#the japanese condition….

[savagegood]

his best running gag

[kamaluhkhan]

HER CANINE TEETH IN THE SIDE OF MY NECK

pairing: werewolf!vi x vampire slayer!reader word count: 11.1 k summary: she's a monster, and you're essentially a monster hunter. it shouldn't work, but it does. (or — you and vi decide to escape the narrative together) warnings: ooh various mentions of fighting + blood + injuries ranging from mild to life-threatening; reader and vi both smoke + consume alcohol; rough sex (fingering [vi receiving], oral [reader receiving], tribbing, biting, spitting ++ aftercare); 18+ ! vibes are basically buffy the vampire slayer with chaotic lesbians loving each other so much it consumes them both a/n: i think i've been watching too much buffy and fantasizing about werewolf!vi for like,, too long,, and this unholy mess is the result. this has been sitting in my drafts unfinished for a WHILE but tonight is the wolf moon so it felt right to post now, i really hope y'all enjoy 🖤 i'll include credit for each subtitle in the tags too <33

♪: "bullet with butterfly wings" by the smashing pumpkins; "dig me out" by sleater-kinney; "taste my despair" by lesbian bed death; "i wanna be your dog" by joan jett; "fantastic" by king princess

i. sorry about the blood in your mouth

vi wakes up with a terrible motherfucking headache, which isn’t anything new. 

she doesn’t know where she is — that isn’t particularly something new, either — but what is new is the tongue slobbering all over her face. when she opens her eyes, vi sees a 50-pound black dog standing over her.

“whoa!” vi sits up abruptly, but the dog only gets more excited and jumps up on the couch, caging her in.

“sorry. she usually isn’t so enthusiastic about company.”

the voice is coming from the other side of the room, where you’re sitting on the edge of the mattress closest to the window. there’s a cigarette in your hand, and each time you exhale, you point your chin accordingly so the smoke travels outside. a crisp breeze trickles in. 

“morning, killer.”

vi swallows the heart that has jumped into her throat, takes a deep breath to steady her breathing. fuck, she literally just moved here and might already need to leave. she tries to remember if something bad happened last night. 

it wasn’t the full moon, was it? no, that shouldn’t be for another few weeks. but then why are you calling her a —

“killer?” she asks, swallowing the lump in her throat.

she stares at you, eyes trailing your injured jawline as she waits for you to respond. you do look vaguely, achingly familiar. whatever happened last night, you were probably part of it. 

“well, you’ve got a killer right hook,” you quip. you snuff out your cigarette and twist around to fully face vi. “and i’m pretty sure you killed my reputation as a pit fighting champion. i was undefeated before you.” 

fresh blood emerges from your split lip as you speak, and you’re quick to swipe it away with your tongue. 

oh. right. 

your tank top is torn at the bottom, just cropped enough that vi can see the imprint of her fist on your lower ribs. she now remembers the feeling of yours on the side of her face, and has a bloody, crusted eyebrow, painfully tender cheekbone, and the outline of your ring seared onto her skin forever to prove it. 

what kind of pitfighter wears pure silver?

vi takes note of her surroundings to get a better sense of who she’s up against: the place is small, dingy, but has a good amount of light. you’ve got a broken mirror, old books stacked in the corner, and an open cupboard filled with clothing and various weapons, mostly daggers and some wooden stakes. an intricate glass cross dangles from the centre of the window, filtering through multicolored light. there are a bunch of dried plants next to a mortar and pestle on the sill below — nightshade, juniper, wolfsbane. on the tiny kitchen counter is a silver vase filled with more wilted flowers. 

even from far away, vi can hear your heartbeat — strong, steady — as you shuffle around and gather some things. she inhales your scent. she remembers that she was slightly taken aback, in the pit when she had you pinned to the mat, that under the musk of sweat and metallic tang of blood, vi sensed something else, something delicate and floral. 

your whole apartment smells overwhelmingly of dried roses and decaying fruit, too, sweet and earthy.

“did you bring me here for round two?”

“no.” you let out a short, breathy laugh. “i brought you here so that some creep wouldn’t take advantage of you. you were pretty out of it.”  

“so you’re — what an enforcer?”

“no fucking way,” you declare, and vi can practically feel rage coursing through you, your heart pumping with reignited vigor. “like an enforcer would care enough to actually help the undercity,” you grumble. 

you shake your head and sit down at the edge of the couch, shooing your dog away so you can drop first aid supplies in her place. she settles on the floor at your feet. 

you offer vi a somewhat bruised apple. when she hesitates, you push it into her hand.

“this isn’t a fairytale,” you say, hands busy soaking a cloth in some alcohol. “i’m not trying to poison you,” you add as if reading her mind.  

“there…there are some good enforcers, though,” vi tries, trained to have such platitudes at the ready.  

you roll your eyes. “if there are, i haven’t met them.” 

vi’s not sure she believes what she had said, either. she feels her side ache, a phantom bruise from when caitlyn slammed her rifle into the very injury she had once helped heal. 

what started as you’re not like the rest of those animals. you’re one of the good ones. became you’re all the same. it’s their blood in your veins. as soon as things went downhill. 

vi bites her lip to prevent herself from wincing, and it isn’t because you’ve pressed an alcohol-soaked cloth to the cut on her nose. her sharp nails break through the skin of the apple, digging into its soft flesh until juice is running down her wrist.

“eat,” you insist, but you’re focused on removing as much dirt and dried blood from her face as you can, brows furrowed in concentration. “you ruined my reputation, so you better keep up your strength if you wanna keep yours.”

“so, you’re helping the enemy,” vi, still wary of you, wonders.

your frown softens. you place a bandage on the bridge of her nose before saying: 

“you’re not my enemy.” 

maybe it was the sincerity of your words, or the unconditional care you’re showing her, or the fact that it’s been so long since someone has touched vi so tenderly, but she decides in that moment to trust you, whoever you are. 

she takes a bite of the apple, the sweetness invading her mouth, as you lean over to search for something else in the first aid kit, mumbling to yourself about how the wound is deeper than you thought. 

“you should really be more careful,” you chide. “are you a topsider?”

vi scoffs through a mouthful of fruit. “i’m from the lanes.” 

“yeah, well this neighborhood is a different level of bad,” you tell her.

“i can hold my own — ouch.”

you start stitching up the cut on her eyebrow, one hand keeping her head steady. her cheek pulses against you as she chews, your skin calming and cool. 

“when you’re sober, maybe.”

“you didn’t have to help me,” vi grunts. “most people would’ve gone about their business.”

“i was going about my business. i was out on patrol; vampires never sleep, you know.” 

you say it so casually, almost too casually, that vi wonders if she misheard you.

“vampires?”

you raise an eyebrow at vi. “there’s a high concentration of them around here, near the hellmouth. a lot of monsters, actually —”

vi hopes you don’t notice how she shudders at the word monsters.

“ — some of whom can and will eat you alive if they get the chance,” you deadpan. “that’s kinda what i’m here for.”

“so….what are you, exactly?”

you don’t say anything for a few seconds, your expression unreadable while you finish vi’s stitches, but your heart thumps so forcefully against your ribcage, vi almost thinks she’s seconds away from hearing the bones there crack. you start gnawing at your bottom lip, let the blood gather until it starts to trickle down towards your chin. vi swipes it away with her thumb, which she then wipes against her bandaged palm. 

you inhale slowly, then exhale. your heart rate eases; still a bit higher than most people’s, but to what seems to be normal for you. 

“the correct term is slayer,” you finally say, watching vi carefully for her reaction. 

vi isn’t quite sure what that means, but it doesn’t sound good for someone like her. she’s wondering if she should make a run for it when you drop your voice an octave or two and add: 

“the chosen one standing against the vampires, the demons, and the forces of darkness.” you clear your throat. “if you were wondering.” you break out into a cheeky grin, teeth sparkling in the late morning sun.

“you’re joking?”

“most days, i wish i was. that’s the official tagline, actually.” your smile shrinks into a sigh. “i’m the slayer. i won’t bore you with all the details, but me saving you last night? that’s kinda just what i do. my destiny, so to speak.”

“do you normally take the people you save home?”

you blink away, wipe your hands half-heartedly on the white tank top you’re wearing, smearing vi’s mess of crimson and grime.

“no,” you admit. 

vi narrows her eyes at you, shifts her body so there’s at least more space between you before she figures out what the hell to do. it’s possible that you’re lying but —

vi puffs out her chest. “why are you being so nice to me?” 

you already have her blood on your body, and vice versa, and not just because you’d been fighting each other. it’s not quite trust, but it feels like something close. something you’re willing to share without even knowing much about the other. 

an unspoken question: do you know what i really am? 

because if you did, vi’s sure you wouldn’t be so….friendly towards her. so gentle.

“honestly?” you gesture towards the dog who’s busy nuzzling into vi’s leg. “fangs kinda hates everyone but she seems to like you.”

her jaw drops. “you decided to be my guardian angel because your dog likes me?”

“i already had a good feeling about you before.” you shrug. “i took it as a good omen, i guess.” 

“i’m not sure you should,” vi advises. 

you’re looking out for her, so she should look out for you. it’s better, for everyone, that vi be left alone. 

she’s been good, had to learn how to be, in order to survive; that doesn’t mean she’s innocent. 

on the bad days, she can’t control her anger. on the worst days, she can’t contain her hunger.

“okay, well, maybe i’ve got a thing for strays,” you reach your hand down, run it through fangs’ thick black fur. your lips curl upwards as you look at vi, all bright-eyed and beautiful, sunlight itself emanating from your smile. 

something sparks in her chest that she thought would never light again. something that, like her, could be dangerous if it’s not controlled. 

vi decides it’s probably about time that she left, though it's difficult to tear herself from your warmth.

“so, will i see you in the pit again?” she still can’t help but ask as you accompany her to the door.

“probably, yeah.” you lean against the doorframe, and vi is about to turn the knob when you add: “but, that pub you passed outside of? the bronze? maybe we can, uh, get a drink there, afterwards sometime.”

your heart skips a beat or two as you anxiously wait for vi to say something. her entire body heats up when she realizes what’s going on.

you were….asking her out. 

the good thing is that then there’s no way you actually know what vi is because, well, would this even be allowed in your line of work?

“you promise you’re not just playing the long game? gaining my trust and then stabbing me in the back?”

you give her a playful but sincere smile and make a small ‘x’ on the left side of your upper chest. “cross my heart.”

“guess i’ll will call you my guardian angel,” she muses, her chest glowing. “i’m vi, by the way.” 

you grin, then formally introduce yourself. you reach out your hand. vi holds it, delicately, even though your grip is firm.

“one more thing, though — keep the whole me being the slayer thing under wraps? it’s supposed to be a secret.”

“why’d you tell me, then?” vi wonders, raising an eyebrow. 

you tilt your head, examining her. “like i said — i had a good feeling about you. slayers are meant to have good instincts, so i decided to trust mine.” 

vi takes a deep breath, removes her hand from yours, and glances at you once more with a small smile. she promises not to tell a soul. 

(she, of all people, knows that there are far worse secrets to keep.)  

“thank you,” vi adds. “for saving me.”

she hears fangs scratching at the door from inside the apartment after she’s gone, along with the deep rumble of your voice telling fangs not to worry, our new friend will visit again soon, like you’re so sure vi will be back. 

with the way you already have her sharp edges softening, her heart fluttering in her chest, vi probably will be. 

except —

vi’s not quite human, hasn’t been since she started bleeding between her legs at 13, since her mother told her that this was a blessing passed down to eldest daughters in their family, no matter how many people will try to convince her it’s a curse. 

it would be a few months later that her mother would be killed because of said blessing. 

really, it’s more nightmare. 

because vi knows what it’s like to pick ripped flesh from between her teeth, to have the metallic sweetness of blood linger on her tongue and throat-tearing screams ringing in her ears. 

meanwhile, you — with your good instincts, strong fists and stronger heart  —

it’s your destiny to end those nightmares. 

you’re the thing that monsters like her are supposed to have nightmares about.

ii. you’re an angel / i’m a dog

there’s an intimacy to knowing how someone fights. 

vi fights with bared teeth and burning rage, knuckles cracking against bone, elbows bruising skin without any remorse. her own wounds are half-hazardly hidden behind layers of gauze, her chest wrapped tightly to keep her heart from bleeding out. she doesn’t bother to clean the dirt underneath her nails, to wipe the blood from her upper lip after an opponent breaks her nose, to wash her face clean before smearing on more dark paint until all she sees in the mirror is a shadow of her former self. 

you, on the other hand: you’re precise and quick in how you defeat your opponents, maybe even a bit bored. vi figures that when you fight monsters for a living, it must be fairly dull, knocking out some guy with a single, well placed uppercut, even if he is twice your size. your bandages are always fresh, and you always make vi a little dizzy when she catches a whiff of rose. you walk past her with a playful grin, easily replaced by the glint of your razor-sharp canines as you defeat another opponent in the arena. she listens as your heartbeat barely increases a beat, despite the inevitable adrenaline of battle. 

you might not be as feral as her, but vi thinks you’re just as dangerous. she likes it, admires that your violence is always calculated rather than all-consuming. 

she does wonder if you’d ever let anything consume you, curious to know what’s hiding under your armor.

so, a few days after she first woke up in your apartment, vi builds up the courage to suggest: 

"whoever wins the most fights tonight picks up the tab for the bar." 

your face brightens the dim, dirty sidelines of the pit as you’re both waiting for your turn, when you answer:

"you're on, killer." 

later that night, both of your bodies are aching as vi tries to examine your injuries once you’re both done for the day, away from the roar of the crowd. 

"guess i'll be picking up the tab," you smile, your lip splitting open even more, just like the morning after her knuckles first kissed your skin. 

(she wants to kiss this wound closed, too, press her lips to your bloody ones, if you’d be willing to give her a taste.)

"i'll still take care of it, angel,” vi soothes. she rummages around the tiny locker room, a single light bulb flickering above you. finally, she finds a small first aid kit — poorly stocked, but good enough for now. “lemme take care of you first."

you must understand what vi’s implying, because your heart starts racing faster. 

it’s a routine that becomes vi’s guiding light — the two of you patching each other up after a rough day (and, regardless of the fact that you’re both strong, it’s always a rough day). you share a drink at the bronze, and then you’re off slaying vampires or whatever other nightmares will keep you awake and fighting every night. 

then, it’s another full moon, and the routine changes. 

she’s able to prevent herself from turning even in the worst of circumstances, but she doesn’t want to risk any accidents, knowing that you’re out there on the prowl. vi is confident that you’d never hurt, let alone kill her, but that’s counting on you being able to recognize her. 

vi locks herself in the basement of the bronze. spike, the bartender, let her crash in a storage closet, temporarily, no questions asked and a promise to keep it a secret.

she emerges from her isolation after three days, eyes stinging from the harsh morning sun. her first instinct is to head underground, search for you. she makes one stop beforehand, drops something off in the locker room before she’s ushered into the arena without any more preamble. 

the show must go on, and you’re already center stage. 

the lanky woman you must’ve just knocked unconscious is being dragged away. you spit out what looks like a combination of blood and saliva, and crack your neck before resuming a fighting stance, feet squared, bruised knuckles at the ready. 

you falter when you see that it’s vi who’s your next opponent. vi picks up the increased pace of your heart, the muscle worrying against your chest.  

you’ve had this conversation, though — about what would happen if you were ever up against each other again in the ring — and you both agreed: once the bell rings, the fight starts, because you both need the money to survive. 

nothing personal. winner buys two rounds of drinks at the bronze. three, if there were some nasty hits involved.

you hadn’t needed to worry about any of that until now.

the bell rings, and vi waits for you to make the first move, like you tend to do.

but, you don’t.

the first time you were up against each other, vi dodged your attack and delivered a jab hard enough to make you bleed. you had looked at her with wide eyes, fingers touching your bottom lip and becoming stained with red as the crowd roared. you adjusted your posture with a newfound interest, and a glimmer of what vi can only describe as hunger.

this time, you drop your stance like you’ve already lost the fight. you ignore the shouts and groans from the crowd as you walk away.

….

vi finds you in the locker room — and you’re not alone. 

“there a problem here?” vi asks, glaring at the guy you seem to be arguing with. 

“it’s fine,” you answer coolly. still, vi sits on the bench nearest to the door, waits for you like a patient dog. 

“fine?” the guy barks a laugh. he’s wearing topside clothes. an enforcer, no less. “you made me look like a fool.”

you scoff. “i doubt that’s hard to do.”

the guy suddenly reaches forward and snatches your arm. vi feels rage surge through her when his nails indent your skin. you must sense it, because your eyes lock with hers in a silent command not to do anything, not just yet.

“i don’t think you understand, bitch,” he seethes, face a pissed off shade of red. “i’m out more money than you’ll ever see in your entire pathetic life.” 

“i’m sure you’ll manage.”

vi follows your gaze as it drops to his belt. he’s got his badge, a standard issue pistol, and a pouch full of gold coins. 

“clearly i bet on the wrong fucking dog.” 

you force a smile. “better luck next time, officer.” 

you finally rip your arm out of his grip, push him away abruptly, effectively manoeuvring him to stumble between where you’re standing, and vi’s waiting. you gesture towards vi with a smirk, a taunting dare for this enforcer to challenge two of the undercity’s best fighters. 

vi gets up just as he’s walking out, grumbling an incoherent string of swears. she not-so-subtly knocks into his shoulder and hip, her nimble fingers still quick.

“guess we can get dinner with our drinks, now,” she quips with a toothy grin. vi tosses you the pouch, but you don’t seem too thrilled, even as you catch it effortlessly. 

“you can’t just disappear like that, vi.” your voice sharp, crossing your arms over your chest. 

“i didn’t mean to,” vi lies, walking over to open your shared locker. she pulls out a bouquet of roses, the same deep red as dried blood. 

vi pouts, gives you her best puppy dog eyes. “i’m sorry, angel.” 

the only reaction she gages from you is a quickening heartbeat at the nickname, your face still hard to crack marble. 

“this is serious, vi.” 

“i know! but —”

“do you know what’s out there? i’m not the only monster hunter around here. you need to be careful,” you rush, walking over to her and talking with your hands. “i looked everywhere for you, and….and you just left without saying anything. i thought…i thought you’d been killed —”

your blood roars in vi’s ears, your pulse close to out of control, and vi doesn’t know what else to do except bring you into her arms in an attempt to calm you down.

“i’m okay, angel. i’m here. i’m right here,” vi mumbles against your shoulder, inhaling sweat and roses.

your heart starts beating steady against her own as you exhale.

“i was safe, i promise. i was in the supply close at the bronze.”

“are you kidding?” you guffaw, unravelling yourself from vi’s body. “that basement is a hellhole.”

vi shrugs. “it does the trick.”

you chuckle dryly, shaking your head.

“well, i guess now that i lost one of my best sponsors, fangs and i might have to move in there with you,” you deadpan.

you reach around vi to pull a jacket from the locker, slipping on worn leather that vi realizes is hers. you take the flowers from her with a small thank you, and vi adjusts the collar of her jacket on you, her warm fingers subtly grazing your pulsepoint. vi can’t help the possessiveness that sparks in her abdomen: you, wearing her clothes; you, heart beating rapidly for her. 

“well…what if….i moved in with you?” deep down, she knows it’s not an ideal situation, but vi reasons: “we can pool our money together for rent. besides, what’s another stray in your home?” 

you bite your bottom lip as you mull over the offer.

“well, you did buy me flowers, ask me out to dinner….seems like the logical next step.”

“so….” 

vi wiggles her eyebrows at you, and you finally crack a smile. 

it was only been three days apart and vi already felt deprived of the sunlight of your smile. 

“okay, killer. as long as you don’t make a habit of disappearing on me.”

….

on paper, there might be reasons why you and vi, together, shouldn’t work, but the simple truth is that you do.

you still spend your afternoons engulfed in the darkness of the underground arena, patch each other up at the end of the day, share drinks at the bronze before parting ways.

now, in the mornings, you spend a few hours training together, moving furniture around so there’s enough space to spar. you try not to get distracted by how hot her skin is every time it brushes against yours, how solid her thigh is between your legs when she’s adjusting your stance, how a shattered moan emerges from her lips as you pin her to the floor after showing her a new technique to catch an opponent off-guard.

the nights are your favourite, though. like fangs, vi is able to fall asleep anywhere in the apartment, and is usually passed out by the time you’re off the clock from slayer duty. after the first few nights, you insist that vi sleep on the bed, and she begrudgingly agrees. now, you get home just before dawn, bone-tired, to find her belly up, drooling and snoring on top of the dilapidated mattress. the moonlight illuminates all the curves and shadows of her sculpted body, her skin shimmering with sweat because her body runs warm, even on the coldest nights. you can see the trail of pink hair disappear beneath her black underwear, while her dyed-black hair is a tangled mess you’re tempted to tug at, curious to see if she’d moan again for you. vi sleeps shirtless, nipples winking at you like two fallen stars with those titanium rods pierced through. 

gods, you try not to drool when you slip under the covers and fall asleep dreaming of her, all the places you would sink your teeth into, all the places you wish she would do the same. 

(meanwhile, vi tries to ignore the sound of your whimpers, the quick tempo of your heartbeat, and the overwhelming musk of desire between your legs as you sleep next to her, because she’s so sure that you would never dream of her.)

these fantasies of vi, all her warmth, all her chaos, gnaw at you from the inside out. it’s an overwhelming sense of hunger, but with vi, you also feel something else, something gentler and more fragile building between you.

it’s really the little things. 

like, vi brings you fresh roses every week, and even though you keep telling her to save her winnings for better things, she tells you that pretty girls like you are worth it, angel. they should teach you that in slayer school. 

she winks, makes you flustered, then has the audacity to blush when you leave her the ripest apples because you know that she likes them a bit sweeter. 

sometimes you open the window as you share a cigarette, exhaling smoke into the starlit twilight as you exchange stories about your pasts, about the people you’ve loved and lost. she’s the first person you confide in about how weighed down you feel by the responsibility of being the slayer, a burden that’s cost you many loved ones, and the uncertainty of whether what you’re destined to do is truly what is good for the world. she tells you about her time in prison, the lonely nights lamenting the death of her father and brothers, but keeping her strength because she hoped to one day make it back to a sister she just ended up losing, anyways. 

other times, the two of you play a game. you imagine that you’re elsewhere, that there are no such things as monsters, no reason to have to battle and bruise yourselves just to survive. instead, you have a life and a family and a home together, filled with luxurious parties, decadent dinner tables, and endless sunny days. 

you comfort her and she comforts you through the dark, morbid world you both have been fighting against, alone, for so long.

it works. it works really well. 

except — you’ve been the slayer long enough to know that nothing this good will last. it's nauseating — dangerous, even — this desire buried in you deeply like a knife to the gut, twisting and taunting you with what can never be.

you’re just waiting for the next nightmare to reveal itself.

….

vi’s hair has started to fade back to pink, so she asks you to re-dye it.

it’s easy to forget that she sits in a rickety chair in your decrepit but well-loved apartment because all she can think about is your body behind hers, solid and steady. your cool fingers work the dye through her hair, your nails scrape against her scalp, and you’re humming as fangs snores peacefully at her feet. she’s died and gone to heaven, pure bliss glowing in her chest and releasing through her throat as a deep rumble. 

she closes her eyes and indulges in a little daydreaming:

just you and your sunburst smile and your soft, rose-petal skin.

there’s a firm knock that rustles vi out of her reverie, and you tell her to go rinse out her hair while you answer it.

she can hear you talking with someone through the rush of hot water. she tries not to eavesdrop, but…it’s difficult, especially once she hears:

“it’ll be fine. silver bullets usually do the trick,” you say, without much enthusiasm. vi bites back her hurt, keeps rinsing her hair, waiting for the water to run clear instead of sludge gray. 

you’re not talking about her. 

“i’m not sure you understand the severity of the situation,” a voice with a thick british accent replies. “i’ve been on the council for fifty years — five times longer than you’ve been the slayer — and i’ve never seen something quite this vicious.”

“my guess is you don’t get out in the field much,” you quip. 

whoever you’re talking to clearly is not amused, ignoring your backhanded comment and instead offering the details of what has been witnessed in the past few days. it’s so gruesome and gory that vi herself is shivering as she turns off the shower, towels off, and gets dressed. 

when vi opens the door, she almost trips over fangs, who’d fallen asleep just outside. she gets up immediately as vi steps out, her tail wagging. the owner of the stern voice — a man wearing a very pristine looking tweed suit — is handing you a crossbow, a bunch of silver-tipped arrows already splayed on the table. you notice vi first as your grip on the weapon tightens, and the man’s gaze follows.

“you know there’s a rule about slayers keeping….pets,” the man says, turning his nose up at vi and fangs from where they’re still standing at the doorway of the bathroom. 

you glance back at the pair, jaw clenched, and then focus back on your unwanted guest. 

“mr. travers, thank you for the heads up, but i believe it’s time for you to leave,” you clip, dropping the crossbow on the table. 

“actually, i believe that we have much more to discuss, namely how you’ve allowed this mutt into your home —”

“get the fuck out of our apartment,” you practically growl. you walk towards him menacingly until his back is millimeters away from the door. “you of all people know what i can do.”

“you will be punished for this…this transgression,” travers warns, but there’s an unmistakable tremble in his voice. 

you laugh in a way vi can barely recognize, sharp and bitter. 

“fine. i’m no stranger to dealing with the council’s bullshit.” you open the door, flash an exaggerated, sickly sweet smile. “have a nice day.”

“i hope this animal is worth it,” travers huffs. 

“she’s worth it,” you reply without hesitation before you slam the door on his ass, so hard that the walls shake, the vase in the kitchen toppling over and cracking on the counter. 

vi’s seen you fight in the pit — hell, she’s been on the receiving end of some of your wicked moves — but she doesn’t think she’s ever seen you this angry. 

your chest is heaving as you pace back and forth. 

“so that sounds….bad,” vi remarks, heading over to the kitchen counter to gather the broken shards of pottery.

you freeze. “how much did you hear?” 

vi just shrugs. “just that there’s something bad out there —”

“don’t worry about it,” you say with a forced smile. you walk over and push some damp hair away from vi’s eyes. “let’s take fangs for a walk before we leave, yeah? while it’s still light out.” 

there are whispers throughout the next few days leading up to the full moon. the crowd at the arena starts to thin, most topsiders too scared to journey underground with rumors of a bloodthirsty monster on the loose. 

you’re not sleeping anymore, still fighting during the day to a half-empty arena, out on patrol at night, your rosy scent fading from the bedsheets with each passing night. even if you get home before dawn, you spend your time scouring through books and scribbling into your notebook, mumbling to yourself theories about where and how you can stop this thing. vi tries to get you to take a break, or at least eat instead of burning through shimmer-laced cigarettes to keep yourself awake.

the best vi can do is convince you to sit down on the couch with her and share a snack. you settle for doing some research, flip through yellowed pages as you take a bite of an apple, juice dripping down your chin. 

vi reaches her finger out, puts it in her mouth to suck off the juice, moaning around the salty-sweet taste of your skin. you let out a pleased hum, turning your attention back to your research, but angling your body to invite her closer. vi nuzzles into your side, puts her head on your lap, twitches in pleasure as you reach down to scratch behind her ear. 

she looks up at you, and you finally give her a real smile — the first ray of sun after a pitch dark night.

a slice of paradise vi was certain she’d never find.

….

the night of the full moon is when all hell breaks loose. 

vi tries — she begs you not to go out there, sensing that tonight, of all nights, it will be at its strongest. but you, too headstrong and too righteous for your own good, just won’t listen. 

“this thing has killed eleven people in less than a week. i don’t care what phase of the moon it is — i’m ending this, tonight.” 

“why does it have to be you? that thing is stronger than anything you’ve ever fought!” 

“which is why i’ve been preparing,” you snap.

“can’t you – can’t you just call the fucking council, or something, tell them to deal with it?” 

fangs is right there with vi, scrambling and whining as you’re meticulously arming yourself with as many weapons you can carry.

you scoff, notching a few silver blades to your belt. “it’s not their responsibility, it’s mine. where the fuck — i can’t go out only in this tank top, it’s fucking freezing — ”

vi swallows the lump in her throat.

“you’re gonna die if you go out there alone.”

“yeah, well, i’ve accepted my fate a long time ago,” you say stoically. 

you’re fairly well supplied at this point; if vi was the monster you were hunting, she’d be running scared from a glance alone. you’re only half paying attention to vi’s pleas, and sigh in relief when you find what you’d been looking for. 

“please, angel, don’t —”

“i was literally born for this, violet. if i don’t go out and stop this thing from killing more people, then my life is worth nothing.” 

“you make me happy!” she shouts desperately, forcing you to pause as you slip on her jacket. “that’s worth something, isn’t it?”

a tense silence follows. 

you freeze for a few moments, avoiding vi’s gaze. then, you walk over to the cabinet, grabbing something so quickly vi can’t pinpoint what it is and stuffing it in your back pocket. you clench and unclench your left fist, a tick of yours that vi recognizes from the arena. 

you’re planning your next move. 

in a daze, you pick up the crossbow, but you hesitate once more —

“fuck,” you exhale before letting the weapon clatter to the ground and rushing over to crash your lips against vi’s. 

you’re kissing and kissing, teeth and tongue and a pleasure so guilty, vi’s sure she’ll be damned for all eternity. vi’s lungs are burning when she pulls away first.

“wait. you should know that i’m —”

“i still have to go,” you interrupt, voice determined and sharp, cutting right through to vi’s heart.

there’s a fear curling up her throat as you watch her, your eyes the darkest she’s ever seen them. 

“then let me – i mean, i can help —”

you kiss her again. you taste so heavenly, better than she ever dreamed of, that vi doesn’t even care that it’s probably just to shut her up. 

she almost doesn’t notice that you’ve cornered her between the kitchen counter and the front door, until she hears a distinct click, feels something heavy and burning against her wrists. 

you pull away first this time, eyes glazed over as you back away to make space between you and what you’ve done:

vi, handcuffed to the exposed heating pipe. the cuffs are stronger than any vi has ever been bound by. must be made of real silver. the metal sears into her skin, down to the bone, as she struggles against them, screaming to the point of howling, watching as you pick up the crossbow and a handful of silver tipped arrows as a final hail mary.

“no!” she cries. the pipe you’d cuffed her to rattles, but it doesn’t give. “please, please don’t —”

“i’m…i’m really sorry,” you mumble, quickly wiping away a tear. vi flinches when you try to touch her cheek; she bares her teeth at you like a rabid beast, but you don’t give her the courtesy of a reaction.  

“why are you doing this?” she growls.

“because….you deserve a happy ending, violet. don’t let anyone tell you otherwise.” 

you take a deep breath. you look at fangs, affectionately pat her head as she bows her head and whines, tail between her legs. “bring her the key once it’s morning,” you instruct. your eyes slide over to vi’s, for what she fears might be the last time. “take care of each other.”

with that, you’re out the door.

vi isn’t sure how much time passes. her wrists sting, her muscles ache, but still, she keeps going. she doesn’t care how, but she’s not letting you die tonight. 

a sliver of moonlight shines through the window. something claws at her ribcage. 

you’re not dying tonight. 

and vi’s been hungry for too long.

iii. all my devotion turns violent

the streets are empty, deserted due to fear and damp from the cold evening rain.

you search through the shadows, around every corner, play with one of your daggers just to pass the time, the blade weaving between your expert fingers.

all you can really think about, though, is vi, and how scared she was to lose you, and how terribly you must have hurt her — 

fuck. 

you accidentally sliced through your palm, your blood emerging as thick, black tar in the darkness. you sigh and kneel down in the alleyway, dropping your heaviest weapon so you can use your uninjured hand to wrap the other. 

something pounces on you before you can stop the bleeding. the crossbow — the weapon that was supposed to deliver a fatal blow — is now out of reach. 

you jab one of your silver blades into the creature’s side; he howls, but you manage to kick him away long enough to get to your feet, get a better sense of what you’re fighting. you’ve never seen anything like it before: a hulking mass roughly five times your size, wolf-like features, and chemical machinery woven throughout his body, a neon green liquid pumping through glass tubes. 

the beast growls at you, lunges forward once again; you jump out of his path, roll away so run, fast, and grab the crossbow. you quickly notch a silver tipped arrow, aim at his heart; you hold your breath and fire without hesitation. then another, and another, just to be safe.  

your stomach turns as you watch the creature remove the arrows as if they were nothing but splinters. he lets out a roar that shakes the earth. you’ve made him angrier.

you drop the crossbow, deciding instead to propel yourself off the wall, leap onto the beast’s shoulders and stab the glass tubes with all the force you can muster. green liquid gushes out, and the beast howls in pain, but doesn’t give up. with sharp claws, he throws you to the ground, and you shriek as he tears through the skin of your ribs. 

you’re very suddenly dizzy, bleeding out on the cobblestones, yet continue to struggle with whatever strength still courses through your veins. the beast looms over you, foaming at the mouth, and your vision is getting fuzzier by the second.

that’s when you see a flash of dark fur, almost fuschia in the moonlight, jump in front of you, knock the beast out of the way, tumble to the side. you glance at the creature that saved you — a wolf with a fierce set of teeth and beautiful powder blue eyes — before you fall unconscious. 

iv. stitch me up (touch me inside and out)

vi barely registers that the temperature in the apartment is dropping.

she doesn’t regret how she had to rip the heating pipe from the wall — there are nasty burns, still untreated, stinging her wrists where the silver cuffs had restrained her. 

she doesn’t regret transforming from human to something wild, unrestrained, in order to save you from something much worse. 

she’s still burning off adrenaline, her nervous system on high alert. it’s been a while, and she’d forgotten how exhilarating it can be.

it all happened so fast. there was something oddly familiar about the beast; he seemed to recognize vi, too. that’s the only explanation — for all the ruthless, bloody stories she’d heard, why else would he have let vi take you away and just disappear into the night without so much as a growl? 

vi doesn’t have the energy to answer such questions. all she cares about is you. she can’t get over the overwhelming scent of your blood, already spilling out onto the street when she showed up. she almost lost control, blinded by rage and a desire to kill the beast — but you were there, on the brink of death, and she just wanted you to be safe, wanted to bring you home.

she just hopes she wasn’t too late. 

vi hyper-focuses on your labored, disjointed breaths from where she tucked you in. she tried her best to stop the bleeding and dress your wounds with combinations of herbs and flowers she frantically read about in one of your books, desperate to keep you alive. 

you’ve lost blood. a lot of blood. 

vi wants nothing more than to curl up on the bed next to you, but after you saw her last night, once you realize that she’s no different than the savage beast you were so determined to kill, she’s not sure you’d want her near you. 

she’ll just stay long enough to know that you’ll wake up, and then she’ll be out of your life forever. 

dawn breaks. the sun shines through cracked, frost covered windows, and your eyes remain shut.

your heart’s still pumping blood, which is a good sign, but otherwise….

day bleeds into night, and you’re still out cold. vi manages to drip some water between your parted lips, and watches with relief as your throat reacts accordingly. you let out a gentle sigh, eyelids fluttering ever so slightly. 

“please wake up,” vi whispers. 

fangs jumps onto the bed and whimpers, nudging her nose against your arm so that she’s snuggled underneath. vi drapes a blanket over the pair of you.

another sleepless night passes.

at first light, vi changes your bandages. she struggles a bit, given her injured wrists, but she’s pleased to find you healing from what might have been a fatal injury to most humans. she tries to feed fangs, but the dog refuses. 

fair enough — vi can’t bring herself to eat, either. 

instead, to pass the time, vi glues together shards from the broken vase and places it back on the kitchen counter. there are no more fresh roses; vi decides she’ll bring you some as a parting gift once you’ve woken up. 

you’re shivering by the time darkness starts to creep in. vi piles as many blankets as she can on you and fangs, but it’s not enough. vi accepts what she had been reluctant to do: she slips into bed next to you, uses her body to keep you warm, arms wrapped around you protectively.

vi doesn’t remember falling asleep, but she wakes up late the next afternoon, to cold rumpled sheets and an even colder empty apartment. 

you must have a knack for perfect timing, because just as vi’s about to start spiralling, the front door swings open and it’s you — cheeks slightly flushed from the cold, holding a brown paper bag with one arm while your other hand grasps the key. fangs rushes through the door, too, tail wagging as she zooms around the apartment, bounces on the furniture and lets out excited little yaps.

“morning, killer.” you smile like you hadn’t been knocking on death’s door since a few nights before. “i would have waited, but you were pretty knocked out and fangs had a ton of energy to burn. clearly she still does,” you chuckle, sending a warm, fuzzy feeling through vi’s body. “i got us some food, too, and i’ll contact the landlord to fix our — whoa!”

the bag drops to your feet as vi pounces on you, engulfing your body in her arms and squeezing tightly. your heartbeat is as strong as ever, steadies her own frantic pulse. 

“s-sorry.” she pulls away and takes a step back. “i shouldn’t have —”

you just shake your head and press a finger to her lips to quiet her.

“i’m sorry,” you say. “i shouldn’t have — i shouldn’t have treated you like that; shouldn’t have used who you are as a weapon against you. you saved me, vi.” you take a shuddery breath. you place a gentle hand on her cheek. “thank you.”

it takes vi a minute to process what you’ve said. 

you thanked her for saving you. 

you apologized for using who she is as a weapon. 

what did you mean by that? 

unless —

i’m not the only monster hunter around here. you need to be careful.

she’s worth it. 

you deserve a happy ending, violet. don’t let anyone tell you otherwise. 

“you….knew,” vi realizes, and even as she says it, she can’t quite believe it. “how….how long?”

“from the first time i landed a punch on your handsome face.” smiling softly, you run your thumb over the faded burn on her cheek, the one mirroring her tattoo, the one left by your silver ring. 

“are you serious?”

“well, fine, i didn’t know what you were, not exactly, until later. i just had a pretty good feeling that you weren’t human; you had a pulse, so you couldn’t be a vampire, which meant —” 

“you knew what i was this whole time and it didn’t bother you?”

you shrug. “you knew what i was this whole time and it didn’t bother you.” while vi continues to stare at you in disbelief, you bend down to pick up the fallen items. vi crouches down with you.

“that’s different,” she reasons, handing you a soft red apple, your cold fingers brushing over her warm skin momentarily. 

“i don’t think so. not all monsters are evil and not all humans are good. i saved you from a human that night, remember?” 

“b-but you’re you and i-i’m me.” vi scrambles to find the right words. she’s still shocked at how calm you are. is it really as simple as you make it seem? “you weren’t….scared that i’d hurt you, because that’s who i am?”

you get up and place the bag of groceries in the kitchen, lean against the counter as you stare back at vi. instead of answering, you challenge her once again:

“were you scared that i’d hurt you?”

vi blinks at you. “never.”

“there’s your answer,” you declare, giving her that razor-sharp grin you flash whenever you win a fight.

fangs has calmed down, and she’s asleep on the living room couch, her snores the only sound between you as vi processes everything that’s been said. 

she feels like her entire world has flipped upside down.

this whole time…..

it went terribly when she last told someone the truth, at least anyone outside her family, and even they would sometimes walk on eggshells around her, like they were worried she might snap. 

but you….you’ve sparred and you’ve bickered and you never even flinched once. 

you welcomed her into your home, into your life. 

you kissed her. 

this whole time.

“i was scared you wouldn’t love me, if you knew,” vi admits, a whisper so soft that she’s almost sure that you didn’t hear. 

except you falter then, your confident posture melting at her confession. your lips part in a soft exhale. 

“well, it’s like you said; i knew this whole time, and i still….” you swallow the rest of your sentence, but you’re looking at vi with so much adoration that it’s overwhelming. “i still want you.”

her brain short circuits, and all vi can think to do is kiss you.

it starts sweet, your lips rose-petal soft. her lips are chapped, rough against yours and already bleeding from the pressure. you run your fingers through vi’s hair, swallow her moans. she’s dizzy with anticipation, imagining how you might do the same when she’s between your legs later. you kiss the scar on her upper lip, gently like you’re hoping to heal the permanent wound. then, your tongue laves over the cut on vi’s bottom lip, soothes her, pushes into her mouth again so you’re both tasting copper. 

but then, you bite down, and a desire buried deep within vi is unleashed: the desire to cut herself open for you so you can love each and every part of her. even deeper down, vi hopes that you’d want the same.

vi brings a hand up to your jaw, pushing you into her mouth even more. she lodges her thigh between your legs and shoves her tongue into your mouth when you gasp. one of your hands slips underneath her shirt to trace the contours of her abdomen, meticulously outlining each one.

“it’s been days since you’ve eaten, hasn’t it?” you mumble against her lips, pulling away slightly. your brows pinch together in worry, because you already know her body too well, can tell that each muscle is more defined, each edge a bit sharper. “you must be starving, baby. let’s eat something before —”

vi whines when you start to pull away even more.

“we can do that after.” she offers you her best puppy dog eyes as she pleads: “i’m hungry for something else now. i want you.”

to prove her point, vi guides your hand to her belt. your fingers dance along the metal and she eagerly awaits your response.

“fine,” you decide. “but whoever has the most orgasms makes dinner.” 

“you’re on, angel.”

her breath hitches when your hand moves down the waistband of her pants; you play with her tangle of curls, tease the tip of your fingers into her wetness. she purrs against you. 

“wait —” you pause your actions. vi whimpers when you remove your glistening fingers; you take off the silver ring on your pointer finger, grinning guiltily as you toss it on the counter behind you. “that would have been bad,” is all you say before inserting two fingers into her already slick pussy.

“ugh, ah — fuck, just like that, angel,” she moans, twitching as you ram your fingers into her. 

you hum, stuff another finger into her heat, stretching her so deliciously that her legs start to tremble. 

“such a good girl for me. aren’t you, violet?” you coo and start sucking the skin behind her ear. “you gonna make a mess, right here in our kitchen?” 

and that does it — vi’s walls tighten around you, her wetness soaks through her clothes; she’s almost sure that it drips down onto the floor. vi whines as you remove your fingers, feeling empty. you shove your syrupy fingers into her mouth instead, her tongue greedily lapping up her own cum. a string of spit follows as you rip away your fingers and press your mouth against vi’s kiss-swollen, cum-covered lips. you feel something smouldering in the pit of your stomach at her whimpers; you’re nowhere near satisfied, but her eyes, all wide and dark and desperate, are pleading at you to let her indulge in her hunger, as well.  

“what else do you want?”

vi paws at your breasts from above your shirt.

“i want to fuck you,” she declares, and you nod eagerly, your body bursting into flames. 

she gestures at you to wrap your legs around her hips, and she carries you to the bed as you kiss more fiercely, teeth clacking and tongues fighting to explore every crevice of her mouth. you tear each other’s clothes off; but the cold air doesn’t faze you in the slightess, because you have vi, hot and passionate, above you, keeping you going.

your teeth gnaw on her bottom lip as vi messily thrusts against you, your cunts sliding against each other; sticky, languid bliss. 

vi takes her time. she wants to savor every part of this, of you — the sting of your nails scratching down her tattooed back, no doubt leaving red marks in their wake; the familiar scent of your skin, sickly sweet roses, combined with the thick musk of your desire, dripping against hers so deliciously; the hoarseness of your voice, encouraging her to go faster, harder. 

she nudges her nose against the crook of your neck, salivates at how your vein pulses for her like a tantalizing butterfly. her teeth graze your pulsepoint, but she’s trembling with the amount of self control it takes not to add any more pressure.

“v-vi,” you breathe her name like a prayer. “baby.”

a guttural moan bubbles from the back of her throat in response.

you gently run your fingers through her hair, coax her to look you in the eye, the gesture a sharp contrast to the harsh squelching of your cunts against each other, melding together with each determined thrust. 

“you – ah,” you gasp as vi rolls her hips into yours with even more vigor. “you can bite me, if you want.” 

vi licks her lips, swallows the hunger burning in her throat because you must be too fucked out if you’re willing to let vi fully indulge in this craving. 

“but then you would —”

“lycanthropy is only transmitted when you’re in wolf form,” you explain through labored breaths. “so if you bite me now….and gods, i’m begging you to…..nothing’s gonna change.” 

“i have never been more thankful for your slayer training,” she growls. “you really want that, huh? for me to mark you up really good, show everyone that you’re mine?”

“o-only if i can do the same,” you manage a smirk. “or are you all bark and no bite?” you tease, buck your hips upwards. vi is willing to die for your knife-like smile alone, so of course. she’d let you eat her whole, if that’s what you really wanted. 

vi finally sinks her teeth into you, rolling her eyes back at how absolutely luscious you taste. like a good girl — your good girl — she follows your orders and bites. she bites down your neck, across your shoulders and collarbones, relishing in the imprints left in her wake.

vi knows now that she calls you angel for a reason. it’s a religious experience, watching you throw your head back against the pillow as your orgasm crashes through you. vi follows a few seconds later until you’re covered in her — she drenched the curls of your bush, her cum dripping down on your own wet pussy as she watches from above. vi can’t help it; she bends down, and you jolt slightly when her cold nipple piercing brushes against your clit. she does it again a few more times just to appreciate how you whine, rut your pussy against her perky breast, begging for more. 

but, vi’s on the hunt for something else — she splits your folds with her sharp tongue, sucks any and all of your shared essence. she lets it slosh around in her mouth before hovering over you once more, silently ordering you to part your wet lips; when you comply, so obedient, vi spits into your wanton mouth, thick and velvety. 

“swallow,” she orders, voice rough with lust. you do so quite eagerly.

and just like that, you’re back to grinding on each other, leaving a delectable mess along the skin of each other’s thighs. the tension in vi’s abdomen snaps when you wrap your lips around her nipple, suckling at your own wetness until drool dribbles from the corner of your mouth. 

after feeling her gush against you, a feral impulse rips through you. you release her nipple with a distinct pop, the cold metal still burning on your tongue as you yank vi’s hair, exposing her tender skin, glittering with sweat in the dark golden light as the sun starts to set. you pull her close, bite around the tattoo on the side of her neck, hard. vi howls in pleasure as you taste salt and iron and her, reaching your peak. 

vi waits patiently as you come down from your high, chest heaving, your neck still engraved with the outline of her teeth while yours are stained red. you crash your lips onto hers, chaotic and insatiable, kissing her like she’s your last meal. in turn, she licks into your mouth, tongue tracing your canines to savor what you’ve consumed of hers. 

“you sure you’re not a vampire? that would be quite the scandal,” vi jokes later when you’re sitting in her lap, taking time to clean each other up. vi’s only wearing a shirt, but you’ve doubled up on clothes, the apartment growing colder as night approaches. 

you already tended to the burns on her wrists (and apologized profusely for causing them; you also scolded her a bit for not tending to herself sooner). now you use disinfectant to wipe down her neck, where you broke skin; you quickly place a bandage that soothes the sting and vi presses a grateful kiss to your sternum.

you hum around the unlit cigarette in your mouth, which you had rolled beforehand with dried rose petals. with your hands unoccupied, you reach for your lighter. vi tilts her chin to gaze up at you; you’re backlit by the evening twilight, a silver halo around you as flowery smoke billows from your mouth.

“i’m sure they won’t be thrilled to know that a slayer’s fallen in love with a werewolf, either,” you muse, beaming at her. 

vi clicks her tongue. “sounds like we’re breaking some bylaws.”

“oh, she’s worth it; i’d do anything for my charming, sexy, handsome werewolf.”

you lean forward and exhale smoke into vi’s parted mouth, lips brushing against each other as you share the same breath. you sit back once your lungs are burning and admire the view. 

vi — normally all rough edges and dark shadows — blushing a delicate pink as you praise her.

“she’s got a killer right hook, too,” you continue. you offer vi the cigarette and she nods; you hold it, place it between her lips as she takes a drag. “a body so hot that it’s honestly unfair. she’s a fighter, which i love, and some people might think she’s just a scary dog, but i think she’s beautiful and brave and a total softie —”

“okay, okay,” vi coughs, the tips of her ears red. she takes the cigarette from you and stubs it out on the makeshift ashtray by the windowsill. vi rolls over so she’s on top of you, cupping your face in her hands. she pecks across your cheeks until you’re giggling; you try to turn the tables, and the two of you just end up wrestling in a tangle of sheets and laughter and tender kisses.

eventually, you both calm down. 

“you hungry?”

“not really. you?”

vi shakes her head. “we’ll make breakfast together in the morning?” 

“sounds heavenly.”

it’s dark outside, but the stars are out and the waning moon shines bright. vi positions herself behind you, her body curving into yours, chin notched over your shoulder and arm secure on your waist.

fangs must feel left out, because she shuffles under the covers for warmth before immediately falling back asleep, her fur tickling at your feet.

your thumb rubs against the gauze on vi’s wrist. you can’t help but feel regret, heavy like lead in your stomach.

“baby, i’m fine,” vi assures, already knowing what you’re thinking.

“i….i just hate that i did this to you,” you mumble, bringing her wrist up so you can kiss it. 

“you were trying to protect me. it’s what we do, yeah? protect each other?”

when you hum in agreement, vi guides you to turn around so you’re facing each other. on instinct, she parts your legs with her thigh. your sweatshirt has ridden up, so vi starts to rub circles onto your exposed hip bone, her touch soft as velvet.

“next time you go out there, i’m coming with you.”

your breath hitches as you trace the tattoos licking up her arm. “vi….”

“this isn’t up for debate,” vi declares. she reaches her hand up to caress your cheek, thumb delicately rubbing the shadows under your eye. “you almost died. whatever almost killed you is still out there. you’re strong — gods, you’re the strongest person i’ve ever met — but you don’t have to face any of this alone. not anymore.”

you let out a surprised laugh. 

“what?” she murmurs shyly, her eyes the soft, pale blue of moonlight, star-like freckles dazzling her sculpted cheeks. 

“no, it’s just….anyone who’s known that i’m the slayer either calls me delusional, runs scared, or expects me to do it all by myself. hell — that’s how it was written, how it was destined to be."

vi nudges her nose against yours. her breath tickles your lips, heats up your entire being with a warmth so divine, you wonder if you actually have died and gone to heaven. 

you’re both alive, though, a bit bruised and wounded. the world is dark and cold, but here’s this beautiful, strong girl with a beautiful, strong heart who holds you close, parts her full lips — like two rose petals, kiss-bitten and crimson — and vows:

“fuck destiny. it’s you and me now, angel.”

v. my heart is black and beats for you

TWO MONTHS EARLIER

it’s a quiet night. you spent most of it lamenting how you got your ass kicked earlier and fantasizing about the woman who did it, when you see a shadow of a person passed out at the corner of the street, and another trying to steal from them. 

someone has to stand against the forces of darkness and evil, and the universe somehow determined that would be you — a fate you’ve had to accept through bruised ribs and broken hearts and bloody prophecies, but one you’ve had to accept nonetheless. 

if that goes beyond vampires and demons, so be it. 

after you’ve managed to send the creep on the run, you recognize the person you saved:

it’s her. 

she looked more intimidating in the pit, honestly — all harsh and dark, furrowed brows and vicious snarls. 

it takes you kneeling in front of her to be able to really see it through the black face paint. you take a little pride in the bruise that blossoms on her cheek and the cut through her eyebrow, thinking that at least you got a few shots in before she took you out with a killer right hook. 

your jaw still aches and you still taste copper thanks to her, but without the roars from the crowd or the pressure of hefty prize money that you need to survive, you can see her more clearly. she’s bleeding through her bandages; she’s shivering because, gods, it’s freezing this time of year and all she’s wearing underneath a flimsy leather jacket is scrap fabric that would not be counted as a shirt; and she looks like she hasn’t eaten in days despite reeking of alcohol. 

that’s when you see a burn on her cheekbone, too, just about where your silver ring would have collided with her skin. you hold your breath, lean in closer to her chest and listen closely to check — the thumping of a strong, steady heartbeat; the gentle rush of blood flowing through her veins. 

so, not a vampire. maybe a human with a silver allergy, but what’s more likely is that she’s….something else. 

“hey.” you whisper. when she doesn’t respond, you cup her face in one hand and tap her bruised cheek with your thumb. her skin is warm; if she were a human, you’d think she had a fever. “wake up.”

you resist the urge to jerk away when she softly takes your hand in hers, the gesture a sharp contrast to her knuckles bloodied from earlier.

“five more minutes, cupcake,” she whines, her voice echoing down the empty alley.

“look, it’s late and freezing. we should really go before —”

“please. just stay with me. i promise i’ll be good.”

your chest aches at her sincere tone. did you sound the same, when you made a similar promise before to the people you’ve loved after they found out who — what — you are? did you also look so broken, so bruised when they left? 

you know the council wouldn’t approve of what you’re about to do. 

but you also know well enough from years of studying and training and fighting as the slayer that their judgement should not be taken as scripture.

in other words: fuck the council. 

(plus — you need a friend, or just….someone. it’s lonely, being the chosen one. and this girl, in front of you — when you fought, her body reacting to yours so fluidly, you had somehow never felt more understood.)

you manage to get her to her feet. 

she mumbles something incomprehensible into your neck, her breath hot against your skin. you let her lean into your body after a weak attempt at holding herself up. it’s not much trouble for you, though. it’s a cold night, anyways; her body, solid and warm, is almost comforting against yours.

you trust your instincts and carry her home. 

[maybe-boys-do-love]

It's wild that the whole global trend of gay-focused happy ending romance shows and movies has only been going on for *looks at calendar* a measly ten years!

Just ten years ago. 2014. That's when you get the discovery of a market for queer romance series and films with happy endings. That year the OG Love Sick in Thailand came out. Brazil puts out The Way He Looks, which deserves so much more credit than it receives for influencing the aeshtetics of the genre. Looking premieres on HBO, and although it had low ratings, it's an important touchstone. And, despite Nickelodeon’s censorship and shifting the program from tv to its website, the Legend of Korra confirms Korrasami in its season finale.

The next year, in 2015, we get Love Sick season 2, and China, pre-censorship laws has a few options: Happy Together (not the Wong Kar Wai one lol), Mr. X and I, and Falling In Love with a Rival. Canada, premieres Schitt's Creek. In the US, Steven Universe reveals Garnet as a romantic fusion between two female characters, and will proceed to just be so sapphic. Norwegian web series Skam premieres and sets up a gay protagonist for its third season, which will drop in 2016 and entirely change the global media landscape.

Then, 2016! This is the MOMENT. That aforementioned Skam season happens. Japan puts out the film version of Ossan's Love and anime series Yuri!!! on Ice. China has the impactful Addicted Heroine, which directly leads to increased censorship. The US has Moonlight come out and take home the Oscar. In Thailand, GMMTV enters the BL game and Thai BL explodes: Puppy Honey, SOTUS, Water Boyy, Make It Right, plus, the Thai Gay OK Bangkok, which, like its influence, Looking, is more in the queer tradition but introduces two dramatically important directors to the Thai BL industry, Aof and Jojo.

By 2017, Taiwan enters the game with its History series. Korea’s BL industry actually kicks off with Method and Long Time No See. Thailand’s got too many BLs to mention. Call Me By Your Name, though not a happy ending, makes a big splash that will send ripples through the whole genre, and God's Own Country offers a gruff counter-argument to problematic age differences and twink obsessions. This is also the year of Netflix reboot of One Day At a Time bringing some wlw to the screen, and the Disney Channel has a main character come out as ‘gay’ on Andi Mack ( I’m am ready to throw fists with anyone who thinks the Disney Channel aesthetic isn’t a part of current queer culture). And I'd be remiss not to mention the influential cult-following of chaotic web-series The Gay and Wondrous Life of Caleb Gallo: "Sometimes things that are expensive...are worse."

All this happened, and we hadn’t even gotten to Love, Simon, Elite, or ITSAY, yet.

Prior to all this there are some major precursors some of which signaled and primed a receptive market, others influenced the people who'd go on to create the QLs. Japan has a sputtering start in the 2010s with a few BL films (Takumi-Kun, Boys Love, and Jujoun Pure Heart). Most significantly in the American context, you have Glee, and its ending really makes way for the new era that can center gay young people in a world where queerness, due to easy access to digital information, is less novel to the characters. And the QL book and graphic novel landscape was way ahead of the television and film industries, directly creating many of the stories that the latter industries used.

There's plenty of the traditional queer media content (tragic melodramas and independent camp comedies) going on prior to and alongside QL, and there are some outlying queer romance films with happy endings that precede the era but feel very much akin to QL genre tropes and goals, many with a focus on postcolonial and multicultural perspectives (Saving Face, The Wedding Banquet, Big Eden, Maurice, My Beautiful Launderette, and Weekend). I don't mean to suggest that everything I’ve listed ought to be categorized as QL.

Rather, I want to point out how all of these new-era queer romance works are in a big queer global conversation together, in the creation of a new contemporary genre, a genre that has more capacity and thematic interest to include digital technology and normalize cross-cultural relationships than other genres (there's a reason fansubs and web platforms are so easily accepted and integrated to the proliferation of these series).

You're not too late to be part of the conversation. Imagine being alive in the 1960s and 70s and participating in the blossoming of the sci-fi genre. That flowering is where gay romance sits now. Join the party.

[lesbiangiratina]

Hi do you like images. I love images. Heres a little over 100 guilty gear trading cards from the early 2000s. Every character up to xx is accounted for… some more than others. For now. But the average is probably 4 or 5 cards per character. Nearly all of the art is original. Okay have fun :)

[shoku-and-awe]

A very nice treat for cold weather: black kinako "latte"! Kinako is roasted soybean powder, black refers to the type of soybean, and latte just means you mix it with milk; there's no coffee involved.

For once, I actually made this according to the package instructions—with my usual sweet drink of choice, Milo, you need about 2~3 times what the package says—and it turned out perfectly lovely with just a small amount of powder. I think any milk would be fine, but I used soymilk.

Also, I have said before that kinako tastes a bit like peanut butter, but now I think I want to amend that statement: Peanut butter is to kinako as coffee is to black tea. Yeah. I'm going to test that hypothesis for a while and see how it goes.

[eananoor]

The story tells of the destruction of a pure soul in a faithless world.

The Idiot (1951), dir. Akiro Kurasawa referring to his film adaptation of "The Idiot" by Fyodor Dostoevsky.

[athenaismdb]

[mattydemise]

The Human Condition I: No Greater Love, 1959.

[languagestudymaterials]

Conditional sentences in Japanese

Unfortunately, conditional sentences are a complicated piece of grammar in Japanese. I collected some examples of conditional sentences used in anime to help me and you understand the logic behind them. Conditional sentences are really contextual and analyzing examples with clear context should be helpful.

Omoi on his way to Konoha with Karui and Samui

その子たちが俺にむちゃくちゃ告白してきたらいったいどうしようかと思ってさ。

I was wondering what I would do if all the girls confessed their feelings to me.

子  (こ) = child or young woman; young geisha [たち pluralizing suffix ]

むちゃくちゃ  = very; extremely; excessively [adverb]

告白  (こくはく) = confession of love; professing one's feelings​ [suru verb; here in its ～てくる form which can be translated as: 'their love confessions will come my way/my direction.'

～たら = conditional sentence marker

いったい  = what in the world; what the hell; etc.

どうしようか = indirect question (more here) (introduced by いったい = what… ) [どう= how; しよう = する in its “let’s” or “will” form]

と思ってさ = in this context, we could translate it as 'I wonder…' さ could be translated as 'It’s like I wonder what I will do when…' (filler word). Also, 思って is 思っている but anime way/rough guy way.

Before we dive in

A brief overview of English conditional sentences.

Notice that in English (at least in the ESL setting) we tend to discuss conditionals from the 'when the thing will happen or happened' perspective. Students need to distinguish between actions that are possible to happen in the future, that have already happened, or that might never happen.

0 conditional

Used to express general truths; actions that are outside of your control; actions that happen always because that’s the way they are; e.g. If Madara shows up; it means shit gets real <- that’s always the case.

I conditional

Refers to future actions; something is almost 100% possible to happen in the distant or near future; e.g. If you insult the Second Mizukage once again; he will start fighting us for real! (I hope you remember this ep! It was hilarious!)

II conditional

Unreal present situations; something that isn’t possible to happen at the moment of speaking; we’re imagining an alternative present situation; e.g. If we knew who the person controlling Edo Tensei was, I would be able to come up with a more accurate plan.

III conditional

Unreal past situations, something happened in the past, and you sort of regret it, and now you’re imagining an alternative past situation; e.g. (context: Obito about Kakashi referring to times when they were kids and Kakashi’s dad committed suicide) If I had noticed that void in your heart back then, we would have become friends sooner.

You can combine conditional sentences too! For example, II + III; III + II; etc.

In Japanese, instead of wondering: 'Is it a future event?', you have to wonder if the thing you are talking about: is contextual, the result is more important than the condition, the actions fall into the 'regulations or recipes' category, etc. The Japanese look at conditional sentences from a different perspective.

Japanese conditional sentences

～たら

Stefan Kaiser writes (p. 575) that ～たら is used when:

'when..., then...' = 'when' sentence is a matter of certainty, 'then' sentence will happen because 'when' sentence is inevitable.

For example:

When I finish this report, I will go home. When I grow up, I want to be a doctor.

I will eventually finish the report and go home, and I will grow up whether I like it or not.

it has a similar meaning to ～ば , but it is more colloquial. If the action of the 'if/when' sentence is carried out, then the action of sentence 2 will happen or apply. It is used in contexts such as regulations, recipes (not only in cooking), rules, etc.

If you show this to our boss, he won't give you the promotion.

While the example sentence is not a written rule, you can expect that showing, let's say, a hideous presentation to your boss means no promotion.

in this context, 'when' means 'at the time that'; 'during the time that'; 'in the process of'. It doesn't have any conditional connotations in English, hence the urge to use ときに in Japanese. Kaiser explains that in such contexts where the speaker has no control over the action, it's a pure realization on the speaker's side, we use ～たら.

I didn't want to talk to him when he told me what he did. When I talked to my boss, he warned me that I'd be fired because of my poor performance.

hypothetical/unrealized conditions in Japanese are often expressed through ～たら and past tense (even the past continuous endingていた ) + ～でしょう・はず or any other modal ending.

In my Japanese class, I made the following list:

Future events; e.g. When I get home, I will eat some cookies.

Hopes for the future; e.g. When I graduate, I will find a good job, for sure.

Emergency; e.g. In case of fire/ If there is fire, call 911; When the earthquake strikes, I protect my children first.

Advice; e.g. If you drink, don’t drive.

Weak suggestions; used when you don’t want to sound too direct. It’s often used as a question.

Unlikely dreams/situations (present and past); e.g. If I won the lottery, I’d give half of the money to you (here you can add もし at the beginning to strengthen the 'unlikely' meaning)

Surprise; e.g. When I was about to scold the intern, the boss came in, and I got scolded instead! (the clause after ～たら is usually in past tense)

Discovery; e.g. When I looked into the closet, (I discovered) my shoes were gone! (the clause after ～たら is usually in past tense)

Taking all that into consideration, we can assume that Omoi used ～たら to express an unlikely/possible situation. Omoi likes to be dramatic and worries about everything. His dramas and worries are HIGHLY UNLIKELY to happen.

～ば

This can be replaced by ～たら quite often; however, the difference is that ～たら implies habitual actions, for example:

If (when) they misbehave, they are scolded.

Parents established such a rule and they follow it; it's unlikely they will change their approach.

～ば, on the other hand, refers to singular actions, temporary actions, things that are rules, but only for the time being, for example:

If it's not expensive, it's not fashionable.

Trends are constantly changing; we don't control them; for now, this is the rule: expensive = fashionable. In 10 years, cheap things might be trendy.

If the actions are habitual, both are correct; but when the context suggests the action is a 'temporary habit/rule', only ～ば is correct.

In PerePera Japanese, I found the following use:

～ば suggests that your sentence has a hidden meaning and you want to emphasize it. No innuendos or anything of that sort. If you don’t want to sound too direct, use ～ば.

If only you were a better player, then I’d definitely let you play. (Hidden meaning/reality: you suck)

If you practiced a little more, you’d win that race. (Hidden meaning/reality: you suck)

Strong suggestions; (it will make you sound pushy, and you might hear it from your senpai or boss, etc.; stronger than ～たら)

Past habits; e.g. When I was a kid; I used to eat lots of sweets.

Proverbs usually use ～ば.

Shigaraki in season 1 of My Hero Academia said:

子供を殺せば来るのかな？

Shigaraki is talking about a hypothetical situation. Since both ～たら and ～ば can be used in such a case, what's the difference, then?

～ば focuses on the condition (the if clause)

～たら focuses on the result

～ば vs. ～たら

Japanese Pod 101 gives the following examples:

今すぐ行けば、間に合うだろう。 今すぐ行ったら、間に合うだろう。

Both sentences mean: 'If you go right now, you will make it on time.' As Clause B can only happen if Clause A occurs, ～たら is alright. However, if the focus of your sentence is on the condition (if you go right now), then it would be more natural to use ～ば.Note: There are cases where you can use only ～たら. If Clause B is:

an order

a recommendation

a request

a prohibition

a wish

or volition

only ～たら can be used. For example:

日本に行ったら、京都を訪ねてください。 When you go to Japan, please visit Kyoto.

Here, the speaker is making a request. Therefore, only ～たら can be used.

Shigaraki is talking about the hypothetical situation and he's drawing our attention to the if-clause: If we kill some kids. Considering the context and his motifs, then using ～ば to emphasize murder, well, it makes sense.

In some grammar books, I read that ～ば emphasizes the condition as essential; we need this, and without it, nothing will happen.

Without killing the kids, All Might won't come = killing kids is essential.

～たら, on the other hand, focuses on the result; All Might will come = I care more about All Might showing up than the things I need to do to make him show up.

Another example, this time from Naruto.

Context: Kakashi to Naruto. Naruto wanted to discuss Sasuke’s case with the new Hokage, Danzou. Kakashi warned him it was not a good idea.

へたをすれば牢に込まれることになる

へたをすれば = Kakashi is talking about a hypothetical situation (～たら would be possible as well); however, he (I believe) wants to emphasize the if-clause. Naruto is very reckless, we all know that. He is capable of making wrong moves. We could also apply one of the explanations from PeraPera Japanese: hidden meaning.

One more example from Demon Slayer.

戦っていれば勝っていた

In this context, we can also assume that Muzan uses ～ば to emphasize the if-clause. In English (at least in this translation), there's 'had he fought' (inverted conditional form), which also nicely emphasizes the if-clause. Apart from that, Muzan talks about a hypothetical situation and states that Gyutaro fighting alone was essential to winning the fight.

A thing I observed: In the 'must' form しなければいけません, there's also ば. Textbooks explain this cluster as follows: If X doesn't happen, then Y won't be (or something along those lines). We could follow that logic and paraphrase the example sentences: Shigaraki: I MUST kill the kids. Then, he will come. Kakashi: You MUST make correct/good moves. Then, you won't end up in jail. Muzan: Gyuutaro HAD TO/MUST fight alone. Then, he would have won. If you can come up with a sentence that uses 'must', then using ～ば should also be correct.

～なら

This one is tricky. You’ll see it used in sentences that do not correspond to English conditional sentences; no ‘if’ clause. However, the ‘if’ clause may be implied.

It is used to respond to what your speaker said = taking up what someone else has said. ～なら is very contextual. If you walk into a room full of people and say: If I win a lottery, I will go to Japan, just like that, randomly, and translate it using ～なら as your conditional sentence marker, you'd make a mistake. Context, apart from words, can be shown with actions, for example, when you see a person who is about to leave; then you could say a sentence with ～なら.

To give some limitations or conditions to your speaker’s choice; e.g.

A: When can we meet again? B: Any time next week is ok!

You can choose the day yourself. 来週ならいつでもいい.

今日なら = only today; I’m limiting your options to today only, tomorrow is out of the question, or any other day.

Emphasizing what comes before; expressing one’s ability or characteristic; showing your trust; e.g.

It’s Madara! (Since it’s Madara,) He can destroy the whole world! マダラなら、世界を潰せる！

Depending on the context, you could also translate it as: You’re Madara, you can destroy the whole world!

Giving suggestions as an answer to your speaker’s question; e.g.

Where can I get good sushi? Good sushi? Well, over there!

I like to think it means: “When it comes to…” in this context.

You’re going to Japan? Then, you should visit Hokkaido! 日本なら北海道に行ったらどう？

I can see you’re struggling with Math, but you’re proud and won’t ask for help.

分からないなら聞いてください If you don’t get it, just ask, ok?

これほど言っても分からないなら、もういい Even after all was said/explained, you still don't get it, forget it (it's fine).

Example from Naruto. Obito is declaring war.

お前たちなら本当は理解しているはずだ

You’re the 5 kage, right? You should already know what the truth is/understand the truth!

お前たちなら = expressing one’s ability or characteristic; 5 kage are aware that the system sucks.

Shee after Obito declared war.

暁が八尾と九尾を狙っているならやつらもまだビーを執拗に追っているはずです

If Akatsuki is targeting the Eight and Nine Tails, they must still be relentlessly pursuing Bee.

狙っているなら = Shee is responding to the context here. Someone said something about Akatsuki and Bee before and now Shee made that conclusion; it’s not a random statement; they’d been talking about Biju and Akatsuki for a while.  

狙う (ねらう) = to be after (something); to have an eye on​; to aim at​

執拗 (しつよう) = relentlessly [na adj; here as an adverb]

追う (おう) = to chase; to run after; to pursue; to follow after​

八尾と九尾 (はちび と きゅうび) = Eight and Nine Tails

～と

Unfortunately, I have no examples for this one. I'll just leave you with a short overview.

Something always or certainly occurs (0 conditional); e.g. If it gets hot, the snow melts down. If you turn right, there’s a bank (The bank has always been there); When I’m stressed, I eat;

Narration; when you describe facts chronologically; e.g. When I came out of the tunnel, I saw the sea! When we came to the party, Mary made us drinks. (You can use とき for this one as well);  

You can replace it with ～たら when you explain things to others and you want to show a bit more empathy. As if you were trying to help your listener to understand your explanations.

When there is no 'if' in Japanese, but there's 'if' in English

どうすんだよ。もしあの石が岩に当たって 岩が崩れて その崩れた岩が更に大きな岩を崩して すごい岩崩れを起こしその下にあった木ノ葉の里が飲み込まれ 壊滅。

In this example, there's no ～ば、～たら、～なら、～と, but the English translation starts with something that falls into 'conditional structures' grammar.

If you're like me, then you probably think of ～ば、～たら、～なら、～と when you see 'if' in English. Well, as you can see, starting your sentence with もし and using ～て to connect the actions is also possible.

Some textbooks state that using もし without conditional markers is incorrect.

Also, note that Omoi in this example first asked: What will we do? And then gave us the if-clause. It's not a typical structure when we start with if-clause.

Apart from that, it's anime, so anything is possible there.

[roscoehamiltons]

once again a portrait of me after watching f1

[fangirlshameblog]

Highlights of the G7?

Mark Carney came to my former office once, I don't think I'm ready for the next edition of G7 fanfic.

😿

(Unless you were referring to the weirdly low energy, unrealistically hetero-coded trailer for the film in which they've inexplicably cast Denis Ménochet as the French President?)

[liverpool-enjoyer]

i wanna show gavi my pokemon card collection so bad. i feel like he would pretend to be interested even if he is,,, not interested at all.

[60inchyugiohheadcanons]

On Jōnouchi's ADHD (1.39k words)

This headcanon is probably the longest on this blog; it's some compiled thoughts on how growing up with (undiagnosed) ADHD has affected Jōnouchi. It's halfway between headcanon and fanfiction piece, and was requested by @bloodyscott, whom I kept waiting for too long for a response. I apologise sincerely for the delay.

This headcanon begins below the cut, as it's obscenely long. You may find it more comfortable to read this from the blog page, or on Archive of Our Own (NOTE: tumblr is acting strange. To access the page, copy the link and manually remove the href.li portion and the second https), rather than on your dashboard/search, in terms of formatting and such.

From infancy, Jōnouchi wailed his way out of his crib, out of his room, out of his house—as a baby, he thrashed towards whatever freedom he could find. He loathed the four walls of the crib; he'd scarce room to move. A skin infection brought him, aged 4, to hospital, and the very sight of overrun grey plastic seats and skinny cubicles exhausted him more than his illness had ever threatened to.

In primary school, others’ desks would blend together in a whir. Here he was, stuck, dizzyingly sedentary—the longer he sat, the foggier the world seemed to grow. When he kicked and whined at other children throughout electric lunch breaks, and they shrank from his vitality, he learned to eat alone. As his peers trudged from class in packs, watching the pavement, he sat, sullen, as his father drove him home. Somehow, Katsuhiro had never trusted him not to lose himself in chasing his surrounds. The fabric of the car seat would bite into his shorts, and he’d squirm for the window, squealing towards the noise outside: Birds that cawed; scraps of paper that fluttered and choked on smog. That was a fragile era, when his mother still waited, with dry hands and chipped nails, at home. When his father already stank of beer, but still spoke loudly, deeply, boisterously. Again and again, Jōnouchi’s mother would sit her son down, and write his name, stroke by agonising stroke. She’d recite each mora in time with each character. Yet sound would cluster through his head, and his own name would dissolve amid his mother’s instructions, amid the blaze of sunlight trapped on the windowsill behind her. He would write, and the strokes would come out rushed, mis-ordered, lopsided. 

Iro wa nioedo 

chirinuru wo.

At 10, his father grew quiet, and his mother yet quieter. Silence took up like a plague in Jōnouchi’s head, and swarmed in shapeless formation throughout parched mathematics lessons. Times tables hurled themselves headlong into a skull full of fog, and burst on contact. Are you listening? a teacher asked. How could he listen with a head full of noise, of unspoken words billowing back and forth? He gripped his seat, and glared back. Why should I care, anyway?

When his mother left, his father stopped caring to chaperone him. It had taken Jōnouchi a decade to earn the right to shed his infancy. He resented that it had been this long, so tried to join the huddle of middle schoolers. He told odd stories, and took off, queasy, in front of them. They withdrew their smiles when he approached on the second day. He growled his plaint, and resentment drove him to take the opposite route. He explored back alleys, wallflower convenience stores and dilapidated cinemas; the faster he walked, the more clearly he could see each brick, and the brighter each fleck in the pavement glinted. At speed, he delayed the journey home, and set his eyes on a gorgeous early winter sunset. The colours bellowed, too bold for winter, ungainly and vain. They were glorious.

Jōnouchi came home late. His father glared; fog crashed back down on his shoulders. 

Wa ga yo tare zo 

tsune naran?

A week before she cleared out too few of Katsuhiro’s belongings and packed too few suitcases, Jōnouchi’s mother drove both children two miles to the optometrist. My son, she explained, reads slowly, yet resents reading; it seems he can’t see very well. My daughter’s sight seems clearer, yet she complains of pain. The optometrist forced Jōnouchi to read down a chart of letters; he fidgeted, and, consumed in memories of a lonely lunch break the day prior, passed with flying colours. When the optometrist flashed a light to photograph his eyes, whatever hideous miracle that was, Jōnouchi screamed.

Katsuya Jōnouchi, the optometrist surmised, had perfect acuity of sight. He sought attention, stimulation. Meanwhile, Shizuka Jōnouchi, who had sat entirely still throughout her examination, had more ragged, derelict peripheral vision than her family had anticipated. Untreated, both your children will get much worse.

And in the months after Shizuka Jōnouchi became Shizuka Kawai and Mrs. Jōnouchi became That Bitch Who Never Cared, Katsuya Jōnouchi became horribly aware of how little time he had to be lethargic. He had to survive this schism; yet as he was, he barely felt capable of thinking. He walked, fidgeted, paced to prove to himself that he was a moving, breathing organism. Yet his father’s frustration would brook no exuberance. Long before Katsuhiro fully committed to flinging glass and spurning his son’s misery, Jōnouchi began learning to move silently, slowly, around his father. He memorised which mats snapped and snagged, which bits of fabric hissed when stepped on. He noted which windows opened most quietly. And yet he never managed a perfect, quiet exit. He couldn’t help but be conspicuous; he could only hope to get out too quickly for his father to react. And, to lift the torpor that followed escape, he would run to school, and, after, run back. Never did the sun shine brighter than when he was moving.

Uwi no okuyama

kyou koete.

When he met Hirutani, did he become more violent? No; every punch he threw during his delinquency had waited, kinetic and desperate, for days, months, years. In classrooms, his sole responses to being ordered around had been sullen deference, with sullenness being his sole demonstration of rebellion. Now, threatened with the obsolescence of his ego, of his perceived freedom, he chained himself to violence, over and over. The first time he punched a man in the gut, he found himself shaking. And rather than sink into sallow, domestic remorse, he slathered himself in white rage. And he went back and he went back and he went back, helpless to his own instincts, trying to dredge the noise in his skull out through his fists. No matter how many punches he threw, and no matter how many he received, he could not stop his head from blazing anew the moment he walked away.

Did Duel Monsters afford him any peace? He would be no man’s losing dog; nor would he be confined to dull celebrity. To play as a strategist consigned him to sitting still, committing himself to gambits he could never entirely trust, to moves that demanded a clear head. To play too whimsically would doom him to inferiority. Thus, he gave half his heart to diligence, and half to sheer fortune. Nobody could idolise his kind of folly, nor devalue his kind of skill. This was Jōnouchi’s will—to eschew having to wait in the mire of expectation; to escape the fog of obligation to anyone’s morals but his own. Honour suited him, so long as it was on his meticulous terms. In games of Duel Monsters, he became a knight-errant of sorts: predictably unpredictable, unexpectedly canny, blindly faithful. With this relationship to his own fate laid out so, he could finally draw cards without fearing those next to come. And thus, hyperkinetic, he found a peace in the game. So he played and played until he forgot how long he’d been playing, and Duel Monsters became as second nature.

Asaki yume miji

ei mo suzu.

Two weeks before Jōnouchi’s graduation, Shizuka invited him to her place to dine. Their father was not to join them. Jōnouchi protested, and his desperation died in a pinprick throat. Wisteria spilled itself over the footpath. Each step threatened to plunge, vertiginous, to the ground. 

When Jōnouchi saw his mother, his throat turned to sandpaper. She looked so old.

You cried so much as a baby, she told him. Kicked and screamed to see the world. You weren’t comfortable waiting in your crib—I’d end up coming to you at 4AM, walking you around the perimeter of the house till my heels burned. And you seemed so afraid of all the noises of the night—groaning engines, singing birds. Now, look at you—you’ve grown up so terribly fast.

Could he afford to tell her how even now, he bit down the urge to kick and scream, to launch himself, all fists and sparks, onto his tormentors? No; so, all night, he gripped his glass as tight as he could. The cold lingered and itched on his palms for days. Holding onto things, it seemed, was not so difficult as he’d once believed.

[rilakkumax]

I wonder which country will be next・・・

Bon voyage！！

☆*:.｡. o(≧▽≦)o .｡.:*☆

Explore More Items

↓ ↓ ↓

https://buyee.jp/mercari/search?seller=385888257

[chanzilla123]

Ahhhhh, my CDs finally came home!

[variantia]

‘ Hello ! My name is FRISK. What’s yours ? ’

… Oh, they’re using JSL ! Their small hands are moving pretty rapidly, along with mouthing. Hopefully the other person understands them. If not … well, maybe their voice will cooperate today !