#the book is out of print and difficult to find at libraries

[hey-scully-itsme]

FINALLY finished a project i'd been meaning to get around to since early last summer – if anyone wants a pdf of Melville on Melville hmu

[sunderwight]

Okay, concept:

Luo Binghe grew up very poor prior to arriving to QJP. And when he first got to QJP, he was ostracized and neglected. So there are probably a lot of phrases, terms, and ideas that he didn't know were things until SY arrived and started actually teaching him. Right? So the bulk of what he did learn, he learned directly from Shen Yuan's own slightly messy attempts to fake ancient scholarly credentials.

Plus, QJP is supposed to be the peak of scholars and well-read, fancy intellectuals, and YQY probably also doesn't know shit about most of that stuff (having also been a former illiterate street child) and of course is incredibly predisposed to take Shen Qingqiu's side on virtually anything. Especially something frivolous or linked to their shared past, such as someone, say Qi Qingqi, accusing Shen Qingqiu of making up a literary reference or "gibberish" word. If something Shen Qingqiu says is something no one else seems to know, that just proves he's more worldly and well-read than the rest of his peers. Also, Shang Qinghua will probably know it, and despite his many (many) character flaws, Shang Qinghua reads a lot too. There's really very little to convince a former street child turned Demon Emperor whose former education began and ended with Shen Qingqiu specifically and Meng Mo (wildly out-of-touch with human culture anyway) to suspect that some of the difficult-to-source references his master makes really have no worldly source (in this world).

So Luo Binghe, in his quest to become as knowledgeable of all things about his shizun and keep up with him as well as possible, and maybe also put down some arguments he's overheard once and for all, eventually gets annoyed because CLEARLY there is a wealth of cultural knowledge contemporary to Shen Qingqiu and Shang Qinghua that didn't survive to his own generation. His efforts at hunting down all the sources being referenced and origins of certain philosophical ideas or terminology keep coming up empty in certain departments. He's been over the entire QJP library with a fine-tooth comb, but QJP focuses on things pertaining to cultivation, history, and knowledge. Obviously, there are gaps. The archives are unlikely to keep pop cultural references and lowbrow literature, and Luo Binghe begins to suspect (from what tastes his master seems to share with his shishu) that that is that actual source he's missing.

The trashy yellow books and romance literature of their generation! Bawdy poems and lewd artworks so on! Heck, that's probably even where the shared "code" (bad English) comes into play -- disciples are always trying to sneak forbidden material past their teachers and smuggle naughty books into the dormitories. Knowing Shizun and Shang Qinghua, Luo Binghe honestly wouldn't be surprised if the two of them were racketeering that shit in their own disciple days. Shang Qinghua acquiring materials, Shen Qingqiu acquiring buyers, both of them making their extra spending money off of secretly supplying Cang Qiong's population with contraband fiction and art.

Also, that would explain why both Shen Qingqiu and Shang Qinghua get flustered and refuse to elaborate if someone asks them what this or that strange turn of phrase refers to. Shen Qingqiu has a very thin face for actually discussing erotica, and Shang Qinghua doesn't like being caught doing illegal shit.

Luo Binghe desperately needs access to trash lit that's older than he is. However, most of that stuff is not printed to last, and turning it up is like trying to find old Spirk zines without the internet.

Shang Qinghua, the obvious go-to source, also seems to not really have anything that old anymore (intimidating him is laughably easy, if he had anything he would have coughed it up by the second or third time Luo Binghe asked and frowned at the same time), and if Shen Qingqiu did have anything he wouldn't want to be questioned about it. Asking too much might even get it destroyed in an act of excessive embarrassment.

Which means there is just one other person Luo Binghe knows who might be able to lead him to some sources. One other person he is absolutely, 100% certain was extensively reading trashy literature around the same time that Shizun was a young man. Someone who would know where to go to even begin looking for it.

Luo Binghe is going to have to ask Tianlang Jun for help with something.

[garaksapprentice]

Sewing Zero Waste Culottes from The Craft of Clothes

Zero Waste Culottes From The Craft of Clothes

Behold! Fancy pants!

The pattern for these pants was one of my Christmas gifts. It comes from Liz at The Craft of Clothes, a zero-waste designer. I've really gravitated towards self-drafting and zero-waste sewing in the last couple of years, and this pattern has been on my list for a good six months, so I was excited to get into it.

Drafting

The first step (after reading the pattern through twice) is drafting the pattern pieces.

My biggest starting hurdle was deciphering "the culottes are designed to sit on your waist" when choosing the correct pattern size. Most designers consider "the waist" to be the teapot - that is, the true waist. (It's easiest to find if you bend to the side and stick your hand in the crease - like you're singing "I'm a little teapot".) But some consider belly button height to be "the waist". I generally wear my pants at the latter height, and there's a good 2" circumference difference between those two for me.

I eventually decided to call my belly button my waist, on the grounds that that's where I prefer to wear my pants. It's also easier to take seams in than out, if I guessed wrong.

Decisions over, it was smooth sailing from there. Pattern drafting is not a technically difficult process, as long as you have good instructions, and Liz's patterns definitely fit that bill. But there's a lot of attention to detail required to make sure the end result is good. That sort of thing always makes me nervous. Fortunately there was only two pattern pieces to draft, and they're 98% straight lines and based off rectangles.

Interestingly, this is the first zero-waste pattern I've tried that has you draft pattern pieces to use. The others I've seen (most by the creator of this pattern - our library had a copy of her book, Zero Waste Sewing) have had you draw directly on your piece of fabric to create the layout. (In fairness, I didn't have to draft my own pieces. The pattern came with the option of self-drafting, printing on A4, or printing on A0.)

I much prefer the direct-draw method to faffing about with pattern pieces. But given that this pattern is designed to have the pieces tesselate, having a set of physical pattern pieces does make more sense. It's also got me wondering if I could successfully make a pair out of old jeans legs, using one leg per pattern piece. But then, I'm always looking for ways to use up my denim pile...

Sewing

I prefer structure rather than flow in my butt coverings, so I was somewhat limited in my fabric choices for this first pair. (I know the fabric I really want to use, but I am being a sensible apprentice and trying things out on a nice-but-less-hideously-expensive fabric first.) Most of my stash acquisition has focused on stuff for shirts, since I wear those out faster than pants. I eventually settled on this nice brick red, 100% cotton, table cloth.

The picture is suffering from sun exposure. It's nowhere near this bright in person.

I laid out the pieces and huzzah! The fabric was just big enough! ... But only if I unpicked the hems (they're monsters, a full 3 cm/1.2" each side) and ironed them flat first. Thus, it was time for a marathon unpicking and ironing session.

After that was done, I checked the pattern fit again. Huzzah! I had enough space for all the pattern pieces, and not very much scrap left over once I'd cut them all out. (Of course, it was late and I wasn't paying as much attention as I should have been, so I didn't add an extra inch when I was forced to cut the waistband in two pieces. There was enough extra fabric that this was only an annoyance and not a complete disaster.)

The fabric at the top is scrap. All but a few inches of the stuff on the right became waist bands and plackets.

Sewing was a fairly straightforward exercise, though it required enough brainpower that I completely forgot to take any progress shots as I went. Almost every step of the pattern comes with a diagram to show you what to do, which helped me immensely. So did having the seam allowances specified at each point, as there's three different ones used in different places.

That's not to say I didn't screw up, of course. While sewing the crotch seam, I somehow managed to close up the front of the pants entirely and leave a gap for the placket open at the back. (That will teach me not to double check the direction the pockets are facing before I pin and sew that seam. Maybe.) 

I also made a highly decorative and completely awful to sew with choice for topstitching thread, which I quickly became too stubborn to stop using. So the topstitching is, uh, not great. But it is purple and sparkly, and if I'd had any sense at all I would have left it til last (or even done some sort of hand embroidery with it).

I was tricked by the first line of stitching being so easy. LIES. It was all lies.

Why should I have left it til last? Because it turns out that the culottes are, in fact, designed to sit on one's true waist. Which meant I had a two inch difference between what I needed to fit me, and what the waist measurement was. If I hadn't top stitched the panels, I could have simply ran another line of stitching down the seams that didn't have pockets in the way, and taken the waist in without much fuss or bother. Unfortunately, I didn't do that, so I was left with two choices.

Take out the topstitching and take in all the panels, bitching and moaning about the effort I went to and the number of times the topstitch thread broke while I was sewing the stupid sparkly goodness onto things.

Work out how to take the waist in by the necessary two inches, using only the crotch seam and maybe some darts or pleats or something.

Choice #1 would have been the logical, rational decision, so of course I went with option #2.

An hour and change of basting, pinning and unpinning the waistband, and completely forgetting how seam allowances work later, I managed to get a fit I was happy enough with. I ended up grading in a dart-like object at the centre back. (If I decide later that I'm not happy with the fit after all, I'll try out the modification for adding elastic to the back waistband that the pattern also includes. Probably while questioning my life choices and lamenting the amount of time I spend with a seam ripper in hand.)

The original stitching line is in blue, the new one is in black.

After all that fitting woe, I wasn't in the mood to try buttonholes (my good machine, the one with the automatic buttonholer, is currently out of action). Instead I dove into my snap stash to close the placket.

I love using bright, vivid colours for inner details. It's the sewing equivalent of wearing leopard print underwear.

A nice bonus of using the snaps is that I could put them through just the placket, leaving the fly front clean. This did make the placket pull slightly when I'm wearing the pants, exposing a trace of bright red. I fixed that by invisibly whip-stitching through the placket and outer fabric to hold everything in place. Next time I'll also double check the understitching, and topstitch the edge if needed, before installing the snaps.

Field Test and Adjustments

Trying stuff on as you go is all well and good, but nothing tells you what you really need to fix like being out in the field. I quickly discovered several things:

The waistband needs serious help to stay where it's supposed to be. Which, y'know, I did make a size larger than I should have. This was not surprising.

The crotch needs to either drop a wee bit or (preferably) rise a couple of inches. The latter will likely spoil the skirt-effect somewhat, but it will be far more comfortable for my legs.

I need a loop on the waistband to hold my keys.

For the waist woes, I had a few choices - 1) belt loops, 2) suspenders, or 3) add elastic to the back waistband. Belt loops are fiddly to make and sew on, but would solve the key-hanging issue. Suspenders technically wouldn't need any sewing changes, but the clip-on style are notorious for pulling off when you're doing things. And while the pattern includes instructions for adding elastic to the waistband, I wasn't confident it would do the job I wanted (I stick a fair amount of junk in my pockets and elastic can't always cope with the weight).

After some dithering, I went with the suspender option for this pair. I like the look of them, and the "floating" effect they give when they pull the waistband a bit above where gravity wants it to sit is extremely comfortable. But I didn't want to deal with clips always popping off. So I indulged in a quick side-quest of improving my suspenders, then sewed buttons into the waistband of the culottes.

This used to hold the clips, but the wire was easy to bend flat with needle-nose pliers.

Gee, I wonder which buttonhole I did first?

Fashion Show

Overall, I'm quite happy with how it all came together. I'll definitely be making at least two more pairs - the "men's" version (less flare in the hems), likely out of recycled denim, and a pair in heavyweight stash linen.

The back panel adjustment is basically unnoticeable.

They have great range of movement - maybe I need to make a workout pair?

And I even have somewhere to hang my keys.

This post was originally published on my blog, Garak's Apprentice . I currently syndicate my content at Micro.blog, Tumblr, and Ko-Fi.

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[zenaidamacrouras1]

I won a typesetting auction in @marveltrumpshate from the wonderful, talented, and kind to strangers when they are sorta kinda having a mini-breakdown, @hermit-writes so then I had to learn how to bind my fics.

Bookbinding is somewhat similar to quilting and fiber arts at least in that I already had a lot of the shit I needed to do it and several of the skills.

I started with Only the Good Die Young because it's short and I managed to typeset it myself using instructions by @armoredsuperheavy. Turning my fic on ao3 into something I could print felt like following a spell in a book and reading aloud latin words I didn't know, and either the spell is going to fail or I was going to summon a dragon. And then, like magic, I had a fucking book. I sewed it together. I found a bunch of hardcover books on dieting in free libraries and cut off the covers to use to make my own books. (Suck it, books about dieting. You're dead now.) I glued, and then glued some more.

Then I needed to figure out how to get a title on the cover. Because I am okay with general fuckery and failure, I bought a cricut (on election day, in lieu of booze) to cut out heat transfer vinyl and some gold iron on vinyl and fucked around till I found out. The first example is me just fucking around.

I had to fill a few extra pages so I put in pictures of the fire station that is featured in this fic. Then I figured out how to use heat transfer vinyl and made some versions that look less fuckery and more fancery. Fancy. Classy. LIKE ME. Look how fucking classy I am.

This new hobby has changed my life in that it is difficult to hide the scale of my bookbinding operation from my children. They find me interesting, mainly because they don't have access to that many people. So through their persistent questions for 8-10 hours a day over the past few weeks and them both knowing how to read (big mistake on my part, it's so inconvenient once they start reading) they now know I write Marvel fanfiction about "Steve Rogers and that Bucky Boy" as they call them.

God help me. I overheard them proudly telling their friends that over one thousand or one million people have read my secret grown up romance stories with swear words on the internet. They have threatened to look up my stories at school where I can't stop them.

They were demanding I find them individual pages of the books they can read, because they are obsessed with knowing what I'm writing. But. Y'all there are not many pages of my fics where there is not either a swear or inappropriate lusting. So. I have them on a very high shelf where they can't reach.

[zahri-melitor]

If you want to read comics and you want to test the waters:-

Yes, RCO and clones exist, everyone uses them, I do it weekly too for titles I cannot access any other way (The Warlord) but let me tell you, it’s not the only option, particularly if you want to read reasonably modern comics back issues rather than deliberately suppressed obscure stuff. Plus, don’t you want to look at comics without worrying about getting viruses?

Your Local Library: your library probably has comics as trade paperbacks, and inter library loan will have more. It’s not the most consistent way to find things, but you should definitely look them up, there’s probably something there you’d be interested in reading. Good for having multiple presses, and most take suggestions for their collections, which is a slow but free way to read titles with highly detailed art like Wonder Woman Historia in person.

Digital libraries: my local libraries have ComicsPlus subscriptions, which I can use for free. Now you won’t get DC or Marvel on them, but BOOM!, Dark Horse, Image, Oni Press, Papercutz? All options. A really helpful way to easily sample other presses.

Internet Archive Library: the IA is again going to have an eclectic collection and be difficult to search, but it’s there and it has a lot of stuff and you’re not going to be worrying about computer viruses.

DCUI: if you’re in US, UK, Canada, AU or NZ, you can get a DCUI account. There’s a free trial available of course, and if what you’re interested in trying was published more than 6 months ago, you don’t even need to shell out for Ultra. It costs me less than a Netflix subscription per month, even for Ultra. There’s also a small handful of comics you’ll be able to access for free without ANY subscription - essentially advertising for new runs etc.

MU: just like DCUI, only Marvel, and available more places. Also runs on a subscription model. MU also has the quirk that you can manage digital ownership of individual issues also through their app (if you buy Marvel floppies there is a mechanism to obtain a legal digital copy within ~6 months of the publication date)

Local Comics Shops: you can also…buy floppies and trade paperbacks for yourself. If you really love a story and it’s out in trade, I highly recommend buying it for yourself to have forever. It just sidesteps so many future problems. An LCS is also more likely to have a back catalogue of titles available - if you’re looking for a trade published 8 years ago, they might have it while an ordinary bookshop won’t. If you’re less certain, events like Free Comic Book Day and Batman Day are largely a marketing exercise more than new original material these days, but they’re also a good way to get to handle and own actual comic books if you’ve never done that before.

Other bookshops: if you don’t have a local bookshop with a specialist comics and manga collection (I do) it’s going to be a bit like trying to find comics at your local library: you’ll see lots of stuff with Batman and Joker in the title, and a random selection of anything else. Sometimes you can get surprisingly good deals from them as collectors are less likely to use them to get titles.

Overstock/Remainder Sellers: always worth a look, particularly if you’re trying to pick up titles printed several years ago. My local one has found some absolute gems for me, at a significant discount (I have picked up parts of Dixon’s Nightwing run, Bennett’s Batwoman run, Rowell’s Runaways, some Wonder Woman trades from Rucka and Perez, Gotham Central, I just managed to get the second n52 Blue Beetle trade…)

EBay/second hand shops/Abebooks/Biblio: a decent way to measure what the actual value of a comic title is on the second hand market. Sometimes you can find that the market value is far lower than you expected (Cassie’s Wonder Girl series is remarkably affordable). In other occasions you realise DC is leaving a LOT of money on the table by not reprinting (look up Red Robin trade prices and weep).

Friends: do you know anyone else who likes comics? They may already own stuff they can loan to you! (Once I lent out my Birds of Prey collection to a friend and he returned it with the first two n52 titles added. Still unsure if that was meant to be a kindness or just letting me store them)

[cottagecore-raccoon]

Reasons to Make a Library Card

(A list written by someone who has worked at a public library in the states for a year now)

Books/Traditional Materials: As you've likely heard many times before, libraries are a great place to get free books (normal and large print), DVDs, CDs, magazines, and audiobooks

E-Library: With your library card, you will also be to access Ebooks on websites like Hoopla and Libby. Library streaming services like Kanopy will also allow you to watch movies and tv shows for free! On top of these websites, libraries pay for subscriptions to databases like Creativebug that have tutorials for learning new crafts

Programming: Making new friends can be difficult, and finding fun things to do is expensive! Libraries offer fun programs for people to do activities (like crafts, yoga, dancing, and book clubs) and meet new friends! Most programs are free, and many libraries don't require you to have a library card to participate. Have a program you'd like to do but don't see on the website calendar? Many libraries are happy to take suggestions!

Free Wifi: In addition to free wifi and computers offered in the building, the library where I work also offers mobile hotspots patrons can check out for free wifi on the go. These devices are quite popular, so you may need to wait on a list, but they are a great resource for people who otherwise may not have access to the internet

Other Resources: Passes to local museums, video games (my library has a switch game collection), educational materials for all ages, and more!

You making a library card and using these resources helps libraries stay open and get the funding they need! Please use libraries, they're there for you!

[ficoandleo]

"This is so stupid. . . ." Leo grumbled, carefully scanning the index pages of a particularly large book. "Like, could they not have just uploaded this for easier reading? Is there really not an anomaly that does that?"

They have an anomaly for damn near everything else--including that goat that prints papers--but apparently scanning books and files wasn't on that list. He groaned and stretched and slammed the book shut, concluding that there wasn't anything relating to his search in it and shoved it to the side. The librarian cat yowled at him from somewhere beyond the shelves in protest.

"Oh my god." Leo rolled his eyes and waved it off, although it couldn't see him. "I'm sorry, okay? I'll go back to being a good, quiet little bookworm." And, with a mutter, "not like there's anyone else in the library anyway."

The cat sounds quieted down, and Leo looked over the books he'd already read and photographed the pages of and taken notes on, then grabbed his phone to look them over. Tired eyes noticed the time--almost 6 in the morning, maybe someone else would be in the library by now--and he sighed in frustration.

All of these books and there was hardly any information on the 'Kyklos' Edward Hart had mentioned.

He had delved into adjacent concepts in case they were related. Cyclopses, cycles, various parasitic plant anomalies, anomalies that reproduced by way of spread of a curse. He wanted to read the case file for the missions that had already been conducted relating to Kyklos--including the one that the honor student had been cursed on--but somebody else had taken them out.

"And of course they don't have a digital copy of most of them. . . ." He grumbled, double checking. He had no problem accessing the classified and restricted sections of library information with a little hacking--that stuff often had digital copies because they were relevant enough to be sent to the Institute proper--but his search had wound up rather fruitless on the Kyklos front.

'Am I seriously gonna have to go into that gross forest and ask that guy questions. . . .' Leo thought to himself, shoving the books into various book carts in case someone wanted to find them later--a minor inconvenience, but more difficult to find research material meant a marginally better chance that Vagastrom would be the ones to resolve this whole curse situation, right?

Leo huffed a little laugh to himself.

As though those meatheads would be able to figure it out. It was pretty much up to him and Sho. Would Sho go to Obscuary with him? Of course he would. Sho would do damn near anything Leo asked. It's not like he had anything better to do.

"Uuuugh I'm tiiiireeeed!" Obscuary would have to wait though. Although if Ed was a vampire, surely he would be going to sleep around now himself? Sho had probably stayed up all night watching basketball--again--and Leo had been doing more research than most people would give him credit for, so. . .evening would work out better for everyone, right?

The trip back to Vagastrom was an uneventful one, and the quick shower and bath he took got him ready for bed. Trying to sleep, however, was disrupted by Alan calling a(n unplanned! And probably unnecessary!) meeting just before he could drift off.

It was always something around here. . . .

[rosie-b]

Centuries Overdue

Summary:

Long ago, an evil Darkness spread across Europe, claiming the lives of many in the magic community. Trained by Plagg himself, Adrien made it his mission to stop the Darkness before it snuffed out the lives of more Mages and Talents, as it did to his own parents. Though he seemed to succeed in his mission, the pages of his old journals tell a different tale.

In the modern world, Marinette is a fashion student, working at a small library for the summer to earn extra credit. She’s never believed in magic before, but when she finds the old Agreste journals in her library, her beliefs about reality begin to crumble. Determined to find the truth, both about magic and the unsolved death of one Adrien Agreste, Marinette begins on a journey that will eventually lead her deep into the city’s catacombs, where an ancient force sleeps, but is ready to awaken once more…

Read chapter 1 on AO3 or below! I hope you enjoy 💕

Excerpt from the eighth journal of Adrien Agreste, written at Sassolungo Castle in Italy, on the first of November 1809.

There are times when I think myself unfit to be called a Traveler, much less an Adventurer, for my Heart longs for the feeling of Home above all these foreign cliffs and castles. Still, at times like this I am reminded of how necessary my Travels are and why I must continue them.

At first, my only desire was to honor my Parents. That was the Feeling, the unabating Urge, which drove me to the treacherous Forests of the Harz Mountains, to the Supljara Cave, and to even the farthest reaches of Europe, but with Time’s passing a new Desire grows within me.

There is something wild growing in the Darkness; when I close my Eyes I can feel it growing. It is a most disturbing Feeling, and one I am not alone in noticing. The Mages of Tikki and Plagg have felt it also, and have noted its Growth. It cares not for the Moon, nor the Stars, nor the Sun, but its Presence continues to spread unchecked at all times.

I fear if we do not find its cause ere the spring festivals’ start, it will prove too powerful to be Destroyed, and so I have made it my business to uncover its Secrets. This Darkening is surely a sign of a stronger, more sinister Magic, and I fear that there are things darker and still more guileful to come of it. I must make all Haste to prevent its growth, which is why I must journey to the edges of Light, to the place where my parents died…

_-*-_ _-*-_ _-*-_ _-*-_

It was Marinette’s first day at work.

The small library was much bigger than Marinette had expected, or at least it felt that way. In half an hour’s worth of shelf reading, she’d only gotten through four shelves, not nearly as many as she’d hoped to check. She had decided to blame it on the call numbers; the way they were printed on the books varied depending on when they had been added to the collection, and she was finding that made older ones difficult to read. Those numbers, written in fading black ink directly on the books’ covers, were the hardest to make out, and she’d wasted several minutes trying to tell 8s and 6s apart.

But it was almost time for her lunch break, so Marinette jotted down her progress on the chart the head librarian had given her and returned to the circulation desk, where an old man was insisting that the new computers did not work, or if they did, they were far too confusing for an eighty-year-old to understand.

“I’m just trying to log into my email account, but I can’t even find the right button to turn the thing on,” the man said, tapping his cane on the floor emphatically.

“I can help with that!” Marinette folded her paper and set it down. “If you’ll just lead me to the computer you were using, I can get you signed in, no problem!”

The other library intern, whose lunch break came just before Marinette’s, smiled gratefully at her. She grinned back. Some people didn’t like this part of the job, but to Marinette it didn’t seem so bad. Then again, it was only her first day as an intern.

“Oh, thank you!” The man seemed very relieved, and he slowly began making his way over to the computers. He lowered himself into the third chair from the left with a heavy sigh. “I’ve already tried jiggling the mouse, but I don’t know if it’s even connected, because nothing’s happening.”

Marinette frowned and glanced at the monitor. The power button was hidden at the back of the screen, so she carefully turned the monitor around to check. As she thought, the button wasn’t glowing. She pressed it once and waited for it to turn green, and within seconds, the monitor was displaying its login screen.

“There you go, sir. Log in as a guest and let me know if you have problems getting to your email. Okay?”

The man smiled and clapped his hands together, knocking over his wooden cane. “Thank yo— oh! Thank you again, miss,” he laughed as Marinette picked up the cane and handed it to him. “Don’t know why they’re hiding the important buttons behind the screen these days. Made me look like a fool, didn’t it?”

Marinette smiled. “It just takes a while to get used to. And don’t worry, I was happy to help!”

The old man waved as Marinette turned to walk back to the desk.

That wasn’t so bad, she thought cheerfully. At least I’m doing some things right at this job.

Marinette Dupain-Cheng was not a librarian, nor did she have any intention of becoming one. But it was summer break, and she wanted to get a head start on internship credits for university. All the fashion houses in Paris had already chosen interns; luckily, it didn’t matter where the internship was as long as it provided some of the same skills working at a fashion house would, which this position did. It wasn’t even hard to get, since most people looking to work at a library applied to the François-Mitterrand Library, ignoring this smaller location, which was a mere municipal library not part of the BnF. The position paid decently well, and it guaranteed Marinette the extra credit she needed to give her a boost at university.

I already have a robust resume anyway, she had told herself when she’d been debating whether to apply to the little Bourgeois Library or not. Being Jagged Stone’s favorite costume and album designer has to count for something! And my designs have been featured in Style Queen a few times, too. Next year, I can have my pick of Paris’ fashion houses to work at.

It was time for Marinette’s lunch break, so she clocked out and grabbed the lunch her mother had packed. Normally, she would have gone somewhere else to make the most of her break, but she wanted to explore the library a bit more. There were lots of rooms on both levels of the renovated building, and she wanted to be able to guide patrons to the right section of books when they asked without getting lost.

With this in mind, Marinette finished her reheated croque monsieur and ventured off to explore. There were still forty minutes left of her break according to the new watch on her wrist — plenty of time to acquaint herself with the building.

The children’s area was downstairs, a colorful section full of picture books, games, movies, audiobooks, and bright-colored bean bag chairs. It wasn’t as full as it usually was, the children’s librarian said, but on weekends especially there were dozens of children and parents at a time filling the area.

On the far side of the basement was the young adult area. It hadn’t been renovated along with the rest of the building, and the gray shelves of books, old video games, DVDs, and three comic books looked unappealing to Marinette, and apparently to the rest of the young adult population, as there was only one person in the area. They sat in the lone, wooden chair by the poster advertising the youth group’s fall meeting schedule, looking at something on their laptop.

Marinette squinted as she made out the lone tuft of white hair on top of the visitor’s head. At least they’re young at heart, she thought with a shrug.

Back upstairs, there were three big rooms and one smaller one, with a central area where the laptop and computer desks sat, as well as the circulation desk, several sofas, and wood tables with cushioned chairs. Then, the three larger connected rooms — the North room held the nonfiction area, the West held fiction, and the East room had everything from large print to a kindle station to an open dictionary.

The last room Marinette visited was the smallest. It had a red carpet, large south-facing windows, a wooden globe atop a low shelf of foreign-language books, and a small, one-sided shelf of old, leather books facing the sun. On the other side of the shelf, there was a lone, wooden table in front of one red velvet chair.

Marinette walked around the room, gave the globe a couple spins, and stood by the central shelf to examine the books. A golden metal sign on it read that these were part of a special collection, and were not able to be checked out, although anyone could read them while within the library. They’d been donated by the Bourgeois family at the start of the library’s usage, and had remained there ever since.

But there weren’t any more librarians in the Bourgeois family; they had moved on to politics halfway through the last century and hadn’t looked back. Marinette supposed they were happy being richer, but a single library donation in the 1800s wasn’t enough charity work to persuade her to vote for Mayor Bourgeois in the upcoming election.

Marinette looked closer at the collection of books. Was it just her, or did it look like the old books were rusting? Small piles of red dust sat at the edges of the shelves, and the spines of many of the books were cracked, allowing her to see the threads that were binding them together.

She gingerly picked a book off the shelf, noting the cloud of dust it created; the way the spine threatened to crack in two at her touch; the brittle, yellow pages; and, with a look of disgust, the way it seemed to instantly suck all the moisture from her skin.

She immediately put the book back. Her hands were now covered in red dust from the cover.

Marinette rubbed her fingertips together, trying to get the dust off, but it seemed to have sunk deep into the lines of her skin.

Wonderful.

Marinette headed to the bathroom and washed her hands (and then washed them again when the dust didn’t come off the first time). Her break was almost over, anyway, so she might as well head back to the desk. Before she did, she stopped in the South room one more time, looking for the name of the book’s publisher so she could know who was responsible for her mishap.

The Journals of Adrien Agreste, vol. 3, read the half-attached spine of the book, which apparently had no publisher and was more of a diary than anything else.

Well, who would put that in a library? Marinette wondered. No wonder you can’t check it out. The first thing anyone would do with it after they left the building would be toss it in the trash just to spare future patrons.

And she walked back to the desk, taking long, confident strides and silently cursing this Adrien person for writing in books that would fall apart so easily. She wouldn’t be returning to that room anytime soon.

_-*-_ _-*-_ _-*-_ _-*-_

Excerpt from the eighth journal of Adrien Agreste, written in Munich, Bavaria, on the fourth of November 1809.

Being an Orphan is less tragic than one might expect. It puts me in good company, and it guarantees a kind of Sympathy from most people I meet. Emphasizing the sorrowful Look of a young Orphan helped me secure many a meal when I was younger and traveling, often Alone, back to Plagg’s cave after my parents’ death. Nevertheless, when I am by myself, I am struck by the Guilt and Sorrow I felt on the day I lost them… Some wounds take too long to heal.

Since to the best of my Memory I have never written about the Disaster before in these journals, I suppose I should put it here. It wouldn’t do to let it be forgotten, after all, and it may aid me in recalling the Dangers of Blå Jungfrun, the destination of this journey.

My mother’s Spirit was more adventurous than my father’s; the voyage to Blå Jungfrun was her Idea. There used to be a circle of Mages on the island, but an inhospitable Darkness drove them out. My mother wanted to see if, since much Time had passed since then, the island was safe once more, and she planned to do this using her Talent. My father was against the idea at first, arguing that neither of them had the ability to use Magic, only to detect and defend it through their Talents.

At that time, it was unknown to me that I had a Mage’s Gift, not the simpler Talent my parents had. They were afraid of the dangers Mages face, and tried to spare me from Harm by holding the knowledge of my magic back from me. Untrained as I was, I could not even sense Magic, and I was completely dependent on my parents to sniff out Curses and other Evils for me. My father mentioned this, too, but my mother was unswayed.

To her sensible mind, the Talents of my parents were more than enough to protect themselves and me from lurking Dangers. And no-one had visited Blå Jungfrun in nearly a century. Whatever Darkness once lived there, it had nothing to sustain it. Surely, it must be dead, she told my father.

Wanting to please his wife, and trusting in her own trust, he agreed to take me to Blå Jungfrun, island of the Blue Maiden.

The journey through Sweden was pleasant from what I remember. There are two groups of Mages in the South of that country, Ravlunda’s group being the largest. I plan to stop there on my own journey, which I pray will not be as ill-fated as my parents’ was.

Departing for Blå Jungfrun from Oskarshamn, my parents took a small boat, protected by Charms given to them by the Mages of Ravlunda. I went with them, and my clothes were similarly protected by Charms for extra safety, while my parents did not wear charms on theirs. There was one Mage from Oskarshamn who came with us, and she had the foresight to wear already-charmed clothing. That is how she and I escaped from the Dark Island.

The Island itself is nothing special. There are trees and rocks covering a large hill, which is otherwise barren. The locals have long feared that place, and call it the Mountain of Witches. They are not far off, except in time, since the Mages have long abandoned it.

The Ocean’s strange waves had floated the Boat a little way from the Shore; since there was no dock to tie our boat to, this had been expected. My parents and the Mage waded out to the boat where I still was, having spent less than five minutes on Shore, and that is when the Darkness struck.

It had sensed our Presence, and gathered into a Storm, fully visible even to me, and too powerful to be banished by the Mage. It was all she could do to keep the boat, and me in it, afloat as it threatened to capsize and was pulled still further out. By now my parents had to swim, their feet unable to touch ground under the water, and the Mage as well. I was frightened and did not know what to do, though I strove with all my might to row the boat back to my parents, and all the while the Darkness was growing until at last a Tendril reached out from the storm and dragged my mother fully under the waves.

My father dove in after her, thinking to save her, as the Mage climbed into the boat and cast a protective Spell just strong enough to create a sphere of safety in the Storm. We searched and searched as the Storm raged on, hoping to find my parents resurfaced, or to see their forms in the water and haul them into the Boat. But they were forever lost to the Darkness. We never found them, and for our own safety, the Mage determined that we must head away from the Island, which was the only place the Darkness seemed to draw power from.

I went back to Plagg’s cave, which is hidden in the Harz mountains, and stayed with the Mages there until I was old enough to take up my parents’ mission and travel again, recording the Darkness, keeping peace between Mages as their countries went to war again and again, and eventually learning of the Magic that was hidden inside me.

I have been lucky enough to take lessons from Plagg himself during his visits to the Cave, however impossible to understand and often of little help to a peaceful traveler like myself said Lessons are.

But now, if the Darkness is spreading, then I will need all the spells he taught me and more.

As I set out to the Blue Maiden, I plan for my journey to be a slow one. This is only in part due to the Ocean not being safe during winter. I will stay in Bavaria for a while and take lessons from the Mages of Mullo. Then I will move on to Leipzig and Berlin, should the fighting (for there is always War now) allow it, and finally to Świnoujście and from there to Sweden. Along the way, I hope to gather a small group of stout-hearted Mages to aid me in my Fight.

I must take the Time to carefully prepare to face whatever twisted Mage is at the heart of this Darkness, for I grow ever surer that there is one. Darkness does not move on its own, but it relies on Servants to work for it.

Let those Servants beware, for if I find them, I will not show them Mercy.

Author’s note: This is the first chapter of my fic for the @mlbigbang!! There are eight chapters total and I’ll be updating weekly, on Thursdays. I’d like to thank all the mods for helping this event go smoothly, my three beta readers (Angel, Helios, and my sister @poorschilpad) for keeping me on track, and my two amazing artists, @acise and @nireu-art for their crazy cool work. You guys are the best! 💕

[theresattrpgforthat]

Hi! I'm an apprentice librarian at a university of education, and I'd like to suggest our library get some TTRPGs, ones that are available in print and suitable for school (since our userbase is mainly aspiring teachers), ideally with a German translation (I know that part may be difficult).

Do you have some suggestions?

Theme: Available in German!

Hello friend, so my strategy for this was to find some German websites for roleplaying games and then try to see if they sold physical copies of certain games. This is going to be a bit different from my regular recommendations, mostly because I can’t read German! So I figured I’d send you to these different publishers, and point out specific games that look like potential candidates.

(Also German-speaking followers please sound off in the tags and comments!)

Plotbunny Games @plotbunnygames

From what I can tell, this is a small publisher with a number of indie ttrpgs, and most of these games look to have physical copies. The games that really stand out to me here are Follow, and Miss Bernberg’s Finishing School for Young Ladies. Follow is a game by Ben Robbins, the creator of Microscope, and is a GM-less collaborative storytelling game about going on a quest. I think it would be a great game for collaboration and quick brainstorming sessions. Miss Bernberg’s Finishing School for Young Ladies is made in-house, and is a Firebrands game, which means that it uses a number of small mini-games to tell a bigger story. Great for focusing on narrative over complex characters. There’s also a German translation of ImproVeto, which is a great tool for introducing safety tools, good for any roleplaying group.

Obscurati

Obscurati has two games that I recognize: Tiny Dungeons and Into the Dark. Tiny Dungeons is made by Gallant Knight Games. It is very streamlined, and has a lot of supplements for you to customize your setting. Obscurati appears to have a large number of physical Tiny Dungeon components, including a hardcover book. If you want traditional fantasy, this is probably worth checking out. Into the Dark is a Forged-in-Dark game by Off Guard Games, and is a dark-fantasy dungeon delving game that gives you character playbooks, tables for adventure generation, and a streamlined game system. I’m generally a fan of Forged in the Dark games because they give you some easy-to-understand mechanics that can carry a story really far. (This game is also in hardcover!)

Ulisses Spiele

Ulisses Spiele looks to be a pretty major publisher, with D&D, Warhammer, and Pathfinder all in one house. I'm assuming you're probably familiar with them. If you want a big-name roleplaying game, this is the place to be. Many of the games from this publishing house are pretty crunchy, so they’re more suited for folks who want to go through the traditional process of complex character creation, and specific rules for things like range, inventory, specific types of damage, etc.

If you’re looking for games that hearken to popular media, Dune and Tales from the Loop both come from Modiphius, a games company with a pretty good reputation for mechanically sound games, although they generally require a lot of bookkeeping. World of Darkness is the game system I’m most familiar with in this list, using dice pools of d10s, although much of the subject matter in these games is rather dark - especially since the bulk of their WoD catalogs appears to be Vampire: the Masquerade. I’m actually really intrigued by Die Schwarze Katze, of which I’m not entirely sure there is an English equivalent, and appears to be a fantasy game with cat characters!

Truant Spiele

Truant has a number of games that I am unfamiliar with, although I may have heard of their names before. Kult is labelled as an adult roleplaying game, so if you want something child-friendly, I’d stay away, and The One Ring has not received many friendly reviews - but Warbirds is a fantastical-historical game about fighter pilots and aerial combat, which looks pretty lighthearted, although this looks like a game that can have winners and losers. There’s also The Witcher RPG, a class-based system all about fighting monsters in a well-loved world based on that of the video game. The Witcher looks to be a bit on the crunchier side of things, so I’d see it as a better candidate for long-term campaigns rather than quick pick-up sessions. Finally, they carry Cyberpunk Red, which I’ve heard rave reviews for, with pre-generated enemies, a giant swathe of lore, and plenty of player support.

Fiasco

There’s a physical German version of Fiasco on the Pro-Indie website, along with a number of supplements. Fiasco is a game about a making a terrible movie using card stock and dice, and is great for lighthearted games and ridiculous stories.

Now, for some digital runners-up.

Pegasus Digital looks to be a German version of DriveThru Rpg, with a smaller catalogue but a lot of resources for Cthulhu 7, Shadowrun, and Avatar Legends. If you get folks who want to see what else is out there, this might be a handy website to direct them to.

Hero Kids is a game that only has a physical version in English, but it has a digital German equivalent! This is a great game for young role-players and folks who want a kid-friendly style of role-play.

DURF is a minimalist fantasy game with a number of different translations, including a German one. It isn’t available in print, but the game itself is small enough that printing copies of the game for yourself and fellow players shouldn’t be very expensive. DURF is based in OSR style play, so expect very small character sheets and an emphasis on your inventory.

Brindlewood Bay is only available in English and Polish, as far as I can tell- but there is a collection of play materials available in German! This game has such a big following because it has a reputation for being easy to teach, and it has a really wonderful mystery system, so I think it might be worth checking out.

[soracities]

I'm sorry this may sound a bit weird but I've just begun reading and I cannot always access books. Even though I love to get them I can't always. Is there an app where I can find books and be able to read online? I just discovered your blog and I saw your recommendations, I'd love to read them all. do you have any idea? 🥺

not weird at all, anon!! i'm not sure if there is an app for it, but the best place on the internet i know of to read books for free is The Internet Archive -- it's an online library system of archived and digitized books (classics and modern) and all you need to do is make a free account! after that you can borrow and read any of their pdfs or audiobooks no matter where you are (some books are limited to borrow for one hour only but 90% of them you can borrow for 14 days). i use it mainly for poetry / plays (and they're especially good for works that are out of print / otherwise difficult to find) but they cover novels and other nonfiction, too. alternatively i would also recommend seeing if your local library / national library system has a digital lending system--apps like Libby, Overdrive, or Borrowbox that will give you access to some of their catalogue without needing to go in person💗

also you absolutely should not try what this anon suggests because it is an absolutely terrible idea to be able to access books without difficulty

[kaurwreck]

because you mentioned research, do you have any advice or methods of doing efficient research? I enjoy research too but it always takes me such a long time to filter out the information I actually need that I often lose my momentum ;__;

I'm not sure if I'm the best resource for this; I'm so dogged that once I start, it's hard for me to stop. The more tangled or difficult a research question, the more engaging I find it. In addition to loving cats, part of why I have cats is because they are very routine-oriented, and they'll pull me out of my hyperfocus for meals and sleep if I become too caught in what I'm researching; otherwise I don't notice I'm hungry or exhausted. It's not uncommon for me to focus so intensely that I'll look up and suddenly realize I've been researching something for 8+ hours.

But, in general, while it depends on what you're researching, I recommend having an expansive toolkit of resources. Google is fine, but it's only one index of many. I also use other databases and indexes like JSTOR, ResearchGate, SSRN, and Google Scholar (which is helpful for navigating Proquest, too, since Proquest's search function is incompetent). I also use DuckDuckGo, which is infinitely better for privacy than Google and which doesn't filter your searches or tailor them based on your location and search history, so you receive more robust results and significantly fewer ads (this has a tradeoff, which is that sometimes the searches are less precise).

Sometimes, I use Perplexity, but I do not recommend using Perplexity unless you are willing to thoroughly review the sources linked in its results because, like any generative AI tool, it relies on statistical probability to synthesize a representation of the information. In other words, it's not a tool for precision, and you should never rely on generated summaries, but it can help pluck and isolate resources that search indexes aren't dredging for you.

I also rely on print resources, and I enjoy collecting physical books. For books, I use Amazon to search for titles, but also Bookshop.org, e-Bay, Thriftbooks, AbeBooks, Common Crow Books, Paperback Swap, Biblio, and university presses (my favorite being the University of Hawaii Press, especially its On Sale page, and the Harvard East Asian Monographs series from Harvard University Press). This is how I both find titles that may seem interesting (by searching keywords and seeing what comes up) and also how I shop around for affordable and used versions of the books I would like to purchase. (If you don't want to buy books, local and online libraries and the Internet Archive are great resources.)

Most relevantly, and I assume most people might already know this, but I can't emphasize its importance enough: use Boolean logic. If you are not using operators and modifiers in your search strings, you are going to have immense difficulty filtering any relevant information from indexes.

[maya-chirps]

[ID: a screenshot of a reblog by @/fleurtygurl. It reads: "Omg instant follow! I need more Philippines facts in my life!!! 😭😭😭

If you have any facts about filipino myths? That would be amazing. But also I will literally eat up everything you post!

I'm in desperate need of reconnecting with my roots, but I've been so busy that I haven't had any time to do any extensive research...."

/End ID]

@fleurtygurl Decided to make a whole post based on this because I loooove talking about Filipino mythology and researching more about different mythologies within the country and I also hadn't gone around to looking through the things I want to learn about.

Filipino mythology is a pretty huge umbrella term considering that there are hundreds of cultures in the archipelago that have different beliefs, practices, and traditions and especially before the Spanish colonial period. I won't get too deep into it, but basically if you want to learn about some grander pantheon or some general overarching compendium of beliefs that all precolonial Filipinos believe in, you won't be getting that sine historically, Filipinos were not a unified people, but a bunch of different countries and communities that were placed under one governing body for easy management for the Spanish crown.

With so many Filipino cultures and, by extension, mythologies, the best way with trying to reconnect with your heritage, it might be best to figure out which ethnic group you may have connections too and start researching from there. In my case, for example, I would look up both Tagalog mythology, Bikolano mythology, and Ilokano mythology in order to get a good grasp of the mythology of my roots since I'm mixed Tagalog, Bikolano, and Ilokano, and those three have widely different beliefs and especially with folk religion.

I guess the main issue with this is a lot of sources related to Filipino myths are often difficult to find, are unreliable, or plainly just non-existent. Lots of books are often out of circulation and print, or if they are still in print, they are often only sold by specific retailers and often cost a lot of money. Research papers are locked behind a paywall or are only available through specific e-libraries you can only access if you have an affiliation with a university. Online articles may be unreliable and source places that are hard to fact check. Blogs, honestly including mine to be frank, may parrot wrong information from other websites and articles, with their best feature being the possibility that they may have come from oral sources but those are also very few.

Honestly, I was about to go on a long tangent about discussing at least the Tagalog pantheon and mythology because it had a lot of sources I've seen online, but after hours of research, I've found out that there was also a lot of unreliable sources in terms of information about that so I've decided against rambling on further about it for now.

(I am still going to write about my findings on the Tagalog pantheon later but after what I've found out, I might take some time to look through a lot more primary sources which means colonial era texts and harder to find archived works.)

I will say that a good way to connect with more general Filipino folklore outside of mythology itself is probably consuming media that explores folklore and traditional beliefs. I recommend Trese, a Filipino comic turned series on Netflix if you want to see Filipino cryptids being used in a modern-day story made by Filipinos. There are also other comics that focus on Filipino mythology like The Mythology Class and its sequel The Children of Bathala by Arnold Arre.

There's also series and movies that take inspiration from Filipino folklore and mythology with Dayo: Sa Mundo ng Elementalya (English name Niko: The Journey to Magika) as my go-to suggestion. I had also heard good reviews for Amaya, a series created by GMA 7, but honestly I don't think the series clicked with me.

[literaticat]

Hello. I know an older person (a relative) who is a very good illustrator (as a hobby). They do have an email address but don't have a website (yet anyway). I'm encouraging them to draw maybe half a dozen or a dozen illustrations so I could submit them to some publishers on their behalf (those who are looking for or open to illustration submissions). Some of these sites mention having a website, others don't. Would the person have to be a professional illustrator or would this be okay? And would it be better for me to see if I can teach them to draw on an iPad or could I just scan on their handdrawn illustrations and email them for them? They're open to the idea but don't think they're good enough. I think they have a lot of natural raw talent, just wondering would publishers be open to illustrations from an older person who is very green to this and has no experience. What do you think? And could you give me/them any other advice? Thank you so much. Happy New Year!

I'd strongly suggest you not do this. I know you have the very best of intentions, and it's lovely that you're such a cheerleader for your relative. I'm sure they are very talented. BUT. Start by finding out what their goals really are. There are plenty of other ways for them to get their work out there. Maybe there are local art classes, where they can explore different mediums and just have fun and meet other artists and potential mentors. Art contests, or local magazines or journals that might publish work from local artists. If they really want to start a little cottage artwork business from home maybe they can create beautiful cards or prints that can be stocked at a local shop or something like that, and you can help them print them out and be their 'sales rep' if you like. Investigate these types of outlets for your relative's creativity, there's no need for their fun and pleasant hobby to become a difficult, demanding career, unless that is something they are TRULY passionate about.

(Not everything needs to be monetized. Normalize just doing things because you like them!)

Because yeah - - you can't really "dabble" in professional book illustration. Either you are a professional illustrator, which means publishers might hire you -- or you aren't, which means they definitely will not. Now, you can be a NEW professional illustrator, that's a thing, people aren't born as professionals -- so, again, if that's really something that your relative WANTS TO DO, truly wants it, OK -- but they are gonna have to do the legwork. You can't be submitting work on their behalf or holding their hand the whole time. Age is not a factor, but professional illustrator is a real job, not a fun-time hobby, and they do have to be willing and able to do the work themselves.

So if becoming a professional children's book illustrator is truly of interest to them, I'd suggest they start by:

-- Taking some picture book illustration classes, whether online or in-person -- specifically those, not just general "art" or whatever. The rules and goals of book illustration are just different from other kinds of art! This is not, strictly speaking, necessary, some artists are indeed entirely self-taught -- but it would probably be QUITE helpful to make them feel more confident (or alternatively, help them realize that this is not where their talent wants to take them!). COST VARIES.

-- They should also read a lot (A LOT) of modern children's books to see what the level of work is that they'd need to be doing, and different ways to tell a story through art. Because it's not just about having pretty images -- that's great, but they have to be able to *tell a story* through the pictures, also, otherwise they have just created random images, not a book. Start with the books that have been Caldecott medalist and honor winners for the past 5 years, they should all be available at your local library. FREE FROM LIBRARY.

-- I'd strongly recommend getting and studying a used or library copy of WRITING WITH PICTURES by Uri Shulevitz. While there is one section that is quite dated (because PB illus are typically delivered digitally now, and this book is from before the digital days) -- the majority of the book, about the actual craft of telling a story through pictures, is super-informative and brilliant. FREE FROM LIBRARY OR UNDER $10. USD

-- Consider joining the SCBWI; it does cost money to be a full member, but if they are serious, it may be worth it -- there are loads of resources online and in person, conferences, local meetups, workshops, etc, where they can connect with other creators and professionals to research and learn the ropes of children's book publishing; there's also a forum where they can ask questions, etc. $99. USD

-- Alternatively (or in addition), there are also kids-book oriented Facebook groups for this kind of thing that have seasoned pros answering newbie questions -- KIDLIT411 would be a smart one to join, if your relative is on Facebook. (Kidlit411 also has a website with resources!) FREE.

Once they have done all these things, they will need a professional-looking digital portfolio -- these can be physical works that are scanned in, or works created digitally (or a combo -- physical works that the artist tweaks layers in photoshop, etc). There are other posts here about what should be included in such a portfolio, look in the FAQ. This way they aren't just sending publishers random images all loosey-goosey, they'll be presenting themselves as somebody that might actually get hired. But I really wouldn't bother with this part until/unless they've done most or all of the previous suggestions.

[wearelibrarian]

Since you requested asks.

What are some library resources that you love that don’t get the appreciation and use that they deserve?

I think y'all on Tumblr already know about this one, but the Internet Archive's Open Library is wonderful for accessing out-of-print resources that may not be available in other ways! It also serves as a catalog of books across the world, including ones which cannot be checked out or read through the Internet Archive. Most of my other favorites require that your local library (or your college/university) have a subscription, but this one is free.

The library resource that needs the most appreciation, though?

Librarians!

So many people are hesitant to come in person, which I understand - it can be scary to go up to the desk, and it can be difficult to find transportation to the nearest library. Many libraries provide assistance over the phone, and some even have online chat available to the public! You don't have to have a library card to ask a librarian for help, though we do appreciate when people sign up for cards. (September is Library Card Signup Month, fyi - go get your library card! I have four and intend to obtain more, since I'm lucky to be living in an area where I can obtain free library cards from multiple area libraries.)

[carnivalcarriondiscarded]

I'm piggybacking a bit off of the last ask of asking for writing tips but I have an odd question... Am I the only person that struggles actually PICKING a book? It's the absolute bane of my existence because I feel like I can be so picky... Don't get me wrong, I love being a bookworm, and I'm trying to get back into reading physical books but it's so difficult to find a real taste of what the book is like without being completely spoiled or something... I miss when backs of books had an actual summary and not just NO.1 NEW YORK BESTSELLER!!!! It's so frustrating... I've been trying to get back into it by re-reading fond chapter childhood books read to me (The Miraculous Journey of Edward Tulane & A Wrinkle In Time). But at the same time I'm also trying to get into more "adult" books that isn't... Well, you try googling "adult books" and see how that goes, I didn't think too hard about what a poor decision THAT was. But I'm working up the courage to read Cat's Cradle right now to start with "Classic Authors" I guess!

Anyway I'm rambling here, I guess my question is... How do you pick out the books you read? I don't really have friends that read many books to recommend to me :')

Thank you in advance, Bog! I hope you get a callback from that interview soon!

no ok actually you've mentioned something that's been bothering me for a while - What The Hell Do Y'all Mea, Books Don't Have Summaries Anymore???? i have not once in my life found a book that didn't have a summary. i was in barnes & noble recently and everything i looked at had a summary. i have literally never seen a book without one in my life of reading & looking at new books on a regular basis

softcovers have theirs on the back. hardcovers are on the inside of the sleeve - lift the cover and it should be printed right there on the inside flap! summaries aren't legally required but both the author and Especially the publisher(s) know that no one's gonna buy a book without a summary. trust me, all books worth reading have a summary. if a book doesn't have one, it's probably not worth your time anyway. you just gotta know where to look!

so my answer to how i choose books... i read the summary lmao. if it seems interesting, ill either write it down to get later or ill get it there and then.

Before the summary though, i look for any titles that jump out at me from the shelf. then i look at the thickness. i like a bit of meat in my literature, so i tend to shy away from thinner books. thicker ones grab my attention more easily. then i look at the cover - if it interests me, then ill read the summary. i don't have specific tastes in title or cover. as long as it makes my brain "hm" thoughtfully, ill take a gander!

and really, if you have access to a bookstore (chain or not, ive found plenty of bangers in tiny used bookshops) or library, the best way to find a book is to physically browse. even if you dont buy anything, you can take pictures of books / write them down to buy online. but going to the store lets you search them out, examine the length, cover, title, summary - and easily put it back on the shelf or keep it. i hate shopping online bc there's ads, you can't examine the product, nothing really stands out since it's all portrayed similarly, there's limited pictures instead of the physical thing, and photos can lie.

plus, everything is (typically) meticulously sorted by genre & age range. when you go into a section with literature aimed at adults, you'll find exactly that instead of smut novels lmao. real life bookstores can be more accurate than online searches. & there's just something so good about walking through shelves, searching for that one book before you know it exists, smelling the paper... yeah...

[itsawritblr]

If you love to write, try "Writer's Digest."

If you're considering becoming a professional writer, and even if you're not but you want tips about how to write well, go over to Writer's Digest.

"Writer's Digest is an American magazine aimed at beginning and established writers. It contains interviews, market listings, calls for manuscripts, and how-to articles."

They have all kinds of articles for all kinds of writers, such as

A sample cover.

You can also subscribe, for digital or print copies.

For me, it's difficult to find people to talk to who are serious about being a writer (most people I bump into are hobbyists who aren't that invested in whether their story shifts tense or where to put commas).

WD is like being in a room full of people who love writing as much as you do, and are happy to yap about it (often unlike coworkers, friends, and relatives).

Do I swear by it 100%? You can't do that with anything. There is no Gospel of Writing. And WD will try to entice you to pay for workshops and competitions (especially you poets!), and their advertising includes book packagers and other people eager to make some $$$ off newbies.

But Writer's Digest has articles written by pros in all genres, as well as editors and agents.

Check it out. Browse the website; there's tons of stuff there! If you have a local library, see if they have it and take a look.