#the dead live on in our hearts and our histories

[fanarchoslashivist]

What were your last five major interests, media-wise?

D.Gray-Man

How to Train Your Dragon

Danny Phantom

District 9

Rise of the Guardians

[poorly-drawn-mdzs]

The girls are back (from the grave)

[First] Prev <–-> Next

[caimitos]

saw a post about projecting your ethnicity onto a character and started missing vespa ilkay. so so bad

[asidian]

Alright. It is time. Buckle up.

Why you should be watching Dead Boy Detectives: the targeted-specifically-at my-readers edition.

Meet the leads, our two ghost boys:

Edwin Payne: Fussy, repressed intellectual type from the Edwardian era. Exceedingly gay for his partner and best friend. Tortured in hell for seventy years on a technicality because he was ritually sacrificed as a prank gone wrong. Endearingly awful at people and dealing with emotions or his own wants.

Charles Rowland: Impulsive, people-pleasing wildcard from the 80s. Heart eyes 24/7 at his best friend but has zero self-awareness. Badly abused by his asshole of a father. Beaten to death because he saved a kid from bullies. Endearingly awful at sorting his own emotions or talking about his problems.

Some highlights:

/slaps hood you can fit so much trauma in these two

Both leads get sobbing breakdowns that happen on screen. The actors are incredible at crying

Both leads get much-needed hugs

The absolute devotion between the two of them. The shared history that lives in their dialogue and how they work together like people who have been each other's Most Important Person for literal decades

I mean, I'm talking in-canon Orpheus and Eurydice reference level of devotion here

The protective way Charles puts himself physically between Edwin and damn near every threat in the show

They're just fun together. Their interactions and banter and how they work as a team is a delight

Their shared plot arc literally involves them learning to talk to each other and communicate more so that they can be there for one another about their respective issues

The symbolism. God. They are metaphorically and literally one another's light in the darkness

But what about stuff that isn't the main duo? Just wait, there's more:

This show is unabashedly, unapologetically queer. It's there in the text and the subtext. The whole show lives and breathes it

So many good, complex, well-written female characters. The Bechdel test gets blown straight out of the water in episode one and they never look back. Headstrong amnesiac psychic learning to be a better person! Quirky meta commentary matchmaker! Cynical lesbian butcher! Delightfully sadistic witch! They are all amazing.

[audience voice] But I'm here for the hurt/comfort. How can I whump ghosts? Worry not, my friends. Canon has you covered. Not only are there ways, there are ways that happen on-screen. The hurt/comfort and rescue are also on-screen. Yes, it is amazing

Absolute chaos, really cool supernatural cases and creatures, a surprising amount of humor, charming writing, and a cast that absolutely nails it on the acting and chemistry

There is an extremely suggestive trickster type who is also the king of cats. He's a cat in human form. He hits on Edwin nonstop. Charles gets blisteringly jealous

All of the leads have well-thought-through, fully developed, emotional character arcs. They're all messy and flawed and sometimes lash out in their pain, but at turns can be incredibly supportive and kind and loyal

A character who is a crow who is also a boy, who is tortured by his witch/creator and also is crushing hard on one of the leads

There are so many incredible details in the setting, costume choices, prop decisions, etc. that you only catch after you know what it's laying the groundwork for. The level of care that went into this show is phenomenal

It's only eight episodes. The time investment barrier to entry could not possibly be lower

Anyway, tl;dr, if any of this sounds appealing to you, you should give this show a watch.

Dead Boy Detectives is well worth your time. It's easily my favorite show in years.

[ohisms]

↪ 𝑽𝑨𝑵 𝑯𝑬𝑳𝑺𝑰𝑵𝑮 . ( a collection of sentence starters from the 2004 film . adjust phrasing as necessary . mature themes present . )

oh , [ name ] . it's just you .

where are you going to run , [ name ] ?

what are you saying ?

why do you think i brought you here ?

you said you believed in my work .

i would kill myself before helping in such a task .

you've been so kind to me , [ name ] .

you can't kill me , [ name ] .

so , you're the great [ name ] .

we all have our little problems .

let's make it your decision , shall we ?

i wish you a week in hell .

why don't you do something about it ?

this is all a test of faith .

i can curse all i want , dammit .

you . turn around .

strangers don't last long here .

the laws of men mean little to me .

i don't need your help .

you stay here . they're trying to kill me .

nice to see you too , [ name ] .

did i do something to you in a past life ?

i hope you do have a heart , [ name ] . because someday i'd like to drive a stake through it .

your reputation precedes you .

i am hollow ! and i will live ... forever .

please , say you will not try again .

do not fear me ... everybody else fears me .

i was unprepared . it won't happen again .

do you understand forgiveness ?

i would rather die than help you .

don't be boring , everyone who says that always dies .

may he rest in peace .

how long has it been , 300 , 400 years ?

you don't remember , do you ?

what exactly is it i am to be remembering ?

it's no surprise you would know all about me .

we have such history , you and i .

have you ever wondered why you have such horrific nightmares ?

[ name ] , it's alright , i'm taking you home .

what , did you think we haven't tried everything before ?

no one knows how to kill [ name ] .

i could have used that information earlier .

would you like me to refresh your memory a little ?

allow me to ... reintroduce myself .

i think we've overstayed our welcome .

don't give me that look .

you were right . i'm sorry .

monster ? who's the monster here ? i have done nothing wrong !

look , there's still time .

you were right . i'm sorry .

do you have any family , [ name ] ?

if you value your lives , and the lives of your kin , you will kill me .

evil may have created it , may have left its mark on it , but evil does not rule it .

now you know why they call me a murderer .

oh my god ... you've been bitten .

so much trouble ... so much trouble .

now you will become that which you hunted so passionately . may others be as passionate in their hunting of you .

don't worry , god will forgive us .

how many commandments can we break in one day ?

oh my god , you should be terrified .

how does it feel to be a puppet on my string ?

neither of us has ever settled for half .

you make my skin crawl .

i'm not gonna like this , am i ?

one brief moment of pain , and we can be together forever .

you have no heartbeat .

you are nothing but damned bones , and damned souls .

well , that doesn't sound like a good thing .

we don't have a choice . just don't get killed .

you don't understand , it doesn't matter what happens to me .

god is not the only one that can create life .

you can't go until i say you can go , and i say you can go when you're dead !

you're supposed to die .

we are both part of the same great game , [ name ] , we just find ourselves on opposite sides of the board .

you are being used , [ name ] , as was i . but i escaped , so can you .

if you're going to kill someone , kill them . don't stand there talking about it .

all i want is life . the continuation of my kind .

some things are better left forgotten .

[sanswstrk]

TO SANSA/JON FANDOM!

Hey everyone! I’m not sure how many of you remember this user, but lostlittlesatellites or batterydeaddotdot was a well-known Jonsa meta-writer in our fandom. Sadly, they deactivated, and as far as I know, we don’t really know why. A big chunk of their amazing work seems to have been lost, which was so sad for so many of us.

But here’s the good news: I recently discovered that some of their metas were saved on the "Way Back Machine" site! So, I put together a list of some of their pieces to share with all of you. My aim is to help preserve their contributions, spread the love within our fandom, and celebrate the incredible mind that has helped to shaped our fandom.

Quick disclaimer: I haven’t read every single meta, so I don’t necessarily agree with everything that’s written. My main goal is just to share this with you all. And I skiped GOT-related metas for this list. Enjoy diving into lostlittlesatellites/batterydeaddotdot’s work!

Some of their writings is already saved through some of those accounts: @/jonsameta & @/bookjonsa & @/esther-dot. Y’all can check! Here are the others:

BOOKS:

Sansa Stark: The Princess in the Tower

RLJ & Jonsa Payoff

Dragons, Snow and Armchairs

Can there be ONE ideal ruler?

Trojan War Literature influence on GRRM

The Red Comet: A Closer Look

Grey Dawn: Hour of the Wolf + Nightingale

To go forward you must look back: Dany’s tragic fall

Jon Snow as an Anti Hero

Val: A Subversion of BATB in Jon’s arc? + “something off about Val”

The Resurrection Problem

The Cost of Weaponizing Dragons For a Cause: Doran + Jon

There is Power in Living Wood: Bran’s role in the War

Valar Morghulis: Could Arya kill Dany?: Part 1 & Part 2

Stark Girls’ connections: To go forward you must go back

Fathers and Daughters

Sansa Stark: A Winter Rose?

Sansa Stark: A Girl in Glass

Sansa’s Fairytale and Myth allusions

The Blindspot of FPTP thread: Oversexualisation and overlooking age

Ask: Does “begging for a stranger’s kiss” foreshadow Sansa/Hound?

Deconstruction of BATB figures: He’s even uglier than the Hound

The Unkiss: The War Spilling Inside

Sansa’s repression of Jeyne

Alysanne: Paralleling Sansa + Contrasting Dany foreshadowing

A Song to Dodge A Kiss With a Blade (Part 1): Sansa/Hound and Jon/Ygritte ACOK comparisons

The Innocuous Nature of Jon/Sansa Foreshadowing

Snow: Lover’s Kisses

A Son by Marriage

1. Like a Lover; 2. Like a Kiss; 3. Kissed by Fire; 4. Burning Light and Dark Woods; 5. Intruders in Winterfell; 6. The Heart of Winterfell; 7. Fire: Hearth vs. Weapons

Dance of Dragons + Pact of Ice and Fire

Jonquils and Blue Roses

Horses and Flowers

Some Willowy Creature Who Sits Up in a Tower

A Union of the Old Gods and the New: Importance of understanding the Seven

Ask: Thoughts on Bridge4’s Video “There must always be a Stark in Winterfell”

Theories:

Bran as the Valonqar

History is a Wheel: Jon’s Rebellion

Jon’s Resurrection Repercussions

Dead Man with the Head of a Wolf: A Re-look

The Heart Tree of Winterfell: Tolkien influence

Complicating the Fantasy Battle: War Factions in the War for Dawn

Trail of Scrolls

Lady and the Ghost: Part 1; Part 2; Part 3

Shadowbinders, Death and Sacrifice

Sansa, the Vale and Mountain Clans: Part 1; Part 2; Part 3; Part 4

Seasons of My Love

Jon’s Survival: Beginning of Subverting Westerosi Classism

Child of Flame and Shadow: Not a living child but a shadow child?

Shadowbinders, Death and Sacrifice: Dany with Mirri and Melisandre

A Potential Wildcard Advisor: Bronze Yohn Royce and the Importance of the Vale

Why Ghost is unlikely to like Dany: Melisandre and Val in ADWD

Others:

Jonsa: Tolkien influences

Jonsa: A Good Endgame

Jonsa is happening because it's how GRRM's mind works

Jonsa’s Hints: On how antis ignore Jonsa foreshadowing

POV’S: Heros or not

House of the Undying and Quaithe for Dany & Mythology

Dany criticism 

Other links: about asoiaf; asoiaf metas; asoiaf theories + part 2

Anyone who has some of their writing saved can feel free to share! I would be thankful.

[all-things-are-nothing-to-me]

Left to right. First row.

1. The Faggots and Their Friends Between Revolutions by Larry Mitchell.

In a joyous and perverse intermingling of fable, myth, heterotopian vision, and pocket wisdom, The Faggots & Their Friends tell us stories of the 70s gay countercultures and offer us strategies and wisdom for our own time living Between Revolutions. These pages sketch a different shape to time and offer instructions for living within it. This story, like our own, plays out in liminal time. Not the time of revolution, and not after-the-revolution, the story occurs between revolutions. Being between revolutions: being enmeshed in slow entropy, in abandoned spaces, in lives forged without recourse to “winning” or “after.” The faggots feel this disintegration, and live best when empires are falling.

2. Be Gay, Do Crime by The Mary Nardini Gang.

Among the discordant chorus of anons who penned the defining texts of the queer anarchist network Bash Back!, none was more fervent in its glorification of criminal desire, decadent hedonism, and social undoing than the Milwaulkee-based Mary Nardini Gang. Their fiery “Towards the Queerest Insurrection” still circulates as an integral manifesto of riotous queerness, while the “Criminal Intimacy” and “Whore Theory” have made their more subterranean way into innumerable conversations and correspondences.

Ten years later, the secretive group supplements these collected writings with a subtle retrospective. Carefully unlocking the hidden layers of their theses on insurrection, they face up to what they got wrong, concede that the world ended somewhere between the Greek insurrection of 2008 and now, and insist upon the vital task of ushering new worlds into being as we live amid the decomposition and cataclysmic death throes of the old one. To their theses on insurrection, they prepend a new arcana tooled for opening onto the queerest of outsides.

Dedicated to their friends among the dead, this pocket edition is a necromantic mirror, an encrypted message to old loves, and an invitation to those finding these words for the first time.

3. The Criminal Child by Jean Genet.

“As for me, I have chosen: I will be on the side of crime. And I will help the children, not to win back access to your houses, your factories, your schools, your laws, and sacraments, but to destroy them.”

So reads this new clandestine translation of a previously censored and unavailable text by Jean Genet. “The Criminal Child” is a critical engagement with the French youth prisons, a reflection on Genet’s formative years within them, a document of hostility towards society and its benevolent reformers, and – as argued by the anonymous afterword – an initiatory magical system.

5. Witchcraft and the Gay Counterculture by Arthur Evans.

This radical faerie classic, first published in 1978 by Fag Rag Press, uncovers the hidden mythic link between homosexuality and paganism in an elegy for the world of sex and magic vanquished by Christian civilization. From Joan of Arc to the Cathars and the underground worshippers of Diana, the author shows how every upwelling of gender transgression and sexual freedom was targeted by the authorities for total and often violent repression or appropriation. The concluding manifesto calls for pagan reconnection with the living world, the creation of armed anarchist cells, and the destruction of industrial civilization.

Left to right. Row 2.

1. What is Gender Nihilism? A Reader.

A collection gathering readings for discussions on an end to gender: not the proliferation or liberation of gender, but its catastrophic cancellation. The reader brings together writings as old as 1883 and as recent as 2015, juxtaposing nihilist, radical feminist, queer, trans, anticolonial, communizing and insurrectionary approaches with other unclassifiable textual/existential disruptions. Many of the readings are out of print or have only appeared online or in zine form, and include: Adrienne Rich, Monique Wittig, Michel Foucault, Judith Butler, A.R. Stone, Paul B. Preciado, the entities known as Radicalesbians, Gender Mutiny, Baedan, Ehn Nothing, Laboria Cuboniks and, as always, Anonymous. Also includes “My Preferred Gender Pronoun is Negation,” “Gender Nihilism” by Aidan Rowe, and the gender nihilism anti-manifesto that inspired the collection.

2. Baedan 1 – journal of queer nihilism.

3. Baedan 2 – a queer journal of heresy.

If the first issue of Baedan was a knife thrust wildly in the dark, the second is an effort to examine our enemies in a new light; enemies who bear scars yet endure. In a sense, this issue follows through our initial attack and pushes beyond our own horrors at the consequences of words. We write at a time when everything which seemed slightly possible two years ago has borne its rotten fruit; when queer recuperation has become more powerful and accepted than ever, while the fetish for technology has reached an unprecedented frenzy; when so many efforts at subversion languish under the tyranny of cybernetic identity and aesthetics (even our own etymologies have become identities!); when friends turn away out of fear of the unknown, turn toward all the comforts and certainties of the past (identity politics, traditionalism, religious morality, activism, et al). The old enemies rear their heads and the terrain is as bleak as ever. And yet we take seriously that adage: “There’s no need to fear or hope, but only to look for new weapons.”

4. Baedan 3 – journal of queer time travel.

Bædan: journal of queer time travel marks a further attempt to pose and to flesh out a queer critique of civilization. Queer not only in the sense of coming from those outside and disruptive of the Family, but also in the sense of a critique weirder than its more orthodox cousins. We imagine the Bædan project as an effort to pose the critique of civilization otherwise, to begin from another place. In this issue (and beyond…) we have conjured a strange bestiary of thinking, trying to unearth and trace the tradition of anti-civilization thought in the literature of queerness and in queerness as immanent critique.

*I couldn't find this one online*

[sky--phantom]

Times other people discussed Solavellan + Times Solas and Lavellan talked about each other (dav)

"I've seen how you look at him. You're in it" - Sera

"Is it my imagination, dear, or have certain... lingering looks passed between you and our Solas?" - Vivienne

"You're real, and it means everyone could be real. It changes everything, but it can't" - Cole

"The two of you were close. Perhaps he had no choice? He might return at any moment" - Leliana

"How have you been? It seems ages since we've spoken. I know you were cruely disappointed when Solas left" - Vivienne

"Are you hoping for word on Solas? I'm sorry, Inquisitor. I'm afraid I have nothing" - Leliana

"I've been meaning to ask... Solas hasn't come back? Sent word? Anything?" - Thom

"Oh, and Inquisitor? Feels weird, but I'm sorry Solas never came back. Well, no, I'm not, but... I'm sorry he left you." - Sera

"I am not a god, Charter. I am prideful, hotheaded, and foolish, and I am doing what I must. When you report back to the Inquisitor…. Say that I am sorry.” - Solas

"Maybe it's gullible of me, but I know the Inquisitor feels the same: Solas isn't too far gone to bring back" - Varric

"Solas was... important to me. If this statuette helps you understand him, if it uncovers something that... Honestly, I don't know. I wish I did. But this feels like a part of him, and whatever he and I once were... I think... I-I hope... it might help you" - Lavellan

"And when I served the Inquisition, I tried to avoid entanglements" - Solas

"Except for Inquisitor Lavellan" - Rook

"I said that I resolved to do so, not that I succeeded. She's a good woman. Growing close to her was... selfish of me" - Solas

"Do you regret it?" - Rook

"I live with countless regrets. Some of them I have grown to cherish more than my victories" - Solas

"Solas took this path because he thinks he has no choice. But the Inquisitor believes there is another way for him. For them. She could save him, if he would just let her" - Harding

"God of Lies, Dread Wolf, Fen'Harel. They're titles he earned from enemies, followers and fractured history. He and I shared another name: Vhenan" - Lavellan

"You've spoken to him in your dreams. You've felt the power of that mind. His love could burn against me like a bonfire. He seemed so kind, and wise, and sad, and looked at me as if I somehow mattered more than anything around us. For a time... I thought I would have followed anywhere he asked me to" - Lavellan

"Or maybe I'm the prideful one, imagining his broken heart so that I never have to face my folly. That I loved someone who made such grave mistakes. That I might love him still" - Lavellan

"He really made you happy?" - Rook

"Yes, he really did" - Lavellan

"Harding... I am sorry" - Solas

"For what, Solas? Betraying the Inquisitor and breaking her heart?" - Harding

"Is there any chance - any chance at all - that he would listen to reason?" - Lavellan

"Speaking from the heart, Inquisitor?" - Morrigan

"With Elgar'nan and and Ghilan'nain dead, and the Inquisitor finally reunited with her true love... it looked like one of the biggest stories this world had ever seen was finally drawing to a close" - Varric

[genericpuff]

holy crap okay so

I'm two episodes into Kaos

normally I keep my expectations pretty minimal because, let's be real, the Internet - and especially Tumblr - has a tendency to severely overhype new series to be way better than they actually are and it often leaves me sitting there like "that's it? that's what people were freaking out over for weeks?? that was just a bunch of cheap ships and tropes that i've seen 123785902380 times before" LMAO

BUT thankfully compared to other series like Hazbin Hotel and The Amazing Digital Circus, I haven't been worn out on excessive fandom exposure prior to watching Kaos, so I didn't really know what to expect going in besides what folks have told me so far - it's a modern-day Greek epic, and it stars Jeff Goldblum as Zeus (which is, unsurprisingly, peak casting).

That said, I'm very pleased to say that so far, the show is absolutely blowing me away. The set designs, characterizations, weaving of all the players into a central narrative led by a very coy narrator, all of it feels both refreshing and respectful to the source material at the same time.

so uh yeah that LO animated TV show... we have reason to believe now that it's gotten picked up by Amazon Prime, at least according to the showrunner's LinkedIn and posting history from February of this year that seems to imply LO may have been picked up by Amazon-

(but still, nothing's really been confirmed because they're being so tight-lipped about this you'd almost think it's because there isn't a show happening at all cough)

But even then, that means at best we still won't see anything of the LO TV show adaption for another 2-3 years, depending on how production goes.

Why am I talking about LO right now? Well it should be obvious - Kaos double-whammied LO by beating it to the punch at its own game.

I mean, just look at the creative choices alone in the design of the Underworld and its rulers, our beloved Hades and Persephone.

And yes, the entire Underworld is color-graded like this, something so simple and yet effective in communicating the nature of the Underworld and what it stands for - a place where the past lives on through the dead, paused in time, devoid of the vibrant color grading found in Olympus - or "Olympia" as its been named in this retelling - which is, by the way, a visual treat to take in every time it's featured.

(and yes, that is S-tier-companion Billie Piper on the left, but I will not tell you who she's playing, you actually really should go into this show as blind as possible for the thrill of figuring out these characters as they're introduced <3)

That's not even getting into the narrative structure of the plot itself or the phenomenal casting and acting, but again, I don't want to spoil too much as the show is quite new, and I want to actually finish watching the show myself before I get more into the details of its story and how it delivers it (I'm very much hoping I will still be singing this show's praises at the end of its 8 episodes, please for the love of god don't jump the shark, I don't think my heart can take that kind of pain again.)

All that's to say though, Kaos is, so far, exactly what us disappointed fans of LO deserve after all these years, and frankly, I feel like whatever is coming for the LO animated TV show is really gonna have to step up to the plate to both live up to the bar that Kaos has set as well as stand on its own without being affiliated as a cheap Amazon knockoff living in its shadow. Sounds a little familiar and a bit ironic, doesn't it?

[on-a-lucky-tide]

If you're looking for prompts, I've got a little idea, ,,,, I wanna see Nik fight someone for John. Maybe some asshole doesn't like what he sees when they're outside together, or an enemy, or whatever suits your fancy, but Nik unleashing the beast and maybe going too far but no one touches his love while he's around. Nik losing control of himself for a moment and then waking up, feeling very bad about it all. Angst with comfort, you know :3c (if you haven't written anything similar already, of course !! )

Nik believes Price is dead. He tears the world to pieces in his grief.

cw: extreme violence, torture, child endangerment, no MCD. Nikolai goes off the deepend. (Also for Anon who asked for the same.)

Laswell had delivered bad news many times in her career. It usually started the same way. 'Please sit down...' and then you moved onto the facts of the matter - the ones you could actually tell them - 'they died in the line of duty, they were killed by... they served with distinction' - and finally, you finished with 'I'm sorry for your loss, the United States government is at your disposal if...'

She knew what the relative, or relatives, looked like at each stage. The disbelief, the cracks of emotion spidering through their eyes as they tried to keep themselves together, and then the inevitable disintegration. Some people wailed, others sobbed softly into their hands, one person had roared in anguish and dropped to the floor. Grief looked slightly different on everyone, but she had seen every permutation.

There was usually another family member to pick them up, to offer comfort. It was hard. People got through. They healed, or they didn't. But that, as brutal as it was, was none of her concern. She had no loyalty to them and no history.

Nothing in her career had prepared her for telling Nikolai that Captain John Price had been killed in the line of duty.

John's task force stood with her as Nik walked into the room. She had placed damn tissues in the table. Tissues. Like Nikolai, of all people, would disintegrate into weeping and mucus. Perhaps it would have been easier if he had.

"Laswell," Nik greeted her in his usual manner, eyes crinkled in the corners, his hands spread. He looked at the three men standing around her in turn and instantly noted a fourth missing. The one he looked for first every time. The one that owned his heart and soul. His gaze lingered on Gaz, whose head tilted as if to begin an apology, and then finally Nik looked at Laswell. "Where is the captain?"

"Nik, take a seat." She gestured at the chair next to the table. Nik glanced at it, and then looked back at her. There was no point insisting. He was as stubborn as John was... had been.

The facts. "On 8th October, the 141 were involved in a raid on a base in search of a high value target. The mission went awry, and John was... killed covering the escape of his men." She swallowed, lowering her voice. For the first time since she had learned the news herself, she felt a stab of pain in her chest. "I'm sorry, Nik."

She believed she had seen grief in all its forms, but what she saw in Nikolai's eyes added a new dimension to her understanding. It was like all the light vanished in an instant; the jovial, lively man she had known for years since he turned informant for MI6 dissipated like smoke in the wind. It was a silent death; his face turned hard, his eyes darkened, and his huge body seemed to expand, casting a bigger shadow. The Nikolai she knew, and loved in her own way, disappeared before her very eyes.

"How?" he asked, his voice no more than whisper.

"He was shot," Sergeant MacTavish stepped forward. The scar down his face was still raw; a livid red in the artificial lights. "Savin' us. Watchin' our backs. Like he always did." Soap pulled something from his pocket and slid it across the table to Nik's hands. A boonie hat, Laswell noted. "Don't even 'ave his dog tags tae give ye, I..."

Nik looked at the folded beige cloth in silence, his eyes moving left to right as if he was reading something from it. When he picked it up, he touched the folded rim to his lips and then his forehead, before gazing down at it in his palms. "Who?"

"Nik?" Laswell asked, watching him carefully.

"Who is to blame? Give me the name."

"Nik, I can't--"

"A name, Kate!" His voice snapped like a whip through the room, with all the impact of a gunshot. She saw the fury in his eyes, the sharp edges, the fury, turning his usually warm brown hue into two bottomless pits.

"Makarov," Lieutenant Riley said. "Vladimir Makarov."

"Ultranationalists." It rolled out of Nik's mouth like he was spitting poison from his tongue. The corner of his eye twitched, his lips curling in a sneer. Laswell often forgot how dangerous, how volatile, Nikolai had been in those early days, when his wounds were raw and open, before John had helped him heal into the best version of himself. But she remembered now as she watched those proverbial wounds split open again, rending through psychological scars long since faded. Nik said nothing more, but tucked John's hat into the loops of his belt as he turned to leave.

"Nikolai, whatever you're planning on doing, we must ensure you--"

"There is no 'we', Laswell," Nik said. "There is not even a 'me' anymore."

She watched him leave, her words lodged in her throat. No one else tried to stop him either. They had lost their mentor, their captain, their friend. Nik had lost his heart. She cast a glance at Riley. "If it gets bad, if he goes too far, it'll be you that has to put him down."

Soap scoffed. "Why'd we do tha'? Hope he gives 'em hell."

"The only thing that kept Nikolai on our side was John Price," she said. "And once he's finished tearing through Ultranationalists and realises it hasn't healed his grief, or brought him peace, who do you think a man like Nikolai will come for next?"

They stood in silence.

***

"König, ich möchte dich einstellen."

"Ha! Nikolai? Was ist mit Chimera passiert?"

"Dafür brauche ich eine andere Strategie."

***

"Do your worst. I have nothing to tell you," the prisoner spat, a globule and saliva and blood landing on the floor near Nik's boot. Nik had already torn out three teeth with pliers, broken his ribs and two fingers. The man, one Ivan Yegerov, was tied to the chair with rope and barbed wire, which meant every convulsion tore into his skin, leaving deep welts of rended flesh leaking onto the floor.

He wasn't the first. Not even tonight.

Nikolai had shattered Yegerov's friend's skull with the wrench propped up against the wall nearby. The blood had spattered up his bare torso, matting his chest hair, stained the side of his face. Shirtless, with a buzzcut he hadn't worn since his time in the Russian Air Force, he looked every part the madman he had become. He had ignored Laswell's attempts to contact him, leaving bodies for her men to find, with notes pinned to their foreheads containing their sins. She had stopped trying after two years, but he knew she was still following his blood trail.

Yegerov and his ally had been at the base in Ukraine and, with KorTac's help, it had been a simple matter of extracting key links in the chain for a conversation. Nikolai was tracking them down, one by one, and once he was done there, he would make his way slowly to the top.

"This is not an interrogation," Nik said as he ran his fingers over the tools on the table. "This is revenge. The interrogation will start soon."

Nik selected a serrated hunting knife and turned it over his fingers as he walked towards his captive. Yegerov leaned back in the chair as Nik planted his hands over his broken wrists, seething and whimpering in pain. "Do you know the best way to extract information?" Nik asked. Yegerov said nothing, so Nik squeezed his wrists. "Answer."

"Ah, no! No! I do not."

"They truly do not make terrorists like they used to," Nik said quietly. "I will tell you." Nik ran the tip of the hunting knife down Yegerov's cheek as he spoke, not quite pressing hard enough for it to cut in yet. "You must find a bargaining chip. Every man has something in their life that they cannot live without, a line they will not cross. It is their reason to breathe, it governs their actions, it helps them... find their limit."

Nik stood up straight and reached into his back pocket, his fingers skimming over the folded boonie hat threaded through his belt loops. The picture he pulled out was crumpled and worn, spattered with sweat and blood. It had been pristine when he had snatched it from the overhead screen of his Black Hawk, the rage running in torrents of tears down his face as he had pressed it to his lips.

He had torn himself out of it, because he looked nothing like the man he had; his hair buzzed down to a military shave, his body leaner, his eyes dead. Only John remained, with his big grin and his glittering eyes. Nik pushed the picture close to Yegerov's face as he had done with every man he had killed so far. "He was my line. My reason to breathe. And you took him away."

Yegerov squinted, terrified eyes lifting away from the picture of a smiling John Price to Nik's. Before he could say anything, the nearby door burst open and König forced two hooded figures through in front of him, one so small he barely reached his hip. "Ah, bargaining chips," Nikolai stood, throwing the hunting knife to the table. "Shall we find your line, comrade?"

König shoved his hostages forward to stand before Yegerov and then tore their hoods off. Yegerov let out a strangled wail of horror as he drank in the tear-stained faces of his wife and daughter. "No, no!"

"This is how it works," Nikolai said. "You give me name of someone who will know the current whereabouts of Makarov, and I will allow you to choose who survives." It was unlikely Yegerov would know anything. Nik just wanted him to experience the feeling of powerlessness as his loved ones died before his eyes.

The same feeling Nik had felt when he had been considering turning his Black Hawk towards the White House; suicide by F-15. Numb emptiness, desperation, a bottomless, writhing grief that shredded his heart. He had decided then to leave a trail of bodies in his wake first, only then would he join John.

"No, please... please, no."

Nik picked up his M9 and checked the magazine. "I count down; five, four..." He pulled back the pistol slide and turned the weapon first to the woman, who cowered, clutching her child's head to her chest.

"Please, she is just a child!"

"...three, two.."

"Wait! Wait! He's alive!"

Nik's finger lifted from the trigger just as he was about to pull it, settling along the barrel. He looked first to König, and then to Yegerov. "Repeat."

"He's alive... John Price," Yegerov said, almost hyperventilating. "Stop pointing that gun at my wife! I will tell you! Tell you everything. Please."

Nik hesitated. For the first time since this crusade had begun, he hesitated. He returned the M9 to the table and trudged back to his captive, both hands slamming down onto his broken wrists. "If you are lying to me, I will make you watch as I peel every inch of skin from your wife's body while she is still alive."

Yegerov swallowed. "On her life, he is alive. Prisoner 627. He is at a gulag in Petrovpavlosk. Please. He is alive. You can check using my... my passkey in our system. Do not kill my family. Mercy."

Nikolai looked at König who inclined his head, disappearing from the room to follow the lead. The two hostages sank against the wall, whimpering and shivering, and Nik straightened slowly. His fingers ghosted over John's hat, and then found his picture again. Hope was a dangerous thing and Nik resisted the heat of it burning in his chest. "Mercy is for those with a heart," Nikolai said. "You tore mine out the day you took him from me. Pray that we find him."

***

"This belongs to you, sir."

***

Price watched the drills in the parade square outside and wondered whether the drill sergeant noticed the trooper lagging slightly out of step in the third row.

The medics had cleared him to leave. There was a pamphlet about PTSD shoved in the side pocket of his bag, and he had weekly meetings with the base psychologist until they were happy he wasn't going to snap at the wrong moment. He wasn't sure what the road forward looked like, or how to even take the first step, but there was one person who he knew he wanted to be there when he did.

The door behind him opened and Price turned. The man that stood in the doorway was leaner than he remembered, his black hair cut in a military-short back and sides he hadn't seen for nearly a decade. Nikolai looked knackered, no better than Price did, which was understandable given what Price had been told.

Nik walked in tentatively, as if he felt like he was intruding, and that cut Price down to the quick. If there was one fuckin' person he had wanted to see all this time, it was the weary Russian pilot currently stood before him. He surged forward, wrapping his arms around Nik's broad chest and burying his face in his shoulder. Nik squeezed him back, just as desperate.

They held each other in the quiet, confirming, checking they weren't dreaming, until finally Price pulled away to study Nik's face. "Yer hair looks shit," he croaked.

Nik smiled, just as lopsided as Price remembered. "And your beard is bad."

"Least I had an excuse," Price said, scratching at the scruffy stubble on his jaw.

Nik's eyes saddened. "As did I." He lifted a hand and cupped Price's face, bringing their foreheads together. "My life ended when I lost you."

"Ya didn't lose me. Ya found me, didn'tcha? Tore the world to pieces, Simon said."

"My hands got dirty, John," Nik rasped.

"Dirty so that my men could stay clean.'

Nik lifted his face away, studying Price's eyes, looking for condemnation, anger, disgust. He would find none of it, Price was certain. All he felt in that moment was gratitude, relief, exhaustion.

"Laswell has agreed to waive my arrest warrant," Nik said, clearing his throat. "Under the agreement that I am to retire when we have defeated Makarov."

"Sounds fair. I've always thought ye'd make a good stay at home husband."

Nik looked startled, and Price leaned in to kiss the stupid look right off his face. Bewilderment broke into relieved laughter, and then eventually tears. Price held Nikolai's face to his shoulder as the sobs shuddered through his body.

"S'olright, I'm home."

[centaurianthropology]

One thing that I think a lot of Disco Elysium meta misses (likely because a lot of it is very clearly written by young Americans writing from an intensely American-centric cultural perspective without even really realizing it) is that one of the singular and central themes of the game is massive-scale generational trauma in a home that is economically collapsing as its resources and people are being drained by an occupation.  People have noted that no one tries to help Harry, despite the fact his mental illness is incredibly obvious to everyone around him.  He tells Kim that he completely lost his memory, and Kim politely asks him to focus on the work.  He tells Gottlieb that he had a heart attack, and Gottlieb tells him that if he’s still alive it couldn’t have been that bad.  That he’ll drop dead sooner or later, but then so does everyone.

And that’s the most important thing: so does everyone.  Look at Martinaise.  Look at the world in which Harry lives.  It is not our own, but it is adjacent to ours.  More specifically, it is clearly adjacent to the states of the Eastern Bloc: overtaken and occupied by a faraway government that clearly doesn’t care about Revachol or its people.  And that is obvious in every tired face, every defeated citizen, everyone trying to eke out a little happiness or meaning in spite of the overwhelming trauma and damage around them.  The buildings are still half-destroyed.  The bullet holes are still in the walls.  The revolution was decades before, but it still feels to the people there like a fresh wound.  The number of men of Harry’s generation who are not alcoholic or otherwise deeply fucked up are very few.  Some, like Kim, hide it better, but the deeper you dig into his history, the more you realize how damaged Kim is.  He’s more than a little trigger happy, and hates that about himself, but he is a product of his environment: Kim’s entire life is seeing people he cared about shot and killed, so his instinct now is to shoot first himself, to protect those few people left who still matter to him.

Harry is not unique in his trauma.  He is a distillation of an entire culture of people who tried to rise up and make something beautiful, and were instead routed and occupied.  He is trapped between the occupation and the people on the ground, along with all the rest of the RCM.  Their authority comes from the occupying government, but it is implied that they were formed out of the remnants of the citizens militia which sprung up from Revachol itself as a way to try to mitigate some of the horrors being committed on its streets.  The Moralintern sure as hell wasn’t going to get their hands dirty, so they happily conscripted (and therefore could better control) this group, who are only recognized in certain places, and whose authority mostly amounts to giving out fines.  The RCM is corrupt, but it is corrupt in the same way its culture is.  Bribes are considered standard with them, not a moral failing, but a necessity, so long as those bribes are correctly logged as ‘donations’.  It’s how the RCM stays afloat, and the rest of Revachol completely understands that.  Everyone would take a bribe if it meant they kept eating.  Everyone would take a little under-the-table money if it meant keeping a roof over their heads.  The officersof the RCM certainly don’t make enough to see a doctor.  They have an in-house lazarus, and if he can’t fix them they just die.  Mental health care?  What mental health care?  Harry doesn’t get it for the same reason no one else does: it doesn’t really seem to exist.  There are no counselors, no psychologists, no psychiatrists.  How would they even start?  If the world is what is broken, if everyone is suffering a similar catastrophic amount, it makes sense that Harry’s trauma would simply get rolled up with all the rest.  Kim asks him to get on with the job because Harry’s suffering is not remarkable in Revachol.  He is one of an entire generation who have an astronomical number of orphans from the revolution, and so many younger people are left more or less orphans as their parents drink themselves into oblivion like Cuno’s father.  So Harry’s truly unique attribute is embodying all that trauma, having it all inside of him, filling him to bursting.

To really engage with the themes of the game, engaging first and foremost with the reality of Revachol is imperative.  Imposing our own reality onto Revachol, particularly if coming from an American perspective (which tend to have the habit of both viewing the world through an American lens and not realizing they’re doing it because they’ve never experienced a different lens), will always feel shallow to me because of this.

All that is to say, I would love to hear some more explicitly European meta about this game, and especially Eastern European meta.  If anyone can point me to some good, juicy essays from that perspective, I would be grateful!

[hezzabeth]

There was someone singing in the greenhouse, someone with a pitch-perfect deep voice. Revati closed her eyes, pressing her ear against the glass door.

In a field where the paper daisies grow,

Underneath the sun's harsh glow,

I wander through, light and free.

Paper daisies, pink and white,

Your petals so bright.

I sing to you as the world beyond burns.

The smoke coils in the sky far above,

But your petals still dance around me.

Don’t be afraid; soon the rains will come.

Everything lost will grow again.

Paper daisies, pink and white,

Your petals so bright.

I sing to you as the world beyond burns.

The stars begin to rise,

My hands scooping your seeds.

Soon you will take flight

Towards the soft moonlight.

There was an old, prop piano in the abandoned Holly Bush Tavern. The only person who could play it properly was Mr. Gupta. During holiday festivals, he would coax melodies out of the sticky keys while Mrs. Gupta sang in a nasal voice. This was different. The singer’s voice filled Revati in a place she didn’t know was empty. The singing stopped abruptly as Revati’s weight caused the door to creak. Of course, the door creaked. The greenhouse was a wobbling claptrap box made out of welded-together old windows. Miss Grassroots, a tourist who had been dead for almost six years, had built it. Inside lay the heart of Baker Street. The heart had begun as a rose garden. Nanni was the one who began picking up the fallen red petals, drying them, and turning them into tea.

Revati only had vague memories of the first day of the invasion. Mrs. Grasston and Dusk had invaded the kitchens and gift shops. Together they managed to pool together seeds and cuttings in order to grow a small food supply. There was a wall of tomato vines, grown from several seeds found in old slices left in the bin. There were the garden beds where the potatoes and carrots grew. In fact, the potatoes were what kept Baker Street from starving to death. Next to one of the largest windows, the herb and weed boxes grew. Revati’s father was the one who ripped open gourmet tea bags in their home, discovering dried seeds inside. Bridgadeiro Bun was sitting under the lemon tree. “You’re a pretty good singer,” Revati said gruffly. “I was just trying to cheer up Deshia; she’s been feeling a bit depressed lately,” Bridgadeiro said, patting the tree's trunk. “Who’s Deshia?” Revati asked, faintly confused. “The lemon tree, of course! She said nobody's chatted with her for years,” Bridgadeiro said. Suddenly, the tree shook its branches, causing a fresh lemon to fall into Bridgadeiro’s lap. “Thank you for the gift, sweetheart,” Bridgadeiro said, patting the tree again. Revati stared at the lemon tree, not quite sure what to think. Could a tree really be depressed? It would explain why the lemons were so withered and small.

“All Buns speak plant; it's the same gene that causes our pink hair," he said. Revati glanced around, her eyes briefly falling on the giant pumpkin vine near the door.

"Are the plants talking right now?" Revati asked curiously.

"Most of them fell asleep hours ago. When they were awake, they just kept jabbering on about a golden lady," Bridgadeiro remarked.

"So, the lemon tree is depressed? I could get Aurora to come in here and read to her," Revati conceded.

"It's more than that. She misses the lady who planted her; she doesn't understand why she vanished and never came back," Bridgadeiro remarked. Revati found her hands stroking the book of fairy tales nervously.

"If she's talking about Mrs. Grassroots, she died," Revati replied flatly. Six years ago. Six years ago, there were over a hundred tourists living on Baker Street. Nanni, who had spent years living with mother, insisted on moving into an abandoned hat shop near the edge of the park.

The day the tornado hit was the same day Nanni decided to tell Revati all about her family history.

"I always carry the death stone in my handbag, along with everything else I'd ever need in an invasion," Nanni pointed out. Technically that was true; Nanni's giant handbag was filled with almost anything.

Outside, Revati could hear her father trying to roll down metal shutters. There was the sudden horrible roar, and Nanni's wall exploded in a cloud of rubble.

"A lot of people died," Revati finished, her voice trailing off. First came the tornado that caused a gap in the mirror walls. Then the trickle of automatic vegetable cleaners who decided to exploit the crack. Finally, the battle on Mansfield Park between the cleaners and a group of tourists.

"The lady that planted this tree was actually a member of the Lost Princess rebel army; she convinced a bunch of tourists to fight with her," Revati remarked, shaking her head. Then she firmly opened the book of fairy tales.

"It looks like some people survived," Bridgadeiro replied.

"I don't want to talk about it; I just want to read! Here, you can read with me; you might like this story," Revati replied.

Once long ago, in a lost village near the foot of Mount Raya, there lived a special little girl. She was known for her kindness and her deep love for nature. Everyone in the village called her Naisha. Naisha had a special gift; she could talk to plants. The villagers often saw her whispering to the flowers; they adored her magical gift.

One day, Naisha learned about a legendary tree called the Kalpavriksha. The old ladies in the village whispered that it had the ability to grant any wish. Drought, fearsome and terrible, had swept through the land. Flowers withered, no longer able to whisper. Trees forgot their songs. Naisha decided she must seek out the tree and wish for one thing alone: rain.

"Wake up," a voice screeched, and Revati's eyes snapped open, the book of fairy tales tumbling onto the ground. Aurora was standing above her, the bright morning sunlight making her hair glow.

"Morning," Revati yawned and then jumped when she realized Bridgadeiro was asleep next to her.

Bridgadeiro slowly awoke, smacking his lips together.

"Juniper said you were in here; she never mentioned the boy," Aurora remarked coldly as Revati slowly stood up.

"Anna made him sleep in here; I must have passed out while reading," Revati said.

It was then that Revati realized Aurora was holding a tray filled with fresh strawberries.

"Hmph," Aurora said, shooting Bridgadeiro a suspicious look as he also stood up, patting the tree trunk.

"Let me guess, Queen Victoria sent these with an apology?" Revati asked.

"Yes, and a request to fill her vodka order," Aurora said, placing the tray on the ground.

"If she was really sorry, she'd give us a strawberry plant," Revati pointed out.

"Oh, you don't need one of those! You have the fruit," Bridgadeiro remarked.

"You can't just shove a strawberry in the ground and hope for the best; it rots," Revati replied. Bridgadeiro merely leaned down, examining the strawberries. After a few moments of careful examination, he picked up the biggest, brightest berry.

"You can; you just need the right formula," he said. He vaguely walked towards one of the empty garden beds that was going to be turned into an onion patch. Carefully, he dug a small hole and placed the strawberry inside before covering it in earth. Then, he reached into his massive jumpsuit pocket and this time pulled out a small vial of portable perfume.

"One pump should do it," Bridgadeiro remarked before pumping a cloud of perfume onto the soil. The earth began to twitch and vibrate, and Revati gasped as greenery sprouted from the soil. The plants quivered and then twisted as white flowers bloomed. The petals then shriveled and fell off as the center of the flowers grew into green berries. A few seconds later, the berries blossomed into a deep red.

"They shouldn't be doing that! Strawberries take two weeks to grow," Aurora gasped.

"I suppose they would in the wild, but I just gave them a pump of my Gene Grow fusion serum!" Bridgadeiro said, leaning down to examine the strawberries.

"They should produce fruit every day, but only if you talk to them nicely," Bridgadeiro added as he picked a strawberry and handed it to Revati.

Revati sniffed it suspiciously before taking a tiny bite. It tasted just like a strawberry.

"Does that stuff work on all plants?" Revati asked curiously.

"It tends to go a bit haywire when you spray it on legumes; you end up with giant beans that have no nutrients," Bridgadeiro said.

"I saved your life; think it's only fair you spray all the plants in here," Revati said firmly.

"It would be better if I planted their seeds outside and created new crops; otherwise, the rapidly growing plants could burst outside the walls," Bridgadeiro replied. Revati nodded crisply.

"I'll be sending someone to check on your efforts later today; I'll be far too busy working," Revati replied with as much dignity as she could muster in a sleep shirt before marching out of the greenhouse. The book of fairy tales lay abandoned on the ground.

Revati carefully changed into her work uniform. When she was a child, her wardrobe consisted of souvenir t-shirts from the gift shop fashioned into dresses. Now that she was almost an adult, Revati had to get creative.

Most of the gift shop sweatshirts had been swiped long ago. Instead, Revati put on the top half of the cafe's old uniform. It consisted of a magenta and purple striped waistcoat with a navy blue blouse covered in tiny clocks. The bottom half should have been a matching bustle skirt. Revati switched it with the men's purple trousers. Revati then carefully redid her braid and applied some more soot lipstick. Aurora, still wearing the same clothes from yesterday, was waiting for her in the kitchen.

"You're wearing your second best outfit," Aurora remarked.

"I suppose I am," Revati replied as she grabbed her coat.

"I thought you said you were done with romance after that whole mess with Little Hardi last summer," Aurora said, and Revati stopped walking.

"I am!" she protested, and Aurora pressed her thin lips into a disapproving frown.

"You were sleeping with him."

"God forbid I fall asleep next to another human being," Revati said as she marched through the cafe past Nanni, who was sewing something.

"You kept him! You gave him a job," Aurora added knowingly.

"I didn't keep him! He's not a feral child; he can leave whenever he wants," Revati snapped as they stepped outside, and she put on her sunglasses. Olde Landon was always at its worst in the morning. Like all major tourist attractions and cities, Old Landon had an atmospheric blanket high above the park's surface. It meant that nobody in the park froze to death at night, but it also meant the morning light was far too bright.

"Is that Little Hardi and Queen Victoria standing next to the fountain?" Revati sighed wearily.

"They both arrived at sunrise; I told them you were busy, so your mother made them breakfast," Aurora remarked.

"Sunrise; of course, they sacrificed sleep so they could get here first," Revati remarked, marching towards the two other leaders. Queen Victoria was wearing one of the park's costumes, a stained white lace wedding dress. Little Hardi, on the other hand, was wearing a deep blue doublet with a ruff collar and matching tights.

"Little Hardi, is your brother still unconscious?" Revati greeted him.

"We took a vote last night, and he played Macduff," Little Hardi replied.

Revati, who knew fully well what that meant, had to stop herself from flinching.

"You killed him? That's a little harsh," Revati pointed out.

"It was for the best; we need a strong leader during a time of invasion," Little Hardi remarked practically.

"Time of invasion? Isn't that a little dramatic?" Revati had to ask.

"There must be another crack in the wall; thank Jane, it's probably not too big! You two would be far too young to remember the vegetable cleaner invasion," remarked Queen Victoria.

"I was twelve," Revati said dryly.

"I was fourteen; the tornado destroyed the Hamlet's haunted castle ride, and the appliances killed the actor playing Ophelia," Little Hardi pointed out.

"You're both still tiny children as far as I'm concerned; I can't believe this is who I have to work with," Queen Victoria replied, and Revati brushed past her with annoyance, heading to the dress shop across the street.

The shelves of the dress shop had long ago been stripped bare. All that remained were the three Penny Farthing Bicycles that had been part of the shop's window display. Revati wheeled her Penny Farthing outside only to see Queen Victoria having a heated discussion with Aurora.

"What do you mean she's going to ride to the wall by herself? All representatives from all towns should go!" Queen Victoria was screeching, slapping Aurora's shoulder with her fan.

Revati parked her bicycle and marched towards Queen Victoria, grabbing her hand.

"Slap my assistant again, and I'll break your fingers; you know I can do it," Revati growled.

Little Hardi, who was now sitting by the fountain, laughed.

"I was just speaking the truth! We have a treaty; during times of crisis, we unify," Queen Victoria said, her voice tight and a little frightened.

"I don't see Lady Morganna here," Revati pointed out, referring to the ruler of Medieval faire.

"You know perfectly well Medieval faire cut us all off after the tornado hit! They probably all died off years ago," Queen Victoria snapped back. Queen Victoria was right. Medieval faire was located in the center of a massive fake castle complete with a drawbridge. After the invasion, Lady Morganna had yanked up the bridge and refused to speak to anyone. Anna and Nanni had tried to visit several times with baskets of dried lemons. They were horrified when someone from above threw the contents of their toilets onto the streets.

"My new friend said he saw naked people in the wilderness dancing around a murdered television! Sounds like Lady Morganna to me," Revati merely replied, pointing to Bridgadeiro. Bridgadeiro, who was in the middle of taking several pumpkins out of the greenhouse, waved.

"Could be a coincidence; regardless, you are not going to the wall! We need to have a proper group committee meeting first! Then a vote," Queen Victoria's.

Revati just rolled her eyes and released Queen Victoria's hand, causing her to stumble and fall onto the floor. Revati then reached into her jacket, pulling out her stun gun, shoving it into the queen's stomach. The Queen made a faint whimpering sound as her eyes rolled backward, and she collapsed again. Revati then aimed the gun at Little Hardi, who held his hands up, protesting.

"I'm not going to stop you! I came here to propose marriage," Little Hardi insisted.

"Marriage? To me?" Revati asked dubiously.

"All kings need a consort, and I'm not interested in Big Hardi's husband," Little Hardi said, slowly getting down on one knee.

Revati stared at him and shook her head.

"I'm seventeen," Revati pointed out.

"Well, the wedding wouldn't be for another couple of years," Little Hardi replied.

"I thought we agreed to keep our relationship professional after the handkerchief incident," Revati pointed out, and Little Hardi held a hand to his heart.

"I told you dozens of times I had nothing to do with my brother's plot," Little Hardi insisted.

"He accused me of cheating on you using an old prop handkerchief as evidence, and you believed him despite it being the exact same plot of the play Othello," Revati pointed out. The entire incident occurred over a year ago and ended with Revati kidnapped and tied up on the stage in a white fluffy nightgown.

"I'm a very insecure person," Little Hardi pleaded. Dating while trapped in a fun park during the apocalypse was difficult. Before the feral children came along, Revati was the youngest person on Baker Street. All the teenagers in Whistleton were raised to be incredibly prissy. Most of them refused to do anything more than dance or hold hands. Little Hardi had been a fun, age-appropriate choice. Little Hardi was happy to do far more than hold hands.

"No," Revati said firmly.

"No? Really?" he asked, sounding faintly surprised.

"First of all, your legal system involves killing criminals on stage in the middle of plays, which is horrifying," Revati pointed out, and Little Hardi shrugged.

"Secondly, I'm not an idiot! You just want to marry me so you can take over our greenhouse," Revati pointed out, and Little Hardi gasped as if looking deeply insulted.

"That's not true! If hairs be wires, black wires grow on her head. I have seen roses damasked, red and white, but no such roses see I in her cheeks," Little Hardi pleaded as Revati climbed onto the penny farthing.

[jamil-s-wifey]

If you're taking any scenario request. Maybe could I request funny/silly one where Leona and his S/O are married and live in the Royal Palace. Leona's S/O has gotten lost somehow in their own home and when found their response is "This place is too damn big I'm sorry!"

You have NO idea how much I love these types of fics! Wholesome crackheadedness at its finest✨ We love a spouse with 0 orientation skills. (I'd know, I get lost in supermarkets) This was ONE OF THE FUNNIEST THINGS I've EVER written. I hope you enjoy!

"What the actual fuck."

A turn here. A turn there.

Oh, would you look at that - the exact same vase you passed 5 minutes ago. But was that really the same vase? Or was it its evil twin, trying to further confuse you, only for you to get lost even more and die of starvation, eventually BECOMING ONE WITH THE PALACE...

God, whoever built this palace should have their head on a stake. Haha, that sounded a lot like the Red Queen of Hearts. Perhaps Riddle was rubbing off on you. You two did text occasionally since graduating from NRC.

Speaking of graduation, you married Leona. (yay!) And it's not like you weren't happy. Life was relatively peaceful. You two moved back to the palace. Arrangements had begun for you two to take over a certain part of Sunset Savannah, as something akin to a *Peerage. (They had their own name for it, you are currently far too annoyed to remember.) A lot of (semi-forced) communication set the road to reconciliation between the two brothers. (Admittedly a very long road. A road that puts Gulliver's travels to shame.) The Royal Family™️ accepted you with open hearts. (albeit a tad wary at first)

Really there was only one major problem.

The ROYAL PALACE IS LIKE A GODDAMN LABYRINTH. And that's rich, given your history of painting the white roses with Ace and Deuce in Heartsabyul's maze. So here you are, lost.

Scratch that.

Lost: again.

And all you wanted to do was find Cheka's room. You had a gift for the little cub.

"An architectural masterpiece, my ass. This is an architectural disaster. A disaster with a capital D. D for Vitamin D - what I won't be getting, because I'm trapped within these walls, where the SUN CAN'T REACH ME-"

Okay. Calm down. It's not that bad, sure there isn't a soul in sight, but you're bound to stumble upon somebody at some point, right? There had to be servants, or guards, or somebody! UNLESS! This is all an elaborate plan to get rid of you.

Aha! That must be it. The Royal Family wants you dead and they intend to make it seem like an accident! But Leona wouldn't allow that, right? He loves you! Dearly! You're his spouse, his one and only! Ah, cruel fate.

Is it just you...or are these walls moving in on each other. So this IS an assassination attempt! And you presented yourself on a silver platter. Good job, s/o. Splendid work. A royal for a few months and you're already about to be assassinated. Your name shall remain the book of "Dumbest ways to die." Goodbye cruel world-

"S/o."

Leona's voice rang through the empty hallway, "What are you doing out here."

Ah! And so tragedy was avoided once more!

"Leona, my LOVE! Thank God."

"Did you just- get lost in the palace... again?", his eyes read annoyance but his tone was teasing.

"It's not MY fault this place is so damn big, what do you need all this space for anyways? Indoor badminton? Hide and Seek or Die?"

"Definitely that last one. That's how we get rid of our enemies."

"AHA! I knew it! So this IS an assassination attempt!"

He simply rolled his eyes, pulling you towards him to wrap an arm around your waist and kiss you on the forehead.

"This isn't an assassination attempt. You did this yourself. It's called idiocy."

"You should build a better palace."

"What I should do is put a collar on you. With a tracking device on it. Like a pet."

"Oh, Leona~ Who knew you were into that~"

"Next time I'm leaving you here to rot."

"Then I'll haunt you to Hell and back."

He smirked, pinching your cheek as you were both making your way far from the cursed looping corridor.

"At least you won't be able to get lost."

"I told you, it's not my fault."

"Nah, of course not. The Palace is just cursed."

"EVIDENTLY."

You both knew this isn't the last time you'll be getting lost. And Leona was seriously considering the tracking device.

Perhaps he'd already ordered it too.

You were about to find out.

*Peerage - collective noun for titles like Duke, Duchess, Count, Earl etc. Comes from "Peers of the Realm" where one could hold one or more of these titles. It differs from monarchy to monarchy. THAT'S YOUR WORD FOR THE DAY FOLKS!

[mjr-acourtofdreams]

Didn't Love Me. I Ain't No Fool.

Azriel x Y/N

warnings: angst...? I don't know if there is anything else?

summary: you meet Feyre at the paint studio you two clicked right away and became good friends, soon enough you got to meet the rest of the IC and started forming friendships with them. Azriel and you had a spark at the beginning or at least you thought you did... you two started seeing each other shortly after, keeping each other company in the deep hours of the night and telling each other the darkest parts of each other, he said he loved you but oh how things couldn't have been anymore different...

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Winter Solstice a time where we gather with our family and friends to exchange gifts, drink and visit with each other it is a wonderful time of the year, it has always been my favorite time of the year... been.

Everyone has made their way back to their rooms for the night dinner went well lots of laughs and stories told. I am not exactly part of the inner circle but after becoming great friends with Feyre she invited me to a family dinner one time and the rest is history, these people are like my family now. I picked up my glass and took the last sallow. I was the last one in the living room making my way back to my room, I changed into some comfortable night clothes and was about ready to rest for the night when I remembered I forgot some gifts that I didn't put under the tree.

Making down the hallway with the arm full of gifts I stopped dead in my tracks has I heard hush talking coming from bottom of the stairs slowly making my way the top of the stairs I peeked down staircase my whole body teased, there standing was Azriel and Elain. They were so close oh so close to each bout ready to kiss, I can smell the arousal from here it was too much I took a step back feeling a hard body behind me glancing form the corner of my eye I seen Rhys then I felt him trying to get past my mental shields I drop them "go to you room y/n." I gave him a small nod and sped walked to my room and locked the door behind me.

~~

I shouldn't be upset about what had happened I have seen the way he looked at Elain and how he started to get closer to her and seeing me less and less. We were never really an official thing I mean we talked a lot and we slept together, and I would be crazy not to say it wasn't the best sex I had in a while but with all of the bonding that we had and a strong friendship even if was with benefits I would be lying if I said I didn't form feelings for the shadow singer. The deal was sold one night after he snuck into my room after a mission, and we spent the night together we didn't just have sex we made love and after we cuddle close to each other before he drifted off to sleep, he told me he loved me I believed him. What a fool I was to let him break those walls of mine to let me fall for him, I know better now.

I stood in front of the mirror looking at the work I put into this outfit a smiling being bought on my face. I wore a black gown that had sparkles all the way through it that looked like starlight, with slits coming up both legs and stopping at my hips, the back was open while the straps gently wrapped around my neck with a soft chain then it drops down to a plugging neck line, my eyes were done with a smokey look and my hair was pinned off to one side and my natural waves danced across my back. Tonight, everyone is going out to Rita's it seems like it's been forever since I see them all together it will be nice to catch up with them all and with the news a heard from Feyre a couple weeks ago, she told me that Azriel and Elaine made it official to everyone. Since that night I caught them in the hall I decided to completely stop going over there and seeing them other than Feyre but that is going to change because I miss the friendships, I formed those amazing people and it look those weeks or months to build myself back up from the heart break if that was even worth calling what Azriel and I had it was just one siding but now since back to a better self and not going to go crawling back to a man that clearing never really truly wanted me, he is going to truly see what he is missing.

Short time passed and stood in front of the packed bar the music and laughter poured out to the empty streets taking a deep breath I made my way to the door. It didn't take me long to spot the whole inner circle in the booth they always sit at while here, looking them all over before I make my way to them, I seen Aziel and Elaine sitting to close together there wasn't room to even breath through and he had his arm flung around her shoulders she was resting her head in his side while he smiled down at her fondly I let a small hurt smile flash across my face and shake my head realizing right there that didn't love me and never did.

Azriel POV

Smiling down at Elaine while she leaned into my side I glance back up to where Cassin was going on about the building he destroyed in summer when my eyes landed on and focused on the figure that was making their way over to our table blinking and swallowing hard, I realized that it was y/n straighten up and slide my arm from Elaines side and sit up and looked me with questionable face but I couldn't take my eyes off of y/n as she comes to the table she looked absolutely divine, I haven't seen or heard from her since solstice and I haven't been able to seek her out busy with missions and well Elaine, oh Elaine glancing over to her on my side she was now talking to Mor on the other side of her.

"Hello everyone!" the sweet voice that was sweet has honey now sounds like it has been hardened. Feyre jumped up and pulled y/n into a hug. "I'm so glad you came!" Feyre's smiled beamed at her friend y/n's smile matched hers but there was less sparkle in those beautiful eyes, she slid into the booth right across from me I couldn't take my eyes off of her something felt like it was pulling me towards her even my shadows wanted to leave their master to go to her sides. I cleared my throat it all of a sudden feel dry, to dry. "Hello" she picked up her drink and slowly took a drink and looking down into the glass "How are you?" I tried again to get her attention one of my shadow flew over the tabletop and wrapped around her wrist she glanced up them looking straight into my eyes it felt like she was looking into my soul cutting right through me. "Hello, shadowsinger." there was ice in her voice I felt my body flinch at the coldness in it, this wasn't right I shake my head and looked her back in the eyes "what is going on with you, haven't seen you in weeks, months and you are so cold." I paused and looked her watching her face for any changes she let out a small low chuckle that sounded more like a huff like she hasn't laugh forever then she looked at me the hurt in her eyes were too much to bare to look at then she spoke with no emotion in her voice at all "well, that what happens when love lets you down." she stood from her spot and walked away through the crowded and I felt it then something shattered into a million pieces and I couldn't stop the tears from falling.

[probablyasocialecologist]

Disco Elysium's setting was formerly the site of a communist revolution that established the Commune of Revachol. It didn't last long. The Coalition of Nations brutally put the communists down, divided the city among themselves, and enforced a free market capitalist system. The results are depressingly apparent in Revachol's dilapidated district of Martinaise. "The literacy rate is around 45% west of the river," Joyce Messier, a negotiator sent to parley with Martinaise's striking union, tells our protagonist. "Fifty years of occupation have left these people in an *oblivion* of poverty." This state of affairs is overseen by the Moralist International, a union of centre-left and centre-right parties that professes to represent the cause of humanism, but whose primary concern is transparently the preservation of capitalist interest – a Coalition official happily tells us that "the Coalition is only looking out for *ze price stabilitié*", arguing that inflation in Revachol must be prevented, comparing it to a heart disease that could block the "normal circulation of the economy". The people of Revachol don't matter. Their suffering and oppression is only significant as a necessary symptom of the system functioning as intended.  The most biting aspect of this critique of capitalist exploitation can be found in the cynicism of those who represent Moralism, or at least, its interests. The aforementioned Joyce Messier is its perfect embodiment. She does not believe in the facade of humanity Moralism presents to the world, and is under no illusions about what it has done to the people of Martinaise. She tells you how bad things are, freely admitting that the pieces of legislation put in place by the Moralist Coalition to govern Revachol are there to keep "the city in a [...] laissez-faire stasis to the benefit of foreign capital". This corrosion of belief via cynicism, this depiction of a system that continues to operate unimpeded despite few believing in it, feels all too familiar.  This critique of liberal capitalism's hypocrisy, cynicism, exploitation and deep-rooted connections to colonialism, is particularly powerful in recognising the precarious position it finds itself in. It has reached a stasis that seems, paradoxically, both insurmountable, and on the verge of collapse. Moralism relies on this contradiction. It's unofficial motto, "for a moment, there was hope", underlines the degree to which its dominance depends on the preclusion of the idea that a better world is possible, that there is no alternative, echoing the End of History sentiment that created the (rapidly disintegrating) political consensus of our lived reality. Despite growing dissatisfaction with the status quo in the real world, it has, indeed, proved difficult to imagine an alternative. The oft-repeated phrase attributed to literary critic and political theorist Fredric Jameson, that is is easier to imagine the end of the world than it is the end of capitalism, has almost become a cliché. However, the mistake Joyce makes, and one that we should avoid, is to assume that this means an alternative won't emerge nonetheless.

[...]

In a world where everyone is encouraged to look out for themselves, Disco Elysium suggests we should remember the value of collectivity, camaraderie and community. The Deserter has forgotten that though the communism he identified with is dead, the values that brought people to its cause in search of a better world remain as valid as ever. Bleak as it is, those values exist in Martinaise. They exist in us. Their latent power has the potential to lead us towards better horizons. 

[nanistar]

SERPENTINE PROMISE | Hidden in Plain Sight.

Serpentine Promise is a 16+ literate Horror / Slasher Warriors RP set on the coast of Belize in the heart of a meteor crater called the Cardinal. This RP takes heavy inspiration from the beautiful indigenous Mayan cultures of Belize for its worldbuilding.

You are part of three groups known as Arrows. You live in relative peace, guided by your Celestial Leaders in the skies above - the Jade Tiger, the Red Tiger, and the Gold Tiger. Centuries prior, these three leaders created the Arrows, but in doing so created something worse. The North Serpent wanted the crater for itself, and would only be satisfied when it ate the sun. The three tigers fought together against the serpent to the death.

In modern times, these Celestial Leaders are growing increasingly distraught, until they disappear one night and leave you with nothing but an omen … Cats around you begin to drop dead soon after. Your objective? Survive. Keep one eye open. Figure out which one of you is slaughtering cats by the dozen, or die trying.

𓆙 ━─┈

🌊THE EAST WAVES Living on the sandy coasts of the Cardinal, the cats of the East Waves are weathered, brave, regal, and know their way around the barrier reef, and the raging seas. 🌴THE SOUTH RAINS Nestled in the dense, lush rainforest of the crater, the cats of the South Rains are intelligent, agile, gifted and flighty. They know how to traverse the land without ever placing a paw on the dangerous jungle floor.

⛰️THE WEST PEAKS Settled in the mountains along the edge of the crater, living within caverns and along cliff faces, cats in the West Peaks are hardy, strong, tough and independent, battling the biggest threats of all — Harpy eagles, amongst other dangerous raptors. 𓆙 ━─┈ WHAT WE OFFER🐍

A safe, secure environment for all with safety nets in place for any incident that would otherwise occur in a large space.

A server open to writers of any experience.

An extremely large expanse of lore and world-building including a glossary of brand new terms, in-depth lore and history inspired by Mayan cultures, unique ranks and roles to each Arrow, and an entirely new herb and medicine system created entirely for the RP, amongst a dozen other additions!

A server run by BIPOC and LGBT+ moderators, including a Belizean admin and consultant.

High Ranks and Roles open for application for writers of any experience and skill level!

RP affiliation / partnership — advertise your RP server in ours!

EXPLORE THE WORLD & APPLY NOW! >> https://serpentinepromise.carrd.co/ << =

(please note that i, nanistar, am NOT the host of this RP. i am merely a moderator and the tumblr liaison. i can answer some basic questions, but for anything more in-depth else please contact BADMIRACLE on tumblr. he is an amazing rp host and has spent months bringing this together and developing this rp.)