#the cavalry. the guns

[captain-price-unofficially]

T28/T95 105mm prototype super heavy tank/assault gun. Built during WWII to crack the Siegfried Line in Germany, it was later considered as a possible participant in the planned invasion of the Japanese mainland.

The near 100-ton vehicle was initially designated a heavy tank. It was re-designated as the 105 mm Gun Motor Carriage T95 in 1945, and then renamed in 1946 as the Super Heavy Tank T28.

One of the vehicle’s most distinguishing features was the double sets of tracks it used to reduce the enormous ground pressure it generated. To make the T28 remotely transportable, these tracks had to be removable, otherwise it would be too wide to fit onto any flatcar or trailer.

[viktorviolettaenterprises]

Cavalry Pose (Rifle) DOWNLOAD

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[glacialswordsman-a]

∗ 52 // :3 what better way to try and reconcile by sacrificing yourself for your brother ✨

∗ 52﹕ sender  takes  a  [ punch / stab / bullet ]  meant  for  receiver . | what is with y'all wanting to hurt me so bad what did i ever do to deserve this (everything)

The world stopped in that single instant.

Why was this happening?

Just a minute ago Kaeya and Diluc had been fighting back-to-back, moving in complete synchronization as they fought of some Fatui skirmishers that had made their home at the base of Dragonspine. They had long since known that there were Fatui camping out on the mountain, and said organization hasn’t done anything that would have warranted a visit from the Knights—not until recently, at least. These skirmishers did not take kindly to Kaeya trying to schmooze them so they can spill what the hell they were even doing there.

For some reason, Diluc was there too, having followed Kaeya along yet hung a distance back as to let the Knight do his job (and presumably also to avoid the risk of Kaeya incessantly pestering him).  That’s fine, he can play back-up all he wants.

Though, the sight of flaming hair really set off these skirmishers, recognizing Diluc for who he was: Snezhnaya’s #1 wanted criminal and persona-non-grata. Technically speaking, the Fatui had no right to bring Diluc with them to the Cryo Archon’s lands. They had absolutely no jurisdiction here. Yet, they had enough cojones to try and take care of him themselves.

Thus began the fight between the Cavalry Captain, the Vigilante, and the Fatui.

One wouldn’t think that they’d work so well in a fight together, that they’d just clash and only make the entire situation worse—but they grew up together. They trained together to become Knights. Diluc would know Kaeya’s movements by heart, and while it took Kaeya a while to catch onto the older man’s style with his claymore, he was quick to learn. And so they fought with everything they got, shifting between each other like water as they swapped sides to land their hits or block some for the other.

Until now.

A pyro gunner had situated himself in the distance, somewhat hidden due to the commotion his comrades were in the middle of. The only reason Diluc had managed to see him was due to the glint of the gunner’s scope. As the last skirmisher (that was in close-quarters) fell, the blazing inferno of a man shoved the Captain away as a loud ‘bang’ rang out through the base of the mountain.

Before Kaeya knew it, he was down on the snow-covered ground, with the young Master’s body slumped on top of his own. The Captain was frozen, unable to even begin parsing what just happened—until he felt warmth seep from Diluc and onto his own clothes.

Sharply inhaling, he moved the man that had once burned so brightly off of himself and onto his back, taking stock of his injury, noting the blood blooming and staining his already dark coat to black. Kaeya looked down at himself and saw the crimson staining his white and blue outfit, a stark contrast on his form.

He had been shot.

“—Diluc. Diluc—answer me… Hey!”

Panic rose within Kaeya as he suddenly felt so nauseous, bile threatening to rise up his throat. He whipped his head around towards the direction he heard the rifle go off, but the Fatui filth had long departed. Damn him.

Damn him!

Looking back down at the man whose life continued to escape him, Kaeya quickly tried to put pressure on the wound after removing his cloak and fur stole. He doesn’t care if it they’ll be unsalvageable, he doesn’t care if the chill of Dragonspine would seep into his bones, he doesn’t give a single fuck! If Diluc can’t be salvaged, then what use were they to him anyway?!

“Diluc—Luc, please—. Please, Lulu, just hang on. I have you, I do, I promise! Don’t you dare die on me, stupid brother!” he yelled before crying out for someone, anyone to help them. To hear his pleas and to save his brother. Please, not again.

Not again… He can’t lose him again. Not for good.

[chaosos59]

I really like the addition of pistols & muskets to the 2024 PHB — D&D fantasy has always been in a weird spot that pretends gunpowder is a much more recent invention than it is. Furthermore, I like the choice to balance the higher damage die of the musket against poor range vs the heavy xbow.

[romance-of-three-memes]

You know I think Oda Nobunaga really did not know what he was getting into when he was like 'hey yeah sure the Christians can come and convert more people aheh that's great, this will be great, I'll totally use this to my advantage by weakening that militant Buddhist sect and also get my hands on more western culture stuff, especially those sweet, sweet guns I love embarrassing my rivals with'.

I really truly do not think he understood what he was dealing with and how it could come back to bite him. He was biting off more than he could chew. I think he was only really considering the short term. Hideyoshi and Ieyasu looking at evangelical Christianity and going 'hmmm we shouldn't fuck with those guys' was a much more prudent reading of the situation, even if they went about it in often shitty ways.

I really don't feel bad for that Spanish priest that was said to have threatened Hideyoshi by saying Spain would colonize Japan like it did the Philippines and Hideyoshi had him executed though, he was asking for what he got. Imagine being the kind of person that thinks 'I'm going to threaten the military dictator of Japan, that'll end well for me I'm sure'.

[petermorwood]

I have a sword question, if I may. Or more of a sword confusion Im seeking clarification on.

In my mind a fantasy european standard sword (that obviously doesnt really exist, but like, when a knight or someone in a story has an unspecified sword), I always imaged a straight blade with a triangular tip, both edges sharp cutting edges.

Then at some point I learned about eg scimitars that have a cutting edge and a ...blunt edge?

I was looking at your recent addition to the post about the Turkish sword, where you distinguish between an inner cutting edge on a sword v an outer cutting edge.

And then Im thinking of those enormous zweihander types that are all about momentum and do those even need a particularly sharp edge? They seem in dnd parlance to be a bludgeoning weapon not for slashing.

And while Im asking, like. Rapiers are very stabby weapons, do they have sharp edges at all or judt a sharp point?

I guess my overall question culminates something like "what parts of swords are designed for what damage and why? Is there anything all swords have other than blade and handle like can they all be used for stabbing or do some have very blunt points etc? Is it a big deal for a sword to be double-edged, does that necessitate specific training? Whats up with different sword blades?"

I realise thats a pretty enormous question that might be unreasonable to ask. Im happy with whstever response you are or arent willing to give. Hope you have a good day :)

Sharp edge / blunt edge is the setup on any kitchen or table knife you've ever encountered, and being able to put a hand on the blunt "edge" - usually called the back of the blade - not only helps when mincing herbs or garlic, but also features in some techniques of swordplay.

Other techniques employed non-blade parts of the weapon, using the pommel like a mace and the crossguard like a pick-axe.

*****

Whether swords should be straight or curved, single- or double-edged, was an argument which continued as recently as the early 1900s.

The last swords issued to cavalry for combat use (modern parade swords don't count) were both remarkably similar designs, straight-bladed for thrusting, adopted by the UK in 1908...

...and the US in 1913.

There was, of course, strong opposition from those who insisted cavalry swords should be sabres curve-bladed for cutting instead.

Equally of course, both sides failed to notice - or ignored, since a certain kind of cavalry officer was only bright as regards boots, buckles and buttons - the uncomfortable fact that machine-guns and repeating rifles had made the whole ta-ran-ta-rah "cut them down with your swords, men!" cavalry charge an exercise in futility.

*****

D&D, unless they've considerably upped their accuracy game, isn't much of a reference for weapon realism.

"Enormous Zweihanders" and other big swords such as the Montante were a lot lighter and more nimble than they'd seem from reading an encumbrance chart.

They had their own techniques to take best advantage of length, leverage and momentum and were indeed sharp. Given a choice between a sharp combat weapon and a blunt one, sharp makes far more sense.

In addition, a sharp blade is lighter than a blunt one simply through having less metal. It may only be a few grams of difference, but it IS a difference.

That's also the reason behind a fuller, the groove(s) along a blade.

They're not "blood gutters", tough and cool though that may sound, but a way to reduce a sword's weight while preventing its blade from getting excessively flexible.

Finally...

The re-enactor is wearing half-armour, but these big swords were also meant for use against unarmoured opponents. Bodyguards often carried them (they looked impressive) and those sweeping strokes could block an entire street while The Boss got away.

That's when an ability to cut rather than merely bludgeon makes all the difference. Determined assassins might try to rush a blunt sword, but a sharp one would give anyone second thoughts...

*****

Double-edged swords versus single-edged ones seem to vary depending on cultural preference - also on period of history and intended function.

Bronze Age European swords had straight or leaf-shaped blades with double edges...

...while Ancient Egypt had the curved, single-edged khopesh, a shape which also turned up in Ancient Assyria (this one's in the Metropolitan Museum, New York USA).

It's listed as a "sickle sword", an incorrect term which I wish would go away because sickles are sharp on the inside of the curve while swords like this - their grip-shape shows how they're meant to be held and swung - are sharp on the outside.

And just when "the Ancient Middle East used curved single-edge swords" looks like a handy generalisation, along come straight swords, one from Ancient Egypt...

...another from Luristan, now part of modern Iran.

This next one comes from Ancient Iberia (Spain), right at the other side of the Mediterranean. Evidence of trading links? Your guess is as good as mine.

Iberia went on to use the falcata, a short single-edged forward-curved sword.

Those extra bits round the blade are scabbard metalwork; the wood and leather scabbard is long gone. This repro shows how they would have looked when in place.

Iberia also used a straight double-edged sword which so impressed the Romans that they adopted it, refined it and used it for several centuries. Here's one of the several Roman versions of that gladius Hispaniensis (Spanish sword), double-edged, mostly meant for stabbing but capable of very effective cuts as well.

Here's my repro of a similar sword, the elegant "Mainz" pattern with its long point and waisted blade. Very pretty, and pretty wicked.

*****

"Curved single-edged swords are Eastern, straight double-edged swords are Western", is another generalisation that won't work.

Here are Eastern straight swords...

...and Western curved ones.

*****

Viking swords were all double-edged...

...except when they weren't.

*****

Many rapiers could cut. Smallswords, which came later, couldn't.

Earlier rapiers with broader blades cut better than later ones with narrow blades, but IIRC even the later Italian and Spanish rapier styles include cuts directed at the opponent's face and sword-arm.

I have a notion that the modern thing about cutting with rapiers is based (like back-carry) on seeing it done in movies. IMO - more about it here - that's actually more a modern stage-combat safety thing than a period real-combat move. A fumbled cut is bruising and unpleasant even with a "safe" prop sword, but a fumbled thrust into the eye-socket or throat with that same "safe" sword can be fatal.

Even those early rapiers wouldn't sever a head or limb - a finger maybe, hence the elaborate hand-protection of swept and cup hilts - but blood from a forehead wound running into the eyes was, and in boxing still is, an efficient way to finish a fight by ensuring the opponent can't continue. One of the duels in "The Duellists" ends this way.

This example is a bit optimistic, IMO...

...but a longsword (double-edged)...

...or a messer (single-edged)...

...was quite capable of disarming an opponent in a very literal way.

*****

Some swords had minimal points, being intended mostly for cutting. One example of this is the Indian khanda broadsword. The second example is also very clearly single-edged.

Another cut-only sword without a point (but with double edges) is the Richtschwert (justice sword)...

...though this was a single-function (and hopefully single-cut) tool rather than weapon, neither balanced for nor intended for combat.

Hope this has helped answer the questions!

[captain-price-unofficially]

M50 Ontos at the US Army Armor and Cavalry Collection, a very unusual vehicle used during the Vietnam War. Armed with six 106mm electrically-fired recoilless rifles and a M1919, it only had a crew of two.

[phossiii]

｡𖦹°‧⭑ monsters: chapter six

synopsis: you and mahalat come to an impasse during battle. and phosphorus saves your ass.

cw: reader is a monster, mature themes, violence, profanity, innuendos, phosphorus is phosphorus, reader has a bit of a psychotic break, mahalat is horrible.

"Da?" Alexi raised a brow, keeping a hand on the wheel as he picked up the phone.

He paused a moment, expression darkening slightly as he glanced at the Bride, who was sitting in the passenger.

"Da."

He paused again, brows dropping sternly.

"Da."

With a quick snap, he hung up, plastering on his usual happy expression and turning to everyone, as if you didn't notice the huge change in atmosphere.

"He says there is unfortunate traffic on the way to the castle, so we should take alternative route."

With a small rev, he cut a corner, turning into a random side street with a completely straight face.

After arriving at the Pokolistan airport once again, you were greeted by Alexi, he, as well as the other guards, completely oblivious to the true objective of your mission.

Kill the princess.

You almost felt bad, seeing as these people had been nothing but nice to you.

But orders were orders, and the quicker you got this out of the way, the quicker you could go back home.

Discreetly, you glanced at Phosphorus, him doing the same, the two of you silently noting the odd behavior before going back to your usual shenanigans.

"Quit man-spreading. Your leg's takin' up most of my room," you ordered, lowly, using your knee to push his closer to the door.

"It's a cramped car, sweetheart, you barely had any room to begin with," he shrugged you off, widening his spread to fight back against your assault before patting his thigh. "But I got a space right here for you. Free parking. No handicap."

"And feel your disco stick stab me every time we drive over a pothole? No thanks," you scoffed, rolling your eyes.

"Sounds delightful to me."

"To you," you emphasized.

"Could use my arm as a seat belt."

"Don't think I can file a sexual harassment complaint against a seat belt."

"Sexual harassment? Where?" he asked, sarcastically, whipping his head around as if he was looking for something.

"Half the shit that falls out your mouth is sexual. And you haven't stopped harassing me since this whole thing started."

"Last I checked, Belle Reve didn't have HR."

"And last I checked, skeletons didn't have dicks. But here you are."

Glancing into the side mirror, the Bride raised a brow, noticing that the palace was behind them, and getting farther and farther

"What's up, Alexi?" she asked, turning to him. "This isn't—We're leaving the city. The castle is that way."

"Oh! It seems roundabout, but it's good shortcut," the captain assured, flashing the woman a smile before focusing his sights back on the road.

Out the corner of her eye, the Bride took a quick glance at the back seat, sharing a suspicious look with you and Phosphorus.

The two of you nodded, turning to look out the window, finally noticing that you all were in the abandoned part of town, dilapidated buildings and trash galore.

'Aw, fuck...'

You knew exactly what was happening here.

Suddenly, the car pulled to a stop, the Bride's patience running thin.

"What the hell?" she asked, sharply, turning to the captain.

"Engine was making funny noise. Did you hear that?" Alexi excused, suddenly sputtering like an engine. "Did you, huh?"

"No," your brows furrowed, arms crossing over your chest as you sized him up with a suspicious look.

"I am afraid I am screwing up. How do you say? The... The suedinitel? How do you—?"

"I think how we say it is Keep moving, Alexi!" Phosphorus exclaimed, leaning forward in his seat.

"You want me to permanently damage vehicle?"

"Yes!"

Just then, two other armored trucks pulled up in front of yours, the men inside hopping out instantly and drawing their very high-powered guns, training them on the car.

And on perfect cue, the cavalry arrived, a few flying knights and a helicopters swooping in to cut off any form of aerial escape.

'For fuck's sake...'

"Damn it!" the Bride exclaimed, brows cinching at the sight.

"My men have fought and died for the Princess. We are not going to let you kill her now," Alexi stated, firmly, eyes deadly serious.

Leaning over the skeleton next to you, you tried the door, quietly cursing to yourself when it wouldn't budge.

'Bastard locked us in.'

Suddenly, he drew his pistol, pressing it into the Bride's temple.

"Stand down, Bride. You—"

Without hesitation, Phosphorus sent his radiated fist flying through the head rest, punching a hole right through it as well as completely demolishing the top half of Alexi's head, splattering blood, brains, and teeth all over the dash.

"Jesus, fuck, Phos," you grimaced, watching the remains of the poor man's jaw, as well as the rest of his body, flop forward against the steering wheel.

"What a shame. I liked that guy," he sighed.

But before you all could even get a moment to breathe, the guards opened fire, littering the truck with bullets.

Quickly, you all ducked down, the Bride unlocking and opening all the doors, allowing everyone to roll out and duck for cover.

Instantly, you all scattered, forcing the men to break off into smaller groups and fight you off.

"I smell blood, o' pityful flesh..." Mahalat's voice boomed within your mind, teasingly, sending a cold shock down your spine as you ran down an alley, bullets whizzing past. "Have you more for me to feast upon?"

'Jesus Christ...'

The wave of dread that washed over you was uncanny, your legs wanting nothing more than to buckle and drop you to the ground.

"Leave me the fuck alone!" you exclaimed, fed up, as you jumped onto the wall, bounding off of the other and back-flipping in mid-air to tackle the flying knight in the sky. "I'm busy! I don't need a peanut gallery!"

As he attempted to buck you off, you wrapped your legs around his waist, holding him in place as your sharpened tail stabbed him right in the neck.

Twisting his arm, you used his gauntlet to shoot down the soldiers below, managing to take out three before you began to plummet toward the ground.

Loosening your hold and flipping yourself around, you used the poor man as a landing pad, crushing his ribs as you collided with the ground, fully upright.

But another armored truck was quick to swerve a few feet in front of you, soldiers jumping out an opening fire.

'Shit!'

Quickly, you dropped into a split, using your acrobatic prowess to flip and maneuver around them.

"On the contrary, it looks to me that you seem to be struggling against these peons."

"Shut up!" you spat, performing a front handspring into a handstand, propelling yourself into the air to scissor kick two men at once, before your tail wrapped around another's neck and swung you back for seconds. "I don't need your help! I'm doing just fine on my own."

"You know as well as I, (y/n), that our power could be so much greater, so much more potent... humans crawl over this rock like maggots, we alone could rule them all."

"Skip over this part! You've had the same pitch for years and my answer hasn't changed!" you groaned, landing on the shoulders of another soldier before snapping his neck. "Never! Gonna! Happen!

"Your humanity holds you back! You're weak! Pathetic!"

"Fuck you!"

"SUNUK ZETAM MA—" "NO!"

Quickly, you whipped your tail around, its pointed tip stabbing you in the thigh and forcing you to let out a howl of pain.

But it distracted you, preventing you from switching over.

"I am in charge!" you barked, scrambling to your feet and sprinting toward the alley wall, "This is my body! You listen to me!"

Without hesitation, you smashed your face into the bricks, breaking your nose on impact and splattering blood everywhere.

Disoriented, you fell backward, smacking your head on the ground with a sick thud.

Everything in your mind was coming to a head, bursting violently from every pore.

Your captivity.

Your self-loathing.

Your fear.

Being so desperate—and so off your anti-psychotics—you were grasping for anything to stop the torture, anything to stop her from winning.

Even if that meant maiming yourself.

Swiftly, your tail snatched up a large shard of broken glass, quickly moving and stabbing you in the stomach.

"I HATE YOU!" you screamed at the top of your lungs, tears welling in your eyes as you pulled the glass out, only to stab it right back in.

Repeatedly.

"I HATE YOU! I HATE YOU! I HATE YOU! I HATE YOU! I HATE YOU! I HATE YOU! I HATE YOU! I HATE YO—"

"SUNUK ZETAM MA'AK KULA BAA NAT SU DA MAHALAT!"

Instantly, your body stopped, your limbs and tail falling limply to your sides as your eyes rolled over white, and you slowly began to float into the air.

Unable to hold them back, your tears floated with you as well, disappearing into nothing as you burst into hellflame, destroying any evidence of your humanity.

Slowly, but surely, the demon employed her magic, using fire to arduously heal all of your wounds.

Blood returning.

Vessels sealing.

Muscles fusing.

Flesh mending.

Until, eventually, there was no trace of you ever hurting yourself at all, rendering your pain and your actions ultimately meaningless.

'Why... Why couldn't I have never been born...?'

When Mahalat emerged—wings, fangs, horns, and all—she let out a howling, maniacal laugh, zooming into the air in search of meat.

"Enough of this rebellion, (y/n)!" Mahalat laughed, her voice, once again, dubbed over yours. "You have lost! You lost the moment your wretched mother shoved you out of her revolting womb!"

Soaring through the air, she set her sights on a flying soldier, who opened fire after catching her in his periphery.

But she swiped her hand through the air, sending an effortless blade of fire to cut him in half.

Bisected, he let out a blood-curdling scream, quickly losing consciousness as Mahalat caught his top half, using his torso as a shield from the bullets below while she ripped off his helmet and took a huge bite out of his cheek.

"I am the one that is in charge! I am the one who dictates life or death! You belong to me!"

She relished the flavor, eyes nearly rolling to the back of her head as she savored the taste of human meat.

The maggots at Arkham fed her nothing but lettuce and cabbage, as if she were some plow-horse to docile and tame.

But this... there was no heaven like it.

"You are nothing but a satchel of blood and bones in a flesh-drawn sack! A pitiful husk of meat! With me, you will survive for eons! Countless lifetimes! And we will rule this grievous hunk of rock, and all the maggots that fester on its surface!"

Glancing down at the ground, a sadistic smirk stretched across her lips, more trucks pulling up to attack.

"Like lambs to the slaughter..."

Large flames burst from Mahalat's palms, her eyes glowing bright red as she charged, allowing herself to heat up hotter and hotter and hotter, until finally...

She burst.

A tidal wave of hellflame erupted from her every direction, completely incinerating everything within a ten block radius.

The men below didn't even have a chance to scream before they were turned to ash, along with the countless other surrounding buildings.

Right then and there, Mahalat could've cried with joy.

It had been so long since she'd seen a scene like this, the smell of singed rubble and burning flesh like a goddamn Yankee candle to her.

But, in her happiness, she let her guard down, allowing you to take control just long enough to recite the incantation.

"KUNUS MATEZ KA'AM ALUK BAA NAT SU DA (Y/N)!"

"NO!" the demon roared, furious.

In her last moment of control, she grabbed her own wrist, using her strength to quickly swirl herself around before throwing your body clear across the city.

When you landed, you would be in for a world of hurt.

Pupils dilating, you snapped out of it with an aggressive gasp, eyes shooting wide as you suddenly collided with the wall of a building

Turning away from the man melting under his foot, Phosphorus raised a brow, eyes quickly scanning over the area at the sudden noise.

'The hell was that?'

Looking closer, he slowly began to make it out, the dust settling to reveal a naked, red woman, who was lying unconscious on the sidewalk.

You.

"(y/n)," he muttered under his breath, quickly snatching up his lab coat and jogging toward you

From what he could see, you were banged up pretty bad, but the little fires burning on your skin seemed to be patching you up—snapping your bones back in place, sucking up your bruises.

'Whoa... didn't know she could do that...'

You were such a mystery; there was still so much he didn't know about you.

But, on the contrary, there was a hell of a lot more you didn't know about him—a fact he was hoping to maintain.

Whatever reason you had for being incarcerated, he could already tell it had nothing to do with you being evil or malevolent in any way.

You hid behind swears and sharp looks, but behind your prickly exterior was a genuinely kind, caring, and beautiful person—of course, with a great rack, nice ass, smoking hot bod, heart-stopping smile, and delicious pussy.

...

But all of those were just bonuses.

Guys like him didn't associate with women like you.

Guys like him shouldn't associate with women like you.

He knew that, thoroughly, yet for some reason...

He just couldn't seem to stay away.

Suddenly, the siren of a cop car echoed throughout the streets, snapping him out of his thoughts.

Looking out to the streets, he could see the swirling red and blue drawing neared, the sirens getting exponentially louder along with them.

'Shit.'

Not wasting a second, Phosphorus scooped his arm under your waist, sitting you up and haphazardly tugging his coat on your naked body before tossing you over his shoulder.

"C'mon, doll face," he sighed, ducking into the shadows as he started off in the direction of the castle.

Once again, it looked like you both would be in it for the long haul.

"We gotta lay low for a bit..."

[strawberryforks]

slipping smiles//tim bradford x reader

reckless smiles adjacent (call fic)

warnings: you could have died, swearing, animal-in-danger, no beta we die like my sleep schedule

a/n: writing calls is surprisingly fun! SORRY for the (definite) inconsistencies. asks are open! dedicated to @scenesofobx because your comments have made my day <33 enjoy!

You’re dressed in a cute little workout outfit. Leggings, a cropped skintight long sleeve top with thumb-holes, overtop of that a gray sweater, and over that, a puffer vest that you leave open because it’s not as cold as you thought it would be. The vest you realize, might be a little extra, but you’re already committed now, halfway to your favourite taco truck. It’s your day off and since you can’t just do nothing, you’ve decided to go on a jog. It’s around lunchtime (you’re headed to get yours) and you pick this time purposely—you’re a cop, you’ve seen a lot. Enough that you don’t go running when it’s dark out and when there aren’t other people around—12PM ensures witnesses and sunlight and since you’re jogging on a sidewalk in the suburbs; in a relatively wealthy neighborhood, you don’t expect anything to happen. You run this route often and know that in a little bit, you’ll run across a bridge, that the small lake running underneath will be frost kissed, reflecting sun back at you. You know you might stop to take a picture—what you don’t know is that the group you’re nearing, jogging towards, are buying.

Up ahead, a man with a hood pulled down, obscuring his face passes a brick—not a baggy, a brick—of something into the hands of another man, this one wearing a ball cap and baggy jeans, sans face covering. You reach for your off-duty weapon and the badge you keep tucked into your wallet. “LAPD, hands in the air!”

Because nothing is easy and karma is against you, all hell breaks loose. Two of the guys pull out their guns, one shoots bullet after bullet in quick succession—you dive out of the way, ducking behind a grey civic that acts as a shield, absorbing bullets so you don’t have to. The other two start running and dammit, those ones are the guys who brought the drugs. The ones you really need in custody. You dial 911 and give your general address, you give your name and badge number, “10-57, requesting backup,” then you hangup. You call Chen—knowing she should be patrolling in the area; that she usually does, at least. “Hey! Pursuing armed suspects or about to… would love some help. Drug deal gone—“ and then you hear dispatch regurgitating your earlier words, hear her TO accept the call and then you’re shooting back, running behind other cars paralell parked on the sides of the road, using them as cover, and darting after the two escaping. A bullet whizzes past your side—you turn and bury one in the shooters shoulder. The other man, you shoot in the hand, causing his gun to go flying. Then you’re sprinting after the two. Distantly you hear sirens. Up ahead, alongside the criminals, is a scraggly looking stray. A cop car skids to a halt on the other side of the men, Chen and Bishop jumping out, guns raised. The criminals are now paused atop the bridge, looking at you like they’re planning to go through you, like it's the easier option now that the cavalry has arrived. You approach, another car sliding behind you. This one, Tim Bradford climbs out of, looking like the soldier he was—dangerous, determined. “It’s over! Interlace your hands behind your head!” you shout. The two men, both shot by you, are already stuffed into the backseat of a shop, headed for hospital before they’re to be booked.

The criminals are outnumbered and outgunned. They raise their hands slowly, fingers splaying, guns clattering to the ground and you approach, wrenching brick-boy’s hands behind his back, your own outstretched, waiting for a pair of cuffs to be thrown into them. Tim passes you a pair and you shove the restrained criminal towards your TO, past the cowering stray who the asshole swipes his foot at. The criminal kicks the dog who yelps and is knocked under the guardrail. You shove him harder then, forcing him to his knees in front of officer Bradford as you throw yourself at the fence, peering over where you see water. The dog fell through the thin layer of ice. You see him paddle up once, twice, and then he dips under again. Comeon, comeoncomeoncomeon, you plead. He doesn’t surface. Tim Bradford’s the last person you look at, the one who reaches for you as you vault over the guardrail and take the plunge yourself.

The water is cold. So cold that it seems to slow time down. Everything takes an extra minute, everything slowed as your eyes shoot open, blinking to adjust to the feeling of wetness against them. Underwater, you paddle, spinning around, looking for the dog. You see him, his little legs are frantic, pawing against the water. Still holding your breath, cheeks puffed up, full of air you’re losing faster than you’d like, you make large strides and close the distance between you and the pup. With the dog in your arms you try to surface. A layer of cold glass stops you. You bang your fist against it—breakbreakbreak. Weighed down by panic you climb along the underneath, looking for the crater you fell through. You claw your way to the hole in the ice and the dog surfaces before you do because you stick your hands out, up in the air, and pump your legs as quickly as you can. Your head breaches the water and you grab the ledge of the ice, wincing, terrified, when it gives way, only widening the break in the ice. You push the dog up onto the ice—the solid kind, and watch as it coughs up the cold water you’re still in. The cold water that’s feeling less cold. It's not the water, you know, it’s just you feeling less. Your feet are numb, your hands too. People are shouting but it still feels like you’re underwater. Still feels like something’s blocking your ears. Vaguely, as you attempt to pull yourself onto the ice you see flashing lights. Cop ones, ones from LAFD vehicles, too. There’s an ambulance here—as much for you as the men you shot, if only you could make it to them. If only. You’re getting tired. Sounds blur together, sensations, and colours too. You’re cocooned in a haze, a fog that just keeps getting thicker and thicker. A voice breaks it.

“Boot!” snaps Bradford. He’s closer than the others, you think. “Look at me,” he demands. You do, of course you do. He’s lying on the ice, body weight dispersed over a larger part of it so nothing shatters and he’s reaching out for you. There’s a few blurs behind him, firefighters, you think, telling—yelling at him, but all you can focus on is the words he’s saying. “Focus!”

You do your best.

“I need you to grab my arm. I’ll pull you up,” his hand is reaching towards your own and even though you can place your fingers—can’t feel them, you watch them carefully, making sure you direct your hand into his. Then, Tim pulls you from the water, sliding you along beside him and shifting so you’re between his legs, his forearms wrapped around your chest, holding you tightly. You’re shaking—still are, as two LAFD members drag Tim backwards to the bank, you with him. They take you from him and you didn’t fight his hold but you squirm in theirs, remembering the reason you took the ice-bath in the first place: the dog. “They’re going to help you,” Tim says, “you need to get warmed up.”

Your teeth clash with each other brutally in agreeance but you shake your head. “The d-dog. I-I have to get him, make sure he’s okay.”

Tim shakes his head incredulously. You don’t budge, insistent as ever and finally he relents. “I’ll get the damn dog. You, get warmed up. Listen to them.”

The dog would be okay, Tim would make sure of it—he’d take it to the vet himself, pay the bills, buy it a fucking sweater. Tim would do anything as long as you get seen by the paramedics because your lips were blue and he was terrified.

He hides that fear under a scowl as he searches for the pup and pulls him into his arms. The dog is small—a scraggly chihuahua mix of some kind—and he’s just as cold as you; a little less, thanks to the matted fur he’s covered in. Tim unzipped his jacket and wrapped the dog in it, then he headed up the bank to check on you. You, who had been ushered into the back of the ambulance and despite your assurances, “I’m fine, I’m fine, just a little chilly. Guys, this really isn’t necessary, I could warm up just as easily at home—“ shut in. A woman climbed into the driver's seat, her partner in the back with you and the doors were wrenched open a second time, your TO and the stray in his arms joining you. “I’m riding with her,” he tells the paramedics. He sits down on one of the small half-benches. “You’re okay?”

“Is the dog?”

He rolls his eyes. “Yes, I’ll take him to the vet to be sure but he seems okay. Now, Boot, answer.”

“I’m okay, just a little cold and sore. Don’t take him to the shelter after the vet. I’ll pay the bill just let me know how much.”

“You want to adopt him?”

“Yeah, I could use a roommate.”

[comicaurora]

Is there a name for the trope where the protag is suddenly backed up by an army of allies, when their about to go face a massive threat alone. That trope gives me life but I cannot find a name for it.

This is a variant of The Cavalry! Our severely outnumbered/outgunned hero or heroes need to reach the brink of utter defeat before their allies can show up to even the odds. There's a few variants, but in order for the setup and payoff to not feel like a deus ex machina, the cavalry needs to be foreshadowed one way or another:

One of the heroes went off on their own to Not Endanger The Others, so the audience expects their friends and allies to show up at the eleventh hour to something something power of friendship

Our heroes tried to get outside help from a powerful potential ally before the final battle, but they didn't seem willing or able to divert their forces to help them out. Our heroes have written them off, but they show up because somebody changed their mind

A random background character they helped out once is like "hey I've been rallying some friends offscreen ever since you saved my village" and we get a big cameo fest of everybody our heroes ever hung out with

Team loner was like "this is a suicide mission and I'm leaving" and then they turn up at the last minute with friends and a gunship and probably some apology chocolates

Hey, guess who ALSO doesn't want this apocalyptic threat to win? That's right it's all the previous major villains and they brought ALLLLL their guns

[glacialswordsman-a]

"Kaaaaaaaeya! Kaeya, hey!"

The young master is positively beaming. Rosy-cheeked, and with hair sticking to his forehead with sweat, Diluc scurries through the vineyard as though his life depended upon it, desperate to rejoin his sibling.

A toothy grin spreads across a rounded, chubby little face (a face that still clings onto bits of baby fat in his boyhood) and he practically skids onto his knees, scraping them on the dusty ground. But he doesn't care none about the sting of the pebbles cutting into his skin, far too excited to share ... whatever it was that he had grasped between his hands.

"Look what I've got. Are you ready?"

He knows exactly what will cheer up his little brother from his gloom -- and opens his palms to reveal a glimmering anemo crystalfly that flutters on up, up, up... And then disappears into the warm, summer wind.

"What the...? Hey! Come back!"

Somewhere in the vineyards of the Dawn Winery sat a boy with midnight locks beneath the grape leaves. He was curled up tightly into himself, his small head buried into his thin arms that rested on his bony knees, sinking into himself and attempting to keep the world out. He was silent as he was still, refusing to make a sound as his starry eye welled over with tears that refused to spill.

He had been lightly scolded over something inconsequential, such as getting his hand much too close to the burning stove. It was such a gentle admonishment, yet one that still set the boy off and made him profusely apologize, saying that he would never do it again.

Anything that could keep him from being abandoned again.

Though, hearing the familiar call from the boy with flaming hair, Kaeya tensed up and blinked his tears away, slowly lifting his head from the barrier of his arms. “Lulu?” he called out oh-so-softly, wary and surprised that he was being searched for so soon. Aren’t they all mad at him right now?

Seeing Diluc come into view, the smaller of the two gave a few owlish blinks as he skid on his knees to a stop right before him. At the question, he nodded his head meekly, his eye big and wide and curious.

As the other opened his hands to show off his catch, Kaeya’s eye shimmered from the gentle glow of the anemo crystalfly. His tension began to leave him as he watched the creature begin to fly, fly away from the two boys that had been so curious over its mere existence. It was only when Diluc called out for it again that Kaeya blinked a few more times before looking back at the boy before him for a few moments until an amused smile broke out as he giggled at the sight of his brother annoyed that his prized catch had gone and left.

Already, his troubles have been forgotten.

He laughed and laughed, his body unwinding from its tight coil as his eye shaped into a crescent that had brilliantly lit, his shoulders shaking just a bit from the force of his laughter. Only after a while did he calm down, reaching out to Diluc afterwards and gently grabbing his hand, holding it within his own. “Where’d you find it?” he asked, his voice a little rough from laughing while a strange accent still lingered in his Mondstadtian. “Let’s go find some more!”

⸺⸺⸺⸺⸺⸺⸺⸺⸺⸺⸺⸺⸺⸺⸺⸺

Staring down at his empty glass, Kaeya’s eye shifted minutely before he came back to himself, his star dilating into a diamond for just a moment as he recalled where he was.

The Angel’s Share.

Looking up, he gazed at the man with flaming hair silently. With a faint, somewhat strained smile that tugged at a corner of his lips before forcing it a bit bigger, he tapped the bar with his knuckle once before slowly standing up.

“I believe that will be my last drink for the night, Master Diluc. As always, you know exactly how to make it to my tastes. Thank you.”

… Kaeya, cutting himself off for the night, rather than by the rigid bartender before him? Well, perhaps this would be a welcome change for the man he always caused so much grief, even if for just tonight.

[titanomancy]

If anything, that roadmap Krieg tease undersold how much the Death Korps would be getting in the new year. Between the existing tanks and Veteran Guardsmen, this is at least as much of an army as any of the old pewter regiments had in the '90s. Arguably more.

Starting from the top, Lord Marshal Dreir is a great alternative to the Lord Solar for the role of, "general on horse mount," and stands in his stead among any of the classic regimental heroes.

And if your gonna have one guy on a horse mount, you really ought to have an entire cavalry charge. I think they might have gone a little ham on the Krieg steeds' claws, though - I liked them better a more like goat hooves, so that they look nearly like horses be not quite. Somebody at the studio clearly decided that's insufficiently brutal.

Combat engineers are another adaptation of an existing Forge World kit that looks great. Loving the little screw drive remote mine, although it looks like it's about twice as big as it ought to be to read better on the tabletop.

Artillery emplacements are big Krieg energy and these new heavy guns certainly deliver. The quad mortar is back again, as are two flavors of cannon and a rocket battery. Wouldn't look at all out of place alongside the classic Basilisk platforms (which, who knows, may still make their way to plastic), or the next entry in the new lineup.

Classic heavy weapon carriages, once again in the 2nd Edition style. These are all a little bit more in tune with the nostalgic approach to Imperial Guard than the more modern take on the concept found in the Cadian Field Ordnance Battery, and I think helps them to fill a unique niche from the standard heavy weapons teams.

Rounding things out are a brand new command squad featuring not one but two Commissars (Lord and cadet), vox, standard and chemyst. I think adapting the quartermaster would have probably been a better pull but they seem to be leaning hard into the harsh environment specialists aspect. That combat accountancy servo skull goes hard, though.

Overall, solid. Very happy to see, and when taken alongside the many Solar Auxilia tanks now or soon to be available, represents one of the most comprehensive updates to a range yet seen.

[zepskies]

The Honorable Choice - Part 1

Pairing: Dean Winchester x OFC 

Summary: June 1872. Captain Dean Winchester of the U.S. Cavalry is tasked with one job: break a wild mustang. He just didn’t expect the woman who infiltrates his camp, intent on freeing her tribe’s horse.

AN: I got inspired after a recent rewatch of Spirit: The Stallion of the Cimarron (literally a perfect movie), as well as having Yellowstone in the back of my brain. I thought this idea might be a good fit for this @jacklesversebingo prompt.

Disclaimer: I’ve done extensive research for this one, both on the American Indian Lakota tribe, and on American history during this time in the late 1800s (AKA: the Old West, during the American Indian Wars and the Sioux Wars). Of course, one of my main goals is to avoid inaccuracies, both historical and cultural.

Jacklesverse Bingo24 Prompt: Western AU

Song Inspo: The Spirit Soundtrack

Word Count: 4.6K

Tags/Warnings: 18+ only to be safe. Racism/racial slurs, attempted sexual assault (not successful), protective Dean, angst, some violence and some action.

🐎 Series Masterlist || Bingo Masterlist

🎙️ Listen to the podfic version here!

Part 1: Pride & Prejudice

June 1872

Dean hears some of his men shouting, along with the telltale cracking of bone that would make a less seasoned soldier wince. He spares a look to Benny, his Lieutenant, and sets down his glass of whiskey.

Dean’s path takes him brusquely out of his office and toward the stables. He grabs his gun and his hat on the way there, setting the latter on his head.

Is it too much to ask for one night where he can drink in peace?

Dean comes to find a young woman being detained by two of his men, Kline and Novak. Roman sports a bloody nose and his eye is already beginning to swell. The woman fights against their hold.

Even under the pale moonlight, Dean notes the way she’s dressed: a deer skin dress cinched at the waist, over thin pants and shoes. He surveys her tan skin, her black hair that blends into the night, twisted into a long braid, and the anger in her dark eyes.

“What have we got here?” Dean says. He stows his gun in its holster as he approaches her, resting his hands at his belt.

“I caught her breaking into the stables, Captain,” Roman says. He prods with a hiss at his busted nose while trying to stem the bleeding. That’s going to be a bad break.

She remains tight lipped, stubborn. 

“Probably doesn’t even understand English. Savage bitch,” he says. Dean shoots him an impassive look to cover up his annoyance.

“Put a cork in it, Roman,” he orders. Then, he focuses back on her. “You’re a Lakota, aren’t you?”

Aside from their main mission here in the Dakota Territory, the Colonel has been fixed on fighting back against the Lakota Indians, especially after they sabotaged the supply line last month.

The proud tilt of the woman’s chin is her only answer to Dean’s question. Her gaze drags down his form with disdain, like he’s the savage. His mouth twitches mirthlessly. 

“The Lakota rear up their own horses pretty damn well. Why would you want to steal one of ours?” he asks.

She glances away from him, first at her feet, then over at the camp’s latest “guest.” Dean, Benny, and a few of his men wrangled up a horse a few days ago. He’s a beautiful Kiger mustang with a nasty mean streak. He barely got through a trim this afternoon, and almost took a chunk out of Rufus when he tried to brand the horse.

The Colonel ordered them to tie the horse up to a post just outside the corral—no food or water for three days. He’d turned to Dean with a firm set to his face and issued a single order.

“Break him.”

Now, Dean catches the furtive look the Lakota woman gives the horse, who flicks his tail. The animal stares right at her, as if into her eyes.

“Oh, don’t tell me you here for him,” Dean says with a chuckle. “That thing’s a little too much for you, sweetheart.”

That earns her attention, steely and unimpressed.

“He is too much for you,” she says. Her voice is smooth, and would even be pleasant, if not for the circumstances. “He is one of ours. You will never break him.”

Dean's eyes widen a fraction. He glances back at the mustang.

So that's why she's here, he thinks. She's trying to mount a rescue. Dean feels a twinge deep inside, but he can't allow himself to care about that. They've collected a strong horse that will be a good support for their objectives here, once he's broken.

“Ah, well see,” Dean says, tipping his Stetson up to meet her gaze. “That’s kind of our specialty.”

“Sir, should we take her to the stockade?” Novak asks. He seems reluctant to do so to a woman, even an Indian, but he’s always been good at following orders.

Dean opens his mouth to reply, but another voice cuts him off. Colonel Asmodeus Sanderson steps out and takes a look at their captive.

“Not the stockade,” he says, with that Southern drawl that betrays his Kentucky roots. “Not yet.”

He approaches her with a slow, calculated gait. His hands gather behind his back. Dean gives her credit for looking Sanderson in the eye. She seems rightly wary, but not afraid.

“We won’t hurt you. I give you my word,” the Colonel says, “if you’ll lead us to your people’s camp.”

He takes a hold of her chin, turning her face this way and that, like he’s examining a dirty animal, and all that he’ll have to do to make it clean. She spits in his face.

Dean bites the inside of his lip against a smile. She’s got as much fight in her as the mustang. However, he has to school his face back into stoicism when Sanderson rears back in anger.

The harsh smack rings out in the clearing, along with the woman’s cry. Dean doesn’t allow himself to outwardly react, but inside, his spine tightens as he fights his instincts.

Only Kline and Novak’s hold on her arms keeps her upright. She pants for breath, but again, she meets the Colonel with a face that doesn’t give away anything, despite the reddening mark on her cheek.

“The post,” he barks. “Three days. No food or water.”

Dean is kept busy by his duties. He makes sure the camp is running in order, accepting shipments of supplies and ammunition, among other things. Cas Novak is in charge of the stables, caring for the horses and putting them through their training. Jack Kline is young and strong and a good assistant, along with others in his unit.

Right now, Dean and Benny are going over the plans with Colonel Sanderson for continuing construction on the railroad, from here to the Black Hills. It’s a path that cuts straight through Sioux territory—the bands of Dakota and Lakota Indians that occupy the land.

“The natives are fightin’ us tooth and nail,” Sanderson says. “But maybe our guest will be able to help us…negotiate.”

Dean remains quiet, ignoring yet another uneasy twinge in his gut. He didn’t join the army to fight the Indians. He doesn’t always understand their way of doing things, but he understands why they fight—to protect their land, and to protect their own. It’s the same reason Dean fights, when he has to.

He joined the army because…well, it felt like the right thing to do at the time. His father had been a Cavalry Major, and he’d died an honorable death, now about a decade past.

Has it really been ten years? Christ.

Dean wipes his brow. Even with the windows open, the office is humid and smells like ass. He glances outside, where both the mustang and the woman are tied to their posts under a sweltering sun at high noon.

Not for the first time, Dean wonders what his dad would think of him now. 

After the meeting, Dean and Benny fall into step together to inspect the camp. The summer sun shines hot on their blue uniforms, and occasionally they raise their hats to mop the sweat from their brows.

Things are running as usual, but many of the men’s eyes occasionally turn to the posts. Dean’s attention wanders there too without him realizing, catching on the woman’s dark hair. It shines even blacker in the sunlight, like a raven’s wing. He knows the shade because his dad used to have a feather kept in his journal, like a bookmark.

“You okay, brother?” Benny asks. Dean realizes what he’s doing, and his attention returns to the task at hand. Get it together.

Always forward, never backward.

“Just fine,” Dean replies. Benny gives him a knowing look.

“A bit unsavory, ain’t it?” he says. “Keeping her chained up without even a lick of water.”

“The Indians are getting smarter, bolder. They’re ambushing our men, going after our supply lines, and now, stealing our horses,” Dean says. “This is strategy.”

Benny shrugs slightly, making a sound of agreement. Dean hesitates, his gloved fingers flexing against his sides.

“If she was a man, you guys wouldn’t give a shit about putting a bullet through her head,” Dean says.

Benny’s gaze shifts downward. He doesn’t reply, but he concedes the point all the same.

They continue their route, and Dean keeps the rest of the conversation on the work at hand.

Mila has gone far longer without drink, but the sun is particularly unforgiving today. She’s prayed and prayed for even one cloud to glide overhead and shield her for a while. It’s not much better for her companion. He paces in place, occasionally tugging his head against the rope that binds him to his post.

She makes a clicking sound at the horse, getting his attention. She calls him by his name, and his ears flicker in her direction. He offers her a short whinny in response.

“I see you, Mato. I am with you,” she says in her native tongue. She hopes the sound of her voice will soothe him. He looks tired and hungry, but his eyes flick hard and untrusting on any man who comes near him. His spirit isn’t broken.

“Hey! Shut the hell up over there,” Roman shouts at her from where he and Cas are taking a short lunch break. Cas gives him a certain look, crossed mostly with annoyance.

Mila resists the urge to roll her eyes. Instead, she closes them and tilts her face back to the sun. In a way, it feels cleansing. Maybe it can wash away the stench of the White Men’s hands on her body, manhandling her, checking her for weapons.

She spends the rest of the day watching the camp. One of their leaders, the Green Eyed One, called this a fort. It does look fortified, with tall walls made of thick wood constructed to form a cage—whether to keep others out, or to keep the men and horses in.

She identifies the Colonel as their chief, of a kind. Green Eyes is second in command, followed by the Bearded One with a strange voice. Even the scruffy Blue Eyed One has some authority, mostly over the Child Faced One. There are too many others to rank them all, but she knows the Loud Mouthed One is arrogant, even after she broke his nose. The way he carries himself, he clearly thinks he has more power than he actually has.

In her mind, Mila conjures up different plans of escape. All of them fall short in some way. The men didn’t find all of her weapons; a small knife is hidden deep in her boot. She could saw at her binds within an hour, but even with Mato to carry her out and away, the problem is escaping this camp without alerting the men. Without getting shot.

She has three days to think.

That night, the moon refuses to give her clarity. Her stomach is too empty, her throat too dry, her tongue thick in her mouth. Her attention shifts in and out of consciousness, until the sound of boots crunching in the dirt trills unease down her spine. More alert, she sits up straighter.

The Loud Mouthed One. The one they call Roman comes to taunt her, offering her water, then drinking for himself instead. He comes closer to examine her. He has a small bind over his broken nose.

“You know, you’re a pretty one,” he says, taking another cold sip as his gaze drags over her form. “For a wild thing.”

His face nears hers, clean shaven, though his thin smile reminds her of a rattlesnake. Dread and repulsion churn at odds in her stomach as she realizes what he's really here for. It doesn't matter if he truly wants her, or just wants to pay her back for his face. Either way, he means to take her here in the dirt.

She looks away, not wanting to let him see her fear, or the dread tightening her stomach, rising into her throat. He winds long fingers into her hair. At first the hold is gentle, deceptive. Then it's tight against her scalp. She hisses in pain when he tugs her head back and forces her to look at him. Her breathing quickens as she tries to pull away.

He draws in close to try and claim her in a kiss, but she head-butts him, hard.

He cries out and stumbles back, his flask falling to the ground.

He angrily grabs her and hauls her up to her feet. He pushes her hard against the post and unbuckles his belt, just to stuff it in her mouth. With his free hand, he begins to undo his pants.

She refuses to cry out, even though she spits out his belt and fights him, trying to kick out his knees.

Suddenly, the man’s body is ripped away from her. Mila loses her footing and falls to the dusty ground, sliding against the wooden beam she’s tied to. The wind is knocked out of her, but when she raises her head, she watches with wide eyes as the Green Eyed One beats the other man into the dirt. It doesn’t take much, just a few well-placed fists.

Roman lies there catching his breath, and he spits a wad of phlegm and blood. His left eye will match his nose, that’s for sure.

Green Eyes looks angry and disgusted. He huffs and puffs while staring down at his subordinate. He pushes back his short brown hair and points an ungloved hand at Roman.

“Get back to the goddamn barracks. You’re gonna be mucking out stalls until shit’s coming out of your ears,” he growls.

Roman doesn’t argue, though it’s obvious that he wants to. He just picks himself up, makes a show of straightening up his open uniform jacket while catching his breath. He walks past Green Eyes with a resentful, angry look. Green Eyes watches him until he disappears inside.

Then, he turns to her. His gaze softens somewhat, but it’s still unreadable. He crouches down in front of her, resting his arms on his thighs. Mila’s gaze briefly falls to his hands. They’re calloused, the hands of a laboring man. He carries himself like a warrior.

“Sorry about that,” he says.

It’s not what she expected. Mila eyes him warily when he moves closer. She presses her back against the post until it hurts her spine. He raises up his hands placatingly.

“I’m not gonna hurt you,” he says.

“That is what your Colonel said,” she says. Her voice cracks with dryness. “I didn’t believe him either.”

His lips flicker at a rueful smile. It wrinkles crow’s feet around his eyes, breaking his stony face.

“Fair enough.”

He reaches for his belt and retrieves a flask, similar to the one his subordinate carried. He extends it out to her.

“It’s water, unless you prefer whiskey. I know I do,” he says.

She raises a brow at him, but hearing the sloshing inside the flask, her thirst takes over her wariness, and even her pride. She tentatively leans forward. He brings it closer so she can press her lips to the opening. Despite his Colonel’s orders, he lets her drink as much water as she’s able. When she’s done, he pockets the flask and sighs, running a hand through his hair.

“What’s your name?” he asks.

That, she will not give him. Names are sacred to her people, and this man, while seeming to have a shred of honor, isn’t worthy.

“Don’t wanna even tell me your name?” he says. He nods slightly. “Okay, well, I’m Dean. Captain Winchester, to this band of delinquents.”

He gestures around the camp with a dismissive hand. Mila only watches him. She’s never seen a White act like this, breaking his leader’s rules, being…kind.

What a strange man.

But if he had any real convictions, he would untie her and let her go, along with Mato. She won’t hold her breath.

Dean’s brows raise up toward his hairline, and his full lips form a pout. Realizing he’s not going to get anything more from her, he lets out a tired huff and straightens up.

“Well, goodnight,” he says.

He finally leaves her alone, but she can’t help but follow the swaggering path of his bowed legs and heavy boots. They carry him away and back indoors.  

A strange man.

By the morning of the third day, Dean is ready to do what he does best. Or at least, one thing he does best.

He’s no stranger to horses. He grew up on a farm in Lawrence, Kansas, where he and his brother would help take care of the animals. Dean was older, so he helped his father till the land and train the horses. Sometimes he and Sam would sneak off and race their favorite ones, until their mom called them back for dinner.

In fact, part of what earned Dean his rank in the U.S. Cavalry was how well he could command a horse. His own is resting in the stables.

Today, he’s getting in the ring with the mustang.

…Well, not right away. He lets a few of his guys go first to tire him out. Even after three days of no food or water, the horse is living up to his bad attitude. He bucks each of them off after just a few seconds in the corral. Dean can tell it’s becoming a kind of game for the horse. His dun-colored coat shines in the sun, his brown socked legs kicking up dust and manure as he brays angrily at whoever tries to mount him.

Dean notices the Lakota woman watching with an amused smile on her face while she sits with her hands tied to her post. She’s enjoying the show, like she knew this would happen. It seems to give her energy every time another man is thrown off the horse and limps out of the ring.

Dean shakes his head. Pitiful.

He puts two gloved fingers to his mouth and whistles the entire clearing to attention. He saves Kline the chance to bruise his spine and pats him on the shoulder. Dean steps into the corral and positions himself into the stirrups, wrapping the reins around his hand. The horse is breathing hard, but he’s not done. He’s still got fight in him. Dean sees it in his brown eyes.

“All right, mustang. You’re big and bad. I get it,” Dean says lowly. “But I don’t scare easy. Gimme your best damn shot.”

Cas and Benny give him wary looks from where they stand outside the gate.

“Hold onto your hat, Cap,” Benny mutters.

Dean adjusts his hat and rests his gun on the post for safe keeping. He wants to feel as natural as possible, like it’s just him and this horse, out back in his family farm. He holds on tight to the reins. He’s fully prepared for how the mustang takes off at a galloping clip around the ring. He twists and bucks, but Dean claps his thighs tight and holds on for the ride.

The horse gets smarter.

He runs for the water trough just outside the ring. He slams Dean against the side of it once, twice—and manages to throw him off, with Dean landing right in the water trough.

He bursts out from the dirty water, sopping wet and spluttering in anger. He looks over at the horse trotting around, whinnying and tossing his head like he’s laughing. Dean can’t help it. His anger fades, and he smiles.

This guy’s got some brass balls, I’ll give him that.

The Lakota woman laughs. Dean hears it and his head swivels toward her. She bites her lip, but she knows she’s been caught. Despite his injured pride, Dean’s lips curve with a smirk. Just gonna laugh at me, huh?

“I see things are going well,” comes a familiar drawl.

Dean’s face falls as he looks up and finds Colonel Sanderson. Dean pulls himself out of the trough and tries to squeeze some water out of his uniform. He clears his throat.

“Well, uh, it’s going, sir. Just gonna take a little more time than I thought,” Dean says. He quickly reclaims his hat from the ring, giving the mustang a smart berth. After he climbs back out, he goes over to the post where he left his pistol.

“Hold him steady,” Sanderson barks out the order, but not at Dean. The other men wrangle the horse back into the pen, where Sanderson climbs up and mounts the horse himself.

To his credit, he stays on longer than even Dean thought he would. The mustang gallops and circles. He tries slamming Sanderson on the sides of the corral, tries bucking him and bucking him, but the man clings on, even when his hat falls into the dirt.

The horse is exhausted. He eventually stops in the middle of the ring, panting for breath, his legs shaking slightly. Dean straightens at attention.

So does the Lakota woman, he notices. She looks worried, her brows furrowing.

Sanderson swipes a hand over his graying hair and moustache to collect himself. He raises his head with an arrogant smile.

“You see, gentlemen. Any horse can be broken,” he says. He kicks the horse with his spur. “Move along, mustang.”

To everyone’s amazement, the horse obeys him. He moves forward at a slow clip. All the men applaud, even Dean, belatedly.

“There are those in Washington who believe the West will never be settled,” Sanderson continues. “The Northern Pacific Railroad will never breach Nebraska.”

His gaze draws over to the woman. Her eyes are filled with tears as she watches the Colonel makes his rounds.

“A hostile Lakota,” he says in derision, “will never submit to providence.”

She stares back at him with steel in her watery eyes.

Dean doesn’t realize his jaw is clenched tight until he feels the strain in his jaw. He forces himself to relax, with his hand on his dampened belt.

“And it’s that kind of small thinking that would say this horse would never be broken,” Sanderson says. “Discipline, time, and patience. That’s all you need to level a wild thing.”

Just then, the horse stops abruptly.

“Mustang?” Sanderson asks in warning.

Dean tenses. He knows what’s about to happen.

“Sir!” he calls out.

But it’s too late.

The stallion revs and charges, bucking even wilder than before. He swings his head and rears back high on his hind legs with a powerful bray. Sanderson yells in fear and strain, but he stays on the creature’s back.

The horse’s angry eyes take on a darker shade of conviction. When all four of his hooves hit the ground, he finally bucks hard enough to get the Colonel off his back, though he still clings to the reins near the animal’s head. He comes face to face with the horse’s crazed eyes. His own are wide and full of terror.

Hot breath heats Sanderson’s face. Then the horse swings his head and tosses the man out of the ring. In the process, the horse falls on his side and shatters a section of the wooden beams that fenced him in.

While he shakes his head and gets his hooves under him, Dean and Benny help the Colonel up to his feet. His uniform is a wreck, and now, with a bruised body and likely a couple of broken ribs, the man is fuming.

Kline and Roman wrangle the horse’s reins and keep him more or less in place. The Colonel shoves Dean and Benny off of him. He reaches for his gun at his belt and aims it at the mustang. Dean goes rigid in shock, but he knows he can’t interfere. If he does, it could warrant some major discipline.

The Colonel pulls the hammer back on the revolver, but before he can pull the trigger, the sound of cutting rope and a feminine yell breaks the silence in the clearing. The Lakota woman pulls the Colonel’s arms down, and the gun goes off into the ground. Her elbow comes up quick to strike the man between the eyes. He careens back into Benny, who catches him.

Meanwhile, the woman swings up onto the mustang. She grabs a stronghold by the neck and barks something in her native language. It spurs the horse onward, and he breaks through the crowd of men at a gallop.

Dean watches with widening eyes and furrowing brows. “Shit!”

He runs to the stables where he finds Baby waiting for him. Her black coat ripples as she stamps impatiently.

“Come on, sweetheart,” he beckons. He leads the mare out of the stable, and after grabbing a coil of rope from the supply bench, he mounts her smoothly. With a subtle kick of his heel, she picks up speed to follow the mustang and his rider.

They’re already approaching the gate where the men are quickly trying to close it. There’s still a window of opportunity for escape, but not only is Dean on their heels, Roman also stands on a pile of crates filled with iron parts that are due to be shipped out in the morning for continued construction on the railroad. Roman holds a rifle. He trains his weapon on the woman, taking deadly aim.

Dean’s jaw clenches and his brows furrow. He knows then, in the breadth of a few seconds, that he has to make a choice. If he does nothing, both she and the horse are as good as dead.

Sam used to call him reckless, stubborn as the horses he spent long hours taming.

Right about now, his brother is probably right.

Dean reaches for his gun, aims, and shoots within the span of those seconds. Roman goes down before he even knows what hits him. His chest plumes with blood after he slides down the crates and flops heavy to the ground. His eyes stare unseeing at the crisp blue sky.

The mustang tears through the narrow opening in the gate, and Dean isn’t far behind. The woman is an excellent rider, far better than he expected her to be. She clings to the horse’s neck and mane, and she doesn’t even use the stirrups. She clings on when the horse leaps over rocks, and when she notices Dean tailing her, she urges the horse at an even faster gallop.

Dean’s face furrows with determination. Baby is built for speed too.

He gives her a little kick with his heel. “Come on, Baby. Go!”

He’s able to keep up with the mustang just a few yards behind, even when they reach rougher terrain, going further up and into a canyon. He follows them through every curve and dip, guiding his horse just as much as she's guiding him.

Dean takes his rope in hand and turns it above his head, but his attempt to lasso the mustang's neck fails; the woman saws straight through the rope with her knife.

"Damn it!" Dean mutters.

He's forced to let go of his frayed rope when he and Baby nearly careen off the edge of a cliff. His heart settles high in his throat as he grits his teeth, but he pulls back on the reins hard and leans in the opposite direction. Baby's able to bank left, saving them from a long way down to certain death.

They continue up the narrow path the mustang has trod ahead. It carves around and through the mountain.

Dean mentally grasps for a plan, aside from just keeping up. Without even a bit of rope, he doesn’t know how he’s going to slow the woman down without hurting her or the horse. He doesn’t want to have to use his gun.

Eventually, the canyon breaks into a patch of desert, and then, grassy plains and tall forest trees. The mustang begins to tire and slow to a stop. His rider murmurs soothing things to him, stroking his neck. She turns back to look at Dean over her shoulder in dismay. She knows she’s caught.

“All right, sweetheart. That’s enough,” Dean says.

He sidles up next to her and intends to grab the mustang’s reins.

That’s when her swift kick comes, dead in his forehead.

AN: And here we go! 😅 Feels right that November is Native American Indian Heritage Month. 🫶🏽 For that reason especially I've done my best to do the Lakota people justice, even in this little series and complete work of fiction.

There's a lot packed in this first chapter, and yep, I did borrow a bit of scene from one of the best scenes in Spirit as an homage. From here on out, we're literally going off road...

Next Time:

Dean falls out of his saddle with a yell, landing hard in the grass. The impact knocks the air out of his chest and his hat off his head, not to mention the pain that rattles down his back.

“Son of a bitch,” he wheezes, while trying to get back up.

The woman jumps down from the mustang’s back and all but leaps on Dean. Straddling his waist and grabbing a fistful of his collar, she lets out a battle cry and raises a small knife at him. It’s probably no more than two inches long.

Dean may be on the ground with a smarting forehead, but he’s still got the upper hand. He grabs her knife-wielding arm and whips out his pistol from his belt. Her eyes widen, and she stills above him. The gun lies between them, aimed for her chest. They’re both breathing hard.

Dean has a problem.

Looking into her eyes, soulful and brown, the slope of her nose and her full lips, parted with shock… 

▶️ Keep Reading: PART 2

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[serpentface]

Taighr A Teng, current high priest of Finnerich and beloved populist monarch, posing in his eclectic mix of royal regalia, a simple commoner's cloak, and dancer's garb.

---

His career as king has, so far, been notably impressive.

He had his starts as a lesser nobleman from the plains on the northwestern edge of the region. This northern region was never directly occupied by the Imperial Wardi invaders and only loosely controlled by the tributary puppet government, and the rebellion against this loyalist government and the resulting Finnerich civil war originated here. He rose to prominence in this war, eventually functioning as the general of these rebelling forces.

These forces utilized guerilla tactics and light archer cavalry (the latter being central to the warrior culture of northern Finns) to great effectiveness, and Taighr received a bulk of the credit for this. He claimed to have been visited by the solar chief god Neghri and cloaked in his armor. He never declared himself a possible king, but his confidants (conveniently) publicly urged him to undergo a rite of kingship to prove his god-given invulnerability, and he was successfully seen to perform the naked dance through fire unscathed. This granted him acknowledgment as truly chosen by Neghri, and planted the notion of Taighr being potentially a legitimate king (a status that is usually hereditary, and only granted to high lords when not) in the minds of many of his people.

Afterwords, he prominently fought on khaitback half-naked, clad only in the garb of a dancer (Neghri is a god of the dance among many other things). His claims of divine armor seemed to hold true- he never suffered any more than flesh wounds in over three years of sustained warfare.

He led battle in which the Wardi general Odomache was captured and killed, and is heavily suspected to be/popularly championed as the one who executed her with her own handcannon. He will neither confirm or deny this, but has the gun in his possession and sometimes appears with it in public. Either way, his role in this pivotal battle, subsequent expelling of Wardi troops, recapture of the capital and eradication of the Wardi-loyalist government cemented his status in the minds of a significant majority of his people. He performed the fire dance yet again in the capital and was formally declared king in the aftermath of the war.

He entered into kingship under the near-worst of circumstances. His kingdom has been decimated and politically fragmented in the aftermath of two decades of Imperial Wardi occupation as a grain tributary/colony, and the onset of a multi-year drought began that very year.

Part of his success against this adversity rested in seizing unprecedented and wholly centralized power. The former system of kingship rested upon a council of lords that each governed their own territories, with a king's power Publicly resting in his authority as high priest but practically resting in his lords' alliance and loyalty. He declared this system to be responsible for Old Finnerich's downfall (already a very widely held belief in the general public) and executed almost all the remaining lords (who were also political rivals, having a claim to the crown more legitimate than his own by the traditional standard) and their kin under accusations of being Wardi loyalists.

These executions extended further to many lesser nobles and other identified traitors, in the end wiping out a sizeable portion of previous authority figures. He replaced executed lords and nobility with trusted loyal compatriots and popular public figures, and made efforts to legitimize his reign by taking the daughter of a former lord (who had died a martyr resisting the original Wardi invasion and was widely beloved) as his queen.

This capitalized on general public sentiment of distrust of surviving former leadership (who, if not loyalists, at least Submitted to Wardi occupation) and was a move favored by the majority of commoners (who received none of the fringe benefits that benefited loyalist nobility under Wardi rule, and this invasion occurred in the context of Preexisting tension and peasant revolts). This was not, of course, a universally accepted move, but Taighr's merciless treatment towards accused traitors along with general public favor for his action has gone a long ways towards dissuading dissent in these first years of his reign.

He has so far used his heavily centralized power to great effectiveness in rebuilding efforts and famine response. He reduced taxes on commoners, supplementing this lost income with the very substantial liquidated assets of the former lordship. Much of these assets were grain, which has been stored en-masse and rationed and periodically redistributed to alleviate the famine. The hardier, more drought resistant grain (particularly a strain of barley) has been heavily invested in planting projects. He divided the lands of his executed nobility and civilians killed in war and granted it to members of the peasantry to farm with increased status as landowners, which has caused a sizable migration to the fertile southeast of the region.

Some of his most recent maneuvers have involved resumption of raiding Wardin and Bur's trade ships and coastlines. The piracy has been beneficial to securing needed resources and wealth, while the raids (which have largely hit villages and small towns that don't have a Lot to offer mid-drought) have more of a function of terrorizing weakened enemies and building public morale in trying times. He's also in the process of courting a neighboring kingdom of Hrolje (with historical trade ties to Finnerich) into full allyship against their shared enemies (Imperial Wardin, the Burri republic, and several Royal Dain kingdoms).

A drought (which has lasted six years so far) occurring the very year he took the crown is a spiritual issue as well as a practical one. As the people's high priest, he should have the power to commune with the gods (particularly Neghri, chief of the gods with whom he has a singular connection as king) and prevent such a thing from happening. The public reaction to this drought has been varied, but most see its occurrence immediately following the expulsion of Imperial Wardin and defeat of its high priestess as significant. Many consider this to be the foreign god Odomache's vengeance, and question why their own gods (who are much more powerful and hold total sovereignty over this land) have not intervened to help them.

Taighr's public stance is that this is not quite the case. Their own gods have sent this drought to both punish their enemies and to test the Finn people. They have not forgiven Finnerich's surrender to their enemies, and require proof of the people's loyalty and strength before they will call the drought away. This message is harsh but hopeful in tone, and has been embraced (or at least accepted) by a sizeable majority. A sense of purpose to their suffering (HEAVILY bolstered by effective practical measures of famine alleviation) has gone a long way to keep Finnerich's general populace unified and confident in their new king in the face of adversity.

He has had tremendous success so far, but his rule has clear potential for future instability. While he is very popular among the peasantry, not everyone loved the whole 'mass execution of political rivals and their families' thing. Some members of these families are known or suspected to have escaped (and potentially have more legitimate claims by tradition than Taighr does). His reduced taxation on the commoner class cannot last forever, and his functional creation of a new landed peasantry class is untested and likely will not remain stable in the long term. A small but not insignificant minority interprets the drought not as a test but punishment from the gods for the acceptance of a false king.

---

Taighr has shunned most regalia for his public image. His outfit here has only the bare minimum regalia of the torc and headdress (along with his tattoos), and the rest is dancer's garb and a simple cloak. His image is partly as a maneuver to appeal to his people, who simultaneously desire a traditional king (as their protector and benefactor who can commune with the gods) but are utterly disillusioned with their former dynasty for having so deeply failed them (and being somewhat unfavored even before their surrender to Imperial Wardin).

His choice to partly neglect a traditional 'royal' image emphasizes his outsider status from this now heavily scorned ex-dynasty, while still appearing in such a way that legitimatizes him as a king to public perception.

The arm tattoos and banded motifs on the headgear contain symbols widely used in Finn art, but are forbidden to be worn as tattoos for anyone other than kings (unless the right has been granted by a king in recognition and blessing). A kings rule is marked with arm and leg bands added for each year of sovereignty, with symbols chosen to represent the character of each year and a king's accomplishments and actions therein. These tattoos tend to be flattering in their meaning and serve to cement a chosen narrative into the king's very skin- his successes are lauded, his difficulties are acknowledged but framed as a struggle in which he remained strong/will ultimately be triumphant.

The first year shows an abstract symbol of unification and brotherhood, representing his role early in the war when he had already emerged as a military leader was first acknowledged as a potential king. The second denotes clouded skies and an obscured sun, representing the struggle and uncertainty in the height of war. The third shows victory by the arrowhead, celebrating the end to the war, Finnerich's restored sovereignty, and the expulsion of invasive elements. The fourth shows the motif of maize, denoting the sense of hope and regrowth in the first year free of tributary occupation (somewhat in contrast to the reality of the drought). The fifth shows clouded skies yet again, as this was when public elation over their victory was thoroughly quashed by the drought not only Not Stopping but having its worst year of all, one of the more difficult years of his sovereignty. The sixth shows foundations, a sense of rebuilding in regards to great public works and triumphant management of the famine, a year in which more rain came and his land/grain distribution system entered full swing. The seventh shows an abstract symbol of clasped hands in unity and arrowheads, celebrating allegiance with Hrolje and great success in raids against enemies. He is in the eighth year of being recognized as a king, and the latest one has been outlined but not completed.

The tattoos on the back of his hands mark his status as legitimate king chosen by Neghri, capable of communing with the gods and performing acts of magic. This symbol is completely forbidden to be worn by anyone besides a king (including on clothing/jewelry/etc) and is the ultimate symbol of lordship, sovereignty, and connection to the chief of the gods.

His head (not directly visible here) is artificially lengthened, having been bound in infancy. Artificial cranial deformation is a widespread practice among many of the North Viper peoples, where it tends to be associated with beauty, nobility, and/or a semi-divine status. This practice is reserved exclusively for the hereditary nobility (kings, lords, and lesser nobles) of Finn culture. The trend for most Finn headgear to be very tall and pointed is at least related, giving a person a noble and dignified bearing (regardless of their skull's actual length).

[glacialswordsman-a]

“What do you mean, ‘was I’? Yes, you were!”

Kaeya’s response was quite childish, he knows that very well, but this situation was fishy as hell and he was not going to give Zhongli the benefit of the doubt! He knows what he saw!

… At least, he thought he did until Zhongli retained his aloof, ever-graceful disposition. There was not anything about him that seems like he had been caught red-handed or anything. No, he was completely calm and collected despite Kaeya’s accusation.

He furrowed his brows as his eye continued to scrutinize the older man’s expression and his body language, flicking from one spot to the other as he tried so hard to find some sort of weakness from his host.

No, there’s no way Kaeya imagined all of that. He remembers that damn wink, too.

“Even so, to still drink bottles without even getting so much as lightly buzzed or tipsy is a bit inhuman,” he stated, narrowing his eye. His head was still pounding and killing him, but he was going to do everything he can to find the truth. He refuses to be gaslit, damn it!

“Zhongli-Xiansheng,” Kaeya started, his lower lip jutting out, giving himself perfectly pouty lips, “you’re being so cruel to me, you know? Insulting your poor guest while he’s feeling under the weather. You would think one would be kinder and gentler to someone who can hardly recount last night’s events, no less not have the gall to lie to their face.”

"Was I?"

Amber eyes blink once, twice -- feigning sweet, blissful ignorance.

He stops to take a second sip of his own tea, watching the steam that rises from his cup as he sits, formulating his response.

May as well say something that lends some truth to it, lest he be caught out as a liar.

"I don't remember drinking that much. If anything, it was a pretty average night on my account."

That much was definitely true. It was a very average night, and he almost regrets getting carried away, lest it be his undoing in the here and now.

"You must be misremembering how much either one of us drank. Perhaps you mistook your bottles for mine?"

Zhongli offers a shrug, pretending to be utterly nonchalant about the lack of a hangover. Maybe if he lies with enough of a straight face, it'll be enough to be believed.

Anyway, it's not polite to treat acquaintances with this much suspicion. If he enforced social norms and acted as though nothing was at all strange about it, maybe he'd give in and buckle under pressure.

"After all, anyone who had that much would be absolutely obliterated. Like you."

[theresattrpgforthat]

hi! have you seen the TTRPGS for Palestine bundle yet? and do you have any recommendations from it

https://tiltify.com/@jesthehuman/ttrpgs-for-palestine

THEME: TTRPGS for Palestine

The TTRPGs for Palestine Bundle is going from April 12 to May 7, so there's not much time left to get it, but here's some recommendations of some really awesome games that you can find in it.

Gubat Banwa, by makapatag.

GUBAT BANWA is a Martial Arts Tactics and War Drama Tabletop RPG where you play as martial artists poised to change the world: Kadungganan: the cavalry, the wandering swordsmen, the tide turners, the knights-errant, the ones to call in darkest night in a world inspired and centering Southeast Asian folklore.

Witness, grand warriors, honorable gallants that trudge and toil under kings and haloes. Witness, KADUNGGANAN, that refulgent name. That blasted name: WITNESS NOW. The end of days is upon us: and the new world MUST BE BORN. Bear your blades, incant your magicks. Cut open your tomorrow from the womb of violence. Inscribe your name upon the very akasha of this world. 

Gubat Banwa is designed for fans of 4th edition D&D, with in-depth character abilities that make you feel both unique and powerful, in a colourful and flavourful world full of vibrant cultures and clashing conflicts. The game uses an action economy with different action options carrying different weights, which also reminds me quite a bit of Lancer. If you want a game that pushes you to strategize with your friends and weigh your advancement options carefully, you want Gubat Banwa.

Gun & Slinger, by Nevyn Holmes.

GUN&SLINGER is an RPG geared for short, episodic sessions about a weapon and a wanderer. A Maestro and two players (Gun and Slinger) set out into a dead planet mutated by a god's forgotten child and hunt strange bounties, investigate the world and unlock hidden powers. During play, they seek to learn the nature of what’s hunting the Slinger, figure out why the Gun is sentient and discover how the world died.

This game is specifically for three players, using the rules of Go Fish as a resolution system. Gun & Slinger is all about using your resources to the best of their ability, and your resources might exist on your character sheet, but they also exist as cards in your hand.

What really intrigues me is the lore that’s baked into your character sheets. One of you is a wanderer in a twisted world, tempted by strange powers that guarantee to change you into a monster. One of you is a sentient magical gun, borne by that wanderer and designed to deliver death and pain.

Gun & Slinger has expansions included, allowing you to instead play as a wanderer possessed by a demon, a mech and a pilot fused as one, or someone who bears a cursed sword. I think the fact that it requires a small table and the fact that the characters’ lives are tied together makes this a high-stakes, terribly intimate game.

Apocalypse Frame, by Binary Star Games.

In a ruined and terraformed world where most of humanity is under the yoke of a brutal regime, the former workers of a once-remote factory - now known as The Collective - have risen up to create a future of freedom from oppression. You are an Ace - a highly skilled pilot referred from a Division in The Collective and assigned a humanoid combat vehicle known as a Frame. You and your Strike Team of fellow Aces must take on The Collective’s greatest threats, ensure its survival, and carve a path for its continued success.

Apocalypse Frame takes mechs and fits them into the LUMEN system, which centres competency as well as fast but effective rounds of combat. The game includes a variety of different threats, allowing you to tailor your campaign to your group’s tastes, and the tailoring doesn’t stop there. You choose both a division that your character belongs to, and then one of three mechs within that division, allowing players to share similar fighting styles but differ in weapons. You can also modify your basic frame, adding general modular systems alongside systems and armaments that can come with your mech, making character creation and progression exciting for folks who love tweaking and tailoring to their heart’s content.

If you’re a fan of Armored Core or Battletech, you’ll want to check out Apocalypse Frame.

Here, There Be Monsters!, by wendi yu.

No matter what they tell you, there’s still weirdness and wonder everywhere. You just have to know where to look. At the edges and cracks of ‘normal’ life we exist, we persist, and we resist: the monsters, the magicians, the anomalies, the freaks, and the outcasts. We gather in the shadows, trying our best to live our lives in a world that, when it doesn’t exactly fear or hate us, doesn't even believe in our existence.

here, there, be monsters! is a rules-lite response to monster-hunting media from the monsters' point of view. It's both a love letter and a middle finger to stuff like Hellboy (and the BPRD), the SCP Foundation, the Men in Black, the World of Darkness games and the Urban Fantasy genre in general. It is an explicitly queer, antifascist and anti-capitalist game about the monstrous and the weird, in any flavor you want, not as something to be feared, but to be cherished and protected.

Here, There, Be Monsters is a love-letter to anyone who has been made to feel monstrous, as well as an homage to media such as Hellboy, the SCP Foundation, and Men in Black. It’s urban fantasy meets organized power structures, and as the monsters, you’re here to burn those structures down.

This game uses descriptive tags to slap onto your characters to represent what they can do. You can choose from a number of different monster character backgrounds to give you guidance towards, and there’s plenty of monsters both in the base game and in the game jam wendi ran back in 2022. If you want a game of power, anti-capitalism, and punching up, this is the game for you.

Pale Dot, by Devin Nelson.

Pale Dot is a collaborative storytelling game for 2-5 players about a crew of non-human cosmonauts leaving their planet to explore a strange solar system, finding threads to unravel the unknown along the way. It is fantastical, surreal, and perhaps very unlike humanity’s own ventures in space exploration. Though one thing is universal: leaving home is terrifying, dangerous, humbling, and a catalyst for changing one’s perspective. 

Pale Dot is a GM-less game where players work together to create an alien setting and subsequently envelop it in cosmic mystery, embodying cosmonauts called Dustlings, as well as one of 5 different settings. During their journey they will be able to travel to 24 different locations within their solar system, each with several prompts for improvisational scenes. Each player will also have to manage the integrity of their cosmonaut and their shared ship while avoiding space's many perils.

The cover for Pale Dot gripped me the first time I saw it; a tiny creature in an astronaut suit, looking up in fear at something in the sky, as vegetation blooms inside their helmet. You play as the Dustlings, non-human but sentient species exploring the Cosmos, a strange, horrifying and wonderful universe that changes those who venture into it.

Mechanically, Pale Dot uses a GM-less structure similar to Dream Askew, but there feels to be a much bigger emphasis on the setting your cosmonauts explore, rather than the cosmonauts themselves. Your characters are assembled traits, drives and equipment, almost all of which can be expended to cause or solve problems. Each player is also responsible for at least one setting element, such as The Cosmic Wilderness, The Wondrous Endeavour, or The Omnipresent Danger. As you visit locations, different elements will be prompted to influence the scene, while your cosmonauts try to navigate the scene and try to finish the mission. If you want a game that is collaborative and evocative, I definitely recommend Pale Dot.

Fractal Romance, by Ostrichmonkey Games.

A never ending abstract landscape of rhythm and soft glamour. Wander the halls, rooms, and chambers. Encounter strange Denizens and get to know them better; befriend them, fall in love, just chill. Try and fill out your own blurred edges. Fractal Romance is a tabletop role playing hangout. You will pick up a character to play and explore the Fractal Palace, generating its infinite sprawl and the Denizens that inhabit it, as you play.

Fractal Romance is all about searching; for something you need, something you want, or even for who you are. It feels rather surreal, perhaps like a dream dimension that you are moving through. The game uses a deck of cards to generate rooms, as well as the denizens of this gigantic, dream-like palace. This game uses rather simplistic playbooks, each asking you to choose three descriptive words, and then uses cards to fuel your character’s actions: you have things you can always do, things that cost a card to do, and things that you must do in order to draw another card.

If what you want out of a game is a chill time with friends, moving from one vibe to another, and generating emotional stories for your characters, you might want to check out Fractal Romance.

Himbos of Myth and Mettle, by huge boar.

You are big. Big arms, big tits, big thighs, big brai- you're big where it matters. In addition to a heaving, throbbing body, glistening lightly with a thin sheen of pleasantly fragrant perspirant, you have one singular unifying trait  - come hell or high water, you are going to help.

Himbos of Myth & Mettle is a high fantasy, high camp role playing game of epic proportions (of body), for 2-5 players, one of whom will act as Game Guide.  The rules center around a simple roll under mechanic and prioritize narrative flair and cinematic descriptions. Himbos is inspired by many classic fantasy properties (and could be considered OSR adjacent) , but leans towards a more garish, salacious and queer (gay or odd, pick your fighter) style of play. It is designed with comedy and flamboyance in mind, but is not without it deeper and darker touches. It's definitely not grimdark, but there will probably be blood. Think classic fantasy pulp in style, but contemporary sensibilities, modern rules-lite mechanics, and a player philosophy centred in helping, kindness and being fucking hot.

I’ve heard rave reviews for Himbos, and I think the idea of leading an entire group of well-meaning but possibly over-ambitious adventurers is a great set-up for a game full of laughs. Himbos is very much designed for a light-hearted evening of fun, flirting, and fucking up (but in the best way).

Other Games from the Bundle I've Recommended:

Space Taxi, and Creation Myths, by GothHoblin.

Caltrop Core, by Titanomachy.

Souvenirs, by Rémi Töötätä.

Thunder in Our Hearts, by Marn. S.

Eldritch Courts of Some Repute, by AlanofAllTrades.