#the composition is like a close up but not really

[smol-bean-of-the-smols]

im holding back posting a wip of a kajii drawing rn becauase im so excited about how its turning out and how hot he looks in it but i dont really like posting unfinished stuff that will end up getting finished

trust me im being abnormal about this

feel like im gonna explode if i dont at least vaguely mention it

this is what i get for drawing the guy im down nefariously for

[raeygina-george]

I need to do art style studies but i CAN'T

[bixels]

It's crazy how Dungeon Meshi's manga can feel more cinematic and emotional than the anime to me, even when they're practically the same. Compared to the anime, this moment is such a heartbreaking gut-drop. The way Kui uses negative space and flat compositions to create a sense of horrific stillness is so key.

The way the text (Senshi's monologue) is sequestered to an empty corner of a panel or huddled away from the edge of its text box is not only a great way of showing Senshi's headspace (fearful, isolated, dissociating), but creates a visual representation of pause, as if you hold your breathe after each line. The first panel puts us directly in Senshi's perspective too (compared to in the anime, which puts us as an outside observer over Senshi's shoulder). The detail of the door and bricks so effectively implies that he stared at it for so long, waiting and hoping, that its image is burned in his memory. The wood grain, the brick arch, the number of rivets. The lack of dialogue in the second panel shows a moment of realization too –– "he's dead" (also a great example of the Kuleshov effect). And it's that pause that creates a beat and sets a great rhythm to his headspace, like a music rest: "He never came back." (oh god.) "I'm all alone." Finally, the third panel's negative space, cropping Senshi, shows how truly alone he feels. Without his family, the world ceases to exists. Under shock, he traps himself in a 1-foot radius, too scared to even perceive a world outside its boundaries; a world that can hurt him, kill him, make him disappear with it. There is only his body, the stone beneath his feet and against his back, his thoughts, and that awful bowl of soup.

Even though they're a series of flat images, there's an implicit reading of silence in Senshi's realization and horror. Kui influences your experience to slow down and take your time.

Compare this to the anime, which fills every shot with dialogue. The pacing is fast; we never get to sit in silence like we do with the manga. The horizontal frame allowed the boarders to add Senshi, turning the composition into an over-the-shoulder shot, which takes us out of Senshi's POV. They also added a zoom-out in shot one, which adds unnecessary energy to a very somber scene. The tightening on Senshi as a close-up reaction shot also dulls the moment. In the original panel, Senshi stares ahead at the empty space to his left as a shadow surrounds his mind. It not only shows how Senshi's senses are dulling and his world is shrinking (setting up panel three), but shows how terrified Senshi is of what's in front of him, how the air itself becomes pitch black and opaque, how Senshi is surrendering himself to fear. The pacing is understandable and necessary; this episode packed a lot of story content together. It's just a shame because it really (imo) deflated one of the most nauseating moments in Dungeon Meshi.

[artbyblastweave]

So I don't really think that it's a secret that Boston has a significant Minotaur problem. It's a pretty common situation for older American cities on the East Coast- centuries of poorly-documented cowpath-style urban growth providing an ideal nesting ground, widespread electrification and plentiful steam tunnels that compensate for the loss of the temperate Mediterranean climate that they're used to. And all this on top of limited institutional knowledge of proper containment tactics at least up until the Greek diaspora started to really blow up in the 20th century. You only have to fuck up the safety checks on one cargo steamer coming in from the broad area of old Minoa and then basically any import controls you put in after that point are closing the barn door after the bulls are loose. So yeah, no secret, it's an issue.

I do think, though, that we've kind of let the specific narrative surrounding the issue get away from us in the usual fashion, the problem people picture when they hear "Minotaur" isn't anywhere close the to the problem as it exists on the ground. I mean people's minds immediately jump to the 1949 Boylston massacre, but let's be real, even though that was really politically useful for finally getting the exit fares on the T removed, that was still a black-swan event, right? Basically every mayor since, like, Hynes has lived in mortal terror of having to manage a repeat of something like that during the mass media era, let alone the smartphone era. So we've got these Theseus kill-teams with their titanium-composite ropes and souped-up cattle prods and bolt guns, we have these constant "track replacement" stoppages on the orange line, and it's fine. It's fine! There hasn't been a serious Minotaur thing within walking distance of a T stop since, like, 2006, which again you can mostly chalk up to the chaos surrounding the dig.

No, the actual danger zones, the silent killers are the exurbs, like West Roxbury, Roslindale, parts of Hyde Park. Relatively dense foliage, bad sightlines, far enough from the urban center that the response times are bad, foot traffic that's basically nonexistent for big parts of the workweek because everyone's either commuting or hunkered down working from home. And, of course, a steady stream of delivery drivers with no political ties to the area. Which is an important element, right? I mean it's kind of baked into the Minotaur's nature, that they have a very finely tuned instinctual awareness of the politics of their situation. Start snagging homeowners, there might be a ruckus. But Amazon does steady business everywhere, and Minotaurs are smart enough to cover their bases, to wait until after the drivers have dropped off your package or delivered your food. So yeah, watch yourself out there. One eye on the treeline at all times. And if you see an Amazon van left idling, get ready to run faster than the driver could.

[arcadia345]

Astrology observations🪷

Birthday post🥳

Minors DNI🔞

Not a real astrologer just my observations :)

Now offering aura & synastry readings

❀ Question for Gemini/3rd house moons do y’all like sleeping anywhere else but yawls bed like your siblings room the couch over a friend‘s house you just usually don’t sleep in your bed for some reason?

❀ Venus in 10th synastry and their habit of subtly admiring eachother and their work/hobbies esp the Venus person.

❀ Saturn/cap in the 2nd likes to steal??👀 or they tend to get stolen from

❀ Aries moons mothers could’ve wanted independence from the fathers at some point in time. Independence seems to be a big theme for this moon sign.

❀ Moon/venus in 11th natals don’t be surprised if your (online)friends are deeply in love with you🤭it usually starts off as them just caring deeply about your feelings and wellbeing but it can easily turn into obsession/love

❀ Mercury and Capricorn in big 5 natal could give sexy veiny hands🥴*inserts black and white grainy filter* I wouldn’t mind a good neck squeezing from them lol

❀ Also I don’t think people realize how closely Capricorn/Saturn is to the occult, people usually just group it with the 8th house but intuitively I know esp as a cap myself that we tend to have hidden practices/practice secretly

❀ Prominent 12th/9th house placements in composite could like to drink/ do dr*gs while together. It’s like everyday a party when you two are together 😎

❀ Aries Eros composite gives summer fling vibez

❀ The best way I can explain Aries women’s energy is like a thong stuck in your 🍑 a little unsettling but yk what time it is 😏

❀ Aries/Scorpio, mercury/Saturn moon signs have their 🍒s pierced (if not then this is your signn)

❀ Neptune in 8th have sm family secrets

❀ I’m jealous of Taurus 2°14°26°/ 2nd house moons and their soft skins and juicy lips. They most likely was the child that cause the least problems they also tend to be homebodies. Their natural aroma can be intoxicating. They have a Knick for wardrobe they’re true to this not new to this🤫 even if they didn’t have a lot of money growing up they were the ones you always seen playing dress up/ meddling in someones closet/dressers. You could say they were the mothers “favorite” child because they do what their told until they don’t…then the mom may start giving Scorpio moon vibes to the child.

Learning that JHope is a Taurus moon made sm sense😭 show anyone a baby pic of him and watch them start plotting on how they’d k*dnap him💀 he just look like such a sweet child that causes 0 problems whos easily content

❀ I feel like cancer placements esp moon could be looked over a lot of times they’re just really chill energy wise most of the time but when you get to know them they’re really full of life

❀ Sag moons either live with older/elder people or they were the kid that was outside almost everyday or both!

>a peak of my Sign Lore series. Should I start w ♋️ babez first?<

❀ Sorry not sorry but I love coming for Scorpios necks e very time I post😅🤣 someone said under all that intensity and mysteriousness they’re the most basic/bubbly people you know and I agree! They’re really simple people when it comes to what they want just like their sister sign Taurus. They love to have control(or at least pretend like they have it)which is understandable when their lives have been a story of uprooting and transformation. Scorpio rising’s have Leo in the 10th(the highest point in ur chart) they’re naturally charismatic and goofy people, they easily attract attention just by being their authentic selves. Also they couldve been the child that didn’t receive the correct/ right amount of attention growing up. A lot of their problems could’ve been overlooked growing up:(. They crave the same love & loyalty that they give out. As u know the sun scorches anything that comes near it just like Scorpios they’re intensity can drive people away most times so it gets lonely at the top yk?

That’s it for now 🌀🩵🌺🌀

[1800titz]

ᴋɪɴᴋᴛᴏʙᴇʀ — ᴅᴇɢʀᴀᴅᴀᴛɪᴏɴ & ᴘʀᴀɪꜱᴇ

KNEELING LAMIA | Witch hunter!Harry x Witch!reader

There's too much tension in this cat-and-mouse. Inevitably, it stretches too taut and snaps.

★18+

This is ᴋɴᴇᴇʟɪɴɢ ʟᴀᴍɪᴀ for the KINKTOBER projects. Witch x Witch hunter au.

If you enjoy this, consider checking out my patreon masterlist, constantly being updated, with loads of exclusive content. If you would like to see the other KINKTOBER projects and join the taglist for upcoming projects, do so here.

CONTENT/WARNINGS: enemies. p-in-v. degradation. praise. pussy slapping (light). dom/sub undertones. rough sex. bro is simply kind of an asshole, but it's in an attractive way imo.

WC: 3.7K

You hate him. 

You hate him, you hate the grease in his derisory, lopsided smile, the one, two-tick at the corners of his mouth, like an omen on the hollow barrel of a cocked gun. The stupid white straightness of them, slick with spit and glimmering off the glowing oil lantern. 

The soft humanness in his unchiseled eyes. When they’re narrowed into slits, the color is so soft, so delicate, that they don’t feel nearly as sharp as he intends. The preternatural juxtaposition of a human having eyes that are so mesmerizing is absurd— the pink-rimmed oil painting of his irises, mounted in white, under the tarp of his lashes (they’re long, dark, and cast shadows across the green sfumato). You can nearly find sunstones flecking like gold flakes wading the surface of a pool, if you look close enough.

But the bands are eroded now. Lacking. You always thought his eyes were like the moss speckling the grove in your back garden. Now, the vibrancy of it, crawling up the trunks, feels like a distant memory.

Smeared, pupils bleeding wide like spilled ink. 

(You loathe the way his green reminds you of the malachite scattered across your window sill.)

You hate his hands, too. His fingers. The way they notch on reins, and the steel hilt of a gun. The way his pointer stretches across the metal trigger— click— and the way the aim is off. Misses. A bole eats the bullet, and you think, after so many tries, he has to not miss.

He has to not miss.

But he misses, and misses, and misses— the cat and mouse is an old, familiar game, but a fractured part of you thinks he misses on purpose. And you wonder who’s really the cat; when he’ll finally admit you’ve been filling his shoes out in the hunt, long before his time. 

But you hate his hands most because of the way they touch you. The way they feel good. Pinching your bones in place, thumbprints carving into your skin. 

Pressure points— he’s no good with a gun, but he’s good at finding pressure points, scoping them with his fingertips. Squeezing in. 

You hate his teeth, because you hate him, and he hates you, and you want to sweep them off the floor when you fracture every little bone in the composite of his skull with your palms and shatter them out with your fingers. The way they chew into your nipples and stab a crushed squeak out of you. 

(It’s the nature of the game— a double helix. Taijitu. Water and oil. You’re meant to despise each other, because dark has to exist to balance light. There has to be a villain in every story, otherwise the narrative collapses—)

You can’t stand the way his stupidly fat cock splits you on him, around him. The way when he groans, the way it starts as a hum between his ribs, and metastasizes into that yawning pry of his mouth, his soft lips. 

(Conflict. Resolution. Recycle.)

His hand pawing at a handful of your breast, like kneading dough. Testing the heft when it shakes under the pressure of his hips slamming in wet squelches, sack slapping to your sticky cunt. The blunt of his nails scraping down your sides, prying in where your waist tapers, and wrapping the barbs of his fingers around, where the rungs sit at your back, to lug you against him in filthy, wet smacks. Again— again. 

(Fuck, fuck, fuck—)

“—Fuck,” you mewl, scratching out at his temple, fingertips curling into the burnt umber tufts they can reach, pulling, tangling. Scraping. Your thumb grazes his cheekbone. He bites down on your nipple, instead, where he’s been rolling it between his teeth with his tongue, and grunts. It makes you squirm on the table and arch.

When he unlatches and lurches up to loom over you, he looks wild. Like an untamed beast— reminds you of the wolf that lingers by your doorstep— that you’ve lugged along into your kitchen. Let him splay you across the big, oak table that squeals and rattles under the punishing pace he’s set with his hips. 

“Fuck— no,” Harry grunts, and slams your wrist down onto the table, beside your head, your stuttering pulse. Cuffed in his grip. Your fingers twitch. His throat bobs when he swallows.

The tip of his tongue flicks out, drags across his lips, and you think of a scenting serpent. He huffs.

“Ought to declaw you,” he muses, hunching over you, narrowed eyes oscillating from your nails to your face. Voice a husk that oozes condescension. As if you’re an animal— a feral cat that needs its talons extracted. 

“Fuck you,” you spit, and the words— the petulant tone, the way your chest rattles when his cock throbs inside of you— are enough to crook the corners of his pink mouth. Wry. Acid across his lips, in the ridges between his teeth. 

He sticks his thumb in your mouth, but not really; presses in against the flat of your front tooth when you bare your canines, squeezing at your cheeks. Pressure points— under the side of your mandible, beneath your cheekbone.

“Better watch that mouth,” he taunts. When his eyebrows climb, three ruckles seep across his forehead. Maybe evidence of how he means it, how firm his resolve is, but the way he tips his head down at you, it's goading—

Your chest rolls. “Fuck— you.”

And you get it. You do. Coexisting is an absurd, incompatible fantasy. Deluded, when you cup your teeth around the world and still feel hungry. It only stretches so wide before he’s under your teeth, too, and nobody wants to live in a hungry, sharp mouth. It’s a means of resource. Sanctum; I want sanctum, and you my friend, are preventing that like gum jammed into a lock on a gate. 

This slow dance is called perfect, incongruous symbiosis, like a winter coat and the hot sun. You don’t fit together. You’ll never work— not in tandem. 

It’s just that he doesn’t get that it’s the circle of life.

A snake and a mouse. That works. It’s unpleasant, but it doesn’t have to be watched. 

But it’s ugly. You get the angry men with the pitchforks. You get him— vigilante, here to stab the head off the python with a wooden stick and wring his hands out after, like the hero he’ll be if he manages to tame the beast (glorified pest control— snub the snake in the backyard). You accepted a long time ago that all the little people would get mad that you were eating their little people. 

Nasty, vicious thing in the back garden— get rid of it.  

But hey— that’s life. The ugly, vicious wasp nest dangling off a poplar tree deserves to exist, too, because that’s the anomalous, hideous shape mother nature’s hand squeezed it into. And that’s, you think, the disconnect. The electrical cord spitting white-hot, fizzing sparks from where it’s been gnawed down the middle.

You swallow. His eyes are blade-sharp. So unco. Contemplating, calculating.

You get all that. What you can’t wrap your mind around is the untethered snap between you, like a bungee cord lugging you into a collision. It makes you feel feverish. The fracture in the foundation below you, every atom bred from this, predestined narrative. The sizzle beneath your skin— a charred brand in the shape of his kiss under the layers of your dermis— (a lowly mimicry of what lovemaking is, all teeth). It’s brutal. Sharp. A skirt of canines across your collarbone. A notch across the bone. A means to satiate, a compound of loathing, and pining, and the cozening haze of desire. The yearning curdled in the spiral of the communal pool of your animosity.   

Because he smells like the rain rapping across your roof when you stand out with the door propped, sticking to the fireweed in rivulets under your porch steps. Like suede. Musk. The wilting coriander sprig on your altar. Your resolve is wicker snapping under his thumb. A melting glacier under the heavy heat dripping from his eyes. You don’t like it. You can’t get enough.

You tip your chin up and his thumb snags on the blunt edges, smushes into your lower lip. When his heavy cock slips out of you and slaps up against his belly, a whine prickles at the back of your mouth. You encase it with your throat like a dirty secret left to write on paper. You won’t whine for him. But he’s thick. His cock is stupidly fat, and it throbs like he can feel the encroaching emptiness between your legs for himself. 

You won’t whine, but you feel hollow, and it makes your hips cant up involuntarily. Forward. To him— you hate that— but the stamp of his palm to your cunt makes your thought process crumble apart like notes plummeting off their bars on a sheet of music. A smack of skin on skin is the aria of your twisted affection stretching and collapsing. 

It doesn’t hurt. Not really. There’s a dull pang that blooms there, under his touch, but it feels smothered under the white-hot lightning streak of shock that jolts your shoulders and sculpts your face. The mortified, blistering heat that spumes your cheeks when the whites of your eyes pool a little wider. You flounder up at him wordlessly. 

Harry hums. It’s haughty, and mocking, and it makes something ripple in your underbelly. “Say that again, little girl?”

You swallow. Squirm. The pseudonym has something bristling in your chest. You’re not a little girl. This thicket has belonged to you for hundreds of years. 

But the warm prickle between your thighs is an ugly, ugly paradox. 

And you hate the way his hand is this humongous thing between your thighs, across your sex, swallowing your smarting cunt in the cup of his palm. The way he leaves it where it landed. His thumb stretched out and lingering in the crease between your mons and your tucked up thigh. You hate the way you drool slick against his fingers, the way your clit pulses under the heel of his hand. Your chest rolls. 

His amusement is acidic. Patronization sloshes off his eyes and burns a hole right through the layer of your mettle when he cocks his head down at you, the way your hips hitch. His lips twist. “Oh you liked that, did you?”

Your face pinches. The corners of your lips curl down despite the way your empty pussy flutters under his skin.

“No."

He makes a sound. A hum that granulates into a rich chuckle, and his eyes flicker off your face, to his hand, and back, and back. Something brews in the depths under his lashes, you think— a sinkhole cratering into the ground beneath the canopy of the woods, driving the forest ground out into a void— watching the breadth of his hand envelop between your thighs. Maybe at the molten heat, or the way he can undeniably feel you clenching up. Throbbing. Against him. For him. 

“Is that right? Look at that, mm— drippy, little pussy,” Harry tells you, voice hardly over a whisper. The words are a livewire zigzagging up your spine, riding the arches of the knobs, spilling something noxious and cloudy along your cerebrospinal fluid. 

It goes straight to your head. 

“Needy, little cunt. Bet you could cum just from me slapping it.”

His middle finger grazes your asshole. Your toes curl, you can’t even argue, despite the vitriol puddling on the back of your tongue like stagnant water. He tips his head. Smiles. The flash of teeth carves an ache into you that makes your bones ring.

“Aren’t you… just the sweetest thing when you’re put in your place,” Harry murmurs down at you, eyebrows climbing, and he’s— unctuous. A headache. The kind that clusters around the arch of your skull and squeezes taut like a bundle of rubber bands. Talking down to you like you’re a wily thing for him to put into a corner, once and for all. Like your demesne isn’t stamped in his soggy footprints, layer after layer, year after year.

You bare your teeth and jut your chin defiantly, but then he drags his thumb down along your pebbled clit, and it makes your shoulders wobble. 

You used to cut hunters down like the loggers muscling in on your timber. Hatred was a pearl folded into your heart. A bead tucked into the soft, fleshy tissue between the little pockets of your ventricles, and it stung like a splinter in your gums. 

You wear it in your chest like his name shaved into a rib. The perfect harmony of dysfunction. You don’t know why being under him kindles a flame. Just that it does. He’s live coal, and you crackle over what he gives you.

The moment of reticence between you has that shattering weight of your little truce, and you’re reminded of the plunge from the hillscape of your dignity. 

Maybe it’s worse that you don’t mind. 

His shoulders swell. You like the spit-slick rim of his mouth, the way the color is an insignia of your teeth making landfall. 

“Are you gonna be a good girl?”

When he plants his hand beside your ear and stretches forward a little more, his cockhead slips across your clit. Hot, like a firebrand coated in sateen. You curl your fingers and realize your wrist is still pinned down. His eyes sway to it like he knows what you’re thinking, and his mouth twitches.

“Gonna keep your hands to yourself?” Harry purrs, grunting when you roll your chin away in scorn. 

“Because—“ His finger prods onto your cheek. Then, two. Under your jaw, enough pressure to turn your head. “You know I love that wild shit. But, can’t have you fucking up my pretty face—“

The humor coagulating his tone tastes bitter when you breathe it from the air. Swallowing it down into your lungs where it ghosts with the subatomic heaviness of want. Your eyes flit. You hate him— you hate—

He grins down at you. Not quite. Close-lipped, eyes vats that shelter his dogma. The intensity of his seriousness. “Can’t do that,” he muses, but his tone is softer than his countenance. 

You look away. And you don’t watch it, but he huffs, like he’s losing patience for your still-not-quite-subservience and lack of zeal. His nostrils flare as he takes a deep breath. Hums. 

“Mm. Come on, doll. You know I don’t want you if you don’t want me,” he tells you, but his mouth crooks because he knows— he knows. 

You blink up at him. His eyes burn down at you from the bridge of his nose, and it feels like you’ve been swaddled into a sudden, wet heatwave. The words would nearly be considerate if it wasn’t for the condescending undertow that spills under the vowels like an oil slick. 

His pointer traces the corner of your mouth, brows furrowing as he tails the motion with his gaze. “Just you say the word.”

And despite the way you blister, something itching under your skin, you won’t. Your teeth are clenched, but you couldn’t pry them apart with pliers to turn him down, not with the fever spilling its way across you. You settle for contempt— let it set your face like a cast congealing, but he doesn’t chase the tail of your indignation with anything beyond mockery. 

He stares back at you. Doesn’t let it wither, drowns in the deluge of your inkpools, mouth curling but-not-quite. 

“No,” he sighs, after a beat of your lull— bereft of your protest— drawing his forefinger away and slinking it down the naked space of your sternum, then around your swollen nipple. You gnaw into your cheek. “You know what I think?”

“—I don’t care,” you pick your head up to hiss. 

You expect to face something crumbling at the retort. Discipline. Retribution— to watch something clot inside of him the way it wads in your chest, caking gravity across his features because— need to be taught a lesson in respect. What did I say about watching that mouth? 

But it flickers over him without a hitch. Slides off. 

Instead, he doubles down, hunching back over you. “I think you love this cock too much. Don’t you? Got you wrapped around it, by now.”

The flame from your core licks up to flare at the apples of your cheeks. He breathes when he straightens out. Deep. Like the prelude to a sigh, and you wonder if the same burning kisses along the nooks of his lungs. You don’t say anything, and he pulls his hand back.

“That’s right,” Harry coos, cocking his head down at you, “Just a sweet, cockdrunk, little whore, by now.”

Your eyes narrow into thin slits. Dagger splits. The wobble in your voice is a swordblade. “Shut— up.”

He laughs. Laughs. This muted, soundless thing that manifests more in his shoulders, the jolt across their breadth. The crater beside a smile line. He shakes his head, and cups the root of his cock with his fist. Your eyes follow it. You swallow.

“Mm, no,” he muses, gaze pooling where the mushroomed ridges of his tip slide along your sopping rim, your puffy lips, your clit, “I think you like it. Gushing all over the table.”

Embarrassment ties its tendrils along the base of your throat. Cogon grass germinating and feathering out across your esophagus, until you’re choking on your spit. You grit your teeth. Your hips nudge up. Forward. He underscores the presumption by pulling the head of his cock back, and sundering the string of tacky slick that’d stretched between him and your seam.

“Makin’ a fucking mess with your messy, desperate pussy,” Harry tells you, pressing his index to his thumb and prying them apart for emphasis. Your slick shimmers in the light. “Look at you. There’s a fuckin’ puddle.”

Your face creases. Cheeks buzzing, white-hot. You feel yourself leaking down along the cleft of your ass, and your fingers itch. A thunderbolt streaks across when you recognize that your hand is still flat against the table. Just where he left it. 

He aims his cock back against you, so thick in his palm, and murmurs, “You want it?”

You don’t know how you ended up here.

You do, but the motions between point A and B feel like a nebulous smear. Hands in motion. Fabric tangling across the floor. Teeth, and tongues, and bones, and claws.

(“Always liked an older woman,” you remember he told you, tongue prodding against the inside of his cheek. The hubris of a boy sewn into the shoulders of a man. The irony of your preternatural youth folded into his proposition as his eyes roamed across your face.)

(“So let’s put …this,” a motion between with a jutted finger, a murmur drizzled in allure, tucked like a secret into the shape of the night, “aside for a time-out, you and me.”)

You don’t know why you said yes. How. Why your body reacts like he’s a breath you need, whispering along your lungs. Why you let him unspool you over his fingers, his tongue, fucking into you like he was starving. 

But you nod.

You nod, and he presses his weepy tip against your cunt, and it only takes a nudge for him to pry you open around him again. Enveloping him. Sloppy, little pussy pulsing over the tip like a frenetic heartbeat. 

You turn your chin and bite into your own shoulder to stifle the mewl spiraling between your tonsils, and he groans. The sting is better the second-go, but the pressure of having your rim stretched taut anew doesn’t lose its edge. The ache settles in your underbelly. Flourishes in the molten geyser of your arousal. 

“Oh, shit,” Harry hums, pasting his palm flat to your tummy, right over your navel. Like this, you can feel his fingertips under your heartbeat. Across it. Thrumming. His eyes glued to where you swallow up his cock.

He feeds his cock into you slow, but it feels incongruous. The pastiche of what you’re feeling is already enough to cloud your head into delirium— you want teeth. Tongues, bones, claws. 

“Harder,” you grit, catching his eye when he stalls, hand braced across your waist. You resolve paints your words firm, “I can take it.” 

For a moment, Harry stares down at you. The whiplash of pause morphing to taunt, like a seamless rebound, has your rim fluttering over his girth. “My, my. Aren’t we eager.”

“Just—“

Your cosm ripples around you when he drives his hips forward, and lugs you back, hips colliding with your skin in a smack. A horrible, wet sound when he crams his way in, wedging your fuss back into the depth of your stomach. It flings you off your rationale. 

He shivers. “God, you’re slutty. Slutty pussy on a slutty witch.”

The pace he sets is brutal. Merciless. It caters to your complaint, and squashes it out under his thumb. Under the kiss of his tip to your womb. Deliriously, you think he’s going to spill his hot, thick load inside of you, and then what? Then, what?

It feels like he’s wringing you out between his hands, until all that’s left is a pool of want. 

You hate the way he’s chiseled in a place for himself. A tern across your branches, nested in twine and spare filaments of organs that belong to you. A little sinew peeled off of your liver. A sliver off your lung. Maybe that’s why—

You suck in a tight breath and let it rattle the nest he’s built, when he hits something unfathomably deep inside of you. Plugged on his cock, there’s no way for you to smother your moans out. He batters in to the hilt, cupping you by the waist, and rocking you back onto him, over, and over, and over. 

“I want this sweet pussy to cum around my cock,” he pants over you. A curl has flopped across his eye, and your ire is eclipsed by your yearning. The ball inside of you unspooling as if he’s peeling the layers of muscle on your heart back like an onion to temporarily pluck out the undiluted loathing. “Do you hear me?”

It’s a mindless motion— your fingers creeping to land over where you connect, where he’s splitting your gummy walls to what feels like their ceiling. But he bats your hands away, and rams into you until your mons is kissing the wiry bed of hair that’s smattered over his shaft.

“It’s gonna cum around my cock,” he grunts, “or it’s not gonna cum at all.”

kinktober masterlist here. | general masterlist here. | patreon here.

TAGLIST: @aprlmuse @babegoals @cinnamonone @flubblubbb @ivegotthecinema

@littlenatilda @witch-rry @watermelonsugarslut @hs1thea @boystepper

@carolinaskiiwi @kathleengrg @madstyles3204 @fruity-harry

[illusioncanthurtme--art]

A recent commission for @silentdragon64!! Plus some close ups for you to tap on so you can see details and textures and whatnot! I'm excited to share more commissions with you guys, so you can get a look at my more rendered stuff, and what I've been putting all my time into lately.

Always happy for an opportunity to draw Doc 🥺 It seems like every time I draw him, I put more effort into drawing his actuators. It made this drawing HUGE, since I planned it out digitally beforehand. I had to buy a big piece of paper just for this drawing. For scale, below the read more, is look at me holding the drawing in the mirror before I mailed it to the commissioner:

DAYUM!! I mean, tbh, i would have had to get an especially long piece of paper for this composition anyway, with one character being upside down and all, but the arms are like adding an extra character to the thing. I'm really happy with how it turned out :')

[plutonianeris]

mars in the composite chart

Mars in Aries

Picture a couple who seem to radiate fiery passion wherever they go. People can feel the electricity between them and its because they’re the pair that’s always on the move, diving headfirst into something new and exciting. Their friends? They probably see them as that “adventurous duo” who’s always planning a last-minute road trip or hitting up the hottest spots in town. When it comes to romance, these two are spontaneous to the core. One night they’re off bungee jumping, the next they’re having a wild, passionate argument that leads to a make-up that’s even more intense. They keep each other on their toes, and everyone else can sense that burning chemistry.

Mars in Taurus

Okay, this couple has a kind of slow, sensual magnetism that draws people in. Friends often describe them as the “rock-solid couple” who’ve got each other’s backs, always steady and grounded. These two prefer romance that’s more about indulging in the senses—think luxurious dinners, wine-tasting weekends, or cozy nights by the fire. Their passion isn’t loud, but it’s deeply physical and lasting, like a slow, smoldering fire. They’re the ones you see at a fancy restaurant, totally lost in each other, enjoying every moment without needing to rush.

Mars in Gemini

With Mars in Gemini, you’ve got a couple that’s full of playful, flirtatious energy. They’re the type who never stop talking, laughing, or teasing each other in the most fun ways. Their friends see them as the social butterflies of the group, always up for a spontaneous trip or a lively conversation. As for romance? These two thrive on variety—one day, they’re planning a scavenger hunt across the city, the next they’re having an all-night movie marathon, constantly exploring new things. The mental connection fuels their attraction, and people notice the way they keep each other entertained no matter what.

Mars in Cancer

There’s an undeniable emotional depth between these two. They’re often seen as the couple who’s fiercely protective of one another, with a bond that’s deeply nurturing. Their friends might describe them as the “homebodies” of the group, but it’s more than that—they just really love creating a safe, intimate world for each other. Their romantic endeavors are all about emotional closeness: candlelit dinners at home, cuddling under a blanket during a thunderstorm, or quiet weekends away in a cozy cabin. Their passion is like the tide—strong, unshakable, and full of feeling.

Mars in Leo

When Mars is in Leo, their relationship has this larger-than-life quality, and people can’t help but notice. They’re the couple that everyone else admires (and maybe even envies a little aka the couple people stalk on social media), always showing up to events in style, looking glamorous, and clearly enjoying the attention. Their romantic life? Think grand gestures, lavish dinners, and those perfect Instagram-worthy dates. They’re all about drama and flair, and when they fight or make up, it’s equally dramatic—but they wouldn’t have it any other way.

Mars in Virgo

This couple might seem more low-key, but don’t be fooled—their connection is built on a deep, thoughtful care for one another. Their friends probably see them as the organized, “power duo” who’s always on top of things, quietly supporting each other without making a big fuss. When it comes to romance, these two show their love in small but meaningful ways. Maybe they plan the perfect weekend getaway down to every last detail, or one cooks the other’s favorite meal just because. Their passion is precise and careful, like a well-tuned machine, and it works perfectly for them.

Mars in Libra

This couple is all about balance and elegance. People probably see them as that couple who just looks great together—always well-dressed, charming, and in sync. They have a kind of effortless romance that feels like it’s straight out of a classic love story. Their romantic moments are all about harmony, whether it’s a beautiful evening at an art gallery or a perfectly planned dinner date. They hate conflict, so they’ll go out of their way to keep things peaceful, which means their passion often takes the form of romantic gestures and thoughtful compromises.

Mars in Scorpio

People can’t help but notice their powerful chemistry, even if it’s subtle. They’re the type who can communicate with a single glance. Their romance? Oh, it’s all-consuming, with deep emotional and physical connections that sometimes feel almost obsessive. They love uncovering each other’s secrets, exploring the hidden sides of life and love, and their passion can be both transformative and, at times, a little dangerous. But they wouldn’t have it any other way—it’s a ride they’re on together, for better or for worse.

Mars in Sagittarius

This couple is all about freedom, fun, and adventure. People see them as the spontaneous, globe-trotting duo who’s always planning their next big adventure or diving into something new. They thrive on excitement and hate being tied down to routines. Their romantic life is filled with thrill-seeking activities—skydiving, hiking exotic locations, or even just heading out on a whim to explore a new part of their neighborhood or city. They don’t do boring, and they love the sense of freedom they give each other. It’s all about the journey, not the destination, for these two.

Mars in Capricorn

Mars in Capricorn makes this couple seem strong, determined, and serious about building a future together. People often admire their ambition and the way they seem to have everything under control. Their romance might not be flashy, but it’s grounded in real, tangible actions. They’re the couple that works hard, plays hard, and plans meticulously for the life they want to build. Whether it’s a quiet dinner where they talk about their long-term goals or a day spent hiking to a scenic spot they’ve been wanting to visit, their love is all about endurance and commitment.

Mars in Aquarius

With Mars in Aquarius, this couple is seen as unique, quirky, and maybe even a little rebellious. This feels like the couple no one expected to be together but they make it work and are having some great sex. They aren’t interested in following anyone else’s rules, and people admire their free-spirited, independent vibe. Romantically, these two are all about doing things their own way—whether that means unconventional date nights, like visiting a modern art exhibit or trying something totally out of the box like an escape room. They love experimenting in their relationship, keeping things fresh and unpredictable. Their passion thrives on mental stimulation and innovation.

Mars in Pisces

People might see them as the hopeless romantics, lost in their own little world together. They share a deep, emotional connection that’s spiritual and creative. Their romantic endeavors are all about escaping reality—whether it’s through art, music, or long, dreamy walks on the beach. They’re the couple that’s always creating together, dreaming up beautiful fantasies, and finding ways to express their love through compassion and imagination. Passionate in their own mystical way, their connection feels almost otherworldly.

[nereidprinc3ss]

haunted

in which spencer reid takes you to a haunted house and you're being very brave about it... sort of.

fluff! warnings/tags: reader wears a skirt, reader is a scaredy cat!!, established relationship, kithing, my favs derek and penelope featured, haunted house stuff, talk about the physical composition of human eyeballs and mentions of harvesting them/eating them but it's not serious, FAKE very fake Halloween gore, I know those tags just escalated so quickly my bad, mention of a spooky clown, just haunted house stuff ok!! but its really not a scary fic I promise!!!! a/n: this is for my bff @gublersg1rl !!!! I hope u all like!!!!! Also yes the title was extremely creative I was feeling divinely inspired and revolutionary let’s not talk abt it

“Okay, no, no—maybe we don’t have to go in. I don’t think it’s gonna be that good.”

As you say it you’re wearily eyeing the crowd of screaming teenagers who are sprinting from the haunted house attraction’s exit, leaving a trail a swirling leaves and candy wrappers in their wake. Spencer laughs, gently hugging you back to him as you subconsciously begin to drift away from the line. 

“I knew this would happen.”

“Nothing’s happening.”

“You’re scared. You want to chicken out.”

“I don’t,” you snap, stepping back and adjusting your sweater. “I’m just… I’m cold. I wanna go back to the car.” Spencer does some adjustments of his own, coming close and reaching around you as if going in for a hug but instead tugging your skirt down slightly in the back. You let him finish and then bat his hand away. “Would you stop that?”

“You said you were cold! I’m trying to help you.”

“By making my skirt one inch longer? That’s not going to help.”

He holds his hands up defensively. “Okay. Sorry. I won’t touch.”

Immediately your serrated edge is dulled and you lean against him, barely steering clear of a pout. “No, please. You’re warm. And you’ll protect me.”

He smiles down at you, cheeks and nose nipped sweet pink by the chilly breeze. His hair looks very nice today, his eyes are extra sparkly in the dark, and he’s framed by mostly bare tree branches scattered around the fairground—nothing more than dark palms clawing at the sky, a full white moon cradled in between black branches. The autumnal night is perhaps too cold for the tartan mini skirt you’d chosen, but Spencer told you it looked nice. Of course he doesn’t put up a fight when you slip your arms around his waist under his coat—only wraps his arms around you in return.

“I don’t know if I’ll be able to protect you. But between us Derek and Penelope will bear the brunt of the jump scares.”

“Who said my name?”

You look over your shoulder to where Penelope is shivering despite wearing her own and Derek’s coat, and Derek is eyeing the two of you, enjoying a bag of caramel corn like he doesn’t have a care in the world. 

“Don’t worry about it,” Spencer says, and you laugh to yourself, pulling him even closer like you’re trying to leech the warmth from his body. “Okay, you do have to face forward though. I don’t want you to trip.”

“No, Spencer!” You argue, but he’s already unlatching your arms from his middle and turning you in place. 

“You’re fine,” he chuckles, holding onto your hips. “I’m right here. Be brave.”

The line has begun to move forward again, and this time, it’s not stopping. Your heart pounds as at the behest of a teenaged bloody scarecrow you follow Derek and Penelope into the dark mouth of the red clapboard facade—a sort of farmhouse design that had seemed charming from afar and deeply sinister up close. Speakers play a loud creaking sound over spooky music and your eyes slowly adjust to reveal a foggy corridor lined with doors and creepy paintings.

As soon as the first evil little girl pops out of a doorway, you scream right along with Penelope. 

“Oh, my god,” Spencer laughs under his breath as you stop dead in your tracks, holding the group behind you up. When Penelope and Derek move on, you stay stuck, knowing that the threat has disappeared for the moment but still looms. Spencer gently ushers you forward. “Stay close behind Penelope, and it won’t be as scary. Come on, we have to keep going.”

“I hate this so much.”

But he ignores your comment, guiding you forward down the shadowy hallway and whispering the beginnings of a tangent over your shoulder. 

“You know, the first haunted house attraction was in London in 1915 at a fairground just like this. They picked up in America during the Great Depression as an attempt to distract young hooligans from resorting to property damage for fun.”

“Hooligans?” You mutter, teasing him even while terrified, carefully eyes the suspicious staircase leading up to a fenced in landing, shrouded in darkness. “We’re not going up there, are we?”

Just then a man with a sack over his head and bloody axe emerges from the black, launching himself down the stairs. Again, you scream, this time sprinting out of Spencer’s hold and through a cobweb veil into the next room. 

“Jesus fuck!” You gasp, clutching your chest as someone made up to be a sweet old grandma gone mad and soaked in blood and viscera turns around to greet you with a manic grin. 

“Oh, a pretty girl! Is that you, dear? My long lost granddaughter? Or did I put her in a pie?”

The acting is subpar at best, the script even worse, but what really discomforts you are the bloodied rubber limbs swinging from the ceiling and the fog machine in the corner that keeps burping out thick white clouds with a little hiss. You turn around, running directly into Spencer’s chest. He catches you by the waist and you cling to him, digging your feet in to try and stop either of you from proceeding any closer to your new friend. 

“And your lover—so handsome! Mm, what a delicious pairing you two’ll make! Maybe in my specialty cream of eyeball soup?”

She cackles. Spencer pushes you carefully forward as you peer over his lapel, and he actually stops to look into the woman’s pot as she stirs it. 

“Spencer—”

“You know—the human eyeball is by all accounts difficult to harvest without essentially popping the outer wall of muscle and connective tissue and then you’re losing the structure of the sphere—and stop me if you know this—but water constitutes about 98 percent of vitreous and aqueous humor which in turn make up eighty percent of the total volume of the eye so to say your soup would be cream of eyeball is—”

“Buddy, you’re holding up the line!” Someone shouts from behind, and Spencer offers an awkward apology to the grandma who was beginning to look more and more uncomfortable, hurrying you along through the kitchen from hell. 

“I cannot believe you just did that,” you hiss, still clinging to him. “That poor woman probably thinks you’re a serial killer now.”

“I was trying to humanize her for your benefit—”

Another scream from someone else, another cheap jump scare, cuts him off, and by this point you have your eyes squeezed shut, squeaking at every noise, and Spencer is damn near carrying you through the haunted house, walking you awkwardly backward through the various rooms. 

He cradles the back of your head and presses his lips to your ear as a chainsaw revs somewhere nearby and you hear Derek and Penelope yelping just ahead. “You’re being so brave,” Spencer murmurs, though you don’t miss the smile in his voice. "If I was a malevolent spectre I would definitely steer clear of you. I'd be too intimidated."

“Shut up. Ah!”

“Baby, that was a plant. You know the actors can’t touch you, right? You’re not in any danger.”

“I don’t like being scared, Spencer.”

“Then why did you suggest the haunted house? I said we should do the maze.”

“I don’t know! I—” another man popping out of the wall, another roar that you only hear, sequestered safely against your boyfriend’s coat. “Oh my god, are we almost done? I can’t do this anymore.”

“Yeah, the entrance is right ahead. No more actors, okay? I can see the whole room, it’s totally empty.”

“I bet that's what they want you to think, they lull you into a false sense of security and then—”

Cold air kisses the back of your legs as Spencer walks you toward the door, and the stifled soundscape widens again as you exit the house breathing air that doesn’t smell like sawdust and fog machine juice and fake blood. 

“Nope. We're really all done, see?”

“You survived! Oh my god, I survived!” Penelope calls, and you lift your head from Spencer’s chest, looking up at him. He’s grinning, brushing his thumbs over your cheeks. 

“You honestly handled that better than I thought you would. I actually think I saw the guy dressed as a clown jump when you screamed.”

“If I ever say I wanna do something scary again please don’t listen to me. I hated that so much.”

He examines your face for a moment before determining that despite your rattled nerves, you’ll be okay, and comforts you with a quick peck. “Do you wanna go get caramel apples now?”

“Yes, please. And then can we do the maze, and just like—I don’t know, sit there and… meditate for a little while?”

He chuckles. “Yeah. Just… don’t think about what could be lurking in the corn.”

You give him a little shove. “You know, I only did that haunted house thing because I know how much you love Halloween. I’m being a good girlfriend and what do I get?”

He pulls you close again and kisses your hand. 

“You get a caramel apple,” he says, like it’s obvious, and more than that—worth every trouble in the world. “Come on.”

You give him a begrudging smile and allow him to lead you, hand in hand. Maybe it is. 

[nasa]

Navigating Deep Space by Starlight

On August 6, 1967, astrophysicist Jocelyn Bell Burnell noticed a blip in her radio telescope data. And then another. Eventually, Bell Burnell figured out that these blips, or pulses, were not from people or machines.

The blips were constant. There was something in space that was pulsing in a regular pattern, and Bell Burnell figured out that it was a pulsar: a rapidly spinning neutron star emitting beams of light. Neutron stars are superdense objects created when a massive star dies. Not only are they dense, but neutron stars can also spin really fast! Every star we observe spins, and due to a property called angular momentum, as a collapsing star gets smaller and denser, it spins faster. It’s like how ice skaters spin faster as they bring their arms closer to their bodies and make the space that they take up smaller.

The pulses of light coming from these whirling stars are like the beacons spinning at the tops of lighthouses that help sailors safely approach the shore. As the pulsar spins, beams of radio waves (and other types of light) are swept out into the universe with each turn. The light appears and disappears from our view each time the star rotates.

After decades of studying pulsars, astronomers wondered—could they serve as cosmic beacons to help future space explorers navigate the universe? To see if it could work, scientists needed to do some testing!

First, it was important to gather more data. NASA’s NICER, or Neutron star Interior Composition Explorer, is a telescope that was installed aboard the International Space Station in 2017. Its goal is to find out things about neutron stars like their sizes and densities, using an array of 56 special X-ray concentrators and sensitive detectors to capture and measure pulsars’ light.

But how can we use these X-ray pulses as navigational tools? Enter SEXTANT, or Station Explorer for X-ray Timing and Navigation Technology. If NICER was your phone, SEXTANT would be like an app on it.  

During the first few years of NICER’s observations, SEXTANT created an on-board navigation system using NICER’s pulsar data. It worked by measuring the consistent timing between each pulsar’s pulses to map a set of cosmic beacons.

When calculating position or location, extremely accurate timekeeping is essential. We usually rely on atomic clocks, which use the predictable fluctuations of atoms to tick away the seconds. These atomic clocks can be located on the ground or in space, like the ones on GPS satellites. However, our GPS system only works on or close to Earth, and onboard atomic clocks can be expensive and heavy. Using pulsar observations instead could give us free and reliable “clocks” for navigation. During its experiment, SEXTANT was able to successfully determine the space station’s orbital position!

We can calculate distances using the time taken for a signal to travel between two objects to determine a spacecraft’s approximate location relative to those objects. However, we would need to observe more pulsars to pinpoint a more exact location of a spacecraft. As SEXTANT gathered signals from multiple pulsars, it could more accurately derive its position in space.

So, imagine you are an astronaut on a lengthy journey to the outer solar system. You could use the technology developed by SEXTANT to help plot your course. Since pulsars are reliable and consistent in their spins, you wouldn’t need Wi-Fi or cell service to figure out where you were in relation to your destination. The pulsar-based navigation data could even help you figure out your ETA!

None of these missions or experiments would be possible without Jocelyn Bell Burnell’s keen eye for an odd spot in her radio data decades ago, which set the stage for the idea to use spinning neutron stars as a celestial GPS. Her contribution to the field of astrophysics laid the groundwork for research benefitting the people of the future, who yearn to sail amongst the stars.  

Keep up with the latest NICER news by following NASA Universe on X and Facebook and check out the mission’s website. For more on space navigation, follow @NASASCaN on X or visit NASA’s Space Communications and Navigation website.  

Make sure to follow us on Tumblr for your regular dose of space!

[anantaru]

how would anemo boys act with someone who’s generally really quiet and just doesn’t make much noise? especially in bed 😏

including. scaramouche, kazuha

synopsis. you're hiding your moans from him

cw. [ex]plicit, lots of teasing, rough syx, fingering, scara doubts himself a little we love to see it, dom kazuha, fem! reader

— ꒰ SCARAMOUCHE ꒱

"huh, why aren't you saying anything?" scaramouche asks, staring at you while playfully blending in a few grinding movements on your cunt in hopes you'd just moan his name.

you see to scaramouche, to even get one single sentence out had been really fucking hard, so how come you're having no trouble keeping yourself silent?

all night, he was very sensitive, hissing through each thrust and alternating between rough, rushed ruts and deep, precise grinds that it was slowly getting to him.

"—fuck, j-just something," he mumbles through a tensed jaw, peering down at your perfectly arched body as you teasingly avert your gaze from his, pretending as if the desperate part of him wasn't turning you on a tenfold.

your boyfriend hesitatingly brings a hand to your cheek, "say something, come on," and lets go off a moan, deepening the sealed connection on your cunt and turning his hips slower, making you dart your eyes into the back off your skull when he buries inches after inches in you.

you grin in return, hoping you could at least put up with this game a little longer.

but your cunt was struggling viciously, being so adaptable with how quick scaramouche could change his movements that it left you short on breath— it's all rigid and solid at first, later he stretches you out piercingly fast, until your pussy was twitching on repeat.

your breath gets stuck in your throat as he snaps his cock in before you feel him twitch in you, the very moment you made a slight noise of surprise, "you're not answering my question," scaramouche hisses at you, having his hand stroke your cheek while he makes you take his cock well and nicely.

but whatever, right? it doesn't matter to scaramouche if you're being loud or dead silent— although pondering about the situation at hand, he's been so patient waiting for your flowery whines to bubble from your throat, to your tongue until he listens to them, biding his time and allowing himself to fuck you like he thought you enjoyed it.

what if you didn't enjoy it? everything happened so quickly and he found himself doubting his skills, it makes him go slow and rapid all at once.

to hear you was something he didn't deserve then.

but how much he wanted to hear you say he was doing a good job was ridiculous. as much as it was desperate.

you hum affirmatively in response, your mouth softly attached to his jaw before you rock your hips upwards in a repeated sequence, an electric-bolt snapping in your heat as you moan into his lips— granted, it wasn't the loudest noise you could push out, yet it was a genuine one, to the point where your head spins when you're moaning again, only emphasizing how deeply you were feeling his length pleasure you.

that alone brought scaramouche back to reality.

slick drips from your hole and he knows by the flinch of your touch that you're close. he was breathing heftily against your glossy lips as if it's a relief to have you sing for him now, his cock throbbing hard until he's spasming.

his face silently travels from your eyes to your tits flinging up and down with his shallow thrusts racing through your velvet walls, "I love everything about this," he whispers, slightly flustered, droplets of sweat slithering down his forehead, "you love it too, hm?"

scaramouche needs to know. he lays open mouthed kisses on your cheek and jaw, smearing his saliva over the heated skin.

your moans were euphonious, bird sweet and soothing to his ears, a perfect composition indeed.

"v-very," you cup his cheeks proudly, arching your back into his body as his cock drags across your searing walls,

you go on, pulling your hips up to meet his so he could slip into you deeper, watching how his mouth parts and brows knit together,

"you're doing s-so good, always,"

— ꒰ KAZUHA ꒱

"oh? doing this on purpose, aren't you?" kazuha grunts at the clench you have around his shaft, but then he smirks after you denied his questioning on your noises, or well, the sheer lack of them.

have you gone silent? or do you not like the way he stretches your pussy anymore?

the slow pumps on your cunt had always been precise. kazuha knows you like the back of his hand, in fact, he gets turned on in accessory to displayed a sort of filthy and twisted expression on his darling face, morphing his demeanor on his weighty thrusts on your pussy, so you could see and feel what you're doing to him.

he managed to not only target the places that made your mind rewire, but kazuha would also find new spots you never knew could be stimulated in that way.

"no matter," the man gasps at the rolls through your walls, his thrusts shocking each and every nerve in his body, "i'll just have to get them out of you somehow,"

he adds before pulling his body up so he could prance one hand down the area between your breasts, smothering over the sweat-stricken skin so softly until he reaches your stomach, teasingly pressing down as he cocks a brow.

you can feel how hard he was slotted in your cunt, and when kazuha pushes down on your stomach you thought your little game would end right there. little do you realize that this wasn't his original intention and that he's planned something a whole lot delicious.

he slides a thumb to your clit, leisurely and without a hurry, his erection barely moving now but twitching ever so often as he slowly digs through the delicate skin that was protecting the pearl, rubbing your clit softly to hopefully bring your mewls and whines to the surface.

a searing warmth runs hot in your cunt as your back arches when kazuha alternates between toying with your clit and pumping you of his cock again, slowly dragging his erection against your velvety walls with all he's got.

realize this now— it's that one special way he did it, moving his shaft in a slowed motion so your body could react on how full you've been getting with each inch slotted inside.

your head was above the clouds now, serving to diminish your previous attempts to fool your boyfriend. you needed this so badly right now, you wanted kazuha to make you cum so badly that you're beginning to gasp loudly, so loud in fact that it almost overturned the fast thuds of your heart.

opening your dazed eyes, you needed kazuha to listen and watch you, watch everything he made your body do— how he's bringing his cock in you easily, how he slowly pumps in your hole and meshes his shaft with your arousal, his erection aching, hot, slowly and teasingly spreading you apart.

a whimper slips through your lips when kazuha slants forward, swirling his tongue in your mouth but keeping things slow.

your body shivers under the lewd wetness of sweaty skin on skin rubbing against each other as it provided you with strong, electrifying tremors when your legs begin to clench around his hips, your pussy full of his cock.

"told you so," he hints at his previous declaration as your body combusts in a matter of seconds, your cunt pulsing at his words when your arousal slides over his length with pre dripping from his tip.

"not fair," you whine as he laughs breathily, nibbling on your jawline, the softness of his lips painted with the vivid hues of passion.

©2024 anantaru do not repost, copy, translate, modify, claim as your own

[makrustic]

I want to start drawing landscape. Do you have any tips?

Took me a while to answer this (sorry anon)! Drawing landscapes for me are mostly just a matter of doing a few 'art studies' and a bit of imitating life. Here's a brief rundown of my process. I find that I learn best when I see a picture or a reference that really tickles my fancy, like these ones! First image for it's colors, and the second for it's composition.

And then I pull up the dreaded white canvas on start on a rough idea or just start dribbling out the basics: composition, a bit of color, general shapes, etc. If you have a hard time doing general landscapes, don't worry! Imagine breaking it down like this: You layer on some general colors and shapes; don't be afraid to make mistakes, you can always go back to it! Be loose and organic with it at first, we're not striving for detail yet, and just let that brush move freely. And once you got the shapes down, you can go back and forth in the canvas to start detailing. I find that it's best if you really look into how some things are "made". Like for example, how that patch of grass in your reference is made: 'is it layered? does it have some shiny bits in it that I wanna highlight? are the blades of grass sharp enough to individually detail or more clumped up together to just put in a sorta grassy blob?'. Also, don't be afraid to experiment a bit. Try putting some highlights around the edges to make it pop out more, or try putting small changes in the color you're working with; something that's close but still different, so that it compliments each other! Then it's just a matter of going forward with it; see what you like and what you wanna keep and imitate, see what you want to change or maybe just leave out on. Keep on detailing and going until you're happy with it!

This is a really brief rundown and explanation of a process that can be entire unique to each and everyone of us, and takes a bit of time and practice to pull off. But I believe in you! We all start from somewhere, sometime down the line; and that can start right now if you want it to! Goodluck to any artists out there who wanna try out landscapes. It's a fun and comforting process of organic and loose art that breathes in a lot of life in some people, especially me. Twitter | Prints | Ko-Fi | Patreon

[luxaofhesperides]

Can I please have meet cute/weird with mistaken villain! Danny (but really just a engineer and or chem student) and the one being put on investigation cause Danny is a day villain(not really)! Duke

Technically, Danny Fenton is innocent. Technically. 

Duke wants to give him the benefit of the doubt, especially since he’s having so much trouble finding solid evidence that Danny is stealing from a wide variety of people, but he’s been burned before by trying to see people as better than they were. It doesn’t change the fact that Oracle’s cameras keep spotting Danny right before a building on the street is broken into and something stolen. He’s always just walking down the sidewalk; no one has spotted him entering or exiting a building, but he’s around far too often to be unconnected to these burglaries. 

It doesn’t help that strange, petty crimes have been on the rise since Danny first arrived in Gotham. 

So.

Danny Fenton is technically innocent.

Duke is trying to prove that he’s not. 

Maybe I’m looking too closely, he thinks, going over Danny’s sparse file in the Hatch. Maybe Danny’s only one person in a bigger operation.

He could just be the lookout, the runner, the information gatherer who marks which buildings to hit. He may even be the scapegoat, the sacrificial lamb; Danny has no support in Gotham, no family, no job. There would be no one to help him if he got arrested or injured in a fight. He’s a freshman college student from Illinois who should be unprepared for life in Gotham but is somehow managing to survive like a native. 

There’s a lot about Danny that doesn’t add up. 

Duke has seen plenty of different people since he first went out as the Signal. He’s tried to be kind and give people the benefit of the doubt, but it leads to his loved ones being put in danger. Some people are truly evil, some working on a malicious agenda, some are misguided in their beliefs, and some are desperate people who see no other way to move forward.

He’s not sure yet which on Danny is, but he’s hoping Danny is just desperate and needs a little help to get out of a life of crime.

Which leads to the next problem: Duke has no idea what Danny is steal, or why. He hits both rich and poor folks, civilians and members of the mob, and once, notably, stole something right out of Cobblepot’s office. Allegedly, at least, since no one saw him enter or exit the office, not even the security cameras. 

But added to the whispers going around about a new group in Gotham snatching people up from the streets, and some strange green substances found in warehouses often raided by police for the frequent drug labs that pop up in them… 

It doesn’t look good for Danny. Especially when a few of the items he stole were found where people either vanished or where that green substance has been found.

A week of analysis in the Batcave and they still don’t know what it is. 

Both Damian and Jason suspected Lazarus water, but the composition was completely different. By the look of the molecular structure, it shouldn’t have been in a liquid form at all. 

All these findings lead back to one person who may have answers: Danny Fenton.

According to Tim, who’s already broken into Danny’s dorm room and checked over all the labs he has classes in, Danny has some concerning items in his possession. Various inventions and little metal knick-knacks put together by a practiced hand. He was also the one to find all the information that went into Danny’s file when it was first being made: social media posts, school report cards, news articles about his parents… everything. 

And then he had an emergency mission to take with the Titans that swept him out of Gotham leaving Duke to tackle this investigation on his own. 

He doesn’t have Tim’s natural skill in stalking and invading privacy. He hates breaking into people’s spaces and following them around, but needs must and he has to force himself to work through the discomfort. 

It’s a good thing he did, too. Danny’s leaving his dorm after his last afternoon class, hood up to hide his face and something held in the front pocket of his hoodie. He ducks around people on the sidewalk easily, almost as if he’s gliding through the crowd instead of walking. 

Duke follows from above, bending the light around him to hide him from sight. 

He walks for some time, weaving through alleys and streets as if he’s been in Gotham his whole life, leaving behind the university campus to head towards Otisberg. There’s something strange about the way Danny walks, as if he’s moving around people who aren’t there, guided by something Duke can’t hear. Even using his meta abilities doesn’t do much beyond show him where Danny’s going to be in the next few seconds. 

He continues to follow Danny on the rooftops, walking along the edge to keep him in sight. 

Then Danny stops behind an apartment building and tilts his head back to look up at it. He tilts his head to the side, then nods and looks around the empty alley. Duke crouches down, keeping his eyes on Danny in the hopes of catching him in the act—

Danny disappears.

Duke curses under his breath and jumps down from the roof, putting more strength into his abilities as soon as his feet touch the ground. 

The space where Danny was has a faint outline, oddly enough. He’s never seen that before. From it is a semi-transparent trail, smoke-like and a pale green leading into the building. It goes straight into a wall, as if Danny walked through it.

He can’t go in and search the entire apartment, but he can grapple up and take a look into the hallways to see where Danny’s heading. If he was looking up, then that’s where he should be heading. 

It doesn’t take any effort to scale the building. There are ledges and windowsills and plenty of handholds for him to propel himself off of, and paired with his powers, Duke is able to find the correct floor in just under two minutes. 

The green smoke slowly dances through the air of the ninth floor, on the east side of the building. If he’s been counting the rooms correctly, then the target of tonight’s burglary has to be apartment 924. 

The curtains are drawn on the window he makes his way over to, and his abilities don’t show him anything helpful for the immediate future. He hates going in blind, especially to a civilian’s home, but capturing Danny takes priority. Duke picks the lock and slides the window up slowly, making sure it stays quiet, then slips into an empty bedroom. 

He makes his way out into the hallway on silent feet, keeping a wary eye on the thin smoke strands of green, curling along the walls. The rest of the apartment is empty as well, pale sunlight slanting across the floor through the blinds. 

Everything is still and silent. Danny’s nowhere to be found. 

Did he miss Danny leaving, somehow? Was this a misdirect to get him out of the way while Danny stole from another location? Did he know Duke was following him?

But no, his ears pick up on the faint sound of clothes rustling. 

Cautiously, Duke turns towards the front door, where the door to the coat closet is open. He focuses on what’s going to happen in the next twenty seconds and sees Danny panic, then disappear from sight again, but a transparent outline of his body is visible just enough to show him where he runs to. Best not to spook him; Duke pulls at the light around him and bends it to hide him from sight.

Then he moves along the wall, getting around the open door without bumping into anyone or anything. 

A figure in front of the coats, shoving them to the side roughly, flickers in and out of view, almost like a reflection in water, distorted by ripples on the surface. 

Danny pops back into visibility suddenly, scowling at the coats. “Are you sure it’s in here?” he asks the empty air. 

There is no answer, but Danny acts like there is. He rolls his eyes and says, “It’s a favor. That I’m doing for you. I can literally stop right now and you wouldn’t be able to stop me.” He shoves aside another heavy winter coat, then sighs. “Why don’t you look for it, and then tell me where it is.”

He steps back and bumps into Duke.

Danny whirls around, eyes wide, and blast of green light has Duke crashing back into the wall, trying to blink spots out of his eyes. 

“Wait!” he yells, grabbing for Danny before he can run off. “I just wanna talk!”

“Standing right behind me like a serial killer does not make you look like someone who wants to talk!” Danny yells back, slipping through his hands like mist. 

“I just have a few questions!”

“Well, I have a question: why?!”

“Will you hold still, we’re being too loud!”

Danny escapes to the other side of the apartment, next to a window looking fully prepared to fling himself out of it. But he does stop yelling, so Duke is counting it as a success.

“Why is the Signal coming after me?” Danny asks, glaring at him suspiciously.

“Dude,” Duke says, “You’ve been seen outside of every single building that’s had a burglary since you first arrived in Gotham. All the Bats are after you, they just sent me because I’m the only one active during the day.”

“All the Bats?” Danny repeats, losing what little color he had in his face.

He looks legitimately scared, pale enough to be concerning, and Duke drops his guard and tries to relax the tension in the apartment. “I’m not gonna turn you into the cops or anything. I just had questions and you seem like the most likely person to have answers. That’s it.”

Danny still looks wary, ready to run at a moment’s notice, but he doesn’t leave when Duke approached casually, leaning his weight against the couch. 

“So,” he begins, “What’s the deal with all the thievery? It’s rarely something super rare or expensive.”

There’s a long few minutes where Danny doesn’t answer, looking anywhere but at Duke. Then he twitches a bit and glares off to the side, and says, “I taking items that are contaminated with ectoplasm to help ghosts move through the veil and leave Gotham.”

That tells him nothing! That just gives Duke more questions! But at least it’s an answer, the first one any of them have got.

“I think you’re gonna have to explain a little more.”

“Ghosts are real, alright?”

“Yes.”

Danny stops. Squints at him. “What do you mean, ‘yes’?”

“Ghosts are real,” Duke repeats, “There are a few who help heroes or are heroes themselves, but that’s more on the magic side of things so I’m not super familiar with it.”

“Magic,” Danny says slowly. “Sure, alright. Um. Yes, ghosts are real. And there are a ton in Gotham who need help moving on, but they’re too weak to get past the veil. Something about Gotham has made the veil super strong, so they need a little boost to get through. Additional ectoplasm bonded helps with that.”

“And that’s why you’re stealing random things?”

“The ghosts I help can kind of sense ectoplasm-infused things, but they need me to grab them since they can’t hold anything without a physical body.”

Duke nods slowly. “Okay, that’s starting to answer some things. We have found those objects in the last places missing people were seen. Any idea what’s going on with that?”

“Yeah, those people were already dead.”

The way Danny says the most concerning answers as if they’re nothing is really throwing Duke off his game. He was expecting to be calm and serious to keep Danny from freaking out too much and look like a legitimate hero. But as soon as Danny started talking, all his nerves fell away and Duke is left grasping for composure. 

“They were…”

“They were ghosts, yeah. And they needed to get through the veil. But they were also able to possess their own bodies and didn’t realize they were dead until I had to break the news to them, which is why it looks like living people just up and disappeared.”

“Okay… What about the green stuff we’ve been finding?”

“Ectoplasm.” Danny holds up a hand and a neon green light surrounds it. Except it looks more solid than light, as if it can be touched, and it moves on its own like fire around Danny’s fingers. “It’s what ghosts are made of.”

Oh. If Danny has ectoplasm, does that mean…

“Are you dead?” Duke asks, heart dropping. 

Instead of looking upset about the question, or even disturbed by it, Danny just shrugs and waves his hand back and forth. “A little.”

“Okay, so let me get this straight,” Duke says, trying to resist the urge to rub his temples. It’s a habit he didn’t mean to pick up from Batman, and it would just look silly with his helmet in the way. “You’re just doing all this to help ghosts?”

“Yeah. Basically. They asked for help man, of course I was going to help them.”

Danny’s a good person. He’s just a good person to ghosts. But this is good news either way, and he can let the others know that Danny isn’t the next Catwoman and is entirely unconnected from any drug production. Everything that made him look like a criminal is just the fault of ghosts. 

“Speaking of,” Danny continues, “Looks like they found what they need, so I’m going to grab that real quick.” He pushes off of the wall and heads for the closet again, moving past Duke without any fear. Duke follows, keeping a few feet of distance between them so Danny doesn’t feel trapped, and watches as he shoves aside the coats again and pulls a shoebox out of the depths of the closet. From it, he takes a single intricate lace headband and holds it up.

It looks normal, if a little old, but when Danny sends ectoplasm through it, the lace lights up and holds the glow. 

He pulls some strange contraption out of his pocket and holds it up to the headband. It makes a few beeps, then Danny mutters, “7.4 millisieverts. That’s enough to get you through the veil.”

Another concern Duke can let go of: Danny’s not creating weapons like his parents have, he’s just measuring ectoplasm through his own inventions. 

Maybe he could talk to Bruce or Tim about getting Danny an internship at the R&D lab in Wayne Enterprises? That way they could keep a closer eye on him while seeing what he can create in some of the best laboratories in the country.

Well, it might take having them meet Danny before they trust him enough for that, but Duke is sure he can make it happen. 

“I better go see this through, then,” Danny says, shoving the contraption back into his hoodie pocket. He gives Duke a small awkward wave, then pops out of visibility. “I’ll see you around, I guess?” he disembodied voice hedges, and Duke smiles.

“I’m sure I’ll be able to find you again.”

“Cool. I gonna go now!” 

He doesn’t see any sign that Danny’s left, but he gets a feeling that he’s alone now, the apartment suddenly emptier than it was before. 

As strange and concerning as Danny and all his bizarre actions were, Duke is glad he was able to finally talk to him and get some answers. Knowing how Gotham pulls people him in, it’s only a matter of time before the other Bats are exposed to Danny’s kind of strange. He’s already looking forward to it. 

For now, though, he has a file to update in the Hatch; POTENTIAL THREAT will be removed and replaced with GHOST HELPER. 

If anyone goes snooping into his files and gets confused, then that’s their problem. Duke’s explained enough. And Danny can take care of the rest, once they go through the effort of tracking him down. Duke's done his part, he's ready for the rest of them to step up to his level.

He can’t wait to see what other kind of trouble Danny can get it into.

[mayordea]

Happy birthday to the number one princess in the world!! 💖

~from her biggest fans :)

ramble of my scattered thoughts on the piece under cut as usual cuz i love talking 😋

This has been an idea I've been cookin for a while, and it was so cluttered and unlike any other ensemble piece I've made... and I decided I oughta do it anyway. I love Miku, I love Vocaloid, and I wanted to do something really ambitious and crazy for her anniversary. Crazy that she's turning her "canon" age this year TwT

I had the idea floating around since like, May...? And then finally started acting on it around June 18. I'm terrible with deadlines, obvious with how I can never make a silly birthday post in time, so I started wayyyy ahead to make sure I have some room to be lazy lol, especially with an idea as ambitious as this.

This was finished on July 12! So I had to sit on this for an annoying amount of time. Very difficult for someone like me who just wants to talk about everything I'm working on to the masses. But at the very least, that gave me the time to work on the draft for this post.

~~~

Here's some ~behind the scenes~ scribbles leading up to the finished piece!

Left is the chicken scratch plan i made in my handy dandy notebook (whenever things are getting real and ambitious, i always made a rough ROUGH plan in there. Usually I'd do a rough pass of the full thing, but this was too complicated for me to do traditionally. I majorly benefited from digital tools to make this possible). CyberDiva and CyberSongman were considered, but I ended up cutting them cuz I just didn't feel like drawing them sorry-- (just pretend they're off to the side. They gave Ruby and Clara the pizza lol). Right is the "final" completed sketch (before I decided to include Chika mid-way through coloring and VY1 and VY2 near the finish line). I started by drawing the main "groups" separated on a different canvas so I can plop them into the main canvas for easy rearranging and transforming. However I got lazy and ended up drawing everyone in the bottom right corner directly on the canvas since I liked seeing the big picture of everyone's positions. Y'know.

Almost excluded Chika! But I like her design so much that I just felt like including her last-minute. You win this time, Chika fans. VY1 and VY2 were very close to being cut! I added them when I began doing the banner and thought "eh why not". I figured their non-human designs would be pretty easy to include pushed back in the bg. Ik VY1 is more commonly associated with the fan design, but I referenced the hairpin cuz it was simpler and the fan looked very annoying to draw 😭

Sorry to the fans of many Vocaloids I had to cut because this composition was insane enough as is. I promise I wanted to include fellas like CUL, LUMi and Sachiko 😭 I will admit I was a little biased on who I wanted to include over others. Like, I don't normally care for Bruno and Clara, but I wanted to get some more international 'loids in the mix. Also wanted to stick in the realm of official designs and not fan-designs since, as much as I can appreciate those, are just a whole "wait who is that guy supposed to be" situation I didn't wanna deal with. I also did wanna include even more character references through the balloons, but they ended up being kind of ugly and overcomplicated the BG :,) (Oh, and while this was originally planned to be a Vocaloid-only piece, I did end up including Teto, Neru, and Haku 'cuz those are Miku's besties dude!!! They may not be Officially in the club but they're her girls and it would be criminal to not invite them to her birthday).

Anyway, this project marks the first time I've drawn a lot of Vocaloids. Lily, Piko, Rana, Yuki, Yukari, Miki, Maika, and many more lol. All of 'em I've heard or seen in passing, but now I actually drew them, and some have really cool and fun designs!! I got into a habit of drawing Merli after this since I just love her design for example. And I'll probably be drawing more lol!!

Oh and the last thing I'll add for now!! The cake is indeed made up of various song references!! I wanted to reference the "big four" producers, just absolute icons in Vocaloid history. The pink/black checkerboard is "World is Mine" (Ryo), the crescents on the side is "Rolling Girl" (Wowaka), the smiley faces is "Matryoshka" (Hachi), and the three hearts on the side is "The Vampire" (DECO*27, which is sort of a symbol of his whole Mannequin album tbh). I know "The Vampire" is a bit modern but I couldn't think of anything else off the top of my head. I'm a fake DECO fan I know 😔 "Matryoshka" was originally going to be referenced in the colors of the candles but believe me it looked like shit so I just went for something else last minute 😭

That's all I have to say!!! Hope you didn't mind the text wall if you made it here. I hope you like it as much as I do!!!! Happy freakin' birthday Miku!!!!

I have to deal with tagging all these characters now for my page,,, in the drafts my tags got cut off after a certain point so I think I'm massively breaching the tag limit 😭 um... I'll figure that out later...

not losing sleep that i can't tag everyone, even for page organization purposes because some characters have pretty generic names and some are a little hard to see in full yknow. If you're one of those people who tag every character in the art piece you reblog... I am very sorry.

[aethereaii]

Afterschool Hangout

Really proud of this piece. Learned a lot about rendering and scene composition. I think there's still a lot to improve on, especially with my composition process, but I'm still really happy with how this turned out.

This piece showcases Mt. Obelisk. A mountain that looms over the port city of Li-Luan; A tight-knit colony whose manufacturing focuses on multi-year ship travels. The town boasts a vibrant fishing community which is spurred on by biological organizations who wish to learn more about the locale's equally vibrant aquatic biome consisting of sprawling mangrove forests and magical reefs teeming with life.

The piece also shows students sharing an after school drink under the sun. Their uniform is definitely inspired by the asian sailor uniform which was popular where I grew up. A lot of my childhood was referenced in coming up with the idea of this town. Especially in how green and cooling nature's shade was during a warm equatorial afternoon.

I'm sure our childhood wasn't unique, but it was crazy how many ways you could fill up your after school afternoon days with, especially when you've got a bunch of kids growing up a 5 minute walk away from the beach and surrounded by overgrown lots of never finished construction houses. Houses and buildings built so close to one another made such a huge world feel like a tight, warm hug.

[crimsoncandy04]

This is my first post but I feel like the world needs my vision so here it is.

Imagine actually getting The Wanderer to see you in a desirable way. I honestly feel like he'd still be rough around the edges (and with you too) simply because even though he wants you, this is still showing deep vulnerability which is uncomfortable for him.

So I picture him sort of passively trying to steer the conversation towards the topic and really trying hard to make it seem like you're the one who wants it and not him. And if he succeeded, he'd be so openly thirsty after that. (This man has craved the feeling of being wanted for centuries. You give him any greenlight and you're a done woman;))

He'd be so focused on making YOU feel good too. It's in his nature to serve after all. Even if he claims it's not.

He'd start gentle. Careful not to go too far right off the bat and risk scaring you away. Gently stretching your pussy open with his fingers as he asked if you were enjoying it. He'd pay close attention to every expression you make. Every sound from your lips. It doesn't take him longer than a minute to find your sweet spot either. And once he does he'd continuously massage it in a way that made those adorable moans escape from your throat that he secretly loved! He's a yapper too.

Calling you cute and also pathetic for cumming on his fingers so many times like the hopeless little slut you are ~

If you asked, he'd definitely try to taste you too.

He'd be curious anyway. Even if he never openly expressed this. But as you feel his tongue slide between your folds you can easily feel it. His tongue laps against your already sensitive inner walls as he holds you in place by your hips. Pulling you against him so he can taste as much of you as possible.

His tongue might accidentally graze your clit too. And the second you make a sound, he knows.

He'd cautiously give your nub another lick, testing the waters to see if you in fact liked that. Your soft moan being all the confirmation he needs as he begins to eagerly suckle and lick your pleasure spot knowing you're completely at his mercy and touch now.

He'd keep going until you told him to stop too. (Or at least until he got you to squirt. A sign he'd learn to take that he did well and would always strive for from then on)

And when you were on the brink of passing out and were all but spent, THEN he'd try to fuck you with his cock.

And because he's not a normal man, he's bigger than expected. (Clearly whoever decided to give him one wanted to make sure he was well equipped;))

WAY bigger.

You gasp and try to stifle the little whine that comes from your mouth but he's already heard it. He'd smirk at you, and would openly taunt you for going this far and yet still struggling to take him like a pitiful virgin but in his mind he'd be concerned and would start at a slower and softer pace until you got used to him. And when you finally adjust, he'd begin to get bold.

This man loves to be in charge as much as he loves to feel wanted and needed, so I feel like he'd put you in positions where he held the most control.

He'd start by flipping your knees over your head. Pounding deep into your still sensitive pussy as his tip kisses your cervix and your cries of pleasure echo throughout the room.

He'd hold you in his arms while standing. Gently bouncing your body up and down on his cock as he went in for a deep kiss.

Anything that involves you being under him or dependent on him while he pleasures you so that your entire world is nothing but him in that moment.

He'd end up being a little rough near the end but his aftercare is world class.

He'd hold you close and ask if you feel sore or pain anywhere. Telling you how good you felt to him and how pretty you looked. He'd be no where close to exhausted due to his physical composition and would bring you anything you needed without complaint. Food? Done. Water? Say no more. A massage or bath? Gladly.

Anything to make you feel comfortable after the number he put you through.

And though he wouldn't openly say it, you are basically his wife now.

Not even a girlfriend.

This man would be at your side from that day onwards and would absolutely get jealous if you tried to get close to anyone else.

But are you his girlfriend?

No that's stupid! As a puppet, he has no need for such trivial human connections nor emotions! He's told you this a million times already after all.

The little dates, gifts, and things he does for you are simply an exchange!

And he can't have anyone else ruining this special arrangement between you now can he?