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dlstmxkakwldrlarchive · 2 years ago

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Genie Music K-pop Exploration Team's listening session — O (Circle) PICK by Kim Yoon-ha, Kim Young-dae part i

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YOUNG: Who is it today?

YOON: Today, like Woojin, I brought the work of an artist who released a solo album. However, this artist has already released solo works

YOUNG: He did

YOON: He's the main vocal of a group we're really familiar with

YOUNG: Yes

YOON: Who is it?

YOUNG: ONEW. LEE JIN/KI LEE JIN/KI. Our Jinki.

YOON: We prepared ONEW's new album Circle. This is his first full lenght album in..?

YOUNG: He debuted in 2007 or 2008?

YOON: 2008

YOUNG: Then it's his first after 15 years?

YOON: In the meantime, he released two mini albums, the solo debut was a bit late. After releasing his first mini album in 2018, he only released a japanese album, another EP and now his first album.

YOUNG: As the main vocalist of one of the greatest groups in K-POP history there weren't many releases so it's pretty meaningful that it's first album in 15 years

[...]

YOUNG: A little curiosity. What is the difference from a mini album and a full lenght album?

YOON: I think it depends on the times, based on 2023 KPOP standards, 'mini' showcases chapters organized like 'this is me' and 'this is me'

YOUNG: That's right, a mini is a sampler menu in a restaurant: this restaraunt is good at this and that. If it's like this a regular [album] is a full course

YOON: Yeah, it's eating the main dish [...] Basically the ingredients are the same but it's inevitable that the point is what flavor and what kind of eye candy you show them. Onew released two mini albums called VOICE and DICE: VOICE is a calm album filled with ballad-like songs while DICE is very refreshing, it's onew's colorful side. What album would you think is the real ONEW? With that feeling, I think this album, 'Circle' , is an answer and a question.

[...]

YOUNG: Let's go with the general evaluation

YOON: How was it?

YOUNG: For me, this recent talk about SME incident. Hybe and Kakao...There are things like that, right? If you like SME music or your favorite artist is under their agency, what we're curious about is how SME music will change after lsm, will it change? Critics are flaggergasted about this, right? Opinions are divided, it'll be similiar, it'll change... I don't own this CD and I haven't seen it in person but lsm isn't in charge

YOON: Oh

YOUNG: So in a way this is the first album without LSM..? Kind of like that, I don't know exactly. [...] is this the grand post lsm era?

[note: lsm place as executive producer for this album was taken by onew himself he revealed it in hot tracks circle fansign event x]

YOON: I didn't feel much of change, compared to the existing sm sound [...] commenters are saying 'uh but it changed a bit'

YOUNG: We'll know when the number of cases increases!

YOON: I thought it was an album where I focused on the voice of the singer

YOUNG: Yes

YOON: While listening to it, we also check things like 'oh, this music is this kind of genre' and 'this kind of songwriter in this is essential' but the more i listen to this album, the more i think 'oh, this person wanted to express his voice like this' or 'this person can sing with this voice'. I think the most important part of this album is the fun of finding things like that

YOUNG: It's one of the two [things to find]. 'Which song penetraded through this voice and showed its presence' or 'or, did you really use it in that direction by collecting only the songs that are really optimized for this voice?' But i think it's both

[...] Of course, his voice is unique. to be honest, Onew's voice

YOON: If you hear the first note, you'll know that it's SHINee's Onew

YOUNG: Right. that's a very gentle voice

YOON: The more I listen to it, the more I think it's the result of Onew's obsession with his voice

O (Circle) PICK - O (Circle), Cough, Rain On Me, Caramel & Anywhere

YOON: In that sense, the song that really obsessed me was the first song, O (Circle)

YOUNG: To add a bit of exeggeration, the image of this album, should I say it's a sound effect? Should I call it tone? I think 70-80% of the colors that I feel when i think of the album are decided here

YOON: I think so too. As soon as I listened to this song, I got to listen the whole album

about O (Circle)

[...] YOON: You mentioned the first part and I think that the most of it was very anomalous and completely different. As soon you hear that sound, in a science fiction movie, you know? The feeling of trascending time and space

YOUNG: Like a warp

YOON:Yes, that kind of part. That part starts with Onew's voice, as soon as I hear the sound, it's like changing time and space

YOUNG: You're coming out strong from the start, a voice that changes time and space?

YOON: I've told you that before and I think that feeling came straight to me, I thought 'Wow that's good'. But honestly it's not that easy to approach, right?

YOUNG: Some people might think 'it's not the sound I expected'

YOON: It's a song that's actually pitchy or contemplative rathar than pop

YOUNG: Yes, so I thought that the atmosphere of this song... its core is Onew's rich voice who floats on the mood and atmosphere rather than the melody or anything like that [...] There's no meeting, the lyrics are all floating around. The image itself. When time goes quickly, the seasons go like this, it's kind of like the clock goes backwards when the time goes back, Onew's voice feels like that. [...] If you think of the theme of this song, we think that time is going foward with renewal because we're crossing the calendar but there's a cyclical time structure where we can come back and find a common ground, right? I think we're moving foward while turning around? What he's [Onew] trying to say is tha we look alike and go against each other. It's exquisite that those parts are expressed in a floating sound unknown to us, like you mentioned earlier

YOON: It's very attractive, I found it very attractive. On the other hand, it's not easy to write lyrics for a song like this, it has all the sounds. I don't talk about lyrics that much but I really want to talk about it in this song. Kim Eana wrote them for this song! When the song starts, they give us words to the melody and the beat of 'nana-nana-nana-(sun cloud wind)', the words continue to throw nouns, and of course, there's a message afterwards but the words continue to contain the image of the sound we talked about, it plays a role in making it separate from the reality. So if there's a sentence, we keep thinking of the narrative but if we throw a word like this, we start to imagine it, right? The chemistry between them is really good

YOUNG: In terms of generation, Kim Eana is a lyricist who's both old and new school? These days, there's a way to make impact with your lyrics in k-pop, there's a new style but Kim Eana is not really that style, she stuck with, I think, a strange sound that we can't exactly say is a trendy k-pop song

YOON: It's not a song that can lead in terms of trend but Onew's voice is a actually a bit trendy in terms of sound. Since it's close to an alternative R&B sound, I think it's a song that creates a strange appreciation by adding lyrics that emphasizes the taste of korean words, it's a song with a high level of completion. Everytime I listen to it, I think about it. [...] It's one of my three favorite songs.

[...]

about 'Cough' and 'Rain On me'

YOON: Before we came in we talked about the album and said "1, 2 and 3 punches are the best"

YOUNG: I think the beginning [of the album] was done not until the end but it got the upper head and completed the big frame?

YOON: The songs after O (Circle) that created the atmosphere are 'Cough' and 'Rain On Me', they're slightly warm, aren't they? For me O (Circle) feels rich and dreamy but it makes me feel lonely emotionally, 'Cough' melts my heart. It's like when the snow melts in winter and it becomes spring? It's a perfect song to listen to this weather these days

YOUNG: To me, 'O (Circle)' is close to the sky. I mean, if it's more of a philosophical and contemplative thing in the world of metaphysics then 'Cough' and 'Rain On Me' feel like they're on the ground

YOON: 'Rain On Me' isn't a heavy rain either, it's a spring rain: it's like a sprout is going to come out after the rain stops. These two songs go really well with this spring vibe. 'Cough' has a moist feeling while 'Rain On me' has a rain theme but it feels a bit dry, I liked the twist

YOUNG: There are a lot of reasons for that dry feeling, the singing style... but also it's just Sam Kim's style [note: 'rain on me' composer & lyricist]. All the songs he made are like this, his style is kind of dry and the music itself has a lot of echo and there isn't much of dynamic in general. The music is stretching out? There's nothing cute about it.(YOON: Yes, it's very calm) I think 'Cough' is a bit cuter?

YOON: It's lovely to me

YOUNG: Cuter and more lovely

YOON: That's right. The strings spread in the chorus and then he goes back to his voice and guitar. It just ends dryly and I realized that's where Sam Kim and Onew meet

YOUNG: First of all, a guitar should be dongdongdongdangdongdongdang, here is just dreungdreungdreung and Onew fills in the middle with a warm voice

YOON: It feels warm but a bit rough, that charm is really amazing

about Caramel

YOUNG: I'm dancing right now because of the next song. Isn't it something that anyone can dance to? (laughs) In a way track number one, two and three are too calm. 'Cough' is cute but slow, this is the first track to raise the groove

YOON: In terms of sound 'Caramel''s role is connecting the front part [of the album], it also raises the tempo slightly. Also, Giriboy featured and took part in the work

YOUNG: "More, more, more, more into space" ['Caramel' lyrics] This is the only part where you get excited while listening to it, it goes up at that moment. 'Rain On Me' remains stuck on the ground while, I really like the expression of walking, in 'Caramel' you start walking faster

YOON: Yeah and also it's a bit witty the, how do we call it? A mouth trumpet? Lip trumpet? Louis Armstrong did a great job!! I think you can listen to 'Caramel' while walking lightly in a spring day, it's a representative pop track

YOUNG: It's cozy, but it doesn't have that cozy feeling in slow songs. I'm sure people who will listen to it will relate to it. It feels like a breeze, like a blanket? It feels like a breeze and a blanket. I really like that feeling. I really like the voice Onew uses, he's so talented. I love his song with Lee Jin-ah, 'Starry Night' is always in my top playlist

YOON: I really like that feeling. [...] If you look at the album as a whole, this kind of song was necessary as bridge, the previous three songs we discussed before penetrate the album emotions but from the heavy part to the end [of the album], it goes more to pop and k-pop route. I think this song needed to play that role. It's also good to meet Onew's skilled vocals. The lip trumpet that we mentioned earlier is a small skill but it's an advantage of this song, you can meet Onew, a skilled vocalist who sings naturally to a beat, soul and rhytm that you haven't seen in k-pop tracks

YOUNG: His pronunciation is so good. 'Sweet like caramel' It melts...

YOON: That's right, that's right! It's like it's melting into something...

YOUNG: When I first heard it, I thought it stood out? I thought it might break the album's emotional line but when I heard it for the third time, I was happy the song came out and that's the advantage of a full-lenght album. I rarely change my mind when it comes to mini. (YOON: the songs are few...). Since there's no flow. That's the fun part of a full album.

YOON: Giriboy's feature helped

about 'Anywhere'

YOUNG: SO, where are we going? Let's go somwhere else? Are we going to 'Anywhere'?

YOON: 'Anywhere'!! Yes, that's right. I choose it as one of my top two songs in the album. I like it because it feels like the middle of the album, after 'Caramel', which brought some of the rhythm, this songs explodes with a slight change of temperature. I think it's a song that makes you feel comfortable, I like this album section. If it's a full lenght album, there are a lot of songs and of course we care a lot about the songs' flow. Tracks one, two and three, as we said before, came with a dark and luxurious vibe, with Giriboy's help we came into 'Caramel' rhythmically and then in 'Anywhere'... there was a lot of emphasis on things like rough but cozy acoustic sounds in the first part but here, it naturally leads rhytm and cools down [the album's vibe]? Do you know the pop-like feeling? I like that feeling

YOUNG: Uh, sure. It has a bit of city vibe. I feel like I'm staring straight at lights at night and I gradually lose focus without even realizing it or like if you keep looking at the surroudings reflectively while driving, there's a dreaminess that you feel when you pass a line and feel nothing.

YOON: It has a bit of speed

YOUNG: With a sense of speed, the beat goes like this 'I'm not going anywhere', the sound is all around me

YOON: The notes are actually that low? [note: youngdae was singing]

YOUNG: No, it doesn't have a crescendo, it doesn't sound like it, but it feels like he's praising you. It's a city pop style, it has a good vibe

#230322 #genie music kpop exploration team #kim youngdae #kim yoonha #trans #the first album circle #onew #lee jinki #jinki #long post #circle album praise #mentioned #circle album discussion

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zponds · 3 months ago

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My Friends’ Tribute to Rachael Lillis

Hudson: Thank you, Rachael Lillis, for your job in voicing Misty Waterflower and Team Rocket Jessie.

Jason: You did a fantastic job with voicing those two, Rachael.

Perry: As well as Jigglypuff.

Torpedo: And Ursula from Dinosaur King.

Freddy: Regardless of how many voice roles you had, you did a great job voicing them all, Rachael.

Glenn: You brought joy to 90s kids with your role as Misty.

Otto: And Jessie and Jigglypuff too.

Madeleine: Your roles as those Pokémon characters will always be cherished.

Jimmy Guord: And you yourself will always be remembered and cherished.

Union: Your legacy will always be remembered.

Wasatch: Especially your legacy as the OG Misty and Jessie.

Peter Sam: We will always remember you and carry your legacy with us all.

Centennial: Rest in Peace, Rachael Lillis.

Rebecca: May you find peace in the afterlife.

Jessica: You deserved to live a healthy life full of happiness and love and joy.

Artemis: Veronica Taylor and Eric Stuart will miss you dearly, as they’ve been with you since the beginning.

Queen Roanoke: Your loss has not only left a major impact on the Pokémon community, your sister and your fellow actors, but also us locomotives.

Daylight: You didn’t deserve to pass away from breast cancer.

Zane: You were very cheerful and generous, always happy to greet those who wanted to meet you… especially in person.

Cincinnatian: We hope your sister, family and friends will be okay.

Chief: May God watch over your kind soul and be in peace.

Angeles: May we, including Veronica and Eric, one day, be reunited with you.

Rudolph: Your personality was as cheerful as your voice.

Angelo: Let us carry your memory within us forever more.

Donohue: May your soul join the purest and kindest of all.

Judith: You lived a legend and died a hero.

Stella: Until the day, Rachael Lillis, till all are one…

Red Robin: Till all are one…

Jewel: We all hope you find eternal peace up in heaven, being watched over by God. Rest in Peace…

These are the tributes that some of my friends from the 20 American railroads said for Racheal Lillis. After I told all my friends from the 20 American railroads about the passing of Rachael Lillis, they were all as devastated as I was. And they too wanted to pay their tributes to the OG Misty and Jessie.

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