#the combination of tragic backstory

[return-of-the-trinidude]

I thought Dan Da Dan was supposed to be quirky supernatural romcom. Why am I crying???

[kneworder]

can you even imagine the plight of chase house md. your dad was a cold uncaring doctor who abandoned you and your mom was an addict who you had to take care of and now you're working for an addict who is also an uncaring doctor except this guy doesn't let anyone take care of him and will actually sometimes praise you for one glorious moment if you just try hard enough for it. i would be an embarrassing sycophant too.

[cranberrytea451]

“Death is mercy, execution is vengeance.”

“How many people do you plan on…executing?”

“Who said anything about people?”

Before you could have called her a marine biologist, maybe a lover of nature. She was once a carefree doe, but even with all her graceful freedom, she couldn’t out run a bullet.

Neither could a hunter.

A hunter, fisher, and tracker by trade Hydie guts the things she once spent so much time admiring and studying. However, she’s after something more elusive than manatee, dolphins or whales: she wants a siren. A very specific siren.

Sirens are considered myths and fairytales in some waters, but not the ones she is navigating. Hydie used to have dreams of meeting one, maybe even having the pleasure of studying it up close.

Presently, she can count on one hand how many she has studied with the edge of her blade. Though her notes are scarce, there is one thing she breaths as she shatters their bones.

“It’s not real”

Sirens have the ability to wear the face of lost loved ones. Though their appearance is often a mockery, like a half finished clay mask, their voices rang true and clear. So, really, after the first couple times she should have gotten used hearing him scream. At least they could never replicate the sound from…

She’ll follow Motti on her quest. Foolish. Loyal. The red head needed a crew, and Hydie needed to sail dangerous waters. Maybe they will both find what they are looking for.

Perhaps, when it was finished, her captain will still have the same fire in her eyes. All Hydie can do is hope Motti is prepared for the kind of sea the ‘Black Fiend’ was sailing on.

Lex was right. Everyone had a past they were running from…

…but if Lex could stop putting hers down (booze bottles) on her notes that would be great. Hydie’s papers now had little condensation rings.

@caycanteven and @mothiepixie I’m just jumping on the boat if that’s okay 👍

[guttednight]

about to read witch hat atelier volume 7 pray for me please

[silversoulsociety]

is it weird that I am rooting for rin over isagi?

No one’s here for rooting for the main character supremacy anyways , is it weird?? So be it ahahahahah

[theflowerofthecommonwealth]

(Took most of the dialogue from this as it’s one of my favorite scene in gaming!)

Nick: “Jasmine, you’re fifteen years old. You should consider eating something other than boxed Mac n cheese.” (Takes out a container from his bag) “I brought you food for lunch-”

Jasmine: (Jumps back in alarm) “OH GOD WHAT IS THAT?!?

Hancock: (Also goes flying back in fear at the green monstrosity)

Nick: (Calmly at the two Drama Queens) “It’s a salad.”

Jasmine: (Dives behind a confused Danse) “WHY IS IT GREEN IT LOOKS LIKE THE DEVIL!!!”

Nick: “Just calm down, doll.”

Hancock: (Examines the offered dish) “Eh, she’s got a point. It looks like you shredded a Super Mutant then tossed it into a bowl.”

Nick: (Lowly) “You’re not helping.”

Danse: (Crosses his arms) “I don’t see the problem here, it looks fine to me.”

Jasmine: (Climbs onto Danse’s back like a monkey and peeks over his shoulder) “It’s staring at me!” (Points accusingly at it)

Danse: “It’s an inanimate object. I highly doubt it.”

Nick: (Dad tone) “Jasmine. I need ya to do me a favor and eat some salad.”

Jasmine: (Jumps onto the coffee table like a cat with her back arched) “NnnnnnNo! No, no no!”

Nick: (Heavy sigh) “Hancock, hold her arms. Danse, keep her mouth open.”

Danse: “Roger that.” (Picks Jas back up from the table and sets her down on the floor)

Jasmine: (Takes out her Murder Mittens) “No! YOU FOOD FASCISTS!!! YOU CAN’T-”

Hancock: (Holds the girls arms behind her back so nobody gets mauled)

Danse: (Keeps Jas from closing her mouth on his fingers)

Nick: (Starts feeding his feral daughter the salad) “Cmon kitten, work with us here…”

Jasmine: (Aggressively hisses and snarls) “AAARHGHFHFHFH!!!”

Hancock: (As he struggles to keep her under control) “Don’t let her bite you too hard, Danse. Baby sister gets a taste for blood, we’re gonna have problems.”

[Later]

Jasmine: (Teenage grumbling as she folds her arms and sits on the sofa) “I can’t believe you made me eat salad!”

Nick: (Slight smirk from his spot next to her) “It wasn’t that bad, now was it?”

Jasmine: “No it wasn’t! It was tasty! That’s the PROBLEM!”

Nick: (Pats her head) “I’m sorry kiddo, it had to be done for the sake of nutrition and keeping ya healthy.”

Jasmine: (Grumpy kitten noises but she allows herself to be petted)

(Considering Jazzy regularly bites peoples fingers off, I think it’s too late for the blood thing, Hancock)

[gambitandrogues]

girl help I made myself sad when that could've been completely avoided

[musclesandhammering]

oh god oh wow

The Hounds of Baskerville || The Final Problem

Sherlock and Eurus + Human Experimentation

[teaboot]

If you're watching a movie with a male character in it who wants to accomplish something then his motive is typically either one or a combination of

Kid

Woman

Dog

So every time I get to the part of a movie where the tragic backstory is revealed I try to guess if it's 1, 2, or 3

[imbecominggayer]

Writing Advice: How To Add Forshadowing

Forshadowing is an excellent writing tool in your writing arsenal that allows you to look incredibly smart while simultaneously slapping your audience in the face with the realization that the answer was in front of them this whole time!

For @melda0m3, I'm going to be giving you some broad strokes about to add forshadowing into your stories

I'm going to hope you understand what forshadowing is but if you don't then: Forshadowing is a suggestion but not outright prediction of future reveals and events

A) Work Backwards

A lot of people say to add forshadowing after the chapter/book is written but before you post it since then you can go back and organically add in those small details that make you seem like a genious without accidentally pulling the curtain too far back.

I recommend a combination of both. Write from the belly of a character, if you will. Let them naturally guide their proclivities and then try to paper them over.

For example, Character A is trying to pretent that they were born into wealth but they weren't. Their natural tendency is to side with the underdog. To tip the waiter a normal amount. To do average not-rich shit. Having Character A accidentally be a normal person and then disguise this as a mistake or an expression of empathy/intelligence/stupidity what have you can serve as forshadowing.

By putting forshadowing in at a later point or as an organic development that you run past like it's just background information allows you to steer your audience away from the true purpose of that information.

B) It's Just A Little Off

This mostly applies to situations where a character is trying to pretend to be something they aren't.

A neglectful mother grabs her child just a bit too hard to be normal.

A previously cowardly character is suddenly taking the lead

A seemingly innocuous woman knows her way around the house a bit too well

A previously good person starts suggesting things that have a tendency of backfiring on the rest of the cast

It's pretty simple and I could just go on and on about different types of characters revealing that they aren't the person they are pretending to be and that they might just know more than they are letting on.

These forshadow clues might be:

An unexplained phobia that seems silly at first until the tragic backstory behind it is revealed

A beautiful piece of jewlery sitting on a petty thief

Hypocritical behavior

A random moment that seems out of character

[revasserium]

can i have one were zoro realises she does things bc of truama (like doesnt speak much etc)

hold me (still)

opla!zoro; 6,680 words; slow!!!!burn, fem!reader, ex-assassin!reader, straw hat!reader, general tragic backstory/trauma, fluff, hurt/comfort, bit of angst, emotionally constipated zoro, communication? what's that?, nami playing therapist bc she's the only one with 1 iota of emotional intelligence

summary: sometimes, stillness is a virtue, and others -- a tragedy. or, in which the straw hats pick up a new member and zoro is equally intrigued and weirded out by you.

a/n: well. you guys asked for slow burn and... the burn is so slow u gotta squint to see the smoke yall. but trust. the burn does get there! pls be patient!! and i tried to combine 2 dif reqs in this one fic :)

You are of the quiet sort. Just a shadow dancing in the periphery of their vision, and when they first met you, you’d told them it was your superpower, a soft, still smile slipping across your lips. Luffy had bought into it immediately, and the invitation was out his mouth before anyone could stop him.

“Come with us!”

“Oh…” your lips pressed into a thin line of consideration.

Zoro’s fingers itched towards his swords because something about you makes the hairs on the back of his neck stand up. But something else — something uncomfortable and strange, something very much like curiosity — seizes his chest and twists his stomach. Strange, he thinks, too strange.

“C’mon! It’ll be fun!”

And then, you’d smiled wider, and nodded, and that had been that.

It’s been three months since then, and you are still of the quiet sort, though it had receded a bit with time. What with Sanji’s gentle flirting and Usopp’s not-so-gentle stories and Nami’s bright, dry-humored companionship, you’d begun to “open up a bit”, so Luffy observed.

Zoro, for his part, has kept his distance. Because sometimes he still catches you at the bow of the ship, staring out across the midnight waters, still as a stone-carved statue. Still as a wooden beam — stiller, even.

“What’s with that?” he asks one day, strolling up to Nami as she traces a fine line over a new map she’s working on.

“Hm?” is her very eloquent response.

Zoro ticks his tongue against his teeth and casts his eyes about the ship, finding them drawn to the shape of you, up at the bow again, reading in the shade of the tangerine trees. Nothing moves except for the wind as it whisps through your hair and the slow scanning of your eyes as it skates across the page.

“New girl,” Zoro says, crossing his arms as Nami finally looks up at him and then off towards you.

“Why don’t you ask her yourself?”

Zoro lets out a puff of breath, unfolding his arms to glare at Nami. He finds her grinning a lopsided grin as she clicks shut her compass and puts down her pen. She leans a hip on the barrel she’d been drawing on and folds her own arms.

“Oh, you like her.”

“I’m weirded out by her. ‘S not the same thing,” Zoro snaps, but when he tries to leave, Nami blocks him with an arm and pins him with a sharp, leveling look.

“No, no, no — we’re gonna work this through.”

“No thanks, I’m good.”

“Uh-uh, you still owe me after that round of drinks the other night — remember when you bet you could drink more than me?”

Zoro narrows his eyes, “I did drink more than you.”

Nami’s grin is gleeful, “No, you didn’t. You had to be dragged back to your room after clogging up the toilet. Or do I need to show you the evidence —”

“Alright — fuck, fine. But really? This is what you’re gonna waste your favor on? You could’ve asked me to —” Zoro gestures around vaguely, “clean the bilge or something.”

Nami shrugs, looking almost too pleased, “Nope! This is what I wanna use my favor for. And, really, you think a bit of bilge water is gonna gross me out? C’mon.”

Zoro heaves a sigh and leans back against the main mast, closing his eyes.

“Fine then. Go.”

Nami sits back on the edge of the barrel.

“No, you go. Admit that you like the new girl.”

“I don’t.” He doesn’t open his eyes.

“I’ve seen you staring at her. We’ve all seen you staring at her.”

“What, that a crime now?”

Nami fights the urge to roll her eyes, “No, but I’ve never seen you try so hard to avoid someone before.”

Zoro lets out a bark of laughter, hard and mirthless, “Yeah, so that must mean I like her.”

Nami cocks her head, “It means you feel something towards her. And I’d suggest you figure it out.”

“And how’d you propose I do that?”

Nami once again waves in your direction, “Go. Talk. To her.”

Zoro lets out another breath, eyes scanning across the ship, anywhere but towards where you’re still sitting and reading, finger flipping a page in a perfect, smooth, singular motion.

And Zoro’s not blind. Blunt though he may be at times and careless as he is about most material things, he can still appreciate beauty when he sees it. And you — there’s no denying that you’re beautiful. Your strange stillness aside, when you do move, it’s with a dancer’s lissome grace, fluid lines, not a single movement wasted. When you smile, it seems to light you up from the inside, and your words, though soft, carries the well-worn weight of river stones, glittering beneath the clear, spring stream of your voice.

There’s a sharpness in your eyes, a straightness to your spine, a way of carrying yourself as if you’re afraid that one wrong move might shatter you and the entire world around you.

Sometimes when he sees you, he wonders at the hands that had sculpted you this way. He wonders at your life before they’d picked you up in Loguetown, when you’d oh-so-silently slipped up the execution platform and helped Luffy down, all the while staying free of Smoker’s watchful gaze.

The few times he’s seen you fight, he can’t help wondering if you’ve eaten some kind of devil fruit as well. No human could be so fast as that. Or be so quiet. But then again, he’d fought Kuro, and they’d seen stranger things. Still, he marvels at the way you flicker in and out of sight, slipping around the edges of battle like a dark, haunting thing, and men would drop like flies beneath your quick, quiet hands. With nary a sound or shout before their eyes roll back and their breathing is no more.

On the instances when Sanji had asked about your past, your eyes had gone misty and dark, unfocused. You’d gone still, freezing for so long that Usopp would cough just to fill the silence. And then slowly, ever so slowly, you’d turn back towards them with a small, sad smile and say:

“There’s… not much to talk about. I grew up somewhere far away, where if you didn’t keep quiet and still, bad things would happen to you. And then when those bad things happened, if you weren’t quick — the quickest of all, you’d die.”

Bad things, huh? Zoro thinks as he makes his way towards you, a hand resting on the hilt of his swords. He comes to a stop next to you and leans against one of the white planters, casually peering over your shoulder at the book in your hands.

For a long moment, neither of you move. Then, Zoro clears his throat and forces himself to speak.

“Is it good?”

It takes you a second, but eventually, you turn towards him.

“The book? Yeah, I suppose.”

“Not exactly a glowing review.”

You laugh, a soft, breathy little thing as you look back down at the page.

“It's about a girl who falls into an enchanted sleep, and a prince who wakes her up with a kiss.”

“Must’ve been one hell of a kiss.”

“Yes, and one hell of a prince.”

Zoro finds himself chuckling, his shoulders loosening as he takes another breath.

“And then what?” he asks.

“And then… he asks her to marry him.”

You run your fingers along the page, smoothing your palm over the ink and parchment. Zoro watches you, wondering, always wondering.

“What’s she say?” and it’s then that he notices his own voice, hushed and low, barely a whisper.

You look back up at him and smile a smile a sphynx would have been proud of.

“I don’t know. I haven’t gotten there yet.”

Zoro takes a breath, and the breath tastes distinctly different than all the breaths he’d taken before it. As if the world takes the breath with him, and some fundamental truth had shifted on the exhale.

The moment breaks, as moments are wont to do, when Sanji calls out for lunch and Zoro jerks out of his almost-reverie. You slowly close your book and rise to your feet, turning back to smile at him.

“C’mon, it’s lunchtime.”

Zoro nods and follows you into the kitchen, where Luffy and Usopp are already digging in, and Nami is pouring herself a drink. She spots the pair of you and catches Zoro’s eyes. A grin ticks at the edge of her lips but before she can say anything, you’re accosted by Sanji sweeping into a deep, flourishing bow, and ushering you towards the table, where he’d set your place in a manner fit for a princess.

“Where’s my setup?” Zoro asks as he drops into the seat next to you, cocking an eyebrow. Sanji shoots him an unimpressed look.

“I’m surprised you can use a fork and knife, moss-head. Just be grateful and eat up.”

Zoro scoffs but digs in nonetheless.

When next they dock, it’s on a rare, peaceful island — an island of light and books and learning, where the air smells of salt and ink and drying parchment, of unwritten words and untold stories. But it smells of a stillness too, and Zoro knows without having to ask that you’d like it here.

And you do.

He’s never seen you smile so much, never seen you so vibrant and full of life. You chat and laugh and read with a voracious hunger, and he finds himself drawn to this new, warm, moving side of you. He finds himself, more often than not, by your side, even when neither of you speak. And he basks in the comfort of the quiet that permeates the air when it’s just the two of you — him hanging in the hammock on deck, you reading by his side.

But now, there’s the soft tapping of your foot, the shuffle of pages when you flip forward to see what’s coming next, and of course the ever-present shush of the ocean as it washes against the Merry’s side.

The Log Pose needs two weeks to properly calibrate to the next island, so they’ve got time to kill.

On the fifth night, over dinner and drinks, Luffy asks the question that everyone’s been thinking since the day they’d all met you —

“So. Why’re you so still all the time? Not that it’s weird or anything — well, actually — it kind of is, but it doesn’t bother me. I’m just asking cause I'm curious!”

You look up from your half-finished wine but Zoro feels it happening, like the hush of a fan blade slicing through air, the gasp before a porcelain vase tips over and shatters. You stop. You stare. You’re frozen in every sense of the word. And he’s known you for long enough to know that you only go still as a reflex, only reach for it as a shield. Against what? He doesn’t quite know.

“It’s… something of a long story,” you say, your voice low and hoarse.

Luffy grins, smacking his lips as he sucks the meat off a chicken leg, “We’ve got tons of time! Right?” he looks around as if for validation, but everyone’s eyes are caught on you and your unnatural stillness.

Zoro shifts slightly in the seat next to you, opening his stance and turning towards you.

“Could do with a good story.”

Your eyes flash in his direction and he offers you the barest hint of a smile.

You relax, ever so slightly, drifting back in your seat, your glass cupped in the palms of your hands. And then, you begin to speak, your voice smooth and lilting, your words washing over them like the faint lull of the tides.

“When I was three, my father sold me for a barrel of beer.”

A dull clack echoes around the room and everyone turns to see Sanji hurriedly righting the thick stein he’s knocked over. Thankfully, it’d been empty.

“Sorry — I just — what?” he sounds furious but Usopp lays a hand across his arm and shakes his head.

You take a deep breath and continue, your voice oddly emotionless as you say, “The man who bought me took me to an island. It was… a dark place. A quiet place. I only learned its name after I escaped — an island called Elysium.”

Nami gasps before clapping her hands over her mouth.

“I’ve just — I’ve heard of that place before, but I thought… I thought it was just a made-up place.”

Luffy swallows hard, frowning, “What’s it like?”

Nami’s eyes flicker between you and Luffy, “Supposedly… it’s the home island for… for the most feared group of assassins in all the seas combined.”

Usopp’s eyebrows jerk up, “The most feared?”

A faint smile seeps across your lips like blood.

“Yes. The Shadows that Live.”

Everyone turns to look at you. Luffy picks up another drumstick.

“Whoa… cool name!”

Zoro hums, “I’ve heard of them before — but mostly, it was just an old wive’s tale about… shadow assassins who hunt in the dark. Mercenaries for hire. But… no one’s ever seen one before.”

“Because… once you see one, you’ll never live to tell the tale,” you say, your eyes now downcast and fixed on the glass in your hands.

“Then…” Usopp’s voice is soft, “What about… you?”

“I… I ran away.”

Silence greets you. But after a moment, Luffy spits out a bit of bone and uses it to pick at the space between his teeth, his eyes round.

“Wow! You must be pretty good to run away from an island full of shadow assassins!”

You almost laugh, his boundless trust hitting you like a punch to the stomach.

“So…” Sanji lets out a puff of silvery smoke, “the staying still thing… that’s just part of your training, yeah?”

You nod, “Something like that.”

Someday, you think, you’ll tell them about the hellscape that was Elysium island, of the long echoing halls, dark and still and silent. Of the mechanical beasts that hunted by sound and movement alone. Someday, you’ll let them know about the poisoned pomegranate seeds that they feed all the “recruits” to keep them hazy, of how you’d kept six of them suspended in your mouth and spat them all out when you’d finally made it far enough from the island to allow yourself to breathe.

“And… are these shadow assassins gonna come after us?” Nami asks, her voice careful and light.

You purse your lips, “I… I don’t know.”

Nami sighs, but a moment later, she moves to refill her drink with a slight shrug, “Well, just one more enemy to add to our growing list. Soon, we’re gonna have to post a sign-up sheet.”

At this, everyone laughs, and the tension snaps like a wounded spring.

Luffy burps loudly, patting his stomach, “I’m not worried — I mean, if you were able to run away from them once, that means you’re stronger than them, right?”

You pause, your hand hovering over the wine bottle. Zoro gently reaches over and refills your glass for you. You shift back into movement, casting him a small smile and taking a sip. The wine is cool and tangy as it hits the back of your throat. You breathe, and the world keeps spinning.

“I… I’m not sure — I’ve never fought… any of… them… before.”

“Guess we’ll find out if they try to come for you then — but you’ve got us now!” Luffy says, reaching for an apple and chomping into it, “ — Sho… you duon gotta wourry —” he licks his lips as he takes another huge bite before tossing the core towards the waste bin, “We’ve got your back!”

Nami makes a disgusted face, “Don’t talk with your mouth full, ugh.”

Sanji chuckles, tapping out his cigarette, “Yeah Luffy, mind your manners.” But his voice is full of laughter and you find yourself relaxing into the sway of the night, the swing of conversation. Beside you, Zoro refills his own glass and leans over to clink it against yours.

You turn, but he only raises his glass before taking a sip.

You mirror his movement, cradling the cup to your chest when you finish.

Later, he finds you by the tangerine trees, ghosting your fingers over their lush green leaves, dark enough to look black in the evening light.

“Hey.”

You turn, “Hi.”

Zoro sighs and looks out over the darkened waves, the moonlight refracted into a million shattered bits of sky.

“Luffy’s right, y’know.”

“What about?” you ask, joining him by the railings. The night air is cool and crisp. Behind you both, the island oozes with lamplight and laughter. Even from here, you can hear the joy, the peace that permeates the air here. It wouldn’t be a bad thing, you think, to stay here forever.

“If they come for you,” Zoro says, “we’ll have your back.”

You let out a small chuckle, looking down at your hands, “I know.”

“So,” he turns towards you, his earrings glinting in beneath the scimitar moon, “you don’t have to be afraid anymore.”

You lick your lips, and instinctively, you reach for the stillness. All the days and weeks and months with the people around you have softened you, and for that, you know you should be thankful. Still, old habits die hard, and you have to clench your fists and dig your nails into your own palms to keep from freezing completely.

You take a shivering breath and force it out again.

“Fear’s a hard habit to break.”

At this, Zoro grunts, though it sounds something like consent. The moment stretches, long and soft and taffy-sweet.

He turns back towards the sea, “Yeah,” he says, and then —

“But we can take it slow.”

You swallow hard, passed the broken shards of forgotten words lodged in your throat (you find that they all somehow taste like thank you), and you nod. Warmth tickles your cheeks and you wonder why he’s said we instead of you — and later, lying in your bed at night, staring at the moon-slatted ceiling, you wonder if he was really talking about fear or if it was something else entirely.

You don’t get a lick of sleep that night.

The next few days pass in a light, repetitive blur. You and Zoro are sent on a few short shopping trips in the city, and you’re glad for something to do that involves movement. Shocking how quickly the body adapts once the weight it’d been holding on to is lifted.

You are still quiet, and he, the same; but the silence has shifted around you, and whereas before it’d been solid and steady, it’s now thrumming and charged with some unspoken energy.

Neither of you are blind to it; nor, it seems, is the rest of the crew.

Sanji’s taken to openly teasing Zoro about being with you all the time, complaining loudly that he can’t get a word in edgewise because Zoro refuses to leave you alone. Nami keeps on trying to drag you out for “girl's day” shopping trips, hinting at all the cute clothes you could get and how “green really suits your skin tone, y’know?”

Luffy and Usopp for their part, both just grin whenever they see you together — Luffy stoked at the fact that you seem more happy and talkative, Usopp gleeful at the way Zoro always seems so much softer when he’s next to you.

You’ve taken to watching him when he trains, sitting in the shade of the tangerine trees, a cold drink in your hand as Zoro runs through his katas. You content yourself with watching him flow through the movements, one and then another, and then another after that. He contents himself with your presence, knowing that you’re here, feeling your eyes as they skate down the length of his back or the width of his shoulders.

It’s a peaceful sort of companionship, even if it is living on borrowed time.

When you all wave the little island goodbye, it’s with heavy hearts and tearful smiles. It had treated you well, and you think you’d miss it. But adventure is as adventure does — it calls, beckoning to those with wandering hearts to listen.

The first week back at sea is a strange one, full of a ringing nostalgia. As if you’re simultaneously coming home and leaving one at the same time. Everyone is a bit quiet, except for Luffy, of course, who literally bounces off the freshly waxed planks, humming to himself as he sits on top of the great ram’s figurehead.

“Is he ever still?” you ask one day, sometime in the second week.

To which Zoro makes a sound between a scoff and a laugh, “You’ve been here a while. What’d you think?”

You sigh softly and tear your eyes away from the bright, shivering ball of energy that is your captain towards the far horizon. A sliver of uncertainty twines through you and your breath slows. Zoro glances at you, now long since attuned to your subtle shifts in movement and stillness. He narrows his eyes.

“What is it?”

You shake yourself back into the moment, forcing a smile.

“Nothing. I think…” your words fade as the feeling twists in you again, knife-sharp and stinging. You clear your throat and reach up to brush away a strand of hair. Skin grazes skin as Zoro’s hand meets yours in the same gesture and you both freeze — hands held up, his finger caught against the bend of your cheekbone, your fingers curling over his.

Time slows, slackens around the pair of you, and the moment stays, suspended in space — garnet dark and perfect.

Neither of you dare to breathe. It’s then that you realize how close Zoro is — close enough for you to see the entire ocean reflected in his eyes: big and dark and so endless it nearly unmoors you. Close enough for you to feel the warmth of his skin; his body, emanating heat. You’d often wondered, in the long hours of watching him train, at the glistening copper of his skin and the light-kissed quality, if the sun himself favored Zoro as well.

Like this, it’s easy to believe that beneath his skin, there pulsed something like sunlight.

“Look! It’s an island! It’s an island!”

And just like that, the moment shatters. Time slips back into motion and you pull away from each other, breathless, with warm cheeks and thundering hearts, feeling somehow lightning-touched and static-ridden.

You take half a step back, reaching up to press a hand to your mouth as if to stop something from tumbling through. But what? You can’t really say.

Zoro tips back as well, whipping around to help Usopp and Sanji with the sails as Luffy continues to holler, waving his hat. On the horizon, you see it looming — the silhouette of an island. You lower your palm from your lips to your heart and wonder what kind of island it will be.

Deserted — seems to be the answer when you all make landfall. The island is quiet, but the occasional chirp and cricket staves off your nerves as you all wander cautiously about the beach, squinting into the dense forest that seems to encompass the whole of the island.

“Looks like a good place to camp for the night!” Luffy says, grinning as he plops down on the sand.

Sanji nods, dusting off his hands, “We’ll need some wood for a fire, but I reckon I can whip up some grilled fish from the fresh catch.”

You wrap your arms around yourself and look around, glancing back at the darkening horizon.

“Something the matter?” Zoro’s voice is soft as he helps you carry some of the camping supplies from the ship.

“No… yes… I —” you look up at him, pursing your lips, “I don’t know. I’ve just… this island is…”

Zoro looks around, his dark eyes scanning the thick swath of forest just beyond the beach, “Too quiet?”

You let out a tiny laugh, “Yeah, something like that.”

He nods, “Don’t worry, I’m — we’re here.”

And he leaves it at that, hoisting a stack of wood over his shoulders and going to help Nami with the fire. You watch him with a smile, wondering what on earth you’d done to deserve this level of caring, this magnitude of kindness. Soon, dinner is had and drinks are shared and laughter is spilled like so many silver coins over the white sand beach. The lull of the evening takes over you all, and before long, Luffy and Usopp are slumped over each other, snoring loudly.

You stare into the depths of the fire and try to tamp down the growing dread festering inside your bones. All those years of holding still, of breathing and listening and feeling — you shake yourself — no, not all stillness is a bad thing. Not all silences are made the same.

“You’re doing it again,” Zoro’s voice almost makes you jump. Instead, you turn, finding him next to you as he nurses a half-drunk bottle of wine in his hands. He doesn’t look at you, but there’s a loose grin hinged across his lips.

“Sorry,” you say, ducking your head, feeling a now familiar heat creep into your cheeks that has nothing to do with the dwindling bonfire.

“Don’t be,” Zoro takes another drink, “But I told you… you don’t have to be afraid anymore.”

“I know… and I’ve said before —”

“Fear’s a hard habit to break,” Zoro echoes back at you, finally glancing over and catching your eye.

You breathe out, looking down at your own hands, “Yeah… but I’m trying.”

You both fall silent, and for a while, the only sounds are the crackle of the dying flames, the shush of the ocean waves, and the occasional snores from the rest of your crew. It’s late — later than you realized.

“Do you… want me to grab a book for you?”

You smile, “No, I don’t think it’s bright enough.”

“I could restoke the fire.”

“No, it’s — it’s okay.”

“Alright.”

A bird coos the distance.

“Why don’t you tell me a story?” you ask, turning to look at Zoro proper, shifting till your body is facing him.

In the faint light, you can see the edge of his adam’s apple bobbing as he swallows.

“You’re asking the wrong guy — you should wait till the Great Captain Usopp’s awake.”

“Yeah, but I want to hear one from you.”

Zoro sighs, his eyes fixed on the last of the flickering flames. He takes another swig of wine before he starts to speak, his voice low and a bit stilted, but he pushes on. He tells you about his childhood, the village he’d trained in, the doujou in the middle of the wood, his friend who he’d never beat — not even once.

He tells you about he early mornings and the late nights, and how the world had seemed large enough to conquer.

“… And then… there came a morning when she didn’t show up… and sensei came and told me that there’d been an accident.”

His voice almost breaks then, and your eyes catch on the shining white hilt of the Wadou Ichimonji — his thumb pressing against the guard, running along it’s hard metal edge.

“Oh… I’m sorry.”

Zoro shrugs, “Don’t be.”

You nod, “Still.”

Zoro slates you a lopsided smirk, “So. Now you know my tragic backstory too.”

You laugh, leaning back to cast your eyes up towards the sky, “And you know mine — it’s almost like we’re friends or something.”

Zoro lets out a long breath, “Yeah… or something.”

There’s a tightness to his voice that makes your skin tingle and it takes everything you have not to look over at him, to try and see if he’s looking at you, watching you the way you’d imagined him to be. You fancy you can feel his gaze on your face, but you close your eyes instead.

You let yourself fall into the warm haze of sleep, and for a while you drift there, your mind sifting through shards of memories and slivers of sound, casting them against the backs of your eyelids as you slowly slide into the darkness of dreams.

You wake up to a gasping stillness — the silence pressing in on your eardrums like thumbs, the darkness around you so complete it’s almost a solid thing. You freeze, your breath hissing to a halt inside you. Then distantly, ever so distantly, you hear the sounds of battle — metal clashing against metal, the hard thud of boots against flesh. You shake your head and reach up to clap your hands over your ears and only then do your senses return to you, snapping back as if you’d been abruptly shunted back into your earthly body.

“Gum Gum — Pistol!”

“Seize her!”

You whip into movement, fast as a flash, dashing away, hoping against hope that it would draw your attackers far enough from your crewmates.

“No one… ever… leaves us…”

The voice is serpentine and susurrus, sinking into your skin like sharpened teeth, but before it can reach you, it’s cut short by a bright flash of silver.

You gasp, whirling around, reaching for the nearest pulse, instinct taking over as you sink your fingers into muscle and flesh. The rush of blood thrumming beneath your fingertips comes too easy, even as a familiar scent accosts you. A moment later, your hands are being pinned above you, and thick, rough bark is digging into your wrists as Zoro stands before you, a sword in one hand, the other holding you still.

His eyes are a little wild and a lot worried. There’s a ring of red rawness around his neck, thin trickles of blood trailing along his jugular, disappearing into the wide scoop neck of his shirt.

“Hey, look at me.”

You nearly whimper, struggling against him, fear still coursing through you like a drug but Zoro is strong enough to keep you held. Behind him, you can see the rest of the crew fending off several shadowy figures, Usopp waving a torch, screaming at the top of his lungs, Luffy whooping as he whacks another figure with his fist.

“Z-Zoro?”

“Yeah, it’s me — eyes up here.”

You swallow in a breath, and then another, and you feel the bright thrum of urgency leave you as your body slowly falls slack. And then you’re slipping, and he’s looping an arm around you to keep you upright.

“Th-they’re here — they —”

“They’re gone — we got rid of them — hey.”

Zoro takes you by the shoulders and gives you a gentle shake. Finally, your eyes catch on his and your gaze holds. You see yourself reflected in them, stark and terrified, but alive — somehow alive.

“They’re gone,” he says, his voice soft and low by your ear, his arm still wrapped around your middle. Shivers wrack your body as you bury your face in his shoulder. He smells of steel and skin and the metallic tang of blood. It’s then that you remember — the wounds on the sides of his neck. The marks in the shape of your hands —

You jerk back and feel a sticky wetness against your cheek.

“Zoro, I hurt you!”

At this, he scoffs, pulling back far enough to flash you a look.

“This is nothing. C’mon.”

He offers you a hand, and after a second you take it, letting him pull you to your feet. Wordlessly, he presses his palm to the small of your back, his arm extended to keep you steady as you both make your way back towards camp.

“Phew! That was a workout!” Luffy is saying just as you both reach the outskirts of the now-darkened bonfire. Sanji is pulling out a cigarette, striking a match, and first lighting the end before tossing it into the remains of the firewood, fanning it up into a slow flame.

Nami and Usopp both look a bit shaken, but none worse for the wear.

They all pivot to look at you.

You go still against Zoro’s side, uncertainty flooding through you. Faintly, you feel Zoro’s fingers as they press into the bend of your waist, solid and steady.

Then, Usopp coughs, “C’mon y’all — the Shadows that Live? Psh! More like — the Shadows that Fled, am I right? Yeah? Didya see the way I sent ‘em runnin’ with my brand new fire-powered explosion rounds?”

Nami chuckles and Sanji follows suit, shaking his head and letting out a thin wisp of smoke. Luffy’s grins at you, pumping a fist in the air, clapping his right shoulder.

“See? Told you we’d have your back! We are your crew, after all!”

Weakness seeps into your limbs as you nod, hot pin-pricks of tears itching at your lower lashes. You lower your head and rub at your eyes before looking back up again with a smile. Sanji grimaces as he looks over Zoro.

“Got something on your neck, mate.”

Zoro glares but you glance over and feel your stomach twist with guilt.

“Sorry… I can clean that up for you. They’re not deep but they do need to be bandaged up.”

Zoro wipes down his sword before sheathing it and motioning towards the ship. Behind you, you can hear Nami yawning and saying something about catching up on some more sleep and Sanji reassuring her about having the last watch anyway.

The kitchen is still dark, but the dusty dawn sweeps against the far horizon and neither of you bother to turn the lights on. You carefully set the first aid kit on the kitchen counter and collect the supplies as Zoro leans back against the edge and folds his arms. You work in near silence, reaching up to first wipe the thin threads of drying blood before tending to the tiny, crescent-shaped puncture wounds.

You press an alcohol-soaked cotton ball against one of them and feel Zoro wince.

“Sorry.”

“I’m fine.”

You bite your lips, “If this had been a bit deeper or a few inches over —”

“But it wasn’t. So it’s fine.”

You don’t look up at him but you can feel his eyes on you. Your movements are fluid and sure; you’d clearly done this before.

“Hey, look at me.”

You freeze, eyes slowly gliding up the planes and divots of his neck, slipping up the line of his jaw, so sharp it might’ve been turned on a diamond cutter’s lathe. Your breath hitches as you finally meet his eyes, and there’s a dark, knowing glint behind them that makes your stomach flip.

“I’m fine.”

And for the second time in a handful of hours, you’re caught by the realization of your closeness — only a breath of space between you. There’s a crimp at the corner of his mouth that looks dangerously like a smile and then you’re tipping forward, a thumb reaching up to trace the line of his bottom lip once —

The movement acts like a trigger, and suddenly, he is leaning in and the breath of space disappears.

For all your life of stillness, you thought you’d learned to appreciate the depths and widths of movement. But nothing could’ve prepared you for this — for the push and pull of lips on lips, for the force and friction of skin against skin. For the gasp and hiss, for the breath and kiss.

For the feeling of his large palm as it settles along the swallow’s-nest bend of your neck, the way his thumb runs along your jaw like tracing the guard of his beloved sword, tilting your mouth towards him. For the way your heart might flutter like a tiny, caged bird, or the way you might feel his heart thumping like a fist from his chest to yours.

For the way his voice rolls over your name like a ship at sea; for the way it would shake your body from your bones and leave you more liquid than solid in his arms. For how you never used to think your story would be a love story, but then you realize that every story is a love story if caught in the right moment, in the right light.

And here, breaking apart from Zoro, with a thick, stolen streak of lemon-yellow sunlight leaking in from the kitchen window — that’s exactly what it feels like.

“Oh,” is all you have the strength to say.

Zoro, in all his solid brilliance and quiet audacity, laughs.

You taste the smile on your own lips before you realize you’re smiling. But when you try to bury your face in his neck, he winces slightly as you brush his still-fresh wounds.

“Crap, I forgot about these.”

Zoro chuckles as you hurry to press a few small bandages to the wounds.

“It’s okay. So did I.”

You finish dressing his wounds in silence, though this silence is markedly different from every other silence that had ever existed between you. There’s ease and tension, both, and when you’re finally finished, Zoro takes both your hands in his.

“So…” you say, unsure suddenly of where to look.

Zoro’s laugh is just as soft, just as uncertain.

“So.”

You try to look out the window, but by now, the dawning sun is so bright that it temporarily blinds you and you jerk back. Zoro smiles, reaching up to run his thumbs along your closed eyelids before dropping them to hook around your wrists again.

“Do you… wanna talk about it?” he asks, quiet as always.

You purse your lips and let your lashes flutter open. You find him watching you. Heat crests up your shoulders and into your cheeks, and suddenly, the exhaustion of the night before saps at your limbs. You sigh.

“Right now? Not really.”

“Yeah, neither do I,” he says, sounding as relieved as you feel.

You bite your lips and cast your gaze shyly across his face, your bird-wing heartbeat still flapping in your chest. You fight the urge to go still, to reach for that shield that has always protected you before. Faintly, you feel Zoro’s thumbs tracing circles along the insides of your wrists.

“Can I ask for something else, though?”

“What is it?”

You reach up a finger, nudging one of his golden earrings. You don’t miss the way he shivers, or the way his breath quickens in his chest.

“Kiss me again.”

Zoro grins, tugging you towards him, leaning into the curve of your palm as he does.

And does.

And does again.

reqs are: temporarily closed

but feedback is much loved and appreciated!!!

[itgirldraco]

do you have any fic recs?

yes!! so many!! please check the tags for each!

all time favorites:

way down we go: an absolute classic. werewolf harry, chronically ill utterly miserable draco, post-war in small town america. enemies to lovers slowburn with protective harry and hopelessly gay draco.

in hopes that you may drown: SO much of my art is based on this author's harry and draco. such a lovely fic. post-war, draco raising delphi and absolutely perfecting the stressed yoga mom vibe. harry is instantly smitten.

in our blood: about haunted houses, parenthood and growing to care for each other. I love this one.

you'll still find stone: arranged marriage. draco expects the worst and harry is an absolute sweetheart. angst but so heartwarming. (mind the tags!!)

ANYTHING by corvetteclaire! their blood link and in the mirror series are severely underrated and genuinely took my breath away. some of my favorite writing and plots.

inside grey eyes: so so beautiful. quite dark and yet exceptionally hopeful. all about draco's recovery from a nightmare situation and harry's unending support. (mind the tags!!)

anything by tessa crowley!! an absolute gem in the fandom with an impressive variety of works.

the mirror of ecidyrue series: perfection.

in your arms, rests my world: “You make me feel safe, Potter. You keep me safe.” yeah..yeah. (mind the tags!!)

anything by toxik_angel tbh..one of my favorites is infairitance even though it’s incomplete; fairy draco is a game changer

oxytocin: angst, angst, angst, and so much cuddling. slowburn in the best way possible.

Soup-pocalypse and The Great Curry Cataclysm: i read this some time ago but i remember adoring it.

Diffraction Patterns (I Don't Know How to Forget You): another incredible old read .

everything by beloved @rockingrobin69 !! this is one my favorites ever i never stop thinking about it

fluff/humor:

manlet: PLEASE read this one! so so cute and adorable and hilarious ft sweet giant harry and tiny angry draco and wickedly funny narcissa. will definitely open your eyes to small draco.

screw you: extremely funny and extremely hot.

like a star across my sky: SUCH a good fic! feels like a romcom.

title of their sex tape: as funny as it sounds.

flirt: really sweet. disaster flirty draco and awkward yet charmed harry.

married to a brute (ongoing): genius and hilarious

smut:

it beats me black and blue: absolute perfection. no notes.

let me roll it: so delicious. clueless mess draco and grumpy harry who hates everyone except draco.

his little something: size difference excellence

scenes of surrender: a combination of smut, love, recovery and caretaking

a perfect fit: hung harry and size queen draco

come up for air: veela draco

fawning for you: harry is completely obsessed with draco's videos. very cute, muggle setting.

burning the ground: creature fic

ongoing/other faves:

one elephant at a time (ongoing): i recommend this fic to EVERYONE. genuinely incredible. think yellow wallpaper, jane eyre, crush by richard siken, and the author mentions being inspired by my dark vanessa as well. so essentially a modern romance with a dark gothic backstory. every single sentence in this fic stands out to me. every characterization, every conversation, is just so honest and genuine. also!! draco has a cat called lady di!! and he loves to wear earrings! (mind the tags!!)

within the hollow crown: more of pre-drarry tbh. such an interesting plot!! harry grudgingly cares for an increasingly spiraling draco who is except under close and constant watch by the dark lord-every second of his sixth year. currently has an ongoing sequel.

imperfection (ongoing): another fic by robin! and another of my all time favorites, so so lovingly written and so tragic and lovely and heartbreaking. really digs into draco's psych and his manic mindset and constant spiral BUT there is light at the end of the tunnel and so much love surrounding him even though it's hard for him to see it. (mind the tags!!)

saviour series (ongoing): wouldn't necessarily call this drarry? more of a stockholm syndrome gothic novel type of fic but i recommend it all the same. the writing is truly extraordinary and the pacing is incredible. will leave you breathless. part one is complete. (mind the tags!!)

perspective series (ongoing): the original books with alpha harry, omega draco in gryffindor, and an adorable friendship dynamic between the golden trio and draco. really sweet, and super interesting. no romance as of yet but there are little moments.

tales of the potters: very interesting take on the arranged marriage trope! i recommend all of this author's works; they have a gorgeous way with words and their work really brings harry and draco to life.

the veiled boy (ongoing): one of the most intriguing recent fics i've read. really delves into character dynamics in such a realistic and refreshing way and draco is so endearing in it. every chapter has gorgeous illustrations.

never in extremity: reread this one recently. equal parts heartbreaking and heartwarming. (mind the tags!!)

[thewriteblrlibrary]

Random writing tips that work strangely well #3

This was an accident.

But in my attempt to create a character that overthinks so much that reality happens in the background/through a very heavy lens....

I ended up following a lot of writing advice, it improved my writing, and I have an overthinking character! (Although this works for pretty much every type of character, just edit the writing style to your needs.)

In essence:

Give your character a lens with which they view the world. For my character, they are a storyteller and will make a story about the clouds and the wind. For a character that has a deep knowledge about... physics and statistics for example, might make metaphors to that and notice such things more often

But don't stop it at just interests! If you can combine the lens with the internal conflict (desires, fears, current perception of the world) It has a whole layer of depth.

~What does this new information mean to the character? ~

For example, you can have the musician character notice the sounds of everyone's voices, and that will reveal what the musician character thinks of others.

You can have a character that's analytic try to decode their sensory perceptions and try to figure out what they are feelings and why. They may spend a lot of time trying to figure out their past and what specific moments made them the way they are, and they might do the same for others. This will reveal that the analytic character cares a lot about knowing everything and they might be scared to leave things up to chance/unexplained.

Jealous characters will see other people's achievements and either downplay those achievements or try to imagine themselves surpassing them. (The 'smart child' that's slowly falling behind anyone?)

AND MY BEST ADVICE IS TO PRACTICE WRITING THIS BEFORE YOU START INCORPERATING IT INTO YOUR WIP! For me, I would plot like crazy then... kind of go off the rails in my actual writing. Then I'd get upset that my writing didn't match my ideas.

And it's okay! Getting to know your character takes time.

What works for me is to write some loose notes down, then I'll do some practice snippets. Random ideas with no coherent structure or events... it's just practice for the character.

Backstory also helps! (and it doesn't necessarily have to be tragic... just informative to the character on how they should navigate the world)

If you have your character reacting and analyzing what is happening to them and what they are going to do about it, then pretty much every type of paragraph (scene description, describing another character, actions etc.) are going to be a lot more fun to read and write!

And as always - the best writing methods are the ones that work for you, take what you need, modify it for your wip, or make something up on your own. There's no need to take advice as the end all be all!

Additional resources under cut

[piratecaptainscaptainpirates]

It's genuinely shocking how much criticism of OFMD s2 boils down to "they focused too much on the main characters." In a season strapped for time, they focused on Ed, Stede, and the development of their relationship, and at the end of the day I really think that's what a lot of people who hated the season had a problem with.

Stede acted like he had main character syndrome? Well, he is the main character. They spent more time on "gentlebeard scenes" than other characters combined? I'd hope so, that's what the show is for! Less crew time? Sad, but they had to prioritize the main characters and their arcs. I still sometimes see "criticism" that Stede and Izzy never talked about Izzy's hypothetical tragic backstory and/or good motivations and it's like. Did you expect that to happen??? This is true of a few media reviews, too, who were surprised that the big background plot and stuff took a backseat to the romcom in the Stede and Ed Romcom.

It's okay to dislike s2, everyone has different tastes, but to claim that it's bad writing that the season focused on the main characters and the development of the relationship that is the point of the show, I'm genuinely not sure what you were hoping for.

[imasoftieforbarb]

Hellloooo fav tumblr account owner<3

Can I rrllllyy nicely ask 4 the BroZone members w a child Y/N??

Thank you ily<3

I decided to combine these cause they’re pretty much the same!

Brozone as your father figures

John Dory

He’s a good role model-

BUT he has his flaws

He doesn’t like to be the responsible one anymore

He used to stress himself out about it all the time

Though he doesn’t mind you cause for some reason- kids have this effect on him

Daddy is a state of mind

He will buy a baby back pack (one with a lead) cause if you’re anything like him

If he takes his eyes off you-

You’re gone

JD, running into Y/n’s school: y/n? Y/N?!

Kid!Y/n:…

The kid you beat up:…

JD, grasping your shoulders: Did you win?!

Clay

Honestly he’s such a good dad

A strict one but he knows when he’s being overly strict

Will run background checks on your friends- wants to make sure you’re safe

You will have a cerfew to be back at the house by

If your in Putt Putt village he’s a little less stressed cause he knows pretty much everyone

Pop village, not so much

Honestly I like to think that he stays at Putt Putt village so you would too

Kid!Y/n draped dramatically on the doorstep: so I hear you like adopting people with a tragic backstory, minimal friends, horrible parents and traumatic experiences

Clay:…

Clay: get off the dirty floor or your grounded

Bruce

We already know he’s a good dad

Will 100% adopt you into the family

He doesn’t treat you any different from his kids- Brandy adores you

If you want lil job and you’re old enough to have one he’ll let you work at the restaurant

Likes hearing your input in different things

FAMILY DRIVES

(He adds your picture to his wallet with his kids and brandy)

Bruce: Did you buy eggs like I asked?

Kid!Y/n: Even better!

Bruce: What did you-

Kid!Y/n: *holding up a chicken* Her name is Fluffy.

Floyd

The stay at home dad

Will make you bing lunches with positive notes inside the bag

The type of father figure to be fiercely overprotective

But also supports you no matter what

Will sign you up for karate

And he WILL match with you in one sense or another

Floyd, holding kid!Y/n to his chest: I’ve only had Y/n for a day

Floyd, narrowing his eyes: but if anything happened to them I’d kill everyone in this area and then myself

[asknoodle]

Actual name: Luce, but she exclusively goes by Noodle Age: Adult (She's in her late 20s, but she doesn't keep track of the years. ) Gender: She is nonbinary but feels more feminine - She/Her or They/Them Quick backstory: She befriended and became very close to a human named Evelyn, they eventually started living together in Evelyn's home. (Though Noodle was more like a stray cat and came and went as she pleased. But she always returned by nightfall.) Evelyn is the one that gave her the name "Noodle," and was the one that made her sweater. Evelyn tragically died in a freak accident years ago and Noodle couldn't do anything to save her. It still haunts her and she has horrible nightmares about it, but she's trying her best to move on, its what Evelyn would have wanted. Fun facts: - She was born with a condition that's similar to a combination of astigmatism and cataracts. Her vision is clouded and extremely blurry, but she can see colors and blurry shapes as well as changes in light. Her hearing, smell, and touch are heightened because of this, which occasionally causes problems when she gets overstimulated. Despite her disability, she gets around just fine. - Due to her horrible vision, she has trouble teleporting. She can do it, but she chooses not to unless she knows exactly where she is, exactly where she's going, or feels threatened. She's afraid of accidentally teleporting into water, fire, or some other hazard. - She loves animals, they all have such nice and differently textured fur, scales, and feathers. She has a small collection of feathers she's stumbled across in her travels. - She has a pet chicken named Miss Priscilla that she raised all by herself. She calls the hen Prissy most of the time though since the Missus can be broody and protective of her owner. - Her sweater was a gift from Evelyn before she passed, she used to wear it all the time but now she keeps it somewhere safe and only pulls it out when she needs comfort because she's afraid of it completely falling apart. It used to be dyed a bright yellow but has faded and become dingy over the years. - She loves flowers as well, she can't make out the shape of them, but she can see the bright colors and take in their scent. Orange tulips are her favorite. Transcript of the text in the image under the cut.

Noodle She/They Enderman Can see blurry shapes, colors, and light, but is basically blind Nostril Teeth slightly rounded but still sharp Miss Priscilla (Prissy)