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skekheck · 4 years

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All About the Seven Clans: the Stonewood

THIS POST CONTAINS EVERYTHING I COULD FIND ABOUT THE STONEWOOD. SOME INFORMATION WRITTEN HERE ARE FROM OLDER MATERIAL AND MAY EITHER CONTRADICT STATEMENTS OR IS NO LONGER RELEVANT. I WILL DO MY BEST TO STRING IT ALL TOGETHER AS COHERENTLY AS POSSIBLE. IF THERE IS INFORMATION THAT I AM MISSING, PLEASE LET ME KNOW AND I’LL ADD IT!

Clan Index: Dousan Drenchen Grottan Sifa Spriton Stonewood Vapra

The Stonewood, once known as the Woodland Folk in ancient times, lived in the Endless Forest (or in other versions called the Dark Wood). Made strong and resilient from their environment, they were the perfect soldiers and constituted the majority of the skeksis army. While they were a warrior clan, the Stonewood were peaceful who valued gelfling culture and songs. Their hometown, Stone-in-the-Wood, was the site of major historical events throughout Thra’s history.

The Stonewood totem animal was the Fizzgig and their core elements were fire, the hearth, and keeping of the song and essence of gelfling culture. Their clan color was red, their sigil was beige and green with earthy tones, and their pennant color was red with green and yellow detail.

Characteristics

The Stonewood were some of the strongest and hardiest of all gelfling. They had an olive complexion with green or greenish-blue tinting. Like gelfling from other clans, Stonewood tints were visible on the face but were restricted to the forehead, temples, and around the the eyes. Hair was black, brown, or a mix of both with highlighted sections of blue and/or green. Styling was very minimal with some braiding and styled up in ribbons or clips, but were mostly kept loose. Eye color tended to be blue or various shades of brown. In the J.M. Lee book series, Stonewood wings came in a variety of colors. Shoni, Rian’s mother, had brown and red wings with two large black eyespots accented by other dapples of orange, gold, tan. Maudra Fara in this version had dark burgundy and gold wings.

Stonewood clothing was described to have browns and other natural foresty shades like greens and grays. They preferred to wear leathered armor over regular civilian clothes regardless of their profession. They were also known to carry light weapons on them at all times.

Lifestyle

Strength, courage, and hardiness were traits the Stonewood valued and emphasized, especially towards other clans. The Stonewood way was to remain put and endure so they grew strong and prospered. All of these values made them perfect warriors. But despite this, the Stonewood were very peaceful. Much like the Fizzgig, their totem animal, they only fought to defend themselves. There was a heavier focus on the community as well as culture and song.

The Stonewood had great respect for nature, but were also aware that they lived in one of the most dangerous regions on Thra. They understood that no gelfling was on top of the food chain and had to adapt to an eat or be eaten world. They favored a hunter-defender archetype: to understand the cycle of life and have the knowledge to protect oneself as well as their loved ones. But they chose to abide by the laws of nature and frowned upon things like hunting for sport.

The Stonewood Clan had the second largest population of all seven clans, only succeeded by the Vapra. Thanks to an abundance of resources provided by the forest as well as by other clans and the skeksis, their population flourished during the Age of Division. There were smaller Stonewood villages spread out all over the forest to compensate for the clan’s size. This process was difficult for them to accept as it went against some of their traditional values. The Stonewood were known to be slightly more advanced than other gelfling clans as they had sophisticated weaponry and armament to protect their homes with.

Daily Routine

A Stonewood’s day started off with the sound of clangs of blacksmith hammers early in the morning. The maudra and her elder council assigned daily tasks to all adult gelfling. Those whose jobs took them outside of the village said their good byes and departed early. The others that stayed met with their groups to discuss the day’s plan. Work continued until sunset when the clan’s hearth is lit for the communal supper with the accompaniment of a song or two. Lanterns full of firebugs were kept alighted for gelfling working nightshifts.

Aside from nightly songtelling, the Stonewood had other pastimes. The most notable of them were sports and competitions. Regardless of whoever won, all Stonewood showed great sportsmanship and encouraged one another. A popular pastime among childlings were Ipsy battles. During mating seasons, the otherwise peaceful male Ipsy would fight other males for the affection of the female. Childlings would collect Ipsy males and staged battles between them. When the battles concluded the childlings would return the unscathed Ipsy males back to the forest.

As a large industrious community, the Stonewood Clan had a variety of jobs. There were blacksmiths, woodcrafters, stoneworkers, firekeepers, gardeners, hunters, and a dozen other specialists. Unlike in most clans, songtellers were seen as integral to the Stonewood as other occupations. The clan had unique professions as well. One were wayfinders: they were responsible for helping travelers on their journey and kept them from getting lost within the Endless Forest. Sometimes, a wayfinder would spend days aiding a gelfling. Another was staba-senta or “wood watchers”. They were more keenly aware of the balance of creatures within the wood and were charged with maintaining and upholding it.

Stone-and-Wood Crafting

Inspired by their environment’s requirements for resilience, the Stonewood turned the trade of stone-and-wood crafting into an art. It was a highly sought out skill for its high difficulty and importance in fortifying the village. Stone-and-wood crafters were able to weave wood, trees, and stone together to create many homes for the clan. It took many trine to learn the skills and even more to execute them. A woodcrafter would spend their entire life growing wood into specific shapes. For stone cravers it took generations to shape a single rock.

Although some Stonewood used metal swords and the like, hunters and trappers preferred stone tipped spears and finely crafted stone daggers. Stonewood spears, their preferred weapon, were renowned for their durability and perfect balance.

Stone-in-the-Wood’s Famous Instrument Makers

Among Stonewood’s crafters lived one family who were famous for their instruments. They were often away from the village collecting materials from all over Thra. They built their instruments from ordinary materials like wood and stone, but also mixed unusual ones. Some items included melted crystal sand, Sifan driftwood, fine shards of bone, and hollow feathers. It was said that the materials used in these instruments invoked the voice of Thra itself. Among their instruments, their lyres were the most popular. Even the All-Maudra’s musicians sought them out for their unique sound. Despite being busy, the family took up apprentices so they too could create unique instruments.

Stonewood Legends: Jarra-Jen

Songtelling and folklore were an important part of Stonewood culture and they had plenty of songs about famous characters and legends to tell every night around the hearth. One of these popular characters was Jarra-Jen the Lightning Born who came from Stone-in-the-Wood. As his epitaph suggested, his birth was heralded by lightning. He was characterized as fearless, charming, and curious with an intensity only rivaled by the forces of nature. Whenever he returned home, he’d always brought treasure and mouth-full of stories from his adventures. Many of his stories were told around campfires and memorialized on the stone slabs found on top of Bolentor’s rise.

Some songs were created to explain the origins of things such as him being the one to plant all seven Great Trees. Others were meant to entertain or teach lessons, whether they were true or not. One favorite epic was called Jarra-Jen and the Horn of Thunder. After passing a series of tasks, Jarra-Jen defeated the tyrant Creghel and freed the gelfling he enslaved. Another song, which was more popular with younglings, was called Jarra-Jen and the Fizzgig King. It taught younglings from digging and accidentally disturbing hibernating fizzgigs during the colder seasons. Jarra-Jen accidentally steps on the Fizzgig King’s tail and was swallowed hole. In order to free himself, the hero tickled the inside of the king’s throat which expelled him. The sound effect of the king’s flatulence was left up to the songtellers to put their own unique signature on the song.

While Jarra-Jen was a Stonewood legendary figure, his tales were told and celebrated by other clans and regarded as a hero of Thra.

Stonewood Legends: The Hunter

For every hero there was also a villain and no Stonewood villain was as popular as the Hunter. He went by other names like Bone-Mask and Four-Arms, but many agreed that he was a bloodthirsty one-of-a-kind monster who loved hunting for sport and ate his prey whole. Stories about the Hunter were told to older childlings to keep them from wondering the forest at night, like the short song “Beware the Hunter”. Legends of the Hunter were found all over the Endless Forest and surrounding regions, even finding their way in Spriton and Podling stories. “The Hunter’s Knife” was a notable non-Stonewood myth sourcing the Mystic Valley as the Hunter’s birth place and the noises that came from it was his heart (which he carved out to continue his evil deed unrestrained) who desired to return to his body. Some songtellers, like Kylan, told stories featuring the Hunter and Jarra-Jen together.

Not many Gelfling believed the Hunter existed, but the legends were based on skekMal the Hunter. He was an outcast skeksis whose main hunting grounds were the Endless Forest and its surrounding regions. He was as bloodthristy and fearsome as the songs described him. So skilled was he in his profession that he remained undetected by most Gelfling, with the exception being the Dousan who guided him through the Crystal Desert. SkekMal’s prey didn’t usually include Gelfling unless under certain conditions as he, in his own words, considered weak and preferred stronger creatures. This was different in the book series as he hunted indiscriminately. He bathed in gelfling essence to mask his scent which made it easier for him to catch prey. He also prevented podlings from expanding outside of the forest and Spriton plains as he hunted them down and delivered some as slaves for the other Skeksis. Regardless, skekMal was always a terrifying force and feared by many even by his own kind.

SkekMal’s reign of terror finally ended at the Second Battle of Stone-in-the-Wood which was his (at least seemingly) first and last public appearance. Before killing Rian, his latest target, his other half urVa the Archer sacrificed his life in order to stop him. As the two were spiritually connected, skekMal died as well.

Diet

A Stonewood diet was varied which included meats from game caught by hunters and the many fruits, vegetables, and other edible plants growing in the dense forest. They would also purchase foods that couldn’t be grown or produced in the Endless Forest. Stonewood dishes were prepared near the clan’s hearth and were commonly roasted, baked, and seared. Food was served in groups and were noted to be jolly, hearty, and unforgettable.

Peachberries were one of the well known native fruits found in the Endless Forest. It had a sweet and sour flavor that was easy to pick. More dangerous to obtain fruits were that of the bluemouth. The bluemouth was a carnivorous plant that lures prey in with its sweet smelling nectar and were dangerous to Gelfling. The fruit of the Bluemouth Tree was considered a delicacy for that reason. The fruit of the arara (or screaming) tree was less dangerous. As a defense mechanism, it produced poison by screaming. It was deadly to smaller animals, but for Gelfling, it put them in a dreamlike daze. Other foods included merkeeps, a delicious tuber found in traditional Stonewood foods.

Stonewoods usually washed down their foods with a cup of cold water from the Black River. Other noteworthy beverages was the Stonewood Brew, a type of alcohol that trickled down from trees into a giant trough called the Brew Trough. Both natives and outsiders alike served themselves or each other with the cups stacked near by.

Stonewood Apothecary and Recreational Poisons

The Endless Forest had the most diverse flora and fauna, including ones that were venomous and poisonous. Stonewood apothecaries had an important role of supplying treatments and antidotes for a variety of inflictions gelfling received. And on the flip side, they found ways to use harmful substances for more benign ones. Even usually fatal poisons could be altered (through fire, water, or soil) and distilled into potable liquids. Plenty of these recreational poisons were traded among themselves and other clans.

One of the more involved distilling methods were from the poisons created by the arara tree. When produced in smaller quantities, it had a relaxing effect. Apothecaries got the help of experienced harvesters who stealthily picked the fruits off the tree before it had time to produce its signature scream. When given to the apothecaries, the berries were placed into bowls of water and the apothecary would scream in the perfect tone of the screaming tree. The berries would react and produced its slime which dissipated. It was later reduced into a measurable substance and bottled.

Stone-in-the-Wood, Hometown of the Stonewood

Stone-in-the-Wood was the main village of the Stonewood Clan. Like their namesake, they lived in shell and stone homes interwoven into trees. It was surrounded by mounds of rock and a lake that sat next to the Black River. It had sections for tourists and traders as well as private ones exclusive to Stonewoods only. The Crucible, the clan’s hearth, lied at its center with the Stonewood Great Hall beyond it.

The Great Hall was the home of the Stonewood Maudra. It had a large chamber where they held court. When a gelfling, or sometimes podling, misbehaved guards would send them into the Rascal Hole. It was a small jail held down beneath the floor of the Stonewood Great Hall and not too far from the maudra’s throne.

The village was the second largest gelfling settlement. It became a popular tourist and trading site as the village was a necessary stop to go anywhere in the Skarith region. Beyond that, Stone-in-the-Wood was believed to be the original home of the gelfling, making it one of the oldest gelfling civilizations. It was also the location of important historical events in Thra’s history.

The Historic Battles of Stone-in-the-Wood

Two historical battles took place in Stone-in-the-Wood. The first battle was also the conclusion of the Arathim Wars. When the Arathim were kicked out of their ancestral home by the skeksis for refusing to join the Alliance of the Crystal, they rebelled. The rebellion was a series of attacks throughout the Age of Division until thirty trine before where Age of Resistance series began. The First Battle of Stone-in-the-Wood began while Ordon and Fara searched for the dual glaive which was rumored to help end the war. The village was evacuated when the Arathim arrived with Maudra Vala and her warriors there to defend it. At first the Arathim had the upper hand, decimating the gelfling forces and inflicting a fatal wound against the maudra. She survived long enough to see Ordon arriving with the dual glaive. After killing several Arathim, he plunged his sword into an Ascendancy of Silk Spitters and drained them of its essence. Ordon promised to let the Arathim live if they stopped their assault on the gelfling. The weakened Ascendancy gave in and retreated from the village but promised this wasn’t the end. This event officially ended the Arathim Wars.

The Second Battle of Stone-in-the-Wood was the first major battle of the Gelfling Resistance. Stone-in-the-Wood previously had a failed assault on the skeksis in both the TV and book series where the Stonewood were thwarted by the skeksis or the Arathim. The survivors of that failed assault returned to join Rian and his small rebellion ready to fight the skeksis. There were casualties on both sides, including three skeksis and Maudra Fara who sacrificed her life protecting All-Maudra Seladon. But it also brought the return of Mother Aughra and unity of all inhabitants of Thra when the other six gelfling clans and their former enemies the Arathim proclaimed their support of the resistance. This was the gelfling’s first major victory fighting the skeksis.

Bolentor, the Pride of Stone-in-the-Wood

Also known as the Stone Tower, it was a large mount of rocks weaved together by vines, roots, and trees. The stone’s rise was where Stone-in-the-Wood was positioned. Its top was covered in talking stones featuring the dream-etched legends and folklore of the Stonewood Clan. It told of Jarra-Jen’s adventures, stories of Gyr the Songteller, and Aughra’s teachings. Strangely, many of the rocks that constructed the mound originated from other regions of of Thra like the Claw and Grottan Mountains. Speculation were all over the place from a giant moving the rocks there to being petrified droppings of an enormous bird.

A favorite theory came from the song called Maudra Melyff the Rock Singer. Though the gelfling in the tale was actually unnamed, many agreed that she fit the description. According to the song, the maudra was so lonely that when she sang the mountains were moved and offered their boulders to keep her company. A different version of this tale was found in the book series and the maudra was named Maudra Ynid the Tree Singer. Similarly alone, she wept at the heart of the Endless Forest and with the Cradle Tree’s blessing, stones multipled from the Earth and became Stone-in-the-Wood. She was also said to be the sister of Mesabi-Nara, one of the Drenchen’s first maudras.

The Stonewood had a name-day tradition that revolved around Bolentor and was considered a rite of passage. Younglings whose sixth name-day anniversary landed within the same season were sent to climb Bolentor without the guidance of adults with a chisel in hand. Once they reached the top, they found a stone and carved a sigil into it. That sigil became the sign of their name which was memorialized among hundreds of others before them.

The Crucible

At the center of Stone-in-the-Wood was the Crucible, both a monument and hearth. Like other gelfling hearths, it was the gathering place of the Stonewood during important occasions. It was where the maudra made her announcements and conducted ceremonies. Traders from other regions would come to the Crucible to be welcomed by the village.

Within the Crucible were dozens of swords and other weapons. It tied with a Stonewood tradition: whenever the clan returned from a battle, their warriors placed their weapons within the Crucible to be melted until there’s nothing left. It was the Stonewood’s way of leaving their aggressive acts and memories behind and go back to their normal lives. In some cases, the melted remains were used as other symbols. After Maudra Vala died, her sword was melted and forged into a crown. Her daughter and successor Fara wore it as a reminder of the battles that were fought, the cost of peace, and to never forget those who lost their lives.

It was one of many examples of the Stonewood’s relationship with their patron element fire. Gelfling from this clan were described to have “fire in their hearts and whose embers never died”. It’s no wonder that the Stonewood gelfling Rian was the one who lit the fires of resistance and sent out his message of rebellion through the Crucible.

The Wall of Destiny

The Wall of Destiny was a giant prophecy that foretold the end of skeksis rule. It was discovered by Jen and Kira when they stumbled upon ruins of a gelfling settlement. At least in the book series, its location resided within Stone-in-the-Wood. In that book’s version of the Second Battle, the gelfling defeated the skeksis through song and their combined singing formed the creation of the Wall of Destiny.

Another version of its creation happened when both Gelfling and Podling were taken as slaves by the skeksis. Dismayed, they looked into the fires of prophecy. Seven circles of seven Gelfling, (which totaled 49 Gelfling), laid on the hilltops at night. With magic their dreams were made into stone and the Wall of Destiny was created.

It told the Gelfling their quest: to find the lost Shard and heal the Crystal by the next Great Conjunction. However, the skeksis saw the prophecy too and feared the Gelfling would succeed. To stop them, the skeksis sent their Garthim and Crystal Bats to find and kill all gelfling. However, at least two survived: Jen of the Stonewood and Kira of the Vapra. Jen ultimately became the Gelfling foretold in prophecy that reunited the shard with the Crystal and ended skeksis rule.

Olyeka-Staba the Cradle Tree

The Cradle Tree was the Stonewood’s patron tree. It towered over all the others within the Endless Forest whose trunk was as wide as the Black River. It was the originator of all other trees and what the forest felt and heard was also heard and felt by the Cradle Tree. It was only a short distance from Stone-in-the-Wood and many gelfling visited it often. Stonewoods sat underneath the tree and hoped to hear its wisdom while others came to inspect it for illness as it determined the health of the entire forest. When one lied beneath it, they would experience a soothing sensation described as being cradled by one’s mother. “The Cradle Tree’s Lullaby” was a popular song sun by Stonewood mothers while rocking their childlings to sleep.

Like the other Great Trees, the Cradle Tree struggled to keep the darkening at bay. In the book series, the Cradle Tree was so sick with it that it displayed vivid hallucinations which preyed on the fears of the individual. Both Naia and Kylan went through this ordeal with Naia being haunted by apparitions of her brother and Tavra. It also attacked her with vines and roots until she was helped by Kylan. Naia was able to dreamfast with it and healed it of the darkening.

Relationship With the Skeksis And Other Clans

The Stonewood benefited from the influx of traders and visitors, but it reinforced clan-first mentalities. To preserve a sense of safety, stability, and culture, the Stonewood created public and private sections of the village. The clan was kind and friendly to any outsiders but would treat them coldly if they trespassed on private property, on accident or not. Besides that, they seemed the most susceptible to clan stereotypes, seeing how some were highly suspicious of the Dousan and ignorant of the Grottan. While the Stonewood believed they were tougher and sturdier than other gelfling, outsiders viewed them as aggressive and arrogant.

Being geographically the closest to the skeksis, the Stonewood were frequently called upon to be guards at the castle of the Crystal. In fact, they made up the majority of the skeksis’ army up until the late Age of Division. Plenty of Stonewood were elated to get their recruitment letters as it was seen as one of the biggest honors a gelfling received. Because of this, the Stonewood believed they had a more intimate relationship with the skeksis than other clans.

That ultimately created some resentment towards the Vapra. Many Stonewoods believed the skeksis were in error by choosing the Vapra as the ambassadors and leaders of the gelfling clans. It wasn’t a secret either as the Stonewood had passionate conversations about the topic. Even Stonewood Maudras would make mention of it while in the presence of Vapran representatives. These vents never went too far as they knew disagreeing with the Vapra was also a disagreement towards the skeksis. Such comments risked their reputation as well as access to resources and valuable supplies. Despite it being a well-known secret, the Stonewoods kept it to themselves.

Of all the clan relationships, none were more well known than the rivalry between the Stonewood and the Spriton. The severity of the rivalry were different between the TV and book series. In the timeline established by the Age of Resistance, the rivalry was seen more in childlings and didn’t go as far as name-calling and rumormongering. With a mix of the skeksis’ meddling and Stonewood’s overall competitiveness kept this rivalry alive. In contrast to the book series, however, was more serious. The Spriton were a warrior clan in this version and fought over territory with the Stonewood over the trine.

Legacy of Stonewood: Jen

Although most gelfling were wiped out during the Garthim Wars, their legacies were kept alive by their survivors. Jen was the son of at least one Stonewood parent and seemingly the only surviving member of his clan. He was rescued by urSu the Master who took him to the Valley of the Mystics and raised him in safety. On his death bed, urSu cryptically explained to Jen about his destiny. He was able to succeed in his quest with the help of Kira.

Jen seemed to know some small things about his heritage. He wore the Stonewood sigil on his clothing and was taught how to play the firca. urMaj the Cook attempted to make him gelfling food, but Jen noted it never tasted right It was possible that what Jen learned he passed it onto future gelfling civilizations and preserved what was left of gelfling culture.

Notable Stonewood Members

Rian: Son of Ordon and Shoni who lived during the late Age of Division. He was a castle guard who witnessed his girlfriend Mira be drained by the skeksis. Taking the only proof of the skeksis’ betrayal, he was marked as a traitor and wanted by the lords to keep their secret hidden. Rian started as well became the unofficial leader of the Gelfling Resistance. Like his father, Rian ended up wielding the Dual Glaive.

Ordon: A veteran of the Arathim Wars and the first wielder of the Dual Glaive. He was promoted to be a captain of the castle guards after his victory in the First Battle of Stone-in-the-Wood. Not knowing that the skeksis were the true perpetrators, Ordon personally requested to seek out Rian in the hopes of curing the supposed sickness that caused his “treachery”.

Maudra Fara the Rock Singer: The Stonewood Maudra who succeeded her mother Vala during the late Age of Division. She believed in strength and loyalty and did whatever she believed was necessary for her clan. She played a big part in the Arathim Wars as well as being the first maudra who challenged the skeksis when she learned about the truth.

Shoni: Rian’s mother and husband of Ordon who lived during the late Age of Division.

Jen: The seemingly last surviving member of the Stonewood Clan nearing the end of the Age of Division. Saved by urSu the Master, Jen was raised by the mystics so that he would fulfill his destiny of ending skeksis rule and save Thra.

Maudra Vala: A Stonewood maudra and mother of Fara. She lived during the late Age of Division and took part in the First Battle in Stone-in-the-Wood where she was fatally wounded.

Thriya: A songteller who lived during an unknown time in the Age of Division. She spent her entire life traveling all over Thra to learn about the cultures and songs of each gelfling clan.

Mythra: A book series exclusive character. She was the younger sister of Rian who supported him while he was branded as a traitor. She also took part in and survived the Second Battle of Stone-in-the-Wood.

Timtri: Rian’s younger brother who only exists in the book series.

Maudra Melyff the Rock Singer: Believed to be one of Stonewood’s first maudras. She was credited with the creation of Bolentor which would become the home place of the Stonewood. In some iterations she’s known as Maudra Ynid the Tree Singer and was sisters with the Drenchen’s first maudra.

Old Ari: An old songteller who lived during an unknown time within the Age of Division.

[Sources: Song of the Seven Gelfling Clans, the official Dark Crystal website, Shadows of the Dark Crystal, Song of the Dark Crystal, Flames of the Dark Crystal, The Dark Crystal: Age of Resistance, the Dark Crystal Film, The Dark Crystal Age of Resistance: An Epic Return To Thra, The Quest for the Dual Glaive, Creation Myths, Author Quest: The Gelfling Gathering, Heroes of the Resistance, the Dark Crystal Bestiary]

#the dark crystal #stonewood #gelfling #all about the seven clans #my posts

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thedarkcrystalconjunction · 4 years

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Wisdom from the gelfling Dousan Clan Maudra IO

(Quote from Songs of the Seven Gelfling Clans, Concept art from Inside the Epic Return to Thra)

#JimHenson #DarkCrystal #ForThra #HealTheDarkCrystal #Dousan #quote

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pop-punklouis · 4 years

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hi hope! i saw that you’re really big into film and tv. do you have any tv shows you could rec? i need something new to watch.

hiya grey! and of course. i always have tv shows on hand to rec

• Dark (3 Seasons)

When two children go missing in a small German town, its sinful past is exposed along with the double lives and fractured relationships that exist among four families as they search for the kids. The mystery-drama series introduces an intricate puzzle filled with twists that includes a web of curious characters, all of whom have a connection to the town's troubled history -- whether they know it or not. The story includes supernatural elements that tie back to the same town in 1986.

• Portlandia (8 Seasons)

this absurdist series set in Portland, Ore., that gently pokes fun at the laid-back Pacific Northwest city and the many eccentric characters that call it home. Among the many recurring guest stars on the series are Ed Begley Jr., Jeff Goldblum, Natasha Lyonne, Kumail Nanjiani and Kyle MacLachlan, who plays Portlandia's mayor.

• Parfum (limited series)

When a woman is found murdered with scent glands excised from her body, a detective probes a group of friends who attended boarding school with her.

• Trinkets (2 Seasons)

A grieving teenager finds an unexpected connection with two classmates at her new high school when they all land in the same Shoplifters Anonymous group.

• Fleabag (2 Seasons)

A dry-witted woman, known only as Fleabag, has no filter as she navigates life and love in London while trying to cope with tragedy. The angry, grief-riddled woman tries to heal while rejecting anyone who tries to help her, but Fleabag continues to keep up her bravado through it all.

• I Know This Much is True (limited series)

Middle-aged Dominick Birdsey recounts his troubled relationship with Thomas, his paranoid schizophrenic twin brother, and his efforts to get him released from an asylum. (Mark Ruffalo’s best performance to date)

• The Vow (limited series)

Following the experiences of people deeply involved in the self-improvement group NXIVM, an organization under siege with charges including sex trafficking and racketeering conspiracy brought against its highest members and founder Keith Raniere

• The Outsider (limited series)

Based on Stephen King's best-selling novel of the same name, "The Outsider" begins by following an investigation which at first seems like it will be simple and straightforward but things change as it leads into the gruesome murder of a young boy by a seasoned cop. When an insidious supernatural force edges its way into the case, it leads the investigators to question everything they believe in.

• Peaky Blinders (5 Seasons)

Britain is a mixture of despair and hedonism in 1919 in the aftermath of the Great War. Returning soldiers, newly minted revolutions and criminal gangs are fighting for survival in a nation rocked by economic upheaval. One of the most powerful gangs of the time is the Peaky Blinders, run by returning war hero Thomas Shelby and his family. But Thomas has bigger ambitions than just running the streets. When a crate of guns goes missing, he recognizes an opportunity to advance in the world because crime may pay but legitimate business pays better. Trying to rid Britain of its crime is Inspector Chester Campbell, who arrives from Belfast to try to achieve that goal.

• Schitts Creek (6 Seasons)

a wealthy couple -- video store magnate Johnny and his soap opera star wife Moira -- suddenly find themselves completely broke. With only one remaining asset, a small town called Schitt's Creek, which the Roses bought years earlier as a joke, this once-wealthy couple must give up life as they know it. With their two spoiled children in tow and their pampered lives behind them, the Rose family is forced to face their newfound poverty head-on and come together as a family to survive.

• Mindhunter (2 Seasons)

Catching a criminal often requires the authorities to get inside the villain's mind to figure out how he thinks. That's the job of FBI agents Holden Ford and Bill Tench. They attempt to understand and catch serial killers by studying their damaged psyches. Along the way, the agents pioneer the development of modern serial-killer profiling.

• Mr. Robot (4 Seasons)

Young, anti-social computer programmer Elliot works as a cybersecurity engineer during the day, but at night he is a vigilante hacker. He is recruited by the mysterious leader of an underground group of hackers to join their organization. Elliot's task? Help bring down corporate America, including the company he is paid to protect, which presents him with a moral dilemma. Although he works for a corporation, his personal beliefs make it hard to resist the urge to take down the heads of multinational companies that he believes are running -- and ruining -- the world.

• Dark Tourist (1 Season)

Journalist David Farrier focuses on that area of travel, known as dark tourism, in this docuseries. In each episode, Farrier travels to a different locale to visit destinations and have experiences that wouldn't be on most vacationers' bucket lists. He embeds himself in a death-worshipping cult in Mexico, sees tourists soaking up radiation left behind in Fukushima, meets vampires in New Orleans, and travels to the most-nuked place on Earth for atomic swimming and fishing.

• Maniac (Limited Series)

Annie Landsberg and Owen Milgrim are two strangers who are drawn to the late stages of a mysterious pharmaceutical trial. Each has a different reason for participating in the experiment -- she is disaffected and aimless, fixated on broken relationships with her mother and sister, while he has struggled throughout his life with a disputed diagnosis of schizophrenia. The radical treatment, using pills that the inventor claims can repair anything about the mind, draws Annie, Owen and 10 other subjects into a three-day drug trial that they're told will permanently solve all of their problems, with no complications or side effects. Unfortunately, things don't go as planned.

• The Witcher (2 Seasons)

The witcher Geralt, a mutated monster hunter, struggles to find his place in a world where people often prove more wicked than beasts.

• Living with Yourself (Limited Series)

A man who's burned out on life and love undergoes a mysterious treatment, only to find that he's been replaced by a better version of himself.

• The Society (cancelled after one season unfortunately)

The Society follows a group of teenagers who are mysteriously transported to a facsimile of their wealthy New England town, left without any trace of their parents. As they struggle to figure out what has happened to them and how to get home, they must establish order and form alliances if they want to survive. The series is a modern take on Lord of the Flies.

• I Am Not Okay With This (1 Season)

I Am Not Okay With This is an irreverent origin story that follows a teenage girl who's navigating the trials and tribulations of high school, all while dealing with the complexities of her family, her budding sexuality, and mysterious superpowers just beginning to awaken deep within her.

• The Dark Crystal: Age of Resistance (1 Season)

The Dark Crystal: Age of Resistance returns to the world of Thra with an all new adventure. When three Gelfling discover the horrifying secret behind the Skeksis' power, they set out on an epic journey to ignite the fires of rebellion and save their world.

• Grace and Frankie (6 Seasons)

Two nemeses become bonded jilted wives after their husbands reveal they have been having an affair with each other since the 1990s and now plan to get married.

• Special (1 Season)

A young gay man with cerebral palsy branches out from his insular existence in hopes of finally going after the life he wants.

• Russian Doll (1 Season)

Russian Doll follows a young woman named Nadia (Natasha Lyonne) on her journey as the guest of honor at a seemingly inescapable party one night in New York City.

• American Vandal (2 Seasons)

American Vandal is a half-hour true-crime satire that explores the aftermath of a costly high school prank that left twenty-seven faculty cars vandalized with phallic images. Over the course of the eight-episode season, an aspiring sophomore documentarian investigates the controversial and potentially unjust expulsion of troubled senior (and known dick-drawer) Dylan Maxwell. Not unlike its now iconic true-crime predecessors, the addictive American Vandal will leave one question on everyone's minds until the very end: Who drew the dicks?

• Immigration Nation (1 Season)

A rare and expansive look into the consequences of unfettered power, Immigration Nation is a powerful, harrowing indictment of the current state of American immigration.

#grey

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fenth-eiria · 3 years

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Guess who’s getting the Epic return to Thra, Dark Crystal: Heroes and Villians, The Dark Crystal: Age of resistance #12, and #4^^ ME!!!

#dark crystal #age of resistance #announcement

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grigori77 · 5 years

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2019 In TV - My Top 10 Shows

This past year may have sucked balls in a lot of ways, but we certainly never got short-changed when it came to our TV. There was an absolute WEALTH of truly cracking TV around, both on regular networks and on the various on-demand platforms, and so here is my pick of the best, my absolute favourites of 2019.

10. WATCHMEN

Lost co-creator Damon Lindelof brings us a blinding sequel to comic book legend Alan Moore’s legendary graphic novel with a delightfully trippy, ruthlessly efficient rug-puller that seems pretty tailor-made for HBO. Old faces return in interesting ways, while there are some cracking new “masks” on offer, particularly Regina King’s Sister Night and the always-brilliant Tim Blake Nelson as morally complex antihero Looking Glass (in some ways very much the show’s own answer to Rorschach). It never goes where you expect it to go, and refuses to give easy answers to the questions it raises, effortlessly paving the way for more next year ...

9. THE BOYS

Amazon offers up its own edgy, thoroughly adult superhero property with this darkly funny antiheroic gem based on the cult Garth Ennis comic, expertly adapted by Supernatural creator Eric Kripke. Karl Urban dominates as Billy Butcher, the foul-mouthed, morally bankrupt “leader” of a makeshift crew of mercenaries, hitmen and psycho killers devoted to “taking care of” superheroes when they inevitably go bad. Season 1 ultimately serves as an origin story, showing how the team come together, laying quality groundwork for the incoming sophomore tour that promises to open the already fascinating world out significantly.

8. PREACHER (SEASON 4)

More Garth Ennis, namely this blinder of a closing season for AMC’s consistently impressive adaptation of his best known series for Vertigo comics. Surprisingly epic, deliciously subversive and constantly, darkly hilarious, this thoroughly non-PC series from showrunners Sam Catlin, Evan Goldberg and Seth Rogen (yes! I Know!) certainly went out on a high note, providing its loyal followers with perfectly-pitched bow-outs and sometimes heartbreaking goodbyes for all its players, especially its dynamite leads, Dominic Cooper, Ruth Negga and, in particular, Joe Gilgun as unapologetic bad boy vampire Cassidy. A worthy end to one of my all-time favourite TV shows.

7. THE WITCHER

While it’s clearly taken its look from the wildly successful video games, Netflix’s second most ambitious long-form offering of the year takes its lead from the fantasy book series by Polish author Andrzej Sapkowski that started it all. With its somewhat episodic set-up and decidedly twisted narrative timelines, it take a few chapters to get the hang of it, but there’s plenty to draw you in, from the exotic world-building to the frenetic action and compelling collection of richly crafted characters. Henry Cavill is the titular hero, lovably grouchy mutant monster-hunter Geralt of Rivia, but the real scene-stealer is co-star Anya Chalotra as roguishly self-serving mage Yennefer of Vengenberg.

6. CARNIVAL ROW

One of the year’s two big sleeper hit TV surprises for me was this inventively offbeat allegorical Amazon fantasy series from The 4400 creator René Echevarria and screenwriter Travis Beacham. Orlando Bloom and Cara Delevigne are the star-crossed lovers at the heart of this intriguingly dark and dirty murder mystery thriller set in Victorian London-esque city-state the Burgue, in which humans struggle to co-exist alongside a struggling disenfranchised underclass of fae (fairies, fawns, centaurs and the like). The racial turmoil undertones are writ large throughout, but this is far more well-written and lavishly appointed than you might expect on first glance, and almost ridiculously addictive viewing.

5. LOVE, DEATH + ROBOTS

My other big TV surprise was this wonderfully bizarre sci-fi anthology series of animated shorts from Netflix, mostly adapted from an eclectic selection of short stories from a wide range of top-notch literary talent including Peter F. Hamilton, John Scalzi, Marko Kloos and Alastair Reynolds (a particular favourite of mine). As you’d expect from the brainchild of Deadpool director Tim Miller and producer David Fincher, this is edgy, leftfield stuff, frequently ultra-violent and decidedly adult, and the wildly varied nature of the material on offer makes for a decidedly uneven tone, but there are some absolute gems on offer here, my favourite being Suits, an enjoyably simple tale of salt-of-the-earth farmers on an alien world utilising clunky mech suits to protect their settlement from rampaging giant xeno-bugs.

4. THE DARK CRYSTAL: AGE OF RESISTANCE

The show with the biggest cinematic wow factor in 2019 had to be this long-awaited prequel series to Jim Henson’s classic fantasy movie masterpiece, created for Netflix by, of all people, Louis Leterrier (yes, the director of The Transporter, Now You See Me and Clash of the Titans, if you can believe it). The technology may have evolved in leaps and bounds, but there’s a wonderfully old school vibe in the delightfully physical puppet effects used to bring the fantastical world of Thra and its denizens to life, so that it truly does feel like it’s based in the same world as the film. This was EASILY the most visually arresting show of 2019, packed with exquisite character, creature and set design that perfectly complements the awesome work done by Henson and Brian Froud on the original, while the writers have created a darkly rich narrative tapestry that makes Thra seem a more dangerous place than ever.

3. THE UMBRELLA ACADEMY

I was a HUGE fan of My Chemical Romance frontman Gerard Way’s magnificently oddball alternative superhero comic, so when I learned that Netflix were adapting it I was a little wary because I knew how spectacularly hard it would be for ANY showrunners to get right. Thankfully Steve Blackman (Fargo season 2) and Jeremy Slater (The Exorcist TV series) were the right choice, because this perfectly captured the outsider nature of the characters and their endearingly dysfunctional family dynamic. Ellen Page, Tom Hopper (Black Sails, Merlin), David Castañeda and Emmy Raver-Lampman are all excellent as the more “functional” Hargreeves siblings, but the show is roundly stolen by Misfits star Robert Sheehan and Nicky, Ricky, Dicky & Dawn’s Aidan Gallagher as nihilistic clairvoyant Klaus and the old-man-in-a-child’s-body sociopath known only as Number Five. Consistently surprising and brilliantly bonkers, this was definitely the year’s most wonderfully WEIRD show.

2. STRANGER THINGS (SEASON 3)

Writer-director duo the Duffer Brothers’ ultra-nostalgic 80s-set coming-of-age sci-fi horror series remains the undisputed jewel in Netflix’s long-form crown with this consistently top-drawer third season expertly maintaining the blockbuster-level standards we’ve come to expect. This year the cross-dimensional shenanigans have largely been jettisoned, replaced by a gleefully nasty through-line of icky body horror that would make major influences like David Cronenberg and Stuart Gordon proud, as perennial teenage bad boy Billy Hargrove (the fantastically menacing Dacre Montgomery) becomes the leader of an army of psychic slaves under the control of the Upside Down’s monstrous Mind Flayer. The kids are all brilliant as always, Winona Ryder and David Harbour really get to build on their strong-yet-spiky chemistry, and the show is almost effortlessly stolen by Joe Keery as one-time golden boy Steve Harrington and series-newcomer Maya Hawke as his nerdy new foil Robin Buckley, who were very nearly the cutest couple on TV in 2019. Another gold standard season for a true gold standard show.

1. GOOD OMENS

Sadly, legendary author Terry Pratchett died before he could see the adaptation of one of his most beloved novels (and one of my all-time literary favourites too) see the light of day, but at least his co-author Neil Gaiman was around to bring it to fruition with the aid of seasoned TV director David Mckinnon (Jekyll, Doctor Who, Sherlock), and the end result sure did him proud, perfectly capturing the deeply satirical voice and winningly anarchic, gleefully offbeat and gently subversive humour of the original novel. David Tennant and Michael Sheen could both have been born to play Crowley and Aziraphale, the angel and demon nominally charged with watching over the young Antichrist in preparation for his role in the End Times, even though they would both much rather the world just went on quite happily the way it is, thanks very much. This is about as perfect an adaptation as you can get, the six hour-long episodes giving the surprisingly complex story time to breathe and grow organically, and the result is the most fun I spent in front of my TV this year.

#best TV 2019 #watchmen #the boys #preacher #the witcher #carnival row #love death + robots #love death & robots #the dark crystal age of resistance #The Umbrella Academy #stranger things 3 #good omens

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