#the characters are all underwritten to shit

[chintzwife]

watching people be 'team black' or 'team green' is so incredibly annoying like this show is literally not about anything. what is this show about? 'teams'??????? guys im team 'hire a new writers room' this shit sucks

[villainvillain]

"literally why do people like the dancestors, all but two of them are boring one-note stereotypes entirely irrelevant to the story" < worlds most boring homestuck fan

[deeplovelydark]

the thing with ds9 is that you have to put in the mental work to really enjoy it. it does a lot of great stuff but it also makes a shit ton of inconsistent bizarre decisions that unfortunately create so much potential that you're sucked into this game of interpretation against your will. like, objectively, what the fuck were they doing with julian's character. jadzia is terribly underwritten. why do sisko and bashir almost never interact. why are there almost no relationships between women that get the screen time and depth they deserve. jadzia being fridged. etc. etc. and yet somehow the things the show actually does well, together will all these loose threads and inconsistencies create a rich and fascinating space for interpretation. like half of what makes ds9 great isn't in the text. it's in the space between words. it's in the possibilities the text generates.

[desecrated-guacamole]

I know I’m *checks watch* twelve years late coming to this realization, and two years late to talking about it when it would’ve been at all relevant, but godDAMN

Young Justice wastes NO time being good after season 1. The producers really just said “hey, y’know all the characters and relationships you’ve loved seeing develop for the past 26 episodes? Well actually, fuck that, fuck them, and fuck you! Everything’s different now, everyone’s developed in new ways that you won’t get to see, but not even in a way that makes sense for a FIVE YEAR TIME-JUMP!”

Take Robin for example; in the five years that take place offscreen, Dick becomes Nightwing, Batman recruits Jason Todd as the new Robin, Jason Todd gets killed, and Batman recruits Tim Drake as the new-new Robin (oh and also Barbara Gordon becomes Batgirl). I love the Batfamily, but I can barely call it the Batfamily when we don’t ever actually see them becoming a fucking family! We don’t get to see Dick struggle with his mentor’s legacy, we don’t see Jason struggle to live up to the Robin that came before, or Barbara picking up crime fighting despite what Bruce tells her to do because fuck that guy. We don’t get to see any of them grieve Jason, we don’t get to see Bruce go off the deep-end, only to be brought back by a young Tim Drake, who shows him what makes Batman, well, Batman; helping those in need, saving people.

INSTEAD, we’re introduced to two characters we knew that are now wildly different with ZERO explanation as to why, and one that we’ve never seen before and is (so far in my watch) severely underwritten, but because they’re the characters we love from the comics we’re supposed to love them here. It’s using the iconography of the characters to get us invested without putting in any of the actual work DEVELOPING them as people. It’d be one thing if this was the first time we met any of them, but we’ve already been introduced to Barbara, and we’ve spent an entire season with Dick, but now both of them have undergone massive development we aren’t made privy to.

I read an interview with Greg Weisman talking about the time jump, and he says this;

“We wanted a big time jump between the first two seasons to truly illustrate what our series was about, i.e. GROWING UP. After that, honestly, it’s more about what feels right. There are always things we want to skip, so that they become reveals.”

Man, I wonder if maybe allowing the audience to actually watch the characters grow and change might illustrate that growing up thing better than just skipping ahead so you can make it a reveal??? Imagine a show where we get to see these characters grow up together, maybe even grow apart, some leave, some stay, some are replaced, some come back. Like, imagine getting to see Dick reckon with the fact that Batman REPLACED HIM, only to watch that replacement die! Imagine getting to see Tim Drake come to Dick for advice, instead of just skipping ahead to the point that they’re already an established team. Imagine getting to see M’gann help Gar learn to use his powers for the first time. Imagine the team throwing a goodbye party for Wally and Artemis! Imagine seeing Wally and Artemis continue to develop their relationship instead of just jumping to them being fully moved in and together! WE WERE ROBBED!!

Like I’m still gonna watch it (not in the least because my roommate’s already seen it) but I need everyone to know I’m doing it under duress. I love these characters, and they did not deserve this lazy bullshit. I do not understand how Greg Weisman made Spectacular Spider-Man because HOLY SHIT the writing decisions made on this show are pissing me off, and don’t even get me STARTED ON CONNOR AND M’GANN BECAUSE WHAT THE FU

[lurkingshan]

Just saw your tags on turtle’s post and would love to hear more of your thoughts on Cheum

Oh, boy. Okay, I guess we’re doing this. So, when I think about Cheum I am usually making this face.

And embodying Oprah what is the truth.gif, because I think she is incredibly underwritten to the point of incomprehensibility. I think the term I used with @so-much-yet-to-learn to describe the writing for Cheum was "a void of characterization.”

By which I mean, I don't understand anything about her. I don't know what she wants or what she cares about. I don't know anything about her relationship with April. I don't know why she is friends with these guys or which she has real bonds with, if any. I don't know why she does things or whether I am supposed to see her as a neutral observer, a voice of reason, or another chaotic shit stirrer. I've seen some confusing messages from the creators about her that don't track with what I'm seeing on screen, so I find it hard to parse their intent versus the impact of what she is actually doing in the story.

But what I can tell you is that based on what I've seen, I don't like or respect her, and I certainly don't see her as in any way better or above the other characters in this story. Let me sum up what we've seen of Cheum over the course of the story:

She is mean to her friends, making lots of catty, passive aggressive remarks that dig at their sore points and taking sides against each of them on a whim

She pushes Mew to date Top and then to forgive him for cheating, to the point of ignoring Mew's stated wishes to conspire to help Top get back into his space

She somehow makes Ray nearly getting arrested all about her and in general gets overly involved in the boys' drama before turning around and berating them for causing her stress

She is judgmental and shaming about gay sex, making Boston out to be a predator for having a lot of sex and leveling a homophobic attack against him by claiming he took advantage of her "straight" brother

She lacks grace and humility and doesn't admit it or apologize when she is wrong, sticking to her bias against all evidence

And we have seen precious little in terms of positive attributes to balance this. We haven't seen her show up for any of the boys as a true or loyal friend. She seems reasonably good at school and conscientious about the hostel project, but we don’t get much there either. She's not even fun! Her function in the story is to be an antagonist to each of the boys in turn, even as the narrative seems to sometimes be suggesting that she is outside the drama.

It all reads very confused to me, and I can't say with any certainty how much of it is intentional and how much is just failures of writing and editing. She's not getting enough screen time for a confident read on who she is, and what she does get feels half-baked. At this point, I think it's safe to say Cheum is just a poorly executed character who has little purpose besides being the token lesbian in the friend group.

[sarucane]

This is an under-caffeinated OFMD rant about how awesome I think it is that Ed and Stede aren't obsessed with each other, and aren't particularly protective of each other.

I see this obsession/protectiveness narrative around a lot, and want to state up front that as far as headcanon goes you do you, but I just don't see compelling evidence for this interpretation in the show itself.

People talk about how Stede burned a whole ship of aristocrats because they made Ed sad, but Stede barely pays attention to Ed's reaction when the fire is lit. Stede's hatred of the aristocrats was rooted in how they treated him, which dug up old traumas and frustrations we see rise every time Stede faces people from his old world. And just today I saw someone say that Ned Lowe signed his own death sentence by Stede's hand when he poked Ed with the bow, and it's true that Stede's provoked to start the execution by Ned shit-talking Ed--but Stede kills Ned in spite of Ed, and he lists a bunch of reasons for killing Ned that have nothing at all to do with Ed.

Ed absolutely is sometimes protective of Stede, but it's not a universal thing. He steps in front of the firing squad in Act of Grace, but a few minutes later Chauncey's waving his sword at Stede and Ed steps back. When Ned Lowe attacks and they don't know what's happening, Ed does cover Stede, and he does swear vengeance when Ned hurts Stede--but Ed then point-blank refuses to kill Ned. In the next episode, Ed warns Stede that someone's going to try to kill him, then fucks off.

And as far as obsession goes: there are times when they hyper-focus on each other, like when Ed is thinking about leaving and Stede ignores the oranges problem, and when Ed suggests the run off to China. But there are many more moments throughout the season when the boys choose not to be in one another's company. They spend time together sometimes, and they don't sometimes, and there's nothing suggesting they're "always" obsessively thinking about each other. Often, yes, but not always.

And that "often" is where I get into why I actually love this. Ed and Stede aren't obsessed with each other because they're both fully-realized characters. They have complex motivations related to themselves and to one another, and they exist in a web of relationships, some entirely independent of their significant other. They have rich internal lives of which their romantic connection is one element. One that is extremely important, that is a sometimes overriding and often pivotal element--but still, one.

This love story is really different from just about anything else out there. So many love stories have 1 complex character and 1 love interest; have two characters who are focused only on each other. In a story like that, Ed killing himself would have been "because of Stede," not because of several factors of which Stede was one. Stede would have lost it completely when he found out the Revenge crew had murdered Ed, and again when Ed was voted off the boat. And if they were hyper-protective of each other, they would have been unable to go into battle together. This love story has space in it for two protagonists, and it feels real and honest in a way most TV love stories don't.

At the end of s2, Ed and Stede open an inn. It's not a place where Ed and Stede will be alone together, it's a place where many different people will come and go. Stede is giving up the sea for Ed, but while it's a serious sacrifice (that is very underwritten), his life isn't going to be just about Ed. They're taking steps on the paths of lives where a key pillar will be their relationship with one another, but that will have space for many other stories.

[melrosing]

ngl jace's feelings kinda came out of nowhere cuz like in s1 he seemed to understand harwin was his biodad and reassured luke that it didn't matter what people said about them, but suddenly he's furious with rhaenyra and is insecure? i know the watsonian explanation is they needed him to hate the dragonseeds for whatever reason but there was absolutely nothing indicating jace ever had these insecurities. he had only been frustrated with rhaenyra coddling him. what gives?

I think it would’ve been fine if in peacetime where his inheritance feels like some distant thing he puts it to the back of his mind and yet in wartime it feels urgent and disturbing and consumes his thoughts, but I do feel they failed to show the journey between point A and point B. the problem w hotd s2 for me has been they haven’t really been showing effective character or plot development, there’s a lot of telling and not a lot of showing and it doesn’t make up for all the times the characters have felt static and unresponsive to the situations surrounding them. and Jace is v symptomatic of that imo. they are trying which is more than I can say for D&D who thought skipping over character development was a clever sleight of hand so that when the character did something wildly OOC they could say ‘aren’t you surprised!!’

but I think the hotd team have one thing really working against them here and that is that the source material requires them to make shit up, and so naturally results in audiences drawing contrast with GRRM’s own character craft in his main series. in F&B the characters largely lack arcs or interiority, and it’s meant to read like a history rather than a story, so the hotd team don’t have the character templates that D&D did (and still managed to fuck up lol) and lack a plot with appropriate arcs and beats. so they have to change a lot. but ASOIAF is known for its remarkable character work and plot twists and GRRM is a generational talent and you’d need some pretty strong writers to pull off something that measures up or even comes close. and I think the craft has been way off this season so. now we have characters like Jace who just feel like every interesting thing about them has come too late and underwritten at that

[drsp00n]

Enough time has passed and everyone's wrote their thought pieces about it so I'm gonna chip in with a little bit of my own.

NMH3 is kind of ass in spite of its limitations, not because of them. The priorities are all over the place.

The gameplay loop becomes incredibly repetitive very quickly. I've seen people try to play word games about the semantics of a hallway of enemies across multiple screens being the exact same as a gauntlet in one room, but at least the fucking environment changes instead of being the exact maybe 8 rooms over the course of 100 possible battles.

There's little in the realm of unlocks. You can play the game start to finish without even touching the chip crafting system or the stats tree. No new moves, death glove chips or weapons. All you really need is to raise your attack to deal with the same enemies with just a larger health pool later in the game. Your kit doesn't change from start to finish.

The open world does fucking nothing for me. You could have made one map with less to explore but more to interact with, instead of five barren and flat maps with nothing to do. I know why this is, but I'll get to that in a bit.

The narrative is significantly weaker than TSA which is a huge shame. I'm imagining that they didn't want the characters to be so wordy in fully voice acted cutscenes like they were in TSA, but I would have loved to see more of the IBM style cutscenes if it meant getting to know more about the characters. Everyone just feels so underwritten so you have to fill in the blanks with your own preconceived notions and the stereotypes they're supposed to convey, something people give NMH2 shit for doing with its characters.

Fu and Damon are NOT compelling characters, one's a brat and the other one is a boring evil CEO archetype. They have zero depth, and for the time that they do give them on screen, all they do is bitch about Travis or everyone around them. Travis doesn't seem even interested in either of them beyond killing them for being annoying. Badman was just fridged to establish Fu as a threat, as if fucking killing every single civilian wasn't enough.

The stuff with Henry could have been interesting if the story had given it any kind of significance or time to breathe. I'm with Travis on that one, I really don't fucking care anymore. There's a giant space alien ship up there dude, that seems a little more important right now than our sad crybaby backstory that will go nowhere because NMH4 is never getting made.

And lastly, I think this game is the most suffocated by all the pop culture references. The premise of the game is a reference, the intro of the game is a reference, many of the bosses, side missions and characters are references, the final boss is a reference. All of this is cool in small bits, but it makes me feel like NMH3 has no real identity of it's own. Which leads me to this conclusion:

Suda should really have doubled down and made something weird and different again. Instead we got a game that is flanderizing No More Heroes itself. People like the open world of 1, boom, open world. People hated the combat of TSA, here's 100 fights. Look, it's the mowing grass minigame. Look, it's Destroyman. Look, it's Henry. Look it's a Marvel reference. Look, it's a Miike reference.

It just feels like the weakest of all the games to me. It tries to do a lot, and what it does is not very good. I don't hate it, I've beaten it a couple of times. I just feel like it wasted a lot of it's potential appealing to the loud majority instead of just being a smaller but better experience, but that's just me.

[crusherthedoctor]

💫 Favorite Sonic gals?

Basically every female that's higher up in the tier list I made yesterday.

If I had to think of a current top ten...

10. Elise - Underwritten, but time has shown us that she wasn't a bad character. '06 wasn't her fault, and Sonic's utilization in the overall plot aside, I like their dynamic together. Her design is also very nice when it doesn't have to abide by the game's overt realism.

9. Shahra - I was indifferent to her for the longest time since aside from Erazor's abuse, I didn't think much about her otherwise. Then all of a sudden, I warmed up to her starting from last year, as I've grown to appreciate her friendship with Sonic... though TBH, I have the Toll Girl indoctrination to thank for this shift in perspective.

8. Marine - If you didn't say shit about Bunnie's accent, you're not allowed to complain about Marine's. She's loads of fun, I don't care what anyone in 2007 said.

7. Cream - My favourite speedrunner. With a smile on her face.

6. Blaze - I'm sorry you've been used by Flynn and Co to downplay the other females, you don't deserve to be weaponized like that. Blaze is more than just a disposable Strong Female Character template... and more importantly, she's a cat.

5. Heavy Magician and Heavy Rider - They're both members of the Hard-Boiled Heavies, and as we know, all five of them are Sonic and the Peak Fiction, so I can never mention one in isolation. I like to headcanon that Magician rhymes her sentences, Gruntilda-style.

4. Tikal - She's worth more than the million Whogivesashit the Echidnas in Archie put together. Also associated with Chaos and SA1 as a whole, so y'know.

3. Ariem - I can't justify why an Android-only character is this high up beyond "I just think she's neat". :P Her design is so pretty, and I really like her chemistry with each of the characters... I wanna see more of her (as long as she doesn't get IDW'd)... :<

2. Rouge - She was my #1 Sonic female for so long, and I still love her now. Playful, flirty, smarter than she lets on, and bound to have your back despite her jewel thievery. Just like with Blaze, there's more to her than being able to fight, and if you believe the existence of boobs negates her character, then I don't trust you with female characters in general.

1. Trip - After thinking it over more extensively, I concluded that my unapologetic bias for kindhearted shy ladies wins again, because I'm such a predictable bastard. Can you blame me though? She's cute. :3 She's nice. :3 She's dragon. :3

[presiding]

What is your favourite thing about Billie Lurk?

(Answers are obvious possibly but i love when people talk about her👍)

thanks for the ask!! YEAH ME TOO I love when people talk about Billie! I can't say I have a favourite thing specifically, but I can explain why she's my fav. apologies for not taking this qn literally, but -

short answer: she’s really cool

& you can stop reading there, or, for the maybe 2 mutuals who might have time to read this my thoughts on her as a character, her meta, and her character as raw potential...

long answer:

i considered making this entire thing a gush so you could read a gush about Billie. but, part of what draws me to her is that she’s not always well written, and in fandom she’s underrated for a literal protagonist.

since you ask...

billie is a cool character

when I played Dh2 (hadn't played Dh1), I was excited to see a black woman with disabilities who was captaining a massive ship by herself. wow.

then I discovered Billie’s backstory with Deirdre, the way she responded to that, then having to survive while living on the run, and her bisexuality. as well as her history with daud & delilah. fascinating!

she’s an outsider who has so much to lose, and knows what it's like to lose everything - having lost everything not once but three times - but nevertheless speaks truth to power. she's so brave! she went and helped Emily & Corvo and she must have known they might kill her! plus, she’s smart, she’s funny, she gets shit done, she’s gorgeous.

but... the meta

mild critique of fandom & arkane incoming.

skip this bit if you want - you've been warned twice now - jump to tired Hayao Miyazaki and read from there if you'd like my thoughts on writing her.

i thought Death of the Outsider was going to be amazing and then... well. *sad trombone* i've written about that before so i won't keep banging on. i figured others must be disappointed too, so I joined a few fandom spaces in hopes of finding camaraderie.

most people with complaints about DotO didn’t like how the Outsider and Daud were handled. which is valid & I agree. but it seemed like most paid no attention to Billie; when people talk about her it’s with respect to Daud, as opposed to in her own right. you could argue for fandom misogyny because people don’t talk about adult Emily Kaldwin that much either, but in Billie's case, it’s misogynoir (compare & contrast with the popularity of thomas, particularly the popularity of thomas portrayed as a white man for no particular reason that i've been able to discern - i keep asking around, is it in the books???).

i think this is a LOT better now than it used to be, which is fantastic. or perhaps i have found the correct echo-chamber? ha.

ultimately, The Fandom is a fraction of the entire picture, and not even the important bit since The Fandom is not who these games are made for. you can't make money relying on only your hardcore fans even if all of them spent a fortune on merch, this is true for any AAA game.

while it's true that Billie is underrated from a fandom perspective - but Billie as an underwritten protagonist is squarely Arkane’s fault.

it was reasonable when she was a side character - the lack of info in Dh2 makes perfect sense (if anything there was more lore in Dh2 which is kind of wild)-

- but as a protagonist in Death of the Outsider?

.... there’s lousy writing, and there’s whatever is going on with Billie Lurk, a black woman who mostly exists as a foil or saviour for light-skinned characters. In her own game there’s barely any of her own lore except where it's relevant to saving two dudes.

lore hints at, but barely touches on what race means in the Dh universe (xenophobia is stronger in Dh1; separate essay i guess), but Arkane has patted themselves on the back for portraying non-white characters, which feels like the same thing as the aesthetic of diversity we're seeing in advertising currently because it’s in marketing trend guides. it's self-congratulatory and it's a missed opportunity for deeper storytelling.

you can see an example of diversity at its most shallow in the way that Billie’s written: there’s little engagement with her as an entire person with history & wants & preferences, and the world she walks through in that game feels like it has nothing to do with her. you could make a case for alienation as a theme, but then, how do you handle the titular premise of 'Dishonored' without ever letting Billie make changes in an environment without a chaos system? it's disappointing from that angle too.

in my opinion, whatever it's worth, it was an accident Arkane created such an awesome character - they needed someone to betray daud. congrats billie.

all this said, it makes her an underdog as far as characters to enjoy & create art & stories for. it's nice to find so many like-minded, switched on people! <3

billie's character potential

she’s got a wealth of unexplored lore, being deeply intertwined with both Karnaca & Dunwall’s fates & criminal underbellies, as well as her connections to the witches & whalers, and three Empresses.

she’s lived a few distinct lifetimes and in the games we get to meet her at two peaks (KoD & DotO) & a low (Dh2 as Meagan).

her voice is very distinct, her dry & often dark humour is entertaining & fun to write. her perspective is really interesting - she’s had the widest variety of void-powers of anyone canonically, and she’s also lived through the highest highs and lowest lows.

she's got everything going for her :) i couldn't really pick a fav thing!

[wewebaggit]

I think it was because he was abused or something and apparently had drinking problems? Like bruh you cannot claim to use subversion of 80s horror genre tropes and at the same breath make your black character one of the victims without even focusing on it. Its just...? St can really use some criticism sometimes

Yep it was because he had drinking problems and was a disgrace to his family as per the voiceover that Patrick and we hear as he's riding in the car with Jason n the gang. And then Lucas mentions that he once saw him with a black eye. That's it. That's all.

Patrick deserved way better. Even discounting the fact that he's black. The same episode had the stupid mid air fight between Murray Yuri and Jim's girlfriend. That lasted longer than necessary. That existed. Both valid reasons for having a more fleshed out buildup to THE MOTHERFUCKING SACRIFICE FOR ONE OF THE FOUR (NOT FOURTEEN) GATES.

Maybe if they cooled it on Eleven slow jogging through the lab, eyes wide, breathing heavily and emoting nothingly, Jopper doomsday fucking, Elmike/Mileven, (God stop milking it, it's not great writing, we are gaslighting ourselves to believe it is cuz there was a time we thought the most they'd do for gay Will is have his best friend say something INCREDIBLY HOMOPHOBIC to him), a Russian plot sillier than season 3's - fucking talent, I could go on we could've had something justifying (at the risk of sounding repetitive) A MOTHERFUCKING SACRIFICE FOR ONE OF THE FOUR (NOT FOURTEEN) GATES.

Also leaving you with some of this:

Jason to Patrick

Mike to Lucas

Billy to Max about Lucas

Mike about the science fair contest

(Let me elaborate: It was a state competition and the result was political? MY conjecture is it was not because of frogface or a boy with no teeth or a boy who his town thought was queer - I'm suspecting it wasn't a statewide consensus. Who's left?)

Jason with Lucas

Andy with Erica

I'm not American so I'm not someone who gets the whole American experience of it. But American cultural colonisation means I'm somewhat aware of the tendencies in media. N to me personally I don't resonate with a white/black/brown American character on a racial level but just by how they're written n how well the work is performed. I do not live in a post racial world bt my country has its own different version of racism. That is to say any character being white/other colour is of ZERO value to me. So when I am consuming foreign media, I'll be like this is well written that is not. But then when I arrange them in order of well written to not or underwritten, it's a shade card alright. (🙋🏻🙆🏼🙅🏽🤷🏾🤦🏿) So ya. It's like white ppl tend to write white ppl better. What a discovery. Idk if to call it racist or "I don't see colour" in that I only see white cuz it is not a colour. (How is that for colour theory?) That is NOT to say that X CANNOT at all write about Y. Writing is after all a collaborative effort. It just means you gotta do both: collaborate and put effort.

ST exploits the tropes more than / before it subverts them. And like not in a good way. It's a fantastic show with plenty of opportunity to love it and shit on it in unequal measure tipping more in favour of shitting. And I'll be doing both. Especially regarding the characters that don't go by the name of Mike or Eleven. But them too.

You'll also see me Kali raging soon. Very soon. She might also be (DEFINITELY IS) why I have this whole new account anyway.

El's abuse > Kali's abuse. Okay. At least accepted within text by the writers. Want the "yass girlboss El shoulda snapped Angela's neck for....er...breaking your diorama and ....er......throwing milkshake on you" crowd to respectfully go. Just go. Go Away!

[sugoi-and-spice]

Do you have any bnha fic recs? Btw im such a sucker for ur bully dabi fic…. Hes so hawt

Thank you so much, I'm really glad you're enjoying it!! And oooooh, ok, this is fun lemme think.

Let's start with some Dabi fics.

I am absolutely obsessed with the Us series by @nohoney these days. All of their work is amazing, but this Dabi x Reader x Hawks series especially is just such a poignant, compelling, and (at time frighteningly) accurate representation of toxic relationships, depression, and drug use.

Loveless by Clashgirl07 is an amazing slow-burn with a really exciting and well-plotted AUish adventure. It still takes place in the hero world, but with a completely alternate story and timeline - SUPER fun! I can't even believe how talented this writer is for how young they are and I'm really excited to see what else they put out in the future.

oh you pretty thing and a bad day by an Anonymous writer who I would literally DIE to read more work by are so gd good. Very sexy and compelling mean Dabi x Reader x Shigaraki dubcon/noncon.

And now for fics and authors that are not Dabi-centric, but that I can never NOT recommend.

@shig-a-shig-ah has a really lovely Dabi one-shot, Full Circle. But the majority of their content is Shigaraki-centric and HOLY SHIT are they just a master at it. Addicted to Bad Ideas (In-Progress) and Paper Skin (Complete) are absolute masterpieces, and I'm also a particular fan of their one-shots Tutelage and Assistance - two noncon voyeur fics guest-starring All for One and Redestro respectively.

@nonobadcat also writes a lot of amazing villain content - including multi-chapter fics for underwritten characters like Mr. Compress and All for One. Their Shigaraki long fic A Taste of Your Own Venom is so well-plotted and has such an interesting MC, and it's currently left off in a really satisfying place. ^_^ A Blistering Affection is some A+ yandere Chisaki too.

GRIEFING by rotworld is the quintessential Shigaraki fic. It hasn't been updated since 2020, but I think it leaves off in a decently satisfying place and is always worth a reread imo.

[[save scum]] by @feral-creep is another masterpiece (damn, all you Shiggy stans are so talented xD). Super unique concept, great MC, and the beginnings of some sweet Dabi/Reader/Shigaraki action.

The Danger Next Door by @ratmonky is freaking chilling. AU Stalker!Shigaraki where they actually still have quirks! I'm not sure if they're planning on finishing this, but god, it's so compelling and creepy that I think it's definitely worth a read regardless.

That's what I got for now! There are so many stupidly talented writers in this fandom, particularly in our lovely little villain corner so this list is definitely not exhaustive, but I hope this gives you some fun new reads in the meantime!

[alpaca-clouds]

You are not worse than big name writers

You know what? A few days ago I reblogged this one post and rebutted it in my TL. This one thing saying: "Hey, you are a worse writer than all the established writers, as you are writing your fanfics. But that is okay. You can just do something because you like to do it."

And that one really, really bugged me. Because while the post doesn't reference who they mean with established writers... either way, it rings untrue.

Let me explain: Literature as an industry and as an artistic medium has a lot of problems. Chiefly among them that it is gatekeepy as fuck and very much centered around the experience of cishet men (in the west mostly white cishet men). Meanwhile those white cishet men can at times churn out the most average bullshit, and they will still be celebrated for it.

I still remember one book that is at times considered part of the German literary canon. "Steppenwolf" by Herman Hesse. Sure, it is an old book, but also... It is unstructured as fuck. The writer is very much not interested in the female characters. Generally most characters are underwritten. Oh, and there are sentences in this book, that are almost 200 words long. A single sentence. 200 words. Yes.

And if you really look at it, a lot of the "literary canon" works are similar. Often unstructured (because that's artistic, I guess), mostly desinterested in female characters, or really anything that does not center a white man.

Back then, I compared "Steppenwolf" in an essay for the class to "Homo Faber", which for the record is one of those literary works I kinda like, because the style spoke to me. But if you do not know about "Homo Faber": It is about a depressed guy travelling the world, and by happenstance meeting a girl young enough to be his daughter, falling for her, sleeping with her, she dies. Plot twist, she was not only young enough to be his daughter, she WAS his daughter. Dude dies of pancreatic cancer in the end. It is a book I really did enjoy in terms of the writing style. But... I mean, can you think of a plot more white, cishet male than that?

The literary "genre" (that does not want to be genre, because it stands above the genre literature) is for the most part just cishet dudes smelling their own farts in a very artistic way with stylistic devices and shit. Sure, there are great books in this genre, mostly by people who are not in fact cishet or ablebodied, but those are not the ones usually getting celebrated or put into the "canon". Because we cannot challenge the fucking patriarchy, can we now?

And if we go into genre literature, like... Talking about western publishing mostly, because that is what I know: Most big releases are still mostly cishet white people, writing about white cishet experiences. Like, maybe you might find something in there, that is a white, cis queer woman, but... That's usually the most you get.

Sure, there are a few releases by non-white, trans or disabled people, but those are still super rare compared to actual demographics within each country. And usually outside of smaller publishing houses... Well, let's put it like this: Books are not allowed to rock the boat too much, right?

I have been told - and I know that the same is true for a whole lot of other writers - that a black, queer, polyamorous, autistic character is "unrealistic" and "asking too much of the reader" in a fantasy book.

Meanwhile there is tons of average, if not outright bad books being published by white, cis writers, focusing on white, cis perspectives. I mean, it is kinda a meme to rant about Coleen Hoover or Sarah J. Maas, but... Let's face it. It is, what it is. Those are not exactly well written. And, to put it frankly: Most fanfics I have read on Ao3 were at least of the same quality, if not a lot better than those books.

So, like... No?

Is there tons of bad fics out there? Yes. Are fanfics a medium for new writers to first explore their writing? Yes. But are fanfics on average worse than published literature? I would very much argue, no.

And of course, it should be said that yeah, fanfics themselves still have a big, big issue with featuring white, western perspectives. While a lot of fic writers are queer, they are mostly white, cis queer women. And a lot of writers from more marginalized groups struggle to find their audience, which is definitely an issue.

But, like... Don't act as if getting a book published somehow says something about the quality.

[radiofreederry]

Anyway why does Korrasami (badly written by two straight cis men) get all the credit for pioneering LGBT rep in western animation even though the actual relationship was desperately underwritten and so ambiguous that the creators had to clarify on tumblr that it was intended to be romantic, while Steven Universe (written by an actual gay person), which debuted a canon onscreen relationship between two female characters just three months later, doesn’t get shit?

[jellogram]

Okay so Saltburn review. No spoilers.

It definitely does a lot of things well. The lunch part (with the red curtains iykyk) was such a fantastic scene, like just a really well done bit of filmmaking. The casting is great. Barry Keoghan does justice to a really demanding role. Jacob Elordi is an excellent Spoiled Rich Kid With A Good Heart, and he's also beautiful to look at. Like a fucking marble sculpture, holy shit. The sets and costumes are also lovely.

So things I didn't like. I wish the ending was more ambiguous because I feel like it spoonfeeds the audience a lot of things that were better left implied. If I was editor, I would have cut out most or all of that explanatory scene and gone straight to the final scene, maybe with a couple quick breadcrumbs to guide the audience.

Related to this, I think it's a bit muddy in places. Farleigh's character feels a bit underwritten, for example. The class struggle aspect also didn't need to be verbalized over and over, and the scenes where it was left subtextual are some of the best in the movie. But these are all things that could have been ironed out, not major structural issues.

Overall, I enjoyed it! I can see why this one has wormed into filmblr's brain. While it has some flaws, it uses every inch of its runtime (a rare feat imo) and creates really interesting characters and conflicts. After this and Promising Young Woman I think Fennell has proven herself as a talented filmmaker and I'll definitely be keeping tabs on her work.

[quietwingsinthesky]

I’m kind of new in the Supernatural fandom and I genuinely do not understand the hate so many people seem to have towards Sam. Like, when I first started watching, I thought Sam and Dean fans would be pretty evenly distributed. Are the majority of the viewers Destiel fans that hate anyone that isn’t part of their favorite imaginary couple, or is something else going on? Is Sam just unlikable to that many people?

Well. Okay. We can’t discount that Destiel is a major factor in this. You know, for one thing, a lot (and I mean a lot) of destiel content will just cut Sam out, which to be fair is not uncommon for ship content as a whole but when you’ve got such a juggernaut as destiel, it definitely affects fandom perception as a whole. That’s not even getting into how people who haven’t watched the show will then get into destiel and not supernatural, meaning the only Sam things they get are scraps from within a largely dean-and-Cas-centric narrative.

There was, probably still is, a sizable amount of people who would happily say they skipped the first three seasons to get to Cas, which is!! The first three seasons are a lot of Sam! (And of building Sam and Dean’s relationship, central to the show!) Starting in s4 launches you straight into the demon blood arc with no context of what Sam was like before or how desperate and grief-riddled he would have to be to get to this point, meaning all people see is Sam Acting Bad. And first impressions are hard to fix.

To be fair, it’s not only on destiel and it’s wider effects on how the fandom perceives… anything. (And that doesn’t just effect perception of Sam, either! It leads to distorted views of other characters, im thinking John and Benny rn, they get the worst of it.) The show itself also fails Sam. A lot. He is consistently underwritten, his agency is undermined and then that’s never addressed, and his interests are never really shown as cool and quirky like Dean’s. Dean gets episodes around his love of cowboys, Sam gets his love of true crime mentioned now and then, you see what I mean.

People will say insane shit about Sam. Like, “Sam is boring” is the least egregious take I’ve ever seen. From “Sam going to Stanford was selfish and bad” to “How Dean treats Sam is okay and normal because Sam doesn’t leave him”. It’s just. It’s very weird.

Full-disclosure, I consider myself a fan of both brothers, but I’ve got heavy Sam bias in my own ships and what I tend to reblog. So take that as you will.

(P.S. anyone else with thoughts or a different view on the fandom trends, feel free to chime in.)