#the fast is getting to me sorry

[jewishcissiekj]

there is so much of everything and it's unfair

[zorangezest]

thanks for listening

[egophiliac]

I DID IT I GOT MY PINK HAYATE now I am never doing that again!

(at least until they give me, like, a frilly unicorn Kamui or something)

[starscream-is-my-wife]

A bit ago I was looking through the g1 timeline wiki and I saw that Skyfire and Starscream now had a 5 million year old age gap and I was like oh? That makes their dynamic so much more interesting especially how innocent he was portrayed in fire in the sky, I also wanted to share my hc on why Skyfire never brought up Starscream again

[gatoburr0]

[starry-bi-sky]

i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.

He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.

And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.

And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.

Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.

Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."

There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.

It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.

Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.

At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.

"Do you like to do anything?"

Nothing. Just silence.

Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.

Danny says nothing the entire time, and is again the first to leave.

Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.

And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.

He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.

Danny is dull-eyed and blank faced the entire time; he looks miserable.

So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.

"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"

"Don't."

He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.

Bruce tilts his head, practiced puppy-like. "Pardon?"

"Don't." Danny says, strongly. "Don't make any deals with Vlad."

It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"

The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."

Bruce stares at him, thoughtful, before looking away. "Alright. I won't."

And they fall back into silence.

Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."

He's scampered away before Bruce can question him further.

(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)

At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.

Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.

("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")

(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)

(They are ecstatic to hear from him.)

It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."

The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."

The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.

When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.

Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.

"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."

When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.

Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.

[chilledstrawberrysoda]

I think one of the most heartbreaking scenes in the kings men and possibly all of all for the game is when Neil and Kevin are arguing in the locker room after the win against UT because Neil was talking shit about the Ravens and Riko. I think it's the only time before Jackson and Romero come for him after the Belmont Binghamton game that the weight of what Neil knows is going to happen to him and the heartbreak he is experiencing in slow motion comes to the surface and is outwardly visible and even then the only person that picked up on it was Andrew and it didn't help because there was nothing anyone could do.

Kevin is angry about Neil antagonizing Riko publicly because he knows there will be backlash and he is rightfully afraid but this is the first time since Kevin found out who Neil is that he realizes Neil is afraid too. He appears fearless to Kevin so Kevin assumes it's hubris that makes Neil willing to stand his ground over and over again but it's not.

Neil had accepted his fate at that point, and instead of turning tail and getting himself the hell out of there, his only motivation is that if he can't have this at least Kevin will survive it.

At least Kevin gets to live on and play exy and be the best player.

When they talk about it again after Baltimore in the cabin Kevin asks him outright "how do you do it?" He asks "why aren't you afraid?" But Neil admits he IS afraid but he thinks willfully giving up the best thing that has ever happened to him (i.e. exy, the foxes, Andrew) would be worse than death.

There's a popular quote by choreographer Martha Graham that goes like this

A dancer dies twice — once when they stop dancing, and this first death is the more painful

This sentiment is echoed by Neil in the kings men but also implied throughout the series. Giving up the things and the people he loves would be more painful than his actual death. That's why he drops his duffle and phone when he is taken as a signal to Andrew and Kevin. He needs them to know; he did not run, he did not give up, he did not leave them willingly. He accepted death to protect them but his last act before he let go of Neil Josten was to let them know in the only way he could that he would have held on forever if he were given the chance.

Neil's action throughout the books start to shift Kevin's mindset. Neil tells Kevin he stayed for him. Before Neil and Andrew's not nothing ever began, Neil stayed because he believed in Kevin and he wants so badly for Kevin to try. Because before Neil literally came back from the dead after Baltimore, the only thing he could hope was that after the dust settles Kevin would be on top. The first time Kevin gets any hint at that is in that locker room in Texas. I would love to read this scene from Kevin's perspective. As soon as he realizes how desperate Neil is, he stops fighting him. I think it might be the first time Kevin sees Neil as the scared kid he is and not just the partner that is willing to put himself in the line of fire for others.

I feel like that scene is always read as just Neil being kinda mean and calling Kevin a coward again but it's so complex and I wish it went on for longer. It's one of the few insights we get into Neil's crumbling psyche as his demise approaches and one of the few times he is fully honest with anyone before Baltimore and it's just so important to how his character is viewed for the remainder of the novel.

[blossoms-phan]

has this been done yet

[mamawasatesttube]

the timkon fans who shit on bart are annoying, the konbart fans who shit on tim are annoying, and i don't actually know if there are timbart fans who shit on kon, but i sure hope not, because they'd be annoying. the three of them are a set!!! do NOT separate. red tornado literally assigned them one shared brain cell. what is not clickign

[patheticrafeenjoyer]

put me in a room with him and trust we won't be leaving until we activate that dad mode for real

[humming-fly]

Inktober Day 25 - Alpha Gaming

Today I thought I'd go ahead and hunt down that new hedgehog game everyone’s so excited about, since I had a target giftcard and it's been a hot sec since I played one of these - was fully planning to hop on that cool winged shadow trend for the inktober to commemorate my success, but that changed 15 seconds into the first stage when I remembered I actually suck shit at sonic games 👍

[charlott2n]

god i wish i had prospects

[a-dauntless-daffodil]

vaggie, miss "im not used to fighting with long hair" who's out of practice actually battling someone or really stabbing ppl...

...still had the arm and hand strength, the REFLEXES, to do a bare handed blade catch on a SWORD, who's user had been doing an aerial dive with it aimed at vaggie's FACE

then sling around and THROW her opponent with it

i know she wants a peaceful-ish life with charlie, but i really wouldn't mind seeing her getting into just a FEW more fights >:D

also also side note: carmilla was able to eff her up earlier so easily bc vaggie fought like an exorcist, no thought to getting hurt or personal defense, the headspace of 'i can't get killed! wheee! DIE DIE DIE' that got that other exorcist killed

and the main advice vaggie got from carmilla was take advantage of that sure, but first and more importantly, defend yourself better

which kinda plays into the whole "be out for love thing" too

aka the fight isn't important, it's what you're fighting to still have Afterwards that matters- the people you love, having a life with them

(the hotel, the hazbins, charlie)

carmilla doesn't send vaggie off with a 'you're ready to go kill angels'. she's only satisfied and ends their little lesson / sparring match when she can say "you might just survive this"

feels like she wasn't teaching vaggie to take out angels. she was reminding her and showing her how NOT to get KILLED

so it's just so nice seeing vaggie blocking, dodging, and grappling lute later. how good she is at focusing on avoiding or neutralizing those attacks aimed at her. how Seriously she takes them

binding lute's both lute's arms and wedging them into her own body so lute's sword CAN'T be angled towards her

the way this shot emphasis's the THREAT of the sword hanging over vaggie

and how her flash-fast recovery and block shows she's READY for it

dodging, not attacking

she's not in this for blood or vengeance, this lady is trying to stay the fuck alive. she's got things and people to live for

things like the idea of mercy. that thing both her and charlie show their enemies, people who came down to hell for murder and spent this fight trying to kill them and got damn close to doing it.

and sure there's a pretty big tone difference between charlie's "Whoa whoa dad. He's had enough" and vaggie's "No, live. Live knowing that you only do because I let you" but both end at the same place, with someone who hates them still getting a second chance

(UNLESS ITS NIFFTY WITH THE ANGELIC BLAAADE)

and vaggie wants that second chance too. she wants a life with charlie, and fights hard so she can stick around for it

epic fail, lute... have you considered getting a hobby...?

[doomedclockworkdotmp3]

heeyyy gaaanggg

the pose and the background of the album version (left) are based on oingo boingos only a lad album art. not cause i think he has anything to do with it but just cause ive been wantin to draw that pose for like. weeks and i didnt know who to put there. so why not my latest bug man.

[seldomsee]

ok not to be a hater but

They replaced this really cool moment where Khun recognizes Bam through his vocal tic of calling everyone Mr. or Ms. with this generic line

for no reason that I can comprehend

[cacaocheri]

womp womp