#the fact this show isn't more popular baffles me

[queer-cackling]

kj brandman is the lesbian ever. she plays field hockey, she punched the girl she liked, she asked her future girlfriend how she knew she liked 'movies', when she was twelve she had a thing for the local tomboy who hates her. she is the realest person alive.

[sapphic-agent]

Hopefully, this ask won’t get you in trouble. If you feel it does, then feel free to disregard this. Or if you don’t feel comfortable or confident talking about it, cause it does involve talking about ships.

But it somewhat feels like Horikoshi for the later chapters seems to be catering for same sex pairings, like Midoriya always being around Bakugou, or Ochako’s most significant moments now being around Toga. At least to me.

And the fact he seems to be focusing on same sex pairings certainly isn’t the problem.

The problem is the fact is the pairings he’s focusing on are f****** shit!

BakuDeku is an angry asshole bossing around and being a d*****bag to a boy that has been conditioned to think so highly of his abuser. This is a hop, skip and a jump away from Stockholm Syndrome.

Togachako, imo, is slightly worse than BakuDeku (but not by much) simply because it’s a very one sided relationship where one partner always has to cater to the problems of the other with no sign of returned love or reciprocated love. I wouldn’t trust Toga to know when she’s had enough of my blood. Why should I believe she would know where to stop drinking Ochako’s blood? And despite the images throughout their fight, like Toga GROPING Ochako, Horikoshi, for some disturbing reason, tries SO hard to paint this as a CUTE couple. (Hell, the dude could be showing Toga literally EATING Ochako and somehow paint it as an endearing thing…)

Why is Horikoshi banking on these toxic forms of love for the LGBTQ when he’s had more HEALTHIER couples?!?

TodoDeku? Tsuchako? IidaDeku? Minachako?

Hell, there are other pairings that were literally already there!

MomoJirou!

Mirio and Amajiki!

It’s just…it’s baffling why BakuDeku and Togachako are paraded as these fantastic M/M and W/W ships when they are anything BUT.

I have a sapphic couple in their wedding dresses as my pfp and my user is sapphic-agent... I'd honestly be impressed if someone could accuse me of homophobia😆Feel free to submit any LGBTQIA asks :)

In the case of TogaChako, I just think Toga herself is queer-bait. Among BakuDeku and other queer ships becoming popular, good old Hori probably thought to himself, "What's the best way to capitalize on this?" without actually putting any thought or care into it (like with Bakugou's redemption once he started to become popular). So he made Toga canonically bisexual (I'm like 90% sure she wasn't originally intended to be bi as she was way more infatuated with Izuku than Uraraka initially). And she's bad rep to boot. Horikoshi is making his only canonically queer character a predator... that's not a good look.

I even like Toga. Or, I liked how much potential she had at the beginning of the series. She was original and I liked her quirk. He could have given her a lot of depth, but nah let's just make her creepy and a predator mfers will eat it right up... And he was right unfortunately.

What makes it worse is that Uraraka has to be at the center of Toga's advances (again, WHY THE GROPING PANEL). Idk if it's because she's the main girl or what, but she deserved better than this.

(Tbh, I know she's Izuku's LI, but her and Tsu are way cuter and a lot healthier than her and Toga)

BakuDeku I feel like is part of that queer-baiting. Look, the fact is that it will never be canon. We know it, the shippers know it (even if they feign delusion), and Horikoshi knows it. But that doesn't mean Hori isn't milking it for all its worth. Do you see how the shippers go nuts when Izuku and Bakugou are in the same panel together? The entire MHA feed will be filled with it here on Tumblr for weeks. They eat that shit up and Horikoshi knows that. That's part of the reason why he forced reconciliation between them, so that he'd have more content for them to froth at the mouth over.

[periwinklecosma]

(tw for r*cism, p*dophilia, tr*nsphobia, and SA)

truly i am not saying this simply for the sake of being mean or a snob but i wish mp100 fans would think more about the type of people they choose to make popular in our community. as a fic reader and writer i've seen all kinds of shit that people come up with and i'm not picky with what i enjoy but you know what i find to be completely baffling? the fact that only a handful of people seem to be willing to be critical of an author who (and i'm not putting this under a read more because you guys need to see how fucking long this is and let it sink in):

wrote touichirou to be even worse than he already is in canon. we're talking about being pro-eugenics, being racist towards serizawa (who is portrayed as blasian), and condoning child impregnation (don't even try to come at me with the whole "well duh he's the villain so what's the problem?!" because let me ask you: why would any of the above be necessary to show that touichirou is a villain? all of this is ultimately unimportant to the fic in question as a whole and imo they're not handled with the necessary care that should entail. something being dark and gritty =/= being better; i thought we've evolved past this mindset). excuse me for disregarding mp100's themes of "it's never too late to change" for a second here, but shit like this makes it extra difficult to buy into his character development post-wd arc. most recently, the author has revealed herself to hc him as having had a white south african mother from whom he learned "his kind of eugenics mindset. outright headcanoning a character to be racist huh? white.

is racist towards serizawa in general actually. the narration is constantly making weird comments about his hair before he starts working at s&s. you see people like REIGEN saying he looks sloppy, and it's never called out.

wrote a graphic sequence where reigen gives birth in a taxi while ritsu watches and helps deliver it. again, it's a completely unnecessary scene and adds nothing to the overall narrative, and it can be very uncomfortable for those faint of heart. also theres a gratuitous r/trei joke thrown in there for good measure.

has very questionable trans rep, according to the trans people i've spoken to. serizawa is implied to have a trans fetish, shimazaki is portrayed as a trans woman chaser (you know for the funnies), and allusions to reigen's transness are mostly through explicit imagery.

is really weird about the kids????? shou is characterized as someone who's constantly making dirty and frankly unsettling comments towards others even when he isn't being aged up, even though that's not a trait he has in canon. he and the others are constantly dancing right up to this really uncomfortable line that stops just short of full-blown gross shit.

WROTE A FIC WHERE REIGEN ASSAULTS SERIZAWA. do you hear me? she wrote a fucking fic where serizawa wakes up to reigen trying to get it on with him. that is assault. this author will tell you that it isn't assault because they're in an established relationship but listen to me: That. Is. Assault.

doesn't tag any of the shit i just mentioned! she doesn't alert her audience to any of these things before she draws in her audience because she's more worried about "spoilers" than actually protecting people. one time someone asked her to tag the fic i mentioned in the bullet point directly above as SA due to being triggered but she refused because they were the only person to have a problem with it (allegedly), and also because they were "rude." wtf. basic fucking decency shouldn't hinge on how polite or rude someone is being, but she has such a huge victim complex despite being 39 years old and too old for this shit that she doesn't even realize it.

again i am not trying to put myself on a soapbox and say that i'm inherently better than anyone but i really am so disappointed in you people. for the most part i find that this fandom is a lot more well put together than a lot of those hellholes out there (save for the standard fuckery that all fandoms are guilty of obviously) but seeing talented artists that i otherwise respect and have nothing against choose to put this person on a pedestal and by extension enable this sort of thing to continue is so disheartening. i'm not trying to attack anyone or accuse them of consciously condoning this content, but please think for a bit before you uncritically recommend it to others just because it has your favorite ship in it or because you enjoy darker and more mature themes.

[gillianthecat]

Gonna end my semi-intensive campaign for the best kiss bracket here. I can see the writing on the wall: I've looked at the number of voters in each poll, and not only is this round decided, I can already tell who will win the semi-finals and the finals.

I was having a lot of fun campaigning and analyzing and updating my posts. But it stopped being fun. The one I don't want to win is going to win it all, and in the next round campaigning for OFC over PatPran is going to feel unnecessarily divisive.

I went into it as a fun way to talk about BL kisses, but my hater's heart has emerged a little to strongly, which isn't fun for me.

At some point I may write about my thoughts and feelings about Kinnporsche. Both the show itself, and also the fandom around it; which fascinates and baffles me, and sometimes annoys me, and is pushing me to face the fact that in some ways I can't help but be a contrarian. Seeing something get super popular that I have mixed feelings about, or think is only ok, usually pushes me to the other direction and dislike the thing and see its flaws.

In general I also tend to get tired even of shows I love if I'm overexposed to them. So I have filters even for things I really liked, like The Eclipse, Bad Buddy and Big Dragon because I was reaching saturation point and didn't want to stop liking them.

None of this is self-knowledge that's new to me; I've been thinking about it vaguely all along, but this poll is pushing it to the forefront. Even though I assumed from the beginning KP would win, my feelings about seeing it beating out other shows are stronger than expected.

And on an intellectual level, I am just so fascinated by why it is THE show out of all BL shows that has developed such an enormous fandom. My impression is that most fans of BL are fans of the genre as a whole, or at least multiple shows, but that there are large numbers KP fans who are fans of only that. (I don't know if that's accurate though. I've drafted a poll to try and get some of the demographics of that, though I suspect my reach isn't big enough to get a enough responses to get any real answers about it.)

Don't get me wrong, I was completely absorbed when I binged the first half of the series in late June. And also went a little crazy over vegaspete when I binged the second half after the whole show was out. It was the show that got me talking on tumblr, and in that way was the first show that made me part of a "fandom." So I can see why people get obsessed with it. Just not sure why there are so many more than for other good BL shows.

Is it because iQIYI did such heavy advertising? I actually heard of the show several months before I even heard of BL, and then watched it mainly because iQIYI kept reminding me about it. For me, it became a gateway to BL more generally, but perhaps there are a lot of fans who just stopped with that?

Is there also a large group of people who were watching BL casually but weren't particularly BL fans, and then watched KP and thought it better than anything other BL? I've seen scattered comments with those opinions, but not sure how broad-spread it is. (I suppose if I'm feeling very curious and very brave I could go into the comments and reviews on KP's MDL page, which might give me some idea of numbers.)

With how my ADHD manifests, I don't have the attention span to become devoted to one show at the exclusion of all others, and so I can't really understand the mindset of fans who do fandom like that. (For any show, be it Star Wars or Marvel or The Untamed.) But I guess there are many people who do participate in fandoms that way? And KP is one of the shows that many of that style of fan found?

Is it the mafia plot? (there have been other mafia plots.) Is it how glossy and expensive it all looked, and the truly excellent cinematography? Is it how high heat the sex scenes were? (Were they significantly higher heat than anything previous though? Could be.)

Is there something about Kinn and Porsche as a couple that is particularly compelling to people? (I don't personally think so, certainly not compared to other BL couples. For me their story kinda petered out once they got together. And I found Mile's acting serviceable, but not that compelling, but I do see that he has lots of fans so perhaps it's just me.)

If so, what is unique about them? Enemies to lovers, boss-employee, torn between duty and love—I guess that combo is somewhat unique? I can't think of other shows off the top of my head now at least.

Is it the darkness and danger and plottiness of the mafia story? I know that sort of thing tends to engender obsessive fandoms. Are there other shows that have that too? I can see why if that's your thing, you wouldn't be into more slice of life BL like Old Fashion Cupcake or Semantic Error, or the youthful high jinx of most HS or Uni set shows.

Some combination of all of that? Some luck of timing? Did the advertising have a significantly bigger reach than for any other BL? With KP being my entry point into BL, I'm not able to compare with what the fandom was like before it came out.

Anyway, not sure if this is coherent, and absolutely NOT trying to start discourse. But if you do have theories you feel like sharing about how KP ended up with the fandom it has, I'd love to hear them. Or do you think I'm wrong and its fandom actually isn't unique for BL?

For context, the ten most popular BL shows on MDL are

The Untamed (2019) - 83,572

2Gether (2020) - 60,952

TharnType (2019) - 57,444

Until We Meet Again (2019) - 55,451

KinnPorsche (2022) - 52,838

Where Your Eyes Linger (2020) - 50,310

Semantic Error (2022) - 50,309

Theory of Love (2019) - 49,263

Bad Buddy (2021) - 48,411

Love By Chance (2018) - 46,652

I'm measuring "popularity" by the number of MDL users who list the show as watched. The show on MDL with the most watchers of everything is Goblin (aka Guardian: The Lonely and Great God) with 199,983.

The Untamed I would say has it's own fandom, overlapping with but distinct from BL fans. In some ways (other than heat levels) I can see it as a model of what might make KP so uniquely popular as well - complex plot, violent danger, and angst, and lovers kept apart by circumstance.

Most of the other shows on the list are popular Thai BL from three to four years ago, so it makes sense to me why they've accumulated lots of watchers. Where Your Eyes Linger, at number 6, surprised me, I don't hear much about it on tumblr these days and would have guessed it was much further down. KinnPorsche and Semantic Error are the newest shows on the list, coming out around the same time last year. But although I hear a lot of love for SE, I don't see it having an obsessive one-show fandom like KP does. I do see a lot of very devoted Bad Buddy fans, but again, most of them seem to also be general BL fans.

Addendum: (For the record, my assumption/prediction is that KP and PatPran will win their respective semifinals, and KP will win it all, by at least a 20 percentage point difference.)

[peachjagiya]

Not be that person but bh leaves no stone unturned with JM's promo. Such a strategic placement of tokboeki and travel show (funny it's the same member always). Like why now ? Weren't fans demanding no limelight should be taken from the members. They could have launched this while RMs album came out if travel show has no correlation with album promo. Or they could have launched it after jin's album. My point is if Tae's Type 1 can be released between JM's promo. This show could have been released at any point of time but they wanted Jungkook's popularity. I understand why jkks behave so badly because bh portrays it this way.

I know a lot of fans are expecting Tae to have a cameo but I really wish he doesn't. Army's will get more reasons to drag him.

I saw a lot of "oh so it's ok for this to distract from Jimin album promo then?" yesterday.

It's another one of those situations where fans create the issue themselves then take it as gospel.

It's not wrong that Type 1 was announced during Muse. It just isn't. Marketing-wise, it draws attention to BTS as a whole. The only people with a problem are people who are insecure enough to believe a photobook could prevent Jimin charting, an absolutely baffling mindset. I can't stream a photobook on Spotify?

But unrealistic illogical pjm arguments steeped in Tae anti-ness (or vice versa!) have adjusted the goalposts. So now because they had a problem with Type 1, we're reacting to Are You Sure? as if it's factual that it's problematic to cross promotion schedules.

It's not! Some toxic people made it an issue! Doesn't mean it's a fact. Why are we entertaining their ludicrous notions by leaning into it? Where was this energy when Minimoni reviewed RPWP? Where was this hatred when Yoongi set up a show specifically to use his platform to promote his members?

It's not wrong for Joon to have Jimin in a video to promote RPWP.

It's not wrong for Type 1 to come out during Muse promo.

It's not wrong for Friends to come out during Hope on the Street promo.

It's not wrong for a lot of Golden and Layover promo to have overlapped.

It's not wrong for Jimin's travel show with JK to come out during Muse promo. It literally features Jimin?! What better time to release it?

It's just point-scoring and I'd prefer to judge this stuff on how I actually feel about it rather than how fandom war tells me I should.

💜

[chocolatepot]

are we finally having a fight with the black sails fandom? has this to do with the pirate battle poll blog, do ppl actually get upset over this? sorry for springing this on you I'm not up to date on the discourse - I just remember very early on a blog I followed back then losing their shit about ofmd being more popular than black sails was (in their opinion, I don't actually think this is true), I didn't know other black sails fans were still actually bittet about this? I never got into the show despite really wanting to; it had more sexual assault in the first few eps than I was willing to put up with at the time. and I didn't like the main character. but whatever just because it's not my cup of tea doesn't mean it's objectively bad.

it's just - idk I find it kinda confusing that ppl seem to insist there's only One True Gay Pirate Show I guess? what even is the problem here those 2 are completely different in tone.

Sorry for ranting in ur inbox uninvited I'm just really baffled. Why do people insist to argue about this isn't the pirate poll supposed to be in good fun?

(okay you are free to ignore this obviously. I just had to voice my confusion to someone XD)

Lmao, yes, it's about the pirate poll, of all things. I only know Black Sails people who are also either into or at least generally positive toward OFMD so I've been totally unaware of any undercurrents of rage/jealousy until just now.

I do remember people getting really upset about the "these characters are based on historical people who did bad things" issue when the show first aired, but I'd assumed that wasn't Black Sails fans because, well ... many of their characters are also based on historical people who did bad things? and many of their characters do really bad things onscreen and are still liked in the fandom? Maybe there's an element of insecurity over Black Sails having so much problematic content for non-fans to object to, so the angry fans are trying to prove that this other, thematically similar show with less obviously problematic content is in fact more problematic.

The ridiculous thing I keep coming back to is that the brouhaha started because Flint was up against Stede. He was winning! This was not a case of "how dare these other people with their blorbo come in and beat MY blorbo, who has more of a right to win" - it was "this other blorbo shouldn't even be allowed in competition with my blorbo, and he definitely shouldn't have anyone voting for him and talking about how they want him to win".

(Never apologize for asking me about a fandom wank, I'm always willing to expound.)

[lemonhemlock]

i have to say, you guys are relentless, i only need to post one helaemond-related ask and it inevitably brings all the boys to the yard :))

don't get me wrong, i enjoyed reading your takes & i'm posting them under the cut for anyone who wants to read such rants, but, at this point, with so little content, i feel like there's not really a lot more i can personally add to fandom critique that i haven't already said (discourse and metas anyone can find if they go through my designated tag).

so i hope you won't feel offended & this is 100% a helaemond blog but i am going to pause the shipping wars topic for the time being unless something fresh hits our port or we get some kind of news / additional content (maybe like scripts? would love to see those!)

it's been more than a year since the season ended and we've made all the arguments we could possibly make, but we can't control if there are users who still rehash the same three talking points over and over

Anonymous asked: The kids theory was always a long shot and to be fair, their paternity doesn't really matter for the ship to happen. Helaemond can still have romantic feelings to each other without the kids being his, but like you said, if the ship doesn't get confirmed as canon antis and Aemondwives will all be like "We told you so!!! You were all delusional and you should've stopped shipping it!!!!"...okay? It still doesn't change the fact the writers most likely played with the possibility. Setting up potential storylines and not picking them up in a later season is something that has always been happening in TV especially when the team behind the show changes in between seasons like it happened with hotd this time (maybe those who speculated that Sapochnik came up with the idea of Helaemond were right?). Idk how many chances the ships still has if the leaks about B&C being at the end of episode 1 or in episode 2 are real (I doubt there can be a romance after the event), but whatever happens people won't stop shipping it. Non-canon pairings have always been a thing in fandoms and sometimes they may even be more popular than canon ones. It's still baffling to me how hated this ship has become in the fandom though.

Anonymous asked: it feels very obvious because a lot of these fans won’t bring the same “it’s non-canon/made up/etc” vibe to something like Aegond or Daemond, but they will to Helaemond bc they fear it might actually happen in canon. Which, if it does, has nothing to do with the shippers and comes from the writers 😭

Anonymous asked: Some antis are now making up crap about Helaemond shippers hating on Ewan. One of them even made a list and they were listed as his top haters (they also included TB stans and L*cemond shippers but...Alicent and Aegon stans for some reasons as well lmao) while another one claimed Helaemonds are currently bashing Ewan by generally making fun of him and of his looks because of the ship not happening???? I don't know whose comments made them angry but I've yet to see one Helaemond bullying and actually hating on him. Not saying nasty H shippers don't exist but why claim all of them are doing something like this when it clearly isn't the case? At most I've seen people making fun of some of the things he says in interviews but this is not hate. People are allowed to joke.

lmao, people lightheartedly joshing around and pointing out some cringe statements is not hate, dictionaries exist!

Anonymous asked: The funniest thing about the crowing reaction all of the Ewan-obsessed twitter fans had to this supposed leak is when it comes to what canonical "confirmation" Helaemond shippers as a whole most often discussed it was a type of courtly love; probably unconsummated feelings between the two. The kids theory was a niche fun fanon theory mainly used for fics and headcanons, and most people who are still participating in this fandom had little to no "expectation" that we would see that on the show. Funny to point out that expectation isn't even the correct word to use here, as Helaemonds by and large were completely fine with no type of canonical confirmation, and were mainly excited for any Aemond and Helaena interactions we may get in the new season. It's a non-canon ship, people are drawn to all of the potentials they personally see in this dynamic, and how it can be explored in fan content. Shippers like this very rarely care about canonicity - not to say they wouldn't welcome it of course on the off chance it happened, but that is not a priority of their engagement in fandom.

[thebreakfastgenie]

This is a true fandom story and idk if it will make sense if you don't know the source material but it BAFFLES me but I Think also sheds a bit of light on the whole "fandom doesn't know what platonic means" thing.

I was discussing in a discord (a fandom discord, in fact, but for a media property than the one this story is about) a book that had recently been adapted to film. The central character of the book has a close male best friend whom he canonically routinely had sex with while intoxicated which they then do not acknowledge in the sober light of day. When they parted ways, thinking it was to be for the last time, one of them kisses the other goodbye, and the other has mixed feelings about this, wondering if this makes him "a queer" but also, a part of him wanting to say he loves him.

This person on the fandom discord was saying how the book was "a bit gay" but that the movie was "even gayer". What the movie did was strip most of that out. They impulsively kiss goodbye but there's absolutely none of this other context around it - certainly not the sex, but also none of the confusion, the mixed emotions, etc.

Suddenly in that moment I realised that this flattening of the idea of a storyline between two men being "a bit gay" kind of had the same root as attributing "gayness" to two men interacting casually/platonically. It isn't really about what is happening in the storyline for any of these men. It's about how easy it is to take screenshots and make gifsets that fit a preconceived idea. The actual content of the story could be different in either direction and for certain kinds of fan engagement that does not matter.

You explained this very well and I think you really got at something! I was just thinking about the abstract, vibes-based meaning of "gay" in fandom that may or may not have anything to do with two people of the same gender being in a sexual or romantic relationship. In my opinion, the recent popularity of "gay sex" as a phrase was a response to this, but it's undergoing the same abstraction process. The same thing shows up in "this too is yuri."

With m/m shipping in particular, it's often more about fitting stock gay narratives than interpretations that fit the story or anything to do with the specific characters. One of the best parts of Gonchrarov was watching the Goncharov/Andrey ship evolve around a set of very popular beats when the movie didn't even exist. You don't need the source material! Screenshots and gifsets tell the whole story!

I personally find this flattening in all its forms kind of devastating. It's the exact opposite of what I want out of gay content! I want all kinds of different, richly textured stories!

Also I'm obsessed with people declaring the adaptation where two men didn't have sex more gay. That's so incredibly online.

[thetiredstuff]

what did amell do? did I miss some drama?

hi anon! oooh you missed alllll the drama lol

yeah so rumors have been swirling around for yearssss that he's an asshole and that by the end of arr*w he and his fellow castmates did not get along. fun fact actually:

this VERY popular meme above is from a picture taken during i think s8 of arrow during oliver's funeral. it was posted by someone who worked on arrow i believe and it said how they loved working with these people. anyway it grew into a veryyyy popular meme and if i remember correctly and i think i do it eventually came out that smell absolutely hateddddddddd this meme cuz he found it disrespectful or something? I'm pretty sure he said something about it online? idk how else i would know about this but yeah lol that's funny. everyone found it especially funny cuz he's not in the pic and it was shared with the caption loved working with these people when all these people hated working with amell (or so the rumors have been going at least)

but as far as I know there isn't actually like definitive proof he was an asshole on set? (but I'm also not part of the arr*w universe fanbase so idk all that much about it) I do know that an actor who returned for s7 and s8 ultimately didn't show up as much and he later revealed he left the show again because he was depressed and couldn't stand working with one cast member (which many have speculated to be amell)

then amell also tried to shut down an animal rescue next to him for being too loud? which is just baffling to me honestly, especially cuz he apparently used to volunteer there?

then there is the story of him like drunkenly berating his wife on an airplane which he got removed for.

he once made a facebook post about allegedly miley cyrus where he said he was dining out with his wife and daughter when mc walked in and he was so repulsed because she is idk like moraly corrupt for young girls or something? that was the gist of it anyway? something like that idk

but as for recently: sag-aftra is striking (an actors union) which he is a part of. because of this strike, actors are not allowed to talk about any past, present or future projects and are also not allowed to promote any of their current projects on say social media.

however, 2 days after the strike was announced, amell broke those rules by talking about his projects at a con. although it was very confusing at the time what actors could and could not say so fans kept it on the down-low.

flash forward to now (2 weeks later) and he's got a show which is starting to air its second season and he posted a selfie of him in front of a giant billboard with the show's name on on Instagram. this directly violates the rules of the union that he is a part of and led many people to call him a "scab" someone who is crossing the picket line during a union, choosing to work or promote their work instead of striking or standing in solidarity with those who are striking. and more importantly: because amell is part of the union that is striking, this behavior directly violates the strike order and any behavior directly violating the strike order, can make the union throw you out.

anyway: after that amell thought that it would be a great idea to say: “I support my union, I do, and I stand with them, but I do not support striking, I don’t. I think it is a reductive negotiating tactic, and I find the entire thing incredibly frustrating. And I think the thinking as it pertains to shows like the show that I’m on, that premiered last night, I think it’s myopic.”

so right now he's as far as i know the only actor who has been so outspoken against the strike. and like the important thing to remember is that this strike is not for him (clearly) he was on arrow before it went to streaming, he has countless residuals from that show that while now available on streaming is also still available on cable as well so he probably still makes a decent penny from his appearances in the arrow verse. but the vast majority of well-known actors are striking for the actors that are not well-known. there are over 100.000 actors part of the sag-aftra union. the vast vast vasttttt majority of them do not earn enough money from acting alone. are not fairly compensated and studios are now wanting to abuse their image and voice through AI etc. the demands of sag-aftra have been published as well as the studios' response and it's disgusting that studios rejected these very very very reasonable demands. any actor who loves their job and who has even an ounce of empathy for others would support this strike because it is the right thing to do.

except amell which is why 2 arrowverse cast mates have told hinted in tweets that he sucks:

Aisha Tyler (from cirminal minds), someone who he has been hanging out with for years (probably more because they have the same group of friends) also posted something about, "when people you thought were assholes, turn out to be assholes" it could be about someone else but very interesting timing if it is.

and then lastly of course there is this screenshot of his threads profile where he shared a post from the fucking asshole inc*l, transphobe, terrible human that is jord*n peters*n

[heretherebedork]

I’ve noticed on social media, not so much tumblr but other platforms, that there is a significant amount of people who see a show that has either internal conflict or just general romance without much outside conflict and say it has “no plot.” It is also typically for shows with a slower burn or just more slowly paced in general and i find it interesting because that is plot! Maybe I’m just getting old (but I’m only in my mid-20s so I don’t think so), but it’s fascinating to me to see so many people think that internal conflict = no plot. Recently I’ve seen it said about between us and it just baffles me. I think it makes sense to say a show is too slow paced for your liking or you don’t prefer shows with mostly internal conflict, or even that you don’t think the plot is well written or executed, but many people deny a plot in that show and many others all together. I’m not sure if I have a specific question but I’m just wondering how you feel about the topic. There’s been a lot of discussion about how changing social media platforms has decreased attention spans, i wonder if that’s making young people not appreciate slower shows (since I mostly see people younger than me make these critiques but not always). Is it that popular media like marvel and stranger things and game of thrones has made it seem like everything must happen in a show/movie for it to seem like anything is happening? Idk!

This comes down to the definition of plot and the vernacular definition of plot. What do people consider a plot and how do you define a plot versus character growth?

(Also, mid-20s is not old please don't say that you're a decade younger than me you are not old even in fandom.)

But for many people a plot is the external conflicts that hold a show together and the rest doesn't count as a plot. And that is one way of defining the plot of a show that can be accepted.

I mean, I have no idea about popular media. But what people view as plot is different and that's just how people see shows. And that's okay! Sometimes it isn't about slow, it's about the fact that the plot itself is the growth of the characters. That's a very specific kind of plot that doesn't feel like a plot to many people because it is typically isn't the only plot.

I don't think it's about slow. It's about motivations and story line and how it works and it can very hard to describe in a way that isn't 'this show has no plot!' because most of the words past that can get technical or take a long time or just... I get it. I get why people say that.

I know @absolutebl has talked about ideas similar to this and I definitely think that this is just the kind of thing that is an ongoing conversation within a fandom because plot itself can be questionable in BL even at the best of times if you consider plot to be a cohesive narrative of things that happen and are all supposed to make sense together.

Suffice to say, I don't take a side on this issue because I don't think it's about sides, I think it's about language.

[helloquotemyfoot]

Book Backlog Busting Reading Challenge

Update two: electric boogaloo. I have finished five books since my last appearance! Yes some of them I read through so fast I didn't get the chance to mention them in the last post. This is how I get into trouble. So let's start with those ones first.

The Appeal by Janice Hallett. FINISHED. This was a fun and easy read in the epistolary style (the entire book is told through text messages, emails, and other documentation). Epistolary is always fun to read and the particular style of this book gave the feeling of snooping on the neighbours and getting all the hot goss without the guilt of intruding on other peoples' lives. As a mystery though, it was only "okay". The framing device is two junior lawyers doing unbiased analysis of the case for their boss in order to (he thinks) get an innocent person out of prison. But you aren't told who this party is until the last third of the book. The murder victim themselves isn't confirmed until halfway through the book. A crucial fact that you NEED to know in order to guess at the motive of the person who actually did it (which is very convoluted but anyway) is only revealed at the 1/3 mark and in order to use that fact to guess at the murder motive you would need to carefully re-read 250 pages, not JUST the specific emails you are actually directed to. This is not only unrealistic but is just not a good use of the format of a book like this. Worth reading, but I would borrow rather than buy for sure.

Sense and Sensibility by Jane Austen. FINISHED. I first read this book about a decade ago and really didn't enjoy it but decided to give it another chance after embarking on a Jane Austen re-read-athon last year. It's certainly better than I remembered, but you can tell it's one of Austen's earlier novels. The two actual relationships of the book are built up entirely by telling, not showing, leaving me much more on board with Elinor/Colonel Brandon than any other relationship in the novel. Apart from the absurdity of Mr and Mrs John Dashwood, I also really missed Austen's signature wit. I suspect the intention was for Marianne's dramas to be inherently satirical, but instead they were just annoying. Maybe some of her friends bothered her about how it should have been Elinor and Brandon who got together, because in Austen's other works she is very careful that the central couple be seen interacting. Genuinely still baffled at the construction of this book honestly.

And the other books I DID tell you about!

Lord of Chaos by Robert Jordan (Wheel of Time #6). FINISHED. You can see the size of the books and number of subplots is starting to get away from Jordan a bit here, as Nynaeve and Elayne end up having a plot line that entirely consists of "fuck around until we can go to Ebou Dar", but it's not to the point where the story was too bogged down by it. Jordan's idea of normal marital conflict is really annoying however and well worth prolonging the resolution of all the romantic arcs. I loved Perrin/Faile in previous books but not in this one, my god.

First Contact: the Cult of Progress by David Olusoga. FINISHED. Due to the size of the book I didn't realise how actually short it was, only about 300 pages. I could have finished this ages ago! It was a fun and interesting read, but necessarily limited in scope by the size. I think Olusoga is better when he's given room to roam and draw connections, but it was nice seeing the pretty reproduced artworks.

The War on Heresy by R I Moore. FINISHED. Oh boy, I was excited when the author promised his was a controversial conclusion and I wasn't disappointed. Moore argues, convincingly and cogently, that the "Cathar" heretics of popular history, and indeed academic history, did not really exist and were entirely a construction of the church establishment, all the "heresies" a product of the centralising and reforming church mission and how that interacted with local traditions, the Languedoc being distinguished only by the fact that centralisation had not penetrated there yet and it therefore looked more backwards in comparison to the rest of Europe. Any formal "Cathar heresy" was only established because of this persecution, creating new meaning in continued association with "the good men". The whole book is very interesting and the argument well done, and I lament by no buying rule because the further reading looks delicious. Will certainly return to this book again in the future!

As for my up nexts, I have a few on the go as well as the next Wheel of Time waiting in the wings.

Femina by Janina Ramirez. Promising a medieval history centred on women. I have been wanting this book for ages and waiting for the cheaper paperback to come out.

Notes from the Burning Age by Claire North. Started on a whim because I wasn't quite ready to dive back into Wheel of Time, it's so far an interesting mic of post-apoc dystopia, solarpunk, and fantasy. The climate change agenda has all the subtlety of a sledgehammer, which is exactly how I like my climate change agendas and exactly the level of subtlety which the subject needs.

A Crown of Swords by Robert Jordan (Wheel of Time #7). Much shorter than the last few, by which I mean it's less than 800 pages altogether.

Meetings With Manuscripts by Christopher de Hamel. My chonky history book of choice for a while. What could be more joyful to someone who loves history and books than reading about old books? And look at it! It's so pretty!

104 books remaining!

[gerogerigaogaigar]

Ike & Tina Turner - Proud Mary: The Best Of Ike & Tina Turner

We don't need more compilations. Ike & Tina are great, obviously. Tina Turner's voice goes from sweet to screaming on a dime and it's just amazing. But I don't think there's a need for a compilation. This is a greatest albums list and guess what? These two were more popular for their singles. I figured the Phil Spector Back to Mono was meant to cover for the fact that a lot of artists from the era operated this way. But no we also get a bunch of comps from individual artists. Anyway, fuck Ike Turner and I hope Tina Turner lives forever. Also fuck the haters she's great in Beyond Thunderdome.

Kelis - Kaleidoscope

Kelis is a fine vocalist, but the stars of this album are clearly producers The Neptunes. Soul, R&B, Hip-hop, House, and Funk blend together in some of the punchiest and bubbliest beats I've ever heard. Unfortunately there are some artistic decisions that absolutely baffle me. The intro track was embarrassing as was the hook on Caught Out There, and the lyrics of Mafia and Game Show felt uninspired at best. Thankfully the second half of the album is completely solid so if you can get past a few stumbling blocks it's overall a very good album.

Pixies - Surfer Rosa

I try to keep these reviews relatively brief. As such I'm stuck on this one. Do I talk about the massive influence this album had on 90s rock? Or do I talk about how much I like Black Francis and Kim Deal's vocal delivery? Is it the fact that without Surfer Rosa grunge as we know it probably wouldn't have evolved as it did? Or is it that I like the way the buzzsaw guitars and screaming vocals are mixed in a way that somehow makes them sound subdued? But I'm not really talking about two different things am I? I doubt that I'm getting something different out of this album than Kurt Cobain, PJ Harvey, Billy Corgan, or any of the other musicians that cite it as an influence did. It's influential because it is so fucking good that you can't come away from it unchanged.

Mariah Carey - The Emancipation Of Mimi

Yup this is what a pop album from 05 sounds like.

Aretha Franklin - Young, Gifted and Black

Most artists never manage 18 albums, and if they do it's basically never worth your time. Aretha Franklin isn't most artists. After starting in 61 Aretha Franklin put out roughly 2 albums a year for a decade. But listening to 72s Young, Gifted and Black it's clear that fatigue had not set in. Franklin's voice is one of the most powerful instruments in musical history. Honestly her whole career could have coasted on that fact. But no she puts thought and effort into creating arrangements that are especially good at transforming other people's songs into her own. Her version of The Long and Winding Road is the only one that matters and obviously her cover of Nina Simone's To Be Young, Gifted and Black is legendary.

Radiohead - In Rainbows

In Rainbows was, in my opinion, a return to form after a couple of weaker albums. Not bad albums, just weaker than Ok Computer or Kid A. Anyway In Rainbows takes the continued evolution of alternative experimental electronic rock and adds a really solid injection of psychedelia that rounds the whole thing out nicely. Thom Yorke mopes through a solid ten tracks singing about... uhh, well I have no idea what he's saying most of the time but the vibes are there. Radiohead expresses sadness through vague tone and moods more than direct lyricism.

[moki-dokie]

Yes, actually, you did solve it. Whether you want to believe it or not, that is exactly how things were back then, before the world was ultra globalized and before American culture was so intensely pervasive in literally everything.

In fact, that's how it still is for some parts of the world where our western culture has very little reach outside of the extremely and supermassive popular icons. Would you like a good example? Well you're getting one. 2 years ago, I'm sitting in voice chat with some friends who I'm gaming with. This is a primarily Black group. I and a couple of other people are the only white ones, and then the youngest of our group, a wee 16 year old, is from Chile. One day they're talking amongst themselves while the rest of us are chilling and the kid from Chile pipes up and says "Hey, why is it bad for me to say N****r??" Talk about an awkward and pregnant silence. I tell the kid it isn't my place to explain the pain that word can cause, because I'm white. He doesn't get the context. At all. He doesn't even *know* the context, which baffled a lot of us. our Black friends gave the kid a very tl;dr American history lesson, which helped him understand a little. Only a little though, because for him there is no comparison to something like that. Yes, they have highly offensive words and slurs like every culture on earth does, but none of theirs come with the very specific and VERY recent trauma that the N word does. We all talked about it later when he left, how we all forget sometimes that the rest of the world just doesn't know the horrible shit we do in the same way we do. we're still living in a society that is just *barely* out of emancipation and it shows tremendously in our every-day lives. But elsewhere in the world? where that was never much of a thing? it's just another something that happened in american history. wow so sad. good thing its not like that anymore right??? lmao.

I've seen the exact same thing happen with some rather prominent korean and japanese stars, too. Dropping the N-word in a song just because thats how Popular American Muscians do it, having 0 idea what it actually means. After all, why would they? Why would any non-English language culture understand its significance? I'm sure there are millions of words in other languages that would land me in equally hot water to just blurt out without context.

anyway. back to "faggot". This was and still is used exactly as neil described back then. shit i know so many europeans that still regularly call cigarettes fags. I know gay europeans that do this, because it simply does not carry the same context. fuck even *i've* started to do it. like, this word has existed since the 1300s with generally the same meaning that whole time. enter america in the 1910s and it somehow starts cropping up as a slur. the internet as we know it doesn't truly take off until about the 2000s and then it's only just now that we're rather comfortably globalized, but not even fully there yet. so, faggot as a slur has only really been in non-american english speaking countries for... 20ish years?? which is nothing. before the internet was what it is a non-american was only likely to hear it as a slur if they traveled to america, had an american friend, or saw it in some sort of american media. for a british story published when it was, that was about THE MOST quintessential "these are shitty bigoted americans" thing you could have done.

it'd be similar to an american author of the 1990s having their european character use "gypsy" as the proper slur as it is in europe rather than our americanized version of the word which isn't a slur at all and typically stuns people to learn that it is.

the other slurs directed at aziraphale in the book are way, WAY more british. faggot is really the only one i'd say is truly american - at the time. and because az is and always has been one giant representation of the gay man and such a thing is so glaringly obvious in every facet of his character, it makes complete and total sense to have depictions of slurs thrown his way especially in the era it was written and especially since it was set in britain (brits throw insults and slurs around WAY more liberally than americans).

so anyway. yes. that did solve it.

who will go into neil gaiman's ask box and ask him if calling aziraphale a faggot was homophobic or if i brought that into the scene myself too

[distort-opia]

I see a lot of people say they don't want Joker to be important in The Batman sequels, that they're sick of Joker, etc. but is it just me or do people kind of overstate how ubiquitous Joker is in Batman adaptions? He appears in most of them yeah but that's to be expected when he's Batman's archnemesis. There are some where he doesn't show up, or if he does, isn't necessarily the main/only focus of the villains. The only time I can think of where it got egregious was in the Arkham games, but even then other villains still got a good deal of attention. Or do most of the people making these complaints just not like Joker in general?

Mm, no, I would agree Joker isn't as ubiquitous as he's made out to be in Batman media. However, I do agree with the complaints regarding him to an extent. I'd say it's less about how often he shows up and more about how he does it. Him showing up frequently should be a consequence of him being crucially important. Whether people like it or not, Joker is essential to Batman, that's impossible to dispute -- as you said, he's Batman's archnemesis. But there is a difference between writing a good Joker story and just... sticking Joker in one because he's a popular, titular character.

For instance, in the current Batman run they had Joker be the one who hired Deathstroke to kill Robin way back in the day, and I rolled my eyes so hard. They shove Joker in whenever they're in need of a Plot Twist (aha, it was Joker all along!) or when they have something horrible happen, because of course Joker would do that, he's deranged! Even if the act itself is not in character for Joker. He's come to be used as a plot device when writers don't know what villain to pull out of the hat, and it wouldn't annoy me as much if it were well-written. But instead of trying to fit the story within Joker's core characterization, his personality tends to get rewritten a lot, in order for the writer to tell the story they want. That's how you get... one-dimensional, shallow, typical serial killer and not-actually-funny Joker. So I get how this might make people feel Joker shows up too much, because a lot of the time he's not showing up in the right way, and it becomes grating. I love Joker, but even I am torn between watching his character get skewered vs. not reading about him at all.

Plus, something to keep in mind is the fact that a lot more people watch movies, and not nearly as much read comics. For many fans, the contact they've had with Joker has been through live-action films, and The Dark Knight (2008) especially. Ledger's iconic performance forever influenced what came after. Every attempt at playing Joker since then has had elements from it, and this after Joker got turned into a mascot for dudebros who watched TDK and thought "I'm an agent of chaos" is all there was to him. So many people associate Joker with this "We live in a society" kind of message now -- which Joker (2019) played into heavily, creating a completely different version of him -- when Joker in the comics is so much more than that. It's actually baffling to me how Joker, such a heavily queer-coded character (even within TDK) came to represent toxic masculinity for a lot of people. This, I would say, is another big reason why Joker has become so hated. People have heard of Joker inspiring a shooter to go into a theater and unload a gun into the audience, they've heard about Leto sending dead rats to his colleagues, they've seen all the toxic mysoginist 'alpha' males with Joker posters in their room, and they've landed on this horrid image of him. Which does annoy me to no end, because that's not who Joker is. Joker isn't about wanton destruction, the same way Batman isn't about mindless vengeance. But that's an essay for another day.

Also... it's become a bit of a trend in the last five years, especially on Tumblr and Twitter; to complain about Joker's every appearance, to wish for Batman to kill him or for Joker to disappear entirely, etc. Obviously not saying there aren't people who genuinely dislike Joker (and that's their prerogative), but there's a bit of a 'getting woke points' aspect to this more recent wave of hatred, which has become more prevalent right now for villains in general. Hating on Joker is an easy way to show your moral superiority -- after all, he did so many horrible things. And it's tough to even introduce nuance in a discussion about Joker with people like this, who only view the world in black and white, because they do not seek to understand. The goal, conscious or not, is more the performance a 'pure' moral stance so that they feel good about themselves, and so others flock to agree with them (which in turn makes the commentators feel good about themselves, and on it goes).

Sorry, anon, this got way longer than I expected :)) In the end, this Joker fatigue many DC fans are having right now is influenced by many factors, and it’s such a pity. When done right, Joker can be an absolute delight.

[lesbianakaashi]

The Forgotten Shounen: Katekyo Hitman Reborn

This is not a “Why you should watch/read khr” or anything like that. This is just me going into the deep dive and throwing my findings at you. I’m making this because khr used to be my favourite series when I was 15 (I had plushees, posters, tradingcards, the art book etc) and now as an adult I constantly find myself baffled at how unknow it seems to be.

1. Okay first what is khr?

Katekyo Hitman Reborn! or just Reborn! is a series by Akira Amano which was published in Weekly Shounen Jump from 2004 to 2012 (with 42 volumes) and got an anime adaption which run from 2006 to 2010 on Tv Tokyo (with 202 episodes and one OVA).

2. What’s it about?

Khr is a parody of the italian mafia and plays in a world where the mafia is heavily influencial. The protagonist is the japanese middle schooler Sawada Tsunayoshi who is known as “No good Tsuna” because of his failing grades, general weak and cowardly personality and weak physics.

He becomes aware of the mafia world when a 2 year old baby called Reborn arrives at his house claiming to be the greatest hitman and declaring himself his home tutor. Reborn was send by the 9th head of the Vongola famiglia who is ready to retire and looking for a new heir. Which of course, is supposed to be Tsuna and now it's Reborns job to shape him into a worthy sucessor.

Tsuna rejects the violence of the mafia world and refuses the position as the 10th. Thanks to Reborn and his general craziness Tsuna meets different people and starts to make real friendships. Reborn wants 6 of those friends to be Tsuna's future guardians, basically a group of people which will be closest to him in the vongola famiglia. Tsuna might have no interest in those positions but the friendships he builds with them become really precious to him.

Reborns arrivial also brings in the enemies of the Vongola family which leads to Tsuna being forced to engage in battles. Generally Tsuna openly avoids fights and prefers to run away but will put himself in danger for his friends' sake or because of something Reborn did.

Through out the series Tsuna matures and gains strenght but he never becomes a power fantasy. He's just a guy with many flaws who grows through the human connections he makes.

Personally I think the relationship between Reborn and Tsuna is one of the best student teacher reltaionships in all of manga only topped by Mob and Reigen from Mob Psycho 100. Especially the last arc really underlines their unique relationship to me.

Furthermore, khr offers a new and unique battle system: The flames. I'm not gonna go into to too much detail but the general idea is that one fights with their dying will flame which basically turns off your the savety switch so you can fight with everything you have. The flames are seperated into different categories such as: sky, storm, mist, rain, sun, lightning and cloud and have different attributes asigned to each one. Tsuna's use of the sky flame and his transformation when using it is still one of my favourite shounen transformations to this day.

3. What happened?

The series did really well and then not so well over the course of its serialisation. After the manga got an anime adaption it increased in populairty and video games, light novels, and other products such as CDs were created based on the series. Reborn is one of the best selling series of Weekly Shōnen Jump and has sold around 30 Million volumes overall. It was and still is very popular in Japan but rather unknown in the west.

According to the article "The Rise and Fall of Weekly Shonen Jump: A Look at the Circulation of Weekly Jump" khr was the 10th bestselling series in Weekly Shōnen Jump, with a total of 7 million copies sold in 2007.

This number increasing to 15 milion in 2008. Which placed khr into the 4th best selling series of 2008 in Japan.

Between 2008 and 2010 those sales declined but still kept strong with khr as the 6th top selling manga in 2009, 8th best selling in 2010 and then 24th best selling in 2012.

In November 2014, readers of the Da Vinci magazine voted khr number 17 on a list of Weekly Shōnen Jump's greatest manga series of all time.

After the anime came to an apprupt stop in 2010 for unknown reasons the manga sells took a visible hit. (Apparently the studio wanted to put the anime on halt because they were busy with other projects and give Akira Amano time to develop her story but I couldn't find any source for this claim) Furthermore, the rushed last chapters of the manga in 2012 declined the popularity of the series even more. There's no offical statement as to why the manga was ended in such a way but it's reasonable to assume that Jump either cut it considering the decreasing sales or Akira Amano choose to end it for personal reasons.

Nontheless, Tsuna not being included in Jump Force (a fighting game where you can play as different characters from Jump) in 2019 even tho he made it in earlier Jump Stars games also underlines the decreased interest in the series.

Rumors on a reboot or anime adaption of the last two arcs surface from time to time but are genereally unlikely. Artland the studio which made khr has gone bankrupt around 2015-2016. It might be taken on by another studio but rather uncommen especially with such an old series.

4. Art style

The khr anime ended over 10 years ago and the old art style might not be appealing to newer audiences.

Especailly because the anime adaption follows Akira Amanos old art style which heavily developed within the years. Here a picture comparing characters in the new art style:

A modern anime adaption in the new art style would be aesthetically pleasing. It would probably look similiar to Psycho Pass since Akira Amano did the concept art for this series.

(My personal art student hot take is that both art styles are unique and fun. Up to this day Akira Amano still has my favourite art style and even if the amount folds in the characters clothing is a little extreme I love it dearly.)

5. Criticism

The show is not without flaws and even if I greatly enjoy it it wouldn't be right not to adress them.

Daily Life Arc:

A lot of people view the first 20 to 25 episodes as fillers and quickly lose intererst in the series. This is due to the fact that Akira Amano inteded the series to be a gag manga and focuses the first chapters on world building, character introduction and comical narratives. It's rumored that the decision to develop the story into a battle shounen was made because the sales weren't doing well enough at first. So the first chapters/episodes may seem titidious but are necessary for the story and the development of the characters. The tonal shift from a more gintama like gag manga to a darker battle focused story can also be offputting to some viewers.

Either way a lot of people blame this arc when discussing why khr never got an english dub or didn't end up on Toonami. I've also read that the manga never finished serializing in the north america. However, it finished in other western languages like german and spanish.

Censoring:

The anime censors A LOT. From Gokudera's smoking habit, Yamamoto's whole character arc which deals with heavy themes such as depression and suicidal thoughts. The general bloodiness of the manga was censored and sometimes whole chapters and characters were left out even if those were important to the devolopment of others.

Filler episodes:

Out of the 202 episodes the anime has around 29 filler episodes which makes roughly 14 %.

Sexism:

Even if Reborn was written by a woman most female characters are rather flat and their storylines often tied to a male character in one way or another.

Genereal things:

Khr, like many other long running series, is sometimes criticised for a lack of world building or unpopular narrative choices.

6. Hope?

Khr isn't exactly dead. As stated before the series is still very popular in Japan and still gets new merch pretty regulary. There are also petitions floating around for a reboot or a new anime season but those never get a lot of traction. Furthermore #Reborn2期アニメ化 (#Reborn2ndAnimation) used to get some traction on twitter not too long ago. Last year the Anime News Network did a poll on which anime the readers would like to see a rebooot of and khr placed second.

Either way here's a collection of recent khr things I could find.

- In 2018 a new bluray set was released in north america

- The khr stage play reached yet another new season

- A mobile game was released last year

- Currently ongoing anime cafe event called "Concerto di Vongola"

- Last month there was an event with the former VAs and stage play actors where they discussed their favourite khr episodes.

- There has been an increase in blind reacts to the openings on youtube which might bring in a new fan base. The biggest one I could find had around 90k views and was made in 2019. On this note check out the soundtrack. The first openeing Drawing Days by SPLAY still makes me go insane (but I'm biased of course)

There also renewed hope for a new season/reboot because Shaman King, Inuyasha and Bleach got anounced for new seasons after a long hiatus. It's important to keep in mind that the circumstances for those series are differnt tho. For example bleachs new anime is often tied to the immense success of the gatcha game.

7. Conclusion

Khr is a series which used to be a flagship for Weekly Shounen Jump and is deeply beloved by it's fans, especially in Japan. It influenced other shounen series like bnha. It would be nice to see it gaining a bigger fanbase in the west :)

[thehollowprince]

"Pretty girl, pretty boy, and boom, instant couple." fandom and shipping culture has just completely warped our brains hasn't it? As if it isn't still important to see interracial couples in media, the fact that they are (presumably) heterosexual doesn't make it any less groundbreaking. Same with Scott and Kira, because how often does a popular show feature an interracial couple where neither party is white?

Oh, you are preaching to the choir!

Fandom has gotten to the point where it's so far removed from its source material that they might as well be two entirely separate entities.

For example, I saw a post recently that really hit the nail on the head.

Squid Game.

I can't tell you how many memes I saw making light of the show's incredibly heavy and dark subject matter. Or the fanarts that sexualized the guys in the red jumpsuits and geometric masks. Hell, I even saw celebrities that were having Squid Game themed parties, where they dressed up in costumes from the show. Fandom looked at this show about the exploitation of the poor by the wealthy for their entertainment, and said "it's all about the aesthetics".

It gets worse when you add shipping into the mix.

I have said it before and I'll say it again: shipping is the death of fandom.

Too many people are concerned with making their coffee shop AUs or their Soulmate AUs (or whatever) and not the actual text they're supposed to be basing everything on.

Don't get me wrong, I appreciate a good AU as much as the next person, but I base my opinions on characters and ships on what actually happened "on screen".

What is truly baffling about the whole thing, particularly in fandoms like Teen Wolf, is how shipping not only completely dominates the fandom, but attempts to rewrite canon as well.

When I started to get involved in the fandom, season three was airing. I had only just finished season one, and so you can imagine my confusion when I saw that Sterek was such a big part of that fandom. At first I thought that maybe something had happened in the second season that I hadn't gotten to yet, but once I watched it, I was even more confused. There is literally nothing behind that ship except two pretty faces. Their entire relationship throughout the actual show was either sarcastic barbs or being outright antagonistic to each other. To make matters worse, they then rewrite the entire show to make the ship seem plausible to them and others, so that everything that created these characters and the story itself is now meaningless, because they've moved completely into an AU.

But then, when you criticize said ship, you get either harassed by A, or accused of being a homophobe. With the latter, I got a lot of messages back in the day, because I was more interested in Danny... y'know, the actual gay character on the show. But no, fandom chose to focus on a crack ship composed of two characters that had never been described as anything other than heterosexual.

But like you said, interracial relationships are important, and yet sadly incredibly rare, especially those where both parties aren't white. Sadly, that brings us back to the racism that permeates fandom. It's neither surprising nor unexpected, though maybe a little startling in its ferocity, but no, never a surprise. After all, racism is built into every aspect of our society, from our infrastructure to our politics to our educational system. Of course it'll be in our entertainment as well.

Racism and heteronormativity are the cornerstones that our society is built on. And you may be asking yourself, what does the latter have to do with a slash ship. Well, after looking at it for years, I can tell you that Sterek is a slash ship written for (and by) straight people. It's one of a number.