#the bad guy wins

[writers4all]

"BAD GUYS DESERVE HAPPY ENDINGS, TOO!" Except It's A Random Person's Essay Opinion On It.

So I've legit lost count the number of times I've seen people say that villains deserve to get a fairytale Happily Ever After and whatnot. But here's the thing ... I always get the vibe that they mean it as in it's always rainbows and butterflies (it's not) where the good guy gives the bad guy a Heel-Face Turn.

No, no, no. Stop right there.

While I don't entirely mind there being complicated af relationships going on in stories — OG Fiction or Fanfiction, it matters not — we really need to take a step back and look at the bigger picture. How about instead of having the bad guy having a Heel-Face Turn or whatever we just flat out have The Bad Guy Win? It's actually been done before, and quite a lot, surprisingly. Here are a couple of examples down below:

Pokemon USUM where the big bads from Gen 1 to Gen 6 (Giovanni, Archie, Maxie, Cyrus, Ghetsis, and Lysandre) won in an alternate timeline.

Most of the SAW films with a vast majority of the traps.

Batman Arkham Knight actually succeeded in doing this by having Scarecrow reveal who Batman truly is ... ... ... ... ... TO THE WHOLE ENTIRE WORLD VIA LIVE TELEVISION.

Injustice: Gods Among Us played with this when The Joker manages to successfully brainwash Superman into killing Lois Lane. This one's pretty triggering, though, so head's up.

Dragon Ball Z plays with this as well for the timeline Future Trunks is from Cell actually won due to everyone except for Bulma and Trunks dying by the hands of Androids 17 + 18 and Cell.

Mighty Morphin Power Rangers played with this for the Rangers actually lost the ability to morph permanently via the morphers they had at the end of the series thus having to obtain the Zeo Crystals to morph into the Zeo Rangers and not the Mighty Morphin Power Rangers.

Mortal Kombat 11 plays with this if you choose Shang Tsung over God Liu Kang and have it to where Raiden and Fujin are mindless servants.

Something similar happens in Injustice 2 where you choose Superman over Batman to where the latter becomes a mindless servant of the former (thus scarring the young Supergirl).

With all of that being said, why not have it to where the villains do have a happy ending but not in the way we expect it. Get your readers emotionally invested to where they're not happy with the outcome kind of like when Sephiroth killed Aerith out of nowhere in the OG FF7. Or, if you really want to, make it to where they get a kick out of it kind of like how The Joker makes Batman laugh at the end of The Killing Joke. Just have the bad guy win every now and again.

[batcavescolony]

Katniss is such an unreliable narrator. She says "Then something unexpected happens. At least, I don't expect it because I don't think of District 12 as a place that cares about me" girl you deliver strawberries to the Mayor, you hunt and trade for the district, when you fell at Prim being chosen someone caught you, when you went to Prim people parted for you, when you volunteered EVERYONE stopped. Idk how to tell you but I think you're a pillar of the community.

[lady-raziel]

because there is nothing to lose the people saying biden should resign now so kamala can still be the first female president are absolutely right but why stop there? inauguration day is 70 days away let's make "president for a day" a real thing. say "fuck it we ARE going to do the arbitrary quota DEI bullshit you accuse us of" and speedrun first [category] presidents. revolving door type thing.

first female president. first openly gay president. first transgender president. first president who has been to space. first president gamer president. first mime president. just play president bingo and hit as many categories as possible while we still can. make all of trump's #47 merch unusable by forcing him to be the 115th president instead. who cares anymore let's peacefully transition power but do it in the most chaotic hot-potato way possible

[flwrkid14]

The Tim Drake Heartthrob Conspiracy – Part 2: A Heartthrob with Loser Rizz

So, Tim Drake is Gotham’s newest heartthrob. Cool, right? Except, well… there’s one tiny problem.

For all the brooding good looks, the sharp jawline, and that mysterious allure that has Gotham swooning, Tim Drake has absolutely no game. Like, zero. Nada. It’s a full-blown mystery how this man, who looks like he belongs on magazine covers, can be such a disaster in the romance department.

It all started with his date after that iconic moment when he rolled into the Batcave in that tailored suit. Everyone expected the night to go smoothly. It was Tim, after all—Mr. CEO, Mr. I-Can-Run-A-Multi-Billion-Dollar-Company. Surely, that would translate to his love life, right?

Wrong.

The next morning, Dick was the first to catch Tim yawning over his third cup of coffee. “Rough night?” he asked with a knowing smirk.

Tim just groaned, “I fell asleep on the rollercoaster.”

Dick blinked. “Wait, you fell asleep? On the rollercoaster?”

Tim sighed, rubbing his eyes. “I hadn’t slept in two days, and it was… kinda relaxing? The adrenaline and all.”

And that was just the beginning.

Steph found out later that Tim had somehow managed to spill soda on his date twice—once while trying to explain a complicated merger (because who doesn’t love business talk on a date?) and then again when he tripped over his own chair. By the end of the night, his date probably thought she was being pranked.

Cass, being Cass, summed it up perfectly: “Tim is Gotham’s biggest heartthrob, but he’s also Gotham’s most awkward date.”

Jason, of course, had to weigh in. “This is the same guy who walked into a glass door because he was distracted by a text.”

Let’s not forget the infamous “flower shop incident.” Tim, trying to be romantic, went to pick up flowers before another date, but things quickly went south. How? Well, let’s just say, when you knock over five vases, trip into a display of roses, and end up covered in petals, it’s hard to look suave.

By the time the Batfam heard about that little misadventure, Damian had had enough. “Drake, how is it that you have the charisma of a plank of wood?”

Still, Tim doesn’t mean to be such a disaster. It’s just, well, life seems to have it out for him when he’s trying to impress someone. He once spent an entire dinner talking about the intricacies of encryption algorithms—his date didn’t even make it to dessert. And don’t even mention the time he thought bringing homemade spreadsheets to a movie date would be cute. (Spoiler: It wasn’t.)

Yet, somehow, despite all of this, the mystery of Tim Drake continues to deepen. People are still thirsting after him. The forums are still buzzing with talk of his “quiet charm” and “endearing quirks.” Even his awkward moments somehow manage to add to his appeal, giving him this relatable, down-to-earth vibe that no one in Gotham can seem to resist.

And so, the Batfamily remains baffled. Tim may be Gotham’s biggest heartthrob, but when it comes to actual dating?

He’s a disaster wrapped in a perfectly tailored suit.

[lucabyte]

A belief in Nominative Determinsim

[wodimewoahtime]

hey till...... don't you have just a little too much tsundere "i'm not gay" yaoi protag power???? why are you attracting these guys like a hamster to the shredder

[bumblingbabooshka]

Thinking about marriage/women's rights on Vulcan Some may think that T'Pring not being allowed to divorce Spock was because he was going through the pon farr but if she were allowed to divorce him at all she probably would have done that a long time ago, confirmed by T'Pol when she's speaking with Koss, who isn't suffering from the pon farr. She says that he can choose another mate (without invoking a fight it seems: note the difference between a 'mate' and a 'challenger') and after he makes it clear that nothing she says will change his mind about marrying her, she finally threatens to declare a kal-if-fee. It's clear that Vulcan women cannot divorce/refuse to marry a man they've been betrothed to under any circumstances if A) He himself doesn't consent to ending their marriage or B) She doesn't have someone else waiting in the wings to be given to in his stead. Though, if the challenger she selects fails to win the fight, she'll have to marry her betrothed anyway unless (again) he decides he doesn't want her after the challenge. That seems like an incredibly unfair system, heavily biased towards men. SNW is an alternate universe in many obvious respects but most egregiously in that T'Pring has a lot of non-canonical agency over her relationship with Spock. It's interesting to me that Vulcan society has women in many positions of power and treats women as equal to men from what I've seen despite these laws. We don't really see Vulcans exhibiting a misogynistic attitude towards women in general but in TOS (perhaps because of its general writing style but it's still interesting to note) both Sarek and Spock take on patriarchal attitudes specifically regarding wives. Amanda says that 'of course' Sarek commands her because "he is a Vulcan and I am his wife." It's worthwhile in my eyes to note that she specifies 'wife' instead of attributing this attitude to women as a whole. Again, with TOS' writing style it wouldn't be out of place for her to say "he is a man and I am a woman." Spock, while in a pon farr induced irritation, states that it's "undignified for a woman to play servant to a man that isn't hers" - again implying that there's something specific about being a Wife in Vulcan society which is different from being a woman in general and demands subservience to a husband. This could perhaps stem from the extreme sense of ownership that Vulcan law has permitted men to have over women. A woman legally cannot point blank refuse marriage. There is no option which guarantees she won't have to marry her betrothed other than death. When T'Pau speaks of T'Pring she refers to her as being 'property' and Stonn, before being interrupted, states he's made 'the ancient claim' - we don't know what this is because he gets cut off but it's obvious they're both using the language of Vulcan law. Men are permitted true freedom to choose. If a woman wants to choose someone else to be with there is no option available to her other than the kal-if-fee which might result in the death of the one she wants to be with. And, if her lover fails, her husband can still just decide he wants to marry her and she'll be forced to. T'Pring gives two scenarios: One where Spock 'frees' her and one where he doesn't - it's still ultimately his decision which is clear when he ends the conversation with "Stonn, she is yours." This again isn't just because of the pon farr as T'Pol also goes through this. Koss can choose another mate and when the option is talked about there's no implication that this would result in any sort of fight (both by the casualness of its mention and by the fact that there's no formal word for it unlike the kal-if-fee.) Also, the fact that Koss does eventually grant T'Pol a divorce and it's all fine means that T'Pol isn't lawfully required to have another man waiting if her HUSBAND doesn't want her. It's ONLY required if SHE doesn't want her husband. Tradition must take precedence over individual desire UNLESS!!! You're a man. Then it's fine. Like, your parents might not be happy but legally you're golden.

[bixels]

The more I think about it, the more I question Arcane S2's politics and themes, which were so foundational to S1. Like, a tiny example [SPOILERS AHEAD]:

Singed wins. He gets exactly what he wants in the end. All his "efforts" are rewarded. What does that say about people who share his ideology of eugenics? He is the source of nearly every horrible thing and conflict that happened (Shimmer, the factory deaths, Jinx, Vander as Warwick, the corruption of Viktor), and he gets a happier ending than any other character. Not even a 'he got what he wanted but he has become completely unrecognizable/monstrous to his daughter' tag at the end. You can say they're setting him up and need to open his daughter to future shows, but the way you end a character's story says something about what you think about that character. What does it say when the eugenicist war criminal gets the happy ending he doesn't deserve?

[ilk-insolence]

Raph Is A Great Strategist

Numerous times in the show Raph has shown to have a preference for straightforwardly punching his problems away rather than think up a more complex solution. Like how his immediate fix to getting Mayhem out of the mirror in Mystic Library was to punch everything in the bathroom but the mirror. However, when Raph understands the situation requires more in depth strategy, he’s shown to be an incredibly capable tactician.

(long post ahead!)

In nearly all the plot heavy episodes like Shadow of Evil, Many Unhappy Returns, and the season finales, Raph gets moments where he’s highlighted for his strategic thinking. In Insane in the Mama Train, he’s the one who figures out which eyeball-button goes to the front car with the dark armor, because “‘it was the only button [the Foot Clan] didn’t want me to press!’” [21:05]. He’s also the one who came up with the scheme to defeat all the (known) combatants in the train, with Leo specifically attributing Raph as the deviser during their mind meld [19:46]. In Many Unhappy Returns, after spending a single night waylaying the Shredder, Raph formulated a plan using all the tricks the team learned, seamlessly transitioning the mystic collar Leo acquired into it [19:53], to defeating the Shredder. Additionally, he’s repeatedly called for a retreat during fights, like in Shadow of Evil, Shreddy or Not (Finale pt 2), and the movie, when he can tactically recognize that a battle couldn’t be won. Each time, the show/movie implied that that was the right call, for the family to lose the fight but win the war.

And it���s not just that Raph is good at strategy when he’s pushed to be more serious; the show characterizes him as passionate about creating plans, he enjoys doing it. Literally in the first episode, Mystic Mayhem, after the turtles’ initial plan failed of getting Splinter out of the living room to touch his Do-Not-Touch Cabinet, Raph immediately started devising a new plan that involved “ten chickens [and] a gallon of rubber cement” [9:35]. It was convoluted, sure, and they didn’t end up using it, but it was inventive and the opposite of reluctant. This is also shown in Bug Busters, where Raph planned out dousing Mikey in honey to attract the oozequitoes [2:52]; Snow Day, with the idea to freeze Ghost Bear like in Jupiter Jim Pluto Vacation 4; and Raph’s Ride-Along (and also Bad Hair Day), where Mind Raph created multiple schemes to get the criminals arrested. The show wouldn’t have made Raph be so creative with his plans if they were trying to characterize him as someone who didn’t like strategizing.

So does why Raph do stupid shit sometimes where he doesn’t think things through at all? Well, even though Raph is good at strategy and enjoys doing it, it’s clear his immediate impulse is still “punch the problem in the face”. In fact, all the turtle boys contain the fascinating dichotomy of being incredibly smart in some areas, and the dumbest teenagers alive in others. Just look at Donnie. It’s also how Raph is a loving protective older brother, and the guy who shoved Leo into a wall so hard he disappeared in one frame for shits and giggles (The Mutant Menace x). None of this means that Raph is bad at strategy though.

tldr: Yeah, Raph has a lot of dumb and, frankly, insane moments in the show, but he’s still an incredible tactician who’s plans consistently saved his family and sometimes the world. He's a great strategist.

[holy--milk]

so here's a fun little PIDW AU idea.

after finally dying at the ripe old age of 200+, former demon emperor LBG wakes up in the body of his 12 year old self, on the day where he joined the cang qiong mountain sect in his previous life. he's understandably angry and bitter about having to face the misery of his youth all over again, but ultimately decides to take advantage of this unexpected second chance at life and be less of a downtrodden naive little lamb this time around.

the disciple selection goes just the way it did in his first life (LBG ends up going to the CQM sect again because, well, it's not like he can think of a better option at this point in his life), but when LBG meets SQQ in person for the "first" time and mentally prepares himself to be doused in tea once again, nothing happens. SQQ just drinks the tea he brewed and orders MF to show him around and get him settled before leaving.

and then the expected bullying never comes. his seniors (with the exception of NYY) may not be the friendliest bunch but they mostly leave him alone, and while the SQQ of this new life is still cold and distant, he isn't constantly looking for excuses to punish his most junior disciple. and whenever LBG acts out to purposefully test him, SQQ's punishments seem to be unexpectedly lenient.

which leads to LBG having a full-blown crisis. it took him so much time and mental effort in his first life to come to accept that it was the world around him that was inherently evil and cruel, and not him that was inherently unlikeable and unloveable, and now his new life turned all that upside down? apparently, it was indeed him that's been the problem this whole time, and all it took for other people to be just a bit nicer to him was changing his behaviour (even though he's not quite sure what exactly led to this monumental change).

unbeknownst to him, the SQQ of this new life also transmigrated into his younger fully intact body on the same day that LBG did. and he's working on salvaging his reputation in the cultivation world in order to be able to expose LBH's demonic heritage in the future.

[aibouart]

bwwuugg emerges from my 3 days of playing balatro and shows you this on a piece of paper

[cozylittleartblog]

when valve has enough money to buy god, but they let bots ruin their game for 5 years and dox people 🤖🔫 #FIXTF2

everyone who signs this 100k+ petition will have their name printed and sent to valve HQ. this shit is unacceptable.

[antianakin]

I'm not a huge fan of Jedi Kryptonite suddenly starting to show up everywhere. It feels lazy, like the only way you can make your particular bad guy seem powerful and the Jedi less so is to introduce a random Kryptonite that just makes the Jedi incapable of fighting at their normal level. If the only way you can conceive of your bad guy being scary is to neuter the Jedi, maybe you're just not that good of a writer. Food for thought.

[theflashjaygarrick]

My hot take is that while everyone talks about Batman being the ordinary human on the justice league with the way he's been written lately that descriptor only feels true with Green Arrow.

[regina-del-cielo]

Maybe it's a 'study finds water is wet' type of thought, but

considering it's an action movie whose overall plot is "immortal warriors Fuck Shit Up™️", I think it's significant that in The Old Guard the thing that makes Copley pull red strings through his Murder Conspiracy Board and say "[Merrick] doesn't care what [Andy]'s done with [her immortality]" is the people they save, not the ones they kill

Most of the Conspiracy Board is him circling random newspaper headlines and faces on old photographs to (more or less realistically) follow the immortals' treck through the world and big historical events. Which is, in-canon, not much different than putting portraits from different centuries next to a picture of Keanu Reeves and saying "they look the same, clearly Reeves is an immortal!"

But then there are the connections. A little girl holding Joe's hand in WW1 becoming the youngest (and first) woman to be awarded a Nobel Prize for Medicine (suck it, Kozak). Or the grandchild of a family that Andy saved from [something] helping people escape from the Khmer Rouge genocide in Cambodia.

They are warriors. They have fought and been in the midst of countless wars, major or minor, throughout history. They must have killed as many people as they saved... and yet.

It's not them taking out a random warlord or dictator or rabidly hateful politician that has tangible repercussions in history. It's the children and families they get out of war zones, save from accidents, protect from natural disasters. People to whom they give a second chance at life, and grow to change the world (or even just their own world), like a mysterious stranger once changed theirs just by holding out a hand or patching a wound.

I don't know I just think it's particularly neat

[kakooshi]

My Hero Academia is ending in 5 chapters so that there will be a sequel where Bakudeku are married and they start a hero agency with Shouto as their sexy secretary. And they all fall in love while trying to navigate post-war society and make it a better one for both heroes and villains. It's true, HORI TOLD ME.