#the duality of human beings

[regulusrules]

Being an academic writer and a fandom girlie at the same time is so weird. one day you're writing a comparative analysis about 19th c indigenous writers. and then the next day you're like welp, let's explore the traumas of 2008 bbc merlin

[afsosville]

Spreading some Shen Jiu positivity coz I need it lol.

You know what's so great about Shen Jiu? It’s that we don’t have a clue what Shen Jiu would’ve been like if he had a chance to heal from his trauma or was equipped to deal with it. (That includes learning coping mechanisms that don’t involve lashing out on other people and getting the TLC he deserves.) We have already seen him at his worst, I wanna know what he’s like at his best!! The world nerfed him with trauma and angst coz it knew a Shen Jiu with mental stability would be a force to be reckoned with. He embodies the quote “Jupiter was meant to be a star but failed.” This is why I love Shen Jiu fics so much (at least the ones where he heals and all that). No coz I'm not getting over the fact that he used a powerful sword flying technique during the burning of the Qiu manor without practicing it first and only saw it once before just straight up pulling it out of his ass like- Or that he become a peak lord despite every fucking disadvantage thrown at him. Also! I'm pretty sure his spirit roots and cultivation talent was equal to, or even greater than Yue Qingyuan as a kid before it got ripped away from him LIKE WHAT- 

Everyone has their own interpretations of Shen Jiu’s character and it's nice to explore. Ofc I don’t like the way he is in canon. If he was a real person, yall would hate him too. I like Shen Jiu for the potential he had as a person and who he could’ve been. And I like coming up with AUs and ideas for how things could've gone differently for him because, for me, there's something so therapeutic about seeing/writing characters break cycles. Shen Jiu not having done so in SV had a narrative impact by emphasising how people display problematic and violent behaviours in response to trauma. That is why the protagonists and male leads of MXTX novels are written the way that they are, to contrast the villains. Characters like Xie Lian, Lan Wangji and Wei Wuxian are examples of people coping with their trauma positively (semi positively if I'm being honest but the point remains). So excuse me for making Shen Jiu the protagonist in practically all the fics I'm working on lol.

Technically you can’t even say Shen Jiu is OOC for these kinds of SJ fics, coz, again, we don’t know what he’s like if he actually got the help he needed. There's this fic called Residing Over Autumn Leaves, where Shen Jiu’s personality is so malleable that he completely reflects the environment he was around in his earlier years. He suffers through a Qi deviation that actually erases his memories and he becomes a white lotus Jiumei. It’s because he was in Qing Jing peak most of the time and all his disciples and martial siblings protected him. And then there’s fics like The Hidden Flower, and the Memories Remembered series. Those speak for themselves. I'm assuming yall read them coz they're pretty much the most popular Shen Jiu fics on AO3 lol. 

Btw, I am NOT looking to argue with anyone over smt like this. Like YES I know what he did, and made sure I had that info (coz the spreading of misinformation is wild).

But I hope it's at least undeniable that he deserved to heal for what the Qiu's and Wu Yanzi put him thru??

[amaryllis-sagitta]

I've always disliked the spirit origin theory and I finally know why

To put it briefly: it's the cornerstone of the Thedosian brand of gnostic pessimism ingrained in the worldbuilding around both Fade spirits and elves, that subtly condemns their existence among the living no matter how hard the writing tries to compensate in the other direction (and to be fair, it hardly ever does).

I have already mentioned in several analyses that the worldbuilding in Dragon Age is trying to impose some objective moral order through the system of virtues embodied by Fade spirits and the speculated position of the Maker, illustrated through the visual allegory of The Gaze. Every place where the Gaze does not fall is identified as the Void - the realm of the Blight, demonic whisperings, evil in mortals' souls, oblivion and erasure.

This moral compass ingrained in Thedosian worldbuilding is outlined in the Canticle of Threnodies. I have always posited that we can read the Canticle's "Maker" as a purely formal locus meant to hook up some form of prisca theologia that would be partially true regardless of whom we put in the Maker's seat.

For example: the Canticle claims that when "The Maker" created the physical world from a portion of the Fade itself, then Their firstborn, Fade spirits, turned away from their perfect resonance with the Maker. They envied what they were not, and for this poisoning of the heavenly "song" with discordant (so, evil) intentions, the Maker castigated them, declared them the first demons, and made humans Their "chosen" race -- presumably, this time building them of both Earth and Spirit so that they would not envy partaking in either.

After multiple hints left in DAI Trespasser, that sparked speculation about the spirit origin theory as the dominating fan theory years ago, DATV confirmed that the "firstborn elvhen" were Fade spirits that manifested physically. They used lyrium, the blood of the Earth's Titans, to build themselves physical bodies. The Stone retaliated, and the first elvhen waged a war with it, eventually devising a way to sunder the spirit essence/ dreams from all Titans. It is heavily implied that this choice to carry out their existence on Earth as war and conquest has twisted whatever the "virtuous" spiritual nature was left in the Evanuris, and that after the end of that war, Elgar'nan simply could not stop.

Why would they do it though? While some concept art from the artbook shows spirits observing primordial dwarves dwarfing, in the end, the Regret mural that shows Mythal inviting Solas into the world explicitly tells us he had no desire to live "as HUMANS" (and the story fails to bridge that lore drop with the known lore about humans allegedly arriving to Thedas from across the seas, and only being able to thrive after the Veil).

So, despite disproving the story about the Chantry's Maker creating the Veil, the writing confirms the Chant's initial overtly anthropocentric orientation. Humans were always special and spirits were always meant to backup and store their ethically charged concepts. But the important accomplishment here is that spirits/ elvhen are doomed with an inherent moral error that snowballs into inevitable strife, destruction and error!

But wait, there's more! Because now that we have the anthropocentrism as our implied position towards the Thedosian races, the history of the elvhen race looks even more like some bizzare form of "karmic" reckoning that completely misses the point of a reckoning, to replace it with unwarranted generational punishment. First, as a result of the Great Betrayal, the elvhen are sundered from their connection to the spirit essence, and thus subjected to the Quickening, which I guess is supposed to be a way of the world giving the elvhen a taste of their own medicine and saying "Be careful what you wish for". Then, once they are finally effectively like humans in every metaphysical respect (unbeknownst to everyone except the remaining ancient elvhen), the moral corruption of the Evanuris gets passed on as the Tevinters learn to glorify blood sacrifice at the behest of their Old Gods (who are really Evanuris speaking through their Archdemons, at any capacity they still have left). This gets used to further humiliate the remainders of ancient Arlathan. What happened to the elvhen now gives Solas reason to hate the mortal physical existence of elves twofold.

The fact that elves keep being punished by the narrative is a direct result of BioWare implementing the spirit origin theory the way they did, because it was devised as a scenario of original sin that necessitates conflict and moral downfall, and ends up snowballing into dooming elves through and through.

But more than that, as I have mentioned in another post, on the metaphysical level, "pure" spirits should be occupied solely with their respective defining abstracts. Spirits should know no desire. Desire is the "unquenchable flame" that defines humans. As far as DAO, we would read that the more benevolent spirits prefer to sit back in the Fade and not interfere with the mortals, and the ones with the greatest drive to join the living are predatory demons.

And the reason for all of this is "the Maker" being bored of perfection in the Golden City, and wanting some change. That the world requires change and opposition to let its best aspects shine is not an controversial idea. However, in the Dragon Age worldbuilding, this necessity for change is not introduced under a milder Hermetic assumption that, even after being cast down into a darker realm of the incarnate, one can successfully control their mundane passions and heal their soul from corrupting influences whilst existing physically... Not on the grand scale, at least.

Once spirits decided to enter the physical world, they started acting like they were trapped and forced to fight for their lives (despite them being the trespassers). The vast majority of them got spiritually corrupted (if they didn't represent vices like Tyranny from the get-go), they dragged their hesitant kin down with them through manipulation. The elvhen race fell into tyranny as their "First" were actually the worst, yet people looked up to them for survival. One particularly inventive specimen devised two catastrophic tools -- one, to deflect onto the Titans whatever should have happened to the first elvhen in order to sunder what has been wrongly joined; the other, to sunder the tyrannical Evanuris from the rest of the elvhen and spirits and stop their corrupting influence. Yet, because the world changes, the collateral of one such tool introduced a wholly new type of rampant evil, and the collateral of the other made the whole elvhen race spiral down... even further into their entrapment in physicality!

The way they built up the spirit origin theory, it draws a full circle: first, the Southern Chantry and the Dalish demonize Fade spirits - one for dogmatic reasons, because it sees the marriage of spirit and flesh as something that is evil even in humans, the other because they can't be denied that healthy cackle of metaphysical irony even if they try their hardest. Then, with DAI Solas and Cole, we're acquainted with a more sympathetic understanding of Fade spirits as being that are fundamentally different but operate on a logic that doesn't automatically lead to a shitshow of a moral downfall. But then, we learn that a group of spirits doomed the entire world to millennia of strife because they felt curiosity for the Other and because the choice to cross the great threshold almost automatically made them forget the virtues they supposedly embodied and spiral down into the "lower" survival instincts.

Personally, I believe that spirits & elvhen could be built on a fundamental existential difference in a way that would have made their excursions into each other's realm temporary. I believe that the spirit origin theory, even if upheld, could have been taken in a direction that didn't imply instant rampant and thoughtless collonialism on the elvhen part. I believe that such choices would have enforced worldbuilding that didn't need to condemn the spirits/ elvhen with that weird version the original sin that receives completely unsympathetic treatment as the time goes by.

[tumblweeds-omegaverse]

random omegaverse thought:

There must be people who experience specific instinct things with indifference or boredom.

Procreative cycle coming up? "Crap, I've got plans this weekend...stupid skip weeks."

Caught an intriguing scent while walking? "But I need to get to work! Shut up brain."

Had a snap response to a distressed sound? "Who was it?! ...right, it's my day off, I can go back to sleep."

Somebody growled at them? "Kid, I'm not a rival, that's my sibling."

Super cozy cuddle session happening nearby? "I'm gonna pass tonight guys, no social battery left, maybe next time."

Group of friends heading out to flirt and check out other singles? "I'm coming with you but only to make sure you all get home safe."

Setting where fated mates or soul bonds or permanent marks are a thing? "Meh. I don't really want one or care if I ever get one."

People in the actual omegaverse would get as bored of their stuff, as we do of ours, you know? It could be interesting to see that kind of vibe in fics. Biological demands faced with all the excitement of paying bills or doing laundry or tying your shoes.

Even if that kind of energy might not drive a plot, it could be interesting to have as a contrast to the people who do have big feelings about them - good or bad.

There's the friends who can't wait til they have a pack of their own, and the one friend who isn't against it but couldn't care less. There's the group in the office who are all about scent compatibility tests and figuring out one's best match and what sprays most highlight it, and the coworker who has no intentions on putting that much effort in. There are parents who hover and protect their offspring by scenting them multiple times a day, and others who don't see what the fuss is as long as it's done in the morning.

...also: packs with introverts who show care by giving each other space. So often, closeness is depicted through physical touch and tactile affection, but comfortable silence is meaningful too. Knowing people are near, but not having to interact until you're ready. Sitting in the same room doing different things, knowing that all it takes is a "hey, look at this" to share what you're up to. People understanding and accepting each other's differing or fluctuating needs for how and when to recharge. Seeing somebody reaching out or sharing space, beyond what's their norm, as a signal of the fact that they care.

[corpsecoded]

found out i have an intestinal parasite -_- this is all very ironic and i have no one to blame for this but myself considering the fact i have been obsessed with parasites and the idea of something crawling in my body for the past year

[randomnameless]

Genuine question, not trying to start a fight, why do you get so upset about gods and churches being presented in a negative light in fictional works?

No pbs!

I guess it's a mix of being too common, too forced and having, in general, the cast use common tropish arguments to fight /defeat them.

I rant a lot about this game, but take TS where we have three sort of factions opposing each other, and each are supposed to suck. Who is the faction who never receives any "positive traits" or "pet the dog" moment?

The game force fed us a scene where an Aesfroti soldier - when Aesfrost is depicted as a highly militarised nation with a cult of personality towards their current ruler, that invaded the protag's home and slaughtered several civilians and NPCs in the process - say goodbye to his wife and kids before going to "war" to defend his land against, well, the protags who are invading it to kill their warmongering leader.

As force-fed as this scene was, it, I believe at least, tried to tell us that even the Aesfrosti who pillaged villages and killed their inhabitants are humans, and care about their loved ones, sure it's corny, but it's all about not deshumanising any party.

When we attack Hyzante? Niet, zilch, nothing. No similar scene where random soldiers, or NPCs, worry about what is going on and if they're going to die when their wall has been breached. They just, don't exist in this context.

I think the cherry on the cake is the Golden Route scene, where, apparently, nationalists Aesfrosti decide to turn back against their ultra charismatic leader because, uh, he "lied" when he declared the war and used a false pretense, so the soldiers and people who were butchering babies and invading a city where people were preparing a marriage apparently now have morals and rebel.

There's no similar scene for Hyzante when the cast reveals that the teachings of their Goddess were made up and salt wasn't exclusively given to them by divine intervention, because rock salt exists everywhere. Sure it would be a bit weird and forced that people thinking they're chosen ones and looking down on everyone else suddenly, hm, don't break down when their entire system of belief is shattered, but hey, if the Aesfrostian Gregor can have morals after washing his hands of all this Glenbrookian blood, why shouldn't religious npc #55 not make the same heel face turn?

And then, we have the slavery/human experimentation plot - in general, when TS tries to give nuance, they more or less explain/justify why something that "sucks" is done, it's basically Silvio's character.

Aesfrost' Gustadolph manages to push his "freedom" mentality because his land is a harsh place where people are desperate to survive, salt smuggling is reprehensible, but it's the only way to give some to the ones who cannot afford it. Of course is everyone is free, no one is because, as Gustadolph puts it, they're basically free to die for his ambitions.

Hyzante? Follows a racist creed where Rozellians have to pay for some great sin, and are slaved away in a lake to recover salt until they die. It's, later, justified by Hyzante wanting to keep its salt monopoly else they don't have anything, and wanting to curb down the Rozelle people because they know about the exitence of rock salt (and I guess getting free workers to harvest salt from the lake + having state enemies make his own population docile/not willing to rebel ?).

And then, we have the human experimentations, that are just done for, uhh, Idore's lol. When Hyzante is known for its "advanced medicine" and we could have had the usual dilemna of, idk, having those humans experimentations used to develop this medicine that is reknown in the world (idk, sacrificing a Rozellian to save someone else's life?) - it's not the angle the devs picked. Rozellians are sacrificed to power up an idol, Idore wants to control the world through his idol and soft power (compared to Gustadolph's hard power) and manipulates his people (just like Gustadolph) to do so.

The two are very similar, but who is the final boss? Complete with a transformation in an eldritch monster? The war-mongering imperialist or the jaded old man who is leading de facto a religion?

Hopefully there's the entire "human experimentations for no other purpose than the lols" to settle them apart.

---

I recently watched Dune, and even if I have some issues with the adaptation, the Bene Gesserit isn't portrayed as "comically" evil-er than the Harkonen Empire, I reckon the comparison isn't adequate, because Dune is multi book series when I'm mostly talking about video games.

Symphonia's church of Martel is a font for the Big Bad (tm) to put in motion his nefarious plans, and yet, through the game, we see how random clergymen use their, uh, religious buildings to help people around. Ultimately Martel herself is reincarnated through plot device and tells the big bad to stop being an ass and the story is less about "church and gods evil" but "big bad distorts Martel/church's teachings and role for his plans because he has a tragic backstory"

(but then Symphonia ends with the biggest whitewashing from every Tales I've played for its big bad so I'll stop talking about it because otherwise I'm going to be salty).

Abyss' church is more or less the same thing - the Church is supposed to help people deal with the fact their verse has "predestination stones" where the future is already written, and in the course of the game, we see how it has several factions and one opposes the group (who has the pope as a NPC!) - but it's not a story about "gods bad church BaD".

I remember playing Suikoden Tierkreis a long time ago, and while the game seemed to go through familiar "church bad gods bad" route and we end with defeating a god-like entity... I pretty much loved the twist that, in a game that relied on alternate dimensions/universe, the god-like entity was actually the protag if he made different choices!

In those games, if you fight a religious body and someone pretending to be a God or what not - it's not because people fight against an eldritch creature who wants world domination and to erase puny insects, or is the reason why everything goes wrong, but because, at the end, the conflict/fight is ultimately caused by someone, generally a human or at least a non "god like" entity, wanting to destroy the world.

I don't remember if FE was my first JRPG series or not, but I always liked the idea that if the world is doomed in those games and the heroes must prevent said doom, it's not because a god-like being wants to destroy the world, but because people, humans/randoms are the most shitty ones out there.

---

As for the "tropes" often used to deride fictional churchs and religious people, well, I will again point to TS - which did a splendid job in the Benedict Route where you smash Hyzante after allying with Aesfrost.

There's one battle where out protags diss Hyzantese because they worship a goddess and have no free will, listening to Her teachings and Her says (the traditional "religious people have no free will and listen to their churches who tell them how to think!") - which is immediately countered by one of those Hyzantese characters asking Serenor if he's not the same, but instead of blindly listening to a Goddess, blindly follows Benedict. And it ends with the final chapter title referencing automatons/puppets : who is that title talking about ? The fake "idol" Idore created, or the fake "king" Benedict created?

Anyways, the usual "religions people have no free will because their church/religion tells them how to think" trope reeks of r/atheism and the double standard - bar in this route of TS, but I guess, in TS itself in the Roland route! - is never called out, blindly following a charismatic leader is okay, as long as charismatic leader isn't religious?

Regardless of my IRL thoughts about religion, usually those tropes are presented as a "gotcha!" when they are... not at all, but the games/books leave it at that and we're supposed to roll with it.

I'd say it's lazy writing or, as we saw in Naruto, a quick way to end a story without having to dwelve in characters and their motivations : "you're a god/alien/other being and you're bad, so let us do what we want!" - end of the story.

Hopefully some fillers and to an extent, Boruto gave her more meat bar being the 11 hour villain we had to defeat quick and who manipulated the previous sad'n'lonely antagonists - but it still felt rich from Naruto, known for his famous "talk no jutsu" and trying to understand people he's fighting against, to drop the ball with Kaguya, calling her pure malice and ending with some "let us live the way we want" to wrap up the plot so he can wrestle with his boyfriend later on.

In the end, we often end up with "religion bad bcs the big bad manipulates people through it", as if those mangas/animes/vg never have other examples of charismatic people not using religion to manipulate their randoms/people or "gods bad they should let humans do what they want" when we've read/seen/played through various, uh, really fucked-up shit humans did - but on their own! and ultimately, but it's more in fandom spaces, with have Projection 101.

TLDR : church/religion/gods are too often used in those works as the ultimate scapegoat to either wrap up a story in a rushed ending or to pretend to have "nuance" but still have a common enemy where all the "nuanced" characters can grow/be whitewashed and side together against that "common enemy".

Just like in all things I guess, I prefer when something isn't painted as purely negative and all of the positive traits are erased because there is a need for a perfect scapegoat - sure, bring out too much "nuance" and writing/designing a game/manga/anime becomes harder because there's no "clear cut" antagonist, and yet, the one who always gets fucked in this scenario is the religious/church side.

Want a generic stock villain who will destroy the world so the heroes have to fight against them? Just create a "religion" in your setting, and have the big bad either hell bent on resurrecting Chtullu to destroy the world because Chtullu BaD, or have them be the most corrupt piece of shit who manipulate everything in the shadows, so the rest of the world, even the ones who slaughter others bcs they feel like they must start a war, can be whitewashed at the end.

I mean, there's a saying about diverting attention from a fire by starting a bigger one near, or a trope of "aliens made them do it" : who cares if Madara started a continental war and targeted a village full of random civilians he swore to protect because he lost the elections? Did y'know he was manipulated by a woman, I mean, an eldritch thing created by a woman, regarded as a God, who ultimately wanted to get out of her fridge to kill everyone?

Roland must get over his hatred for Aesfrost for barging in his kindgom and killing hundred of his people while they were preparing for a wedding, because hey, Idore is evil and plans on ruling the world through his sham religion!

I'll forever be salty at TS for not giving Kamsell the occasion to rise against Idore, or not even have minor NPCs get the same treatment as Sycras suddenly going all "u lied to me gustadolph so i won't listen to u anymore + sad goodbyes to my wife'n'kids".

Extremism of all kinds can lead to wars/tragedy/fucked up shit - Sure I don't want to get my History lessons in video game medium when I play lol, but what I really don't like is how it feels like depicting "they're extremists because they're religious" feels like the default/easy answer : want a bunch of brainwashed people the heroes must fight against and can't talk no justu their way out of this fight/will fight without looking too BaD? Depict those people as "misguided" members of a corrupt church/believers of a religion, no one will givea fig. If they are instead supporters of a charismatic leader who throws them through the meatgrinder to further their goals? Well, there's no automatic loyalty so either you have to show/depict it on screen, else it can be challenged at key points to demonstrate how those people - who follow the charismatic leader - aren't completely "mindlessly listening to their leader" or how their leader "isn't that bad after all".

[seajestic]

Recently read hell take us, heaven can wait by KivaEmber. Am now obsessed with the idea of Demi-Fiend Akechi Goro. Sometimes all you gotta do to solve your daddy issues is to just nearly die and then get turned into a half demon in the most traumatizing way possible.

If you wanna read it, link is below the read more

[wayti-blog]

“What's going on in our world today is not something we can run away from. Therefore the calmest place is the eye of the storm. (...)

Chaos may be swirling all around us but if we stay in the center, obviously also metaphorically the centre of our own Being, that's where we're going to be able to handle everything that's going on, no matter how chaotic it gets. (...)

In the eye of the storm we're not tossed about by what we see.”

― Darryl Anka

[starmocha]

Xavier is a special boy with a special place in my heart

[science-lings]

One of my favorite tropes is when a character is reminded of something kind of obvious about another character. Like yes, Clark Kent is an alien and that means something, he's not going to be built or wired exactly like a human even if he looks like one.

Damian, despite being raised by assassins and never being allowed to show weakness, is still usually depicted as a child so sometimes he acts like a child. Not just in the typical black & white thinking or automatically trusting the adults around him, but learning how to like things he was taught are childish or letting himself feel things other than murderous rage.

With a lot of the robins they're used to fighting crime and throwing themselves into dangerous situations but as batmans partner, is always a kid. So I love it when they act like kids in spite of everything they've been through and how capable they are as combatants. They still get scared and they still yearn for comfort and they still cry when they can't possibly hope to contain all their emotions.

[bumblingbabooshka]

Tired of seeing “Neelix is racist” takes - if we can forgive Mccoy’s “Green blooded freak” ass then we can grant Neelix amnesty

[goldensunset]

i didn't think i cared much for n's final battle theme bc i'm a sucker for melodically strong pieces aka certified bangers. but i must say it does a good job at making you uncomfortable when you really listen to the details. it's got tritones, clock ticking sounds, heartbeats, fire and lighting sound effects for reshiram and zekrom, up and down flights, ominous choir, plenty of dissonance. i woke up in a cold sweat at like 5am today with it hauntingly stuck in my head for some reason and that makes it deserving of my respect

[knowlesian]

one of my favorite parts of rereading the republic is how fucking petty plato can be

sure, sure, there’s a lot else going on about what makes a good leader/governance/society but so much of it is plato going so anyway, fuck that cephalus dude in PARTICULAR (and ps this isn’t just my opinion so don’t come at me, this is SOCRATES talking hey guys, did i mention he was my mentor? anyway “socrates” says cephalus is a virgin who can’t even drive and we should all throw rocks at him)

[radioactive-cloud]

nace jordan keeps winning the sweetest human being challenge

[selectedthoughts]

Decompression

Any possibility must be probable; chaos is what drives every action.

From chaos, everything moves in the right direction so that it doesn't seem like it. Often, as a society, we operate with a complex of self-sufficiency. We take things for granted that haven't always been there and are difficult to obtain. In many cases, we have many things at our disposal that make us feel small. Having everything we need within our comfort zone prevents us from striving for more. On the other hand, there is also a part of us that always wants to possess many more things. We find ourselves daily within these dualities. What a great exercise it would be to be content with the things you have in the present. As with other mental processes, there is also a part of us that invites us to be alone and another that invites us to relate to others. Being with people overwhelms us, while being alone brings some type of melancholy. After that, we can either be alone or feel lonely. One option is very gratifying, while the other keeps us away from ourselves. The action is the same, but the repercussions are different.

Talking with different people, on the other hand, creates a duality regarding different individualizations of the human being. At one moment someone speaks, at another moment they listen. Thus, a transmission of ideas is created, which creates a duality in terms of individualization. There are more people who speak and therefore may think. A society is created that can transmit ideas, and very concise ones. This is not believed to happen with animals. This seemingly makes us the strongest species on the planet. The only individualized species that contemplates complex ideas. This makes us bear the weight and leadership of this planet on our shoulders. Even so, in my opinion, within the chaos and the underlying individuality of any living being, humans, knowing only what they do, should use their individuality and group consciousness to achieve unity with their land and universe, assimilating a chaos that respects and represents even more the strength we have as living beings.

[carmarriage]

finiched rewatching transformers animated this fine afternoon 👍 tfa shockwave is sooooo good. i love how compared to autobots he's this huge scary monsterdude but when he's with the other decepticons he's a skinny little nerd getting his shit kicked in constantly. truly impeccable