#the japanese festival for the dead

[vexx-the-egg]

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[the-celluloid-correspondent]

Shōgun: A Historical Masterpiece.

Set in Japan in the year 1600, Lord Yoshii Toranaga is fighting for his life as his enemies on the Council of Regents unite against him, when a mysterious European ship is found marooned in a nearby fishing village.

Based upon the acclaimed novel, Shōgun is a historical retelling of Lord Tokugawa Ieyasu's (Yoshi Toranaga) establishing the Tokugawa Shōgunate in early 17th Century Japan from the point of view of an English Pilot named, William Adams (John Blackthorn)Premiering on the small screen in 1980, the series received mass critical acclaim and earned an Emmy for Outstanding Limited Series. Four decades later, it returns, breathing new life into the television with its unparalleled storytelling. Breaking away from the mediocrity that often plagues the streaming industry, Shōgun stands as a monumental historical epic of a real-life struggle over the throne for Japan. 

Shōgun unfolds like a meticulously played game of Shogi, where every move, character, and line of dialogue is infused with purpose and significance. This captivating narrative takes viewers on a journey through a power struggle that shapes feudal Japan, weaving together political intrigue and human drama in a rich tapestry of storytelling. From the intricacies of Japanese society to the cunning maneuvers of rival warlords, Shōgun immerses audiences in a world where every scene serves a distinct purpose. Each twist and turn of the plot is carefully crafted, drawing viewers deeper into the heart of the conflict and revealing the complex web of alliances and betrayals that define the era. The dialogue and monologues in Shōgun are masterfully written, brimming with both context and subtext that add layers of depth to the narrative. Like beautiful lines of poetry, they flow seamlessly together, driving the story forward with precision and purpose. At its core, Shōgun captures the essence of one of the most pivotal moments in Japanese history, offering a compelling exploration of power, ambition, and the human spirit. As viewers are drawn into this world of political conspiracy and personal sacrifice, they are treated to a mesmerizing blend of drama, suspense, and historical authenticity that commands the screen from start to finish. 

Shōgun derives its true essence from its characters, each intricately woven with layers of complexity and depth, enriching the overarching drama. Among them, Cosmo Jarvis's portrayal of John Blackthorn emerges as a standout performance, deftly navigating the challenges of embodying a character whose natural loudness and clumsiness contrast sharply with the subtleties of his Japanese counterparts. While some may initially interpret Blackthorn's demeanor as a flaw in the performance, Jarvis's deliberate portrayal serves a greater purpose—to underscore the cultural abyss between him and the people of Japan. Through his portrayal, Jarvis adeptly captures the profound culture shock experienced by his character, allowing viewers to witness a compelling transformation from a brash and ambitious Englishman to a man deeply immersed in Japanese customs. It is in these quieter moments that Jarvis truly shines, infusing his character with depth and nuance.

Similarly, Anna Sawai's portrayal of Toda Mariko exemplifies the art of subtle acting. With a mere glance, Sawai effortlessly conveys a myriad of emotions, her thousand-yard stare speaking volumes about her character's inner turmoil and quiet resilience. Her performance is a testament to the power of restraint, as she deftly navigates Mariko's journey of suffering and hope, her emotions simmering beneath the surface until they erupt with raw intensity. Even in moments of despair, Sawai's portrayal radiates a glimmer of hope, underscoring the resilience of the human spirit.

The ensemble cast of "Shōgun" shines brilliantly, each member delivering performances that leave a lasting impact. From the charismatically charming yet brutal portrayal of Tadanobu Asano as Yabushige to the scheming and cunning rendition of Fumi Nikaido as Ruri, every actor breathes life into their character with skill and precision. Moeka Hoshi's portrayal of the broken yet resilient Fuji, and Takehiro Hira's power-hungry depiction of Ishido, further solidify the ensemble's strength, while Tokuma Nishioka's powerful and wise portrayal of Hiromatsu adds depth to the narrative.

However, it is Hiroyuki Sanada's performance as Yoshii Toranaga that truly stands out, marking a triumphant moment in his career. Despite being typecast and overlooked by Hollywood for years, Sanada seizes the opportunity to showcase his talents as both an actor and a producer in Shōgun. In his portrayal of the powerful and intimidating Toranaga, Sanada commands the screen with a commanding presence, embodying his character's intellect, ambition, and prowess with aplomb. What sets Sanada's performance apart is his ability to infuse Toranaga with an unpredictable nature, keeping viewers on the edge of their seats as they anticipate his next move. With each moment on screen, Sanada captivates audiences with his depth and nuance, delivering what can only be described as his finest performance to date. Finally given a role where he can truly shine, Sanada proves himself to be a force to be reckoned with, cementing his status as one of the industry's most talented actors.

Every aspect of this series is a visual feast. The cinematography is nothing short of breathtaking, capturing the stunning landscapes and rich cultural tapestry of Feudal Japan with remarkable skill. From the intricate costumes to the meticulously crafted production design, every detail is thoughtfully considered, drawing viewers deeper into the immersive world of Shōgun.

But Shōgun is more than just television—it's an immersive journey into one of the most pivotal moments in Japanese history. With its masterful storytelling and captivating characters, the series transcends the screen, offering viewers a profound exploration of the human experience against the backdrop of historical upheaval. In a landscape dominated by formulaic narratives, Shōgun stands as a shining example of the power of the historical epic, reminding us of the importance of stories that not only entertain but also enlighten and inspire.

My Rating: A

[genkinahito]

Japanese Films at L'Etrange Festival 2023

The L’Etrange Festival runs from September 05 to 17 and there are a grip of films from Japan with two Joe Shishido classics and a few 2000s titles. What Japanese films are programmed at L’Etrange this year? Continue reading Untitled

[tanuki-kimono]

Lovely article+illustrations by Kimono Ichiba (via Tanpopo <3), overviewing famous "scary"patterns... which are in fact often auspicious as traditional Japanese patterns ;)

I believe I have them all on the blog somewhere but it's nice having them in one place so let's go!

Spiderwebs (kumo no su)

In ancient China, spider were seen as auspicious messengers connecting Heaven to Earth.

As the spider catches its prey in its web, spiderweb came to signify "grasping happiness".

Apparently during Edo period, prostitutes and geisha used spiderweb patterned items as a good luck charm (meaning something like "this customer will come back").

A very famous spiderweb depiction is the Lady Rokujo ukiyoe [焔 honô (the flame of passion)] by female artist Uemura Shoen. Wisteria caught in the web could mean ``I hope [Prince Genji] will come tonight'' which is pretty sad considering her story T_T

Skulls (dokuro)

Exact name for human remains pattern is "nozarashi" (lit. "weather beaten") ie bones scattered in a field. This depicts a corpse turned to bones/unveiled from its grave by the elements.

Skulls are thought to ward off evil and bad luck. Bones can also symbolize a do-or-die spirit​, or hope for rebirth after death.

OP stresses a theory linking bones pattern to a buddhist saying 色即是空 shikisokuzekū "form is emptiness, matter is void, all is vanity​". An interpetation is that we'll all turn to dust one day so we're all equal.

Bones patterns are often seen during Obon (Festival of the dead) season.

Monsters, ogres and ghosts (yôkai / oni / yûrei)

Monsters patterns were then worn to ward off bad luck and evil spirits. Reasoning is: let's repel scary things by wearing an even scarier monster!

Fearsome monsters were especially use by people with dangerous jobs, like Edo period firemen.

Firemen often had the lining of their heavy fire attire (火事装束 kajishouzoku) embelished with lavish designs of brave heroes and fantastic monsters. It was both a talisman and a way to show that they did not fear danger or death.

Another reason behing monsters patterns is the Edo period love for "scary" entertainements, be it ghost stories, parlor or other types of games, art (see for ex. Utagawa Kuniyoshi), etc. And Edo city dwellers were all about being fashionable so a monster pattern would have been considered quite iki!

[long-live-astronerd-ghost-king]

DP x DC prompt. ~“Unstable connection”~ Dead on main.

Part 13. Hungry Ghost Festival 2

or Unplanned Criminal Lord’s Vacation with uncle John.

Part 1. Part 2. Part 3. Part 4. Part 5. Part 6. Part 7.

Part 8. Part 9. New: Part 9.1. Part 9.2. Part 9.3.

Part 10. Part 11. Part 12. Meme break №1. Part 13.

~~~~

Jason looked at the phone screen and didn’t believe Danny has really decided to entrust his safety in the haunted lair to one drunk and unrequited Phantom.

He had enough. Jason jumped up and grabbed his helmet off the table.

‘Where do you think you’re going? Patrol’s coming soon.’ Tim took his eyes off the documents.

‘None of your business.’ Red Hood quickly found keys to a jet and ran for an exit. ‘Cass, while I’m gone, you’re in charge of the alley.’

~~~~

Demons, spirits, and ghosts swung around as if in a dance. And Danny, whom Jason easily spotted entering The Gambler’s Den, did not seem foreign at this festival of death. The red light gently illuminated his pale skin, which almost fused with color of his white kimono. The flowing fabric made his silhouette as blurry and elusive as most visitors.

One second without looking at the boy, and he was in the opposite corner, where the crowd were much smaller. VIP zone? Otherworldly creatures, deserving special treatment, were rarely friendly to humans. And Jason was tense about it for a moment. But after noticing waving with enthusiasm teenager, a man in white clothes rushed to respond to the gesture and a ghost with an eye patch sitting in the chair nodded to him, ringing with silver earrings.

Jason let his guard down a bit.

Another man in the black robe was not distracted by Danny. He threw the bones and glanced at them in disappointment. Then ghoul banged the table with fist. He rose, grabbed from a nearby bowl a mantou and bit. The next second his face was distorted by awareness and disgust.

He abruptly removed the triangle-shaped headband from Danny’s head and spat out a bite into it. Then ghoul fell to a floor. Well, nice carpets have softened it.

Jason shook his head, trying not to laugh at the strange situation.

At the same time, Danny boldly stepped over the fallen player and sat in a chair in front of the ghost in black and red clothes. The man began to demonstrate a technique of throwing bones, with continuous ringing after moving of his hands. Danny seemed passionate about this.

Constantine, who did not come with the Red Hood voluntarily, decides for the first time in the evening to speak out.

‘That’s weird.’ Constantine said with an intonation that spoke of his distrust of the situation.

‘What is it now?’ Jason took his eyes off the object of interest.

Fenton must be watched for his safety. Why did the warlock distract him? Jason completely distrusted Danny’s promise not to use his body parts as a bet.

‘His clothes.’ Constantine looked at the boy with discomfort. ‘Boy, are you sure your lover is alive?’

‘Don’t be rude. He looks great,’ said Jason ‘Maybe Danny wanted to dress up in a traditional costume.  And it's not polite to ask people if they are alive. He’s always pale in all the photos. ’

 Jason didn’t think costume selection was such a big deal.

‘No.’ Warlock shook his head ‘Kimono is Japanese national costume, not Chinese at all. And it’s on the left side which means your boyf..’ 

Unfamiliar to Jason spirit came up and patted Danny on the shoulder. The spirit and the boy bowed to each other.

‘I see.’ The puzzled expression on the warlock’s face is gone. ‘Your lover has interesting friends, Hood.’

 ‘Who is this guy? Explanation. Now.’ Jason barked irritably. Why did he always have to pull every word out of John?

‘Nurarihyon. Don’t be so nervous, he’s not dangerous to people. I just realized your boy here after a walk with Hyakki Yakko. Which explains the clothes.’ Сonstantine exhaled cigarette smoke and continued. ‘Your love doesn’t waste any time. In one evening, he met three ghost kings.’

‘Hyakki Yakko?’ Jason asked a lot calmer.

‘The night parade of one hundred demons when all of the y��kai, oni, ghosts parade through the streets.’ John shrugged his shoulders and shook the ashes off the cigarette into the nearest ashtray. It was also red and black. Warlock winced. ‘But your boyfriend feels like a fish in the water. Whoever his protector is, he is respected enough here. Let the guy have a drink and have some fun, he’ll be fine.’

‘God. Danny’s like a sheep in wolf’s clothing’ Jason sighed anxiously. ‘His parents are ghost hunters but he’s here as a plus one for Phantom, a ghost from Amity Park.’

‘More like a wolf in sheep’s clothing.’ Constantine muttered to himself. But when he saw a silver butterfly nearby, he decided that revealing other people’s secrets was not his problem. ‘I know who the Phantom is. Everyone has heard about Pariah Dark.’

Jason has not heard about him, but decided to keep quiet so as not to make a fool of himself. He will ask Danny about it.

Constantine took a brandy from the bartender. Then he took a big sip and looked at Jason. ‘You know, I always thought Little Red Riding Hood was incredibly stupid to let a wolf eat herself.’

‘What’s this about, Constantine?’ Hood rolled his eyes under the helmet.

And immediately he was glad that John did not see it. In the end, he helped him a lot not to scare Danny. Without the old man’s comments, he could have easily carried the boy away from the local ghosts on his shoulder like a caveman.

Jay didn’t want to spoil a first impression of a face-to-face meeting because of a kidnapping. Although, looking at how comfortable Fenton was among the nonhuman creatures, Jason doubted that Danny would have been screaming and panicking. But he wouldn’t be happy about being distracted from the fun. Hood shook his head in disappointment.

‘Nothing important.’ John brushed the silver butterfly off his shoulder. ‘You know, I’m in debt to the owner, so..If you don’t need my favors anymore, I’m leaving.’

‘Wait. Help me find Phantom.’ Сrime lord stopped him. ‘I need to make sure he doesn’t leave Danny here alone.’

John turned and looked at him as if he were terminally ill. ‘Phantom is in this room now. Only an idiot would have missed him.’ John spoke slowly and clearly, raising one eyebrow. ‘A conference of four kings. No joke. Stop poking around and messing up international relations, kid.’

Jason looked around the room again. ‘I don’t see him.’

‘Because you’re an idiot, kid’ John patted Jay on the shoulder and left. ‘Good luck explaining to Batman why you stole his jet.’

‘Heck.’

[benkyoutobentou]

LGBTQ+ Japanese Media for Pride Month

Happy pride month! There's no better time to read and watch queer media than June. I tend to read and watch mostly queer content, so I thought I'd drop some things that I've enjoyed over the years for those looking for something that they maybe haven't picked up before. Since lots of Japanese media tends to have multiple versions and adaptations, I'll be organizing this by representation rather than type of media. The version(s) that I've personally seen or read will be bolded. This will also be a little bit different from my usual Japanese media recommendation posts, as I will also be including media that I've read in English or watched with English subtitles. This is also an invitation for anyone to recommend things to me, especially ones that have LGBT rep outside of just gay and lesbian characters. I'm always looking for more stuff to enjoy!

MLM

同級生/Classmates (manga/anime movie): Two seemingly opposite boys meet during the choir festival at their all boys' school and develop a relationship. How could this not be the very first thing I recommend? This is one of my all time favorite BL series and one of my favorite movies as well. Seriously, I watch this at least three times per year (once being during June!). Nakamura Asumiko is one of my favorite manga artists, and this won't be the last series of hers on this list.

ひだまりが聴こえる/I Hear the Sunspot (manga/movie): This follows a college student who agrees to become the designated note taker for a deaf classmate. I love this series and one of my favorite things about it is how much the romance takes a backseat to other things happening in the characters lives. It also has a large cast of deaf characters! If you're looking for something with representation outside of only LGBT and doesn't focus too much on romance, this is a really great choice.

30歳まで童貞だと魔法使いになれるらしい/Cherry Magic! 30 Years of Virginity Can Make You a Wizard (manga/drama/anime): After waking up on his thirtieth birthday, a businessman discovers that he has gained the ability to read minds. And with that, he discovers that his male coworker has a crush on him. For such a zany concept, this series is very cute and sweet. It's also always nice to see something that follows older characters (ie. not high school or college).

美しい彼/My Beautiful Man (novel/drama/manga): This follows a social outcast who ends up falling in love with a boy in the friend group of his high school bullies. This isn't a sweet and heartwarming romance at all, but it's also not pure toxicity. The drama is extremely bingeable and the author is a juggernaut in the BL light novel community for a reason.

消えた初恋/My Love Mix Up (manga/drama): Due to an eraser mishap, a boy admits to having feelings for another boy in order to save his actual crush from embarrassment. This series is The Blueprint for me in terms of romcoms. It does everything right for me and the characters especially stand out. It covers topics from discovering your identity and first love to dealing with homophobia and it does it all spectacularly. I also think that the manga does visual humor extremely well.

スリーピングデッド/Sleeping Dead (manga): After being stabbed to death on a routine patrol, a popular high school teacher wakes up on a metal table. I have no words [words]. This is definitely up there in my favorites, I love it so much. If you like queer horror, this is definitely one you need to pick up. I also found it very funny and the characters were extremely charming.

僕らの地球の歩き方/Our Not-So-Lonely Planet Travel Guide (manga): A couple decides to travel the world together, promising that they'll get married upon their return to Japan. Probably my all time favorite manga ever. I love every single thing about this, especially how much this series loves the queer community. This manga is overflowing with love in all ways, and I'm overflowing with love for this manga.

きのう何食べた？/What Did You Eat Yesterday? (manga/drama): This series is basically just snippets of a gay man's daily life. He likes to cook. And you know what? It's all the better for it. This series is award winning and such a great time. The main character is so relatable and it covers some great LGBT+ topics. Honestly, it's a crime that I haven't seen the drama yet.

WLW

独り舞/Solo Dance (novel): After a violent encounter, a Taiwanese woman makes the choice to move to Japan. When reading this, I saw it mention Qiu Miaojin's Notes of a Crocodile, which I had just bought, and now that I've finally read it, I can easily see the influences that Qiu's works had on this one. This is a tough book to get through emotionally, but ultimately a worthwhile read, especially if you're looking for something more on the literary side.

ささやくように恋を唄う/Whisper Me a Love Song (manga/anime): A girl confesses to an upperclassman that she loves her music, but the upperclassman misunderstands it as a true confession of love. I adore this series and the relationships in it. It has a huge cast of female characters and also has a driving plot outside of just the romance. I'm a sucker for series about music and this one is one of my favorites.

あさがおと加瀬さん/Kase San and Morning Glories (manga/anime movie): A shy gardener and a popular track star become friends and begin dating. This series is so cute! It feels like a GL staple to me and is one I've been following for practically as long as I've been reading manga in Japanese. It also has a sequel series called 山田と加瀬さん/Yamada and Kase San which follows the two of them after high school.

メジロバナの咲く/A White Rose in Bloom (manga): After not being able to go home for Christmas, a girl is stuck in her boarding school with one other student, who seems to not like her. This is another one by Nakamura Asumiko and there's something about her writing which always sucks me in. I can't get enough of this series, it has wonderful vibes, impeccable art, and I just want more and more of the characters.

欠けた月とドーナッツ/Donuts Under a Crescent Moon (manga): This series is a slice of life following two coworkers and their growing relationship. It's very slow burn and puts a lot more emphasis on the feelings of coming into and realizing your sexuality as an adult and dealing with compulsory heterosexuality. I really loved this series and how it focused on issues surrounding but not directly related to the central romance.

気になってる人が男じゃなかった/The Guy She Was Interested in Wasn't a Guy At All (manga): A girl develops a crush on a worker at a music store after bonding over their shared love of music. Little does she know, he's actually the girl who sits next to her in class. This manga has taken the world by storm to the point of having a collaboration with Nirvana, and let me tell you it deserves every bit of hype you've heard about it. The art and characters are both stunning and is absolutely worth the read.

ハロー、メランコリック！/Hello, Melancholic! (manga): A talented trombonist enters a high school without a wind band, but is scouted anyway by a drummer looking for a new member to join her combo band. This is another one where the romance takes a backseat to other stuff in the plot, can you tell that I love that sort of thing? I also really loved the ways they talked about music in here, and I could definitely relate to it as a musician myself. Apparently, all the chapter titles are songs as well.

さよならローズガーデン/Goodbye, My Rose Garden (manga): A young woman moves from Japan to England to find her favorite author and is hired on as a maid. Her boss agrees to help her find this author so long as she agrees to help her with a grisly task. This is another really lovely series with gorgeous art. Set in the Victorian era, this does have some time period appropriate homophobia but overall it didn't strike me as a very dark manga.

Transgender

彼らが本気で編むときは、/Close Knit (movie): A young girl goes to live with her uncle and his transgender girlfriend. This movie is so sweet and cute! I watched it a couple years back now, but I feel like a lot of specific scenes have stuck with me. This is definitely a good heartwarming Pride month movie night candidate.

不可解なぼくのすべてを/Love Me For Who I Am (manga): A nonbinary teen is offered a job at a crossdressing cafe run by a classmate's family. Although this series has a cast with multiple LGBT identities, I chose to include it here because the main theme seems to revolve around gender. I do recommend this series if you're looking for a cute and sweet story about gender issues, but I did have some hesitations about the way lesbians are portrayed in this manga.

ボーイミーツマリア/Boy Meets Maria (manga): A boy who dreams of being an actor falls in love at first sight with a girl he sees dancing in his high school entrance ceremony, only to later find that she is actually a boy in his class. I feel like I always need to preface any recommendation for this manga by saying that a lot of people took issue with the way certain things and tropes are handled in this regarding being transgender. I personally didn't find it transphobic but I'm also just one person and can't speak for every nonbinary person out there. Regardless, I really enjoyed this. Be aware of trigger warnings when going into this one, it gets extremely graphic.

ボーイズ・ラン・ザ・ライオット/Boys Run the Riot (manga): Two high school boys bond over their shared love of fashion and start a brand together. I read this one a while back and never ended up finishing it but I do remember enjoying what I read! It's also by a transgender mangaka!

放浪息子/Wandering Son (manga/anime): This is a slice of life coming of age series that follows a middle school friend group revolving around two transgender friends. It's more of a slow paced series and a little bit on the more depressing side. The anime is also award winning and the manga was nominated!

星合の空/Stars Align (anime): This is a sports anime about a middle school boys' soft tennis team. I always hesitate to recommend this one because it was greenlit for a twenty four episode anime then cut down to twelve episodes during production. Rather than condense the story, the creator chose to animate only the first half of the series, so it's perpetually unfinished. Despite that, I still think it was a really wonderful anime and I would really love to see the rest of it one day because so much good stuff was set up!

Other/Multiple

しまなみ誰そ彼/Our Dreams at Dusk (manga): A gay teen is about to commit suicide after being outed to his classmates but sees a mysterious person jump from a balcony, which then leads him to a drop in center for LGBT people. I cannot say enough good things about this manga, it is phenomenal and is always my go-to for anyone looking for queer manga. It's heartfelt and beautiful and written by another one of my favorite mangaka, Kamatani Yuhki, who also happens to be X gender!

ヒラエスは旅路の果て/Hiraeth: The End of the Journey (manga): After the death of her best friend, a young girl decides to join a forgotten god and an immortal man on their journey to find death. Another Kamatani manga! This manga deals more with grief and mortality rather than queer identities, but if you want something with casually queer characters, this one is worth picking up. Also, this is one of only two manga to ever make me cry, and boy did I ugly cry at this one.

恋せぬふたり/Two People Who Can't Fall in Love (drama): Though I haven't watched this one, it's been on my radar for quite a while and I've heard so many good things. It's also harder to find series that have explicit aroace representation. This is about a woman who feels ostracized by her lack of romantic interest in anyone around her until she finds a blog about asexuality.

わたしは壁になりたい/I Want to Be a Wall (manga): This series is a marriage of convenience plot between an asexual BL fangirl and a gay man who never got over his childhood crush. I loved the relationship between the two characters and the depiction of a nontraditional family that still has love within it, even if it's not romantic.

Bonus- Music

I'm not one to look much in to the person behind the music, so I often don't know much about band members or singers of the music I listen to. However, there are two wonderful transgender artists that I listen to regularly in Japanese and couldn't pass up the opportunity to share their works with the world! Nakamura Ataru is a pop singer who also takes inspiration from traditional Japanese music. I love her enka styled songs such as 廃墟の森! The other artist is a bit more popular, and that's the rock band QUEEN BEE, whose lead singer is the incredibly talented Avu Chan. Avu Chan also voiced Inu Oh in one of my favorite movies, Inu Oh, which isn't (explicitly) queer, but is definitely worth watching anyways, even if just to hear Avu Chan's insane vocal abilities.

And so, those are (just a few) of my recommendations for Japanese queer reads to celebrate Pride month! If you have any recommendations for me, regardless of whether it's a movie or novel or manga or other, I would love to hear them!

[megyulmi]

➠ Mythological and Buddhist symbolism of Yuuji’s domain:

In this post, I (not so) jokingly mentioned Yuuji’s domain being similar to 根の国 (ne-no-kuni, ‘land of roots’; ‘land of origin’), but having thought a bit more about it, there might actually be a chance it is inspired by the concept of Ne-no-kuni, a netherworld in Japanese mythology.

Ne-no-kuni appears with different names and carries various significances in different recordings, but here I mainly want to reference an ancient Shinto prayer, Michiae no matsuri (festival of the road gods, 道饗祭) norito, asking the gods to prevent the evil spirits (such as demons and epidemic gods) from Ne-no-kuni-Soko-no-kuni (根國底國) to do any harm or enter the capital. According to the prayer, sin and impurity were washed away to Ne-no-kuni, which was said to be ruled by Susanoo (a kami Akutami Gege referenced for Sukuna’s domain, more here).

Additionally, according to the Great Purification ceremony (Minatsuki no tsugomori no ōharae (no norito) (六月晦大祓[祝詞])), Hayasasura-hime, a female deity who rules Nenokuni-Sokonokuni removes on that occasion all manner of sins (she takes all the evils, sins, and vice brought into Nenokuni-Sokonokuni and disperses them throughout the underworld), thereby effecting the cleansing of what is called the “sins of the four corners of the land below heaven,” that is, those of the entire country. Therefore, Ne-no-kuni can be considered as both the root of evil spirits and a place where the sins were purified.

Continuing from the idea that Ne-no-kuni was regarded as the world with positive and negative distinctions, some accounts claim that it was originally the land of life. According to the Kojiki (古事記, ‘Records of Ancient Matters’) when Ōkuninushi (one of the central deities of Japanese mythology) visited Ne-no-kuni, he was subjected to the trials (by Susanoo), which are sometimes considered a symbolic death through rites of initiation that cause one to become reborn into a new life. The legend has many variations, but in this version, death does not pollute; it regenerates. And therefore, the land of the dead also contains the forces of life, tama (from the word mitama, the spirit of a kami or the soul of a dead person).

This is where the connection to Yuuji’s domain can be drawn from. From a spiritual perspective, a train station represents the journey of the soul, particularly through different lifetimes or spiritual realms. It could also be seen as a place where one reflects on their life’s path.

In Buddhism, a train station can symbolise concepts such as Transience and Impermanence (train stations are places of constant movement and change, therefore their transient nature reflects the impermanence of all things and is a reminder that nothing is permanent and everything is in a constant state of flux), Journey and Path (train stations can be a metaphor of a journey or path to describe the spiritual quest towards enlightenment, representing the different stages one passes through in life), Karma and Consequence (the choices of routes and destinations at train stations can be seen as a metaphor for karma. Just as each choice leads to a different destination, every action in life leads to specific outcomes), and lastly, Samsara (the cyclical nature of train schedules can be seen as a representation of samsara, the cycle of birth, death, and rebirth. Train stations, as points of both departure and return, can symbolise the repetitive cycles of existence from which one seeks liberation through enlightenment).

Ne-no-kuni represents a threshold between the world of the living and the world of the dead. Similarly, train stations are liminal spaces where people transition from one place to another. They are gateways between different states of being—departing from one environment and arriving at another. From this perspective, Yuuji’s domain being a train station could be such a manifestation of Ne-no-kuni.

To add to this, it has been pointed out that what we are assuming to be Yuuji’s domain resembles Kitakami Station, in the Kitakami City (北上市). To break down the meaning of Kitakami, 北 can mean ‘north, direction, pole’ as well as to flee or to reject, while 上 can mean ‘up, above, top’, i.e. going up, high position, as well as before (in terms of time, order, or flow of things). How can this be tied to Yuuji’s domain and the above case of Ōkuninushi? It can mean going from below to above, as Ne-no-kuni conjures up a netherworld, a place under. Yuuji’s domain is a place where one can travel from below to up or from South to North, which itself can be tied to being reborn into a new life or attaining enlightenment (more on the time, order, or flow of things and rebirth in jjk here) or depending on one’s choice it can also be interpreted as the opposite.

[hailmaryfullofgrace55675]

“Ashkenazi Jews don’t actually have Levantine genetic ancestry” has been floating around lately among naïve and conspiracy minded anti-Zionists, a problematic claim that undermines actually correct anti-Zionist principles and defense of Palestinian rights. This claim is

absolutely irrelevant, as “blood” originating on the “soil” does not grant anyone any right to an ethnostate on any land. Using area-native ethnicity to justify discrimination and mass killing is bad when it’s Yamato Japanese discriminating against Korean, Mainland Chinese, and Taiwanese minorities in Japan and it’s bad when it’s Celtic-Germanic descent Brits oppressing Celtic-Germanic descent Irish who they’re genetically undifferentiatable from. It was bad when it was Hutus killing Tutsis and it was bad when it was the Khmer Rouge killing Chinese and Vietnamese Cambodians. The actions of the Israeli state in immiserating and slaughtering non-Jewish Palestinians would be equally harmful and wrong if the diaspora had never happened and every Israeli could trace their resident lineage in an unbroken line back to the time of the Second Temple, because it is bad to destroy people’s homes, burn their crops, imprison them, and kill them.

incorrect, at least according to current scientific consensus. Most genetic studies seem to indicate that Ashkenazim are of majority European descent and also have ancestry in the Levant, that is: the Ashkenazi population had some Levantine founders and there’s been significant amounts of intermarriage over the hundreds and hundreds of years of the diaspora into Southern Europe and from there across Central and Eastern Europe.

irrelevant again because even if, through a combination of conversions, adoptions, intermarriage, and adulterous and out of wedlock pairings between Jews and local gentiles, the diasporic European Jewish population had become completely genetically indistinguishable from local gentiles, those Jews would still have been the children of Israel. They still would have learned to read the Torah and celebrate its festivals. They still would have learned, from their families and communities in an unbroken line, to pray “Sh’ma Yisrael, Adonai eloheinu, Adonai echad” (Hear, Israel, the Lord is our God, the Lord is one) as the rabbinic sages of Roman Judea observed in the Talmud that they were commanded to do. They still would have spoken languages with Hebrew and Aramaic elements, and they still would have written them with letters recognizable in the Dead Sea Scrolls. They still would have had the same interests, affirmed daily and yearly, in the land that their people left so many hundreds of years ago.

One formulation of the claim is “Israel bans direct to consumer genetic testing because it shows that (Ashkenazi) Jews don’t have Middle Eastern ancestry”. The Israeli government does ban DTC genetic testing as part of a genetic information privacy and nondiscrimination law passed in 2000, before companies like 23andMe existed. DNA testing for ancestry can be interpreted and presented many ways, and the ancestry breakdowns given by DTC GT companies just do not correspond to the question “where, how, and through what migrations did this population originate?”.

Once again, Zionism is not bad because people residing in places their ancestors are not from is bad. That is fine. Zionism is bad because from its beginning the Zionist project has been one of violent dispossession and because that violent dispossession continues in and through this very present moment.

[astoundingbeyondbelief]

Kaiju Week in Review (January 21-27, 2024)

Godzilla Minus One made awards show history in both Japan and the U.S. this week. Its Oscar nomination for best Visual Effects is the first of the series (Godzilla [1998], Godzilla [2014] and Godzilla vs. Kong were previously shortlisted) and the first for any Japanese film. Small wonder Takashi Yamazaki, Kiyoko Shibuya, and their team went berserk when the nomination was announced. The other nominees are The Creator, Guardians of the Galaxy Vol. 3, Napoleon, and Mission: Impossible — Dead Reckoning Part One. According to IndieWire, The Creator has the edge, but Minus One could very well win. And while it naturally made less headlines in the Anglosphere, Minus One also picked up a whopping 12 Japan Academy Film Prize nominations, exceeding Shin Godzilla's 10.

Godzilla Minus One/Minus Color is now in North American theaters. I was intrigued enough to make it my fourth theatrical viewing of this movie, but in the end it did basically strike me as a gimmick. Godzilla Minus One was shot digitally with sets designed for color, so making it actually look like a film from the 40s was always going to be an uphill battle. Even with the regrade, there wasn’t a ton of contrast in most shots, and some of the scenes taking place at night were quite hard to see. Still, apart from the Odo Island massacre, I found the Godzilla scenes as gripping as ever.

Thanks to Minus Color, Minus One made $2.6 million this weekend, crawling back into the box office top 10. Its total in the U.S. and Canada now stands at $55 million, third among all foreign-language films released in the U.S.

Brush of the God, Keizo Murase's directorial debut after a lifetime in movies, is finally complete. It'll play at the Osaka Asian Film Festival in March (link contains more images), and hopefully travel overseas very soon. Murase will also receive an Association Special Award at the Japan Academy Film Prize.

Clover Press shipped out copies of Godzilla & Kong: The Cinematic Storyboard Art of Richard Bennett to Kickstarter backers, myself included. It's an excellent art book, and there are plenty of deleted and altered scenes mixed in with more familiar sequences. Believe it or not, Bennett drew the panel above for Kong: Skull Island—they considered having James Conrad (Tom Hiddleston) flash back to an encounter with King Ghidorah in Vietnam. Not sure how that would've worked, as Ghidorah is generally not one to lie low for a few decades, but it's the first I've ever heard of it being considered. I'm hoping to post some more scans soon. Here's the order link.

Minecraft social media accounts teased a crossover with the Monsterverse, in what's likely to be the most high-profile of the Godzilla x Kong video game collaborations. The Mobzilla mod was created over 10 years ago, so this is long overdue.

The big toy news this week was Titanic Creations revealing the digital sculpt for its Yongary figure. This guy's had even less figures than Gorgo - I can only think of one, and very few of them were made - so expect massive demand. New Godzilla toys were also on display at London Toy Fair, both at the Playmates booth and among the plushies made by an unknown company.

[twig-tea]

I Owe an Apology to Cherry Magic Thailand

This is me righting a wrong. A few weeks ago I wrote this post in response to an ask about Thai BL including what Thai BLs airing at the time I was enjoying the most; I listed Cooking Crush and Dead Friend Forever, which was true. I didn't list Cherry Magic Thailand, and the reason for that is the timing of that post coinciding with the very unfortunate Cherry Magic Thailand episode 8 which was a filler episode that made some really unfortunate choices. None of those choices affected the relationship writing or character arcs of the main characters, but the conflict was poorly written--it didn't fit well in the narrative, it didn't even really make sense, and it didn't land the way it was clearly meant to--and I was afraid that the writers of the show would not realize the really interesting things they had done with the main characters in the Thai adaptation and how that would have to change the way the story progressed in order to be consistent, and so I was ready to watch this show go off the rails. But happily, I was wrong, and instead we got an excellent episode 9 and 10, so I am here to publicly tell you:

Watch Cherry Magic (Thai adaptation)!

The one episode 8 misstep is worth living through for the greatness that is happening in this series.

If you're familiar with the source material, here are a few things that I absolutely LOVE the Thai adaptation is doing (very light spoilers, I kept the big stuff out so that you could read and still be pleasantly surprised if you decide to watch the show):

The "magic" is used in fun and clever ways that keep the show funny, interesting, and fresh

Achi [the Thai Adachi] is more self-actualized and self-driven from the get-go, and is more willing to fight for the relationship

Karan [the Thai Kurosawa] is even more of a simp, and is less outwardly perfect than in the Japanese live action, and is also a little hornier (though not as much as the anime version lol)

Both Achi and Karan have stronger character arcs in the Thai adaptation than Adachi and Kurosawa did in the Japanese live-action

Jinta and Min [the Thai version of Tsuge and Minato] are also really great; they're hitting a lot of the same beats but at different times, which makes their progression feel stronger, and there is less of an emphasis on the age difference between them than in the Japanese live action

Min also gets an arc with Rock [Rokkaku] that gives him more depth than in the Japanese live action

We get more of Jinta and Achi's friendship than we did with Adachi and Tsuge

Pai [Fujisaki in the Japanese adaptation] is a fujoshi, which is from the original manga, but the show is still doing something really interesting with her as (I think?) a nod to Fujisaki in the Japanese live action being on the aro/ace spectrum

They have done a great job making the show feel Thai (e.g. including Thai cultural festivals, changing the scarf to an umbrella, adjusting the humour)

There is a kiss!

Anyway. I'm really enjoying it, and it's worth fighting past the annoyance of needing a VPN set to Thailand and waiting an extra day in order to access the show on VIU's website.

[val-of-the-north]

Potential Ensha info from the DLC

Me and @katyspersonal were hoping for more potential lore on Ensha, surprisingly enough... and we might have actually got our wish somehow. Let's take a look at the description of Ensha's bones for a second, as well as their properties...

While they don't look it at first glance, the description specifies the bones are "golden", and they can replenish HP when it's reduced. Gold and healing go hand-in-hand in Elden Ring's setting, so this propriety makes sense by considering the golden nature of the remains.

This description alone doesn't tell us much however. It describes the remains as belonging to an ancient lord named Ensha who is currently known as a soulless king. However, Shadow of the Erdtree might give us more hints about who he was prior to becoming an elaborate set of armor.

In the Lands of Shadow we can come across a very rare crafting material, mostly found around Scadu Altus and in the Shadow Keep and Fort of Reprimand. It is also held by the various Black Knights found around the world. This material is the Blessed Bone Shard.

These blessed bones shine gold with the blessing of the Scadutree, and can be used to craft many interesting items, including Festive Grease, Golden Vows (the tool, not the incantation), and Sunwarmth Stones. Two out of three of these items are directly aligned with the Golden Order (though the Festive Grease is likely part of the Shaman tradition which Marika made sure to somehow preserve), and one of them is directly tied to HP regeneration, the same passive power as Ensha's bones.

Since the other ingredients needed to craft it are a Spiritgrave Stone and a Black Pyrefly, neither connected to healing, I assume that part of the power comes from the blessed bones.

If this is the case, could it mean that the ancient lord Ensha participated in the Crusade as a warrior on the side of the Erdtree prior to his death? And that his bones were blessed because of his great service, as it was "the greatest honor that can be granted to the dead" after all. Him being some sort of lord or king might have also allowed his remains to be brought back to the Lands Between for a proper burial, or maybe even to craft this armor as a means to immortalize him. If so, his death must have been prior to the Lands of Shadow being hidden away by Marika.

Now, one could still question why Ensha's bones aren't as shiny as these shards are, but perhaps his blessing has faded with time. After all, the potency of the blessed bones we pick up is much greater than that of his armor, offering continuous healing to everyone nearby as opposed to just when our health gets low.

I think Ensha himself might have rested peacefully for years until after the Night of the Black Knives or the Shattering, which led to the rise of Those Who Live in Death through Deathroot. There is a possibility he himself is part of them, especially with the way he is described.

He is soulless, which has a deep connection to both Godwyn and other perished Demigods of the Night of the Black Knives. There seems to be a connection between death, undeath and the lack of a soul, strengthening the connection between Ensha and the undead.

He is further described as the king of the "lost and desperate", which seems to harken back to how Fia describes Those Who Live in Death as "the meek, and the many".

The connection seems slightly more obvious, as in Japanese she refers to them as "the weak" (弱き者) and she describes herself as their "guardian/protector" (庇護者). Meanwhile, Ensha is the King of those who "cling to/depend on" him (縋り付く) which seems to hold similar connotations of a weaker group of people needing a stronger figure for protection. In that case, Ensha might have been a surrogate king of sorts, but clearly not good enough to truly become their lord, a title fully reserved for the godly flesh of Godwyn. Or maybe, just like Fia, he was simply a self-appointed protector for them and had no higher aims.

The way in which he operates is still quite a mystery though. The man who wears the armor is also named Ensha, just like this ancient lord, so unless he is simply cosplaying him, there might be something deeper going on...

The DLC also introduced an interesting NPC enemy: Rakshasa. Named after a demon, the description of her armor makes a peculiar comment about following a certain path to "become" Rakshasa itself, hinting that the woman we just beat was just one embodiment of it.

Now, Ensha would be a bit different, but what if he also worked in a similar manner? As in, those who wear his remains become him by extension. But in that case, why would this king follow Gideon Ofnir? Is it because of his desire to reach the Haligtree? Perhaps he wants to confront Miquella since in his kindness he seems to have forsaken Those Who Live in Death, and if the Golden Epitaph is to be believed, agrees and maybe even endorses their destruction.

The vow of peace of the Roundtable Hold might be why someone like D doesn't strike him down on the spot. Or maybe hiding as a simple suit of armor proves to be quite effective in avoiding detection from the hunters of his kind.

[marawhydontyoudraw]

(some) Hornsent religion&pantheon headcanons

I've been thinking about the culture of the hornsent and Belurat for my SotE story, and here is one of the branches of these thoughts (under the cut, because many letters), let's go.

Firstly, the Hornsent are polytheists, with their pantheon being based (with various allowances and creative freedom) on the Outher Gods; the Hornsent, however, view their gods not as comic horrors, but as forces of nature, various aspects of the Great Crucible (though when the Crucible itself is not concidered to be sentient, the gods are, and in a more human way than the bearers of divinity within the Golden Order, for example). Secondly, they are really into magical thinking and spirits/ghosts/wraiths. They also believe in tutelary deities, which are something between christian patron saints and japanese kami; a righteous person is believed to be able to become such a deity after death if they meet the requirements, properly buried and revered by the local priesthood.

The "high" pantheon consists of (in no particular order, because there is no "top god" and all gods are seen as more or less equal in power with one predictable exception, but more on that later):

The Red Scorpion - based on the god of Scarlet Rot, but given more positive connotations. It's still a god of decay, but also of rebirth and the cycles of live, also associated with earth and (obviously) agriculture (it also helps that scorpions are a traditional dish of the hornsent). The celebration for the Red Scorpion is the harvest festival at the end of the farming year (somewhere mid to late autumn, as the climate in Belurat is quite warm), it's accompanied by rich feasts, tons of flowers and lots and lots and lots of dancing (the latter is true for any other celebration as well, the hornsent just love to dance lol). The Scorpion also represents the will to resist death at any cost, so it is (ironically) a patron god of healers. After Messmer's crusade, the "resist death" aspect took precelence over all others (and it's not like the hornsent had much agriculture left after the Messmer's flames).

The Master of Birds - based on the god of Death, and still is, well, the god of death. Is strongly associated with spirits (a big deal in the religion\culture of the hornsent), hexes and curses; this was a somber, but venerated deity even in the best of days, as honoring him properly was viewed as essential for the proper afterlife (which means that the spirit should return to the Crucible and not become a wandering wraith) and honoring him properly was hard, since the rites of the Death were the most complex of all the worshiping practices. His celebration day, or more correctly, night, is the winter solstice, and it consists of two parts - the eve feast and the night itself, with the latter being some mix of Samain and Sviatky (an east slavic folk holiday related, but not identical, to the Christmas celebrations, if you're interested to google). After the Messmer's crusade, the Master of Birds also became the most revered god of the entire pantheon, as both of his main things - honoring the dead and cursing the living - became more relevant than ever.

The Fell One - based on the god of the Fell Flame, is a god of fire and sun, the main patron god of smithing and the anti-villain of the pantheon. Originally he was seen as something similar to the earliest depictions of the ancient egyptian god Set - a stern and formidable deity who's often too pridefull and resentfull towards the mortals and the other gods alike, but also a strong protector who fights agains the forces of oblivion (one specific force in our case, see below) for the sake of the whole world. His celebration is the day of the spring solar equinox and is a fiery festival with elements similar to the slavic Maslenitsa or hindu Diwali. After the Messmer's crusade, however, the Fell One followed the fate of the aforementioned Set, becoming a demonic/satanic figure in the religion, as his association with fire led to him becoming associated with Messmer by extension, and therefore hated and feared (it also didn't help that Messner's forces deliberately used the god's imagery for psychological effect against the hornsent).

The Heartless One - based on the Greater Will, a goddess of justice, good sort of knowledge and purity, divine judge and patron goddess of the legal system and education. She's viewed as cold and distant, but also tempered and impartial, and the path of spiritual perfection required to become a tutelary deity is closely connected with her, as she's associated with overcoming the passions and dark urges of the soul; she's also a goddess who protects against evil spirits that cannot be reasoned with or controlled by the rites of the Master of Birds. Her celebration day was the summer solstice, and it was less about the feasts and more about the temple rites and ritual cleanliness (also quite literal cleanliness, you wash your whole house on this day or something). After the Messmer's crusade, the Heartless One was the deity whose perception by the hornsent changed the most - due to the Erdtree's people association with her she was transformed from a generally benevolent and possitive goddess to a downright apocalyptic devilish figure of pure evil, even more so than the Fell One, who at least retained some positive traits and reverence, while the Heartless One was un-personed and crossed out from the pantheon entirely.

The Nameless Horror - based on the Frenzied Flame, it was the chthonic force of oblivion and the main enemy of the world in the original mythology. While all the other gods are more or less even aspects of the Crucible, the Horror is the power almost equal to all of them combined, and the Fell One fighting it with the help of every other god was a common motif in myths and heroic epic (compare with Set and Apep). Any worship of the Nameless Horror was prohibited of course, and its followers - or anyone who even remotely recebled said followers - were seen as heretics and apocalipse cultists of the utmost danger, and were hunted without mercy (rip Midra btw). Ironically, after the Messmer's crusade, this god was mostly forgotten, giving its place of the local God Of Evil Whose Name Should Never Be Mentioned to the Heartless One.

The Two Moons and the Formless Mother are not part of the main pantheon: the Moons are simply not so popular goddess(es), they ocasionally get mentions in legends and myths, but magic (or, more correctly, hexes) is the aspect ot the Master of Birds for the hornsent, so the Moons are more or less just lunar deities, more important than the tutelary saints, but overshadowed by the main stars of the show; the Mother is simply the late addition, as she was beaconed to the land of the hornsent after Messmer's bloodshed and thus just was not around when the original pantheon with all the traditions and cults was established.

[tanuki-kimono]

Hi! First off your blog is such an important resource for me in kimono patterns, thank you for keeping it! Secondly, a question. What patterns are associated with death? I know of spider lilies, and pure black kimono accessories for funeral wear, but otherwise not much else. I suspect that kind of pattern would be more of a novelty item print than an estabilished and used pattern.

Hi and thanks for your kinds words! Off the top of my head, they are several patterns associated with death, mostly linked to Buddhism.

Tbh, mourning attire for women are for me more an affair of colors (black/muted) and discreet not-celebratory patterns (it also depends of ones means). Novelty "death-themed"patterns are more and more present in modern kimono, yet you can also find "traditional" ones - even if they are on the rarer side.

Formal mourning garb, as you note, asks for mofuku (black kimono and obi with a few white accessories). Obi usually have very traditional woven ground patterns - for example ryuusui (running water) which kinda symbolize "the flow of life".

For the Buddhist anniversary of one's death and rememberance services, ladies would (when they can afford it) go from all black to half-mourning dress in muted colors like dull greys or ashen purple. For such occasions, you can find Buddhist patterns like sutra (Heart sutra especially), lotus flowers, gorintô (stylized stupa), etc.

More seasonal items could reference Buddhist Obon (festival of the dead) or Higan (more especially autumn equinox Shûbun), but such patterns for very specific events are on the rarer side, and more a matter of taste and style.

Patterns can include higanbana (spider lilies) for Higan, and for Obon: lanterns, cucumber or eggplant "spirit horse", hozuki (ground cherry), nod to Kyoto’s Daimonji kanji, or memento mori-themed motifs (like skeletons, nozarashi or graveplates).

As a step further into morbid imagery, another pattern which can sometimes be found, especially on men juban or haori lining, are decaying corpses (referencing Buddhist meditation on kusôzu or "nine stages of decay"). This was a subject in Japanese art, you can find an example here (cw: corpse depiction).

Hinting at Buddhist concept of impermanence and search for enlightment, Hell courtesan (jigoku dayû) with uchikake coats depicting hellish torments could also enter the death patterns category. Same goes for Buddhist hell imagery of Hell king Enma, or Hell guardians Gozu and Mezu (I believe I saw them on men juban/haori linings + on netsuke).

Finally, because we are talking of death, have a look at this super unsual and puzzling kimono depicting butsunehan (death of Buddha). Becky Mitsui's article is a wild ride xD

[foxglovepng]

Ace Headcannons 1 🥀

Requested: NAW

CW: Ace being Ace, headcannons you may disagree with me on, fox goes a little insane.

A/N: I have 2 headcannons in which I turn into that one meme from Brooklyn 99 with the lady and dog the grip these headcannons have on me is INSANE. NOt even in death can you rip these headcannons out of my cold dead hands.

If you liked reblogs and likes are appreciated <3 (Not Proofread)

We already discussed I headcannon Ace as Japanese. So I will leave that here and move onto the next ones.

Trans (FTM)

You can't take this headcannon away from me. YOU CAN'T. RAHH

Okay so the way I headcannon him is I wanna say he comes out to his brother (I named him Danny). And his brother was like "Kewl what name do you wanna be Called?" His brother is his no 1 supporter and gets him through his transition and days when he feels dysphoric.

Using a personal experience from an old friend his brother and his mom help him get on pubery blockers so he can eventually get on Tesosterone.

For some reason since we don't hear jack shit about his parents I headcannon his mom is supportive, but his dad a homophobic transphobic piece of shit.

I also headcannon him as Bi so he's Bi and Trans.

The first person he comes out to at NRC is Deuce because well him and Deuce are the closest I feel like Deuce wouldn't get it at first but he'd be supportive. (Cater overhears now the whole school knows)

He has a male cat named Kiki

Do I know where I got this headcannon from. No.

This is said Cat btw

Kiki hates anyone that's a man but love's women. He's also just little shit in general.

(This is an intercation Ace had with my OC)

OC: have you considered doing the kiki dance to your cat?

Ace:...That's genius

He also has a nickname called the kikster

Small one's I don't really have an explanation for

He plays genshin and gambles his 50/50s away.

If he's playing around or mad at someone he will speak only Japanese to them.

Said Skibidi toilet once and got jumped by Floyd

If Deuce invited him to the festival he would have hit on Deuce's mom.

Has a hoodie that says I <3 milfs

"WAIT! Does the queen have that gyat??" He said once before getting punched in the face

Says "Where my hug at?" Jokingly to his close friends.

Insane bromance with Deuce

Special mention of my oc with Ace

Ace: You act like you're in love with me so much

OC: I am

Ace: WHAT??

OC: Respectfully tho you have an IQ of a middle school boy who says sigma 24/7

Ace: Respectfully I'm blocking you

[ineffable-opinions]

GMMTV 2025

This year I had discussed two of my greatest peeves with GMMTV:

Lack of BL literacy and harrowing learning curve

Khujin paradox – it is their asset and liability

here & here

Having seen what GMMTV plans to offer in the year 2025, I have to admit that they might be on the right track.

Ticket To Heaven – I didn’t expect this. What percent of Thailand’s population is Christian? (Thailand has significant and influential Christian population.) Many frames and scenes in this one looks they were from the Japanese BL movie from 2007 Boys Love – School Boy Crush. Serendipitously, it is so similar to Jijo Kuriakose’s autobiographical queer film — Velipaadu (വെളിപ്പാട്) which also has seminarian main characters. But since the characters are Orthodox/Jacobite Christians but not Catholics there is additional compulsory heterosexuality.

Memoir of Rati – Most Beautiful Count colorism debacle has tarnished my love for Thai historical setting. This is one series where I really wish GMMTV did not stick to the nenja/wakashu style pairing. Yaoi revolution did not happen all those years ago for this to manifest in 2024-25. These aesthetic choices are something GMMTV and Change 2561 (among others) will learn to overcome. Eventually.

Me and Thee – I am not impressed by the choice of khujin for this role. The comedy is not working for me and I think that's probably because there is not enough gap moe between the actor playing the mafia boss and the mafia boss playing the actor. However, fans of this khujin might enjoy it immensely for the very reason. Love guru set up is underplayed, so I am expecting tonal shift half way through the series where the drama will play into the soap opera it is supposed be parodying. Some kidnapping and bloodshed maybe. Odo (royal road progression) is odo for a reason. Unintended consequence of the series was to remind me of my dearest wish to see unabridged version of Breath, the story of TulHin from Love By Chance 2) with shibari and all.

A Dog and a Plane - feels like a nice mix of Japanese BL Ossan’s Love: LOVE or DEAD and Ossan's Love: In the Sky and Cornered Mouse Dreams of Cheese. Since I thoroughly enjoyed both, I'm looking forward to this one. It also promises a lot of "wife-chasing" (My Stand-in's influence?) complete with a grand, lives-saving, heart-winning gesture. 

Magic of Prophecy - Fortune telling as a reason for forced proximity in provincial Thailand seems nice but I'm afraid the series is going to go where The Sign went with superstitious local folks (as opposed to rational main characters, except it was a fantasy show hinging on those very local people's faith and festival) and gun violence. BL being a vehicle for Thaification is kind of inevitable but I wish it wasn't so and we would get more provincial shows like Love Poison. For a country that dared to give us Tropical Malady (2004) directed by Apichatpong Weerasethakul and Malila: The Farewell Flower (2017) directed by Anucha Boonyawatana (director of Not Me), their BL needs to do better. 

Boys in Love - honor student x diliquent is a beloved pairing but this neurotypical honor student is not sitting well with me at the moment thanks to Iwashiro from Outsider Communication by Natsume Tsuno overwhelming my brain. But that is a me problem. The other pairs are cool and is in line with the saccharine sweetness GMMTV is known for.

Cat for Cash - this is for that khujin's fans as well as for cat lovers. Surrealist comedy with glittering, sputtering succulents in Love is Like A Poison has raised my tolerance for this brand of romantic dramedy. 

Mu-Te-Luv - I am intrigued because it gives me the kind of feeling that I got when I watched the trailer for Hello Mummy. I wonder how Thai audience will receive this series' take on the non-romantic themes it deals with. So, I'm equally apprehensive and excited. 

Love You Teacher - surprisingly it is Thailand that managed to get this show going. De-aging is a popular trope in BL and fan-fiction. Given the taboo nature of de-aging as a set up it is hard to pull off. But, if anyone can do that it is Thailand. This is resourceful side of khujin - they can't take the jado (evil road) narrative progression. No twisted moe. Yet, it leaves space for deception. Faking or automatic de-aging to cope with repressed stress and anxiety, like selective mutism and amnesia. It will be about character growth and unconditional love. Otherwise, the price GMMTV would have to pay would be too steep.

Melody of Secrets - wow, a dark take on amnesia trope! Seems like GMMTV finally figured out how to tease a jado progression within an odo plot - by employing a (faux)-look-alike so as not to upset khujin fans' worldview while offering them a thrilling experience. But it is clear that GMMTV won't be able top commit to a proper jado plot. That not their brand. It will not help with branding and advertising. There's no helping it. The violin scene reminded me of the Japanese BL with numerous adaptations Fujimi Orchestra. Also, the mind-forgot-but-body-remembers trope?! 

My Romance Scammer - gold digging, getting ONESELF trapped in the love trap that one laid and marry-first-regret-later tied with the friction of getting a divorce. I want it to have first ever remarriage of the same pair in a live action BL.

That Summer - how does Thailand keep getting casting net wrong? At least it is better than diving with the net we're got in love sea. Prince? Who was assaulted?  Found at a Thai beach? Reminds me of princess Latifa bint Mohammed Al Maktoum debacle.

Only Friends: Dream On - I like this set up more than the one for season 1. I wasn't happy about it and thought they could do better. I'm looking forward to this season. And for khujin fans, isn't it a good chance to enjoy netorare and stalking horse tropes since the Love Dodecahedron will anyway resolve into khujin pairings?

Burnout Syndrome - super pretty, shonen ai style art! Look at the nude he drew! Isn't it giving early BL vibes, from before the donkey dicks took over the BL manga scene thanks to Korea? Isn't it a beacon (please forgive the pun) of hope in the strange, new world of uncensored smut scenes in BL manhwa? Khujin's gonna khujin and stalking horse gonna stalking horse. I'm truly intrigued. 

Head 2 Head - fine old wine, new bottle. Let's see if the wine (rivalry to romance, unrequited to required, college campus setting) can be as intoxicating when drunk from the new bottle.

Dare You To Death - Channel V style drama with khujin boarding together for reasons.  Unfortunately, it did not moe for me. Maybe because I'm still trying to get over Zheng Bei x Jiang XiaoHai ship from The First Shot 雪迷宫 that paled in comparison to Zheng Bei x Gu YiRan ship. Honestly, I started watching just to listen to Huang Jingyu say heroin (hailouyin) and accidental got too invested in the cop x kingpin ship. 

I wonder who suggested GMMTV to add so much of occult and fortune-telling in their series. Also, I am a little worried after seeing this post by @guzhufuren and this post by @alwaysthepessimist - there is opposition to BL in East Asian countries led by certain groups of feminists based on the disproportionate benefit accruing to men (especially actors, voice actors, creators and production companies' executives), declining presence of women in entertainment and advertising as well as shifting purchasing power from women to men through consumption of BL.

In this video, BL scholar Kim Hyojin talks about Boys Love in an Era of Feminism: Online Discourse on “Leaving BL” in Late 2010s Korea.

[adorare]

Odyssey (Snow 2022) subtitles

jstage.dreamful .org/odyssey-snow-2022/

Or click the link under “source”.

Please do not upload the subs anywhere else!

If you're interested in the songs used, a list can be found here.

In scene 4 "East China Sea", there is a song that mentions Qingming Festival. While the day is marked by people playing respects to the dead, it was also a time when young couples traditionally started courting.

The math in the song "24000 kisses" doesn't add up, but that's how the Japanese lyrics were...