#the hell option but imo likely

[inkdragon1900]

Something about wether or not Paul is “keeping a piece of a dance card.” Or “Saving the last dance.” Something about how we have not begun to see the horrors of love.

[turtleblogatlast]

Man “Battle Nexus: New York” was a great episode but I do have one major gripe with it.

Like. Raph being paired up with Ghostbear? Makes sense. Works great. Works amazing, even.

Mikey being paired up with Meatsweats? Yeah that checks out!!

Donnie getting…Hypno…? I mean. I guess Donnie doesn’t like magic so it kindaaa works but Kendra would have been a much better choice to me personally. Maybe Big Mama didn’t wanna include a human or something…

And Leo getting…uh…one of the Sando Brothers???? Of all villains? Nah let’s be real, his main villain is more Big Mama herself (or Leo could be considered his own worst enemy lmao-). Hell Hypno would have probably worked better here considering their shared love for magic tricks and stuff, but Carl Sando????

[kimbapisnotsushi]

okay no see the thing that made me really, really sad about hinata and the thing that made me really, really root for him and love him and want to see him win it all was how, like, people kept DENYING him. and i'm not talking about spectators in the stands going "omg he's so short haha, can he really do anything?" i'm talking about how his own team and how everyone who knew them in some way - as much as i love them - could never really separate him from kageyama. they were the freak quick duo, karasuno's number nine and number ten. they were amazing! so brilliant, the two of them. and hinata thought it was a way out, at first. he thought it was a way over the summit. he thought it was the key to being someone better.

but a key goes both ways, you know. it can lock you up just as much as it can set you free.

and hinata had to be so, so frustrated. everyone was finding ways to move forward except him. everyone expected him to stay stuck. and you could argue that that's not entirely true, sure, that he was always training, always trying to catch up, and they encouraged that. but nobody ever expected him to be more. nobody ever expected him to go beyond what he had with kageyama - they all thought that was enough for hinata. they thought he was fine like that because it worked for the rest of them. they underestimated how much he wanted to be capable. they didn't get how much he wanted to stand on his own two feet.

and that wasn't fair to hinata! it wasn't fair that hinata, who loved to play and loved the game and loved volleyball so so much, was the only one being left behind! he wanted to change that but nobody was trying with him!!! so of course he got impatient!! of course he was reckless!!! of course he was carving his own opportunities!!! there was no way forward otherwise!!! because if we take a minute to think about how training would have gone while kageyama was at tokyo, let's be honest — it probably wouldn't have gone well. nobody else can do with hinata what kageyama could do with him. hinata would have been held back. he would have felt useless. practicing serves and receives was stuff he was already doing constantly before that, and it wasn't teaching him anything. yeah hinata was a little bit selfish and a little bit shameless but being so finally got him somewhere!!

all hinata ever wanted to do was fly, even if it meant straying from the flock to do so

[redladydeath]

I don’t believe for a second that the general population of Hell actually trusts Vox or thinks he has their best interests at heart. It’s Hell, everyone’s always trying to take advantage of one another, and Vox and the Vees aren’t exactly subtle with their cruelty. Imo, it’s probably more similar to the situation in real life: No one actually trusts Jeff Bezos or Tim Cook or whoever, but since they control all the technology we “need” in order to participate in modern society, we relinquish control of our data to them and try not to think about what they’re doing behind the scenes. Everyone knows Vox is evil because all Overlords are evil, but the average sinner has no choice but to buy in to his shit since it’s the only game in town.

[kaidanalenkosprmanager]

THE BEST OF PRIORITY: TUCHANKA (PART 2)

Featuring: Cmdr. Sophie Shepard, Lt. James Vega, EDI, Urdnot Wrex, and Dr. Mordin Solus With: Urdnot Bakara And a Special Guest Appearance by: Kalros, Mother of All Thresher Maws I MADE A MISTAKE! I made a mistake... big picture made of little pictures- too many variables. Can't hide behind statistics... can't ignore new data- my responsibility. Need to go- running out of time. Not your work, not your cure- not your decision. Had to be me- someone else might have gotten it wrong... Mass Effect 3: Legendary Edition (2021)

[locusfandomtime]

Since the ending of the season has been confirmed… and nobody new joined this season, it’s possible someone new is joining s10! So…

a serious alternative to the other poll. I think some of these have a pretty low chance of happening, but I chose options that are at least possible (i.e. the hermits know them). don’t take this too seriously, i’m just curious on what the fandom thinks is the most likely option

[light-wynd]

...so I may or may not be planning to make a Nagisa furby someday after I'm able to get my hands on a suitable candidate for it.

I threw together some quick concept sketches because i have no self control and couldn't hold off drawing any longer, so uh...

Idk when I'll be able to make this a reality since, again, I don't even have a furby that I'm willing to use for this yet. I just had an urge to start planning, lol.

[saeraas]

people misunderstanding that sukuna surviving the 200% hollow purple isn't showing that gojo is weak but that it was a check to see if sukuna is strong enough to challenge gojo. powerscalers are a disease

[monstravsfandom]

All this Toji×Sukuna fanart is just making me crave some "Sukuna is Yuji's older brother" AU where Sukuna meets his little bro's boyfriend's father and immediately goes "I'm gonna fuck that old man"

[flapdragons]

There are literally a million problems to this. Just came over from another country? Better set up a card fast. Too young to have a card? Guess you can’t go out. Your card shared and it’s details monitored by a parent or partner and don’t want them to know where you are or what your buying? Tough. Even your fucking phone dies what are you going to do. I hate you cash free places !! I hate you I hate you 😡

nawww the news is doing a story on restaurants and fast food places who have only exclusively digital methods of payment or exclusively apple pay and you have to use your phone to pay the bill or even talking about places that are card only and they're like this is the future its hands free and easy I can't wait for more places to pick up on this no cash thing !! WHAT IF YOU DON'T HAVE A PHONE ?? bitch what the fuck is a homeless person supposed to do if they only have some cash on them and go to the McDonalds for fries and they're like sorry. you have to have an apple iphone to pay for this meal. No cash allowed. Only card or apple iphone. Only tap to pay sorry get out. I'll start killing I'm serious

[hyperions-light]

hey I was planning another post today but instead let’s talk about how much I love that there’s not really a ‘good’ ending to the companion plotlines in Veilguard. It reminds me of Leliana and Alistair’s plotlines in DAO in that what you choose says more about the player/protagonist than anything

I just finished Isana Negat a second time, and I did the other ending and I thought it was just as good. Like, yeah, Harding does deserve to be angry! They did fucking get everything taken away from them! It’s so painful and horrific; yes you can, and should, be mad! But also Harding prioritizing her very real love for and compassion towards other people is not wrong. It’s just different! It’s just Rook’s friend/lover asking them for advice, and Rook giving it! You know, like in real life except with huge magical rock giants

And okay I’m never going to kill Illario because I think it would make Luca really sad and he has enough problems, Whoops I misremembered this, I don’t think you can kill Illario actually. I love that for Luca <3 But yk, I’m probably still not going to imprison him. but I can see it! Because the cycle has to end, right? The violence and infighting of the Crows endlessly attacking each other over power is part of what allowed the Antaam to get a foothold in Antiva, because there was like a double agent or something (if I’m remembering right from Tev Nights). Some kind of ending needs to be made to this endless violence. And I suppose it depends on how retributive Rook is, which is a great question to ask of the player (one that is asked repeatedly throughout the game). It’s not like Illario didn’t do anything, you know! He probably deserves punishment. But Rook, as they always can at various points, can be merciful, can choose absolution. Wow no, I’m glad I was wrong I love it more like this.

And oh boy, I LOVED the ending of Emmrich’s quest, don’t even get me started! Like!! I thought it was going to be ‘well obviously we HAVE to save Manfred’, but how Emmrich talks about accepting his death and his sacrifice convinced me! I was like alright man, this is a real choice! I actually did make him a lich last time (made a lot of sense from a Watcher perspective, imo) and not only was the cutscene sick as hell, but the follow-up was so funny and I got some really sad Spite dialogue which fucking wrecked me. It was great— seriously, his plotline is one of my favorites in the whole game.

And Davrin’s! I’ve already expounded at length about how much I like his quest line and how it ties into the Grey Wardens, but I really think both of his options for the griffons are so workable, because you know the Grey Wardens, especially under Antione and Evka, aren’t going to hurt those little guys again! But also the scenes with Eldrin are so endearing, and Davrin’s hope for a brighter future for them is so sweet and genuine. It’s hard to pick! It’s about Rook's perspective!

Neve's I'll admit I don't vibe with as much just because of the like 'trust the authorities' angle, but i haven't tried saving Minrathous yet and I think it would be sooooo involving as a Shadow Dragon especially. Because that's what they're fighting for, right? That better Minrathous where they CAN be sure that if they send the insane cultist lady to prison she’s going to stay there? But there’s always the practical consideration of people’s lives being at stake NOW, of Neve needing her friends safe NOW. And just killing Aelia ensures she will never be an issue again. So I can see both angles for sure

And Taash ;-; oh, Taash. I haven’t posted about them that much yet because they make me very emotional and it’s hard to organize thoughts like that. But I really love their quest, and their struggle to define themselves. And look, I know people wanted the option to tell them they could be both, but like as a person who has lived a similar experience, it really feels sometimes like the world is making you choose. It can feel like you’re not enough of either thing for anyone. And there are parts of your identity that you will have to make a choice on, and I think it’s trying to speak to that. I did the Rivaini one, and it’s like… well, they’re embracing the culture of Rivain, but it’s not like anyone is ever going to look at them and NOT see a Qunari. You can’t get away from that. What you choose to do in response is a real dilemma and I think that if you engage with the text genuinely you can see what Trick was doing. Also, there is a really great dialogue from Rook that I think gives more context to the discussion; they can say that they have been many things, and it’s important to take what works from each experience and make it part of yourself. So I don’t think Taash’s plot is trying to make them throw away any of themselves, just defining priorities. (Sorry, that got long. Feelings, opinions about that one)

And I don’t think Bellara’s is obvious, either, especially with how they involve the Nadas Dirthalen in her personal plot. This is a thing that is really emotionally and culturally significant to her, but at the same time it is part of what hurt her brother and ultimately took him away from her. She’s really preoccupied with not causing harm by her actions; she spends the whole game worried about it! And even though Rook doesn’t see the dangerous elements of the repository, that doesn’t mean they’re not there. The puzzle quest you can find in Arlathan proves that other people besides Cyrian were taken in by Anaris. And also, there’s the plot thread they briefly touched on in the last game which is that the culture the Dalish have built, that they have RIGHT NOW, is not wrong. But it’s also important to remember history, even if it’s unpleasant or could be dangerous, which is another thing you can discuss with Bellara during the game. So there’s no wrong choice! It’s just about Rook and Bellara and what’s important from their perspectives.

Anyway it was super refreshing to have these kinds of choices! It reminds me of the best character choices in DAI and DAO, especially, and I’m so happy they carried those things forward and improved on them.

[pileofmush]

you don't know what i deserve .·:*¨ ¨*:·..·:*¨ ¨*:·..·:*¨ ¨*:·.

ft. okkotsu yuuta

it’s 1 a.m. on the fifteenth of February and there’s a corpse on your kitchen floor. still fresh: odorless and warm to the touch. you're on your own—just you and the dead body.

info : ̗̀➛ tags: gn!reader, neighbor au, strangers to lovers, yuuta & reader are a little strange, happy ending // cw: death, light angst, vulgar language, canon-typical violence...but pretty mild imo

thoughts : ̗̀➛ helllooo. back on my bullshit. let's call this a very belated birthday present to my beloved <3 // read this on ao3

wc : ̗̀➛ 5.1k

The human body contains a shit ton of blood. 

Which is not something you think about often, but now you are forced to confront this fact in real-time. People… have a lot of blood.

And it stains. No matter how many times you wash your hands. There are still flakes of blood wedged underneath your fingernails. Part of you thinks it'll never go away.

...And then there's Sailor Moon.

“I am the pretty guardian who fights for love and justice! I am Sailor Moon! And now, in the name of the moon, I’ll punish you!”  

Cue trumpets and flashy poses; the makings of a battle. Your comfort anime blares in the background of a morbid scene, the flickering TV casting a soft glow on a sight that will inevitably haunt your nightmares. 

Because it's 1 a.m. on the fifteenth of February and there’s a corpse on your kitchen floor. Still fresh: odorless and warm to the touch. You pace in your tiny living room, unsure of what to do, of how to proceed. The pretty Sailor Guardians won’t save you now. You’re on your own. Just you and the dead body.

How romantic.

The chill from outside has swept into your apartment thanks to that annoying fucking prick who left your window open. Honestly, people these days have no decency. The least he could’ve done was close your shutters after tumbling through your bedroom window like a deranged acrobat. Now you’re, like, moderately cold. 

“What a fucking mess,” you sigh.

Blood seeps into the earthy Persian rug that you got for half-price at a flea market a few months ago. It’s dark; puddling, like... like a knocked-over glass of chocolate milk, spilled all over the kitchen table. Or, maybe chocolate syrup would be more apt. It doesn’t matter, though. You can always get a new rug. You know, if you make it out of this situation of yours intact and not in a dingy prison cell for homicide.

Hmm. You might be sorta kinda screwed. 

The police, of course, are out of the question. No matter your side of the story, it wouldn’t hold up in trial. No, no, no. A foreigner murdering a Japanese citizen? Even if it was in self-defense, it wouldn’t matter. Forget prison—you’ll probably be hanged.

So, you could run… But you probably wouldn’t get far. Or, you could do what every naive murderer in the movie about karmic retribution does and try your darnedest to get away with it.

“Option two it is!” you quit pacing and announce to the room. Thankfully, the body doesn’t respond.

A weak knock at the door sounds off—a gunshot. Your heart stalls, your head snapping to the entrance of the apartment. Who the hell is at your door? The person at the door knocks a second time, a little bit more insistently, and you start to sweat. “Hello, is everything alright? I—I heard a scream.”

You step up to the peephole and squint. A mild-looking man shuffles his feet outside your door. It’s your next-door neighbor, bathed in the ugly yellow lighting of your apartment complex. He smiles like he knows that you can see him. 

This… isn’t ideal. You could choose to not answer him, but that probably wouldn’t work. What if he called the police? You take a breath. “Everything’s fine,” you call out.

The man’s smile freezes in place, somehow more eerie than a frown; his hands burrow deeper into his pockets. “Oh!” he says. “Are… Are you sure?”

You turn away from the peephole, a little unnerved. “Yeah, why?”

“I’m sorry, I don’t mean to intrude, but I heard a lot more than a single scream.”

A slow, dreadful feeling starts to seep into your gut. “Pardon?” 

There’s a pause. You swallow.

“These walls are thin.” 

Fuck. He knows. Oh God, he knows. 

No—that’s impossible. You were the only one to scream. Yasuhiro… He didn’t get the chance to. So this is just a concerned neighbor checking in on you. Nothing more, nothing less. You can prove it, prove that you’re okay.

You open the door a smidge so that you can peek through, then step outside and shut the door behind you. Your neighbor, what’s his name again? Okkotsu, right? Okkotsu’s brows lift at the sight of you, then relax. He’s wearing a plain white tee and a pair of grey sweats that should probably be criminal in Japan. His eyes flicker up and down your frame. You suppress a shiver.

“Just a horror movie,” you broach, offering him a polite smile. “I’m an easy fright.”

Okkotsu pulls a hand out of his pocket to awkwardly rub the back of his neck. His gentle smile has dimmed. “I’m not sure I believe you,” he says in an apologetic tone.

You both notice the tremor that runs through your body. Nosy fucking neighbors and their lack of sense when it comes to minding their own business. You stare mulishly at the floor. His shoes are simple. Black; scuffed. His left foot taps once against the floor. Whatever. You don't have to answer to him. Gathering up your resolve, you start to speak. “Listen, Okkotsu-san,” you say but are cut off quickly.

“Is that blood?” 

That makes you freeze, eyes glued to the floor. A cold set of fingers dips under your chin and gently lifts it. Your gaze meets his: two pools of an endless, starless night. It flickers to a spot beside your ear knowingly and you reach for it. 

He’s right. Blood sticks to your fingers, not yet dry. Lurking in the crevice behind your ear. You missed a spot.

“Well spotted.” It’s fruitless to lie now. You know it, he knows it. Now it’s a matter of who’ll crack first. 

“Are you… Are you injured?”

Physically? No. Psychiatrically? Well, you just murdered a man, so.

“I’m unharmed.” 

Okkotsu blinks owlishly. “Is that so?” He murmurs curiously, tilting your head to the side to observe the blood staining your skin. 

You readjust your head and mimic him, blinking slowly. “Okkotsu—”

“Yuuta,” he interrupts. 

You blink again. For such a mild, polite-seeming boy, he really is quite rude. And confusing. And terrifying. And you kinda sort of want him to die. “Okkotsu-san” you repeat. “I think it’s best if you leave.”

Okkotsu Yuuta’s smile returns, and it’s dangerously innocuous. He breathes your name out like a question. Starless eyes wander to your front door, then go back to studying your own. “Can I come inside?” he asks, quietly. 

Everything stills, even your heart. You’re not quite certain you’re alive, when you ask, dubiously, “The apartment?” 

Okkotsu just smiles.

You let Okkotsu come inside.

Which is absolutely fucking insane, but you have a feeling that your neighbor’s worse off than you are, and that’s truly saying something. 

You hear him lock the door behind you before you start. Silently, you lead him past your living room, past Tsukino Usagi flying down the sidewalk on the way to school—the start of another episode, then—past your browning house plant hanging from the ceiling, into your quaint kitchen. 

It’s nothing special. A small green stove with two bunsen burners on top. A sink; limited counter space. A couple of peeling cabinets. Tied in together with a white backsplash, shifting colors with each flicker of the TV. To the side, a small table sits, with two mismatched chairs tucked into it. 

Oh, and there’s the dead body, too. Practically dribbling blood, painting your discounted rug muddy red and the surrounding blue tile purple. 

Okkotsu lets out a soft sigh. “What a mess.”

You consider him from the corner of your eye. “That’s what I said,” you frown.

He shrugs, still looking at poor, dead, Yasuhiro. “Well, it’s true, isn’t it?” 

Yeaaaah. It’s true.  

A giggle escapes you, the reality of the situation finally hitting you. “Fuck,” you whisper in between the giggles. “I’m fucked.” It’s true. Utterly and thoroughly—no condom used. 

“Not yet,” you barely hear him say over the fracturing of your composure. This is impossible. You killed a man tonight, then showed a stranger the corpse. You’re an idiot. You’re a freak. You can’t hide a dead body. You really might as well bend over and get it over with. Fuck.

Hands gripping your knees, you struggle to catch your breath. When did you lose it? Ah, who cares? Dead. You’re dead. The noose is looped around your hollowed throat, tightening by the second. Perhaps there’ll be two corpses on your kitchen floor by the time the sun is up. Perhaps you should’ve just let him kill—

“Breathe with me,” Okkotsu mutters, right in front of you, long hands gingerly clutching your shoulders. Which is strange. You had no idea he got so close. His thumbs swipe up and down, around and around, and you are flummoxed. But Okkotsu is patient, his chest compressing and expanding with each measured breath, and you are compelled to follow him. Slowly, you come down from your panicked high. You let out a shaky breath, eyes sliding back to the imposing guest in your apartment. The other imposing guest in your apartment.

The body in front of you lays eerily still, impervious to your mini breakdown. It’s not purple, or rotting, or excreting out the last remaining fluids left in its underwhelming husk. It’s just—laying there. Laying, not lying, because it is no longer a breathing thing that rests; now an object to be placed. Dehumanized, in every way. Then again, what is dehumanization if not just another word for murder? What is murder, if not just the taking away of a person’s autonomy? Dead bodies can’t rest. It will never lie again. 

The dead body lays.

And you wonder for how much longer you’ll keep your own autonomy.

When do the dead start to attract flies? Realistically, you know it can range from a day to a few days for a decomposing body to become…obscene, depending on the environmental conditions. It hasn’t even been a few hours. You doubt flies will start buzzing around any time soon. If you move to crouch down and touch it, it’ll probably still be warm.  

The swipe of a thumb over your shoulder brings your awareness back to your neighbor. 

“Why are you helping me?” You ask, wiping the tears that have beaded up in the corners of your eyes. Your breathing is steadier now, but you’re still trembling. That damn window is still open. 

The hands on your shoulders release, and you look up to gauge his thoughts. He’s frowning. His eyes cloud, then sharpen: lightning against a black sky. “You need to get rid of the body, don’t you?” It’s a rhetorical question, but you nod anyway. 

“Then we’ll figure it out. Don’t worry. I bet we’ll be done before dawn.”

He makes to walk away but you stay rooted to your spot, trying to figure out why this strange, strange neighbor of yours who makes friends with stray cats and tends to the apartment garden is willing to become an accomplice of murder for you. 

“Okkotsu, are… Are you in love with me or something?” 

Your neighbor stops, then snorts, and it sends a shiver down your spine. He turns back to face you. A soft pout lies on his lips as he skillfully evades your question with a request of his own. “Hey, if you’re gonna ask me something like that, why don’t you use my name next time?”  

You don’t ask again.

You have far bigger problems than interrogating Okkotsu Yuuta, so you push it aside and stalk toward the body. Okkotsu joins you, and the two of you peer at the deceased man before you. It’s… Still. The blood has stopped its puddling; a thin line stretches the column of its throat. His throat was slit neatly, gracefully, like an act of love. It wasn’t one, but, maybe you gave Yasuhiro what he wanted, in a terrible, twisted way. How magnanimous of you. 

Yasuhiro wasn’t an attractive man. Limp brown hair framing a slightly uglier-than-average face. At least he had the decency to close his eyes before his last, dying breath. They were blood-shot and wiry, the last time you saw them open. Bouncing haphazardly in its sockets like they couldn’t discern which corner of the room you stood in.  

Okkotsu perks up at the sound of your harrumph. “What?” he questions you, and you slide your eyes over to him. Okkotsu Yuuta is distinctly pale, a trait that you’ve always noticed and have always sort of admired on him. It suits the subdued, yet haunted look he’s got going on. Black lashes feather the whites of his eyes, as well as the endless void of his irises. Yeah, he’s almost doll-like, in that gentle, haunting way of his. 

“You’re creepier than the corpse,” you tell him instead and turn away, just barely hiding your smile. The laugh that rings out from him sounds like nails grating on a chalkboard. 

Just kidding. It actually sounds kind of sweet.

Okkotsu follows you to the bathroom, where you’ve grabbed pretty much all of your cleaning supplies. You stuff them in a bucket and he hauls it out of your arms, the two of you shuffling back to the kitchen. 

“So how should we go about this?” You muse, staring at the body. The movies you’ve seen are the only reference you have for the disposal of dead bodies, but those usually end with the killer getting caught, so you’re not so sure about mimicking their methods. 

“I’m not sure,” Okkotsu says, tilting his head in thought. “Severing his limbs without the proper tools would be difficult. I guess we could carry him and bury him somewhere unassuming—unless you have a car that we could use?” A quick glance at you confirms that you don’t. He rubs his chin, nodding to himself. “Right. A garden cart will do, then. We should check to see if he has any identifiers on him, first, though. Oh, and we can’t forget about the teeth. Do you have any pliers?” He turns to you casually, eyes widening at the sight of your awe. 

Thin black brows furrow in confusion. “What?” He asks.

You blink. “Have you…ever…?” Your voice dies in your throat.

Thankfully, he gets it. “Oh. No! No, I’ve never murdered a person,” he denies, dipping his head and tugging the neckline of his plain white tee. A curious look crosses his face. “But I could,” he tacks on cautiously.

You hug your arms and give a half-assed shrug. You can almost feel the weight of a kitchen knife in your dominant hand; the quick, fluid motion of ending a life. 

“Anyone could,” you acquiesce, dismissing the conversation. Okkotsu hums mournfully in return. 

According to his ID, Yasuhiro Souta is a twenty-seven-year-old male who lives in Chiba. What he was doing tumbling through your window in the middle of the night is anyone’s guess. Well, he did tell you, sort of shakily before he made to lunge at you, that you were supposedly his Valentine for the night. How sweet!

Snip. You met him for the first time a little over two months ago. He dropped his wallet on the train, so you picked it up and handed it to him in a silly attempt to be a decent person. It resulted in the man refusing to let go of your hand for a solid five minutes. Yes, yes, what an adorable meet-cute! Snip. When you managed to pry your clammy hands out of his vice-like grip, it was your stop, and, oh, how fortuitous, it was Yasuhiro’s as well! He followed you off the train into a random coffee shop, and it was only when you got the help of the employees that he backed off, the doorbell chiming as the glass door swung behind his back. Snip.

You thought that was the end of it, and proceeded about your day, running errands for a few hours until you retreated home. It shook you up for a little, yes, but it was nothing too crazy. You doubted you’d ever see him again. 

Snip.

You slice Yasuhiro’s ID with your scissors until it’s a pile of ashes. 

Okkotsu’s on his knees, holding a pair of pliers to the light. Wedged between the metal lies a crooked tooth. He hums to himself, plopping the tooth in a ziplock bag. He wears a pair of green garden gloves he grabbed from his apartment; you’re wearing a matching set. The rubber’s a little too big for you, but you’re making it work.

It's as Okkotsu calmly adjusts the head in his lap, preparing to yank another tooth that you stare at your strange partner, wondering how in the hell you got yourself into this situation. It’s been happening every so often: your acceptance of reality swinging in the opposite direction like the pendulum on a grandfather clock. 

You shouldn’t have killed him.

You don’t care for Yasuhiro Souta’s life. You don’t care for the man who intended to assault you. But there’s not a chance in hell that this won’t get traced back to you. 

You're fucked.

Why did it have to be like this? Why do bad things happen to good people?

That’s the way the cookie crumbles, darling.

And you crumble—crumbled—are crumbling when you turn to your neighbor. “Okkotsu-san,” you say, picking at your dirty nails.

“Yuuta,” the man insists. What a freak. He's a freak, and he's good, and you don't deserve it.

You take a deep breath, mulling over your doomed fate. It doesn’t have to be his, too. “You should get out of here. While you still can.”

There's an awkward pause. The strange man pulls out another tooth and plops it in the baggy. “There,” he says warmly, then draws to his full height. “Do you have a coffee maker?” You ball your fists around the plastic handle in your hands. Calm, calm, stay calm. “Did you hear what I just said?” You ask. 

“Oh, I did,” Okkotsu hums. “I chose to ignore it.”

Your hands begin to shake as you repeat his words. “Ch—Chose to—” 

Okkotsu says your name pityingly. “I thought we already had this conversation," he questions with pinched brows. “Why are we—”

“We?!” You interrupt, incensed. We. It's as if the curtains have been drawn open, allowing the rays of the illuminating, scorching sun to trickle through. It blinds you, and you have the urge to pull your eyes out and shove them down his throat. “You thought we? Who are you? You don’t know a damn thing about me!”

“I think I know a few things about you,” Okkotsu smiles sweetly, gesturing to the dead body in your apartment.

“Do you, now?” You laugh and toss your hands up to the ceiling. “Great! I have an idea!" You glare, the metal edge of your scissors catching the light. "If you know what I’m capable of, then you should get the hell out." 

A pause. You pant, more worked up than have been all night and it's fucking ridiculous and you hate it. You want to choke—you want him to choke. On your blood-soaked fingers, preferably. He'd probably lick them clean. 

Unaware of your depraved thoughts, Okkotsu’s lips pull into a frown. He sighs, running a ghostly hand through his hair.

“I’m not scared of you,” he tells you, quietly.

You hold your breath. “Maybe you should be.”

Your insufferable neighbor takes a step forward, that stupid frown still on his stupid doll face. “What’s your plan?” He prompts. “Do you intend to confess? To go to prison?” You shake your head slowly and he softens. “You don’t deserve that,” he says, like he really means it.

Why did you let this man into your house? Why is he offering you hope? It’s too much. The scissors slide out of all your fingers save for one; your limbs sag with a weariness that’s settled deep in your bones. 

“You don’t know what I deserve.”

Okkotsu stops and considers you. Your chest heaves, your heart pounds, and you want out. You want out, and he can get out, and you don’t know… You don’t know why…

“If you want me to judge you, I won’t,” says Okkotsu. 

You shake your head at his dismissal, your eyes squeezed shut. “I can’t judge you,” he continues, and there goes his cold, calloused hand again, gingerly tilting your chin upwards. The pair of scissors in your clutches drops fruitlessly to the floor. When you look up, there’s something like pleading in his endless, starless eyes. “Trust me,” he begs. 

You shouldn’t. You know it with every fiber of your being that you should not trust Okkotsu Yuuta. The man who blinks like an owl and stares at you like you’re a mouse he can’t wait to swallow whole. Who blushes pink whenever you hold the elevator door for him. Who has cold fingers that cradle you so gingerly—who touches you like he knows you—who doesn’t cringe at the sight of dead bodies but gives a damn about a bit of blood staining the outside of your ear. 

You shouldn’t. Trust him. But you—you feel as if he’s reached inside your chest and plucked out your pulsing, blackened heart. 

“Do you love me?” You ask Okkotsu Yuuta again, heart throbbing in his hand.

His eyes don’t stray from yours. “Ask me again with my name,” he says quietly. 

…You don’t know if you want to. 

Releasing a breath, you push past him, snatch the ziplock bag from the floor, and stride towards the stove. “I’ll make coffee,” you say, already fiddling with the grinder.

Okkotsu lets you depart with a sigh.

“So what do you like to do when you’re not helping random people bury bodies?” You ask Okkotsu a couple of hours later. You stumble over a root in the dark, and Okkotsu’s quick to grab you by the waist and steady you. You continue, a bag full of your keys, water, pepper spray, freshly-bleached gloves, a burner phone that Okkotsu already had, for some reason, and two sets of clean clothes swinging against your back. You fidget with the shovel in your hands mindlessly, trying to get it to spin. A garden cart with a tarp draped over it creaks along the grass floor. The two of you have walked for who knows how long, but, according to him, you’re getting close. 

The man beside you hums, surprisingly chipper for the nefarious activities afoot. “When I’m not busy, I like to garden and crochet. I also like making food for my friends from time to time,” he says in a simple, humble manner. The last part doesn’t surprise you. He’s brought you helpings of food on the most random occasions, showing up at your doorstep with self-proclaimed “leftovers” and shoving full plates into your arms with a velvety smile. That does beg the question, though…

“Have you considered us friends this whole time?” You squint at him in the dark, only the moonlight carving out the contours of his subtle, delicate features. You’re kind of surprised. You two made decent neighbors but only ever talked in short bursts outside your rooms. Your conversations rarely ever broke past polite mumblings about the weather.  

Okkotsu pouts. “You mean, we’re not friends yet?” He asks, before breaking into a twinkling laugh. 

“Shut up,” you bite, but you laugh too, lightly shoving at his arm. Okkotsu, bless him, pretends to stumble. It takes you a moment to suppress the heat burning the tips of your ears, but you do get it under control, eventually. “I meant… Before?”

His expression smoothens out before he gives a soft shake of his head. “No, not quite. But, I wanted us to be."  

It’s quiet for a moment, nothing but the rustling under your feet and the ever-present, cacophonous sounds of nature. You spot a nest of sleeping birds tucked in between the branches of a tree and smile.

“Well,” you try to keep your cool, eyes sweeping over the forest's shadows, “Better late than never.”

It strikes you halfway to the burial grounds that Yasuhiro didn’t bring his phone with him to your apartment in his depraved, intoxicated state. He crawled up a tree, through your cracked-open bedroom window—conveniently avoiding cameras. So, once you’re done with this, you very may well be free.

It’s a terrifying notion, freedom.

“What about you?” Okkotsu asks you, something like ten minutes later. “What do you like to do for fun? Besides watch Sailor Moon, I mean.”

You bite your lip to keep from grinning. “Well,” you wonder aloud. “This is pretty fun, wouldn’t you say?” 

Okkotsu lets out a little breath before he softly admits his agreement. 

It rained earlier today, you forgot. The ground crumbles like clay when you swing the shovel into the ground. You and Okkotsu take turns making a grave, taking water breaks in between. There is hope alive in you, you realize, as the two of you work in tandem.

Yasuhiro Souta is lowered into the ground with all the dignity a dead man could possess. He lays atop a tarp and your old Persian rug. A stream rushes somewhere nearby, bubbling like blood, and you pray that the body will make good fertilizer. When your hand shakes, Yuuta grabs it. 

You bury your clothes on the way back, a mile out. The sun peaks over the horizon.

When you return to your room with Yuuta in tow, your emotions overwhelm you: you are terrified and gleeful and sorry for all you’ve done. 

It is mournfully quiet as you mop the purple tiles blue, bleach burning your nostrils and freshly scrubbed gloves. Yuuta’s left to clean the garden cart in the gardens. He returns shortly, though, offers you a small smile, and helps you scrub every inch of your apartment. 

You scrub, and scrub. 

And scrub.

“You’re beautiful,” Yuuta says to you when you’re in the middle of wiping your brow. You’re sitting cross-legged on your rugless kitchen floor, where a dead body once lay. Sweat clings to your skin in uncomfortable places and you reek of bleach. “Shut the fuck up and scrub, Yuuta,” you command. 

Yuuta’s serene smile is unparalleled to anything you’ve ever seen before.

You could probably fall in love with him, you contemplate as you watch your neighbor make fluffy pancakes in the comforts of his own kitchen. If you haven’t fallen in love with him, already, that is. You doubt you’ll ever have a connection with someone as profound as the bond you share with the soft-spoken man who helped you bury a dead body. 

Love, you marvel, in the span of a few hours.

It’s disquieting. 

After multiple showers, and after Yuuta’s stuffed you with more pancakes than you can chew, the pair of you are lounging on his tatami mat, a much-needed change in scenery. You have like, three hours before you need to go to work, which, Yuuta agrees, is crucial to maintaining a veneer of normalcy. Which means this impromptu nightmare date will have to come to an end—as all good things do.

“I should probably get to bed,” you say after a lull in conversation.

Yuuta nods, reasonably. “That makes sense, yeah.” 

“Got work in the morning and all that,” you continue in a nonchalant tone.

“Make sure your window’s locked.”

Fine. “Walk me out, will you?” You request. Okkotsu Yuuta, ever the gentleman, agrees, even though the front door is only a handful of feet away. He pushes himself off his knees and stands at full height, though his starless eyes are, as always, trained on you. You would probably find Yuuta’s full attention a little unsettling if you had not just slit a man’s throat that night. 

You avoid his gaze all the same—stopping at his doorstep with your hands twisting at your sides. Yuuta stops beside you and waits patiently for you to string your words together. 

You clear your throat. “Hey, um—”

“Hi,” Yuuta interrupts, and you smile, filled with the courage to go on. 

“So, the thing is… Well, I probably wouldn’t have made it anywhere far without you. I acted quite amateur back there, you’d think this was my first dead body I was trying to hide, or something, ha. Um, so yeah, thank you—from the most sincere and vulnerable depths of my heart. I guess I’ll see you around? Okay, bye.”

A hand wraps around your wrist before you can run home with your tail tucked between your legs. Yuuta murmurs your name in a soft, dulcet tone, and you’re not certain you’re prepared to hear whatever he has to say. You turn to face him anyway, because, well, you owe him that much.

“Yes?” 

“Don’t you have something to ask me?” He chides.

The pit in your stomach swoops. “Not that I recall,” you lie with a straight face.

“Try again,” Yuuta smiles sweetly, like a haunted little doll.

“It’s been a long day, you know—” 

“Cold, I’m afraid.”

“My brain isn’t functioning at its peak—” 

“Hmm, getting colder!”

“I don’t think I can.”

A pause. You avert your gaze and allow yourself to get analyzed by Yuuta’s doleful, starless eyes. “Hey,” he calls your name, asks you to look at him. 

You look at him.  

“Good," he hums.

You roll your eyes, loop an arm around his long neck, and drag him to you. 

Okkotsu Yuuta tastes like the earth. From dust to dust, you are at the end and beginning when you capture his lips between yours. He responds quickly, hands digging firmly into your waist as he knocks you into his door frame, and you quickly learn what it means to be savored. You intended the kiss to be a quick, rash, thing, but he slows you down, melds into you languidly like you have all the time in the world. When he sucks on your bottom lip, you both moan, breaking apart for air. Yuuta slips his hands underneath your shirt, and for once, his cold hands burn, lighting the fire for something you’re not certain you’ll be able to finish. 

“Go ahead and ask me already, love,” Yuuta murmurs into your ear. And, well, fuck. You melt. “Yuuta,” you whisper as he nips at your neck. “You love me, yes?” 

At that, he bites down at the hollow of your neck. You gasp, then sigh when he instantly cools the wound with his tongue. “Obviously,” he replies, quite simply, thumb swiping delicately at your stomach. 

“Great,” you gasp, and Yuuta looks at you and beams. 

And, there goes your heart again, pulsing in his cold, calloused hands. Cradle it gently, Yuuta, won’t you?

fin. if u made it this far, ily

[twost3ps]

Since ya doing au and made Emily Michael and Adam's daughter what about an au where Charlie is Lucifer and Adam's daughter just curious how that would come out of your artistic mind. Love ur art is PEAK bro

AWWW thank you so much!!!! AUSGEHYSGEUSGSUWBSBS

But totes I’ve had thought of this b4. Thank you for giving this prompt so I had an excuse to draw and write it out!!!

An au where Adam and Lucifer are Charlie’s dad… umm well there are a couple of ways this could go….

But the first that comes to mind is the one where Adam falls with Lucifer and they have Charlie. Idk if either Lucifer seahorses it and has the baby or if Adam is the one that carries. Idk first man sure, but yk maybe god was like: hey idk what genitals to slap on this guy so let’s do both and gave him both. When Lilith’s gender was determined, it was a flip of a coin. Adam could have just been the mother if it landed on the other side lol. Or maybe if he falls, god strips him of his title as a man, like Lilith, and swaps his genitals. So basically intersex Adam.

Either way, silly girl Charlie, here ya go! (I don't draw her enough)

Even as Adam's kid, I don't actually think Charlie changes all that much. Personality wise, at least. She is very much like her dad lucifur- a silly lovable dreamer- but some of Adam still leaks through, obviously. She's definitely a mommy's girl, and in this case, I'd like to think Adam is the mom figure. So instead of taking liliths more regal and more elegant choices of fashion and way of goinh, she takes on more of a punk and grunge look with a mix of her original style and a bit more agression.

For her looks I think she'd have dirty blonde hair and it would be short (it's my preference, lol), and her clothes are a bit more... punk? She dresses much more losely imo , def because of Adam. She keeps her horns out for the fun of it and her emo face still kinda stays with her, especially after Adam praising her for her look when she was in that phase. She does some sick eyeliner and eyshadow. She HAS to play an instrument so she knows the bass and strangly enough the keytar. I also think she's a bit chubbier because she maybe shared her dad's appetite idk.

But overall, she is still a sweet girl with a dream to help sinners. She's just way more assertive and quick tempered.

I won't lie, I got inspired by one of my friends' relationships with her dad and both lovingly insult each other to death. They talk about how much they "hate" eachother, but everyone clearly understands that both would die for one another for sure, especially Adam.

He may say something like. "Oh Charlie? Yeah if it were up to me I'd sell her for a new guitar" right infront of her but she's laughing so hard as Adam holds her close in a side hug because she knows he's joking.

Idk how to explain it but ifkyk, they lovingly talk bad about eachother but somehow it makes you understand that they really do love eachother as parent and child.

As for Adam and Lucifurs relationship, I genuinely dunno. I kinda want them to be a bit strained because even after the fall, Adam is still loyal to heaven. He's not lilith, who wants freedom - Adam likes security, and even if rule under heaven is restrictive, atleast hes safe. Charlie, to Adam, is one of the only good things that ever came out of the fall, and he would fall again and again just so she could be his. Like Lilith, Charlie is mainly parented by Adam, but it's because Charlie was the only shining light Adam had down in hell. Overtime Adam and Lucifur possibly heal and truly get together, but when Charlie was really young, they were not an item at all.

Then there are other options of Charlie being Lucifur and Adam's baby-

Charlie is born under an angel Adam and fallen lucifur and Adam decides to take Charlie and raise her in heaven

Adam is in no way related to Charlie, but one way or meets her and kinda just adopts her. Lucifur doesn't know why but Adam stakes claim ig

There are more potential ones but I'm not really a writer or an idea maker lol. IM NOT THAT CREATINVE SJVDEHBSBS But I think that this is just a great concept lolol a bit harder to work with than the secret royal family stuff but still fun to think about overall

I might come back to this one day o3o

[one-half-guy]

"The Silver we know would never consider killing someone"

My favorite thing about being a Sonic Friend is getting to explain to people how there are actually two Silvers

[yurislilygarden]

ʚїɞ Self Aware! Hazbin Hotel

ʚїɞ Their reaction after becoming self-aware and first thoughts about reader!

ʚїɞ Charlie Morningstar and Vaggie / Part 3!

ʚїɞ Keep in mind English is not my first language, so you may find mistakes!

ʚїɞ Word count: just below 1.2k

ʚїɞ Part 1! (Lucifer and Alastor) Part 2 (Angel Dust and Husk)

ʚїɞ Not me casually posting like it hasn't been months since the 2nd part... ANYWAY... This took WAY too long but it's here!!!! This is shorter than I wanted, but I already knew it would be short as I don't grasp these two too well imo, so I didn't have too much to say here. Probably will rewrite it one day if I ever decide I got better with their characters as I would love for this to be longer <3

Very few characters would notice something wrong on the first watch of the show, but wouldn't realize, nor become self-aware until the 2nd or further watch.

While everyone's reaction would be different with different amounts of stages before total acceptance of the situation, they all would share the first emotion, simple disbelief. They would first need to even process the fact that they're not real, that they were created solely for the purpose of entertaining… something? Someone? In a completely different Universe. That everything that they thought had happened to them before they died didn't actually happen, they were never alive in the first place. Only after that did the emotions and reactions differ. The very first emotion or actual personal reaction would be:

Charlie

Fright, confusion, frustration

Charlie didn't know what to think at first. On one side, she, and everyone else, are 2D characters on a show for fucks sake, but on the other side, you didn't do anything to them. She would be the only one (in hell) to not be outright negative about you, she started out at the neutral zone.

Whether the others were already aware or not, they could notice a change in her behavior for a few days after the situation hits her. To think that the 200+ years that she thought that she was alive was actually a lie, fake, would be a hard fact to swallow. Her being rightfully confused about the situation, many questions filled her head and she had no answers. Like father, like daughter, if you will.

What exactly do you want from them? Can you do something else besides watching them? Do you want to do something more? Would you talk to them directly if you could? Do you-

Yeah, she's like her father in that aspect.

She was curious on just how much would change if they weren't in a show, no, if they had a choice in anything, since they wouldn't exist without the show. The thought may give her nightmares. Could her relationship with her dad be better than what it is? Could she do more for hell? Would her mother still be here and not missing? 

Some frustration could come in early on, as she was already stressed about the hotel, but also trying to keep everyone from being negative about you. While they didn't know much, you didn't show any malicious intent, which in her books was enough to not outright dislike you. She would be pretty close to the negative zone in the first few days, but it would quickly turn to neutral upon knowing she wasn't the only one to know, and being told what little they knew.

She didn't even look for the signs of everything around them being just wrong, she didn't need to. She would just sit there and realize how quiet everything was outside, how many memories that she previously thought she had, seemed to be actually lacking in existence.

As for whether she would be disappointed in herself for not noticing earlier or not, I see two options.

One, she wouldn't be necessarily really disappointed in herself for not noticing, at least not as much as some of the others upon finding out and processing the fact that there were people who noticed before her, but also that there were people who didn't realize after her.

Then there's the second option where I can imagine her being immensely disappointed in herself for not noticing much, much sooner. She’s the princess of hell, she should’ve noticed it! She would be overthinking that if something happened before she became self-aware, she wouldn't have been able to help in any way. She wouldn't be aware of it.

She may have not been the first to notice your presence, but she wasn't the last, which gave her a little bit of comfort either way.

She would be in the “can only watch” team with not much hesitation about it, and in the neutral zone from pretty much the start.

Vaggie

Anger, frustration and hatred

One of the few who would hate you the moment they processed everything. At first, her thoughts weren't the most rational, going off of negative feelings in panic and in general, but what she thought about you didn't change much even after she calmed down. She despised the thought of her, them all, being some bullshit made-up characters for someone to enjoy. She started out in the negative zone with no hesitation. She really tried not to think about the fact that she, none of them, were ever truly alive, that her whole life, existence, was fake to her very core.

After she became self-aware, she tried to find signs she missed before and it pained her when she realized how obvious everything was. She couldn't remember most of the things besides what was showed on the screen for you, the outside of the hotel wasn't filled with screaming 24/7 a day like she thought it was, there wasn't even anyone outside when she looked outside. It was painfully obvious and yet she, none of them, realized it fast enough for her liking.

She would be pissed and assume you like seeing them suffer, because why would you just watch as another character got rid of her eye? Why would you just watch bad things happen and do nothing? It’s frustrating as hell to her that she can’t do shit to you/your form and the only thing she can really do is sit back, observe, and watch as things happen, unable to do anything… ironic, isn’t it?

Unlike Charlie, she would for sure be heavily frustrated and disappointed in herself for not noticing anything earlier, the fact that she wasn't in the first 3 to notice after being told everything didn't help her inner thoughts, especially with how protective she can be.

If she became self-aware before Charlie, she would be unexplainably more protective of her (and others but she would try to not make it as obvious), until her girlfriend became self-aware herself and understood the reason (Charlie would still think its a little bit too much since she would think you were completely harmless to them). She would act in a similar fashion to finding out before Charlie if she were the latter to find out, but her actions wouldn't be as concealed due to the reasons already being known.

Would make her hatred clear whenever they were on the topic of you, or when your butterfly form was around them. Vaggie would throw you a glare the moment she knows you couldn't see her without hesitation. Tried to stab you through your small body or wing with her spear to see if she could (do some damage back) hurt you, only to be disappointed when it just phased right through you.

Vaggie would be on the “only watches but can do more” team, and start out heavily in the negative zone, before, Charlie would get her to the neutral zone with some time.

Notes, comments, and reblogs are greatly appreciated

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@laundrybear413 @leathesimp

[decepti-thots]

this is still such a bit of character and worldbuilding of all time to me. never becomes relevant again but SO good as a bit of character flavour. prowl comes from somewhere disparaging of him but refuses to rebel against it; isn't quite willing to agree with the underlying principles but still acts a little offended about chromedome speaking out. it's not actually the unquestioned norm at this point because chromedome brings it up without thinking. the whole discussion ultimately leans on the idea that your alt mode can be Better or Worse regardless of this. then later:

prowl asks if chromedome, who he respects, might go in for reclassification. not himself. if he tried, he apparently didn't succeed; or else he didn't try. both options suggest something really interesting. also, implicitly they are dating at this point given what we see later, which adds a whole additional level of subtext. 'sounds like hell' to 'oh, i don't know' is kind of the most interesting thing that mtmte did with its underdeveloped attempt at this idea of transplanting real life experiences to the cold construct metaphor imo, that sense of fitting in under duress. the subtext of chromedome not quite getting it is interesting with the assumption they are involved at this point. turns them around like a rubiks cube.