awful, awful parents. That’s one of the reasons why the ending didn’t resonate for me at all: it wasn’t earned. Harper’s turn-around from being completely unwilling to have her parents know the truth to claiming that Abby was the only thing that mattered to her, came out of nowhere. It wasn’t a supported development. It happened too quickly. Similarly, the parents both going from being just about the worst parents on the planet to having a VERY sudden change of heart and behaviour, just happened unbelievably quickly. There was no questioning the entire history of their practises or what was wrong with them, no questioning how they’d treated any of their kids. The whole “consequence” for Ted was deciding, of his own accord, not to align himself with a politician who would force Harper to zip it – sorry, continue to zip it – about her identity. He shouldn’t have aligned himself with that woman in the first place. No one ever apologized to Abby about the way they treated her from start to finish, from patronizing her for being an orphan or the constant lack of respect shown her, to the false accusations of theft. Not a single part of it was atoned for at any point. Even Tipper being so disgusted with Abby’s ipad photography skills was disgusting. You just don’t talk to other human beings that way, and there was no resolution for me on any of this. There were also no consequences for Sloan’s horrific, SUPER-public outing of Harper, for Harper’s destruction of Jane’s painting, for the kids’ planting of the necklace on Abby, or for anyone’s horrendous treatment of Abby in general.

So yes: when you’re less than fifteen minutes out from the end of a supposed romantic comedy that was more upsetting to watch than entertaining or funny, and you’re actively rooting for the main character to walk away from her so-called partner and her toxic family, that’s not good. I’m not sold on the “romance” aspect, either. John (Dan Levy’s character) was the only good part of this movie, for me, and that’s overlooking his completely rude ignoring while on his phone at the beginning, or his negligent care of the animals he was supposed to be taking care of. (Gross, again – animals’ lives have value, too, and if my pet sitter killed my pet through negligence while I was away, I would be furious!) But his point about “sticking it to the patriarchy” in terms of Abby asking Ted for his permission/blessing to marry Harper was spot on. For all the hype about this being a progressive, lesbian, holiday rom-com, this film managed to perpetuate a lot of gross aspects of straight, white, misogynistic, heteronormative culture, like women being the property of their fathers and needing to obtain a male parent’s “permission” to marry another human being. The only person’s “permission” that was needed here was Harper’s, and then it’s not about permission – it’s about two adults making a consensual decision to commit themselves to each other. It’s great if you have the support of family – aka, BOTH parents, on BOTH sides – but that support is a bonus, not a prerequisite. Perpetuating the false dichotomy of family vs career for women only, is a harmful one to keep perpetuating. That question is never asked of men.

I was honestly kind of disgusted that Abby chose to stay with Harper by the end. I get it, but it definitely didn’t leave me with warm, romantic feelings. It left me with the deflated feeling I invariably experience whenever a woman makes the choice to be the bigger person and submit herself to a damaging situation or relationship. Mostly what I’m left with is anger that no one spoke up for Abby at any point, even John. That, and anger and sorrow over Jane’s painting. So yeah: it wasn’t as bad as bury your gays, but it also wasn’t really a happy ending for me, or super enjoyable to watch. Do better, Hollywood. Do a lot better.