#the difference between the style I use for comics and my own style is really funny sometimes

[nightmun]

Couple drawings of Lucky in my normal style

[retrofightingrobot]

This scene is from Mega Man 7, and wow, the dialogue differences between the Japanese and American versions are something else!

In the American version, Blues comes off as kind of arrogant and maybe even a bit annoying. Is he trying to provoke Rock? LOL

In the Japanese version, Rock doesn’t even know that he and Blues are brothers. But in the American version, fortunately that’s no secret! Blues just straight-up calls him “brother.” And then, out of nowhere, he calls Dr. Light “father”… which, to me, is crossing a line.

The reason for their fight looks different, too. In the American version, it’s just a “let’s see who’s stronger” like Bass-style rivalry. It feels really silly.

fun fact: his original name is actually “Blues” in Japanese. “Proto Man” is his American name. The Archie Comics adaptation used both names, which I thought was a really cool! I like the idea of him having two names… or three, or four. :))))

When I make my own strips, I don’t usually stick to one version unless I’m referencing something specific, like that Ikehara Shigeto's Mega Man 5 manga scene I did. Generally, I mix both the Japanese and American versions. I like the idea of Rock knowing Blues is his brother, otherwise, it feels really sad and even frustrating. Angst…

At the end, the American version decided to make Rock straight-up try to kill Dr. Wily? Totally out of character for him. Maybe American Proto Man annoyed Rock so much that he starts malfunctioning from annoyance. (Tottaly joke, guys)

[akanemnon]

Last question before I once again leave you to rest and recuperate for the rest of the hiatus.

Do you know color theory by any chance?

(And if so, can you teach me some techniques…? /nf)

Your most recently posted piece is so amazing that I can’t even put it into words. It’s cool how you can switch between styles like that. However, I hope you’re taking of yourself in the process!

If there’s anything to learn from the anon attacks, it’s that even though some people unfortunately don’t see it, being an online influencer of any sort is more of a sacrifice than it looks, and it can the tiring to the creator when others don’t understand. Im not half as popular as you are and I too am starting to feel the effects of posting almost everyday for the sake of the fans.

You’re probably the first online artist I’ve been a BIG FAN of. Not just because of your AU, but because now I’m know I’m not the only easily anxious artist out there. You’ve really inspired me, and lots of other people too, but to keep up the good work, you have to make sure you’re also okay.

Take care!

- The Kogetai Kiddo.

I know some color theory in terms of creating designs. For painting, not so much. It's a pretty complicated subject to explain, so that might take quite a bit to get into...

And no worries, I am taking care of myself and take plenty of breaks in between when I'm getting too frustrated. As for the style thing; I like to try different things once in a while to prevent stagnation. I can switch between styles thanks to practice, but changing mediums does take some getting used to. Digital painting is not exactly something I'm that good at because I don't do it that often. It takes a lot of time and energy. But it's a good challenge.

Honestly, I don't want to be titled as an "influencer" or "content creator". I'm just some person who likes sharing their work and comics that people seem to like them a lot. I'm no authority figure and I don't like seeing myself as something greater than others just because of some numbers. Numbers don't mean anything. It's the person that matters. I just wanna make art, and if it happens to make people happy, I'm happy too. Still anxiety and internal pressure can make things hard. There IS that underlying feeling of having to perform and do well. Because those are your own standards. In the end, you are your own worst critic. Anxiety is the worst, and it's an endless struggle against it. But it's possible to live with it. At some point, taking a step back and realizing you need a break is the right call.

Hoping the best for you and all the other anxious artists out there!

And with that'll be off on my last few days of break. Asks are closed now. See you back on Sunday!

(Little teaser from the next page for good measure)

[atlaculture]

Hello!! Firstly, I love your blog, thank you so much for providing such useful and interesting information! Secondly, how was pirate culture in the Qing dynasty? Especially in regards to their clothes. I'd like to make an Earth Kingdom pirate oc, so I've been taking some inspiration from Jiang from the comics and Ching Shih, a famous pirate, but I'd love to see any information you could provide about this topic! Thank you!

What a neat question! The pirate culture during the Qing Dynasty was really interesting. Since I know I have a lot of historical fashion fans following this blog, I'll show you the inspiration board I created first and then try to connect it to the Avatar world. If you're interested in the history of Qing-era pirates or the greater context behind my clothing recommendations, you can click on the "Keep Reading" line.

So what might the pirates of the Qing Dynasty have worn?

Since Qing Dynasty pirates spent most of their time in the South China Sea and docked along the China-Vietnam borderlands--- both the Qing Dynasty and the Tây Sơn Dynasty had employed these pirates at different points in time--- they were likely a mix of Chinese and Vietnamese culturally, if not ethnically. Their clothing would reflect this, as well as incorporating fabrics and cuts that would be suitable for a tropical climate. In general, their wardrobe would be very Southeast Asian in style.

Since you seem to be designing a female OC, I figured I'd make a collage of clothing and accessories that a Qing Dynasty lady pirate might have.

Headwear

Khăn lươn (Vietnamese Women's Headwrap) - Used to keep hair neat and out of the way. It's like a halfway point between a turban and a hairband.

Khăn mỏ quạ (Vietnamese Women's Headscarf) - A bandana that Vietnamese women would wear over their Khăn lươn to shield their hair from the sun. It literally means "Crow's Beak Scarf", because the bandana forms a triangle shape at the front.

Mũ chữ Đinh (Vietnamese Military Officer's Hat) - Many Qing Dynasty pirates would offer their services to the Tây Sơn Dynasty (Vietnamese) navy. I can imagine some pirates wearing these hats as a spoil of war. The hat is showcased on the bottom left corner of the collage.

Nón lá (Asian Conical Hat) - A traditional hat that is commonly worn in Asia by any profession that labors outside. It's probably the hat most associated with East and Southeast Asia.

Đinh Tự (Vietnamese Women's Hat) - A giant, wide-brimmed hat made from dried palm leaves--- it's basically an Asian conical hat on steroids. Whereas the nón lá is relatively gender-neutral, the dinh tự is considered a feminine hat.

Tops

Yếm / Dudou (Vietnamese/Chinese Halter Top) - Fun Fact: Its original purpose was to keep the belly warm, as the stomach is the sea of chi!

Áo gấm (Vietnamese Tunic) - A thin overcoat worn over the yếm. It's often fastened with a sash.

Áo bà ba (Vietnamese Folk Shirt) - A lightweight shirt with slits on the side.

Suoyi (Chinese Folk Raincoat) - A cloak made out of local materials such as palm leaves and grass. It was also worn by laborers in Vietnam, Japan, and Korea.

Bottoms

Kangkeng Le (Thai Fisherman Pants) - They're from Thailand, but I've seen them worn in other parts of Southeast Asia.

Váy (Vietnamese Skirt)

Miscellaneous Speculation

Kiềng (Vietnamese Gold Necklace) - Traditionally, gold or silver Vietnamese/Chinese necklaces were solid rings of metal, rather than being composed of small chain links like European necklaces. I imagine a powerful Asian pirate queen would wear at least three kiềng necklaces.

Tattoos - Since Confucian cultures traditionally considered body modification (including cutting your own hair) to be a sign of rebellion and criminality, tattoos would be the perfect status symbol for an Asian pirate! For a uniquely Vietnamese look, you could try incorporating ancient Vietnamese (Dong Son style) patterns to your design. Alternatively, they could have "protection charm" tattoos on their body, to ensure that the spirits watch over them while at sea or during battle.

Cormorants (Fishing Birds) - Historically, the fishermen of China and Vietnam have trained these species of bird to catch fish for them. I think it would be really cool if your pirate OC had some bird companions.

Weapons

Going to lean into the Vietnamese influence for the weapons as well. Most Vietnamese weapons were heavily inspired by Chinese weapons, but with uniquely Vietnamese touches. Generally, these weapons tended to have more tapered blades, metal engravings with floral patterns, and rattan-corded grips with smaller guards compared to their Chinese counterparts.

Dadao/Trường ��ao (Chinese/Vietnamese Machetes)

Jian/Kiem (Chinese/Vietnamese Doubled-Edged Swords)

Changdao/Guőm truòng (Chinese/Vietnamese Two-Handed Swords) - Fun fact: These swords were really popular with Chinese and Japanese pirates during the Ming Dynasty, as well.

Niuweidao - I don't think there's a Vietnamese version of Oxtail Sabers. Anyways, I've discussed Zuko's trademark swords at length elsewhere. They're civilian weapons that look very pirate-y to me.

Who would the Earth Kingdom pirates be? How would they make a living?

It has been shown that their is a Vietnam analog in the EK, as I've posted about before. The Swampbenders have some Vietnamese inspiration, as well. So the main base operations for EK pirates might have been that EK village that Zuko and Iroh begged in. Maybe the jerk that Zuko stole the swords from was a pirate.

Considering that Froggy Swamp denizens and other Water Tribers would probably be marginalized by EK society, I think their would be good reason for them to become pirates. Especially since waterbending would obviously be a very useful skill to have at sea. Also, since the Northern Water Tribe is shown to be a bit sexist, I could see the surprisingly not-as-sexist world of EK piracy being especially appealing to the ladies of the NWT. As far as EK natives go, farmers and fishermen who've been displaced by the Fire Nation would probably also turn to piracy. Similarly, jaded or corrupt Earth Kingdom and Fire Nation naval officers might switch to piracy, as well. What drives a person to piracy would definitely inform their clothing choices and weaponry.

Like the real-life pirates of the Qing Dynasty, Earth Kingdom pirates likely have no real national loyalties. If you paid them enough, they'd be willing to fight for either the Fire Nation or the Earth Kingdom. You also have to pay them off to cross their territory unscathed. Pirates raid merchant and military ships alike. For refugees who could afford it, they likely paid pirates to smuggle them into Ba Sing Se. Pirates probably also smuggled goods between nations, as well as drugs.

I also think Earth Kingdom pirates would worship water-related spirits, like Yue (+ the Ocean Spirit) or the Painted Lady. Perhaps they'd lay out offerings to spirit alters they'd have onboard or even "feed" the offerings to the seas themselves.

The Greater Context of Chinese Qing Dynasty Piracy

Who were the pirates of the Qing Dynasty?

The pirates of Qing Dynasty were predominantly made up of former farmers and fishermen. During this period, population growth in China lead to land shortages and many farmers lost their land either from being unable to keep up with rising taxes or outright theft from corrupt officials. Fishermen turned to piracy when fishing could no longer guarantee their survival, especially with European pirates and colonial ships invading their waters. In general, extreme poverty drove people to piracy.

Also, Chinese pirates were surprisingly more accepting of female leadership than men from more "respectable" parts of society. This is due to the fishermen roots of many pirates. Traditionally, when a fisherman died, his wife was expected to take over his boat and crew. Also, the two most prominent patron Chinese gods of seafarers are goddesses, Guanyin and Mazu.

What did these pirates do?

Qing Dynasty pirates were a unique fusion of bandit, mercenary, and drug smuggler. Obviously, if you planned on sailing through pirate-infested waters, you had better pay off the pirates to be left unscathed. Otherwise, your ship was getting plundered.

Qing pirates also offered up their talent for violence to the highest bidder during times of war. In the 18th century, Imperial Vietnam would frequently hire and train up Southern Chinese pirates to assist their fleets during naval battles. Those who earned merit during these conflicts would even be granted official military titles. In 1857, the Chinese government would even employ these same South Sea pirates to take down the Portuguese pirates terrorizing their waters.

Finally, as Qing Dynasty piracy reached its epoch at the same time as the First Opium War, Chinese pirates participated in a lot of drug smuggling. As pirates have no loyalty, they had no issue serving as middle-men in the profitable European drug trade.

Where were these pirates found?

The South China Sea was the stomping ground for Qing-era pirates, particularly the Gulf of Tonkin. In terms of ports and towns, they tended to spend a lot of time in the border areas where China met Vietnam. Remember that these pirates offered their services to both Imperial Vietnam and Imperial China, so they didn't exactly have national loyalties.

[novantinuum]

Pink Onyx AU- An Analysis and Theory Post, Part 1

[Part 1- You are here!] | [Part 2] | [Part 3] | [Part 4] | [Part 5]

~

Howdy! Those of you who have followed me for a while have probably been seeing my reblogs of the @pink-onyx-au comic made by @ceephorsshitshow. Well, today I wanna share with you something a little different than my usual SU meta… because today I’m gonna analyze this really cool fan work with the same level of seriousness as I do canon. (Like. Seriously. This first post alone is really, really long. I put most of it under a cut.)

This particular comic is a very special one for me to watch unfold, because it’s evident that a lot of deep care and attention to detail has been poured into its creation. There’s fascinating bits of expanded character development to chew into here, as well as plenty of mysteries and lingering questions for us readers to muse and theorize over. If you follow me for Steven Universe and haven’t read this AU yet I highly recommend you check it out. The most basic pitch is that it explores what a fusion between Steven and Jasper might look like, and does a LOT of deep-diving into the similarities and differences of both of those characters’ psyches.

Here’s the episode masterpost on tumblr.

And you can find it on Tapas, too! 

(Note: For the purposes of these posts, I was given permission by the comic artist to post screenshots of various pages where relevant in this discussion. For each frame used I will list the episode and page number for easy reference. Additionally, this post and all future ones on the topic will contain full spoilers for the comic thus far.)

Now with all that introductory stuff out of the way, here we go!

__

So, on the final page of the most recent update, we get one hell of a visual plot bomb for Steven as ol’ Onyx unfuses:

(Episode 9: Page 22)

He’s now visually expressing remnants of his corruption, where before he was not.

And it’s this mysterious plot point in particular that got me wanting to analyze this comic more deeply in the first place. This is completely new for him in this story. Thus far, he’s never expressed any of these remnants when he’s just himself- not in the way Jasper does. So it made me wonder… how might this shift in his appearance play into the ultimate trajectory of the plot? How does Steven suddenly showcasing corruption scars integrate into the larger story that is being spun here about him and Jasper and how they relate to each other?

Well, there’s a lot of comic details and story lore we need to unpack first before I can take my best theorizer’s stab at this. Let’s dig right in.

__

Prelude: The analyst’s treasure is in the speech bubbles

Anyone who’s been a fan of this comic for a while has probably noticed these fun visual details already, but I’m going to take a moment to break down what I believe each speech bubble style signifies for folks who may not have context. It’ll make some of my analysis later a bit easier, too, ahah.

So. Speech bubbles. What kinds do we have here? 

(Episode 1: Page 6)

Style number one: Solid with black text

This style is standard for non-fused characters, and is also utilized when a fused character is speaking whilst in a state of internal harmony.

Steven is pink and Jasper is orange, of course. Onyx’s speech bubbles are a distinct darker pink, and the main three Crystal Gems get their own colors as well. More minor characters get white bubbles.

(Episode 1: Page 10)

Style number two: Scribbly pink lettering overlaying black text

Whenever you see this type of speech bubble, it’s a sign that there is some level of internal discord going on within Steven or Onyx that is related to their diamond side. It usually shows up when one of the two is in pink mode, but from what I can tell this is not a solid rule.

(Episode 2: Page 12)

Style number three: Pink/orange mixed bubbles

This is how we see Onyx talking for a good portion of the early comic. Their speech bubbles are a clean mix of Steven’s pink and Jasper’s orange. And most vitally, the color on the top and the tail signifies which of them is “fronting” at that moment.

(Episode 3: Page 11)

Style number four: White bubble with solid pink text

So far, this style has only been used to represent dialogue that is being spoken by Steven’s gem half exclusively. Which makes things very interesting, as in Steven’s own remembrances of shattering Jasper on the very first page of the comic, the line “I have been holding back!” is shown in this specific style, instead of the scribbly pink lettering that signifies internal discord.

There is one additional sub-style here- and this is the one moment where we get Onyx’s mixed bubble but WITH the solid pink text. 

(Episode 3: Page 11)

I believe these two styles pretty much mean the same thing… only, the white/pink text is either viewed within memory or a metaphoric fusion mindscape where we the viewer are actually “seeing” Steven’s instability, and thus can “see” his gem half as a separate entity there. While, in reality, this is an argument Onyx is having with the disparate pieces of themself.

(Episode 4: Page 9)

Style number five: Pink/orange tye-dye mixed bubbles

When you see that darker shade of pink start dappling into the standard mixed bubbles, this indicates that there are small whispers of Onyx’s true personality beginning to surface, instead of them constantly being wrested back and forth between Steven and Jasper’s conscious control.

(Episode 4: Page 16)

Style number six: Pink/orange mixed bubbles, but with a darker pink tail

From this page onwards, Onyx’s speech bubbles always have their darker pink shading the tail no matter who is fronting. Sometimes there are little lines of another color etched out of it, and sometimes the tail is solid dark pink. I like to believe that when it’s solid, it means that Onyx is just a little closer to reaching a fully harmonious state than when it’s not.

(Episode 9: Page 6)

Style number seven: Onyx speech/thought bubbles with a hint of pink/orange underlying

This style seems to signify moments where it’s still Onyx fully in control of themself and their actions/words/thoughts, but they’re taking subtle influence from their components or accessing their memory a bit.

These are all of the distinct styles I have caught so far, but quite honestly, it would not surprise me if I am missing something. All of this to say… pay close attention to the speech bubbles. They can tell you a lot about Onyx’s state of mind throughout the story.

Now with all this established, I’d like to finish off this first post with my first big discussion point.

__

Question One: What does Jasper actually know about Steven’s “meltdown,” if anything?

The AU author recently solidified this comic’s placement in the SUF timeline in an ask response, saying that the first episode takes place just a week after Steven’s corruption event.

I’m glad this point was clarified, because it was super vital information which deeply influenced the way I analyzed Steven’s actions and responses in my recent re-read… it means this experience is still super raw for him. This is VERY important and we’ll get back to this in more depth later in future posts. But first, let’s explore what Jasper knows of this event.

The full extent of her knowledge is unclear-

(Episode 1: Page 6)

In Episode 1, Steven briefly alludes to his corruption as seen above… referring to it as “[his] meltdown.” Notably, Jasper does not seem to ask any questions about this stray comment. This COULD suggest that she knows what happened to him a week prior via hearsay, but given the context of the rest of the scene and the fact that she’s as isolated as she is out here I genuinely wonder if she thinks Steven’s so-described “meltdown” is his shattering of her.

This idea would make a good deal of sense, as she doesn’t start to make any commentary on the topic of corruption at all until they’re actually fused- with Steven bringing it up first.

(Episode 2: Page 14)

On this page, Steven takes note of Onyx’s very visible spikes (which are Overtly in the same placement as his own when he was corrupted), and initiates the musing upon his own corruption himself.

With the way Jasper phrases her response, the vibe I get is that she somehow gleans a bit of ambient shared knowledge about what happened to him through their fusion.

(Episode 2: Page 15) 

“That human form you wear must have been hiding your markings.” This quote is SUPER vital. We’ll come back to this later on in this post series, too.

(Episode 2: Page 15)

It’s clear that Jasper doesn’t REALLY understand what he went through or what caused it, since she then outright mistakes the casual woes and body pains of organic life as corruption. (As seen above.) 

(Episode 8: Page 4)

But later on, she outright relates to him over their shared experience of past corruption, so she must at least know enough from mere ambient thought-sharing by this point to recognize it happened.  

It’s obvious that she’s barely scratched the surface on fully understanding her fusion partner, though. Neither of them have. It’s gonna take a lot of fusion, comedic mishaps, and genuine conversation to get there. All in good time, I’m sure.

__

Please do join me tomorrow at 7am PST for the next post in this series! This has been a blast to write up and muse upon.

[solar-wing]

⚣ Duke To The Rescue 💈

⚣💈A/N → Usually, I write my reader characters as general as possible in all manors of looks and traits so as many people as possible can relate (whether male or g/n). But, I wanted to give some special attention since I rarely see any content like this being an African-American writer and reader myself. Hope you all like it! Plus, this is triggering some dark memories of when I used to get my hair cut so enjoy my pain lol.

⚣💈 Summary → You're the newly adopted Wayne kid after your parents are caught in the crossfire of one of Batman's battles. Bruce, trying to prove himself a better father, attempts to do your hair but since he knows nothing about African-American haircare, you're in for a painful ride. Your poor hairline...

⚣💈 Words → 2.0k

REBLOGS and replies are greatly appreciated, please!💛

⚣ ENJOY 💈

“Okay, so how do I do this?” Your dear old dad asks.

“I don’t know! I’m just a kid! Aren’t you supposed to be the parent and know these things?” You asked with your hands waving around animatedly as you sat on a stool chair taken from the dining room into one of the many bathrooms.

Bruce gave you his signature frown while looking at the assortment of combs and hair products on the sink.

After your parents had gotten caught in the crossfire between Batman and one of his notable nemeses, the billionaire decided to take you in, making you an official Wayne kid.

For a 7-year-old, you were very knowledgeable. Something your new legal guardian immediately noticed after adopting you, and because of your age, you were now officially the youngest kid Bruce had taken in. 

You were also the only other African-American kid Bruce decided to take in outside of Duke. And that didn’t even really technically count since Duke was already a teenager by the time Bruce officially adopted him.

So, your adopted father was at a loss for words while staring in the mirror at your hair while you played games on his phone. Your hair had grown to a considerable length, and you’d been asking your adoptive father for a while now to help you get this new style that was becoming more popular called ‘twists.’ Well, new to you since you hadn’t seen it before.

‘I thought that was a dance move.’ Bruce thought to himself.

When you showed him the video you saw, the Dark Knight persona immediately decided he was taking you to a professional barber who knew more about your hair texture and maintenance to give you what you needed.

At least until Jason ran his big mouth.

“Wow, old man. Can’t even take care of your own kid’s hair. Shameful.”

He was really just patronizing the older man, always enjoying the moments when he got a reaction from him now and then. But, he’d begun to regret that decision when he along with your other siblings saw Bruce carrying an armful of hair products and tools to the upstairs bathroom while holding your hand in his other hand leading you upstairs.

It was quite comical seeing the frightened look you threw at your second oldest brother as he along with your other siblings watched Bruce’s towering frame lead your tinier one up the grand staircase with you looking like you were heading for your doom.

In hindsight, you might have been, and Jason could only smile sheepishly at you as Bruce led you toward the bathroom.

Now, they all stood outside the bathroom watching their shared father struggle as he read over the ingredients from the different hair products.

“How bad do you think this is gonna go?” Steph asked.

“Oh, I’m betting on a full shit show within the first 10 minutes,” Dick said while munching on some popcorn.

“10? You’re too graceful dickhead. I’m betting 3 and half minutes tops.” Jason threw out while reaching to grab some popcorn before having his hand slapped by the acrobat. “Hey!” He yelled in offense before getting into a sorta-ish fight with Dick, trying to tug the bag of popcorn from him.

“Cut it out, you two! You act like wild children throwing tantrums.” Damian snapped at the two vigilantes.

“Says the actual child who throws ninja stars and daggers during a tantrum when daddy grounds him from patrol,” The Red Hood persona remarked, stuffing his mouth with a handful of buttery popcorn after nabbing the bag from his older brother who was now mean-muggin' the shit of him.

Damian growled at Jason, rolling up his sleeves before Steph grabbed him by the back of his shirt, pulling him back to his place. The second Robin laughed while taunting the young assassin, throwing kernels at his face.

While that was going on, you sat and watched Bruce read label after label on the various hair-care product bottles.

“Uh, Bruce, are you sure we can’t just go to a barber?” You asked, a fearful tone evident in your voice which did not do well for Bruce’s confidence. Even as a 7-year-old, you could tell when a situation was about to go left without the side comments from your adoptive siblings.

“No, no, Y/N! I got this. What kind of father would I be if I didn’t take care of my own child’s hair.” Bruce said while reading the red bottle. He was holding his phone in the other hand, reading a review online under his breath, “...mixed with a high amount of sulfates to help cleanse build-up of oils and other products in the hair.”

“You realize Jason was joking, right? Right?! Jason, tell him you were joking!” You frantically shouted, turning in your seat towards the vigilante who held a sheepish smile while his mouth was full of popcorn.

“I was joking.” He tried to say, words muffled by his chewing.

“Y/N, calm down. If Bruce can handle taking down crazy madmen and women at night as Batman, how hard could it be to do a simple hairstyle?” Tim spoke trying to reassure you.

And it almost worked…until you felt Bruce try to brush your hair with what you were sure was Stephanie’s hair brush.

“Is that my hairbrush?” Steph asked.

“It says I’m supposed to pick his hair out before washing? Is brushing not the same as picking?” Bruce asked, looking at his kids with the most confused face.

“I’ll pray for you at your funeral, Y/N.”

The desperate and confused face on Bruce's face was actually so adorable that if you weren’t terrified for your scalp (and life) at that moment, you would’ve hugged him just to help him feel better.

Cass had walked into the bathroom before grabbing a larger comb off the counter and switching it with the hairbrush in Bruce’s hands before returning the purple hair tool to its rightful owner.

“Thanks, Cass,” Steph said.

‘You’re welcome.’ She signed back.

“Alright, here we go,” Bruce uttered before grabbing your shoulder and placing the comb at the base of your scalp, pulling back to ‘pick’ through your hair.

“Ow, OW, OOOWWWWWW!” You shouted in pain while holding on to the counter for dear life, feeling like your face would tear in half.

“Bruce, you’re going to rip his head off!” Dick yelled, coming to your rescue, “You gotta comb from the sides.”

He pulled the comb to the side of your hair causing your head to yank in that direction.

“OW!”

“Whoops, okay, maybe that was wrong,” Dick said, smiling in apology at you.

“Alright, you idiots, get out of the way. Looks like another issue I have to take care of for you.” Jason stated, placing the popcorn down before cracking his knuckles which really did not help ease the nerves and fear you were feeling in your stomach. He pulled up his sleeves and licked the butter off his fingers, which, gross by the way, “You gotta pull with some strength.”

“OOOWWW!” You yelled, glaring hard at your older brother who once again just smiled sheepishly at you.

“You guys are hopeless,” Tim sighed, grabbing the comb only to make it worse by tangling more into your hair.

“TIM!” You screamed.

“Maybe I’m hopeless too.” He said, a confused expression taking over his face as he tried to figure out how to solve this.

“Okay, simpletons. Move over.” Damian said.

Your eyes went wide at that.

“UH UH, back away gremlin!” You grabbed the nearest thing that could be considered a weapon which turned out to be another hairbrush. Not even caring, you decided you would make it work. 

Damian was not allowed anywhere near your hair.

“What the- I’m older than you!”

“So?!”

“Fair point, brother.”

Stephanie tried to help but only managed to get the comb fully lost in your hair. You could feel yourself getting dizzy and a headache coming on as your head had been yanked back and forth in different directions. 

As your family was busy yelling back and forth at each other while playing tug-of-war with your scalp, none of them even noticed when Duke came up the stairs, confused by all the chaos.

“What’s going on?” The Signal persona asked Cassandra.

‘They’re trying to do Y/N’s hair,” She signed.

Duke’s eyes went wide as he heard your cries of pain before rushing into the bathroom.

The tears forming in your eyes were clear as day as your tiny hands gripped the counter with everything you had, feeling like if you’d let go at any moment, you’d be yanked out of the chair and swung back and forth like a yo-yo. Duke also saw Damian creeping through the mess to grab at the tangled comb in your hair, giving it a yank causing another cry of pain from you making him smirk in cruel enjoyment.

“Hey!” Duke screamed at the top of his lungs, effectively shutting everyone up and turning their attention toward him. “Everyone out!” He pointed his thumb behind him. They all quickly shuffled out of the bathroom, mumbling to themselves while Bruce remained behind, looking quite beside himself.

Duke picked up the bottle the older man was holding in his hand before turning it over, seeing the ingredients and what he had pulled up on his phone.

“Really, Bruce? Sulfate?” Duke said.

The billionaire only groaned before his forehead fell into this palm, “I should’ve just taken him to a barber.” He grumbled,

Duke looked towards you, seeing how tense you were and the fresh tears in your eyes from the amount of pain your scalp was in.

“Don’t worry, little bud, I got ya.”

~~~

A few hours later, everyone was waiting in the kitchen while Alfred served refreshments before hearing your happy feet skipping down the hallway, Duke right on your trail. Your hair was done, washed and conditioned, and twisted right into the style you wanted.

“Ta-da!” You yelled upon entering the kitchen, opening your arms as if you were giving a grand finale. A mix of delightful reactions and cheers filled the room from your family members, everyone smiling at how excited you looked. Even JDamian, despite how small it was.

“Wow! Look at you, Y/N,” Dick said, biting into an apple.

“Hold still! I’ve got to get pictures for my feed.” Steph said while coming to take some pics of you.

“You look quite charming if I do say so myself, Master Y/N,” Alfred said, before handing you a cookie.

“Thanks, Alfred!” You said, happily munching on the treat, before climbing into one of the stools without any assistance. Okay, you had a little help from Jason to make sure you didn’t slip, but since he didn’t mention it, neither would you.

Bruce walked up to Duke, who was still standing by the entrance to the kitchen leaning against the wall.

“Thank you, Duke.” He said, patting his shoulder, which was weird for Bruce, but he was learning how to show more affection to his kids now that he had you so everyone was slowly getting used to it. 

They were also weirded out by it too.

“No problem. Just glad I got here when I did. By the way, why didn’t you just take him to a barber?” He asked.

Bruce looked reluctant to say, so the brown-skinned boy didn’t push it, “Don’t worry. I won’t ask. But, if you want me to teach you how to take care of it, just ask. I learned from watching my parents do my hair growing up. Then, when I kind of had to start taking care of myself in the foster system, I picked up some different tricks here and there.” He explained, answering Bruce’s questions before he could even ask.

“Thank you,” The older man said before their heads turned at the sound of you screaming.

They saw Damian next to you with another smirk as you rubbed the back of your still tender head with an irritated grimace at the youngest Robin.

“Damian!” Bruce shouted.

“What? That’s what he gets for calling me a gremlin.” Damian said before he felt a harsh tug on his own hair, looking back to see you with your own mischievous smile.

“Ow!”

“Now, we’re even, gremlin.”

☀️ | Bat Family | ☀️

☀️ | Masterlists | ☀️

[retellingthehobbit]

First chapter / Previous / Next

Webtoon/A03 /Instagram/Tumblr Sideblog

Chapter 13 of my comic adaptation of the Hobbit, "the Necromancer!" I put the title page at the end this time for Reasons, though I might change it back to the beginning later. Below the readmore are my "translator's notes' on why I made certain changes to the source material (ex why Thror is here instead of Thrain), if you're interested:

Gandalf’s art style is inspired by the work of Lotte Reiniger. I chose this for a variety of reasons: because it really captures the aesthetic of a 'classic fairy tale battle of light and dark,' because the smoky backgrounds remind me of the way Gandalf often does magic with smoke/fire, and because it's entirely monochromatic/'grey.' The only other note I have on this chapter is that, as I mentioned before, I’ve altered the timeline so that Thror is the ringbearer dwarf captured by the Necromancer (not Thrain.) The “in universe” explanation for the change is that Tolkien and I are both translating the Red Book of Westmarch & other ancient texts, but came to different conclusions. The history of the dwarves is especially different because Bilbo wasn’t as interested in political machinations, there was misinformation spread by the Elf-King of Mirkwood, and even the Council of the Wise may have spread misinformation to conceal the fate of the dwarven Ring of Power. There are two “out of universe” reasons I changed it: The first is that I wanted to explore a timeline where Thror vanished before the mountain fell, Thrain died during the fall of the Lonely Mountain, and Thorin became king while leading his people into exile. The second was to draw another link between Smaug and the Necromancer. Thror vanishes with the Ring….and it’s only then, after Erebor lost what strength the Ring gave them, that Smaug invades. The only question is, “why did Thror bring the map and key with him to Mirkwood in this version?” My joke answer is that it’s not relevant to Bilbo’s journey. My real answer is that none of the characters will ever know. Maybe they were so precious he always kept them on his person; maybe he was planning to strike some secret deal with the Elf-King; maybe the Necromancer used his influence over Thror’s Ring of Power to manipulate him into bringing him the map and key, for sinister reasons of his own. (It’s probably the last one.)

[assumptionprime]

I adore your take on DS2 and wanted to know what ur thoughts were on Elden Ring and/or DS 3!

(also I have been loving ur comics!!!)

First off: Thank you! Glad you like my comics! <3

I mentioned it briefly in the DS2 post, and it's been said by others, but Dark Souls 3 is about ending Dark Souls. And it does that very well. The "time and space is falling apart and that's why the geography is like that" that people sometimes say about DS2 is literally, textually true in 3. The Dreg Heap is a pile of other, older Dark Souls areas collapsing in on each other. This world has been going on and on, repeating and prolonging the Age of Fire that should have ended long ago, and it's just breaking down. You can't keep the same thing going forever, that's true in the universe of the story, and of a franchise of dark fantasy action RPGs.

It's kind of funny and also impressive that Miyazaki and the team hit that point, saying if they keep doing this it's going to fall apart, on game three of the franchise. There's so many series out there that will pump out game after game of the same stuff, to the point they stop numbering them and give them subtitles to hide the fact that they're on game 23 of this thing, and FromSoft said "three's our limit for this one" and gave us the greatest hits final bow before moving on to new different takes on their subgenre of games.

Enter Elden Ring! The game that got me into FromSoft games. Every time people talked about Dark Souls it was always about how hard they were, and the whole "git gud" mentality, which made them seem like they would 100% be not my kind of thing. But I am an absolute sucker for a fantasy open world, so I dipped my toes into Elden Ring, and really enjoyed it! Being able to just go exploring and do something else whenever I got stuck was a huge plus, as are spirit ash summons. The game is hard, for sure, but there's also a lot of ways to ease that difficulty (not eliminate it, but ease it (also there's no excuse to not have a pause button, that's stupid, don't @ me))

As far as lore and storytelling, Elden Ring has a lot of cool stuff (that's my wife Ranni, my cool witch wife Ranni) but I don't know that I have so definite a "take" on its story. It goes back to the Dark Souls 1 and 3 well of "some important shit happened, go kill this list of bosses about it" but I appreciate that you have a lot more choice in regards to your ending. It's not "link the fire or don't" it's "you're creating a new age, what do you want that age to be like?" with a few compelling choices and some evil bastard ones for fun.

Assorted side thoughts:

FP is better than spell uses. More convenient, more flexible, lets you focus on Mind to allow yourself to cast more spells.

All of my first playthroughs were sword and board, both because of caution going in and because I like the "knight with a sword and shield" aesthetic.

Related to the last point, Guard Counters are a great addition in ER, and the "Sekiro style block" crystal tear for the Physick in the DLC should have been a talisman or something permanent, to just make that a play style people can use.

The Alva Armor rules, 10/10 best fit in Dark Souls

I really like Shadow of the Erdtree, but it is the absolute limit on the current version of Souls-game mechanics. Not everyone is Let Me Solo Her, and between both the extremely punishing difficulty and the becoming more repetitive nature of a lot of the boss design, they need to change up the combat to keep things going. Sekiro seems to be a step in that direction from what I hear?

No boss fight in any video game has ever made me feel as cool as Slave Knight Gael in the DS3 DLC. It just worked for me on pretty much every level. The story, the music, the visuals, the difficulty. I can beat him, and it's hard but not a kind of hard that makes me angry at the game. Dodging in and out of his attacks, getting my own hits in, it felt like a kick ass dance of fantasy combat. It's peak.

[purpleshimmer]

Music Videos in Season Two vs Season One

@thenationofzaun made a post about this too so I won’t talk too much about what they already said, but I wanted to talk a bit about why I feel the music videos in this season aren’t working the way they did in season 1

Spoilers below!

I love love love the music videos/sequences in season two, I really do! I think all the artists did an incredible job and the soundtrack is full of bangers so far. I love that Fortiche is branching out with different animation styles like the comic book sequence in episode 3 and the watercolor pictures in the flashback with vander. However, because they’re trying to fit so many plot points in 9 episodes they’re using these 2 minute music videos to tell stories and explain events that should’ve been given at least 15-20 minutes of screentime. The music videos are a great way to experiment with new animation styles and set up plots/events, which they did perfectly in season 1. 

S1E5 - “Enemy”

Enemy is played as Vi walks through the bar on her way to confront Sevika. However, we got plenty of context beforehand! We know why Vi is angry with Sevika, how she knew where to even find her, and got a really great fight scene between the two after the music played. The song showed Vi being badass and cool and set the mood for the fight, but wasn’t used to replace the Vi vs Sevika conflict. 

Compare this to something like the "Hellfire" music video in S2E3, where we don’t even see the task force enter Zaun. We should have seen Vi’s internal struggle with joining the Enforcers like she did in episode 1, but instead we can only assume that the event at the memorial service moved her enough for her to abandon her beliefs about the enforcers that she’s held since she was a small child and join them. We don’t get to see how Steb, Loris, Vi, Maddie, and Caitlyn work together and what their dynamics are like. We don’t see what Vi’s reaction is to releasing toxic gas on her own people, or them raiding the Vyx, we only see the aftermath of that and the scene in the arcade. The music video should have been used to set up the events, and then at least a few minutes of the episode should have shown the first raid on Zaun by the task force.

S1E6 - “Guns for Hire”

This is one of my favorite parts of season 1. The entire episode led up to the huge moment at the end where Jinx lit the flare to try and find her sister and for Piltover to block Zaun citizens out of Piltover. The end scene didn’t need to have dialogue or be drawn out because it was already explained for the entire episode. The music served its purpose by making us feel emotional and setting the next episodes. The same goes for “What Could Have Been” at the end of episode 9. I feel the same way about Woodkid’s other song, “To Ashes and Blood” in S2E3. The whole episode led up to that moment, so I think it was fine to have a music sequence as the final battle played out. 

S1E7 - “Misfit Toys”

This is the most “official” music video in season 1; the others are more so sequences with music played overtop of them instead of dialogue. The music video sets us up with information that we should know about the firelights BEFORE officially meeting them. We learn from the lyrics and the video that they are a group of Zaunites that are working to stop Silco and provide people a safe place to get away from Silco’s shimmer-ravaged city. It’s also just a great song and an incredible music video with a unique style. However, this isn’t ALL that we see of the Firelights. It’s used as a supplement, not a replacement, to their story. At least 1/3rd of episode 7 is about the Firelights, Ekko, and their relationship with Silco’s Zaun and Piltover, allowing for the audience to sympathize and connect with them further. 

This episode also features “Dynasties and Dystopia,” another great music video sequence. I love that it switches between Jinx and Ekko currently and as friends. It expands on their history and draws attention that these two used to be close friends, but are now trying to fight to the death. It works, in my opinion, because we already knew that they were friends, as this was established in the first three episodes of the show. The music video added to our knowledge, but wasn’t the first time we learned that they were friends. 

S2E1 - “I Can’t Hear It Now”

This one was so beautiful and made me sob the first time I watched it. The end of episode nine and the first parts of this episode prepared us for Cassandra’s death, and the funeral serves to show us Caitlyn’s reaction to it. It’s absolutely heartbreaking and beautiful; I wouldn’t change a single thing about this scene. 

S2E2 - “Sucker” 

I LOVE this song and I really like the music video that goes along with it. HOWEVER, the music video should have played at the beginning of the episode to remind the audience of the turf wars between the chem barons, and then at least half of the episode should have expanded on those conflicts. Instead we just got the two scenes with Smeech, who died almost immediately after. We never get to see Margot or Chross again, despite the fact that they are almost certainly still fighting. What was the result of that? We see the displaced people coming to Zauna and later Viktor’s camp, but why didn’t we get to see any of the political struggles between them (or any of the chem barons before their deaths)? We don’t get to learn about their organizations, we don’t see more of their personalities, we don’t see them fight outside of the music video, nothing. Maybe I’m just biased because I’ve loved the chem barons since their brief appearance in season 1, but the only reason I wasn’t upset about their small amount of screen time in season 1 was because I was expecting them to play a huge role in season 2. 

I loved the “Renegade” sequence, that was really fun and I don’t have anything negative to say about it other than that I wish my best friend Smeech didn’t get killed. 

S2E6 -"Remember Me"

I actually like this one! Putting aside the flaws with this plotpoint bc that’s not what this post is about, I actually think this one was well incorporated. We already knew some background about Vander and Silco’s relationship from season one, so this wasn’t sprung upon us randomly, and we even got a decently long flashback scene between the two. The music video was used to show a bit more information that could accurately be portrayed through the watercolor animation and without any dialogue, which I think it did successfully. 

S2E5 - “Cocktail Molotov” 

Again, I love this sequence, the song fits perfectly with the situation and it was exciting to watch. However, instead of playing at the beginning to set up Vi’s new living situation, it was the only part of her pitfighter life that we got to see. This was especially strange to me because of how much Riot hyped up pitfighter Vi before the season dropped; I really thought it would be a major part of the episode. We didn’t get to see a full fight between her and an opponent, we didn’t see any conversations between her and Loris, we didn’t even see how she ended up as a fighter in the first place. It was just “look at how cool she is! Also she’s drunk and sad” but we never got the chance to connect with her and feel what she was going through the way we did in season one when she was experiencing changes and struggles in her life.  

I didn’t cover all the songs bc this post is already really long, but that’s kind of how I’m feeling atm. I’d love to hear you guys’ opinions in the comments/tags!! Again I still love the music videos. I just think the ones in season 1 were better. I really hope I’m not sounding like I hate the show or something. I feel like a lot of my recent posts have been super negative 😭 I still love the show, I just have more criticisms with this season than I did for season 1, as I think a lot of people do.

[comicaurora]

Lighting critique of a recent panel ! Dark ambient lighting is a favorite art subject of mine, so i figured this would be a good time to give some input ! ii say as if we havent been in the undergroound chapter for like a month in which it didnt occur to me to pay attention to lighting Oh well loool here it is nowwwwwwww hope you dont mind the input

Huh.

Okay, so first off, thanks - this is cool and your lighting looks very nice. I look forward to seeing what you make!

Second - I really hope sending this kind of ask isn't a habit of yours, because unsolicited artistic criticism comes across as remarkably rude.

Art criticism for the purposes of improvement is a social contract entered between two artists, typically in a scholastic environment. An artist presents their work to other artists whose opinions they trust and value, and those artists weigh in with their thoughts. Critical to the process is that the presenting artist is showing their art for the purpose of improvement, and they're prepared to receive that input because they're actively asking for it.

In contrast, I make this comic so people can read it, and while I certainly don't mind if they take it apart to analyze it or find ways the writing and art could be improved, I, the creator, am not asking for that and - more importantly - will not really benefit from it.

For instance, in this case, my style of background lighting and shading is optimized most specifically to accommodate for the fact that I need to make a lot of these pages quickly, and correspondingly cannot give everything 110%. Any individual panel could absolutely be more polished, but I often shade these backgrounds in batches of ten pages or more, each page with an average of six panels that need individual shading. So that's sixty individual backgrounds I need to shade in one go. It doesn't make your advice wrong, or even unhelpful for an artist setting out to learn this kind of technique - but it does make it unhelpful for me. This is something you realistically had no way of knowing, and I don't hold it against you! But this is why I have a short list of artists and writers whose input I actually ask for sometimes, and that list is composed of people who know me, my creative priorities, and how my process works. Because they know what I'm working with, their advice stands a much better chance of being actually helpful to me.

Criticism, like all art, has an audience it is designed for. In art school environments or artistic coworker situations, the audience for the criticism is the artist being critiqued and the other artists who are learning from the communal experience they are all agreeing to share. This is the exception and not the rule, however. Outside of this space, the audience for criticism of a work of art is typically the subset of the audience for that work of art that are trying to learn something from the experience or understand what did and didn't work for them. This group can discuss what they did and didn't like, what they would have changed, what parts worked for them that may not have worked for other members of the audience, etc. This space of critical analysis forms the backbone of most fandoms and can be incredibly interesting and rewarding to play around in.

The audience for that kind of criticism is not the creator of the art. In the same way a creator can never be fully immersed in their own fandom audience, this form of communal critique from the audience side of things does not work when directed at the creator. In the context of this work of art, we exist in very different spaces and operate under different parameters. If there's one thing I learned from back when I used to check in on the fan discord community, it's that most conversation in this space operates under the assumption that the creator will not see it or take it personally. I cannot be in the audience of my own audience.

All that to say, thanks for the thought, but please be careful doing this in the future - tumblr is the land of kneejerk hostility and poor reading comprehension, and I don't want to see you getting shredded for a kind intention. And I hope some people find this impromptu tutorial helpful!

[sabrinatvband]

Notes on Comic Art #2: To Hatch or Not to Hatch, also some coloring stuff

One of the most influential things I've ever read on the subject of comic art is a piece Jesse Hamm wrote on Alex Toth where he talks about flatpacking.

[I discovered while writing this that Jesse Hamm passed away in 2021. He was a brilliant educator, one of the best in the history of the comics medium, and will be sorely missed.]

In the piece Hamm basically discusses how over-rendering objects usually makes them function worse as comic art. Many other people have discussed how using thicker lines for objects closer to the "camera" is good practice, how colors can seperate shapes and create depth, etc.

The question is, where does cross hatching fit into all of this? Or rather, various methods of adding more detailed rendering to artwork? I'm trying to figure this stuff out as I'm doing layouts for my comic, because I want to know the answers before I start inking the final artwork.

I try/want to have an uncluttered, clean, easily readable art style. I occasionally add hatching to my drawings, because hatching is fun, but I often feel like I've slightly ruined my artwork when I'm finished.

I've decided to look at some of the art that I feel like my own work is trying the hardest to emulate, at least philosophically, to see how other artists "weigh in" on this debate. It's important to remember that inkers embellish artwork [hence the alternate title "embellisher"], and so I'm going to try and find inkers most representative of a given penciller's intentions when applicable.

As I was working on this piece, I read Hamm Tips vol 1.1, and I discovered this diagram, which seems to relate with what I'm going to discuss later:

I think it's accurate to say that my desired approach is Uninflected/Deliberate; I think most people going for a clean and cartoonish look fall into that quadrant. Some people might describe Toth's work as being "clean", and so I should clarify that I'm talking about clean in the spirit of "lines meet neatly".

Some of the artists I'll discuss have lines that fall somewhere between being Inflected and Uninflected, and I think a lot of this comes down to inker approach. I feel like, in spirit, all of these pencillers are Uninflected, but some of the inkers use brushes, which creates a sort of middle ground. Brushes add different weights to a line, whereas crow quill nibs and pens have a uniform width. [The technical term for unweighted inked lines is "dumb line"; I believe this was coined by David Mazzucchelli.]

Let's first look at Adam Warren's work in the Dirty Pair volume Fatal But Not Serious. I'm a huge fan of how this comic looks; the flat, cel animation-style colors are very clean and easy to read. It's a very pleasant look, and I'm surprised more comics don't do this.

There is some hatching here, but it's not "serious" hatching. Just a few lines on cheeks, hands, etc. 98% of the artwork is shapes delinated entirely by a clean line and color. The convention floor panel is able to have a ton of detail without really changing the visual "rules" of the comic. An artist who does things in a more highly rendered way may've, for instance, reduced the crowd to a series of heavily shadowed figures, or colored in a single expressionistic wash to paper over things, etc.

Warren's Magical Drama Queen Roxy used a very similar approach to Fatal But Not Serious:

Let's now look at Rick Mays. I'm not a huge fan of Rick Mays, I've only actual read a single issue of a comic by him, but as I was reading Gen 13 he immediately stood out as being the best artist on that series, aside from Adam Warren himself [speaking only about issues Warren wrote]. It feels very telling that Rick Mays later did the final art for a graphic novel Warren laid out called Livewires.

These are from Gen 13 vol 2 #70:

The biggest difference between this piece has nothing to do with Warren or Mays, and everything to do with the coloring approach. I don't think the coloring here is bad, but the gradient-y colors do create a vastly different visual effect than the cel look I highlighted earlier.

The inking approach feels quite similar between the two artists; while Mays's art takes one or two steps towards realism relative to the Fatal But Not Serious stuff, texture is largely used to the same degree [with the grass and tornado being understandable exceptions]. What's interesting is that this issue has three different credited inkers; Karl Story, Rick Mays, and Jason Martin. I'm assuming this happened for deadline reasons.

I feel like I'm maybe starting to sound a little repetitive, and so I feel like I should share an issue of Gen 13 that I disliked, and then we can move to things that aren't Adam Warren-adjacent. These are from #43 and #44, with pencils by Lee Bermejo and inks by John Nyberg:

I'm not a big fan of this. The borderline chiaroscuro inking makes everything look heavily referenced, labored, and weird, and the "acting" in the comic suffers because of the over-rendered faces. It's a real shame the artwork is like this, because this two-part story is actually quite solid and would be a minor classic with better artwork.

I notice that many newer comic artists [which is to say, people who began their careers during the 90s onwards] put a lot of heavy shadows on figures in a way that feels too slavishly devoted to a certain kind of realism. I say a "certain kind" because the high contrast look of black spots being put onto a figure make the shadows way darker than they'd actually look in real life, so it almost makes the figures look dirty.

Look at comic art from the olden days and figures are largely defined by outlines/color. If a figure in an old comic has a lot of shadow on them, it's for reasons that are obvious and motivated; noir-y venetian blinds stuff, a mysterious villain being obscured, someone being underlit, or having half their face obscured, etc. There's a clear reason shadows are being used in these cases, rather than it being done to add usually unnecessary detail.

Anyways, let's look at Amanda Conner's work. Image on the left is from a Vampirella story called Fantasy Feast, and the image on the right is from Power Girl #12. Texture is used, like on the walls of the bathroom, but sparingly.

Looking at Conner's work in this context makes me realize, I don't think I've ever seen Amanda Conner's stuff colored flat [at least after she fully matured as an artist]. I don't think the more three-dimensional rendering used in any of these panels is bad, but I'm not going to be doing that kind of coloring in my book, and so it's not quite as instructive to me.

That being said, I really love Conner's style. I've noticed that Marvel and DC are increasingly using artists with styles that are broadly similar to Conner's; I've included an example below. Maybe it's because the artist below is too lazy to draw a proper background, but their work feels so much more flavorless than Conner's in comparison. I think it's because the "acting" is not as impressive, and Conner brings a fun-factor that feels completely absent in the page below.

I realize "fun" isn't always the order of the day, but this page doesn't really reflect . . . anything. It's completely bland.

Here's Kirby, who couldn't be bland if he tried. The left image is from the Young Romance collection Fantagraphics put out, and the right is from OMAC. The former is from the 40s, latter is from the 70s. [By the way, the Young Romance image is photographed from my own collection; there's no warping visible because Fantagraphics knows how to design a book].

Looking at these pieces side-by-side really challenges a lot of my assumptions about Kirby's artwork, because in some ways his artwork changed less than I previously thought it did without direct comparisons. There are some things that are more abstract about the OMAC page, like the wiggly shadows. Someone unfamiliar with Kirby might assume these were drawn by two different people, but only because 30-odd years of growth seperate these two pages.

Kirby's style, in my mind, is highly geometric and defined more so by abstract shorthand squiggles than hatching or other forms of rendering, but there actually is a fair amount of hatching on the OMAC page.

However, that OMAC page I believe was inked by Mike Royer, or at least someone using a brush. I noticed that, by sheer coincidence, almost all of the Kirby art from my first post in this series was inked by D. Bruce Barry, who didn't use a brush and also followed Kirby's pencils perhaps more literally than any other inker he ever had. In those images, it's clear that most of the hatching in Kirby's work was added by his inkers.

When Kirby did ink himself [using a brush], his style was oddly clean. He did add in hatching, but it was never particularly dense.

Anyways, I want to close this by including some Jesse Hamm quotes from his instructional PDFs:

-Simplicity is great, but often you need extra texture to seel weirdness.

-Another sign of experience is texture. The pro-level artist has learned to give different textures to grass, hair, tree bark, bushes, etc. Meanwhile, the amateur uses the same one or two shading techniques on EVERYTHING, giving it all a samey feel.

-Open spaces of black or white may be "activated" with a bit of texture. A few pebbles/ripples/etc will spur the mind to fill what's missing.

-We talk often about spotting blacks, but spotting greys (i.e., details/texture) is also crucial to clear compositions.

The lesson in the bit of Hamm writing I most often revisited, the flatpacking post, was that too much texture and rendering can make a comic exhausting to read. But reading more of his work, it turns out he had a more nuanced, texture-inclusive view of things.

What's the lesson here? Discretion.

[kiragecko]

cherrystainedknuckles

I guess the only problem with being asked to take a “marie kondo approach” is that in order to find any fanfic that appears to be based in actual canon timeline and plot points and characterization (which does exist, and I’m not sure why fanon fans seem insistent that it doesn’t), I literally have to search for hours. I’m not joking, I consistently make fic rec lists, and I have to search for hours and hours for actual canonical basis. same thing with character tags on tumblr.

I’m not saying fanon fans have to stop enjoying fanon or making up their own content. I’m just saying that when the tags used for both fanon tim drake and canon tim drake are the same tag it just becomes incredibly annoying sometimes, and I understand why people who like to engage with canon (me, often) become frustrated

-

I have definitely had periods where I got incredibly frustrated with fanon! Around 2019, I was wondering if I needed to leave the Batfandom, because it had been so long since I read a new fic where the characters felt 'right'.

-

But, if you're willing to, I'd like you to consider what you mean when you divide 'fanon' from 'canon'. Because I struggle to find a hard line between the two, for several reasons:

1. Fandom is transformative. Every fanfic is going to have some interpretation of the source material. The line between what is too much interpretation and what is acceptable is different for every person. For me, I find it can even vary based on writing style or other odd things - lighthearted fic can have more noncanonical stuff in it than heavier fic, and still seem true to canon.

2. 'Canon' is subjective. I do not consider the movies or video games to be 'canon', and it annoys me when things from those creep into the fic I'm reading. (I'm okay with SOME Battinson.) Some aspects of the cartoons are okay. I consider precrisis Jason Todd to be an alternate reality version, but Donna's precrisis origins are more canonical than the dumb retcons. Wayne Family Adventures isn't my main version of the characters, but I'm not bothered if some elements show up in my stories. I'm ignoring most of the nu52, but I like Duke and I'm still watching this new Lian to see what happens. I doubt your divisions are identical to mine.

(Also, some things that I think of as 'fanon' have shown up in nu52 canon! I do not accept them as any more canon because of this.)

3. Most 'fanon' is based on canon. Canon Tim has weird sleep habits. 90s Dick is really lighthearted and joking around some characters in ways similar to fanon. Dick can canonically not be trusted to take care of himself if his mental health gets low enough. Jason likes classical literature. Etc.

These are exaggerated and/or twisted in a lot of fic, but where is the line where they stop being canon? I wouldn't bat an eye at a lot of this stuff, if it didn't show up SO OFTEN.

4. Most 'fanon fans' do know some canon. What line are you going to set where it will be 'enough'. And are they allowed to mention parts of the canon they haven't read yet? Is anyone allowed to talk about Dick's early Robin days, or only the tiny amount of people who have read the golden age stuff? A lot of the 'mistakes' I see are obviously made by people who have read ABOUT canon, but don't know quite how it fits together.

5. 'Canon' is FULL of contradictions. Yes, there are canon events. Yes, there is characterization that is consistent across 3/4s of comics. But. I'm still working on my sidekick timeline. I've devoted days to figuring out ages and passage of time. I've spent over a decade trying to figure out Jason Todd's motivations, and why Tim treats him the way he does. I've read all the 90s and early 2000s CANONICAL character assassination of Jason.

I spent years thinking that Donna's death was almost as foundational as Jason's, only to later discover that I had just happened to read the specific comics that focused on the fallout, and she only stayed dead for a short time. That happens to fans ALL THE TIME! We read a character summarizing an event we haven't directly read, and just accept it as what happened. But characters have biases, and not all writers care about accuracy.

-

I've read some Tim Drakes that I consider to be almost entirely 'fanon'. And quite a few that were so scarily 'canon' that I got chills. (Not all of which were similar to each other.) But the vast, vast majority have fallen somewhere in the middle.

I definitely do not want the responsibility of deciding which ones count as 'canon'! And I think I would strongly dislike anyone who tried to decide for me.

Being frustrated is logical, and I empathize. But the original post was about the impossible expectations some fans feel. The expectation to read thousands of comics, synthesize all the contradictions, and come to conclusions that match the 'true fans'. That's a perfectly reasonable thing to be complaining about.

If that's what some fans are experiencing, of course they're not going to want to engage with canon! There's no way for them to succeed, so why should they even try?

When you join THAT conversation to discuss your frustration about fanon, it strengthens that perception. When you call them 'fanon fans' it emphasizes their belief that you don't think they belong. And rather than trying to change, it's more likely that they'll double down. Canon is full of gatekeepers, so they'll avoid it.

[wiihtigo]

………i would like to hear your thoughts on Earthspark starbee….

help. ok. VIEWER BEWARE YOURE IN FOR A SCARE bcuz the reason we call it the starbee 900 parter is bcuz we kept adding side plots and getting lost

and also agent schloder is really integral to the whole thing

suddenly got self conscious so i will readmore this one

ok so the two key players. are hashtag and agent jon "no H" schloder.

hashtag is hacked into ghost security cams bcuz she wants to record footage for her B roll in some movie shes making (not important cuz it gets thrown out in 2 seconds here) and accidentally sees a tension filled interaction between starscream whos still in ghost jail and bee whos with agent schloder (who is deeply deeply in love with bumblebee) (important) and star is acting all haughty to see bee like look whos come crawwwling back after all these- who is that. (Starscream doesnt remember the faces or names of fleshlings unless theyre inconveniencing him on a deeper level than just being in his way when hes trying to walk) and starts acting weird abt bee and schloder and bee is like Oh gross does he think we're........ew. WAIT. I CAN USE THIS TO FUCK WITH STARSCREAMS EMOTIONS!!!!!!!!!!!!!! HOOOOOORAAAAAAAY!!!!!!!!!!

(pictured above: skywarps germaphobia being activated thinking about an organic lifeform and a cybertronian dating)

so bumblebee goes along with this misunderstanding because its making starscream really mad and its funny to see him get so upset. all the while the real victim here is schloder whos getting led on by this yellow car he actually is in love with and now thinks he has a chance with (very played for laughs, schloder is comically ignored and fighting 1000 battles by himself in the background of starbees tense and steamy interactions)

we pan back in at the malto base and see hashtag slack jawed having witnessed all this. Could it be...no.....really? NO.....REALLY? BUMBLEE....AND STARSCREAM? TOGETHER? NO. (her fujo mind picked up on the vibes immediately while schloder remains comically oblivious to whats going on with them)

her initial boring movie plan is thrown out the window as her new project takes priority: A DOCUMENTARY ABOUT THE REAL LIFE LOVE AND LOSS OF A RELATIONSHIP CROSS FACTIONS (if you remember frommm season 1, one of the movies she was super into was on this very topic- forbidden romances excite her..) and in doing so she believes she can FIX THEIR RELATIONSHIP!!!!!!!!

from there the episode splits into the hashtag plot and the schloder plot of self discovery

star and bee are still at ghost arguing their hearts out and occasionally hashtag will pop in with some different movie making style or invasive question to ask before one or both of them tell her to GTFO (she tries an interview section where bee gets up and leaves immediately after she brings starscream up, she tries narrating over their fight like a nature documentary, she badly dubs over their muted screaming faces with dialogue of her own of them making up, things like that)

and while that goes on schloder (under the impression bumblebee wants him and he needs to lock in fast so he doesnt mess this up and lose his chance with the coolest autobot around) wanders aimlessly stuck in his own head until he wanders right onto the maltos property. the kids ask him whats wrong and he says vaguely he needs to get ready for a date because he has someone he REALLY wants to impress....

the kids do a dress up montage with schloder at the barn dressing him up in all sorts of wild ways and give him an array of bad and weird advice for his date

dorothy finally catches wind of what her kids are doing and comes in like agent schloder..take off the hot dog costume. listen to me. just be yourself and whoever youre trying to impress will like you for you. and if they dont its their loss. and schloder is like my god youre right. thank you mrs malto ill be sure to get bumblebee now!!!! and then her and all the kids after hes run off are like ".....BUMBLEBEE?" (scene end)

he bursts into ghost with a bouquet of roses ready to claim his love and hashtag is like oh hi agent schloder do you wanna check out what i have of my movie??:) and he sees all the pink heart edited filters around footage of them screaming at each other and the YTP audio mixed STARSCREAM I- love, You! sentences hashtag edited together to make them say and falls to his fucking knees in despair and heartbreak.

hashtag oblivious to how she just ruined this mans life, doesnt notice as he shuffles away sadly with his head hung and feet dragging. he goes on a montage journey of self discovery, climbing mt Everest and meditating under a waterfall at the peak. he smiles and lets a single tear fall watching the sunrise and you know hes achieved inner peace.

he comes back and that hes emotionally moved on and is so happy for him and his ugly fucking boyfriend hes serious. bumblebee snaps out of it for a second and realizes what hes been doing and the autobot guilt hits him and hes like aahhh. im sorry for how i was acting that was really jerky of me. you didnt deserve that. and starscream is like "its about time" and bees like "dumbass i was talking to schloder"

so schloder and bee get ready to leave and starscreams like whatever im not even mad WHATEVER!!!!!!!!!!!!(still fuming at him about to leave with the human ) and bee riding this high of apologies is like "By the way, i was never with schloder. stupid" before leaving ss to process that. (who just goes What the HELL!!!!!!!!!!!!!! at the door angrily after him)

a rare moment of kindess from bee to starscream....marking..a slight shift in their relationship? change is ahead...?

hashtag is like Huh. well i guess they worked it out without my help?

also forgot to mention brief joke is that megatron has been cooped up in the security room watching this over the cams for hours because he thinks its hilarious

so the moral of the episode for the kids is to not do what hashtag did this entire episode.

from then on...we saw it like.....youll occasionally see starscream and bee talking in the backgrounds of things or mentioning each other or exchanging a few words here and there. basically it happens off screen and in the background them getting back together LOL

"but what about their terrible g1 breakup...did they ever talk about that again..? ;_;"

basically....thats not important anymore to them. theyre old and tired and the war is over they kind of just silently agree to Lets just step over that and move past it fresh

and also starscream has done 100000 things worse since then during and after the war so.

bonus drawings of this beautiful world

after that. in a perfect perfect world. wow. imagine . we get the starbee wedding 29 parter at the end of the series.

thats. yet anoher episode we played out in our minds. its like a blend of earth and cybertronian customs to appease their human friends

but the main course event is the kids putting on a play reenacting how starscream and bumblebee MET DURING THE WAR. directed by hashtag who never learned to mind her own business. but the joke is that none of whats written in the play is true because they dont actually know how it happened or anything so its just completely based on guesswork which leads to a very evil and strict optimus played by mo who grounds bee for life in the basement for daring to be in love with a decepticon. leading the real optimus whos in attendance to go "NO...THAT NEVER HAPPENED...I DIDNT KNOW!!!!!!!!!!!!!!!!!!!!!'"

many such jokes like this play out. and at the end of the episode we get to see in a flashback how it all really happened and a peek into some of their more genuine intimate moments g1-ified. because we as the viewer arent supposed to know how all that happened either. i just told you in a tumblr post earlier cuz i was asked and none of this is real.

ok. thats our earthspark starbee vision.

(takes my final breath)

[obstinaterixatrix]

THE GLIMM*R ZINE IS AVAILABLE FOR DIGITAL DOWNLOAD TO BACKERS AND IT'S SO GOOD IT'S SOOOOOOOOO GOOD I think it has a good mix of requited/unrequited, mundane/fantasy, literal/figurative (though dreams inherently skew more figurative than literal) (maybe more... a good balance between a 'concrete' implementation of 'dream' in the sleep sense, and 'abstract' implementation of 'dream' as the wish/goal sense?)

all the artists did a great job, I think every single story was complete and satisfying and competently executed (though obviously some of them hit my biases more than others). I can think of positive and unique things to say about each story. so I will.

Midnight Smack by Anna Chen Campbell: The art style is fun and distinct and very expressive, I loved the role reversal of a fantastical creature being in the position of going What The Fuck. Very solid meet-cute!

Dear Nina by Kristina Luu: The story is told through the perspective character reminiscing of the past, which means a nice intimate first(/second) person narration. I really liked the mood whiplash of wistful longing and seething cynicism, the atmosphere is top-notch.

Good Morning, Rose by Rowan Maccoll: I love the dream vibes in this one--it really captures that experience of going along with different scenes that aren't supposed to cohere, disjointed in a way that works for the story. I love how the... not-really-negative space is used during the true form reveal, very atmospheric.

R.E.M. by Jona Li: It's one of the heavier stories because [spoilers] the narrative centers suicidal ideation/suicide attempt, and I think the artist does a good job with emotional nuance; I also like that there's ambiguity whether the subject of the dream is their real self, or a projection of the dreamer. The contrast between hard/soft textures is super arresting.

Merderous by Gabrielle Kari: The first of three illustrations! Alas, the two-page spread is broken up in pdf format... I can't wait to get my physical copy so I can see it in its fully glory... it's got what's clearly an intricate narrative with no context or explanation, so you get to puzzle out your own interpretation if you want, which I liked.

Eternal Waltz by Adeline Kon: EXTREMELY heated drama between women. It has resentment, it has longing, it has separation and bitter reunions, it has violence, and it has a butch woman who's definitely an arrogant fuckboy. I want fifty more comics just like this.

Derailed! by Kimberly Wang: I'm very unfairly biased towards this comic because I've been following this artist for a while and I Love Their Work. Great composition, great expressions, great energy, just all around great stuff (there's also an interview about Of Thunder And Lightning in this zine!). Anyway, they described this comic as "type A hobonichi girlie meets girl who's perpetually late and has no impulse control, who survives", it's very funny and very charming and I knew I'd love it from the very first preview. and I was right. I want fifty more comics of this duo.

The Visitor by Yuchen H: The second illustration, which is also the cover of the zine. The art looks so soft and edible, really captures a dreamy atmosphere. I want to bury my face in those feathers. The pain (and longing...?) for someone ignorant to the impact of their own actions... solid vibes.

One Last Dream by Laura Rovinsky and Ez Carol: The protagonist is an old woman in hospice care, which really grabbed my interest. Despite the heavy premise, it's super sweet and cute and Filled With Joy, and there were a lot of elements I liked (the main character being active in working with the love interest, the main character's waking life being enhanced by the dream, etc). I would love to see more old women protagonists!

Step By Step by Jess Fleming: I liked the maze setup--the artist did cool stuff like the blueprint-to-completed-gardens page, and the atmosphere's very... I think liminal fits best. Also, the impossible status divide between a groundskeeper and a noblewoman who's in an arranged marriage to end a feud, AND the emotional implications of constructing the maze PLUS having to guide the noblewoman to her betrothed? Very good setup for The Longing

Love Everlasting by Ellen Mei: The third and final illustration. VERY clear narrative and VERY heated drama. I love an unethical scientist and I love how Very Definitely Unhappy the android looks about the situation. Sooo tasty and unhinged, nobody's getting out of this unscathed.

anyway, those are my thoughts, must-read for yuri enthusiasts, if you didn't get the chance to back the kickstarter definitely pick up a copy once it's for sale. I love it.

[annah-kitathryne]

I recently mentioned I liked some of the Alt covers for the Batgirls series. I thought I'd share some of my other favourites.

Batgirls #1

I just think it's kinda fun. A nice homage cover and I really like the simple highlights in Steph's hair.

Batgirls #3

The lines feel like a sketch. It's giving a bit of a Spiderverse feel to it if that makes sense. I love the yellow outlines on the foreground compared to the background. The overstuffed utility belts make a lot of sense.

Batgirls #6

I love the vibrant colours on this cover. Pink Yellow and Blue. Reminds me of printer ink. The yellow being a highlight, and the pink almost becoming a shadow or lowlight on Cass's suit.

Batgirls #7

Love how Cass's cap feels a bit like a wing. The ombre background reminds me of the ombre background sky from Huntress (1994 run). I like how a light blue is used as a highlight and a mid tone blue is used as Steph's undercape compared to the warm tones.

Batgirls #9

The outlines bring pink on Cass where the light hits compared to the solid Spoiler suit lines. Steph's hair is softly outlined compared to the harsh lines.

Batgirls #11

Cass's making up the left ear, and the way both capes make the logo go in different ways. Cass's makes the logo wings go down, and Steph's makes the logo wings go up. The grainy feel to the art reminds me of old comics. Feels a bit nestolgic

Batgirls #12

I own this one. Old Cass Batgirl logo! The art reminds me of a specific era of advertisements and the colors of older TV color. 80s or early 90s anime? IDK I don't remember the right name.

Batgirls #15

Pink sky, blur bag round, and green in the bottom left corner. Cass, who stands out against it, and Steph, who seems to make it her own. I like the idea of some more color to Cass's outfit. A bot of a mix between the Bat suit and the orphan suit. The blue building reminds me of building plans..

Batgirls #16

Paint splatter background. The bit of a white outline. The detailed drawing. It reminds me of the aesthetic background people put behind cut-out pictures. Like a mix of quick art and slow art if that makes sense? The blending of two styles together.

Batgirls #19

Gold outlines?! Yes! Steph has rays of sun behind her. Reminds me of the dead Steph carrying Cass panel from Batgirl 2000. Again, with the paint splatter. Love to see it. The white highlights on Cass's suit.

[smilesatdawnmain]

Hello ! I adore your LMK AU‘s and your writing style. The stories are so captivating and make me excited for the next chapter.

I wanted to ask what your favorite AUs are :) I know you have great taste and I would be grateful if you could share some LMK au/comic/fanfic recommendations with us :))))

Hello! Oh my gosh thank you so so much! That makes me so happy to hear ;-; Thank you!

I got a lot of favorites out there, let me tell you :3 Alright alright~

AU'S:

The King and his Cub By: @theweepingegg : This au is so cute and I love little MK with his Papa~ It's adorable and the humor just has me rolling! Plus the wholesome Father and Son moments + an uncle Macaque?? It's amazing! Literally just melts my heart with every new update.

Cursed Au By: @winterpower98: This Au consumed my life and continues to do so. The drama, the redemption, the growing bond between Wukong Macaque and MK?? I love it alll~ The whole universal set up of this growing Au is so full and wonderful.

Literally, ANY AU that is made by @journey-to-the-au ! This artist just- STEALS all of my attention. They got a lot of different Au's, and so many amazing ideas. There is action and romance and betrayal and platonic love that is so wholesome and sweet and AHHHHH. Taking a long tour through their entire tumblr page is 100% WORTH IT

Very similarly, anything by @rebeltigera! They also have so many different au's that are all AMAZING. Something about their style also- ahhhhh <3 It's so good. I definitely suggest taking a dive into their tumblr too. Their Macaque is honestly probably my favorite version of Macaque!

Forged Faith by @swagginmun Gosh the anxiety but also the pure adoration I have for this particular Au?? Definitely follows a more canon storyline but has one HECK OF A TWIST. The expressions that are done are amazing and I really really can't wait for this one to continue as its current chapter just ended on something INTENSE.

Fan Comics!

Eclipsed Apprentice by @journeytomonkiekid : I've been following this one for a while. I LOVE IT. There are so many talented people in the LMK community and this comic takes an interesting turn to the canon of LMK. Has some great Oc's and the storyline has me hooked! Lots of drama, and redemption, and so far the character growth is *Chef kiss*

Even Rainfall Has Shadows By @linklefr : Another fancomic that takes it's own path and turn from the LMK canon. Oc's are so cute and I just wanna squeeze them! It's really growing to be its own thing! It's got a lot of talk about self-worth and toxic habits and overall overcoming those that the characters need to grow from, and I can't wait to see where it goes!

FANFICS: (I have way too many. My gosh. And honestly if folks have more recommendations, please put them in the comments! Or if you have a story you wrote yourself I would love to read it!) I would mark their Tumblr creators if I knew them, but I don't know all of them ;-; So I'll put the link to the fanfic instead

SunBreak : First LMK fanfic I ever read. It is the rabbit hole that dropped me into loving Macaque and parent Macaque to be more precise~ Goes way off canon and I'm LOVING IT

There May be no such thing as eternity: Possed Wukong- I cannot explain how much possessed Wukong still reaching out to the Macaque and the gang just makes my brain flip~

A Garden Across Our Collar Bone: THIS. Ahhhh- Just bury me with this fanfic in my hand. MK X Red Son and ahhh- Also, ANYTHING this author (PittiedPeaches) writes is GOLD.

Of Blood and Bones: A big inspiration to me and their story is SO GOOD. The angst but also fluff that is slipped in? It's an amazingly sad but wonderful read. And I really love the world-building

Peach Blossoms: I'm a sucker for any Hanahaki disease kind of story and this is everything I wanted and more. This was soooo good and it flowed really well.

Love Team: Ooooh boy this story took me on a roller coaster ride. MY GOSH I never knew what to expect and it always had me on the edge of my seat~

Is this A Monkey-Thing or Dad-Thing?: Any Dad wukong focused fic will just catch my feet and trip me into the pit of the story. Every time. This one is so cute~

Kiss Your Knuckles: This oneshot is soo sooo good! And also horribly tragic. Gosh it just destroyed me! I definitely suggest it!

-Okay this thing is getting long and I'm not even close to saying all the fanfics and such I have read XD There are so many good fanfics out there my gosh. If you have more than you think are amazing please put them in the comments!