#the john larroquette show

[ghostlyarchaeologist]

Nate: 'Is it possible for me to have any privacy around here?'

Hardison: 'Not really. You see, we are family around here, Nate. We all care about each other. It's called friendship.'

Nate: 'It's called meddling.'

Hardison: 'Yeah, it's called that too.'

[haveyouseenthisseries-poll]

[boasamishipper]

[floppydiskorigami]

JLS cast curtain call from @/thegigirice on ig :)

[fandomdancer]

Happy Birthday to the insanely gifted, hilarious, and handsome John Larroquette!!

[seriouslycromulent]

My rewatch of The John Larroquette Show (so far)

In my effort to keep my Larroquette obsession thriving, I've recently started a rewatch of The John Larroquette Show. Like Night Court (which I rewatched in 2022), I remember watching this show when it originally aired.

But unlike Night Court, my memory of most of the episodes is a bit fuzzy. I remember the main characters and their personalities just fine, but not so much what happens in terms of the storyline.

Regardless, I'm enjoying the rewatch, and I'm pleasantly surprised by how much the show holds up over time, how evergreen the topics are, and how strong the jokes are. Seriously. They are constantly telling jokes that I swear are as old as vaudeville, but they kill in terms of laughs from the audience and from me as well.

Example: In s2e8 "The Book of Rachel," Mayim Bialik guest stars as a young hippie-ish woman named Rachel who shows up in hopes of finding out if John Hemingway (JL's character) is her real dad. She's narrowed down the search to 3 men who knew her mom, who was living wild and free back in the '70s, around that time.

When John asks how her mother's doing, Rachel says, "She's doing pretty good. She's been clean for about 5 years now." John, a recovering alcoholic who's been sober for 1 year, says, "That's great! So no more drugs and booze, huh?" And Rachel says, "Oh no, there's still plenty of drugs and booze. She's just been bathing regularly for 5 years."

I'm not telling it very well in writing, but I swear to you, that joke is funny as hell, and Mayim and JL's delivery is perfection. Plus, it got a huge laugh from the audience, which speaks to its timeless nature.

Anyway, I just wanted to share a thought or two on the show so far. (I'm on episode 12 of Season 2, just in case anyone wants to know the context.)

Here are some random thoughts I've had so far:

Like Night Court, the show does a solid job of mixing comedy and drama. The first season is a bit more drama heavy because they dealt more with the recovery storyline, but I think it still worked and the whole concept is still pretty daring (i.e., revolving around the unglamorous lives of people who work in and around a bus station at night) even compared to today's sitcoms, which still tend to play it safe.

JL's hair in the first season is absurdly long. Or at least it gets to be absurdly long about halfway through the season. And it's not a good look. Not because he looks bad with long hair, but because it looks like it takes a lot of upkeep. And a man who is working 3rd shift at a bus station and lives in a halfway house/SRO building doesn't seem like he'd have a strict hair care regimen to make it appear perfectly tamed at all time. Seriously, at one point I had to ask out loud, "I wonder if they curl the ends with a curling iron or do they use rollers?"

This may be the first TV show I ever saw Chi McBride in. Despite seeing him on plenty of TV shows and films over the years, I never knew he had such a lovely singing voice. I'm glad they gave him a chance to share his singing talent. His version of "Danny Boy" in season 1 was very good.

The 2 corrupt police officers who blatantly flaunt their bias and awfulness are both funny and a great commentary on what was happening in America at the time (i.e., the Rodney King police beating, and the aftermath of the verdict was still very fresh in everyone's minds then). Sadly, it is an evergreen topic for the U.S., but I think it says a lot about the writers for TJLS that they attacked the subject so openly and didn't shy away of being critical of police or lampooning them. I don't think a modern American sitcom would approach the subject so brazenly and unapologetically today. JL has said in a number of interviews that the show was kind of ahead of its time. And I'm inclined to agree with him, at least in some areas.

It's so cool going back to watch old TV shows and catching actors who have now become bigger names in the business. I just watched an episode with Jane Lynch working as a mental health care professional. Of course, this was way before she found success on Glee and The 40-Year-Old Virgin.

Does JL manage to work in a reference to Samuel Beckett into everything he works on starting with this series? It's starting to function as his own career Easter egg at this point. I'm not complaining. Just wondering.

I know Don Reo created the show, but I suspect JL had a small amount of his life's adventures and details shape the John Hemingway character (like the Beckett references, his running commentary on anything that happened in the 1960s, his openness about being friends with anyone from any background, etc.). But the only way to truly know this is for JL to 1) tell us in Q&As or interviews, or 2) write an autobiography already, dammit!

In s2e1 "Changes," JL sits down in a chair by swinging his leg over the back of it, and I immediately thought of the Riker Maneuver. I know JL did it before Jonathan Frakes on TNG, but it will always be the Riker Maneuver to me.

Another way the show was ahead of its time was in its portrayal of sex workers and trans people. Most of the time, it's played for comedy on the show (I mean, it is a sitcom after all), but there's a very real attempt to share stories of Carly, Teddi and Pat that are humanizing. Teddi and Pat are trans sex workers, but they are accepted by most (not the male cop) and aren't just the butt of jokes. They even get included in simple things like group poker games and asked to watch the lunch counter when Dexter runs off to do something or other. That might seem like not a big deal, but at that time (the mid-90s), most inclusion of hookers and trans folks on TV usually involved heavy drama like trying to save them from their lives or begrudgingly acknowledging that they were a part of society with disdain and ridicule. And the overall acceptance of Carly as a friend and possible love interest without trying to save her or judge her was also a bit ahead of its time. And when there were moments of judgment, they were faced head on and challenged.

[tvthemesongs]

The John Larroquette Show intro

[sfppn]

The Kinescope Initiative 0198

Six 1993 sitcoms in the same episode? You know they've got to be stinkers. Larroquette was good though.

[charlotterenaissance]

at any given moment

[jimmyspades]

It's 10 o'clock. Are we not on? We're supposed to be Tuesday at 10 every week. We've been moved—we're Wednesday at 10. Are we Wednesdays at 10 from now on? No, we're off next week and on for the following two Wednesdays. What about next year? Best to keep checking in. BOSTON LEGAL (2004-2008)

[girl-drink-drunk]

nobody is doing it quite like bicon prince charming cassandra cillian, who kissed a vampire woman, asked old man immortal played by john larroquette sir galahad out on a date and gained telepathy via tumor removal all in one day

[retropopcult]

The original cast of Night Court, 1984

[boasamishipper]

LARROQUETTE POLL ROUND ONE RECAP

our original pool of sixteen sexy larroquette characters has been winnowed down to an elite eight. if your faves won the fight, congratulations! pat yourselves on the back for a vote well cast and a propaganda campaign well run. if your faves sadly did not emerge victorious, don't worry: the round one losers will have a bracket of their own after this tournament is over, so they'll all have one more shot at the crown.

let's meet our elite eight!

Billy Ace (Choose Me)

though David Bedford (Blind Date) fought the good fight, Billy Ace (of tall dark and handsome, leather jacket, and motorcycle riding fame) emerged victorious with 18 votes to 12. hopefully David will find consolation in his gigantic pile of teddy bears.

Carl Sack (Boston Legal)

his bitchiness, stoic demeanor and steadfast refusal to take part in the Shenanigans™️ around him have bewitched larroquette nation body and soul: Crane, Poole, and Schmidt senior partner Carl Sack beats serial killer-turned-attorney Joey Heric (The Practice) 33 votes to 9. 'no hard feelings,' says Joey amiably while sharpening his knives. sleep with one eye open, Carl.

Jenkins (The Librarians)

this race saw the highest voter turnout, and while things were close in the beginning, TWW's Lionel Tribbey's faithful cricket bat was no match for Jenkins's sword, or his crossbow, or his lightsaber, or his bow ties, or his clubbing outfit. with 36 votes to 24, our beloved caretaker moves onto the next round, and Lionel Tribbey can take a much needed vacation someplace warm, with as many drinks with little umbrellas in them as his heart desires <3

John Hemingway (The John Larroquette Show)

hemingway during the final hours of the race:

it was close, but our favorite well-read bus depot manager John Hemingway emerged victorious over ex cop turned lawyer curmudgeon with a heart of gold Mike McBride. congratulations john! see you next time, mcbride!

Bob Anderson (Baa Baa Black Sheep)

our good baby-faced second lieutenant took the lead early on and maintained it all the way to the end. rip Captain Stillman. back to commanding officer duty at an alaskan weather station you go.

Mark Bannister (Madhouse)

in a race that led many (my dear friend emily @footnoteinhistory) to ask Why Are You Doing This To Me, sexy yuppie driven to madness Mark Bannister (Madhouse) beats nice handsome single father Don Moore (Summer Rental) 26 votes to 9. Mark may be going onto the next round, but does he have a boat? No? Didn't think so.

Roan Montgomery (Chuck)

another nailbiter of a race, but much like rock beats scissors, legend suave debonair secret agent man (Roan Montgomery) beats cigar-smoking businessman with a predilection for child murder (Lawrence Van Dough) every time. off you go to your next assignment, Agent Montgomery. Mr. Van Dough, back to court-mandated community service on the sprawling lawns of the Rich mansion with you.

Dan Fielding (Night Court)

he couldn't beat a dead man, he couldn't beat a spunky blonde, but by god, our favorite ADA absolutely trounced paranormal detective Wilbur Willis (Second Sight) in a battle of sexiness. good work as always, mr. prosecutor - let's see if you've got what it takes to go all the way!

Round 2 will begin at 12pm CT on 9/16.

[haveyouseenthisseries-poll]

[floppydiskorigami]

somethingsomething the duality of man

[seriouslycromulent]

More thoughts on The John Larroquette Show

OK. So I've finally finished rewatching The John Larroquette Show, and I'm back with additional thoughts and commentary about the series. My first post about my rewatch can be found here.

I just want to point out that I couldn't watch every episode because the media player that I downloaded wouldn't play back all the files unfortunately. So over the course of the 4 seasons, I would say I got to see about 85% of it. Unfortunately, the majority of the episodes the media player wouldn't read were in the final season. ☹️ I hope I will get to watch those episodes via another media player in the future, but I didn't want to hold up my commentary waiting for that to happen.

So from what I got to watch, I really liked the show and it made me sad that the series couldn't really find an audience because there was some solid comedy (and drama) in those 70+ episodes.

Enough of the intro, let's dive in to more thoughts ...

I'm so slow. It took me until the 2nd season to realize the cops' names, Hampton and Eggers, are a play on the combo Ham & Eggs. Don't judge me.

Throughout season 2, you can tell the showrunners were really trying everything to get the ratings up with different guest stars and celeb cameos. It's almost to the point of being really obsequious and sweaty. Like it starts somewhat subtly with cross-promotion of other NBC series and celebrities who are mildly connected to the show, like Joey Lawrence from Blossom playing Carly's brother and David Cassidy, who sang the opening theme song for the show. Then, it was like: "Hey! Here for no reason is the '60s singer Deon, actor Joe Pesci, and Boys II Men." (Not all in one episode, mind you). Now, I love me some BIIM, but they basically shot an entire music video in the bus station in the middle of an episode, and it just did not fit the tone of the show at all. The most obvious cameo/guest star was the random appearance of the late and sorely missed Matthew Perry as a character that didn't even get a name. But Friends was already a hit by then (1995), so I'm sure NBC thought his appearance on TJLS would help with the ratings. I don't mind any of these guest stars generally, but it all began to feel a bit forced, as opposed to something organic like most of the guest stars from season 1.

Now guest stars who have worked with Larroquette in the past or were related to him were perfectly fine by me. What can I say? I like it when people I know who are friends or family get to work together. Case in point: It was great to see JL act alongside his lovely wife in an episode of his own show. All I know about Elizabeth is what JL has mentioned occasionally in interviews, which is essentially she has the patience of a saint and that she's English. With so little to go on, it's no surprise that I didn't recognize her right away. But she did a fine job, and I bet it was a real treat for them to work together on something that others (especially their kids) can watch years later.

In s2e17, "Whipping Post," Joey Lawrence guest stars as Carly's brother, Sonny. During a scene where nurse Catherine (played by the highly underrated Alison LaPlaca) is dressing a bad cut on his arm at the hospital, Sonny keeps hitting on Catherine while she's working. In a quick back and forth, he tells her how attractive and funny she is. She responds by saying something to the effect, "Thanks for that. It's nice to hear, but I've been on 5 cancelled sitcoms. Nobody gets me." The comment gets a huge laugh from the audience because it's obviously a 4th wall break. I remember LaPlaca being on a number of sitcoms in the '80s, but I just wanted to fact check to see which 5 cancelled ones she was talking about. According to IMDB, they were: Tom, The Jackie Thomas Show, Stat, Open House, and Duet (which to be fair, lasted 3 seasons). Personally, I love it when shows break the 4th wall, and I appreciate that they let the audience laugh for a long time here because it really was a funny surprise that I think deserved the response it got.

Going back to the general setup of the show, you can tell that the producers or the network is still fiddling with the formula throughout the series. They moved away from the steady references to John Hemingway's recovery in AA, and tried their best to make it more like a "regular" sitcom about the life and work of a particular group of people. This was fine, I guess. But I feel like in doing so, the show lost a little bit of what made it unique. They tried to make Hemingway a normal-ish guy surrounded by a cast of dynamic characters, and he was simply reacting to their shenanigans. But that in some ways stunted the development of John's character, in my opinion.

Speaking of character development, I also felt like the show was probably getting notes from week to week telling the writers to be more appealing to "Middle America." So as a result, the writers did the following: had Hemingway talk less about racism with Dexter; gave Hemingway a steady girlfriend & a more middle class-looking flat; made Carly more "respectable" by giving her the bar at the station to run; had Gene meet someone & get married; and kept the commentary about the cops to mostly punchlines about them specifically (compared to a commentary about police, in general). Most of these changes happen in season 2, but it doesn't stop the show from being funny. However, it does change the humor a bit. I felt like the humor only really starts to falter when they changed the canon bus station hours where we see our cast of characters go from an overnight shift (aka 3rd shift) to a late shift (aka 2nd shift). The change is subtle, but it's there. And it was definitely better when the show had a 3rd shift background. I don't know why, but it just did.

In happier thoughts, I counted guest stars from Night Court coming over and joining Larroquette for an episode on his show at 6. First, there's Bumper Robinson playing a teenage thief/would-be shakedown artist in "Jumping Off the Wagon" (s1e7). Then, we see Marsha Warfield playing Dexter's sister in "Date Night" (s1e22). Next, it was Charles Robinson playing a bookmaker that John mistakes for a bookie (aka someone who places gambling bets). That episode, "John's Lucky Day," (s3e11) was great especially because of the scene in the bar where John has this back and forth with the bartender, who thinks John is this menacing gangster who's going to hurt Charlie's character and he's trying to keep John in his good graces. The bartender is played by popular voice actor Kevin Michael Richardson, someone we rarely get to see onscreen much these days. And of course, we get a guest starring episode featuring Harry Anderson, who played a plastic surgeon trying to convince John to get a lot of unnecessary work done. That episode, "Cosmetic Perjury," (s3e14) also gives a nice little shout-out to Markie Post in a quick back and forth between the two. And last, but not least, we get to see a small reunion between Dan Fielding and Phil Sanders with the guest appearance of William Utay in the episode "Independence Day" (s3e20).

Oh, and I shouldn't forget the small role that John's youngest son, Ben, plays in "An Odd Cup of Tea," (s3e7). It must've been trippy to play your dad's much, much younger brother on your dad's own TV show. Although, they do get to argue with each other and tell each other to shut up like brothers yelling at each other often do, so maybe it was a bit cathartic.

If I had to pick my favorite episodes of all 4 seasons, I would say it would be the following, in no particular order: "Grit" (s1e21), "The Book of Rachel" (s2e8), and "Rachel Redux" (s2e21). I can't say exactly why those episodes are my favorites. But I can say those 3 episodes made me either laugh so hard I had to rewind to hear the dialogue I missed while I was laughing, or delight at the chemistry JL shared with his main costars in those episodes. "Grit" features Hemingway's relationship with Eggers, and I think they played so well off each other that it makes me sad that Elizabeth Berridge doesn't get more work. She's just absolutely hilarious throughout the entire episode. As a matter of fact, I would say that she and Darryl "Chill" Mitchell probably had the most chemistry with Larroquette when it came to comedy on the show. And Mayim Bialik as Hemingway's daughter was just pitch perfect in terms of chemistry. They worked really well together, and I'm glad we got to see her appear on the show 3 times. My favorites were "The Book of Rachel" and "Rachel Redux," but the 3rd episode she's in isn't bad though. Sure, it was a chance to cross-promote with her show on the same network, but these 2 definitely caught lightning in a bottle with their timing and delivery. Who knows? Since Mayim has worked with both John and Melissa Rauch, maybe she'll turn up on the new Night Court. I know I wouldn't mind seeing that.

I have more thoughts on the show, but I'm going to stop here for the sake of everyone's sanity. Thank you for reading if you've gotten this far. Feel free to share your thoughts on the show if you like. I hope to share a few more of mine in the future.