#the cinematography was pretty strong

[ant-diary]

I was kind of hoping Challengers was going to be like. A tennis throuple movie or something. When it's more like Zendaya being a fujoshi mastermind, if you consider what happens between the two 'straight' male protagonists in certain shonen anime to be yaoi

[vitamin-zeeth]

Just watched saltburn it was pretty good but Ripley did it better

[8cfc00]

im literally going to throw up im sooooo mad i never got to trick or treat OR sleepover OR play dnd in all SIXTEEN YEARS OF MY FUCKING LIFE..... im supposed to be a TEENAGER doing TEENAGE THINGS but for some reason i CANT

[infizero]

the new newjeans song is so good but the mvs for it in particular are sooo gorgeous goddddd

[skamenglishsubs]

Subtext and Culture, Young Royals, Season 3, Episode 1

Season 3 picks up a short while after the jubilee speech by Wilhelm. Both Wilhelm and Sara have been absent from school for a noticeable amount of time, so maybe a week or two later? The show isn't very diligent in ensuring a perfect timeline, but this would put us in early March perhaps? Anyway, we're off to the castle for a meeting to deal with the fallout of Wilhelm's speech and Sara reporting the video to the police.

Subtext: The Queen is so pissed she's not even looking at her son, a reversal from the opening to season 2, when Wilhelm was pretty pissed at his mom.

Subtext: This is probably the first time that Wilhelm gets a hint that the Queen is seriously ill.

Cinematography: Same procedure as last season! Every season opens with a fourth wall break where Wilhelm stares in to the camera during the opening titles, defiant as ever.

Culture: For practical reasons the end of season 2 was filmed in April 2022, while the beginning of season 3 was filmed in February 2023. That said, the spring in Sweden can be pretty fickle, and it's not uncommon to have surprise snowfall as late as April. If you want a cinematographic interpretation of this scene, it's supposed to show how cold and unwelcome Simon feels arriving at the royal palace.

Cinematography: In reality, the monarch would be the last one entering a meeting after everyone else has arrived, but having Simon arrive like this makes it look more like he's entering a court of justice or some kind of disciplinary meeting. It's of course not a coincidence that the royal family represented by Jan-Olof is all on one side of the table, while everyone who has been causing them problems is on the other side.

Subtext: Jan-Olof is trying to minimize the video, by using "so-called", and by calling it an intimate video and not a porn video. However, for something to fall under the definition of "revenge porn", it's enough to depict people in an intimate situation, it doesn't have to meet the much higher threshold for when it's considered actual pornography, so he's at least admitting that it was an illegal video.

Culture: Nordiska Motståndsrörelsen is unfortunately a real organization of actual neo-nazi white supremacists in Sweden, with offshoots in neighbouring countries.

Lost in translation: The subtitles are struggling here, it's "piss person" in one, and "shitty person" in the other. The former is literally what they're saying in Swedish, but the latter is probably the better expression in English.

Also, we've been told that August's stepdad, Rickard, is one of Sweden's best lawyers. What that means is that he is probably a well-known criminal defence lawyer, and has probably been handling the defence in high-profile cases, and if you're defending obviously guilty criminals, you tend to get a lot of shit from the media and people in general, even though what you're doing is necessary for a fair justice system. This sounds like his way of dealing with that.

Culture: It's a pet peeve of mine that no-one seems to know that the name of the Swedish currency in English is kronor, not crowns. Simon is getting 1.2 million kronor, which amounts to about 105,000€ or $115,000.

Subtext: Linda isn't wrong, they're being strong-armed here. They have some sort of legal counsel, and they wouldn't have to pay any trial costs even if they don't win, but they can't afford to match the resources that August's stepdad can bring, and might get nothing in the end.

Culture: We don't know what Årnäs looks like or how large the estate is, but a quick check shows that you can buy a typical manor house and some farmland in Sweden for tens of millions of kronor. However, the amount of land that some of the other guys were boasting about at the Society party in season 1 would be worth several hundreds of millions of kronor, so it's unlikely that Årnäs is as large as that, because August would have a lot more options if his total net worth was in that ballpark.

Culture: Realistically, Simon isn't wrong. Even if August was convicted on all points, he wouldn't be sentenced harshly because of his age, because he's a first-time offender, and because it's a non-violent crime. He would most likely just be fined a large amount of money and ordered to pay damages, so settling isn't that bad.

Cinematography: The low winter sun creates some lovely golden light, so we know we're in for some sweet love between the boys. Another detail is the difference in how they're dressed and how they're carrying themselves. Wilhelm is tall and proud, he's at home, he's in a suit, he's sure of himself, while Simon is the guest, the intruder, and is almost shrinking away in his oversized purple shirt and jeans. Yes, yes, colour theory, I know.

Subtext: A nice little flashback to season 1 when Wilhelm said the same thing when he visited Simon's place.

Lost in translation: Simon is actually saying "Var det såhär i din dröm?" - "Was it like this in your dream?", which is a reference to the rather steamy dream Wilhelm had at the start of season 2, when he was lying in this exact bed.

Subtext: Absolutely no-one is fooled, everyone knows our two idiot boys were sucking each other's face a minute ago.

Subtext: Both Linda and the Queen are hearing about their sons' awful behaviour for the first time at this meeting. Linda had no idea Simon had been dealing drugs, and Kristina had no idea Wilhelm threatened August with a gun.

Culture: I have no idea here. There's no real-world example for this in Sweden, you can't put someone into the line of succession by giving them a title. The show is just hand-waving this. Alright. Ok. Fine.

Culture: All adults in the line of succession can be called upon to be acting Head of State, if the monarch is indisposed or on vacation or something. This means that once Wilhelm is 18, he would occasionally have to step in and do the job, even though he's not king yet. If there are no royals available for this, the duty falls to the speaker of the house, Riksdagens Talman.

Cinematography: We're returning to Hillerska after the episode intro at the royal palace, so we're treated to a little montage of what those gosh darn rich kids have been up to in the meanwhile, so here's a horse to remind us that some of them are still riding! This is the only horse we'll be seeing this season, because the show really isn't about Rousseau after all.

Subtext: Madison is doing Tarot, and she's got Three of Wands reversed and Four of Wands reversed. The first one represents obstacles and lack of progress, and the second one represents home conflict, instability, and lack of support. A bit on the nose, don't you think?

Subtext: It's true, but the show is also calling out itself for the somewhat inconsistent weather we've been seeing due to actual shooting schedules.

Culture: Graduating gymnasiet in Sweden has a bunch of elements that are the same pretty much across the country, and then there are regional differences and individual school differences. I recognize only a few of the things Fredrika rattles off, but it makes sense that a place like Hillerska has a ton of traditions.

Subtext: All the girls have noticed that Felice isn't doing too great, but Madison appears to be the only one that actually cares. Fredrika still hasn't stopped talking about all the crap the third-years are gonna do, because that's apparently more exciting. However, the trucks she's talking about are pretty common, this is what we in Sweden call a Studentflak.

@hanna-kin wrote a long post on Swedish graduation traditions, and I reblogged and added some stuff here: https://www.tumblr.com/skamenglishsubs/684659770007961600/its-that-time-of-the-year-again-and-if-season-2

Culture: It seems Minou isn't the head of PR for the royal court anymore, this is Farima, and we've actually seen her all the way back in season 1 when she was instructing Wilhelm to smile more in the photographs. Either way, it seems like she's got a promotion, and she's probably not wrong in her assessment. A bunch of old farts would balk at the idea of the monarch being in a same-sex relationship, but a lot of others would see it is proof that the monarchy can change with the times. There were quite a lot of fans in Team Monarchy after all. 👑🌈

Lost in translation: Linda actually says "Du har utegångsförbud", which means curfew. Grounding kids isn't really a thing in Sweden, to us it's some kind of weird thing that only happens in American teen shows, along with detention. What the fuck even is that?

Subtext: Unlike in season 1, Simon now consistently speaks Swedish at home to his mom, further showing us how distant he is from her, and from himself to some extent.

Lost in translation: Linda actually calls Sara a "hemmasittare", which is a Swedish term used for kids who simply refuse to attend school, typically for mental health reasons. What to do about the problem is a hotly debated political issue, and let's leave it at that.

Subtext: This is how the culture of secrecy and solidarity against outsiders work at schools like this. Everyone is abused, everyone participates in abusing younger students, and everyone is told to shut up about it. Every house guards their "secret" initiations to outsiders, to foster loyalty to each other, to your house, and to the school. It's cult behaviour 101.

Cinematography: The show does it's usual trick with the sound design where all outside noise disappears as Simon and Wilhelm retreat into their little bubble, but there are still people in the frame this time, even though we can't hear them, because this time they're snogging in public. Oh, and everyone needs to update their colour theory, new colours dropped, pink and orange, what does it all mean??!?

Blink and you miss it: The list of activities for the point hunt includes:

Tattoo "Hillerska 4-life" on your arm.

Take a selfie at the back of a police car.

Give someone a buzz cut.

Dance the balloon dance in public.

Sext a teacher.

Get a piercing somewhere.

Blink and you miss it: I love Vincent so much, he's just the worst. Oh, and it looks like he's wearing a $2000 Valentino sweater, but I'm not 100% certain.

Subtext: Neither Ayub nor Rosh agrees with Simon when he says he's gonna reply to idiots online, but unfortunately they're not telling him off, because that would lead to less drama in the season.

Blink and you miss it: Ayub and Rosh are talking about going on a hike to Talludden with their school, Marieberg, which is why we're gonna encounter them out in the woods in the next episode. Spoiler alert!

Subtext: Wilhelm puts up the first stanza of a poem by Karin Boye called The Shield Maiden. In English, the poem goes: I dreamed about swords last night. I dreamed about battle last night. I dreamed I fought by your side armoured and strong, last night.

Blink and you miss it: Wilhelm's desk has a ton of stuff, but he's also kept the broken frog prince snowglobe, and he's still got Erik's lighter and cigarette case from season 2.

Lost in translation: The comment in Swedish uses the word "bögar", which isn't quite as offensive as "fags". However, it's more offensive than "gays", so I understand why the subtitles went with this choice. It's one of those words that is offensive or not depending on context, and it's certainly offensive in this one.

Subtext: The soundtrack is on point as usual, highlighting the animosity between Wilhelm and August.

Blink and you miss it: Someone ordered a Horse Girl Desk™ from the props department, and they sure delivered all the horsey things! The book is the Swedish edition of Not on a White Horse by Nancy Springer:

From the day twelve-year-old Rhiannon spots a lost white Arabian gelding in the woods near her small Pennsylvania mining town, her life finds a focus as she learns to deal with family problems and decides the direction her life will take.

As you do.

Subtext: As a throwback to season 1, this time it's Sara's turn to make a surprise visit at their dad's. He is surprised and starts cleaning up his place, but he seems to be in better shape than when Simon originally turned up. His place is just messy, there are no signs of drinking and smoking unlike last time we saw him.

Culture: Who goes to New York to suntan? No-one sane, but sun-starved Scandinavians get a bit of cabin fever after a long dark winter.

Culture: Fake IDs aren't really a thing in Sweden, you're allowed to legally drink at 18, and underage kids are much more likely to have an older friend or sibling or alcoholic parent buy them some booze for a private party instead. Sure, they exist, but equipping your friend group with a bunch of fake IDs to go clubbing is not how it's done.

Subtext: Simon drew a heart on Wilhelm's hand and suggested he get that as a tattoo. Wilhelm objected because he's "not allowed to" as a royal, but here he is, redrawing it on himself, almost as if he's toying with the thought, defying the rules.

Subtext: Simon doesn't know anything about the initiations since he's a lowly external student, and even though they're boyfriends, Wilhelm automatically tries to play it down. He knows it's true though, he doesn't question that, he just doesn't want Simon to know about it because it's humiliating to talk about it.

Cinematography: A++ Main Villain Entry Walk.

Culture: The Swedish Schools Inspectorate is a very real government agency that has the very real power to shut down schools that are mismanaged in any way, either academically, or socially.

Culture: Just a quick reminder that every single third-year student is 18 or 19 years old at this point in time, and therefore they are legal adults, which means the school has less authority over them. However, since it's a boarding school, they can enact and enforce regulations for boarders, and kick them out from their houses if they disobey the rules, which effectively kicks them out of the school while technically not doing that.

Cinematography: I love the camera angle here where we just about see Vincent giving Wilhelm the evil eye for indirectly causing this.

As a closing note, this season felt a lot less subtexty to me, compared to previous seasons. On the other hand, a recurring theme now is the airing of secrets, of exposing the systems that create toxic environments like this, so in line with the theme, a lot of characters are voicing things that were left unsaid in previous seasons.

[daenysthedreamer101]

I'm trying to be positive so here's some things I liked about S2:

Jace's hair

The costumes, the cinematography, the set designs

THE MUSIC! RAMIN DJAWADI NEVER DISAPPOINTS

Jace being a sassy little king in ep4. He was sooo pissed at Nyra. It was giving Mrs Weasley in the Chamber of Secrets lol

All the dragons we got to see. Beautiful fire-breathing, sky puppies! They did nothing wrong and they don't deserve this 😤

Aemond continues to serve looks. I dislike him but dammit does he look good. Best wig in the show for sure.

"THE KING IS MY GRANDSON AND MY GRANDSON IS A FOOL!"

Simon Strong was so wholesome

Helaena just being on screen

The entire argument between Nyra and Daemon

"To indulge the darkness you keep sheathed within you like a blade"

Ugh, love that line!

Gwayne. From the very first moment he appeared on the screen. Idk why but I like him.

All the BTS stuff we got

Rook's Rest killed me! I legitimately sobbed for like thirty minutes after I realized omg Rhaenys is gone! for good!

Cregan! I wish we saw more of him tbh

Jeyne Arryn. She seemed like such an interesting person and her story is pretty interesting so I'm not sure why we got so little of her

RHAENYS UGHHH! MELEYS!

[follows-the-bees]

Changing Channels analysis (cause this episode is so good!)

Let's first talk about Dean and how he relates to TV — and how that also relates to his sexuality!

Near the beginning we see Dean, mouth open, straight on staring at a dramatic medical show. From a character analysis, we see a couple things. Television has shaped so much of Dean's life and how he relates to it and uses it to relate to other people.

Dean uses these tv references to relate to others. But sometimes he tries to hide his viewing habits. During this scene, Dean tries to play off watching the show as a fluke, but even before the facade is lifted later on, he mentions: "I think it's based on a book," this tells us that Dean knows more about this show than he's letting on.

Later on, when Dr. Sexy makes his appearance, Dean is starstruck: blushing, first afraid to look him in the eye. He doesn't seem as fixated on the female doctor, the one notably in the elevator in the first scene. In fact, that character is obsessed with Sam.

It is Dr. Sexy Dean is obsessed with, the one where Dean can't put up the facade, who looks down blushing and sees that his shoes are not his usual sexy cowboy boots. For many people, this is one of the loudest Dean being bi episodes.

Moving on to a slightly related note: Cas

This episode is only a few after Free To Be You and Me and The End. If we take into account Dean and Cas' friendship by the time CC aired, Dean and Cas have become better friends. They worked a case together spending a lot of time together. Then Dean saw Cas in another world follow him to the end — a su*cide mission. And he realizes not only what Cas would do for him but his feelings about Cas may be deeper than he originally thought.

Throughout this entire episode he worries about Cas. He brings up Cas many times, worried about where he is. (At least 3 times it's brought up) And near the end, when they figure out who the trickster really is, one of the first things Dean does is threaten Gabriel to bring Cas back.

Dean was worried about losing Cas. He had to experience it in The End and I don't think he was ready to lose him again.

During the Japanese game show, the host also calls Cas "pretty boy angel" leading to a series of facial expressions on Dean's face. These expressions can be read as Dean realizing that Cas is pretty. Another example of both Dean's bisexuality and his feelings about Cas. Cas is also part of the reason Dean figures out who the trickster really is.

When Cas comes back for the second time and the trickster shows up, the trickster shows his cards. Cas says "if it is the trickster," then Gabe recognizing Castiel, and being so adamant about the apocalypse, Dean figures it out. I love this moment because sometimes SPN capitalizes on making Dean dumb for laughs, but this is a moment of Dean's brilliance. Also notable is that Gabriel is aware of who Castiel is. Castiel was not a worker bee angel, he led a garrison, he was tasked with getting the righteous man out of Hell. Gabriel and Cas are one of the few angels to fall and choose humanity over angels.

Cinematography

I wouldn't be me if I didn't mention the amazing cinematography that SPN can have. Angel fire shots are always so pretty and can cast a sinister light on the subject. This episode goes from a light-hearted sitcom to once of the biggest reveals of the season.

The light wallpaper and bright lights turn into a dark and dreary wet pipe factory matching the tones of the reveal. Sam and Dean were not aware of their roles in the apocalypse fully until this episode. They knew that Dean started the seals and Sam releasing Lucifer, but not about being vessels. Out of a sense of guilt and duty, the boys are trying to stop the apocalypse in their own way. But now they have this heavy weight on them, not only are they vessels but their fate is for one of them to kill the other. Even with this knowledge, Dean says no, they won't kill each other. Their siblingship is strong here even after the short break up of a few episodes here.

While CC starts off as a fun romp, when we look deeper, it is full of great character analysis of the TFW. I love it.

Original post here

[twig-tea]

PSA: Marahuyo Project just started!

The director of Gaya Sa Pelikula is back with a new BL about a gay kid who gets expelled from his school in Manila for talking back to his homophobic dean and shipped off by his father to his mother and grandma in Marahuyo to finish high school, where he decides to start an LGBTQIA+ group despite everyone telling him it'll be impossible in this small town that is very invested in its traditions.

This show starts so strong with a short history of queerness in the Philippines pre-and post-colonization, anti-capitalist conversations, queer allyship between gay and trans characters, a supportive grandma, what I'm pretty sure is pining bestie lesbians, some great romance tropes (love an anonymous letter!), and some great comedy, often interspersed with the romantic moments. It feels very self-assured. It also has beautiful colour grading and cinematography, good sound quality, and a great OST.

It has been too long since a solid Filippino BL has aired, and I have missed them so much!

The first two episodes were excellent; I'm pretty sure there are 8 total, but I don't know yet what the release schedule is.

Watch the first two episodes now on Anima Studios' YouTube channel.

[its-phi]

okok obx4 part 2 spoilers !!!! like major so don’t read this until after you’ve finished or are okay with spoilers but it won’t make sense for you i don’t think.

i need to rant here bc no one i know has finished it.

i feel like this season , despite having some amazing moments, was just a bit lacklustre in a lot of areas. the relationships seems off and i feel like there was a massive disconnect between part 1 and 2. im going to go into more detail below.

so the things i really enjoyed:

- episode 6 had some of the best cinematography i’ve seen in a tv show in fucking ages! they way they included everyone’s reactions in the court scene whilst still focusing on jj was incredible. and then the scenes following that where the riot took place was so amazingly done i loved it

- i LOVED that we finally got to see jj actually let loose the way they described him in all the previous seasons. like we’ve obviously seen him act out and let loose but the raw emotions that jj produced was insane. he went full loose cannon and i for one fucking loved it.

- i really did appreciate the rafe and sarah reunion and i enjoyed seeing rafes character development (at the hands of sofia might i add). to see how she was the only one bringing him food on the boat and the small smiles they shared before the actual reunion, like when her and jb told pope and cleo about their pregnancy and she smiled at rafe. loved it.

- knowing that kie and her parents are at least on speaking terms made me really happy! and seeing her dad stand up for jj with the cops made my heart smile. they could finally see that just bc they might not like kies friends does not mean they aren’t amazing people that have so much care and love for each other.

- i am intrigued to see how they all deal with their grief and how the revenge plot pans out. i think there is going to be some emotional turmoil between jb and kie bc i have the feeling that jb holds kie partly accountable for jj’s death and i’m interested to see how they work through that.

okok now onto my anger with this season bc there’s a lot of it…

- we will start with the obvious here… jj. look i know there is so much speculation and assumptions surrounding rudy leaving or being written off the show and i’m not going to comment on that for the most part bc we will never know the truth. BUT i do think they didnt handle it the best either way. jj hated being alone and for the pouges to bury him in the desert… idk doesnt feel right. (yes ik logistically how could they bring him back to the obx? idk they have done more fucked up shit)

- the disconnect between part 1 and 2 was STRONG for me at least. it just felt really separated and like we just got over some major plot points in the characters between the two. like jj was having a major identity crisis and then we just kinda moved on. and i know is a pretty fast paced show especially with the amount of moving around they do but like huh?

- (this is a big one for me so strap in) THE RELATIONSHIPS OMG! they felt so off this season as a whole. and i don’t just mean romantically. i know it was to kinda set up jj’s death but the way all of the pogues had this significant drift between them and jj just felt odd and not like them. romantically speaking, jiara was lacking majorly. you’re telling me they had barely any physical interaction but they are meant to be together? it just didn’t feel right. if you’re with someone, especially someone you’ve known for as long as they’ve known each other, even with being less physical people, you’re going to hug and kiss and hold on to that person when they are dying or injured or even just going through everything jj was. didn’t like it. wanted more jiara scenes ( especially seeing them alone and how they interact when it’s just them. THE PREGNANCY TROPE? REALLY? after sarah was so visibly uncomfortable when jb brought it up previously… and i know it’s common when you lose a character you fill it with someone else but like what the fuck. it’s rushed and it’s so cliché. and it’s predictable. even without jj making that comment about naming their kid jj, it’s obvious they are going to honour him with that. cleo and pope are gorgeous and amazing and i love them. my only complaint is i want more cleo. she’s too stunning to not have more screen time. I WANT CLEO BACKSTORY IN DETAIL PLEASE.

- despite the feature episode and the part 2 episode being longer it still felt kinda rushed and like they were just skimming over things quickly. like i wanted some dialogue between jj and gr**f about luke and the abuse jj experienced but oh well ig. (i’m upset)

anyway, im kinda bummed with this whole season. i will watch season 5 but i’m not going to be anywhere near as excited. jj was such an integral part of the show for everyone but for me he really tied things together. the interactions all of the pogues had with him really made it so enjoyable and kept the lighthearted, teenager thing alive for me. like without him it’s gonna be hard to remember that they are still young adults that just want to have fun and live their lives to the fullest.

please discuss your thoughts and if you have any differing opinions let me know! i love hearing everyone’s thoughts on it all and am so open to discussions about it all bc at the end of the day it is just a tv show but it’s also so much more to so many people.

love you all

[perennimal]

In love with the final look of your illustrations … correct me if I’m wrong but you use lighter colour/linear burn with gaussian blur? As well as noise? What I’m curious about is how you go about first picking your colours. (Your compositions and themes are very cool too, big fan)

heya thanks! I think digital programs offer all kinds of tools that make fussing with colors like a magic trick. Unless I already have a strong color palette in mind, I usually just color flats pretty basic and play with the many tools Procreate gives me. I also like using various effects and layer types such as overlay, linear burn, etc like you mentioned. I’m continuously inspired by photography/cinematography and my fellow peers for color ideas. I’ve circled what you can usually catch me using below

[toastofthetrashfire]

My Top Shows 2023

Doing this at the last minute but here goes--the top 10 shows I watched in 2023!

*Note: I rate my shows on a letter scale cause I don't like narrowing it down to a specific number. (S-standout As-Strong Bs-Fine Cs-There's some problems Ds-ooof)

1. Oh No! Here Comes Trouble

This one instantly became an all time favorite. It covers themes about grief and loss in a deeply empathetic and humanizing way along side the supernatural elements. I don't know if it's because I've experienced loss myself or because it's a universal experience, but I love shows like this that help you understand what it means to grieve and heal in a familiar yet new light. It reminded me a lot of Natsume Yuujinchou (another favorite) in that respect.

Aside from the larger themes, you have a distinct directing style, quirky sense of humor, well-rounded cast of characters, and excellent acting (the lead actor was also in Your Name Engraved Herein and he's just as standout here). In addition to all that, the show gives us a main trio of characters whose strengths are deliberately not their wits. This is used for humor but also to make more meaningful points about connection, empathy, and different ways of thinking (yes, I headcanon the main trio as neurodivergent).

Rating: S+

2. The Eighth Sense

This show! Another piece that is deeply rooted in exploring trauma and loss. This time within the framework of a romance. I'm usually pretty hesitant with stories that bring disability into romance, especially mental illness. There's a tendency to lean into the idea that love cures all and other not so great tropes. The Eighth Sense does a great job balancing that line, giving us romantic beats without wading into them uncritically. In the end, healing and love are things we choose not something guaranteed, but there's still an immense hope in that. I'm an giant sucker for shows that tackle both queer and crip experiences with nuance and grace, and the Eighth Sense hit that mark for me (so much so it even had me writing a little meta). On top of that it has beautiful cinematography and visual choices.

Rating: S

3. Moonlight Chicken

A beautiful show all around! P'Aof constantly knocks it out of the park with every show he directs, but I felt particularly strong about Moonlight Chicken. I adore the way it centers on themes of home and community. It even inspired some meta and a bit of personal reflection for me on what it means to choose home as someone who is queer and disabled. The show gives us the messiness that comes with navigating new and old relationships and somehow also the simplicity of it all. And of course, the show includes a Deaf character and handles his story with nuance and clear care.

Rating: S

4. Shadow

Singto, Fluke, and Fiat in a queer horror show--sign me up! It wasn't as scary as I expected, more psychological (which is good because I am so picky about what types of horror are too much for me vs what I enjoy). I loved the way the show played with time and reality and drew upon various religious practices to create a unique atmosphere. I also adored the attention to small details that make the piece ripe for analysis. I will probably be eyeing clocks and tech in many shows to come. It's also a show that is bringing up themes about queerness, mental illness, domestic violence, and historical trauma. I'm continually drawn to pieces that are queer and crip, so I suppose it's no surprise that this one drew me in too.

I know this show was divisive, about as many people thought it stuck the landing as didn't. I happen to land in the former category. I adore media that makes me stop and think, and given the amount of meta the show had/has me writing, I'd say it well and truly tickled my brain. The show didn't always go where I most wanted or expected but I think that challenged me even more to really think about what the show might be trying to do (my thoughts on that here, spoilers though).

Rating: S

5. Our Dining Table

Japan does a lot of things well, but I'm particularly fond of their slice-of-life. Our Dining Table fits right in there with food and found family at the center. It's warm and cute, but has a depth beyond it's soft exterior, delving into loss, loneliness, and what it means to be fully seen by those around us. All of this tied up in a queer bow. It was easily the show I was most excited to watch each week when it was airing.

Rating: S

6. Mysterious Lotus Casebook

Another one I fell in love with this year! While it has plenty of tropes, cutting through the core of all of this is the growing friendship between the main trio, especially between Li Lian Hua and Fang Duo Bing. Their relationship and personal growth as characters was really beautiful to watch, on top of it just being a fun show with a great balance of humor and drama. Plus Fang Duo Bing's mom 😍

Rating: S

7. One Room Angel

Another solid entry out of Japan. As much as I love Japan's bright slice-of-life offerings like Our Dining Table, they also excel at stories that don't shy away from heavy or complex emotional themes. And I'm noticing as I tackle this post that I really resonate with heavy themes. One Room Angel has it's lighter moments and own quirky humor. But it also tackles depression and suicide as it explores the journey of finding enough connection and meaning in life to keep moving forward.

Rating: S

8. I Feel You Linger in the Air

I Feel You Linger in the Air was such a beautiful show! I'm so happy we got a historical thai bl this year and that it was so so lovely. I really liked last year's To Sir With Love but it does have it's Lakorn/soap style that is a bit more of an obstacle for me. IFYLITA certainly has it's drama, but it feels more tightly drawn. Throw in a little time travel and beautiful love scenes and it was a delight to watch.

Rating: S

9. My Beautiful Man S2, Eternal

When I watched the first season of My Beautiful Man I liked it but wasn't exactly sold. I read a bit of meta from the community which changed my tune a bit. But it wasn't until watching season 2 and Eternal that something really clicked. I immediately went back and watched season 1 after finishing the film and oh boy did I fall in love. Not only do S2 and Eternal give us great character growth and forward motion to Hira and Kiyoi's relationship, and they feel like a natural expansion of the first season in the best way possible. What can I say, I love the whole series!

Rating: A+

10. Kiseki: Dear to Me

Kiseki: Dear to Me feels like an outlier to me. It's hard for me to put my finger on just what made it click for me, but I was so into it when it was airing. I recognize that plot wise this show is a bit of a mess, but at the same time it hit something just right in my brain. Perhaps it was the emotional intimacy the actors portrayed? They did a fantastic job drawing me in. Apart from that I couldn't take my eyes off of Ai Di's impeccable fashion choices, and the many many cameos were quite fun.

Rating: A+ YMMV

A few close contenders:

My School President (S) *split airing 22' and 23'

Tokyo in April Is... (A+)

Laws of Attraction (A)

Bed Friend (A)

The End of the World with You (A)

Me, My Husband, and My Husband's Boyfriend (A)

If it's with You (A)

Our Dating Sim (A)

Love Tractor (A)

The Warp Effect (A) *split airing 22' and 23'

The New Employee (A) *split airing 22' and 23'

La Pluie (A-)

Midnight Museum (A-)

[starcrossed591]

CDrama Year in Review 2023

I'm still very much a CDrama beginner--I just started watching them in the summer of 2022--but since this is the first year I got into them in earnest, I figured I might as well do a year in review a la @dangermousie (whose lists I have found incredibly helpful in deciding which CDramas I really, really need to go back and watch as part of my CDrama education--so thank you!). So, without further adieu, here is my ranking of 2023 CDramas, in order of least enjoyed to most enjoyed*.

(See also: KDrama Year in Review 2023)

*Disclaimer: *not* a measure of objective quality

10. Royal Rumours: This drama was not great? Meng Zi Yi and Jeremy Tsui were fun, but the story started out messy and got messier. For some reason I still finished it, I think because I had a lingering cold and it was all my brain could handle at the time *shrug*

9. Gone with the Rain: I actually really enjoyed this one! The pacing was inconsistent, but Zhang Nan was fun as the irreverent Mo Xi, and we love a grizzled general. Special shout to the teacher who was not actually evil, just a sad lesbian whose gf disappeared on her

8. Love You Seven Times: Intriguing concept, not a strong enough FL to carry it through. The reincarnation stuff really worked for me at first, especially in their first mortal tribulation (as people, not CGI animals), but I got tired of it pretty quickly. I admit, the gifs of Ding Yu Xi as a sexy cat demon *did* pull me back in, but not enough for me to actually finish the thing, alas

7. Destined/Chang Feng Du: Started out really strong, and then stalled out on me. I think I only got up to about episode 22 or so, after their epic desert crossing and new start in a new state--they lost all narrative momentum for me there. I stopped watching and then just...didn't start again. I do, however, remain a big Bai Jing Ting fan, and will be keeping on eye out for whatever he does next

6. Hidden Love: (Contemporary) Age gap romances are hit or miss for me, but Zhao Lu Si absolutely stole/carried the show for me in this one. Although more fun imo when the main couple are in the the will-they-won't-they phase than in the family melodrama after they get together, still the only contemporary CDrama to get me to give it a go this year--and I'm glad I did

5. My Journey to You: Featuring my favorite murder girlies Esther Yu as Yun Wei Shan and Lu Yu Xiao as Shanguan Qian! Gorgeous costumes and sets, sweeping cinematography, and plot that kept me on the edge of my seat. Full disclosure, I have not actually watched the last two episodes because I got busy and then saw weird chatter about them, so I have no comment on the allegedly weird ending

4. Till the End of the Moon: Look, I know the ending wasn't ideal, but for the majority of its run, this drama owned my entire soul. It also introduced me to Bai Lu as Li Su Su, who inspired my first actual tumblr post (that wasn't a reblog) because I was so obsessed with her. And everyone knows that Tantai Jin is the CDrama ML of the year. 10/10, no regrets at letting it take over my life (and the OST my Spotify) from April to May of this year

3. The Story of Kunning Palace: More Bai Lu is always a good thing, and she's extra fun here as the transmigrated former evil empress and totally-over-your-nonsense Xiang Xue Ning here. The reverse haremness of it all totally shows why Bai Lu is the chemistry queen, especially with the princess (Liu Xie Ning) and cranky, morally grey, would-fail-gym-class strategist Xie Wie (Zhang Ling He). So glad this drama made it out of the CDrama vault and didn't languish indefinitely in censorship hell

2. A Journey to Love: Finished this one two days ago as of this writing and am still not normal about it. Ren Ruyi (Liu Shi Shi) and Ning Yuan Zhou (Liu Yu Ning) lead an exceptionally strong ensemble cast in this wuxia that explores the complicated relationships between love, duty, loyalty, loneliness, and companionship. Ruyi and Yuan Zhou are far and away one of my fave OTPs of the year, but just as compelling are the relationships between friends/brothers/fellow assassins Yu Shisan, Yuan Lu (ugh my heart), Qian Zhou, and Sun Lang. This drama definitely has one of the strongest ensemble casts of the year. And the character growth of Yang Ying from little princess abandoned in the cold palace to who she becomes by the end will stick with me for a long time. Plus another 10/10 OST!

1. Lost You Forever S1: I'm not normally a reverse harem girl, but the longing, loss, and hard resolve portrayed to perfection by Yang Zi as Xiao Yao really did it for me here. This whole drama struck an emotional chord for me, and where TTEOTM consumed my soul, LYF took over my heart. Xiao Yao's relationships with her power hungry, overprotective cousin Cang Xuan; hot snake demon Xiang Liu/playboy archery shufu Feng Feng Bei; and perfectly devoted Tushan Jing are all equally compelling to me, and while I may know who she ends up with in the end, who I *think* she should be with changes based on who's on screen at any given time. And A'Nian, my favorite bratty princess who really just needs some strong parenting, holds a special place in my heart. I know we may never get S2, and even if we do, censorship means it probably won't be what the drama makers are capable of, but I'm so glad for this little piece of absolute perfection. And, again, a top notch OST!

Fave Drama: Lost You Forever, by just a hair over A Journey to Love. See above.

Least Fave Drama: Royal Rumours--truly why did I finish this, what was past me thinking

Biggest Disappointment: 2023 is also the year I read Dreamer in the Spring Boudoir, my very first CNovel! But then I didn't even bother checking out its adaptation, Romance of a Twin Flower, because it got rid of everything that made the novel such an addicting read, including a brilliant, strategic, ice cold FL and an ML who actually kind of sucked at the beginning, only to grow on you very, very slowly over time. I'm grateful that the chatter around the drama is what brought the novel to my attention, but other than that, hard pass.

Favorite Male Character: Lots of good ones this year, but I'm gonna go with Cang Xuan (Zhang Wan Yi) from Lost You Forever. The conflict he faces between getting enough power to protect the people he loves the most and that power making him incompatible with those loved ones is so compelling, and his yearning for Xiao Yao even when she's right in front of him is wrenching. Full disclosure, I also just really love the sound of his voice

Favorite Female Character: This could easily have gone to Li Susu (TTEOTM), Xiao Yao (LYF), or Ren Ruyi (AJTL), but I'm gonna go with Bai Lu's Xiang Xue Ning in The Story of Kunning Palace. Something I really loved about this character was just how jaded Xue Ning really was, even in her second go round at life. Yeah, she wants to make amends for the harm done in her previous rise to power, but that has hardly turned her into a good--or even pleasant--person. Instead, she's incredibly skeptical and still plays most things ice cold, especially with her family. As a bonus, we got plenty of Bai Lu's fantastic side eye as she basically had to do high school all over again when she gets called into the palace despite her very best efforts not to be.

Favorite Ship: Ren Ruyi and Yuan Zhao from A Journey to Love have got to be it. They balance each other out so well, and over the course of the drama, learn to communicate effectively with each other whenever they have a problem. They also recognize that not all problems can be solved by ~love~, which makes their relationship even more compelling when they decide to prioritize each other in a way that respects what the other wants from life.

Favorite Secondary Ship: Little princess Yang Ying and Yuan Lu absolutely broke stole my heart in A Journey to Love. Doomed love even more than the main OTP, these two's youthful romance was such much fun to watch, especially as they egged their respective mentors on in their own romance. Yang Ying's recognition that her first love did not have to be her only love is also something I always love to see, even as it broke my heart that (spoiler) she and Yuan Lu never really had a chance at an HEA. Their relationship really exemplified a key theme of this drama: that you should love the people you love while they're still with you because tomorrow is never promised.

Non-2023 Dramas that I Watched: Two non-2023 dramas I watched that deserve a special shout out are Love and Redemption and The Sword and the Brocade. Love and Redemption prepared me to really appreciate the big swings that Till the End of the Moon took, and The Sword and the Brocade went a little way to filling the Story of Ming Lan shaped hole in my heart. The Sword and the Brocade also had absolutely searing critique of the concubine system, even as it featured one of the most genuinely good-hearted FLs I've seen. Would recommend both!

Most Looking Forward To: Yes, I'm a sucker and the censors (not to mention the characters) will probably break my heart, but I'm still crossing my fingers that Lost You Forever S2 will live up to the promise of part one. See above: still a CDrama beginner, have not yet had all the optimism knocked out of me. Sue me.

[marlequinncos]

Now that HOTD Season 2 is over, I have a lot of thoughts about what has transpired. Full disclosure: I basically wrote an essay, so long post ahoy! I have read the book, meaning there are a couple book spoilers in here along with show spoilers. Also: there are all my personal opinions, so you may agree or disagree.

The Good

The show is beautifully shot and the cinematography is excellent. We've gotten some really gorgeous shots this season.

The dragons look great, they're animated well, and I like how we can really see their different personalities and their relationships with their riders.

The acting is solid pretty much across the board. Folks like Emma D'Arcy, Matt Smith, and Olivia Cooke are excellent as usual. The standout for me this season, though, is Tom Glynn-Carney as Aegon. He's thoroughly fleshed out his character and given him some really interesting shading and depth and I really enjoy watching him on-screen.

Some excellent new additions to the cast! Ser Simon Strong is a national treasure, Gwayne Hightower is a mood, Alys Rivers is who I aspire to be in life, and the Hull brothers are both interesting (especially their dichotomy) and they better show more with them as per the book.

Rook's Rest gave us our first real dragon battle of the show, and I thought it was really well done. I was concerned that it would be the kind of fight that's hard to follow visually, but it was clean and worked nicely. I also love that they made Aemond torching Aegon a conscious choice.

The costumes are, once again, beautiful.

The embroidery title sequence kicks a lot of ass, and I like how they're adding to it with major events.

I do really like how they've made Helaena a dreamer (which they started in season 1) and how she's a tragic Cassandra figure. However, I do have some issues with her that I'll talk about later.

The Red Sowing was done well. I was hoping we were going to see some people get incinerated to really underscore how dangerous claiming a dragon can be, and that did not disappoint.

Little Oscar Tully verbally suplexing Daemon through an announcer's table was everything I've ever wanted.

I really like the relationship between Rhaenyra and Alicent. That said, I think there are some real issues with the writing that I'll discuss below.

Big fan of them putting Tyland Lannister in Situations.

Aemond committing war crimes and serving cunt as ye olde Sephiroth. 10/10 no notes.

While I do think the tripping balls in Harrenhall arc went on for far too long, I like how the show is leaning into the magic of the world with the weirwoods and insane visions of the past, present, and future.

Women kissing

The Bad

The pacing. Listen, I like a slowburn (one of my favorite horror movies is The Witch which many people find boring), but the slow pacing has to build to something, and this entire season felt like it was just build-up with no payoff. Last season ended with a consequential event (death of Luke), and this season began with another (Blood and Cheese), yet I don't feel like those events have managed to push the plot forward. Even Rook's Rest, which seemed like we were finally getting the ramp up to all-out war that's been teased for one and a half seasons due to Aegon being burned and Rhaenys dying, didn't really ramp up the stakes. We're still waiting for the war, and it feels like Season 2 was just a giant teaser for Season 3 rather than a stepping stone of the whole story. Think of it this way: season 1 ended with a build-up to the war and yet somehow this season also ended as a build-up to the war. It doesn't feel like progress was made; we're essentially in the same spot. The season should have ended with either the taking of King's Landing or the Battle of the Gullet.

Blood and Cheese. There is a reason this event lives in infamy for book readers. It's essentially the Red Wedding of the Dance of Dragons, because of how truly heinous and horrifying of an event it is. But the show toned it down a lot, and I think that was a mistake. Not to mention the fact that the death of Aegon's heir, who was a literal child, only seemed to be an issue for about an episode, and then everyone kind of forgot about it. Frankly, I don't like how the deaths of Luke, Jaehaerys, and Rhaenys were somewhat glossed over other than an episode of some characters being sad. Those deaths should have reverberated with long-ranging consequences and I don't feel like that's the case.

The writing. It's just not as good this season. Yes, I know the writer's strike probably affected it, but still. The conversations are nowhere near as engaging or interesting as they were in season 1, and I'm someone who loves dialogue scenes of political intrigue. I also think some of the character decisions they've made don't work. The biggest issue I have in that regard is with Rhaenyra. I don't actually hate the scene in the Sept (even though I think it is kind of silly how Rhaenyra managed to sneak into KL without being detected), because I like how they establish that Alicent knows that was wrong in her assumption about Aegon and yet she doubles down and they both realize that war is now inevitable even if it all began because of a misunderstanding. But book Rhaenyra is both far more active and ruthless than her show counterpart. There's a reason they call her "Maegor with teats". I thought we were getting some of that "warrior queen Visenya" Rhaenyra during the Red Sowing episode, but the fact is that she's spent most of the season trying to decide on a course of action and trying to do everything peacefully. She should have thrown that out the window after her conversation with Alicent in the Sept. It's especially weird considering she ended season 1 out for blood for the death of Luke. I feel like the writers are afraid that having her sometimes make nasty decisions will make her unlikeable to the general audience. But by doing that, they've also reduced this fascinating woman into a shell of who she should be. Look at Dany and Cersei from GOT; both of them were women in positions of power who did not hesitate to make (sometimes bad) decisions and/or commit horrible acts to further their goals and guess what: for the most part, the audience liked them! Give me "blood and fire" Rhaenyra! Support women's wrongs! Make characters morally grey! LET WOMEN BE AWFUL!!

I also think that the writing is doing Alicent a disservice. They really don't know what to do with her, and its a shame because Olivia Cooke is great. She just feels rudderless to me.

It really looks like the show is cutting Nettles entirely and giving her plot to Rhaena and I don't like this choice. Nettles is an amazing character in her own right, and her relationship with Daemon is key for him to start changing his Targaryen supremacist worldview and for his arc as a whole. Plus, this takes away the significance of Rhaena and Morning at the conclusion of the Dance.

While I like Helaena being a dreamer, they need to give her more screen time and dialogue. Girl had almost nothing to do this season.

I wish we had seen more of Jace and Cregan in the North and the Pact of Ice and Fire. Not saying we need 20 minutes of that, but 5 would have been nice.

I like the idea of that big vision of the future in the finale, but knowing how GOT ended does soften the impact quite a bit. And I don't love that Daemon and Aemond kind of already know their fates?? That's definitely going to hurt their arcs going forward.

The season should have been 10 episodes. Having it be only 8 really messes with the pacing of the story. Not loving the 2 year breaks between seasons either.

The "Let's Wait and See"

Aegon said that Sunfyre is dead. I really hope he's wrong about that because boy howdy that will have major plot implications if Sunfyre really is dead.

DAERON REAL. It would have been nice if he had been mentioned in season 1 and actually seen in season 2, but at least we know he exists and isn't a cryptid. Hopefully we finally get to see him in action in season 3 because poor dude has just been implied for two whole seasons.

I hope we see more of the book's excellent side characters like Black Alys, Benjicot Blackwood, and Sabitha Frey (who we did technically see briefly, but if you're a book reader, you know what I'm talking about). I'd also like to see more Cregan.

Overall, I think the season was a mixed bag. I hope season 3 fixes some of the issues with pacing and writing, because they have a great cast and a show that looks beautiful.

[jessefandomunited]

I think the reason I get so frustrated when people call Renfield a bad movie is because it literally had like a bit of everything I like in a movie

1) a good story

2) humor

3) horror

4) a romance that dosent devour the entire plot

5) a batch of sad bois

6) a hint of someone learning how to love themselves ( which I’ve struggled with)

7) strong female character

8) Nicholas cage!

Not only that but I think some people forget that people purposely make certain things cheesy because it helps with the theme. The color , lighting, just all the cinematography were gorgeous in this movie. The fight scenes were excessive and cheesy because they were supposed to be.

I understand a lot of people didn’t like it for the cop plot , but personally I think everything worked together well.

But there are things that you can tell time and care when into this movie. Like when Dracula is backing Renfield into a corner of his apartment his painted walls that were bright and nicely colored are patchy and not fully painted in that place. Showing how Dracula is pointing out his imperfections just like he didn’t perfectly paint the house.

There are a lot more but this is already pretty long

All in all, you can say the movie is bad for yourself, but I wholeheartedly disagree

[laylawatermelon]

The K-Drama Of It All

Hello! My hyper fixation has (very unhealthily) latched onto this show so I'm gonna be analyzing.

First of all, I am a veteran in these spaces.

Very shy in real life I am an avid observer in all my fandoms but TRUST I know what's up at all times because of it.

This first analysis will be of the phenomenon of how they playing in my face with the classic K-Drama tropes and cinematic choices.

Let us begin.

Now we all agree that The Bear is a cinematic masterpiece right? Right.

I have been consuming media across all mediums since I was a kid.

I quite literally spent most of my life watching behind the scenes, in front of the scenes, and in between the scenes.

I'm also an aspiring filmmaker and screenwriter. As such I analyze stuff I like more.

I try to understand why they are the way they are.

Now that we got all the fluff out of the way let's get down to the nitty gritty.

*stands on soapbox*

Page 1 of 10000 ehem

In this this essay I will -!

Fr tho. Let's look at this from a K-Drama perspective.

I've spent about 10-12/13 years watching them. And luckily got into it during the golden era.

I literally watched She Was Pretty air (among others). Ex, Strong Woman, Descendants of the Sun (never watched; controversy+ bad attention span), School 2013.

So you know I'm (somewhat) of an og.

I'm those shows it's very formulaic.

This can extend to other Asian dramas but I'm going to try to stick to K-Dramas.

For example, the 10 ep rule. Must have a kiss or kiss in that episode. (Before is fine)

Now they're getting a little willy nilly and getting down in the first EP but I can argue they was down bad back then as well. Just more angsty longing looks.

(which tbf Sydcarm does all the time but it's 99% Carm though)

In KDramas there's something common in the cinematography that I'd call the halo of light. Almost all the time there are some form of beauty shots with them beautifully lit where they're together, the way they look at each other etc.

Which ironically they do with these two a lot on the show.

I know the show is gorgeous but you can't just explain away some of the choices.

I have watched and read a lot of discussions so this will be influenced by a lot of people. I will mention when I got the help from (if i can find it).

Now I just want to say I think this.

These following trope have been here since the dawn of K-Drama time.

Enjoy my infodump.

Firstly let's discuss this here:

1. The Meet Cute/Halo Effect

We've all been screaming to the void about the classic meet cute that happens with Carmy's life and him being constantly bombarded with noise and chaos.

Stylistically this wouldn't be a typical formula for K-Dramas as it leans more into Kmovie style (which valid The Bear was originally a movie) I think it's as textbook as it comes.

Now the original script (which I have read) had a story of different tone. Very Chicago and chaotic but still...

In this iteration of the script idk what the actors were on but JAW looked at the script and chemistry test and was like hmm yes.

A dramatic romcom. I see.

For her she's an ambitious woman who has (maybe a tiny crush) admiration for him cause like he's literally who she wants to be.

Young, talented and successful. He's made a name in their industry so of course she wants to work under him.

But he he's playing the male lead in an early K-Drama with the classic *she enters* and it's like the second coming out Christ being lit from behind her.

The classic 'I can't believe I never noticed how beautiful she is' in all dramas (and romcoms honestly).

You can also compare it to the corny slightly funny moments in slow motion when they miss each other/do the angsty look.

Like this.

Good old kdrama tropes.

What's interesting is that in their scene they do the opposite of what a K-Drama would usually do. They cut the music and let it become calm.

You get to breathe and relax and so does he. He feels at peace.

In K-Dramas, osts are a kind of a life line so they would most likely blare it when he has that realization.

And then at every other romantic moment after.

Another way that it could be is by using very like calm music (still the ost but still).

They do use this with having mostly romantic music in their scenes but it's usually quiet and a bit hard to hear or understand (unless you're analyzing like many of the wonderful people on this app).

Now you can argue her warm lighting in each scene from the finale and introduction represents his hope/life/good change being given back to him in the form of her (but if that's not the most romantic thing I ever heard).

Now for the flashback in the panic attack scene you could argue the blue tone he sees her in, as it usually represents some kind of sadness/distance/professionalism in this show, it can also represent his piercing blue eyes remembering her in the only shade they know how.

Good God that color grading is nuts. His eyes *ARE* the color Blue.

Now I want to talk a bit more about shot composition, color grading and color choices.

In a few interviews I've seen and read the editors, directors and others were quite serious about the shots and music they used were very much on purpose.

I mean come on.

Also Announcement from a novel/screenwriter:

EHEM

WE DON'T EVER INCLUDE NOTHING THAT CAN BE MISINTERPRETED IN SCRIPTS!

AND THE DIRECTOR WOULD DEFINITELY CUT IT IF IT WASN'T HOW HE ENVISIONED IT!

(/hj)

The most telling scenes is the beginning of omlette and the end of the episode before it.

The director had chose to show her tattoo that represents loss in a deep blue lighting which was actually in a similar lighting that Carmy and Claire were bathed in afterwards.

The quora search says it means pain, heartbreak, and emotional turmoil.

It also lines up with the rest of the shots with him preparing dinner with Claire and her being alone.

I believe this kind of represents the emotional cheating (?) going on between them as he practically abandoned her (and their child, The Bear).

(which is a wild choice for platonic coworkers)

As I've said before blue lighting is usually representative of sadness, coldness etc.

In the scene personally even without connecting it to shipping or everything the message came clear to me.

Suffocation.

He was quite literally being suffocated as in the last scene her body was on his as he stared in the distance blankly.

Honestly that shot was kind of heartbreaking because it feels like coercion in a warped way.

He feels like he should be happy, he should participate in these acts, he should be doing well.

He's fulfilling his family's wish.

So why isn't he happy?

That's my writer kicking in but that's what I got from it.

🥲 (gimme a sec i gotta cry)

But the same blue tone was used in his panic attack as the camera zoomed in.

Now the ironic part was that they used warm lighting for the scenes with Claire, but it's not that unusual.

Warm lighting has always been used to also represent a time period in the past in addition to good/warm times.

What's ironic is what's literally colored in what should represent good times isn't working.

He's remembering his family in those same tones. The past isn't helping.

But the future does.

Enter Sydney in blue.

Now blue usually represents sadness (or calm) but it's also used in futuristic scenes.

*They benefit from the cold clinical look i guess🤷🏾‍♀️*

Then he becomes calm.

I can also say that their kitchen scenes in early season 2 are blue coded but it has a calm feeling not a distant feeling. It ironically feel warm and calming despite the cool tone.

This appears in a couple other scenes in the show when he's showing her the work done in the early season.

But color wise it's usually warm tones with them as the color kind of transitions in that scene. It's half half.

His view is warm because he thinks she's good with what he did and hers is cold because he ditched her so yeah.

Now shot wise let's discuss because it's a bit obvious.

The staff head mentioned loving close ups to show the characters emotion but also to convey a sense of what's not being said.

An example of his uncertainty with Claire is the car scene. In most of his shots it's extremely close to her and gives off an awkward vibe.

But when you go to her perspective, she's more open and his shots show background and more of his character, also reflecting their relationship with each other,

This persists with the kitchen scene as well.

When I rewatch it it has that same quality. It's a bit more pulled out (obviously as they literally spent the night together so anyone would feel closer) but there's still an awkward/dreamlike feel like when its on her like she's not quite based in reality.

Or in Carmy's self sabotaging view, too good to be true.

In comparison to Sydney, the shots with her are almost always wide and open.

We see it with them as early in season one with the outside scene where he's staring her down and gets her to open up.

You can argue that almost all of their shots are as equals, or in the same frame with an openness that have/represents when they're communicating with each other. (I'm def writing about their communication)

Sydney's character is ironically what a male lead would be like and Carmy would be more of the female archetype.

Which I really appreciate now that I think about it.

The male lead is usually very successful/good at what they do, hesitant to share but when they do you feel it and know it's sincere. They're usually more bumbly with expressing when they're emotional but when they do its like a huge release. And when they love it's very obvious and excessive at times.

In comparison, Carmy is very expressive, sensitive and aware. He's devoted (Claire sorry but you don't quite count) to things he's passionate about, willing to communicate and has traits of sensitivity.

His eyes and body tells what he's feeling almost immediately. (Also JAW is just an incredible actor)

In Kdrama land their roles would be switched. Hell I can argue some American dramas as well.

Back on topic though.

The Halo Effect is there. Like all the time.

To my next point-

2. The She Looks Away, I Look At Her

Now you may argue this is very Disney Rapunzel, all that coded.

You will also be correct.

I am a Disney (more Nick honestly) kid.

This too applies to the K-Drama world nay I would say it originated there (it did not).

Do you know how many shows I can name where the male lead is just hopelessly in awe as he stared at the female lead because she just insulted him and he wants to tell her he loves her in every way.

Ring ring.

I heard The Bear calling. Yeah imma need you to clock out on this gaslighting.

time to fangirl

Look at the gif sets!

But honestly, it's a common way to show that the character cares and wants a person without outright saying it.

You understand the vibes almost instantly.

He likes her. He wants more.

She likes him. She wants more.

3. Matching Clothes

This one is a simple one but we all know how common it is in K-Dramas to have a matching something.

A good example of a recent show is Extraordinary Attorney Woo, and how they almost always matched even if he was in casual clothing and she was in office clothes.

You're supposed to get a telepathy feel from them. Like they're on the same wavelength.

In ships/shows they usually subconsciously brainwash you into details of a relationship by having them wear or have something that reminds you of them.

In wardrobe, clothing is meticulously planned to match characters financial situation and express their personality. The clothes tell the story.

And the story usually is we go together. Real bad.

So yeah, sure in this scene/episode they were more in tune and tandem and as time went on they became more disjointed.

Granted they do work in a place with uniforms but I digress.

And lastly my third point part II-

Same But Different

If this were a kdrama there'd be like 0.00% chance that they WOULDN'T happen.

First they're the main leads so duh, and second the way that they parallel each other is insane.

There are many edits and examples of them directly mirroring each other in certain situations.

Scrubbing the floors when feeling lonely seemingly in the exact same spot, stressing in the freezer, saying stuff at the same time and their weird telepathy and answering each other's - sandwiches (that's what I was gonna say).

(sorry)

And if any of you say work wife I will rage cause let me catch my man laying under a table like that!!!

Sparta!

But for real, yes there's intimacy and friendship and all that but I ain't everr look at my friends of either gender like that.

If did I probably had feelings and just kept em in. And did the Carmy puppy eyes (TM).

And yes we are aware Carmy is emotionally constipated like a coke bottle filled with mentos with a tight cap on and his lack of a social life coupled with his (many) different mental illnesses/difficulties.

So he probably doesn't even recognize or even want to recognize them as such and honestly as a 4 lifer

I'm really sad but I don't think he'll confess in the next season.

I'm making a post about it but I'm also uncertain about it lasting more than three seasons as thematically and the way it was intended to be a movie I feel kind of uncertain.

It can extend to 4 but it was intended and the way it's narratively been flowing its exactly like a 3 act structure just spread out (like butter).

The next season is after the dark of night aka main character loses everything.

This season was fun and games - quite literally him having amusement and such. (Training Arc!!) It ended with his demise I'd say.

Now there's no where to go but up.

I'm not saying that it's impossible, but a 4th season would likely be more aimed toward getting a star or maintaining a star etc and family ties and such.

That'd be most likely when, if any, outwardly romantic contact should happen.

But they might surprise me.

Butt honestly in KDrama land there's no way the set up isn't romantic even if it was just a chef or professional focused show.

I'd say it'd be standard honestly for ones focused on career with a dash of romance.

Ex. Miss Hammurabi (best example)

The Good Doctor (Japanese Version)

There's probably more but I exclusively watch romance so 🤷🏾‍♀️.

In Conclusion,

Yes. They are end game.

I also wanna say how odd it is that this ship is attacked by fans of the show and non fans alike because I've literally grew up in the age of Rise of The Brave Tangled Guardians.

There's nothing more random than that time period.

They all dated each other!

Like my guy there's a Tony the Tiger x Grinch fic and don't even get me started on the Onceler selfcest as different flavors of himself (/j i love stuff like this)!

My point is it's not that unusual for the two leads to be shipped. Same gender or not.

I also have years of teenage brain rot developed from eating movies for breakfast so I know more than you! (/hj) I'm obviously right!

I will be discussing some more of this in length at a later date.

But I rest my case.

I will retreat into my cave until next time.

[viaphni]

RUINED REALLTY SEASON THREE: CATALYST TRAILER ANALYSIS

I have to completely admit that the end of season 2 and its epilogue had me very hesitant for the way things are going, and I am still a little hesitant, but i DO BELIEVE THAT THEY ARE 1000% COOKING

First of all, that trailer was AMAZING!

The music, atmosphere, and cinematography were all done very very well (and great voice acting from Rinzler too)

But onto the actual trailer

It opens up on the results of the Soulstice's arrival, with Light alone, showing everybody's souls stolen away and their bodies on the ground. Light has lost it all. He immediately blames himself. It's also made apparent pretty quickly that Soullless is still present in some way, and is going to play a significant role again.

One of the first really interesting things to occur is Light taking the Soul Eater's weapon in his hands.

He stares at it for a moment before picking it up, the screen fading to black. But why would he be using his worst enemy's weapon? What benefit does it serve him? Mostly likely, I think it would have something to do with Soulless. Whether he likes it or not, Light now has a complete tie to the Soulstice itself. As he takes it, he says "And now, another threat is here..."

And Void's new reign of terror is displayed:

We are shown the Yellow Kingdom again, and the areas around it, completely overtaken by Darkness. Void must have taken complete control of the situation, as we just saw Seer with active dominance over their body in the epilogue. Maybe it was a defense mechanism to keep him alive after Corrupt's attack?

After these shots, we see what I think is the center tower of the kingdom—and there is a deep, bottomless pit surrounding it where the moat of lava once was.

It reminds me a bit of the castle entrance to the Depths from Tears of the Kingdom. Void might have something important down there.

A few more shots cycle through of the tower, and we see this—

The camera is descending into the chasm.

Next, we see a room maybe akin to some kind of lab?

It could also be a big machine. Somebody is standing there, but even with heightened exposure and brightness, it's hard to tell who it is. I'm sure it's Void, however, due to the chasm and darkness. This shot is really interesting, too--

--because it seems to be the view of the surface from this area underground. With heightened exposure, the walls look very machine-like.

Whether that or a lab, it clearly serves a primary purpose in Void's plans. (One of my first thoughts was likely a stretch, but I asked myself if it could be similar to the Soulstice--in the way that a machine was created to steal all souls, another would be created now to spread Darkness. Shadow Sabre did something similar in RQ.)

The next four shots emphasize what seems to be some of our new group of main characters.

We see the Purple Leader in his home. Him coming into the main cast will be very interesting, as I'm sure it will give us more opportunities to learn about the histories with people like the Sorcerer and Phantasia, strong links to the Soulstice. I'm sure this knowledge will be vital to the fight.

Now this next photo--I can't exactly tell what's going on here? It appears to be Corrupt's lab? When the exposure and brightness are edited, I can't see any details. But this is 1000% Corrupt is just is trust frfrfrfrfrfrfrfrfrfrffrfr Corrupt is alive

The shot then switches to an Indigo and an unidentifiable Aquamarine who seems to be imbued with light energy, given the white eye. I assumed this could be Aaron, but his soul got stolen. Who knows? The Indigo is the Doctor Indigo, I would think--given the coat and monocle, but he didn't have a design in Season 2, so I'm unsure. Both of these could be completely new characters.

And now, Dimension facing off with the Soulstice. It seems that Dimension will play a much bigger role now and actually put in the work for once. I guess that was his final straw? Or maybe the season will start and he will still show absolutely no concern.

A couple of interesting shots of Light and Soulless show up after this.

In a similar fashion to the Season 2 intro, Light walks towards the camera and glitches into his other forms, this one being Soulless. It only emphasizes his apparent new role in the season.

After this, we see a standoff between the main cast and the main opposition. Light, Professor, Dimension, Purple, and...a strange new variant of Assistant. It makes me think of the assistant robot from A Dark Soul, which was also themed around light. In the beginning of the trailer (and in the thumbnail), we only see the Assistant as a head. I guess he got repaired, and Light was a major factor playing in it.

I'd also like to point out how odd the new Sculk Steves look. They have gray streaks, like light energy. Since Corrupt was absorbed by the Soulstice, I imagine that the light crystal he held became of high use to the Soulstice, allowing it to power up these Steves like this.

The patterns on the ends of their limbs also look much bigger/brighter/saturated, or maybe its just the lighting--like soul flames instead of the typical sculk steve pattern.

The Steve standing above in the second picture catches my eye, though. It seems to be a "normal" being, and even appears to be holding something if you look closely.

Right by the head there. This figure is also standing closest to the Soulstice, so they must be important. Could it be Corrupt? Well if you watch a few more seconds--

Right there. We see Light fighting with who appears to be that figure. But that sword... We have seen that sword before!

Corrupt's sword.

We never saw Corrupt disappear when the Soulstice found him. It's more than probable that he simply could have just absorbed the light energy from him, used it to power up the sculk steves and other operations, and left Corrupt weakened. But what purpose would he have even leaving him alive? The Soulstice has everything it needs now, right?

Light found Toxin, too. And with a potion effect? He seems weakened. Perhaps Void has abandoned him and Light will team up with him? He already seemed to be cracking during his fight with Light in the forest where his prior identity as Soren was revealed. Is it finally time we get Soren back? Or will he still be evil?

The next few shots depict a battle between Light and Void, seemingly at his new base of operations. I'd put photos, but I'm almost out of space, and I want to keep this all in one post. Plus, there isn't a lot to analyze there.

The final shots of the trailer are some of my favorite ones.

There's a good bit to break down here.

We start out by seeing Light's cursed form, except his curse appears to have spread greatly. I've also just realized that he doesn't have his soul-afflicted eye in this form. Images of Purple Leader, Soulstice, Professor, Soulless, and Assistant are not surprising--we already know of their larger roles. I believe that's Corrupt again in the 5th shift. As for the 8th, I'm a bit confused. I don't think we know who this person is. However, the purple belt definitely brings up a few ideas, even if they're stretches. Could we meet a new Purple Steve--maybe even Phantasia?? I doubt that's the case, as it seems pretty outlandish. The Yellow Leader being present actually makes a lot of sense as well. His Darkness should give him resistance to the Soulstice.

BUT, I'm really focusing in on those last three. Louis, Cliff, and,, Seer.

We saw the Elites' souls taken. Clearly, they find their way back to the land of the living eventually (and with some sick new redesigns.) Louis doesn't change much, but Cliff appears to now be entirely a Light Steve. Which brings up another thought--if he is now 100% light, does this mean that he is completely purged of Darkness? Is his Shadow gone? Is his shadow the reason he had to become fully light?

And then there's Seer. There's no doubt that this is him. My friend @chaoticcyprus brought up this photo:

We saw this shot during the semi-finale when Void was battling the Soul Eater. The outfit aligns perfectly, except now his hood is down, and he seems to have been set free from whatever chains held him previously.

But how would Seer and Void separate? I assume it would have something to do with Corrupt's final blow on Void.

Corrupt dealt an absolutely MASSIVE amount of power onto his opponent. I'm sure that the sheer amount of light energy could be enough to somehow split Void and Seer apart. It would explain Void's sudden spike in power and authority that he seems to have in the next season.

As for any final thoughts,,, I can't think of much else for now.

But I'm looking forward to hearing what everyone else has to say, and also what the team presents for Catalyst!