#the awkwardness of the team and of the depiction of the characters definitely definitely need much improving...

[sarahshoots1st]

RWBY Characters as Tarot Cards

Not an artist so I can't make these, but I've been stuck on the idea of RWBY characters as tarot cards for some time now and I wanted to share my opinions.

(Note: I am by no means an expert on tarot cards or the arcana in general, so my interpretations of their symbolism is based on whatever I was able to find on the internet. You are perfectly allowed to disagree with my conclusions.)

0. The Fool - Jaune

Jaune's arc starts with him being easily the least experienced member of the cast. He has placed great expectations upon himself to live up to the standard of his family line, but has none of the training or experience necessary to be a Huntsman. His bravery, while admirable, often prevents him from backing down in situations where he has no chance of success. He has all the trappings of a great hero-to-be, but he has a long way to go.

The Fool symbolizes naive innocence, a blank slate who will be shaped by the adventures to come. Over the course of the series, Jaune learns to readjust his definition of what it means to be a hero. It is not his optimism, but his expectations, that are ultimately tempered by the journey.

At the beginning of the series, Jaune's goals are wrapped up in traditional male power-fantasy - a conquering warrior who saves by killing, and wins the affection of the ladies by doing so. RWBY is a show that consistently and intentionally subverts gender-norms in media, and so it is no surprise that Jaune grows beyond those Fool-like expectations for himself. To paraphrase the opening monologue between Salem and Ozpin, victory will be found not in strength, but in the forgotten virtues of a more honest soul.

Though he grows into a competent fighter, Jaune does not fit the classical ideal of a front-line warrior. Instead, he fills more of a support role in his team, coordinating his allies' attacks and boosting their Semblances with his own. He is still a brave hero who tirelessly fights to protect the innocent. However, that process involves healing his allies and keeping civilians calm and out of harm's way just as much as it does slaughtering hordes of Grimm. In Volume 9, even that can be a stumbling block for him, as we see his inability to accept failure ultimately preventing the Paper Pleasers from growing into what they needed to become.

Our favorite Vomit Boy has grown a lot since the early days at Beacon. The awkward, clumsy boy we meet in episode 1 has quite the journey ahead of him, with many hardships to come. But the fires of tribulation will ultimately forge him into something stronger. Not the idealized knight in glittering armor he imagined himself to be, but a bruised and tattered warrior whose compassion and optimism can inspire others even in the darkest of times. I can think of no other character who better fits the diamond-in-the-rough, naive-optimist archetype that The Fool represents.

For the card art, I think we would see V1-3 Juane, still on the Beacon Academy grounds, but looking out over the wider world as a whole. In the background, a semi-transparent image of his V9 incarnation could be present, symbolizing what he is growing into - an older, more mature version of himself, having achieved the hero status he so desperately craves, but also having been weighed down by the experiences it took to get there. Classically, The Fool is depicted with a dog nipping at his heels, so obviously we would get a Zwei cameo here.

(This came out much longer than I thought it would be, so I'll probably try to do these one at a time. If this gains interest, I'll add links as I go.)

next

[bonewaryreblogs]

So, this whole story is loosely broken up into four "arcs" that I haven't completely decided how I want to tackle. Each one has areas I can use as "filler", usually to allow the cast to get used to a new normal before the next big plot point happens.

I'm thinking I might do this anthology style, so I can write whatever comes to mind without worrying if I've properly set it up, just adding context before or after to put it somewhere on the timeline.

Origins

Before Silver Arrives

Things from the show that I don’t want to rewrite but may reference as having happened.

Silver lives with the Twilight Clan for a bit (this may be hours, days, or maybe weeks depending on how much I feel like fleshing out his “old friends”).

Silver leaves the Twilight Clan, still banished but with Mephiles’ blessing (and some cool new accessories Meph was gonna give Silver on his next birthday).

Silver Hidden

Following his instincts, Silver gets to Bygone Isle and immediately recognizes Sonic from his visions. He hides and observes, not interacting with anyone if he can help it.

He’s heard horror stories since he was young about how people outside the Clan act; sometimes it’s true (everyone lives separately) but not always (he's heard that “everyone only looks out for themselves” but sometimes he sees them help each other without needing a reward), which confuses him at first.

Silver Discovered

Silver is found out and proceeds to be very socially awkward. He accidentally accuses Sonic of starting the impending disaster his visions foretell and friends are not made.

Silver continues to watch Sonic and Co but doesn’t bother hiding as much anymore.

-

Main Story

The Rise of Lyric

Team Sonic gives Silver a chance and decides he’s alright while saving the world. A lot happens.

Tikal’s arrival kicks off this story-line; she’s been alone (except for Chip) for a long time and basically takes the place of Sticks (I never liked Sticks :P).

Team Sonic becomes Sonic, Tails, Amy, Knuckles, Tikal and Silver. Some other main player are Lyric himself, Dr. Eggman and Rouge, Blaze, Sally Acorn, Shadow, and more!

Sonic and Blaze recognize each other but neither addresses this until Blaze mentions that his mother misses him as she’s leaving to return to Soleanna.

Silver Joins the Main Cast

Silver tries to integrate into normal life now that his “purpose” had been fulfilled. Many “filler” adventures are had from the show happen and Silver proves himself a good friend, rather than just a strong ally in a fight.

Many side characters are (re)introduced, like Sonic’s Uncle Shadow and fellow former Twilight Clansman Espio, who now works with the Chaotix Detective Agency.

Silver Moves in with Amy

Amy basically adopts Silver as her little brother. I personally really like when they are depicted with a sibling-like dynamic so I’m just leaning into that. Because I can.

Silver starts delving into his history a bit more and Amy convinces him to go to a therapist, if only so he knows better what’s different between the Outside World and the Twilight Clan he grew up in.

-

Soleanna

Sonic’s abandoned history finally catches up to him.

Blaze ‘forgets’ to inform Sonic’s mom that she saw Sonic while saving the world. Once she finds out, Mom goes to Bygone Isle to retrieve him. Turns out Sonic was born into an influential family in Soleanna (not royalty but definitely in the Royal Court) but had run away from the stifling lifestyle so he could live freely.

“Temporary Girlfriend” happens (Sonic asks Amy to pretend to be his girlfriend so Mom doesn’t realize he’s basically a beach bum) but Mom is not impressed.

Soleanna

Mom takes Sonic back to Soleanna to marry Blaze, since they’d been betrothed since childhood.

Blaze is just as unhappy about this arrangement as Sonic; she feels that she’s perfectly capable of ruling on her own, without some ‘man’ by her side. She thinks of Sonic as a friend, and an ally if things get rough, but nothing romantic.

Things are eventually “called off” tho many in the court assert that it was simply suspended for a later date, when they’ve both “matured” and accept their roles.

Recovery

Everyone goes back home and pretends that never happened.

The group visits Soleanna a few times, mostly during festivals and such, to get Blaze out of the castle and so Sonic can reconnect with his twin younger siblings, Manic and Sonia.

Mom may or may not still be trying to get Sonic to come back home and fulfill his family obligations. They avoid her anyways.

-

Soleanna 2

Wedding Boogaloo

Sometime later, Sonic disappears and his friends are starting to grow concerned but reason that Sonic has disappeared before and tends to like his privacy so he’s probably fine. Then they receive wedding invitations and realize that he is being forced to marry Blaze anyway; sending them invitations was a cry for help, since they were barred from contact otherwise.

Knot This Time

They all try reeeaaally hard to get around the rules, to no avail.

Politics happen and Blaze is unable to dodge a second bullet; she has to marry or abdicate the throne. The next in line is a greedy mofo who would doom the country and Blaze couldn’t live with herself if she let that happen.

Silver Rings

Blaze eventually circumvents the problem by proposing to Silver instead, as Blaze thinks they could complement each other well. Silver is extremely uncomfortable with this and has to think about it, venting to Amy about his feelings and eventually comes to the conclusion that he’s ok with it. Mostly.

She doesn’t have to marry the one her parents chose for her, she doesn’t even have to marry someone of the opposite gender, she just has to have someone to take care of more “domestic matters”.

Silver Boom

Feeling in a Sonic mood, let's see how long it lasts :p

So I've had my main hedgehogs done for a while, finally finished Tails, and I'm halfway done with Knuckles and don't feel motivated enough to finish him -.- but this is more or less what he'll look like

I have an older version of the 'hogs and a lot of info on Reddit

Anyways

Silver the Hedgehog is my favorite Sonic character and the initial idea for this was to add Silver to the Sonic Boom franchise, rewriting the mess that was Rise of Lyric. Then I could add him into the show's timeline and fix some things that bugged me there. Like Sticks' whole existence.

But we'll get to that!

I realized at some point that I can basically do whatever I want with this universe, so I decided to utilize elements of most of the Sonic games/media I was familiar with, researching what I was less familiar with, and throwing it all together to create a mostly coherent story. I'll try to use (or at least touch on) as much as I can but forgive me if I leave out your favorite thing. If I do, please tell me about it! I can always be persuaded to add more and this universe is hardly set in stone :p

Basic History of Mobius

While the planet mobius was mostly formed like any other, its molten core contained magic mixed with magma. From the tumult, some of the magic magma crystalized and found its way to the surface, forming eight crystals directly linked to the eight quadrants of the spherical molten magic core. Lesser crystals filled with magic power grew in caves near the magic magma but their powers were finite while the connected eight, eventually called Chaos Crystals, were seemingly limitless as they drew from the core directly.

The Ancients, as they would come to be known, used the “clean” energy of the Chaos Crystals to fuel their hi-tech society but removing the Crystals from their proper places and using their energy with such reckless abandon unbalanced the planet’s magic and the society crumbled under its own weight. Many of the Chaos Crystals were taken and jealously guarded by what would become a magic fueled ruling class, generally influenced by the crystals’ instinctual will to return to their rightful places in the world.

Such was the fate of the Sun Stone of Soleanna, Spagonia; The Radiant Opal in the Kingdom of Acorn, Northammer; the Sky Garnet of the Babylonian Gardens, Shamar, until its cataclysmic demise and subsequent withdrawal into a desert storm; the Verdant Emerald of Angel Island, guarded by the near extinct Knuckles Clan of echidnas; and, in a way, the Twilight Amethyst of the Moonlit Mountains, Holoska, whose protectors are “recruited” from across the globe for their powerful potential. Of the remaining Chaos Crystals, the Shock Zircon powers a prison holding a mage and mechanist from the Ancient War; the Tidal Sapphire is protected by a powerful water elemental in the depths of the sea; and the Flame Ruby is sealed and resealed within a host, the latest of which is the heir to Soleanna’s throne. Having two Chaos Crystals in such close proximity to each other, and Angel Island traveling overhead, unbalanced the magic enough for Lyric to escape his prison and begin to plan his takeover.

~

In more recent history, humans arrived in the Space Colony Arc about 150 years ago, enough time for the first generation (Gerald Robotnik) to have died off, the second generation (Professor Pickle) to be old and retired, the third generation (Ivo Robotnik/"Eggman") to have been at least raised on the planet if not born there, and the fourth generation (Chris Thorndyke) to be in school, having known nothing else.

Mobius was in a medieval type of era when they arrived and relied heavily on a magic-wielding ruling class with various magic artifacts. The humans, only about a thousand strong when they arrived, bribed their way to peace by selling their tech and knowledge, allowing the average citizen to be able to stand toe-to-toe with magic-wielders. This lead to rapid advances and an odd mix of extremely advanced technology right next to medieval magic, as well as a combined magi-tech emerging in prominence, as they begin to understand the mechanisms behind their magic.

The Arc is in approximate geosynchronous orbit over Spagonia and is considered the capital “city” for humans, though they’ve been allowed to make several colonies on the planet itself. Eggman is essentially kicked out of the human civilization for being too reckless and unpredictable to fit into the box most humans set up for themselves. He’s mostly harmless, unable to take over a single island due to Sonic and friends stopping him.

~

Our story begins as Silver wakes up from another nightmare, the same one he always has; the blue hedgehog, surrounded by flame and rubble, turning to look at Silver with a cocky smile. The details would change, of course, but the hedgehog and the dread was always the same. Silver goes about his day (possibly several days, depending) before Mephiles contacts Silver to come see him. Mephiles is the personification of the Twilight Amethyst and leader of the Twilight Clan; he knows of Silver’s constant nightmares and wants to hear about this latest one. Eventually the discussion turns to Silver’s increasing desire to leave, find the blue Hedgehog, and prevent the destruction he always sees in his dreams. Mephiles eventually relents; Silver is banished from the Clan, as is their custom with anyone who leaves, but he does so with Mephiles’ blessing.

Led by instinct, Silver finds himself at Bygone Isle and immediately recognizes Sonic from his dreams. Having heard horror stories about outsiders all his life, Silver decides to hide and observe for now; it’s against his nature to hurt the innocent but he isn’t sure Sonic is innocent of the impending doom. Some stories were confirmed to be true, like everyone living separately, but some seemed to be false, like nobody helping each other. Of course, it doesn’t take long for Silver to be found out; he was well trained but still young and inexperienced. In a panic, Silver spouts off about the inevitable doom of the planet and Sonic’s connection to it, leading to misunderstandings and general caution between them. Silver still watches but doesn’t bother hiding as much.

Thus begins the main storyline of Rise of Lyric. Race around the globe with Sonic and friends to see who can get to the Chaos Crystals first; can our heroes keep them long enough to keep the world from falling apart?

[whumpberry-cookie]

Whump blog intro

What is a whump? Long story short - exploring the trope of phisical or emotional pain in fiction.

Berry/Cookie. 23 (she/her).

* What am I doing here? Writing prompts, scenarios, stories. Sometimes drawing too.

* What am I definitely NOT doing (no-no): - whump about real people, nŝfw, minor, extreme gore.

(My reading list)

===============

Masterpost:

SERIES:

If you're interested in any cathegory from below, let me know! (Not updated in a long time)

Forced to dance (1) (2) (3)

There is no way out. Whumpee can't reach out for help. All they can do is to dance with Whumper on the ball and play pretend.

Your poor wrists (1) (2) (3) (4)

Caretaker, old friend of Whumpee helps him deal with all the pain he suffers during their abduction. The pain that Caretaker causes himself.

SHORT/PROMPTS:

Comic reliefs:

Comic reliefs (1) (2) (3) (4) (5) (6) (7)

Caretaker spent so much time with Whumpee that their symptoms aren’t surprising anymore. Also Whumpee wants to be treated normally. So sometimes it even becomes a comedic relief.

Ridiculous Whump Idea

Awkward Villain tries to do comfort

Whumpee believes there is good in everyone 💖And it wakes Caretaker's violent side.

Whumper is NOT good at being evil yet

Height problem

Comfort:

Fluff scenes: (1) (2) (3) (4) (5) (6) (7) (8) (9) (10) (11)

Awkward Caretaker with Mute Whumpee

The 5 love languages by Caretaker

Night shift

Happy ending

Stoic Caretaker

Emotional/angst:

Heartbreaking things Whumpee can overhear

Afterwhump realisation

Winter escape

Hurtful things Caretaker can say

Caretaker at his breaking point

Caretaker needs some comfort too

Social anxiety

Caretaker who just doesn't know what to do

Whumpee realises the truth about their own intentions

Torture/abduction:

Two Whumpers

Interrogation of the stoic leader

Don't hold your breath (Merry Whump of May)

Tiny whumpee

The choice game (whipping, betrayal)

Push your boundaries (forced participation)

Team watching the tape (Whumpee's interrogation)

Whumpee trying to bargain

Plot prompts:

"Don't... move"

Motives for Whumper to Whump

The Sidekick is a dedicated lover of the Villain

Caretaker is getting possesive

Caretaker blames leader for Whumpee's death

Morally gray Caretaker

Face paints

_________________________

Fav tropes:

Military/Underground/XIX, XX centuries

Aftercare / healing / Fluff (Caretaker x Whumpee dynamics)

Interrogation (hand whump, electrocution, whipping, drowning, breaking bones) (innocent / stoic / unprepared whumpee)

___________________________

Leader whump, stoic whumpee

Morally gray characters

----------------------

Thank you for reading! Enjoy!

⚠ DISCLAIMER! ⚠

This blog is dedicated to writing FICTIONAL scenarios and story ideas. None of the situations depicted are meant to relate to reality and are in no way meant to encourage any violence in real life.

If you came here for real people getting hurt, don't ever interact. And please, do seek professional help.

[illuminatedquill]

Extracurricular, An Analysis

Oh Ji-soo and Bae Gyu-ri

“Love is the ultimate outlaw. It just won’t adhere to any rules. The most any of us can do is sign on as it’s accomplice.”  - Tom Robbins 

You know the story. You’ve heard it before, right? 

Boy meets girl. 

Girl finds out that boy is running a side protection business for prostitutes. 

Girl decides to blackmail boy into letting her join his business. 

Classic high school criminal shenanigans ensue leading them into more dangerous situations where they are forced to make desperate decisions to stay alive. 

Oh, and they fall in love along the way. 

Oh? You haven’t heard this one before? Then let me introduce you to this delightful kdrama called Extracurricular. 

I watched this one while waiting for the newest Hometown Cha Cha Cha episodes to drop and ended up binging the whole series in two days. There are many remarkable parts of this series: it’s a crime drama, first and foremost, that showcases high school teenagers caught in a cycle of violence and crime, abandoned by the society and adults that are supposed to be protecting them. There are no clear good guys and bad guys in this drama; everyone is cast in shades of grey. Our main leads, Oh Ji-soo and Bae Gyu-ri, run the prostitution business, and are both from broken family backgrounds. Their actions are morally questionable at best, but the top tier performances from Kim Dong Hee (you might remember him from Itaewon Class) and Park Ju Hyun make you cheer for them anyway. You want them to have a happy ending, despite the horrible things they do. The audience is always reminded that despite how clever they are in staying ahead, their actions have consequences, and they’re just high school kids. The drama never pulls it punches. 

But, weirdly enough, it’s also a love story. And that’s the part the really sticks with me until now. (The chemistry between the main leads is absolute dynamite and I could watch ten episodes of them just verbally sparring with each other. They don’t even kiss. They’re that fantastic when together on screen.)

I’m writing this because this is undoubtedly one of my all time favorite kdramas and I have a lot of feelings about our main pairing, Ji-soo and Gyu-ri. I can’t call them a couple (wait, didn’t I just say they fall in love) because their relationship can’t be labelled simply as that. Think of it as something similar to the main leads in My Ahjussi. Two people who should have become soulmates, yet met at the wrong time. 

This kdrama is not particularly happy, and while I do encourage people to watch this, I am warning that the subject matter is extremely dark. If you’re sensitive to scenes depicting sexual assault, graphic violence, or anything in that zip code you’ll want to steer clear. 

Also, I’ll be diving into spoiler territory in this analysis. So if you want to go in clean, then stop reading here. 

Still here? Awesome. Let’s dive deep into the messy, amazing pairing that is Oh Ji-soo and Bae Gyu-ri. First, let’s do a brief character background on our two main leads, starting with Ji-soo. 

Oh Ji-soo is one half of our main pairing and this story starts with him. He lives by himself and has been essentially abandoned by his only parents; his father is a failed businessman who gambles whatever money he acquires on scams and his mother ran away. His apartment is small, sparse, but functional. He owns only a few outfits aside from his school uniform. The only unique item he owns is a pet hermit crab that he takes care of. His life outside of school is non-existent; he has no friends, no one to hang out with and do typical high school teenager activities with. He takes care of himself and lives only for himself and his “dream”: to graduate, attend college, get married, and have kids like a normal person. 

But to do that, he needs a large amount of money. He has no other financial means to do so (his father is largely absent, as is his mother), so he decides, at some point, to start up this protection business for prostitutes. The drama doesn’t go into detail about the how and why he came to this conclusion that this was the best way to make a lot of money in a short amount of time, so you’ll have to suspend your disbelief from the get go. Considering the themes of the story (how youths abandoned by society tend to act out in extreme ways to make it in this world), it’s not hard to believe his desperation would drive him to make such a decision. 

Ji-soo, despite his shady business, is actually a decent person. There’s a streak of humanity that exists inside him that refuses to go out, despite the increasingly dark and bleak events that start to overtake his life. He’s attached to his hermit crab, cares for his “employees” outside of them being tools to make him money, and doesn’t want to see anyone get hurt. He goes above and beyond what’s required to help out people at the risk of his own life (in particular, Gyu-ri, and we’ll get into that shortly). 

What we learn from the first few episodes is that Oh Ji-soo is extremely smart and methodical in how he approaches his life. At school, he is known as a model student - quiet, top of the class in terms of grades, doesn’t draw any attention to himself, always follows along with what the teachers ask of him. Only his homeroom teacher, Mr. Cho, seems to consider his quiet style of existence to be concerning and tries to make him less socially awkward by pairing him up with another student in a new extracurricular club. This leads to the introduction of Bae Gyu-ri, Ji-soo’s longtime crush and future partner-in-crime. 

Meet Bae Gyu-ri, the other half of our dynamic duo. Her introduction into the story kickstarts the entire plot, as one of her earliest actions leads to a domino effect that spells increasing doom and tragedy for our main leads. She messes with Ji-soo’s operation at a critical moment and she spends the rest of the drama doing her best to make up for the consequences that follow. 

In my personal opinion, she is probably the best main female lead I’ve ever seen in a kdrama. Hands down, no other character exists (currently) that rivals her sheer cunning, wit, and badassery. Gyu-ri is Crazy, capital C, and is the chaos to Ji-soo’s control; the fire to his ice. Despite being the direct cause of half the events that happen to Ji-soo in the drama, he can’t help but need her because of what she offers. They make an incredible team. Her competitiveness, her need to win no matter the odds, helps them survive time and time again. 

Gyu-ri is from the opposite end of the spectrum of Ji-soo; he’s dirt poor and she’s insanely rich (always nice to see a reversal of typical kdrama tropes). Her mother and father run a successful entertainment company. Gyu-ri is popular at school, friends with seemingly everybody, pretty, cheerful and gets along well with her teachers. Ji-soo, and the audience, believe from the beginning that she has the perfect life. It’s not hard to believe that she’s just involving herself in Ji-soo’s business because she’s bored and needs an outlet, at first. 

We soon learn otherwise. Gyu-ri has more in common with Ji-soo than he initially realizes, in that they’re both trapped in circumstances beyond their control - it’s just that Gyu-ri’s cage is gilded, whereas his is not. Her parents are strict and have her life planned out for her, all without her consent or input, leaving her feeling frustrated and powerless despite her rich lifestyle. A suicide attempt hasn’t done much to change her parents attitude towards her, only serving to further their control over her life. 

So, when she learns of Ji-soo’s operation she immediately seeks to angle her way into it. First, she tries to rip him off, believing that he’s an evil “pimp” and thus deserves it. But after spending some time with him, she changes her mind last second and decides to help him out instead. 

And, now, let’s get into their relationship, which is one of the best (if not the best) aspect in the entire series. 

I need to be upfront about something: the relationship between Ji-soo and Gyu-ri is not exactly healthy. I wouldn’t describe it as toxic - the circumstances surrounding them aren’t exactly the best environment to encourage open and honest communication - but it’s definitely not what should be considered ideal, especially for young adults, and especially for young adults who are dabbling in crime instead of studying. 

So, why do I love them so much? If you’ve read some of my previous posts, you know that I loathe toxic relationships in kdramas, so I understand if you think I’m coming off as hypocritical here. Why do I like Oh Ji-soo and Bae Gyu-ri when I didn’t like, for example from recent history, (oh boy, here I go again on my Nevertheless BS) Park Jae-eon and Yu Na-bi?

First, Ji-soo and Gyu-ri are way cooler than Jae-eon and Na-bi ever could be. They run a criminal enterprise that involves having a high amount of intelligence, cunning, and daring to do so. Do Jae-eon and Na-bi run a criminal enterprise as a side business? No, they don’t, because they’re boring art students. 

Secondly, Ji-soo and Gyu-ri actually progress in their relationship and change their views as they learn from each other. Now, granted, that progress isn’t towards becoming better versions of each other - quite the opposite. But at least they have progress. Jae-eon and Na-bi stayed in the same stupid cycle for the whole series and then decided that it was better staying that way as opposed to trying for something else. 

Last, but certainly not least, Ji-soo and Gyu-ri are actually interesting to watch for me. The chemistry between Park Ju Hyun and Kim Dong Hee is explosive and they way they spar, exchange looks, and just generally exist around each other on screen is something I can watch forever. I’ve said this before but Han So Hee and Song Kang’s on screen chemistry, outside of their intimate scenes, really didn’t impress me. 

Okay, back to Extracurricular. This relationship, man. It’s all I can think about (other than HomeCha’s Du-sik and Hye-jin, but that’s another post). Ji-soo and Gyu-ri are so good together. 

I’ve noted before that Ji-soo is methodical in how he approaches his life; he plans out everything ahead, and rigs any situation as much as he can in his favor. It’s brilliant, but when a crisis happens, he doesn’t know how to deal with it effectively. He panics and flounders; becomes indecisive at a time when clear, decisive action is required. 

Enter Gyu-ri. She quickly becomes the partner he never knew he needed. When there’s a situation, she becomes invaluable in her quick thinking and wit, coming up with solutions on the fly. It’s not perfect, but it keeps them just one small step ahead of whatever is coming their way. 

The only thing preventing them from becoming unstoppable is the lack of communication and trust they have with each other. A lot of that has to do with how Gyu-ri entered Ji-soo’s business - she blackmailed him first, and, when that failed, she strong armed her way into getting him to accept her help. It’s implied in the drama that Ji-soo has had a crush on Gyu-ri for a while (since ninth grade, I believe) and in the first episode he actually gets the chance to spend time with her outside of school on a sort of quasi-date. 

It goes sideways pretty quickly because of some shenanigans from his business, but not before she gets to know him and says some pretty touching words regarding his situation. Poor guy is head over heels - even after finding out that she’s the one blackmailing him, his feelings are only dampened, not extinguished. When he catches a glimpse of her family’s situation, he gains a deeper understanding of her and why she acts the way she does. Even more importantly, Ji-soo treats her the same after finding out this information which, to someone like Gyu-ri, means more than if he comforted her about it. 

If you want to see a physical representation of how he feels, other than paying attention to his actions, you can see it in him keeping mementos from Gyu-ri. She has an interesting habit of folding bags into origami shapes and giving it to him. Even after the blackmail reveal, you can see that he continues to keep these in a container on his desk. It’s really cute that he keeps these, when it probably doesn’t even matter that much to Gyu-ri. 

Towards the end of the drama, Ji-soo prepares to turn himself in to prevent Gyu-ri from being implicated in the crimes they committed. And it costs him almost everything to protect her. Ji-soo, the quiet, nerdy kid, puts himself on the line time and time again to protect Gyu-ri, knowing that it puts his life and his dream at risk to do so. And all for what? For some girl that he thinks doesn’t even like him in return? 

Well, let’s talk about that. Because I’ve seen some comments that Gyu-ri was only using Ji-soo for her own selfish gain. And I can agree that was how it was at the beginning for her; she definitely was only interested in acquiring money, like Ji-soo was, in order to achieve her own goal of being free from her parents. 

But, oh man, that is not what is motivating her at the end. 

It’s actually pointed out relatively early by some of her friends that it’s obvious that she likes Ji-soo more than he likes her. Understandably Ji-soo is keeping her at arms length from him given the whole recent blackmailing, so it would make sense that it looks that way. 

Further questioning reveals what she likes the most about him: 

“It’s not like I’m crazy about him. He’s fun. And amusing. He’s smart. And there’s a certain charm he has. He also has a wolfish side to him. But he thinks he’s a puppy.” 

- Bae Gyu-ri

But, as she gets to know Ji-soo better, you can certainly see that she starts to fall hard for him. As a cover story for why they hang out so much together during and after school, Gyu-ri states to everyone that they’re dating. The reactions across the school definitely imply that this is a shocking development, which means that Gyu-ri hasn’t dated anyone before. So why Ji-soo other than the reasons she herself states? 

He challenges her, just as she challenges him. Gyu-ri may be the more dynamic, quick thinking of the pair but Ji-soo is every inch her intellectual equal - just in different ways. She doesn’t seem to be the type to be easily impressed, but you can tell that she’s definitely impressed by Ji-soo’s operation and how thoroughly set up it is. When Ji-soo is frustrated at the beginning by his setbacks, he blows up at another student (knocks him out in a crazy punch) and immediately walks over to Gyu-ri afterwards (who saw the whole thing) to inform her that she is now his partner in crime. 

The look in her eyes, and the small smirk she has speaks volumes about her attraction to him in that scene. Smoldering. 

And, oh yes, she’s prone to jealousy. Another classmate, Min-hee, gives Ji-soo a present out of the blue (it was supposed to be for her boyfriend, Ki-tae, but that’s another sub-plot) - all within view of Gyu-ri. It’s hilarious how she tries to brush it off. Later, for plot reasons, Ji-soo has to spend more time with Min-hee which only furthers Gyu-ri’s annoyance. 

And her motivations stop being entirely about the money and more towards helping preserve the dream that she and Ji-soo share about being free. There’s a scene in episode 8 where it’s revealed that, due to a business partnership with a local gang (set up by none other than Gyu-ri herself in a desperate move), Ji-soo would have to drop out of school permanently to work on their behalf. Gyu-ri overhears this and, despite badly needing the gang’s help in sustaining their own business, immediately terminates the partnership. 

All because it would interfere with Ji-soo’s dream. 

Man, if that isn’t love. 

In the following episode, Gyu-ri, and later on Ji-soo, is kidnapped by the same gang in retaliation for terminating their partnership. Ji-soo comes to her rescue but Gyu-ri is already almost free (again, she’s really, really badass) and is demanding that they bring Ji-soo to her instead of running for her life. 

Surviving this latest attempt puts the two in a reflective, vulnerable mood and Gyu-ri asks Ji-soo why he keeps saving her. Ji-soo asks later on why she keeps risking her life to be with him. They don’t say the answer in words but in an almost kiss (yeah, you read that right - almost). 

And then, if you aren’t already convinced, Ji-soo crosses his one last remaining line in an effort to keep Gyu-ri safe; he accidentally pushes a fellow classmate down some steps and, instead of helping her, leaves her to die after grabbing the evidence she has on him and Gyu-ri. 

Extracurricular pulls off quite the magic trick here, hiding this well done love story in the middle of a serious crime drama. 

The real tragedy is that Ji-soo thinks that Gyu-ri views this whole business, and by extension his life, as one big game. It’s something that she takes offense at, visibly becoming upset when he says that. 

But even if that were true, he should be assured since Gyu-ri doesn’t like to lose. 

As they hurtle towards the end and face up to the consequences of their actions, Ji-soo and Gyu-ri undoubtedly lose sight of their original goals and dreams. They do some fairly horrible things to stay alive and ahead of the police who are close on their trail. You can’t really blame them for doing what they did; in the face of a society that has abandoned them, what they’re doing is a logical outcome to gain what they want so desperately and deserve so much: the chance to be free to live like normal, care-free people. 

I can’t say for certain that they achieve that. The drama is serious in consequences and, at the end, the net around them is drawing tighter and tighter. I won’t spoil the ending scene for you, because I highly encourage you watch this drama yourself but I will say this: Ji-soo and Gyu-ri seem stuck in an impossible situation with nowhere to go, and no one to help them, with a clock ticking down towards either death or discovery by the police. 

But, all the same, I’m always the optimist. They’ve gotten through situations like this before and they can certainly do so again. Maybe not as bad as this one, but not too far out of their league. And, like I mentioned before, Gyu-ri doesn’t like to lose. Especially when it comes to Ji-soo. 

Their relationship is truly dangerous, as Ji-soo himself notes. Them being together is the source of their problems; they’re too much alike now, as opposed to the beginning of the drama where he stated that they’re too different. Their love is the kind of love where both of them are willing to burn the whole world down if it means keeping each other safe. 

I’m a real sucker for those kind of love stories. No one’s a hero here. They’re just kids in high school, doing the best with what they know. 

Who are we to judge what is right and wrong? Especially when the one committing the acts are high school kids who don’t know any better and just want to save each other? 

Do we have that right? 

Do they really deserve that punishment? Shouldn’t we be pointing fingers at the society that forced them to act this way? 

Extracurricular really makes you think about that. Is it really so outlandish and terrible what Ji-soo and Gyu-ri do to survive when the adults who are supposed to be protecting them, teaching them better, have failed in their duty? 

Maybe they really did win at the end. Not so much in succeeding in their goals but in gaining something that not even regular people are likely to find - a partner, a soulmate, someone who will stand by you no matter what. 

If you do watch the ending, and are not an optimist like I am, then all I can say is this: whatever happened, they were together at the end. 

They were together. 

[izzyinarchive]

discussing the final season of carmen sandiego

*spoilers* umm....so yeah, i finished watching carmen sandiego, and i’m left in a state of perpetual sadness and despair. i feel like the ending of the show wrapped up wayyy too fast, and kind of left off on a bit of an unsatisfactory note for some of the characters. although i love the large and diverse cast of carmen sandiego, one of the drawbacks of having all those characters and arcs and storylines makes it harder to cram in a satisfying conclusion for everyone in a twenty-minute episode. so here’s what i would do if there was more time. 

let’s start off with the threads that i think were tied off pretty well: 

julia & chase devineaux: i wasn’t really a shipper of julia and devineaux but i actually really enjoyed their relationship throughout season 4. we see a lot of character growth from devineaux in the way that he interacts with julia and the world. julia pushes devineaux to become a better person, to see things with a broader perspective and from other people’s points of view. and he does really change a lot into an understanding person instead of the overconfident, arrogant detective we first saw him as in season 1. in addition, he also grows to respect julia as a person and partner, and it’s completely adorable how he looks at her while zari tells julia that they’ll follow her lead. also i love how he keeps wearing his lucky cat jacket from san francisco in season 4.  

el topo & le chevre: okay, i was pretty much shipping these two the minute they showed up on the screen together. you can tell how much they care about each other throughout the series. whenever one of them gets hurt, you can really see how they prioritize each other over whatever thing vile is planning. when things are good, they’re so sweet and they have so much fun together. and they take dumb cute selfies. they’re so, so adorable, and this season definitely brings the shipping fodder. and they end the season moving on from vile and running a food truck together. the only thing i’m mad about is that we definitely needed more screen time from them. 

shadowsan: i didn’t like shadowsan in season 1 but over the course of the series he really went through a lot of major character development and i love how he’s now basically a grumpy dad figure to carmen. the season ends with him finally reuniting for good with his brother in japan, and it’s a satisfying conclusion for his arc. i also love how he was the one to help carmen in the finale when she’s struggling with the brainwashing thing. which is way better than the brainwashing being resolved by some bs like true love’s kiss. (also carmen and gray are way too hurt and they’re super not ready for a relationship.)  carmen sandiego is a show that emphasizes the importance of family with this father-daughter duo, and i think that’s something really valuable. also i’m interpreting that shadowsan isn’t permanently moving to japan, but rather just visiting his brother. he’s still definitely going to be there for carmen going forward when she needs him. 

player & carmen’s friendship: i love this show for having a male/female friendship with absolutely no romantic feelings going on. it’s a solid friendship, and depicts a wholesome, supportive relationship. absolutely no qualms here.

and here’s all the stuff that needs expanding/fixing: 

tigress: i actually really love tigress as a character, and i personally think that there should have been more of her in the series. i would have liked to see more depth and motivation to her, since she has a lot of character potential. i don’t really know how i would rewrite tigress’s arc, because it’s virtually nonexistent and there’s not too much to go off of. i don’t think she needs a redemption arc, but i would give her more of a spotlight. (also low key fictional-crushing on her.) i would like to include sort of a tigress-centric episode, which can also generally be more expansion on the inner workings of vile.

cleo & saira: villain couple. villain couple. they need to be a villain couple, enough said. i would rewrite season 4 to have include an emotional downbeat moment in which saira struggles with being able to fit in with society and humans and being completely awkward at it while cleo, in all her regal and ettiquite-esque manners, tries to help. this wouldn’t really help with the main plot, but it would be humanizing and provide character depth. i feel like this could be the b-plot in the tigress episode somehow. 

coach brunt: you don’t betray family. at this point, coach brunt has lost the daughter she raised, who, in her mind, has basically backstabbed her entirely. coach brunt was also betrayed by shadowsan and left for the police to find, and in season 4, malestrom basically abandons her to drown. and it’s highly likely that somewhere in her backstory she’s been betrayed many times, likely by her own blood family, which would provide context for why she’s such a loyal person to vile, who she thinks of as her found family. in rewriting season four, i’m adding one extra episode that’s solely on the backstory of coach brunt. in this episode, we would explore brunt’s upbringing and the first time she is betrayed by someone she considers family. in my opinion, coach brunt was likely pushed to fall by another influence, but she also makes the conscious choice to choose revenge over moving on. potentially, we could also explore brunt’s budding friendship with the mechanic, who we never see again after that one episode, as well as a reflection upon this from her adult self. 

gray & the freaking mind control thing & his moral struggles: *sighs* i can see what the show is going for, but i really just don’t see it in the execution. the way that gray struggles with morality is like it’s an on and off switch. he’s either graham, basic civilian, or crackle, basically evil. in that one episode, he flip flops between being overly heroic, even taking out time from his day to specifically track down a random kid to return his wallet instead of just dropping it off at the police station or leaving it where he found it. and then the flip side is like he’s just robotically relapsing into stealing mode, where he just suddenly has to impluse to steal literally anything. i feel like this flip flop wasn’t really a good portrayal of his struggle and didn’t really demonstrate many active choices made by him. and the way that he’s just like “i’m actually just evil” when he confronts carmen at the lab is just super one-dimensional. i just don’t buy it that he flips to vile so quickly in the span of a few episodes. i feel like there should have been more active reflecting and the decision should have been dragged out longer. 

also it’s revealed in the finale that gray also changed his crackle rod to not go beyond a stun, and i think this was a nice touch, because it demonstrates his aversion to murder, which calls back to the first caper, in which he’s confronted with killing the archeologist at the excavation site. but he doesn’t end up having to make that choice, because carmen stops him. but this time, it’s his own choice to take that step away from vile ideals. i don’t think gray is ever going to be a “hero” of the traditional sense or have a complete redemption arc, because it just doesn’t fit him. to be honest, i don’t know what the future will hold for gray, but i definitely think of he will fall somewhere along the lines of red x (teen titans) or catwoman’s (in certain comic runs) gray morality. (and i think the way gray returns to vile kind of screws this up.) he’s still going to steal stuff sometimes probably, but he’s not going to straight up murder people. he would probably be the type to work for himself alone mostly, but be okay teaming up with the good guys sometimes. definitely no joining evil organizations tho. 

gray & carmen & the “i know you’re in there somewhere fight:” i definitely ship these two, but i think they’ve got a long way to go before they’re really ready to admit their feelings for each other. i’m happy that the “i know you’re in there somewhere fight” didn’t culminate in a kiss scene being the thing that snapped carmen out of the trance. because that is just so cliche and not the message of the show. instead, it’s shadowsan who does. and that makes sense going along with the themes of family. i think the issue with this i dislike how there is no more elaboration after carmen supposedly kills gray. this is her best friend. i would imagine that the reaction would be greater, since he was also her friend and teammate during the months they were both working under vile. and then when carmen’s brainwashing wears off, she agonizes that she killed her best friend. but that’s it. the “i know you’re in there somewhere fight” is the last screen appearance of both of them together. then it’s directly cutting to taking down vile. there should have been a hospital scene where carmen rides with him in the ambulance and talks to him as he’s unconscious, and leaves behind a note for him to read when he’s awake. 

i just really think there should be a “heart to heart” scene somewhere in this finale where they confront their feelings (not romantic stuff, but more about like shared trauma at the hands of vile and their broken apart friendship). this could happen at that sydney cafe. both times carmen and gray go on a “date” she leaves him sitting there alone, bewlildered. i think the finale should include a scene of them leaving the cafe together and then walking away and waving to each other. this shows development in their relationship, and that they are now closer, but it also visually shows that they still have differences as they walk away with a sort of two toned kind of environment angle that shows the different paths they have chosen. (and carmen calls him gray. and he doesn’t correct her.) it’s more of a see you later, than a goodbye though. we’re also getting rid of that part of when gray says he doesn’t want to complicate carmen’s life in the hospital scene. instead, he’s going to ask for a sheet of paper on which he will write an indiscernible letter to carmen. (the same letter will be seen in at the carmen brand outerwear hq a few scenes later for continuity, but unopened at the time, as if carmen’s not yet ready to read it. i feel like both of them need to heal a bit on their own before they’re ready to reconnect. gray knows he has hurt carmen in the past but he also knows it will hurt her if he disappears without a trace, so he’s leaving her with the choice if she wants to see him again instead of making the choice for her.)

ivy & zach & found family: carmen leaves a note behind for ivy and zach and leaves to find her mother. i feel like this did not handle team red’s found family very well. basically, the whole show is setting up this importance of family, especially found family not blood family kind of narrative. vile blood runs in carmen’s veins but she chooses to do good and find her own family. ivy and zach both choose carmen, their found family, over their racing career. i think that they should have stuck together, and when carmen goes to find her mom, they would have been totally onboard dropping her off at the airport and saying a “see you soon” or actually driving her to carlotta valdez’s house in lydia (the car). i just don’t think that splitting them up via a note is really a satisfying conclusion to the whole found family aspect. and in that time skip carmen really should have stopped by to say hi to the zach and ivy and the acme squad instead of maintaining the air of mystery. that would have definitely pushed the family feel, instead of the mysterious loner archetype. 

that time skip thing: yeah, no. this part was completely not needed and unhelpful. instead, we’re going to have carmen hug her mother at the airport, and go to visit all of her friends and found family, especially shadowsan in japan and ivy and zach in presumably boston. and the time skip will be a few onths not two effing years. i think it’s natural for them to grow apart a bit and pursue their own personal goals in life after vile’s gone, but they’ll definitely be staying in touch and reconnecting and seeing each other pretty often. and lastly of all, carmen will meet gray at the cafe in sydney.

basically, this is how i would redo the episodes for season 4. 

episode 1: the beijing bullion caper. (this episode remains as is for the most part, i would like more expansion on lady doksu and shadowsan's past since it seems like their pasts are more tied together than is revealed)

episode 2: the big bad ivy caper. (this episode remains as is for the most part.)

episode 3: the robo caper. (the scenes in which carmen first meets the robot and ivy runs it over with a truck can stay the same. where we start to deviate is with gray’s story with a revised, more complex, and in depth view of his moral struggles. instead of being unaware largely as gray flops between graham/crackle, he’s going to be a lot more aware. he’s still going to rob the house, but instead it’s because he feels hopeless that since he was previously a criminal, that’s all he’s ever going to be. gray doesn’t want to be a civilian, and feels like the only thing that he can do instead is be a part of vile. however, when he sees carmen again, he’s going to realize that if she got out of vile, then that means he has a chance to get out of it too. gray comes to a crossroads of deciding between carmen and vile, good and evil. 

episode 4: this will be the episode that concentrates on tigress, with a cleo/saira b-plot. most of this episode will take place within vile, and give more insights on the workings of the organization. 

episode 5: the himalayan rescue caper. (this episode is going to get a real makeover. with the insertion of episode 4, this creates more actual space between the last time we see gray grappling with his big choices, which makes it feel like more time has passed. so it actually feels like he had more time to think. carmen’s still going to try to rescue gray, and the part with player can stay the same. as gray is manipulated by malestrom, i think this episode should further emphasize how vile manipulates their recruits and amp up the shittiness of how malestrom is acting. i think malestrom should say something along the lines indicating that vile is gray’s only family left, this is what he was born to do, he belongs with them, and make up a bunch of bullshit lies about carmen. malestrom will portray this stuff as the “truth” and then say something like “we told you to the full truth, while carmen was hiding your past from you. didn’t you say you wanted to piece together more of your past?” (which gray did express interest in a previous episode.) since more time has passed, malestrom will play the “if carmen wanted to rescue you, she would have done so already. she abandoned you.” card. of course, it’s not easy to get into a super advanced vile facility, so instead carmen’s going to be having more struggles with getting in, which is the real reason she’s taking a while.) i want to keep the scene where he says that his name is crackle, not gray and not graham. i think this scene is particularly painful because graham/crackle is kind representative of the two sides of good and evil that gray thinks he has to choose between. gray will accuse carmen of abandoning him, both in the present but demonstrating that he’s still hurt by the time when she first left vile, and all those times when she kept secrets from him and disappearing in sydney. carmen asks him to leave with her, but instead of him being like “i’m bad, and i was always a villain,” he’s just going to be hurt and feel manipulated and be so conflicted. i feel like gray would choose vile, but not because it’s where he belongs but because he’s afraid of being brainwashed again if he doesn’t agree and because he just wants to know the truth, which vile happened to tell him first (and carmen had been hiding it from him for a while). why would it make sense for gray to willingly side with vile because he’s “throughly bad?” actions speak louder than words, and it’s clear that he’s definitely not evil enough for vile. 

episode 6: the vile history caper. (we’re just going to keep this episode as is for the most part. but like more el topo and le chevre moments.) 

episode 7: this will be the coach brunt backstory episode, piggybacking off of her hurt feelings about maelstrom’s intended betrayal. 

episode 8: the egyptian decryption caper. (this one is just going to be as is for the most part. the cleaners kidnap carmen, but we’re going insert one more painstaking scene of gray learning of vile’s plan to kidnap carmen. he’s not going to know they are planning to brainwash her. he’s going to feel conflicted and try to protest, but then realizes that now that he’s stuck with vile, if he goes against them he’s probably going to get brainwashed himself. and the brainwashing was really traumatizing, so it’s understandable he’s really afraid of it happening to him again.)

episode 9: the viennese waltz caper. (mostly just keeping this episode as is, but more worrying gray scenes. i feel like he should have had a bigger reaction to seeing carmen so unlike her personality. carmen’s lack of empathy should have pushed himself to question if vile is really a healthy place for anyone if they’re so willing to brainwash his best friend in a greater capacity. i think gray should recognize how bad the situation is but he still won’t act upon it since he’s trapped in the nostalgia of their old squad and since he’s been abandoned by carmen before, he’s too afraid that reversing the brainwashing will result in a repeat of her leaving him again. and he’s still afraid of the brainwashing.) 

episode 10 + 11 + 12. the dark red caper. (yeah, this episode is kind of just way too quickly wrapped up. i’m going to expand this into a three parter so we have more time to focus on everyone. basically, we’re going to expand this for the angst. and because this is the last season and i need more content. i feel like we can follow the general plot trajectory but with more nuance and include the improvements i wrote above about the finale. absolutely pushing the found family trope to its limits, and less vagueness since there’s not going to be another season. oh yeah, and the scene when carmen fights shadowsan, i feel like they could have amped up the emotional stuff and make it as much as about him being her dad figure as the doll because #foundfamily. and also the extra time gives more space for all of that other stuff like endings for all the characters, and more team red found family, and a bit about the non-jailed vile operatives, and the acme team, and also maybe a little infrastructure rebuilding montage, and also that carmen and gray moment.)  

basically i just want a satisfying ending for gray, and i love him, and he can’t just stare out of the hospital bedroom and agree to stay out of her life while melancholy music plays. 

[miraculouscontent]

Didn’t Need Burrow (April 11th-16th)

Anonymous said:

Didn't Need Burrow: After the Truth episode occurs, Luka will either not appear nor be talked about(not even by Marinette, Juleka, Sass, or Anarka) at all, or, if he does appear, he'll avoid Marinette like the Black Plague. Guess who's fault it'll be(Kagami will still appear and be on good terms with Adrien, though, since anything that makes Marinette happy needs to be either ruined or gotten rid of, while anything that makes her miserable needs to stay around just to be rubbed into her face.).

I s2g if they have Adrien and Kagami patch things up immediately just to make Marinette feel awkward--

Anonymous said:

Didn't Need Burrow: The idea that Nino's hat is a keepsake from his late brother comes up during an episode where it inevitably gets damaged and/or destroyed. Marinette is somehow responsible/blamed for this, and/or is forced to try and repair it regardless of feasibility, while being guilt-tripped/ridden every inch of the way. Bonus points for Adrien making some clueless comment about buying a replacement and STILL being treated as more empathetic to Nino's feelings even while ignoring them.

“Bonus” if everyone pressures her over the hat, which eventually leads to Marinette realizes that it can’t be fixed to be the exact same way, so she hides it and lies about it, leading to the episode blaming her for hiding things from her “totally understanding friends” (who are suddenly “totally understanding” and are only upset that she lied to them/”thought so lowly of them”) instead of her friends for making her feel like she had to be perfect.

Anonymous said:

Didn't Need Burrow: A Sleeping Beauty-inspired akuma will ensnare Ladybug, 'forcing' Chat Noir to kiss her awake. While Adrien/Chat naturally claims that he would 'never take advantage of his lady', he is openly gleeful at the prospect and taunts her afterwards, complete with a call back to Oblivio as he tells her to 'check the LadyBlog' to find out what happened. Her dismay over this is played entirely for laughs.

*flashbacks to the “jokes” in “Prime Queen”*

Anonymous said:

Didn't Need Burrow: Just like in countless Salt Fics, Alya will get upset at Ladybug for claiming that it's 'too dangerous' for her to be Rena Rouge anymore after Miracle Queen. Regardless of what she does/how she lashes out, Marinette will be held 100% responsible for the fallout, with Su-Han criticizing her for selecting Alya/the others in the first place AND for 'allowing' their identities to be exposed.

That’s what you get for trusting people, Marinette (apparently).

Anonymous said:

Didn't Need Burrow: Alya will expose more Miraculous-related secrets on the LadyBlog, such as posting the identities of the heroes who were 'already outed' by Miracle Queen. Marinette will be blamed for this, with Su-Han reading her the riot act for every single choice she's made.

And also, Alya will get no flack for this because “she’s a journalist!! she’s just doing what she’s supposed to do!”

Anonymous said:

Didn't Need Burrow: After spending most of the season taking the piss out of Marinette at every available opportunity, Su-Han will start warming up to her just in time to be taken out of the equation by something like Alya posting another 'big scoop' on her blog revealing his existence to the villains. Marinette will be left with even less support and all of the guilt, while Alya learns absolutely nothing from the experience because why would she?

Considering “Truth,” I just automatically presume that characters who support Marinette lovingly/unconditionally will either be abused or kicked to the curb.

Anonymous said:

Don't need Burrow: "Queen Banana" will be like typical episode with Chloe akumatization. 90% Chloe drama and angst, 10% akumatized Chloe (and probably 0% sense)

Show, I’m begging you, just let this character’s focus die already. We are SO tired...

Anonymous said:

didnt need burrow: the show ends with hawkmoth (now shadowmoth i guess) being defeated, heavy implications that the LS will be canon, but no solid proof, any other plot holes disappear in the cheery end music and all fans are left annoyed at the open ending filled with plot holes (bonus: That Guy says smin like "you would know if you watched carefully" to anyone that asks wtf happened)

Fun for us love square salters at least so there’s that? :P

Anonymous said:

Didn't Need Burrow: Trixx wants to return to Alya despite the danger/her past exposure, and ignores Marinette's concerns, leaving/reuniting with Alya over her protests. This is either played as 'It's fine, and Marinette should have trusted Alya more' or 'It's not fine, and it's all Marinette's fault for trusting Alya in the first place and letting Trixx get so attached'. Or both.

Astruc would totally use the opportunity to brag about the whole, “She’s already taken!” line in “Truth” being foreshadowing.

Anonymous said:

Didn't Need Burrow: Bunnix reveals that there is an alternate, 'better' future in which Lila never worked with Hawkmoth and became a heroine instead. The turning point was, naturally, that Ladybug never called her out for lying/stealing from Adrien. (Possibly because Adrien never snooped in the safe in this timeline, yet it's still depicted as Marinette's fault.) May couple with confirming she's the future Hawkmoth and that it's all Mari's fault the heroes are still fighting her years later.

Which means that Chat makes the “reversible” mistakes (i.e: Cataclysming Bunnyx’s miraculous) while Ladybug makes the “permanent” ones.

Anonymous said:

Didn't Need Burrow: Marinette/Ladybug will get accused of being a selfish glory hound who needs to learn how to share the credit and 'be a team player'... after Adrien/Chat slacks off during a fight and refuses to help. Bonus points if this is tied into the exposed heroes' predicament somehow, implying that the REAL reason she won't give them 'their' Miraculi back is that she's selfish/short-sighted/not good at working with others/insert other bullshit excuse here.

T_T

I’m so tired.

Anonymous said:

Didn't Need Burrow: Marinette will do something unbelievably selfless and self-sacrificing, only to promptly be slammed by the narrative and treated as though her decision was incredibly selfish.

Honestly you could just ad lib that.

“Marinette will do [something positive], only to promptly be slammed by the narrative and treated as though her decision was [negative].”

Anonymous said:

Didn't Need Burrow: Su-Han will pressure, belittle and berate Marinette until she breaks and agrees to give up being Ladybug/the Guardian. This is naturally treated as the worst thing she could possibly do, with everyone (including Su-Han) ripping into her for it. There is no equivalent of Plagg's 'I've had many holders, but nobody can replace you, Adrien' shilling, beyond Marinette being informed that she MUST continue and deal with her many inadequacies by becoming BETTER. She has no choice.

“You’re the worst Ladybug!”

“Okay I’ll stop being Ladybug.”

“HOW DARE YOU”

“?!?!?!”

Anonymous said:

Don’t need Burrow to know that the writers will retcon Marinette allowing Adrien to BORROW her lucky charm so that Marinette actually GAVE it to him instead.

Bonus: of course, the birthday scarf issue/secret is never addressed. RIP in piece, Marinette gift number xxx0

Technically, this has already happened even back in “Befana,” so I don’t count it. Adrien has said that Marinette gave him that lucky charm forever.

Definitely adding that scarf one though.

Anonymous said:

Didn't Need Burrow: We get Love Square scenes (shipping fuel) in the next episode (even though Maribug and Adrichat just broke up with Luka and Kagami).

I mean, we got love square shipping fuel in the Adrimi and Lukanette episodes, so :|

I’ve just come to expect inappropriate timing at this point.

Anonymous said:

Didn't Need Burrow: In a future episode Chat Noir will be even worse than he was in Lies and still be portrayed sympathetically. I don't know how you can get that low, but I have faith that the writers will be able to pull it off and that's not a good thing

“I don't know how you can get that low“

they’ll find a way, I’m sure

Anonymous said:

Didn't Need Burrow: Kagami will become an antagonist/team up with Shadow Moth post-Adrimi breakup for the plot twist "the main villain has been in the show all along." ((This is based on the end card for Lies. I really hope they don't do this because Kagami is one of the only reasons I'm still watching the show.))

I’d only be here for that if her endgoal is getting Luka and Marinette as far away from the plot as possible.

Anonymous said:

Didn't Need Burrow: We STILL don't know how the Peacock Miraculous got damaged and how Emilie Agreste fell sick. Bonus points, we find out in the season/series finale or on social media.

Double bonus if Astruc claims that the decision is good and they did it on purpose (probably to keep people talking).

Anonymous said:

Didn't Need Burrow: Zoe debuts as the new Bee holder on the same episode Chloé is akumatized.

I’m 100% expecting Chloe to be salty at all the adoration that Zoe gets.

Anonymous said:

Didn't Need Burrow: if Adrien is ever in the wrong about something, it will only be for about five minutes and it will ultimately be blamed on Marinette.

Marinette: *breathes*

writers: Yes! Something we can blame on her!

Anonymous said:

Didn't need burrow: The relationship between the Couffaines and Jagged will not be explored. They might perform a song together and that's all, Luka forgives Jagged for abandoning him (his daddy issues just magically disappear so he doesn't bring it up anymore) while Juleka doesn't interact with Jagged at all

I’m torn between, “Luka will basically never appear again,” and, “Luka will suddenly appear much more often now that he’s no longer a ‘threat’ to the love square (Marinette didn’t break up with him because of Adrien but sure).”

Anonymous said:

Didn't need Burrow: "Gabriel Agreste" will be all about how he's not really evil just misunderstood. He had a lonely childhood or some garbage and we should feel totally sad for him you guys.

wow i hate it

[butterflymar]

DAY 2: FAVORITE BL DRAMA

I have quite a few... I can’t choose just one so bare with me lol

Life Senjou No Bokura

Synopsis According to MyDramaList: One day after school, the serious Ito and the child-like Nishi meet by chance, as each endeavors to remain walking  on the sidewalk`s white line. As time goes by, Ito recognizes he is drawn to Nishi in a way that is new to him. Nishi, for his part, is frustrated that they only get to meet on the sidewalk. Ito decides to act upon his feelings and kisses a surprised Nishi, who agrees they need to walk side by side for a change. The sparks between them are undeniable as their relationship blossoms in high school, survives the college years, and matures into adulthood. A deeply moving work that bears witness to loving partners, whose unchanging feelings must co-exist within a world of changing realities.

My Personal Thoughts: I already wrote a review for this so I am going to re-share some of those thoughts here. This is one that I have watched countless times already. They went by the manga for mostly all of the episodes and I appreciated seeing that. They gave more context for certain details that may have been lost while reading the manga and translated it to screen. I think they depicted the age gaps well too. For 4 episodes only, I feel that they did a great job including the most important aspects. Actually now that I think of it, I would have loved to see more of them in their early 20s depicted on screen because that was like one of there honeymoon phases and I’m a hopeless romantic lol but that’s just a personal preference not complaining. Also, the show stopped at age 40 and they could have gone on throughout there entire lives but I understand why they chose not too. The manga is great as well!!! I think that the main actors depicted beautiful true love very well. They had amazing chemistry. Japanese BL’s have that special spark about them that I love. I also loved that it showed there relationship from high school till there later years. I don’t see that a lot with BL’s. They usually just stick to one time period. The aspect about them being connected by a line in relation to there love was a nice touch as well. I am glad that it has a happy ending as well. This is a pretty quick one to watch and a great one at that!!! If you haven’t watched it yet, I would highly recommend it!!!

I Told Sunset About You 

Synopsis According to MyDramaList: Teh and Oh-aew were best friends until a boyhood line of reasoning turned them into rivals. Years later as they're preparing for university admissions, both pursuing interests in the field of Communication Arts, the two meet in a Chinese language class. Their reunion awakens complicated and unstable feelings.

My Personal Thoughts: Same as above, I already wrote a review for this so I am going to re-share some of those thoughts here. This is DEFINITELY one of my top BL shows of the year 2020. This is such a beautiful masterpiece of a show!!! I remember when the preview trailer first came out… I was already hooked!!! I was on the lookout for it and it did not disappoint me one bit when it finally started. I looked forward to seeing it every week. It made me feel all of the emotions. I was up here sitting in my room crying over everything. I don’t think any other BL has made me this emotional before in my life. The two lead actors really DELIVERED!!! I could feel every single stare, every single body movement, and every single touch. You could cut the TENSION with a knife!!! No one couldn’t tell me that there wasn’t a magnetic true love between these two. I know this sounds cliche but it's like they were destined to be together from when they were childhood friends. Also, I would love to see them in future projects!!! The cinematography in this show is TOP FREAKIN NOTCH!!! Every single scene is just so beautifully shot. The cinematography alone makes me want to cry lol I saw somewhere that someone said the filming of the show reminded them of an indie film and I totally agree!!! The writing and directing on this show was impeccable to me!!! No cringy dialogue and every single line served its purpose well. This is movie grade writing. I also wanted to quickly just say that I loved the attention and callback to details throughout like with the tutoring book that Teh made for Oh-aew that was left empty by the end of episode 4, the flower that was supposed to be colored the same as Tan’s garment but Teh colored it red because he was thinking of Oh-aew, the rubbing of Oh-aew’s back when he sniffles, the references to Teh’s favorite actor, and the use of Chinese phrases to get meaning across. I could go on and on but wow I just loved how they really connected all of the details throughout. I can’t wait for Season 2!!!

Theory of Love

Synopsis According to MyDramaList: Third is a filmology major and a member of the Savage Team along with his best friends Two, Bone, and Khai, but he has a secret. Third has been secretly in love with Khai for years. For three years, he has kept his secret love in his heart, silently supporting and loving Khai while knowing there is absolutely no future between them since Khai is as straight as a streetlight pole and also an absolute player. To make matters worse, Khai has a "no dating friends" policy. How long can Third love Khai silently while watching Khai bring a different girl home every night? Third has tried to see Khai as just a friend. But has failed time and time again. Because as easy as it is to fall in love, to stop is just as hard.  Maybe even harder. That is until Third learns a secret that breaks his heart completely. But when Third decides to stop, Khai decides to start.

My Personal Thoughts: As sad as this show can make me feel at times, I love rewatching it. I still to this day think that it is one of the most well written BL’s that I have seen. Everything flows nicely and everything connects. Your not left wondering how you got from point A to point B. I thought the show had great character development especially when it came to Khai’s character towards the end of series. I know a lot of people had mixed feelings about his character due to how careless and dare I say stupid he acted at times but if he can make the audience hate him that much as a character... I would say he is doing something right!!! Gun’s acting never fails to amaze me!!! He really is one of the best actors I have seen. I know he had to be drained from all of that crying that he did throughout the show though lol It just goes to show that when you truly love someone you can’t just stop what you are feeling inside that easily no matter how the other person feels about you or treats you. As the old saying goes, love is blind. I also loved the friend group as well and Two and Bones side stories with the teacher and crush from school. They added to the shows greatness and didn’t take away from it. The friendship dynamics throughout the show was I feel something that really kept me engaged. The cast acted well together. There was no awkwardness or hesitation. I feel everyone bought there best for this drama. They incorporated the movie references so cleverly and I love how the title of each episode was the title of a real romance film. Just the overall theme of film was very intriguing to me. This drama left me filled with heartache and a rollercoaster of emotions but the ending is worth it!!!

HIStory3: Make Our Days Count

Synopsis According to MyDramaList: At first glance, high schoolers Xiang Hao Ting and Yu Xi Gu appear to be polar opposites: While Xiang Hao Ting is an outgoing, hot-headed extravert and some-time bully, Yu Xi Gu prefers to keep a low profile and focus on his schoolwork. They seem bound for totally different futures – the bookish Yu Xi Gu looks destined for academic success, while life is just a long popularity contest for Xiang Hao Ting. But a quirk of fate – and a crucial intervention by a female schoolmate – results in the two young men’s paths crossing. But there is more to both young men than first meets the eye. Xiang Hao Ting was not always this way. He started out as a perfect student until he discovered the joys of going off the rails. And Yu Xi Gu has a reason for being so aloof and studious: His parents died in a traffic accident while he was younger, and he is being fostered by his aunt. As such, he works hard to get good grades in an effort to win a scholarship and ease the financial burden on his relatives. Yu Xi Gu also works part-time at a convenience store, where his manager Liu Zhi Gang has developed a crush on a man he has met at the gym. Back at school, meanwhile, Yu Xi Gu and Xiang Hao Ting find themselves drawn together, and passions ignite. The former notices that he has the unique ability to bring Yu Xi Gu out of his shell – and becomes intent on melting his cold-as-ice exterior. What will happen when their two worlds collide? And can love be the catalyst that helps bring these two unlikely students together – as their high school days draw to a close?

My Personal Thoughts: I will stand by this notion for all of my days but this show is one of the best shows I have seen PERIOD!!! Not even best BL shows I have seen but just in general. It highkey saddens me that it is rated at an 8.1 right now on MyDramaList due to how it ended when other than that... it’s a top notch show. This was one that I watched as it was airing and I would get excited to see it every week. My clown self should have known by the title “Make Our Days Count” that some mess was about to occur but I didn’t pick up on it. Now, I just disregard the last episode (WE DON’T KNOW HER!!!). You can just tell that they had a great budget for this series. The production was on point. It had great cinematography, great storylines, and it felt realistic too. The main couples acting was OFF THE CHARTS AMAZING. I loved the whole opposites attract thing going on. Although the show was set in high school... it almost didn’t feel like it nor did it have those typical clichés going on. I liked how it dealt with topic of LGBTQ+ acceptance as well. I wasn’t so sure about the side couples relationship at first but I grew to love them as time went on. One last thing I wanted to point out was that even though I am always looking for a happy ending... I learned from this show that not everyone can get a happy ending. That’s not how life works sadly. In real life, there have been a lot of people who were truly in love and lost there partners tragically. Although it may be hard to accept the outcome, it is something that happens in real life. This is a drama that you appreciate even more as time goes on. It truly is a gem of a series!!!

TharnType

Synopsis According to MyDramaList: Type Thiwat is a handsome freshman with a passion for football and spicy food. Although he’s a friendly boy, he hates gay people because, in his childhood, he was molested by a man. His life turns upside down when the new academic year of college brings along a charismatic roommate, Tharn Kirigun. Tharn is a gorgeous, compassionate music major, who is also openly gay. When Type learns this, he is determined to make Tharn leave the dorm, as he won't live with a gay person. Tharn is equally determined not to give into Type's homophobic tantrums. With a gay guy and a homophobic guy that have to share a small space together for the rest of the year — what can possibly be the outcome of their story? Hatred? Or maybe love?

My Personal Thoughts: *Goes to hide in a corner* I know this drama is problematic and controversial as hell but it’s like a train wreck that you can’t turn  away from. What truly carries the show I feel is the chemistry between MewGulf. I don’t think I would have enjoyed the series as much if other actors were cast in those roles. They just exude confidence, passion, love, and lust. In terms of the storyline, I found it to be a chaotic occurrence of situations where I just had to know what was going to go on next. Everything that occurred had me intrigued for the next episode and so on and so forth. I loved Type’s character development. One quick thing I want to touch on was I know there were a lot of problematic things that happened which I will touch on at a later date but one thing I wish people were more understanding of was Type’s outbursts, thoughts, and feelings in certain situations. He was a victim of sexual assault so I felt the way he handled certain things was in response to what he had gone through as child and I think some viewers kind of missed that and were almost too harsh on him. Everyone processes and deals with trauma differently. This show went through so many twists and turns and I honestly lived for it especially the shocker towards the end of the series. I didn’t see that one coming at all!!! Despite all of its flaws, this show still holds a special place in my heart.

Honorable Mention:

Cherry Magic: As of today, this show has 4 episodes left and I think I am just going to come out and say that THIS IS MY FAVORITE BL OF THE YEAR!!! It’s a beautiful Japanese BL and I rewatch the old episodes while I wait for new ones to come out alot. It’s such a fluffy, heartwarming, and precious Bl series!!! I love it to pieces!!!

[itsclydebitches]

Why do people criticize fanficiton for characters bang OOC? all fanficiton is inherently non canon and the characters are inherently OOC. That cute fic where Ruby and Weiss fall in love. OOC. That edgy fic where Jaune gives in to his revenge. OOC. Just a normal fic where team RWBY go out in the town. OOC. No one writes characters exactly as they are in the canon because everyone is projecting something they want to see the canon didn't deliver. That's why they wrote fanfiction.

OOC is a pretty broad term at this point but, from my experience, there are three primary uses: 

OOC meaning all of the above: the character is, by default, inherently different than their canonical counterpart because they are not written by the original author. Every fic character ever is OOC, making the term itself fundamentally useless. It’s like when we broaden AU too much. Yes, technically every fic ever is an AU, but that doesn’t help us distinguish between something like a minor plot divergence and turning the rom-com into a sci-fi adventure. 

OOC used as a catch-all insult for fans to sling at a fic they don’t like, usually for a reason other than the characters being OOC. They don’t like the ship, so this fic is OOC. They don’t like the tropes or themes in it, so it’s OOC. Here, OOC doesn’t actually say anything about whether the characters are IC or not. That’s not the point. The point is to use a negative fandom buzz word as a way to publicly dismiss the fic. 

OOC used to say that the characters are not recognizable and this is not an intentional choice on the author’s part. Both things at once. This third definition is the only one that’s a worthwhile criticism (in as much as a free hobby created out of love for a story can have “worthwhile” criticism. I by no means mean to say that there are rules for how you have to write fic, I’m only acknowledging what fans tend to look for). See, the thing about fanfiction is that it is, by definition, built off of a canon, which means that we have a set cast to work from with established personalities. We read fanfiction because we want more of those same characters. If we wanted different characters, we’d simply go consume/create a different story. Which means those characters have to be recognizable. That’s the requirement. You read fic for Character A, so if Character A doesn’t feel like Character A, the reader nopes out. 

However, in practice this is obviously pretty complicated to achieve. Fanfiction is also about change, which means that writers are continually balancing that recognition with the inevitable impact that changing the world around the character has. A sort of nature vs. nurture issue. Who is Jaune if Pyrrha never died? Who is Yang if she grew up with Raven? Who is Weiss if she never went to Beacon? Who are any of these characters  — characters we already know       — if we change the events and relationships that crafted their personalities in the first place? Which is why I have that second “not an intentional choice on the author’s part” requirement for fan displeasure. If it’s clear that a significant change in personality is the entire point of the fic, then readers are on board. They just need a reason for this change. A justification. An explanation. It’s the difference between writing a “Ruby is raised by Salem and thus it 100% makes sense that she’d be a horrible person now” story and writing a “Ruby acts like a horrible person for no established reason, despite that going against her sweet, kindly characterization in canon.” That’s OOC, the combination of a character being unrecognizable and a lack of explanation for that change. 

In an ideal world, if/when fans come across OOC writing they would simply exit the fic and that would be that. Not their cup of tea. The problem is that the concept of being “in character” is directly parallel to character interpretation... and as we know from this blog, that can get very heated. Someone might, for example, write a supposedly canon compliant fic where Ozpin is depicted as a callous, manipulative headmaster hell-bent on using his students as disposable tools, to which I would go, “That’s OOC.” The problem then becomes that there’s a major disconnect between how the author has interpreted Ozpin and how I have interpreted him  — what the very concept of “OOC” means here                — and it is, at the end of the day, a basically unsolvable problem because there is no objective interpretation to dredge up and say, “See, I was right!” Fiction is subjective, with at times not even the Word of God able to penetrate a fan’s interpretation of a text. 

Fiction is more than just fiction. We get very emotionally involved in our stories, which means that we  — for better or worse  — get emotionally involved in telling those stories “correctly.” When it comes to fanfiction’s designed intention to (to a degree) accurately represent canon characters, fans are not going into that fic with the disinterred, disengaged perspective of someone who doesn’t care about the series. Caring is the point. Thus, people get upset. Maybe someone calls the Ruby/Weiss fic OOC because they can’t imagine anything other than a Ruby/Blake relationship. Maybe it feels like the edgy Jaune fic didn’t persuasively take him from soft, awkward friend to revenge obsessed fighter and dammit, Jaune is their favorite. You’ve done him a disservice. Maybe the out of town fic is filled with dialogue that makes you go, “Would Yang ever actually say that?” and it’s so jarring you just don’t see her as Yang anymore. Something isn’t working here and it’s interrupting the reader’s ability to fall into the fic. It’s lacking a core characteristic of fanfiction that most fans come for: telling stories using these characters. Not a “wrong” version of them. 

As said, there isn’t actually a wrong way to write fic, but there are absolutely pervasive interpretations of canon that will impact whether people see your writing as IC or not. I can absolutely write a Volume 1 fic where Ruby is crying the whole time, running away from her friends, and curling up in corners rather than engaging with anyone. But if I fail to provide an in-text reason for that change in her personality, my readers are likely to go, “But that’s not... Ruby? Ruby is cheerful, loves spending time with her sister, and bugged Weiss until she became her friend. She’s sad at times, sure, but we can point to numerous places in the canon that contradict this sort of characterization. I’m not reading about Ruby Rose  —  something I very explicitly came to do — I’m reading about a totally different character with her name. And since you didn’t establish/warn me that her characterization was going to be entirely re-worked, I’m upset about that.” 

So at best the fan just shrugs and exits the fic. At worst they take the author to task for “incorrectly” interpreting these characters. Fanfiction is absolutely about projection, wish fulfillment, and change... but it’s also about consistency, at least at a certain base level. Creating something you wanted to see that the canon didn’t deliver on is just writing a new, original story. Doing that and keeping the story recognizable in particular, appealing ways? That’s fic.  

[shikai-the-storyteller]

Mae Catt’s Cyberverse Q&A

Here’s a neater version of some key Q&A responses from Mae Catt’s Cyberverse stream. 

Please note: not everything is verbatim, and also note that Mae Catt said “Don’t take things I say as the end-all be-all.” She’s a big supporter of fanfic writers!

This Q&A session contains spoilers for Season 3 of Cyberverse. For a (somewhat) more comprehensive transcript, please refer to this post.

Q: Megop rights?

“Oh absolutely, duh.”

Q: What does Optimus do when he’s not giving speeches / being a leader when they were all hanging out on the ARK?

I think he reads, he seems like a heavy reader. It’d be cute if he read really bad Earth romance novels. He seems like a guy who needs a break from everything.

Q: Does Optimus have hobbies?

Not to borrow from Rung, but doesn’t it seem like Optimus would make model ships? Very quiet, very focused detail-oriented hobby. *pauses* Oh duh, he also plays basketball.

Q: How did the Decepticons learn to stream? 

Because they’re deceptive! Megatron knew he should dedicate some time to winning the hearts and minds of humans. Starscreams’ funeral was not the first time they streamed. Optimus would use the official media channels (like the news), not a streaming service. Megatron would try to speak more directly to the people.

Q: Is Optimus the type of streamer who would take 10 minutes to figure out how to un-mute his microphone?

Optimus is a dad. He has no idea what’s going on with streaming. Optimus would say embarrassing things while Bee and Hot Rod were in the middle of streaming something.

Q: Is Megatron dead?

In discussions we wanted to kill him. We wanted to do a reverse Optimus death. However, in the final product, I kinda enjoy the ambiguity rather than the final decision. Can’t remember if we were decisive about that in the script.

Q: Did the Titan mind Decepticons living in them?

The Titans want to be cities. They want citizens. They want to be lived in, that brings them joy.

Q: Does Megatron do anything for fun or is he too angry?

I want to say he’s too angry, he has fun beating people down but I don’t think he’s had fun for a long time.

Q: How would you feel about a female Optimus Prime? 

[GAY LAUGHTER] 

The question is: do you turn Optimus Prime into a woman, or do you take characters like Elita One and uplift her? I would want to lean more into giving Elita One more oomph, I do love how Optimus doubts himself and if he’s worthy of being a Prime.

(Mae Catt talked a lot about representation and later mentioned how there's more pressure to write the girl characters well, especially because of the need for better representation. They wanted more girls in the show, and they planned to have Jazz be a girl).

Q: Elita prime when?

All the time, in my heart!

Q: Did you plan to have ___ character in the show?

Almost every character was discussed at least once. 

She really regrets that they didn’t get to have Beast Machine Obsidian or Rumble and Frenzy in the show, and says she would’ve loved a MTMTE-style Ultra Magnus / Minimus and Transmutate. She didn’t know what Obsidian’s personality would be, it was just a “Look how cool he is!” sort of thing.

(Note: We have Mae Catt to thank for Whirl getting into Cyberverse)

Q: What was your favorite episode?

“I Am the AllSpark” because of the Megatron and Starscream dialogue (which she wrote). Also S2 04 Soundwave and Shockwave.

I enjoyed writing Starscream most, Clobber and Hot Rod became a joy, S2 E4 was my first episode, and it was fun getting into Hot Rod’s voice. It was hard doing Optimus’ voice, I’d always pass it off to someone to look at it.

Q: Did you ever plan to have Hot Rod become Rodimus?

Rodimus was never considered for the show because Optimus dying has been covered to death, but we were adamant about portraying Hot Rod as someone who wanted to be a leader. Hot Rod is someone who is learning to be a leader.

(On that note, when someone asked if she thought Bee would ever become Prime, Mae Catt said:)

I don’t think Bee would be a Prime. Windblade and Hot Rod would be a better Prime. He wouldn’t want to be a Prime. He’s the #2 to Primes!

Q: Did Megatron always plan to return to Cybertron?

Megatron’s priorities changed when he saw his doppelganger. Realizing he was a horrible tyrant, that scared him enough to return and not kill Optimus and make peace no matter what.

Q: Which death hurt you the most?

Starscream. (Slipstream’s hurt too).

We didn’t want to kill people off willy-nilly for shock value, but in certain instances it made sense. Like, the audience will fall in love with Slipstream because she’s becoming good, so she has to die. (She apologized for that sounding harsh). We killed Prowl because it was Shadow Striker doing the killing and he’s a self-sacrificing lieutenant. I almost wanted Starscream to emerge from the Judge’s head untouched, but I’m ultimately glad that idea got shot down.

(She circles back to this comment later, so I’m making note of that here since it wasn’t a direct response to a question)

When I was desperately trying to save Starscream’s life even though I brutally murdered Slipstream, I wanted Starscream to have amnesia and have a redeption arc. I wanted him to have a Windblade shard and have it be kind of like Castaway, where the only person he talked to was that (and the shard only had 5 phrases it could say). Eventually Bee would befriend him and he’d wind up with the Autobots.

I wanted to write Starscream kind of like an abuse victim who expects the worst of the Autobots, but I wanted him to warm up slowly to them. I wanted to have a Starscream and Optimus episode where Starscream messes up on something and Optimus is like “you did your best and that’s what counts”, a response which is totally new to Starscream. But obviously we didn’t have time for that.

Regarding redemption arcs (a continuation from the previous question, and a huge highlight from the stream):

Re: the potential for Starscream’s redemption arc “A redemption arc needs to be facilitated by a character acknowledging that what they did was wrong. He would have had a laundry list of excuses for it, even if there was all that evidence to the contrary, but the character needs to acknowledge that reasons don’t matter because people got hurt [by their actions]. [The character] needs to intend to do better. Let them try and let them fail, they don’t need to do a 180, it’s hard work to be a better person.”

NOTE: Mae Catt also made a few more comments re: the idea of a Starscream redemption arc on her Tumblr page.

Q: Did Megatron really kill Starscream?

The Starscream beatdown was super severe and they were like “holy frick they’re really going for it” when they saw the storyboards. According to Maecatt, Megatron didn’t kill Starscream when he slammed him down (which is a bit confusing since the show definitely made it seem like Starscream died). 

Q: Did Drift die? Why was he a double-agent?

According to us, Drift did not make it, but I fully endorse whatever you want. We needed a double-agent, someone who would (seemingly) kill Hot Rod. (She says they went with Drift because of his history in the comics).

(Later on in the stream)

Maybe Drift is alive, maybe he’s rethinking his decision and he’ll come back later. Drift would’ve been helpful in S3 for sure, maybe he’d come back with Repugnis or something.

Q: Why are you so mean to Percy? 

He's so mature and pragmatic that he can take it, and is willing to take one for the team bc he understands that it's what he needs to do. (In response to someone’s comment about his personality) Yes, he’s calmly feral.

Q: Is Skullcruncher Percy's bouncer now that he's running Maccadam's? 

Oh totally.

(She later mentions that Percy has permanently taken over Maccadam’s. Also: Skullcruncher is a lady! She misses Mac, but Percy takes good care of her).

Q: If Tarn is the perfect Decepticon who's the perfect Autobot? 

A firetruck alt mode, and an Autobot insignia as a face. Nat (her fiance) and I talked about it a lot. Optimus SHOULD be a fire truck, it makes the relationship between him and Ratchet a little more fun since Ratchet is an ambulance, and Optimus has an ax. It just makes sense! 

(She agreed that the perfect Autobot would be Thunderclash after the chat said that).

On that note, Mae Catt said they used Tarn for the show because: “OBVIOUSLY (the perfect decepticon) should look like this guy. A faceless mindless Decepticon that only serves Megatron”.

Q:  What sort of documents DID Optimus work on in the archives? 

Probably historical archives and working on stuff about all the Primes. Something like the French / American revolution equivalent, which informed his speech writing for Megatron and his own ethics.

Q: Did you always plan to make Optimus socially awkward? 

We “found” the social awkwardness for Optimus. Optimus was depicted as a father figure in S1 (implying it’s because S1 is from Bee’s perspective), S2 / S3 we were able to explore more and found the limits [writing him] and found it was hard to maintain that level of heroic dialogue. Optimus would feel awkward about it too. Randolph did an impression of Optimus’ speech for the Party Down episode. “[Optimus] can’t not be in war-mode.”

Q: Were Optimus and Megatron ever friends, or did they just work together on the speech stuff? 

Oh hell yes, I think [the story] is always enhanced when they’re friends and when Optimus really believes in what Megatron was working on. Optimus’ rejection of Megatron is what pushes him over the edge, his best friend rejecting him pushes him into a place where he becomes a tyrannical person.

Q: Does Maccadam know we love him? 

Mae Catt: *puts hand over hear heart and looks off into the distance dramatically* Yes.

Q:  What’s the best selfie Arcee’s ever taken? 

I like the one with the giraffe. Or maybe a selfie with some humans. I like the idea of Arcee having a bunch of human friends. 

Q: What do the Transformers think of the Florida Man? 

They can’t really tell the difference between humans, they don’t really get it. It just sorta looks like all the normal stuff they see on Earth (or something). 

Q: Who’s the Florida Man of the Transformers? 

Rack ‘n Ruin. But he’s too nice. Hmmm.

Q: What was most important to you personally to put out in each episode? Like humor/characterization/arcs 

I wanted to make sure I didn’t write dialogue that was condescending to kids, wanted to be true about the character. Dialogue needs to be true to the characters, and gay. (Laughs)

Q: Do Transformers know what memes are?

They know what they ARE, but they don’t get it. We wanted Hot Rod to be super into Earth culture (winning races and driving off before humans could realize no one was in the car), but we never had time to really get into that.

Q: What music does Soundwave like?

We had a cut joke from S2 E5 [where Megatron and Optimus are popping through portals all around the world trying to find the All Spark] . Soundwave pops into Brazil where there’s a music festival and he crashes the concert and hang out. He likes EDM the most? 

His favorite song is Despacito. He thinks its so sad.

Q: Were you surprised that Jake Tillman was in his 20s listening to his Optimus voice the first time?

She apparently listened to his vines a lot when he was in his teens so meeting up again like that was a cool coincidence. 

Q: What other dimensions or places did you want to be in the show?

I would’ve liked to have the other Transformers series show up (TFP, TFA, G1, Shattered Glass) but we don’t have those assets or budget. 

“This will quickly become unclear to audiences who aren’t (you people).” They couldn’t have all these references when some of their audience wouldn’t get it. 

Q: What about ____ ship?

Mae Catt says she doesn’t want to yuck anybody’s yums. For example, someone asked about Arcee/Grimlock, and while she said she sees them more as friends, she didn’t say they can’t be in a relationship. (Mae Catt also said she doesn’t ship Bee with anyone because she sees him as a little brother).

As she said several times in the stream, “Don’t take things I say as the end-all be-all”!

That being said, she did say she likes Dead End / Perceptor and Windblade / Slipstream.

Q: Why are there no humans in the show?

From the show’s conception, there were no plans to include any humans. They didn’t want humans distracting from the Transformers.

Q: Why did the Scientist collect Soundwaves?

He collects Soundwave because Soundwave is COOL! Wouldn’t you collect a single father of 5 who carries them around in his chest?

Why does anyone collect what they collect? “That’s a really angry dad who’s got five children he carries around in him and he plays music. Gotta have that!”

(Later on, she circles back to this question)

All the Other Universe Soundwaves the Scientist collected also had their own Laserbeaks. I wonder if the scientist would’ve taken them out. He might’ve just gotten rid of them.

(And of course, here are the boyfriend questions from the stream:)

Q: Is Dead End a good boyfriend?

Dead End is a work in progress, but maybe Percy is patient enough to get him there

(Mae Catt says she really loves the Deadceptor ship. She knew people would ship it, but she didn’t ship it herself until she saw the fanart for it).

Q: Is Astrotrain a good boyfriend?

No, no...he’s not a good person, really.

Q: Is Percy a good boyfriend?

Absolutely--WAIT HOLD ON. He’s very blunt, he doesn’t mince words, if you can handle his bluntness then you’re good. He is what he is and you have to deal with him.

Q: Is Soundwave a good boyfriend?

Soundwave is not a good boyfriend. He’s a good casual romance but he’s not a good boyfriend. Soundwave would be a terrible listener. He hears a lot but he’d tune you out.

Other information tidbits:

- If Thunderclash was in the show he and Jetfire would HATE each other. Thunderclash would be a rival reality star (maybe) to Media Fire.

- Mae Catt said “A lot of intelligent life is inherently mechanical” in space, explaining why so much of the non-Cybertronian life we saw in the show were robots.

- Knock Out was considered for the show, but every Transformer under the sun was discussed at some point in the writer’s room. (Ex: “Rumble and Frenzy are always considered in my heart, but there wasn’t enough time or space or assets to do so”).

- “The brand team had grown up on the toys as we had grown up on the ‘toons, so we just wanted to make the best thing imaginable.”

- They decided Optimus would be in the Other Universe’s Matrix and have a plinth because they wanted to show he was dead. “Logical backflips because he needed to be among the 13 to talk to Windblade.” 

- Dead End’s eyes are white.

- The team wanted Jazz to be a lady (!!!!!!!)  

- These characters have their own lives that we don’t see. Lots of stuff happening between episodes that we don’t always necessarily see.

- Developing Sky-Byte’s character was simultaneous with Jetfire’s character. “We knew we wanted Sky-Byte to be a poet, and we wanted him and Megatron to be chummy”.

- Percy did permanently take over Mac’s bar.  

- Her favorite VA is Jeremy Levy, he’s a really cool guy.

- She thinks Starscream and Cheetor could become (not necessarily friends, but connected?) because of their connection to the All Spark. Mentions how Starscream acknowledge Cheetor as the “Guardian of the Allspark”.

- Mae Catt describes Starscream as an “Awful gremlin” several times.

- Astrotrain and the Insecticons are from Megatron X’s universe.

- She thinks Cliffjumper and Bee wouldn’t get along, solely because of the IDW2 comic stuff. (They had a cut joke about someone telling Bee he should paint himself red and Bee saying, “But then everyone will think I’m Cliffjumper!”).

- Cyberverse got 26 episodes for season 3 because they had the 4-part episode movies.

- Megatron cares about his troops, but not in a way that we would notice that care. 

- AcidStorm is genderfluid. 

-  Cold Construction doesn’t exist in this show. When asked why all the Seekers look the same then, Mae Catt says “Maybe there’s one jet mode all the seekers really like”.

- She loves the idea of Wild Wheel robbing Astrotrain in train-mode, totally Wild West-style.

- One of the things she’s proudest of was turning Lugnut into a gal (and having so much body diversity and gender-neutral designs for a lot of characters). They wanted to include many more girls in Cyberverse (Nickel and Lightbright among them). She also mentioned that  Shadow Striker is taller than Optimus or is his height.

- She describes Cosmos as “R2D2, but a Transformer!”

- Maccadam looking like a buff Rung was just a strange coincidence.

- Blurr really was the fastest.

- Mae Catt says we absolutely SHOULD write fanfic. Fanfiction made her into the writer she is today. She wrote non-stop Matrix fanfic from the age of 12-20 years old. It helped her learn a lot about writing.

- She uses “They” pronouns for Rack ‘n Ruin when referring to both of them, but says that individually they both use “he”.

- She’s really sad that Skywarp didn’t get a speaking line.

- Mae Catt won’t say whether Ratchet finished medical school or not. (She laughed when someone commented "I don’t believe that man has ever been to medical school”). She also says she wants “I choose to believe Ratchet has never been to medical school” on a T-shirt.

- When asked why Rack ‘n Ruin were captains of the Ark in one universe, she says they’re probably the Prime in that one weird universe (lmao).

- She loves the idea that Transformers have siblings / families.

- In a world where they had an unlimited budget, it’d be fun if Cybertronians were constantly shape-shifting and changing their forms. Example: she’d like having Transformers who “grew a beard” and decided to “shave it”.

- She doesn’t understand cycles or astrocycles, she doesn’t understand the weird Transformers time stuff. (mood)

- She loved Beast Wars Inferno, she loved that Inferno called Megatron a Queen. It was played as a joke because the 90s weren’t very socially conscious, but she liked that Megatron never corrected him or beat him down.

- Shockwave altered his spark to have maximum bad vibes to destroy the All Spark.

- She said it’s hard talking about writing a show because you’re designing the experience and you have to make sometimes what sounds like cold and pragmatic decisions (eg: "we need a cold and spunky female”) which sucks, but they need to balance out the show. She says she’d never do that just for the sake of doing it, but it’s part of something that they do need to be aware of while working on a show. “It starts from a weirdly cold pragmatic place, but we try and put truth in it”.

- They didn’t want to have Unicron in the show since he’s the default “big bad”, but if he was in the show, Mae Catt says “If you put the proverbial budget-gun to my head, I’d keep Unicron in planet-mode because it’s more mysterious, but I want both alt modes”.

- Her favorite Megatron is Beast Wars Megatron.

- She doesn’t like Sky Lnxy’s design, it’s creepy. “He talks in the G1 episodes and the voice makes it worse.” She can’t get over his face.

- “I’d love to see more jets [who aren’t our usual gang] and find out all jets are kinda snobby, which explains why Starscream’s the way he is”.

- Everyone on the Autobot side are friends with each other.

Thanks for your time Mae Catt! We’re lucky to have you. Thank you for all your hard work on this amazing show.

[yurimother]

Top Yuri Anime Poll Results

Whether it is subtext or explicit, cute or sexy, school love or gay action thrillers I love yuri anime. These series either focus on or contain elements of female same-sex relationships. Pride month is the perfect time to look back and reflect on the best of this genre. I teamed up with OG Man of The Yuri Nation (yurination[dot] wordpress[dot] com/) and together we put out a poll asking what you thought the top yuri anime series were and over 1000 of you responded submitting almost 5000 different entries. We spent hours combing through the data, analyzing and commenting on the results and we would like to share our thoughts with all of you. Enjoy the reflections of me the yuri critic and OG the dedicated yuri fan!

These are the Top 20 Yuri Anime as voted by you

1. Bloom Into You - 692 Votes

OG: Be it East or West the YagaKimi took the world by storm. Citrus and BiY once again taking the top two spots remains unsurprising.There is something undeniably fascinating about our leading ladies consisting of an asexual slowly coming to love her senpai back but restraining herself for various reasons. The biggest one being said senpai having a deep case of self-loathing and a fear of romantic reciprocation, also for various reasons. She is like “I love you but please do not love me back”. Then there is one of the most popular “cursed” lesbians of all time in Sayaka, the fantastic adult side-couple (The world needs an anime starring lesbian adults/mothers) and the various other characters who have their own interesting tales to tell. The series absolutely deserves a spot in the Top 10 though it would not be in my personal Top 3. Oh and as Yurimother said the presentation was fantastic.Visually stunning from start to finish in my opinion. Special mention goes to the criminally underused first-person “camera”. So cool.

YuriMother: I agree with this series deserving a spot in the top ten even if not the number one slot. For me, it was good but not great. Moments such as the aforementioned adult couple as well as stellar art and a phenomenal score made this series enjoyable but they were not enough to overshine the problems of the narrative. For the love of the Yuri Goddess, this series is crying out for asexual representation but insists on carrying on with its confused romance. Enough complaining though, many people love Bloom Into You despite its faults and I agree. The characters are interesting and lovable and it manages to tell a yuri story more real and complex than the typical fluffy girl meets girl narratives.

2. Citrus - 452 Votes

YuriMother: The presence of Citrus and Bloom Into You prove two things to me, the importance of recency, as both anime aired only last year, and the sheer popularity of these series. Both had established and extremely successful manga runs which were adapted into English by the publishing masters of yuri, Seven Seas. Citrus is a contentious series, to say the least, as it includes elements of (non-blood related) incest and non-consensual actions as part of Mei and Yuzu’s “relationship.” However, if you possess the magical power to turn off the part of your brain screaming at you that those aspects are deeply problematic or if you seek a different interpretation then Citrus can be downright WONDERFUL. I actually loved this anime series for its characters, amazing animation, and salaciousness. As OG said, it is an operatic concussion of emotion (seriously everyone in the series needs therapy) but my is it fun to watch. The Citrus anime also holds a special place in my heart, as the first serious piece I ever wrote was a review for it over on Okazu (nice plug)! Citrus is certainly not for everyone but those that stuck with it and overlooked some of the problems ended up loving it.

OG: Here we are again with Citrus at #2. My thoughts on the series remains the same as in the previous two lists I discussed (the Akiba Research and goo Ranking Japan lists), overrated. Good soap opera/telenovela-esque series but my feelings on the cast are mixed (which I imagine was the writer’s intent). My main issue has always been the obstacles repeatedly challenging Yuzu and Mei’s feelings for each other instead of it focusing on “Hey. We like each other but our parents got married. What do we do? Can we keep our desires for each other in check?”. Instead it is one newcomer after another who want to eat either Yuzu or Mei and Yuzu repeatedly asking herself if she really wants robo-stepsister patties? I will give the anime adaptation credit. The story was easier to enjoy animated than drawn. It also helped that I grew up in a telenovela loving family. The characters’ actions, reactions and emotions were depicted better in the anime. I still consider the show’s greatest accomplishment being the humanization of Mei-Tron. In the manga it took a post-epilogue continuation to show readers “Hey everyone. Mei-Tron was human all along.” whereas in the anime I sensed the small bit of humanity quicker than in the manga where I continued seeing her as a block of wood with a brain up to the point where I dropped it. Harumin though is the greatest regardless of anime or manga adaptation. Bless her. Regardless of how I feel about the series I get its massive popularity. After all, were the rest of the story to get an animated continuation I would gladly pick it up...Not the manga though.

3. Sakura Trick - 342 Votes

OG: There are fans who understandably would disagree with Sakura Trick’s praise but I will always defend it and the anime as one of the very best in the genre. First off it aired at a time where animated on-screen close up kisses (specifically consensual ones) between ladies were rare. Haruka X Yuu’s relationship was believable for the most part. Even their season finale resolution, them not getting what being “in love” meant at the time, made sense though I get why it left some scratching their heads. Probably not the best “manga lure/bait” end I suppose. On the bright side Kotone X Shizuku’s story definitely did not have the two doubting their true feelings for each other. I do hope Kaede X Yuzu eventually hooked up in the manga as they too had potential to be a lovely couple.

YuriMother: Sakura Trick has no real narrative, no great insight, and offers little intellectually. As a teacher, it makes me furious, as a fan of yuri, elated. The anime is beloved for its plentiful soft service, presenting a plethora of kisses, cuddles, and awkward thigh shots (ew). However, it was one of the first anime to include this much explicit yuri service without being pornographic. All the characters were cute and fun, even if there was little in the way of development or complexity, it worked for the series. If you want something to make you think or to learn about yuri, pass over this one. But, if you want a cute and meaningless anime definitely watch it.

4. Yuru Yuri - 337 Votes

YuriMother: OG may not be a fan of Yuru Yuri but I certainly am, which is fairly obvious to anyone who observes that a solid 20% of my communications occur in the form of gifs from this series. It is hilarious, cute, and playful. Just like Sakura Trick, this anime is an easy watch with ultimately little substance. However, the part of me that is not rolling of the floor laughing every time I watch Yuru Yuri lives in a state of pained existence with the knowledge that this work of all things ended up being so popular when people are telling interesting stories about queer women and people in actual relationship that manage to still be funny and adorable while having something to say.

OG: The undisputed most mainstream friendly yuri series there is. It is also one of the funniest. My one gripe is that excluding a select few the main draw of the show besides the comedy and yuri is the ship wars, meaning (almost any girl can be shipped with each other). Not a fan of that but hey, it brought Namori the big bucks so who am I to judge? In any case not much else to add. It deserves all the adulation it gets but the free for all shipping irks me. Reminds me of how they botched Chika X Riko in the Love Live! Sunshine!! Anime. If you were going down the Riko X Yohane route from the start then why give us Chika X Riko in the first half? Ship wars yo. Tch. Hopefully I properly explained myself..

5. Kase-san and Morning Glories (Asagao to Kase-san) - 289 Votes

OG: Still wish this got a 12-13 episode anime. The glorious movie showed how much it deserves one. Whether it will happen or not remains to be seen. In any case the beauty of Kase-san X Yamada is how simple their romance is. No strings attached whatsoever. It is as straightforward as a self-proclaimed “ordinary” cutie, Yamada, having a crush on the super cool school beauty Kase-san. Said beauty is revealed to be just as “adorkable” as Yamada. The other highlight is their story not ending once they officially started dating (as is the case with many romance stories) but that being only the beginning, like real life. From then on, side-stories aside, the two biggest challenges for the two is Yamada accepting that it is okay for someone as “ordinary” as her to be the “cool babe”s girlfriend and Kase-san finding different ways to express her love/hunger for the cutie. As for the OVA, cramming the second part of the first series in an hour definitely had the downside of excluding some important moments, yes, but it at least covered some of the best moments in the manga. The first half of the story was summarized in a five-minute music video. One last thing. The animation, though a bit too brought for some, was glorious. It also had some long pauses which were effective (The bus stop scene being the most infamous) but while I did not mind them at all even I will admit some pauses went a bit too long. A small nitpick all things considered. Fingers crossed one day we either get that 12-13 episode anime for the first series, the sequel or both. That is one of my dreams.

YuriMother: At last, an anime that I do not have to react cynically to! Kase-san is one of the single greatest works of yuri animation to ever to be created and its glory is rivaled only by the manga from which it originated. Despite being only a one hour long OVA this adaption told such an engaging and realistic (finally) story of romance and personal growth. We get to skip the meatless girl meets girls arcs and get into the depth and complexity as Yamada and Kase work to further their relationship. They struggle with the fact that they are two different people who want different things out of life and love and have to actually work on their partnership. Kase-san also includes signs of physical affection and love that are never lewd, immature, or gross, I do not even think I could refer to them as “service”. However, for me, Kase-san’s greatest victory (both the anime and manga) is in its escape from school romance, which in this genre is often a shelter from reality, allowing for women to be in relationships without actually being queer. Kase and Yamada instead make an effort to continue their romance and build a life that includes their relationship once they graduate in a triumphant final act. This anime is a slap in the face to the class S stories and sloppily sexualized works which proliferate the yuri genre. Asagao to Kase-san shines as a holy beacon for the greatness that this genre can achieve.

6. Puella Magi Madoka Magica - 286 Votes

YuriMother: Hurray!! For two entries in a row, I get to talk about series that I wholeheartedly adore without having to constantly attach caveats. Puella Magi Madoka Magica is not considered by all to be yuri, and that is certainly not what it is best known for. PMMM is however famous for twisting the tropes of the magical girl genre and creating one of the most cohesive and thoughtful narratives ever put to screen. This series summoned a new era for the magical girl genre (what OG humorously referred to as the “Moepocalypse”) but no other title managed to top Madoka Magica’s runaway success. Every aspect of this work is highly polished including character designs, a phenomenal soundtrack, and superb writing. This is not only the definitive work of its genre but of all postmodern anime. Whether or not one is a fan of yuri every anime fan should give Madoka Magica a watch.

OG: Meduka Meguca. Its impact in the “Moepocalypse” (Shows where cute and sexy girls consistently suffering physically and emotionally. These are usually dark magical girl shows.) genre and legacy are undeniable. It deserves all the praise it gets. It scarred many unfortunate souls, Homura is a legend in yuridom, Kyouko X Sayaka are glorious (Especially in Rebellion), Meduka’s Mom Junko is a Top Tier Sexy Mama, Charlotte the Witch is a very strange girlfriend and of course Hitomi is a walking anti-fun meme. The animation, especially the creepy doodle like monsters known as Witches are memorable. However, it is not my favorite Moepocalypse show. That honor goes to Yuki Yuna is a Hero.

7. Strawberry Panic - 224 Votes

OG: Like it or not Strawberry Panic is a yuri classic. I have a strong feeling that like many readers around my age (31 during this writing) this was their first 100% yuri anime. The cheese is real but it is the yummy kind of cheese and I loved almost every minute of it, except Amane X Hikari. That was the weakest of the love stories going on. Poor Yaya trying too hard (Not saying this in condescending way. She literally tried too hard). It is like a young adult lesbian novel but more fun. I mean Nagisa X Shizuma might as well be “Lesbian Twilight but not crappy”. Let us be honest, Shizuma is a vampire. Chikaru is an undisputed goddess and Kagome is the cutest.

Oh and I will repeat this statement till my last breath…

#TamaoWasRobbed.

YuriMother: I may be almost a decade younger than OG but even for me Strawberry Panic was my first yuri and it more than earns its nickname as the “gateway yuri,” although last year’s Citrus and Bloom Into You may be presenting serious contenders for this title. If for no other reason than nostalgia, Strawberry Panic remains my favorite yuri works but this ridiculous soap-opera of an anime does deserve a fair amount of recognition. I see Strawberry Panic as the culmination of the S subgenre revived by Maria Watches Over Us. However, this work succeeds at both parodying many of the tropes of S and yuri while breaking a few. However, its greatest accomplishment is introducing many of the young western fans of yuri to the genre. Strawberry Panic, you are an overly dramatic mess but thank you for all you have done.

8. Revolutionary Girl Utena - 176 Votes

YuriMother: Another gem of the yuri genre, actually scratch that, if works like Kase-san are gems then Utena is the minerals from which gems form. I think that is how it works, I am not a geologist. My poor analogies and subtle nods to Steven Universe aside, Revolutionary Girl Utena is one of the single most important works of yuri anime, possibly even more so than Sailor Moon. These two works were the dawn of the current age of yuri, an era spurn on by social progress and the internet into a place where more yuri works featuring honest depictions of homosexuality are flourishing. Utena laid the groundwork for queer representation in anime and for that I remain forever grateful to this masterpiece.

OG: I must confess. While I saw the movie long ago and thought it was cool I have yet to sit down and finish watching the main series. I cannot say much about this show other than it is another yuri classic. Possibly one of the biggest. I think I will leave this to Her Holiness because even if I had seen it I do not consider myself someone who possesses the sufficient intellect to properly explain why this is a legendary show.

9. Flip Flappers - 132 Votes

OG: I would need an essay to explain why this show is legendary. Let me see. It is a story of a girl who discovered her gayness thanks to her growing attraction to a lovable idiot/genki. There are references to Western media, dimension hopping (including Class S Hell), self-discovery, a sexual orientation journey, a tree, armored wedding gowns, crazy third wheels, Ku Klux Klan stand-ins…You know what? Just watch Flip Flappers. It is a hot mess of random, crazy, creative and thought provoking awesomeness with a wonderful dose of gayness. Glory be to PapiCoco. However, as Her Holiness mentioned this is essentially Ikuhara-san levels of weirdness (though not as complicated I feel) but as the plot thickens it all (sort of) starts making sense...eventually. That tree yo.

YuriMother: Flip Flappers was almost too strange and abstract even for me, and that is saying something. However, upon further examination, one of the most interesting works of yuri is revealed. This heavily stylized anime delves deep into the sexual maturation of its protagonist while examining the yuri genre and representation in media. Flip Flappers is the perfect marriage of heavy visual style and intellectual substance. Definitely give them one a.. err better make that three watches, as you will want to be sure to get everything out of this beautiful series as possible.

10. Miss Kobayashi’s Dragon Maid - 131 Votes

YuriMother: This series is the closest anime fans have to a lesbian couple having a family that we have, and that is a shame. I LOVE family narratives, outside of the yuri genre Usagi Drop is my favorite anime. To me, seeing women balance life, a relationship, and children is some of the best queer representation there is. However, for every point in Kobayashi’s favor, there is also a glaring fault. Kobayashi is a modern woman in the workforce providing for herself and her “family,” but is borderline abusive to Tohru. Kanna is an inquisitive child being raising by two women, but there are weirdly sexual scenes featuring her. As previously mentioned on this list, if one can silence the reasonable part of the brain this work becomes enjoyable, hilarious, and adorable. Unfortunately, its faults prevent it from being more than an amusement and I seriously doubt that they will fade in the second season. But hey, it sells a ton of figures so… YAY!

OG: This series is one of the closest yuri fans have to a series starring a lesbian couple with a daughter and it is wonderful. Is the tale of an eternally grateful dragon who wanted to repay the human who saved her life, albeit drunk, by becoming her live-in maid. Tohru being a dragon girl had incredible power and could easily crush everyone in sight but preferred to try and understand humanity so she could live in peace with the woman she loved. It of course was hard at times but thanks to Miss Kobayashi slowly growing to accept her back (romantically she had a ways to go) and the two raising the adorable bundle of mighty puff known as Kanna they became a happy family. How long this relationship will last and whether Miss Kobayashi would come to fully love Tohru back romantically remains to be seen. I have high hopes it can and will happen. Kanna X Riko is precious (Yes. Even that scene). We even have a potential BL couple, which is nice. Not a fan of Lucoa X Shouta the shota. Not because of the age gap but it not being my kind of romantic comedy. It is the same reason I have a hard time buying Tsubame X Misha from UzaMaid. Mya-Nee X Hana from Wataten...maybe. At least Mya-Nee showed she is patient. Back to Dragon Maid. Great series. Naughty of course but great.

11. Sweet Blue Flowers (Aoi Hana) - 119 Votes

OG: Megane girl falls for a cutie but has a hard time confessing to her to the point she gives a relationship with another girl a try. Said other girl has troubles of her own courtesy of her own views on what love. Do not get me started on the OTHER girl who likes megane’s girlfriend. I did not even mention megane girl’s first love interest who she herself eventually begins questioning her feelings for the glasses wearing maiden. While this is well known throughout the history of yuri anime Aoi Hana made it clearer than ever that Yuri + Classical Music go hand in hand. Plus the show is quite pretty. Ultimately enjoyment of this series depends heavily on viewers’ patience.

YuriMother: Aoi Hana was ahead of its time in many regards. Most yuri during the early twenty-first century was unrealistic and melodramatic, especially with the revival of S stories. Aoi Hana instead presents a calm and realistic story that we still rarely see in yuri anime today. Instead of relying on tricks like service or comedy Aoi Hana presents a serene and character-driven story which is matched by equally calming scenery. It is certainly not the most thrilling watch, but a slow and beautiful slice of real life that remains one of the all-time strongest yuri works.

12. Yurikuma Arashi - 99 Votes

YuriMother: Yurikuma Arashi is strange, to say the least, but this is not out of the ordinary for legendary director Ikuhara, who also directed Utena. Parallels are easily drawn between this work and Flip Flappers, as they are both complex and encoded with enough symbolism to drown a bear. Yurikuma is one of my favorite works in the yuri genre and I have had more than a few heated discussions about interpretations of the work, including one memorable occasion when I was visiting a college professor and we ended up in a shouting match in the middle of the hall. However, while Flip Flappers holds a high degree of polish the same can, unfortunately, not be said here. Yurikuma Arashi has more than a few scenes of fanservice many of which overly fetishize the characters and relationship and some of the symbols, particularly lily flowers and the word “yuri” are practically beaten to death with an object I refuse to come up with because I am starting to have my fill of symbolism. However, despite some of its sloppiness, Yurikuma is one of the single most interesting and well-formed anime out there and analyzing it is practically a right of passage for seasoned yuri fans.

OG: Yurikuma Arashi is my favorite of Ikuhara-san’s series. To me it was the least complicated of his works but even so I needed help to understand the show. Luckily I had plenty of assistance. The meat of the story is more complicated but put simply it is about a war between a group of bear girls (and some human girls) who want to freely express their love and/or desire/hunger for each other and another group that amounts to Right to Censor from WWF. Like I said it is far more complex than that but that is the gist. The anime is quite ecchi and it has good reason for it. Again the gay bears are the more liberated of the groups and them getting more sexy scenes is meant to showcase that. Our heroine has good reason to be grumpy and a divine entity was introduced alongside a certain someone from a certain dark anime we already discussed.

In the end it is a show starring lesbian bear girls. I love love stories between women and i love bears. It was obvious I would end up enjoying this one. Like other complex stories it is not for everyone. Shows like Flip Flappers, Utena and Yurikuma have something of a learning people will have to get accustomed to in order to enjoy them.

13. Whispered Words (Sasameki Koto) - 88 Votes

OG: To me Aoi Hana and Sasameki Koto were always connected despite the former being a drama and the latter a comedy. Both star a female protagonist struggling with how to best tell the girl she likes her true feelings whereas their love interest for one reason or another makes it all the more challenging to get their feelings across. Both shows aired during a time yuri was not as popular of a genre as it would become over time. Perhaps if they had come out a little later when yuri was becoming more popular in the mainstream they would have fared better…Then again they may have helped set the groundwork for future yuri shows so it’s just as well they came out when they did. In any case both good shows worthy of “best of yuri” lists. SK has the dynamic of the megane in love and her somewhat airheaded love interest who specifically likes “cute girls”. Poor megane has a hard time figuring out what the airhead defines as “cute”. The show also features an amusing side-couple of an ojou-sama and her tsundere girlfriend. Not to mention the somewhat controversial side-girl who plays a more prominent role in the 2nd half of the anime. Heck, even Mr Crossdresser himself is cool. Let us not forget Miss “Ha Ha Ha!” Another really good show that I would love to see the rest of the manga get animated someday but considering most anime are essentially manga commercials and the SK manga ended the odds of a 2nd season are close to 0.

YuriMother: 2009 was a great year for yuri anime, with both Sasameki Koto and Aoi Hana, among other works, airing. But while Aoi Hana sought to resist many of the common tropes of the genre and tell a simple grounded story Sasameki Koto appears to have looked a the list of every convention possible and say “yeah I can do that.” It has melodrama, comedy, one-sided love, friend love stories, I worship this genre but even I think there is a limit. However, Sasameki Koto is one of the most competent yuri anime works of the current era. While all the tropes are present most of the problematic aspects of the genre are not. The story is well written, characters enjoyable, and art that is really well done for the time. I enjoy every watch and if I ever want to quickly download the genre’s tropes into another person's head I need only duct tape them to a chair and throw on Sasameki Koto.

14. Riddle Story of Devil (Akuma no Riddle) - 77 Votes

YuriMother: Akuma no Riddle was highly anticipated back in 2014, sporting a premise of student assassins that, while certainly not unique, was outside the norms for the yuri genre. It promised a dark and thrilling take on the yuri genre that would not become popular until the yuri horror trend a few years later. At first, it looked like this would be successful with an excellent setup and some pretty compelling characters but ultimately Akuma no Riddle fell flat and became more derailed as it continued. The monster of the week style of episodes left little room for complex plots and plans or proper character development, which is a shame because of how engaging so many of the assassins were upon original presentation. However, this show still has some of the best action in the yuri genre, placing it alongside series like Cannan and Utena despite its flawed storytelling. If nothing else, the anime may compel one to read the manga, which expands the story and characters more than the show was given time to.

OG: Professional assassins secretly gathered at an academy in an attempt to take the life of a seemingly innocent cutie to win the ultimate prize, one of whom wishes to protect the adorable redhead. Yes the manga, which is pretty much a Director’s Cut, is better and the anime would have benefited from having 20+ episodes instead of 12 and a delightful beach OVA but the show did a good job of showing viewers what each assassin was like, their motivations (though many of their origin stories were summarized in written biographies during commercial breaks viewers needed to pause to read) were clear enough and the duels, as brief as some of them were, had enough spicy goodness in them to be memorable, especially the ones in the latter half of the show. Oh, and although the manga wrapped up after the anime it had a very similar ending.

15. Revue Starlight - 72 Votes

OG: Gay theater girls who strive to become the top star, meaning the best actress or lead actor of the cast. How do they do it? By working hard and overcoming their personal hardships? Yes. That. What makes this show so wonderful despite being almost a year old as of this writing is not only do the ladies all have interesting stories to tell but so does the stage. Every song, prop, movement, dance, gesture etc. It is like the performers and performances are united. It is like in Spongebob where not only does the person in the boots tell a story but the boots as well.

Oh yes. I almost forgot to mention the mysterious underground theater and talking giraffe. Never forget the talking giraffe from Hell. #Wakarimasu.

Super cool and super gay.

YuriMother: Bushiroad continuously gets better at what they do, creating media franchises of cute girls filled with music and making mountains of cash from smartphone games. Inspired by the likes of Love Live, they created BanG Dream and last year Revue Starlight. However, where these franchises fell short Revue Starlight success. It never twists its characters to tell a story but rather creates compelling arcs around them. I thoroughly enjoyed and agree with its place on this list.

16. Konohana Kitan - 68 Votes

YuriMother: I know of Konohana Kitan for its constant presence at yuri events more so than the anime or even the manga. It is adorable, relaxing, simple, and fun. While it does not add anything super substantial to the genre it does not take anything either or present any objectionable material. The “plot” is nonexistent but that does not matter, as it is not trying to tell a story or make commentary, just be fluffy and simple.

OG: Konohana Kitan to me is a Girls Club (Cute girls doing cute things) and iyashikei hybrid anime. It is visually stunning as it is relaxing with Yuzu pretty much one of the cutest demigoddesses in existence. She of course is a chick magnet but her heart will forever belong to Satsuki.

17. Destiny of the Shrine Maiden (Kannazuki no Miko) - 65 Votes

OG: The other stuff on the show is still not that great but ChiMeko will forever stand the test of time as far as I’m concerned. Top 10 for their love story alone. Yes. I know THAT ONE SCENE continues being controversial and talked about every time curious new yuri fans witness greatness…but I will forever defend Chikane because I get where she was coming from. Would I have done something different? Yes. The thing is you need to put yourself in her shoes and understand what she wanted to accomplish and how far she would go to get it done. Kotoha is best side-character and Souma Ogami is real man’s man who does not deserve the hate. He was an honorable warrior to the end. He fought well and accepted defeat like a man. Plus his yell is inspirational.

YuriMother: My feelings on Kannazuki no Miko are incredibly mixed. It has many of the worst facets of early current era yuri anime, tropes include S, rape and… am I reading this correctly, demon mechs? Worst of all it presents a cycle, a never-ending loop that haunts the characters in the overarching plot and it does not resolve it. If a work ever presents such an element, like Puella Magi did, it must be overcome or confronted at least. Its presence makes the already cringy story feels cheap and lazy. However, I love the two female leads and their difficult relationship. I love the music, especially the hauntingly beautiful ending theme, and the final moments of episode 11 are some of the greatest seconds I have ever seen in an anime. I cannot wrap my mind around my view of this series but at the end of the day, I understand it. I do not believe that work like it would ever be warmly accepted today but for its time it does stand as a breakout piece of yuri anime.

18. Princess Principal - 61 Votes

YuriMother: Princess Principal is one of the best anime of the past few years. It had everything, an interesting premise, great characters, an incredible soundtrack. Alongside all this is the sharp writing and thrilling story. Princess Principal did everything Akuma no Riddle wanted to with an intriguing and action-packed story featuring strong characters. On top of all this, the animation is top notch. A six-part movie sequel is planned which has me somewhat concerned, but I am glad to see that it is being continued as the ending to the series was one of its weakest aspects. Now if you will excuse me, I need to listen to some jazz.

OG: Cute and sexy gay spies in a dramatic British Steampunk setting. What more do readers need? Allow Her Holiness to elaborate a bit further. Currently waiting for the multi-part cinematic continuation.

19. Izetta: The Last Witch - 60 Votes

OG: I am known for loving shows people do not think as highly of. Izetta: The Last Witch is no different. I love this show so much. Besides how certain events transpired some complained about the depiction of WW2. Basically think about people ranting about storylines and content featured in certain Call of Duty and Battlefield games. Here however, it is clearly a fictional great war inspired by WW2. I was invested in the following:

-The cute and sexy ladies.

-Seeing two badass lesbians lead an army against an evil empire.

-FiZetta’s romance. This of course being the major highlight. I love FiZetta so much. My sexy lesbian babies and Anne X Grea’s mentors. They taught them everything they know after all.

It is similar to how I felt watching Kannazuki no Miko where my focus was primarily on the leading ladies’ developing romance. The difference is that unlike Kannazuki I was also somewhat entertained by our heroines’ enemies along with their allies. Basically viewers’ enjoyment of the show depends on how seriously they take their history and are willing to overlook the liberties this story takes with its depictions of the weapons, military and the familiar evil empire. FiZetta are one of my favorite lesbian couples of all time.

By the way, in that famous scene, yes they did. Viewers just have to squint their eyes to see “it”.

YuriMother: Another show that I consider to have squandered its potential. I know that lots of people enjoyed this one, including OG but I could not bring myself to finish this constantly mediocre series. Perhaps I am tired of alternative light-fantasy European-war inspired plots. Trying to stand out in this bloated genre is difficult and Izetta fails. Izetta started strong and hooked many viewers with its amazing visual and auditory polish but this was quickly lost in the plot which, while set up well, struggle to gain any ground of pay off what had been established. On the yuri side, it did not really do anything interesting or satisfying, with plenty of scenes feature the character’s standing next to each other looking cute and one or two moments of actual yuri. I am glad that some of you were able to enjoy this one more than me at least.

20. Maria Watches Over Us (Maria-sama ga Miteru) - 57 Votes

OG: Like Strawberry Panic this is a “Like it or not” classic. Despite being a Class S show it did its own thing and became a pioneer for . It’s also responsible for the many yuri jokes related to all-girl schools in anime.Shimako X Noriko best Grande and Petite Souer! Yumiko X Sachiko were great too as the two grew to better understand each other. Most memorable scene for me was the panda costume. Even Sei is a sleeper icon in all yuridom. Yoshino X Rei had a very interesting dynamic. I actually think they are the real pioneers of relationships between cousins. Thank you YoshiRei. HaruKana, Kaede X Sara and several others owe you two much appreciation.

YuriMother: Another great and significant series, Maria Watches Over Us, took the tropes of early yuri works, Catholic schools, a lack of men, piano scenes, and emotional relationship rather than physical ones and turned the dial up to 11. For better or worse, it single-handedly revived the Class S genre and was copied (and parodied) endlessly for over a decade. However much I complain about S I actually do not think that we would have the current age of yuri without its popularity and proliferation at the beginning of the century so I owe a big thank you to Maria Watches Over Us for that. Ignoring its historical importance and literary significance the anime still presents an engaging plot with wonderful characters and more butchered French than my last trip to Europe. It is certainly worth a watch and worthy of a place on this list.

What do you think should be on this list?:

YuriMother: As I previously said, this is a pretty perfect list. As far as missing titles I can think of the following.

Simoun - not the greatest in terms of plot or animation but it had cute service and a fun action-packed plot.

Kashimashi: Girl Meets Girl - This series may be strange and present the dreaded love triangle but it did its best to tell a transgender narrative in 2006, naturally this involved aliens, and I applaud it for its attempts.

Cannan - This series is light on the yuri but heavy on the suspense, action, and amazing character designs. The terrorist plot is exciting and the final train fight featured in the series is one of the greatest action spectacles in anime that somehow manages to remain grounded.

OG:

-Harukana Receive: Best all-female sports anime ever made. Plus the gayness is not subtle at all.

-Mikagura Gakuen Kumikyoku: Eruna Ichinomiya is an underrated yuri icon. While not the first of her kind (That honor, I think, goes to Galaxy Fraulein Yuna) she set the standard of cool and inspirational badass lesbian protagonists who are proud of who they are and...also happen to be super perverts. Eruna made it cool to be such a protagonist. It is nice seeing a lesbian lead who does not care what anyone else thinks. She is hungry for cute girl booties. While she often loses her control in the presence of pure beauty she, as an inspiration for others like her, has enough self-control to not go overboard (most of the time).

-Symphogear: Symphogear is love, Symphogear is life. Hopefully Season 5 will keep up the good work.

-Rinne no Lagrange: My favorite mecha anime and the reason I embrace OT3s when the signs are there. Not the greatest but man was it fun. Plus Madoka Kyouno is still sexy.

-Yuki Yuna wa Yuusha de Aru: My favorite Moepocalypse anime of all time. Yuna X Togo taught me to love and trust some people outside my closest family again.

-Mouretsu Pirates: If someone were to ask me “Hey OG. What to you is the perfect anime?”. I would tell them Mouretsu/Bodacious Space Pirates.

-Kashimashi: Girl Meets Girl. Thanks to the first fan commenting and reminding me of it. Definitely worthy of a spot. #HazumuWasAlwaysFemale

Final Thoughts:

OG: Pretty good list and close to what mine would look like were I to make one. Reason I have yet to do so is because I do not feel confident enough to pick a favorite yuri anime of all time. Favorite yuri manga and couples? That I can do, but anime always seems to give me a hard time choosing my absolute favorites. Like I said though, a potential yuri list of mine would look something like this. I also found it interesting how similar the Top 10 are among both our respective fanbases and visitors to the poll conducted by the Akiba Research Institute.

YuriMother: I may have done most the complaining and left the praise to OG but I actually and really happy with this list. I think that every title presented is a worthy addition and while I would certainly move some higher or lower than their current placing I do not believe that these are too far off from my own opinions, which is surprising for a popularity poll. More than anything I am thrilled to see that works I dislike that I thought to be popular did not make this list. Perhaps I should have more faith in people and their opinions. Everyone did such a wonderful job voting and I am so grateful!

Thank you so much everyone for reading and for voting in the top yuri anime poll. To see the full results of the poll and to support yuri news, reviews, and content, check out the YuriMother Patreon. Happy Pride Month

[aion-rsa]

Why You Should Watch Young Royals

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This article contains some spoilers for Young Royals. 

WIth an overabundance of teenage-oriented romance shows on television at the moment, it can be hard to conjure up a reason to watch yet another one. Every streaming service seems to have something in the genre to fit a need, whether that be a gay protagonist, a female hero, or an ensemble cast. It’s very difficult to stand out amongst the crowd because there are very few places left untapped in exploring adolescent life styles. 

Enter Young Royals, a Swedish-produced LGTBQ romance drama that was released on Netflix at the beginning of July. When Prince Wilhelm (Edvin Ryding) is sent to boarding school by the Queen after getting in some trouble at a nightclub, he feels out of his element and overwhelmed with expectations. His only reprieve from the rigidity of this environment comes when he meets Simon (Omar Rudberg), a kind and charismatic child of an immigrant mother. 

Prince Wilhelm and Simon’s burgeoning relationship eventually turns into one of the most evocative and explorative love stories in contemporary queer TV. A keen understanding from the writers and actors of what can make a show like this stand out amongst a repetitive crowd of competitors is what will hopefully lead to enough viewership for many more seasons. Here are some more reasons you should watch Young Royals.

The Teenagers Actually Look and Behave Like Teenagers

Far too often the young people in coming-of-age entertainment vehicles look, act, and feel a little too mature for actual teens to relate to on any sort of deeper level. The actors who are casted infamously have birth dates well before the people they are portraying on-screen (Darren Barnet, who plays 16 year old Paxton Hall-Yoshida on Mindy Kaling’s hit series Never Have I Ever, is a whopping 13 years older than his character!) Not only does this force an unrealistic standard of beauty on the viewers to live up to, it also breaks up the immersive quality that truly great TV possesses to transport us to different worlds that connect to our own.

Edvin Ryding is 18 and Omar Rudberg is 22. With faces spotted with pimples and makeup sparsely used to mask other superficial blemishes on the actors, the people in this show seem like they could show up at any secondary school in your neighborhood and fit right in. This provides an authenticity to the storytelling that you simply don’t get with the majority of teen romance media. Perhaps the reason for such realism is because European filmmakers strive for higher artistic standards when filming, shunning the degrading expectations of sexiness and maturity that directors in the United States have grown obsessed with. Whatever the reasoning behind it is, the show’s casting is a breath of fresh air. 

The Story Skips the Often-Redundant Coming Out Journey

I want to start by getting one thing very clear: the coming out journey is one of the most important tropes used in LGBTQ movies and television; I wrote a whole essay on how Love, Victor’s exquisite and heartfelt depiction of this plot point helped me come out of the closet in my own life. When done properly, this storyline can be both inspirational and important to the young queer community. The problem is that far too often the coming out process is the only focus, and all of the other dynamics of gay teenage life get shelved and under-examined. 

Young Royals gives you a negligible amount of hand-holding when it comes to spelling out the sexuality of the two protagonists: Simon mentions in one conversation with his dad that he is gay, and Wilhelm’s own musings are so focused on the former that we know immediately how smitten he is with his charming classmate. There is a little bit of internal denial from Wilhelm when he tells Simon he “isn’t like that” after they share an awkward first kiss, but we know he’s kidding neither us nor his lover. 

The intense romantic energy is so new, raw, and real that there is no need for anybody to come out; it’s obvious that these two are gay as hell for each other and that discovery is absolutely beautiful. As mentioned, though, Wilhelm is a part of a royal family and publicly coming out as a celebrity is a whole different topic that the show sets up nicely for in a possible second season.

Sexual Expression is Explored on an Emotional Level

The show is rated TV-MA, but it can’t possibly be for nudity or graphic sexual expression. The passion between Wilhelm and Simon is certainly physical to an extent, but the little things, the tiny moments of young love are so much more meaningful than watching two actors maul one another like wild animals or porn stars. Short kisses in the forest, holding hands while watching a movie, and dropping off a quick breakfast in class are all amongst the enviable acts of emotional desire that are displayed from the characters. 

TV shows rarely understand what actual love looks like in the real world. It isn’t always 12 hours spent in the bedroom or excessive PDA in front of classmates and family. It’s what two people feel about each other that words can’t possibly describe. It’s an emotion that bonds a couple into one. Wilhelm tells Simon when professing his love midway through the season that nothing in his life feels real except for how he feels about him (a line improvised by Edvin Ryding). That’s so much more than a one-night stand or a cheap hookup and it’s something every other teen rom-com should learn from and aspire to emulate.    

A Delicate Discussion on Classism in Relationships 

A melancholy sticking point in the relationship between Wilhelm and Simon is their difference in social class. Wilhelm is the second-in-line to the throne of Sweden while Simon is the poor son of an immigrant mother who cannot afford to live on campus at the boarding school the characters attend. When the two boys are together, money and celebrity status become irrelevant. It’s an absolutely beautiful give and take where both kids get to learn how attraction has nothing to do with societal expectations and pressures, but keeping a relationship definitely does. 

When their love affair gets leaked in a sex tape á la Kim Kardashian, Wilhelm is expected to hide his sexuality and his desire for someone low on the social ladder. The way both young men work together to figure out a common ground solution is simultaneously touching and heartbreaking, as homophobia within the Swedish Kingdom makes the love forbidden and creates the main tension in the finale’s climax. Classism is such an underutilized topic in romance stories and Young Royals does a great job finding that fine line between forcing the issue and exploring it thoroughly. 

A Small, Strong Cast

Many shows that follow a romance struggle to give equal screen time to both parties. It can be tempting to flesh out the main protagonist more fully than divide attention among both characters. If you add in supporting roles around the couple it can get really flimsy in the hands of a shoddy screenwriting team. 

This show only has three true supporting roles: August, Sara, and Felice. This leaves plenty of material for both Wilhelm and Simon to be equals in spite of the central focus being on Wille. When you get to see the POV of each person independent of the other, it becomes a much richer experience and you are more easily able to sympathize with both young men instead of taking sides during a conflict. Their personal lives, especially their unique family dynamics help inform the audience about the romance. By the end of the six episodes, you feel like Wilhelm and Simon are amongst your own social circle because you know them intimately. That just doesn’t happen with most coming-of-age series. 

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All six episodes of Young Royals season 1 are available to stream on Netflix now.

The post Why You Should Watch Young Royals appeared first on Den of Geek.

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[nae-maeum]

frayderike replied to your post:“Criminal Minds…so…just finished the much anticipated and eagerly...”

About Kang Ki Hyung: He was playing hide & seek or something like that with his son and he reproduced tick tack noises as to symbolize time running out. Maybe that triggered him and he immediately thought of running out of time to stop the bomb (usually a bombs are associated with "ticking"). It was not well executed/editet though, they could have merged the scenes with the help of the ticking sound and the bomb timer instead of jumping to the explosion scene right away. You're complaining about the lack of Nana in the first episode but just for comparision, Garcier had even less screen time in the first CM episode (I think she just had one scene). I'm not sure about the part "But this doesn’t look like the room of a murderer" / "It looks like my cousin's room". In the US CM episode 1, they're actually saying something similar along the lines that it's a boy's room and not a man's to illustrate that something is strange. The lines in US CM were clearly better chosen but I'm not sure if the Korean writers just messed up a bit or if it was a translation mistake (I don't speak Korean). Btw, Reid is profiling with the help of a Go board in episode 1 as well. Lee Han comes to the exact same conclusion as Reid. So if you're complaining about that in the SK version, you have to complain about it in the US version as well. I agree, though, that the guy acting as Lee Han isn't doing his job very well. Maybe that's why everything he says seems so... off. Same with the password. Some police officers fuck up the computer in the US version too. Garicier can't help and is saying that one would have to look into the suspect's mind to figure out the password. The part of how they figured out the actual password (insomania and later the correct pw being the cat's name) was not well thought and conveyed. The US version did better. But the SK version has to get adjusted to SK and I just guess a lot of viewers don't know Metallica Them and one of their LP/song was used as reference to get to know the password in the US version. Maybe that's why the SK writers hesitated to just make an exact copy of that scene. Sorry for spamming like this lol So, in conclusion, I think the main problem of the show is that they're trying to stretch a 40 minute episode into two 1 hour episodes. They not only have to stretch the plot and add new scenes for that, they have to adjust the original plot along the way to not confuse SK viewers who are obviously not US viewers, there will be e.g. cultual differences that the writers have to keep in mind. They don't seem to have well thought-out adjustments, though. Some of them don't add up or seem a bit strange. But a lot of the complaints you have about scenes and lines are actually just copied from the US version. And I think the show just needs time to show more of the characters and the team. Maybe we'll get better team dynamics as the show is progressing :)

So full disclosure, I honestly cannot remember if I’ve seen the first episode of the American version and I haven’t seen the second of this; from what you’ve mentioned I guess the second episode answers most of the questions and does a better job at explaining? I’ll probably watch later today and hopefully it’ll change my opinion of the drama. But thank you for the comparison! It doesn’t make me like it any better because now that I know they’re basically copying it down to a t, it still makes me wonder how they could so epically mess this up....

With regard to Ki Hyung, that’s what my sister and I thought, but for the life of us we couldn’t figure out what had triggered him; the tick tacking wasn’t really obvious. It would have been far better had they done what you suggested; both in terms of clarity and, well...dramatic effect.

Again, can barely remember the first episode, but like I could justify Garcia getting less air-time in the American because we knew it’d be a seasonal drama so her introduction to the plot could take it’s time, but this is only 20 episodes >_>... I guess in trying to reproduce the original, the writers seem to be forgetting about the constraints placed on them for their version...

The lines...were not translated wrongly to my belief, Min Young probably said it was like her younger cousin’s room, but I mean she’s not young herself, so just saying it was a dongsaeng doesn’t really impart much information. That scene should have been done way better if that’s what they were trying to get at; I mean I noticed the little figurines that he had on the shelf in front of his computer, but like, I have a shelf full of stuffed animals and figurines so that doesn’t really signify much. I wish now that they’d done a pano of the room before showing the unsub on his computer; that would have helped to show the childishness of his room I suppose because I actually didn’t see anything in that room that would prompt such a remark.

And omg by no means am I saying you can’t analyze someone from a chess board, baduk board, etc., because your technique and your maneuvers that you employ in any strategic game can really give insight about you as a character. It just struck me as odd after the kinda very stupid (delivery wise) remark that Lee Han had made before. The portrayal of Lee Han really is very lacking; the actor is far too stiff (it’s so obvious he’s trying to maintain that aloofness of Reid, but in that trying too hard manner) and his delivery of his lines leaves much to be desired.

With the password, oh my god I can’t even begin to talk about the stupidity they portray in American crime shows sometime; the CSI messing up I would understand, Min Young on the other hand telling them to go ahead with the sticky note password I can’t...as a profiler, it should have alerted her that something was fishy about that and that, well, the unsub, up till this point, is far too sophisticated for it to be that simple. Again, need to see the second episode and I definitely knew it was a lead in for some “profiling” action, it was just too sloppy for me to be understanding about it though...

Also, I see a lot of people trying to forgive the faults of this drama by saying it needs to adapt to Korean culture, but up to this point I honestly don’t see what adapting needs to be done. With regards to culture, I feel that would come into play more when talking about dynamics, within the team and within unsubs (for example, it makes perfect sense that the bomb squad pressed pass because the uniformed guy seemed to be the higher up), and in terms of motives and symbolism. Also, like you mentioned, pop culture, so adapting pop culture references in the American to references Koreans will understand; but overall, I didn’t see any disjoint between what Korean culture is and what was depicted. 

I kind of also wish they would follow the one episode one crime format because a lot of the cases in the original as well don’t have the level of complexity and suspense required for a two-part story-line; this case especially, I think I’d have had a better impression had they just solved it within the hour. 

 I liked the addition of Ki Hyung’s family, the introduction to that serial killer who went off the grid, but I feel like they didn’t have an effective introduction to these plot points. Each were, what, max 2/3 minutes? If they’d wanted to stretch it into 2 episodes this first case, I feel they could have definitely spent more time to develop these arcs a bit better; especially with the serial killer because the details of his case were too brief, obviously they’ll explain more in the future, but the suspense for his re-introduction could have definitely been amplified a bit more. 

That was a long reply, but honestly thank you for the explanation! Makes me actually want to continue rather than grudgingly doing so and I hope, hope, hope it becomes better! I just hope they fix their chronological issues and plot lines to make it less confusing; the jumping around and mismatch in the first episode was really overwhelming and I could feel my mind breaking down trying to figure out correlations and connections to what they were saying/showing on screen.Sometimes dramas get off to a slow/iffy start and I guess Criminal Minds, unfortunately, falls into that category. 

Seriously though, thank you, cleared up so much...

[tonystarkbingo]

TSB Mark IV Week 2 Roundup!

This includes the Round Robin fic that several participants wrote as part of our Discord Party, as well as a whole bunch of other amazing works.  Go leave them some love!

Title: Adventures of Tiny Dragon Tony and His Treasure (Loki) - Chapter 41: Snapshot #41: The First of Many Meetings Collaborator: tinydragontony Card Number: 4005 Link: Tumblr Square Filled: T5 - more than a partner Ship: FrostIron Rating: Gen Major Tags: Fluff, first meetings, 5+1 Summary: Here it is, the most requested chapter to date! How Loki met tiny dragon Tony! Word Count: 3300

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Title: Snowed In Collaborator: eachpeachpearplum Card Number: 4003 Link: Tumblr Square Filled: S2 - snowed in Ship: none Rating: Gen Major Tags: snowglobe, possible imprisonment?, art Summary: Tony was just minding his own business, taking a quick zip around the city, just because he can. Next thing he knows, he’s in a glass ball sat on some evildoer’s shelf. To make things worse, he’s not the only one…

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Title: Man on the Run Collaborator: ceealaina Card Number: 4008 Link: Tumblr Square Filled: R1 - Old Team Ship: Background Pepper/Nat, Background IronHusbands Rating: Teen Major Tags: Fluff and Humour, Team as Family, Post-Endgame, Fix-It Summary: Saving the world is important. But Tony really, really just wants to retire and spend time with his family. And if faking his death is the only way to do that, that's how it goes sometimes. Word Count: 1115

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Title: Inktober - Day 19 Collaborator: monobuu Card Number: 4040 Link: Tumblr Square Filled: S3 - AU: Star Wars Ship: WinterIron Rating: Teen Major Tags: Scandalous amount of leg Summary: Uuuuuh. Yeah. (*ﾟ▽ﾟ*)

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Title: Scrunch Me Collaborator: martianwahtney Card Number: 4011 Link: AO3 Square Filled: A2 - Victorious Ship: WinterIron Rating: Gen Major Tags: fluff Summary: 3 times Tony asks Bucky why he wears scrunchies, and 1 time he figured it out for himself Word Count: 995

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Title: The Best Bathtub Collaborator: camichats Card Number: 4049 Link: Tumblr Square Filled: K4 - Kink: Bath/Shower Sex Ship: Tony/Sharon Rating: Mature Major Tags: Minor sexual content, allusions to sugar daddy/baby relationship (though not actually present in the fic) Summary: Sharon is a tough Shield agent and she’s proud of that, but sometimes it’s nice to relax and feel pampered. Word Count: 1649

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Title: Baffled, bewildered and bemused. Collaborator: JehBeeEh Card Number: 4058 Link: AO3 Square Filled: K1 - Learning to be Loved Ship: Stony Rating: Mature Major Tags: Super Fluffy, Implied Sex Summary: Baffled. Bewildered? Perplexed. Tony couldn’t quite figure out which version fit this situation best, but they all seemed to apply. Perplexed seemed a bit much though. Puzzled? Bemused. Word Count: 3197

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Title: wound with your eyes (kill with a smile) - Chapter 3 Collaborator: deathsweetqueen Card Number: 4066 Link: AO3 Square Filled: A5 - Restrained Ship: WinterIron Rating: Mature Major Tags: graphic depictions of violence, Spy Kids AU, Secret Identities, Kidnapping, Indian Tony Stark Summary: Tony Stark and Bucky Barnes were once the renowned superheroes, Iron Man and the Winter Soldier. Eventually, they put aside the masks and the armour to get married and raise a family together. Twelve years later, SHIELD agents go missing, and Tony and Bucky decide to go on their first mission since their eldest child was born. When they're mysteriously kidnapped by a psychotic TV show host, it's hardly a great first step to getting back in the game. The worst thing, though, might be the fact that the only people who can rescue them are their own children. Word Count: 12,872

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Title: with or without his unhallowed touch - Chapter 24 Collaborator: deathsweetqueen Card Number: 4066 Link: AO3 Square Filled: K1 - myths and legends Ship: Tony/Thanos, Stuckony Rating: Explicit Major Tags: Tony is Kidnapped by Thanos, Tony is the Soul Stone, Female Tony Stark, Obsessive Behavior, Non-Consensual Body Modification, Emotional Manipulation, Stockholm Syndrome, Emotional/Psychological Abuse, Physical Abuse, Domestic Violence, Forced Relationship, Gaslighting, Rape/Non-con Elements, Warnings for this Chapter: Explicit Violence, Major Character Death, and Cannibalism Summary: Toni sees the Chitauri mothership high above her, sees the hundreds and thousands of warships that circle the Earth, and she knows, she knows. She thinks, oh, I understand. A beat. Her hand burns. Wow, we are so fucked. She lets the bomb slide out of her hands, watches as it floats towards the mothership, and fire rains down on her, even in the dark, pale, cold hollow of space. She laughs, breathlessly, thinks of all the ones who’d loved her the most, and dies. Word Count: 129,402

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Title: What We Do in the Tower Collaborator: newnewyorker93, rebelmeg Card Number: 4042, 4034  Link: AO3 Square Filled: S2 - Forcibly Adopted (4042) A5 - WTF (4034) Ship: Peter & Tony, Pepperony Rating: Gen Major Tags: Vampire AU, Avengers family, crack and humor, unapologetic cherry-picking of vampire lore Summary: Peter Parker has been having an awkward time as a brand new vampire. But now he's got Tony Stark whisking him off to meet a whole group of weird and hilarious vampires that live in Stark Tower and maybe this won't be so bad after all? Word Count: 5185

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Title: Prince Tony and the Red Headed Princess Collaborator: PoliZ Card Number: 4007 Link: AO3 Square Filled: K2 - AU: Fairy Tale Ship: Pepperony Rating: Gen Major Tags: fairytale elements, domestic fluff Summary: Morgan asks her daddy for a bedtime story with knights and monsters, and wizards and princesses.  With some help from Pepper, Tony is happy to oblige. Word Count: 866

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Title: A Bottle and a Half of Whiskey Later - An 1872 Playlist Collaborator: moosh Card Number: 4037 Link: Tumblr Square Filled: S5 - Canon: 1872 Ship: None Rating: Gen Major Tags: Playlist Summary: A playlist based off some of the songs that Tony sang in the comic. Word Count: N/A

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Title: The Gift of Jab Collaborator: dracusfyre Card Number: 4032 Link: AO3 Square Filled: A2 - Dares/Bets Ship: WinterIron Rating: Gen Major Tags: Pre-Relationship, Sparring Summary: For the ImagineTonyandBucky prompt: Hi! I'm always up for some sparring hotness, so how about Tony being present for physical training sessions (working/watching), but says no everytime Nat/Clint/Steve/etc invites him to do it. Rhodey laughing every time the team says that it's bc Tony doesn't want to embarass himself. Bucky suspects his BF is actually well-versed in hand-to-hand/martial arts/self-defense; so he gives himself the challenge of getting Tony onto the mat. When he does he ends up a)on the floor & b)really aroused. The fill is less horny than the prompt, sorry. Word Count: 2453

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Title: Lady in Red Collaborator: JehBeeEh Card Number:  4058 Link: AO3 Square Filled: A5 - Steve Rogers/Captain America Ship: Stony Rating: Mature Major Tags: Summary: “I GOT SCARED, ALRIGHT?”“Steve, sweetheart-"Steve kept pacing their room like he hadn’t even heard her. “I got so scared, you have no idea. And I know, okay. I know you can take care of yourself, and you don’t need me to save you or protect you, and it is sexy as all hell, but in that moment, I forgot all about that, and I was scared that I couldn’t protect you.” He collapsed on the bed, elbows on his knees and his head in his hands and Toni could hear him take long slow breaths.This had definitely not been how Toni envisioned their return home going. Word Count: 1176

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Title: i come as a woman, dark and open Collaborator: simi Card Number: 4066 Link: AO3 Square Filled: A5 - Resolve Ship: Toni/Steve/Bucky Rating: E Major Tags: Female Tony Stark, Regency AU, Misogyny, Racism, Explicit Sexual Content, Emotional Infidelity, Slurs, Marital Dissatisfaction. Summary: When Toni first meets Captain Steve Rogers at one of the biggest gatherings of the season, she is not impressed. On the other hand, his best friend, the charming James ‘Bucky’ Barnes, was an utter delight. Unfortunately for her, after a series of misunderstandings at said party, she is forced to accept Steve’s hand in marriage in order to save her family’s reputation. And while Toni never expected a fairy tale, she had always hoped that companionship would one day turn into something more. How was she to know that Steve was just as charmed by Bucky as she was? a.k.a. Steve and Toni get married to each other; there are more misunderstandings; Bucky is an absolute delight and possibly the saving grace for their marriage; and somehow, all three end up falling in love with each other in the process. Word Count: 25, 335

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Title: TSB October Discord Party Round Robin Fic Collaborators: rebelmeg 4034 Politzania 4007 EachPeachPearPlum 4003 summerpipedream 4045 Ducky 4013 Magica 4019 SomeSortofItalianRoast 4036 DarthBloodOrange 4010 Link: AO3 Square Filled: rebelmeg: A4 - Huddling for Warmth Politzania: A5 - Dog Park EachPeachPearPlum: S1 - Premonitions summerpipedream: A5 - Clint Barton/Hawkeye Ducky: R5 - Fortune Telling Magica: T2 - Fortitude SomeSortofItalianRoast: S2 - Magic DarthBloodOrange: T4 - Robots Ship: None Rating: Teen Major Tags: animal transformation, magic/witchcraft, Kate is a hero, Clint is a disaster human being Summary: Tony has been turned into a dog, and he is going to straight-up murder whoever made him a corgi. Word Count: 2634

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Title: I Know You Collaborator: iam93percentstardust Card Number: 4012 Link: AO3 Square Filled: R5 - Sam Wilson/Falcon Ship: IronFalcon Rating: Gen Major Tags: Established Relationship, Domestic Fluff, Sickfic Summary: When Tony gets sick and hides away from everyone else, it's up to Sam to find his wayward boyfriend. Good thing he knows him so well. Word Count: 1316

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Title: Thriller - Michael Jackson Collaborator: monobuu Card Number: 4040  Link: AO3 Square Filled: A5 - Murderchildren Ship: None Rating: Teen Major Tags: Creepy?  Summary: N/A Word Count: N/A

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Title: I’ll keep your brittle heart warm Collaborator: peachy Card Number: 4017  Link: AO3 Square Filled: K3 - Protectiveness Ship: Stony Rating: Teen Major Tags: Breaking up and making up, fluff, getting back together Summary: They got married when they were young, just twenty-four years old, despite the arguments from their friends that they should wait, that neither of them were ready for a commitment like marriage so young. Steve distinctly remembered Sam pointing out that the male brain isn’t even fully developed until age twenty-five. But they were young and passionate, so sure they’d found their perfect person that they could overcome anything and everything life threw at them. And it was true. For six months. Word Count: 4223

[ddaenghoney]

chapter seven

masterlist link in blog description.

As a successful songwriter, you want nothing more than the acknowledgment that the chart-topping musical pieces are your own creations. But contracts, relationships, and the difficulty of facing the stakes involved head on, keep your mouth shut until pressure builds too much.

Pairing(s): Park Jimin x Y/N, Min Yoongi x Y/N

disclaimer: any characters depicted do not represent the actual personality of the respected idol in real life.

Series warning(s)/genre(s): Chapter-based written fic, Slow-burn relationship(s), Fake-dating, Unrequited love, Songwriter/producer!oc, idol!Jimin, idol/songwriter/producer!Yoongi, friends with benefits, drama, romance, smut, angst, fluff (updated as needed)

Chapter warning(s): none.

Word count: 5064

if you enjoy please, please let me know!

Yoongi, 2:36pm: Can you meet me at my apartment? I have to upload some things, and my stylists are going to set up there.

Y/N, 2:37pm: Yeah, hopefully I’ll be there before four. I don’t know what Yerin wants.

Your head lifts from your rigid posture on the couch, glancing in the direction of the elevator as a random employee delivers mail to the secretary. She told you to sit and wait approximately twenty minutes ago. The man returns to the elevator, bidding a cheerful goodbye to the girl who waves back at him. Your eyebrows furrow back down at your lap, hoping her normal demeanor can be taken as a positive sign for you.

Yoongi, 2:40pm: Whatever she says can’t be too awful. You haven’t done anything wrong.

Though you’re inclined to agree, at this point in your hole of misdeeds you wonder if even the tiniest things could set her off nowadays. The dates you and Yoongi go on aren’t blatantly full of affection, but given your mutual lack of acting--and desire to be affectionate with one another, you think you’re both done pretty good. Twitter likes it all, from what you have looked at, and celebrity news outlets commonly refer to you both positively as well.

Y/N, 2:42pm: Maybe she’s going to ask me to break up with you at the dinner thing later

Yoongi, 2:43pm: Wouldn’t you like that lol

Yoongi, 2:43pm: Well me too though

If anything good has come from the fake dating, it’s getting on stable foundation with Yoongi. Especially where production is concerned, he’s your favorite person to work with, even if all the things he’s let you have been informal content. The collaborative efforts have been a great use of your spare time, so much so that you don’t mind if they don’t amount to anything he’ll ever actually use. He said the songs aren’t likely to be, because of what he wants done with him, and how their styles won’t work properly with the conjured persona his management team deeply loves to publicize.

An image that you’ve found to be quite different to whom Yoongi actually is. One he also dislikes.

Yoongi, 2:50pm: I’m ordering pizza because I hear the food they plan to serve is going to be weird

Y/N, 2:50pm: You’re a hero… If you get cheese stuffed crust… I’ll buy one million copies of your next album….

Yoongi, 2:51pm: Get your wallet ready then (was already getting stuffed crust though)

“Ms.,” You turn your gaze to the secretary, thoughts of the enjoyable comfort food drifting from your thoughts as she smiles politely, “Ms. Baek is ready for you.”

Walking into the office, you’re met with Yerin sitting back relaxed in her seat, seemingly tranquil. She gestures with her hand to the empty chair across her desk, then uses it to take hold of her coffee mug, taking a languid sip. Unassuming, somewhat welcoming. You remain proper in the straightness of your spine as you sit, simply saying a small greeting that felt repressed like you were in her presence.

“I won’t take long with this.” She flips her hair behind her shoulder, rolling the wheels of her seat closer to the desk. “Just a check-up.” You nod, not fully understanding what she means, considering she hasn’t done anything like this since your first year of working in the company. “From what I see in the press the relationship is going over nicely. It helps giving some official information first to the main news sites that’ll give beneficial commentary.” She goes on like there’s a check-list of points in her head to cross off, while you nod. The first headline to drop the company’s official statement dressed the relationship with pretty phrasing, and light-hearted banter in the paragraphs about pictures of you and Yoongi on the first visible date. “It may start getting a little trickier now, though.” She takes another moment to drink her beverage while you noticeably frown.

“The appeal won’t simply die down?” You ask, words weightless of strength and only curious. Yerin shakes her head, finger tapping on her notepad while she explains,

“No, there’s always going to be a desire for public pictures of an open relationship like this; especially considering Min Yoongi’s prestige in the public’s eye.” At that you nod once, accepting that tidbit of information to be correct, especially with how much acclaim his work has received in recent years. “With that being said, there needs to be more out of you both.”

You only stare at her, taking in the ideas behind her words, hoping you’re misunderstanding, but knowing that not to be the case.

“Yes, as in more physical interaction.” Straightforward. Yerin rests her chin on her hand as though what she’s saying is cumbersome to explain. She shrugs, catching you off-guard as she beats you to commentary, “I know it’s obnoxious and, perhaps, uncomfortable, but that’s how it is. I’m not telling you to make out with each other in the streets, but hand-holding won’t cut it forever.”

“I,” You bite your lip, not happy with the idea of talking back to her, considering you and Yoongi had already gone in this deep with the thing. But you should speak for yourself. “I don’t think I can do things like that with someone I don’t genuinely like in that way. It’s going to look awkward-- I can’t even see Yoongi agreeing to this idea, either.”

“I know he wouldn’t.” She nods, glancing from you to the window. “Like I say: I don’t need you both to make out, or even kiss. In fact, I don’t want you both to be spotted kissing, that runs the risk of being too unprofessional. Just act more friendly than you both do now. You can still have your boundaries of no real physical affection, but delve deeper for the sake of cameras and people outside of the company’s perception.”

Your head tilts in disappointment of her unwavering decision, though you can’t help but agree with her worry of media’s perception. Not that you truly wanted to deceive people, but from the objective perspective of a general person, Yoongi and you only ever held hands in public, sat across at tables with no further physical interaction-- you both haven’t even faked a selfie session. You bite the inside of your cheek, still trying the last card, “And if Yoongi doesn’t go along with this at all?”

“He will.” Yerin cooly responds to you, finally shifting her crisp stare back to your person. You’re stiff at her words’ finality, wondering how she can be so sure. “Besides that all,” Her calculative actions and stoic demeanor are truly the most intimidating things about Yerin. “You’ve been working on music with him.”

Like how she’s able to state information she has received without you possibly understanding where she would have received it from.

“Y-Yeah,” Because you’re surprised, the affirmation stutters, but you clear it up in the retort. “It’s not against policy.” She nods in agreement,

“No, it’s not. I’m not upset with the fact. Just acknowledging it. Of course I’d want the best of the company’s songwriters to be collaborative with one another.” You nibble on your lip, eyes widening slightly at the high-praise of your value. “I was going to try and get you to help him with his upcoming album anyways; it’s best that it happened naturally, considering how particular he is.” Your shoulders feel less burdened to straighten, fueled by the change in topics that ended up being so much more uplifting than you would like to admit out loud. “Keep up the good work. It always shows you do your best.”

---

A plate with crumbs and the faint remains of a few drops of tomato sauce sit cold on the night stand beside Yoongi’s bed. You sit in a desk chair wheeled in from his spare room under bright lights the stylists brought from the company as you receive their final touches of makeup. It feels like an hour has passed, making you murmur of worry at the idea you and Yoongi would arrive late to this dinner he was cordially invited to.

But on the other hand you’re fine with the delay. Still trying to figure out a way to express Yerin’s order of more PDA to Yoongi, after avoiding discussion of anything in regards to the meeting once you arrived at his apartment. Timely as it was, he had just finished his appearance preparations, and greeted you with steaming slices of cheesy pizza questioning immediately if everything went okay.

You hurried in a yes, fumbling over words but able to avoid untactfully blurting that she wants more from you both.

“Y/N,” The familiar stylist says your name with pride, overlooking you from behind as you take in your freshly styled makeup, hair, and the perfectly fitting dress that you chose out of five options. It holds the contours of your figure with grace, a bandeau-style neckline, with the sleeves purposefully sewn to fall off your shoulders loosely, and somehow in an ethereal way. The fabric’s shine under the fluorescence entirely highlights the rich shade of bronze, and as you take in the entirety of the ensemble-- beautifully black heels and all-- you can definitely agree with the tone that the stylist goes on in. “This dress kills. You have great taste.”

If the foundation didn’t layer your skin, you’d likely have a noticeable flush of confidence, but that aspect is evident in your widening smile. Hell, looking this nice may be convincing enough for Yoongi attend more to those demands Yerin asked you of.

You bite your lip at the thought, head shifting to disperse it entirely--silly idea, maybe even conceited, plus it’s Yoongi you’re talking about. It’s only Yoongi.

“Wow,” You catch sight of the man himself enter behind you, his reflection in the mirror showcasing a fixated, noticeably surprised, expression. Your chest beats with more warmth, fueled in confidence from his reaction that you didn’t genuinely think would occur. You turn, biting your inner cheek as he simply remains quiet, unabashedly taking in the outfit as you properly faced him. Then Yoongi startles in the quiet, releasing the door knob from his hand and entering into his bedroom, wandering towards the rack of clothing that was brought for him, facing it as he finishes. “You look nice, Y/N.”

“Nice isn’t enough, Yoongi.” You nearly cough as his stylist interrupts the moment, missing your lips tighten to refrain from smiling bashfully at his comment. “You should tell her at least a paragraph’s worth of words-- I mean, look at her!” She rambles, adjusting his suit coat while Yoongi allows her to, casting you a glance. This one contained entirely to find your eyes. He smiles softly and nods as though to tell you he genuinely means the small sentence he said.

You didn’t need him to. You knew.

--

“So,” Yoongi says, comfortably beside you as you both ride to the destination. “Sorry if this dinner thing ends up being really boring for you.” He speaks quietly, somewhat slowly like he’s looking for something to comment on. “I wanted to skip it, since I’m not a fan of the host, but couldn’t get out of it with Yerin.”

You know the statements reasoning invite you to question his disdain of the host, but you miss the chance to keep on track with the subject of Yerin. “Speaking of Yerin,” Watching him flinch a little as your voice raises, you just ignore it and get out the phrasing as innocently as you can, “She,” You reach to fiddle with your hair, smiling in a nervous manner that he could get upset by the idea. Yoongi’s lips curl a little in a frown, taking in your evident worry about whatever you are about to say, and he knew he had the right idea when you shuffled past him to get your makeup done, barely remembering to get pizza until he reminded you. Something definitely happened. “She wants us to be a bit more physical than just holding hands.” Your voice trails, as does your eye contact in favor of the seat’s polyester.

Yoongi’s frown remains, due now to the confusion on why that was so difficult for you to say to him. Judging by past interactions with her, he had a feeling that would eventually come. The idea that she directly asked you instead of having himself present as well for the request makes him uncomfortable. Wondering what her methodology was when this message clearly made you worried to pass along. He sighs, irritated again by the odd work relationship between you and Yerin. But Yoongi’s gentle as he answers you, subconsciously happy when he notices your shoulders lose tension and he settles your small bundling worries. “That’s okay. We’ll figure out some other stuff to pacify the media.”

Your eyes find Yoongi’s profile as he looks out at the passing evening scenery. You’re skeptical. He was just as against the fake relationship as you were in the beginning, so seeing him go along with this new addition as easily as this feels strange. And you wonder even more how Yerin was able to assure you this occurring outcome would come to be. “I’m sorry I couldn’t convince her against it.”

Yoongi faces you, eyebrows furrowing in dismay at your need to apologize, “This isn’t your fault; you don’t need to apologize.” He shrugs, admitting softly, “I had a feeling she’d want more eventually.”

“But not a lot, don’t worry.” You try to soothe your own discomfort as you remind yourself, “Just small things-- not kissing obviously.” Yoongi chuckles, rubbing his neck, humored by the way you pop in small comments.

“Obviously.” He mimics your tone, earning a small pat from you against his arm as you pout at the teasing. Embarrassed, but he didn’t push it. “I know what you mean, Y/N. It’ll be okay, we’re not doing anything either of us are uncomfortable with.”

“Do you want to have some sort of signal in case we cross boundaries like that?” You ponder ideas of how to be subtle, but pause as Yoongi murmurs absently, as though what he says is casual knowledge,

“I think we understand each other well enough to know without that.” Despite the statement sounding unassuming, you can’t deny little jitters of warmth at its implication, but you shrug them away, thinking in the end that it’s silly to read so much into simple things like that.

The car comes to a stop, the area outside sparse of crowds due to the lowkey nature of the dinner party that is apparently only supposed to be learned about after the event concludes. Nonetheless, you exit from the vehicle, holding Yoongi’s hand as he helps you out. The usual. Leading you both into the tower, you think maybe posting a picture with him on your social media account could be enough to suffice for the evening, leaving you both with an opportunity to think of other things for future dates, but as Yoongi’s hand strays to find a gentle purchase around your waist, tugging you closer to him in the slightly busy elevator shaft, you realize he’s able to adapt easily to the new parameters of the fake relationship. Like he didn’t have to think at all.

“Too much?” The words feel like they brush into your hair, but so quietly in order to keep the other few people in the elevator as away from the question as possible. Your head shakes only a little, and it’s not enough to convince him as the grip begins to loosen, then stray away, but you can’t be the only one lagging in this. He didn’t like it either, but you shouldn’t force Yoongi into making all of the effort. You hand shadows over his before it leaves your waist, keeping it situated, warmth leaving the tips of your fingers and onto his skin chilled from the short walk inside. “Okay.” You register his nodding beside, as well as the fluster very slightly in his voice.

Your responsive giggling falls before you’re able to stop it, humored by his shy reaction and how you thought Yoongi was effortless in acting like your boyfriend. Clearly as nervous about the small things as you are. You shift closer towards him when his hand suddenly squeezes in a tickling manner, and you glance up at him only to try harder to muffle laughter as he looks down at you completely embarrassed with his lips straight in a tight line that makes his cheeks fuller.

“Stop-”

“I’m sorry.” You nod away the entertained thoughts, then smile at him dramatically, overly apologetic, trying to play it all away with humor. Yoongi just shakes his head, sighing softly when the door opens.

“I’m not good at this I know.” He says vaguely enough for those who could happen to listen in, but of course you understand. As such you shake your head, walking as he leads you both to the reception area cluttered with celebrities and those sporting designer clothing to fit into it all.

“Listen, we both clearly suck at this.” You respond, catching sight of the refreshments going around on dishes. Yoongi was right: they looked weird. “But we’ll probably get better, I guess.” You shrug, wondering why the event is called a dinner party when no formal dining tables were anywhere to be seen. Instead, you catch sight of people throughout the music industry and beyond, casually involved with one another in dignified manners. Practiced at the art of social interaction, and from what you could see most weren’t meeting for the first time that evening. Feeling like you’re the odd one out. “Don’t ditch me in this, please.”

“No plans of that. Don’t worry.” You step in further with him, altering position so that his hand leaves your waist in favor of your hand, for the ease of walking. You keep close, realizing more and more by your unfamiliarity with everyone that you’re not a part of the world that plays out in the party. Idol and producer Min Yoongi’s date, but not songwriter and producer yourself.

“Just when I thought I was going to get iced out of here.” Walking ceases at a clear voice that causes Yoongi to pause, looking beyond you while you do the same. You immediately bite your lip, trying to refrain from the shock of Jung Hoseok walking towards the two of you, suit sleek, with the patterned shirt beneath it glimmering, a flute of a drink half-finished in his hand, and a bright smirk present. You’re silent, glancing back to Yoongi who responds instantaneously,

“How are you here?” Yoongi speaks quietly, eyes narrowing with baffled shock. You try to think back on any mentions of him knowing Hoseok before, but draw blanks. Then again, why wouldn’t we, they worked at the same company previously. You narrow your eyes at this thought, in your own world for the moment while you get vague recollection of headlines surrounding Hoseok about a year earlier than you hadn’t paid much attention to. The implications of so leading to his removal from the company, and left uncontracted to SoundWave following the merger.

“Believe it or not, people still like me that aren’t the press.” He says with a shrug, sipping at his flute while Yoongi continues to look perplexed by Hoseok standing there. You can’t think of why in particular. Hoseok looks to you before Yoongi can fumble out any other response, smiling politely with an extending hand, “Oh, I’m sorry I didn’t introduce myself. You must be Y/N. I’m Hoseok.”

“You know who I am?” You ask in surprise, then recall his hand and shake it in greeting.

“Yoongi told me about you-”

“Hoseok, this is Seulgi’s party.” Yoongi’s continued concern shows, attempting to get Hoseok back on task to the conversation of being there. At mention of the host’s name, you remember it in relation to Hoseok’s in the headlines last year. Jimin had mentioned something about one of their careers getting damaged because of their relationship being caught in limelight. You hadn’t concerned yourself with that, instead fixating on the way the same could happen in your own situation, so as Yoongi sets the last piece of the puzzle in your mind, you revert into quiet.

Calmly looking up at Hoseok who turns his gaze back to Yoongi, you wonder like Yoongi what he’s doing there. A tiny part of you wanting to ask what happened if only to grasp at some fake comfort in knowing that it wouldn’t happen to you at this point. The only good thing perhaps that you could find so far.

“Obviously I know that.” He nods, taking a moment before speaking. “She let me in, it’s not like I snuck through security.” Yoongi’s hand around yours stiffens, worrying you a little that the small statement made him upset, but his expression looks torn instead. “Came with a friend that wanted to come.”

“Yoongi-” The three of you startle as a new person enters the hushed conversation. She steps passed Hoseok, ignoring his presence entirely, and instead smiling wide at Yoongi as she goes on, dress glittering under fluorescence. “You came after all. I’m glad.”

Where Hoseok’s sudden entrance felt easy to adjust to, the appearance of Seulgi is opposite. You feel uncertain of how to take in her sunshine tone towards Yoongi, while Hoseok takes another long drink to finish off his flute, eyes drifting from her to somewhere away. You swallow nervously, feeling implications hiding quietly around the bubble that felt hostile despite the cheerful demeanor the model and idol group member in front of you portrays. “Company said I had to.”

“Don’t be like that,” She teases reaching for a gentle nudge against Yoongi’s arm that intends to remain until he shrugs it off. The hand holding yours tightens once more, and you step closer to him before realizing so, concerned only with creating some type of barrier between them, because Yoongi seemed uncomfortable. “Ah,” Seulgi’s styled waves of rich brown fall over her shoulder as she looks towards you, polite smile, discerning eyes. “The rumors were true after all, hm?” She disregards greetings, head tilting back to Yoongi, “I want to catch up. I’ll show you to the open bar?”

“I’m not planning to drink much, or stay too long actually. Y/N and I have things to do in a while.” After listening to the decline, Seulgi’s eyes take a quick glance again, searching for confirmation that comes in the form of your head nodding, putting on a false, polite smile of your own. Your gaze perhaps more irritated than she would have liked to receive, so she smiles coyly. Nodding once, though chuckling sarcastically,

“What kind of plans happen at almost midnight on a Friday night, Yoon?” In the corner of your eye, Hoseok’s frame notably tenses, releasing a baffled scoff that Seulgi pays no mind to, and Yoongi doesn’t miss a beat in his reply,

“Things that don’t concern you.”

“Harsh.” She giggles like the conversation is an amusing game. “Y/N, wasn’t it?”

“Yeah.” You’re undeterred by her obviously knowing who you are, trying to roll with the punches as well as Yoongi does.

“You have your work cut out with this one.” She never looks at you as she speaks, never acknowledges Hoseok beside her, just intent on staring daggers into Yoongi’s eyes while the rest of her presents itself as quaint and easy-going.

“I didn’t ask.”

Seulgi’s head turns towards you, dark red lips parted for only a moment at your dry remark, before they close again. She properly takes you in, eyes narrowing in what appears to be a lapse of confusion, while Hoseok beside her chuckles in the midst of it all. She exhales a sigh at his antics, then a small smirk blossoms, matching the condescension in her speech, “Guess it’d be boring if he picked someone that can’t talk back.”

“Seulgi,” Yoongi steps between you two, eyes narrowed towards her but his voice is controlled, appearance utterly poised for any outsider to notice. She takes only a half step back, unafraid, but giving distance to cross her arms dismissively. “Leave her out of this. Don’t get any ideas.”

Seulgi looks at him silently, unbothered by the definite demand Yoongi speaks towards her. You get the feeling that she doesn’t buy it, likely hoping to push him even further. Letting you easily understand why Yoongi had so much reluctance in attending this particular event.

You tug the connection of your hands, causing Yoongi’s head to glance back at you, eyes speckled with the lighting and appearing concerned that something is wrong. Your lips tighten towards him, the smallest of head shakes telling him this isn’t worth it. You feel relaxation in his grip on your hand, returning to the feelings you’re used to, and Yoongi turns to Seulgi who speaks before he can get the two of you away, “Humor me with a chat.”

“Why should I?” His eyes narrow at her offer that she’s confident in. Seulgi takes a look to Hoseok who’s maintained near complete silence despite what his character is known for in the public. Eyes to Yoongi, releasing depth that you didn’t understand,

“Considering last year, you owe me.” Despite the majority of him faced away, you knew her statement struck a chord with Yoongi. Jaw stiffening and eyes narrowing in emotions other than anger. Like he lost to her. Lost to something that happened. You can’t help but frown, worry cascading around your stomach that tells you this isn’t a good change at all. As you turn to see Hoseok’s opinion on this discussion you find him only looking at Seulgi from the corner of his eyes, concerned, confused, curious.

If she was his ex then what does she want with Yoongi.

Yoongi sighs after what feels like an eternity, holding your hand still as he steps away from Seulgi and Hoseok only a few paces. His body faces from them, blocking you from their view as your holding hands dangle between you both. “I’m sorry, I need to talk to her though.”

You want to ask why but your lack of involvement and importance to Yoongi lead you to avoid that, but you’re visibly worried. Tone matching as you still try softly with concern, “Is everything okay, Yoongi?”

He nibbles his lip, though nods. Words gentle, apologetic. “I’ll tell you about it some other time, but I won’t take long.” He pauses, eyes appearing to frown in memory of his earlier promise to stay with you through the entire party. “I’m sorry, I really won’t be long. We can leave after; I don’t want to stay.”

You nod slowly, still wondering if you should let him, but having no reason to stop the situation that is the biggest cause of his discomfort. “Yeah, of course. Don’t worry about it.”

“You’re bad at lying.” He says softly, smiling a little sheepishly, while giving your hand a reassuring squeeze. You shake your head, but Yoongi halts you from your need to cover up. “I think you’re worried. It’ll be okay though, it won’t be a long talk. Wait for me at the bar?”

You nod, thinking he appears hesitant to leave you, even after releasing your hand. But Yoongi eventually turns, finding Seulgi patiently behind him despite her still crossed arms. Hoseok’s disappeared, escaped to another part of the venue, and you’re unsure if he spoke to her at all during your small discussion with Yoongi. Then Yoongi and Seulgi disappear as well, mixing into the crowds and going off somewhere.

You sigh, wondering about the dense amount of history and problems between the three of them, and thinking if Yoongi would be okay when he seemed so bothered by Seulgi’s implications. Stepping in the direction of the bar, you try to ignore it, leaving it to Yoongi to handle, because it is clear he wants to. Despite his obvious animosity there is something for him to work through. He said he’d tell you about it.

Your lip drags between your teeth in an attempt to smother the warmth you feel that he trusts you in that way. After Yoongi’s tried to give you an outlet for your problems, and trying to overlook his early judgements of your person to give you the benefit of the doubt, you feel happy that there could be a way for you to help him through any of his troubles as well.

Through the partygoers you walk along, finding the bar as lively as it would be. However, you’re not entirely interested in passing time with anything, instead using the location just as the place to meet with Yoongi after his discussion concludes. You take another look at the attendees, curious if any other big names that you admire have come out, but for the most part see artists of other agencies, socialites, and people you’ve never seen before in the slightest. The atmosphere seems inviting, though you can’t help but feel away from it. Aside from your lack of public image, the people around act separate, like there are things to hide and appearances to keep up, like how Yoongi did his best to maintain visible composure in the jabs between him and Seulgi who herself acted just as well-adjusted as him. Even in this semi-private sphere, people are on guard, unwillingly to give out pieces of themselves that are unsightly, or even human.

Your eyes hit head after head, bewildered by how different this party is despite what you would expect from people who seemingly have it all; even the recognition you crave. Then the gaze halts, locked on sight with the most familiar face you should’ve expected to see tonight. In the midst of Yerin’s slight praise, and the advancing air of friendship between you and Yoongi, the idea of something to upset the positivity left your thoughts long ago.

But as Jimin stands paces from you, eyes greeting yours silently, you wish you considered this outcome. And wished you tugged Yoongi and you out of this party altogether to have a night unbothered.

if you enjoy please, please let me know! i hope you enjoy the series, i’m working really hard on it! : )

tag list (send an ask to be added): @jaiuneamesolitaiire​ @tsvkino-usagi​ @xionysus​

[popwasabi]

“Picard” S1 Review: Doesn’t boldly go but is nonetheless engaging

Produced by CBS All Access

Starring: Patrick Stewart, Isa Briones, Allison Pill, Michelle Hurd, Santiago Cabrera, Evan Evagora, Harry Treadaway

Many fans had high hopes for “Picard” going into CBS All Access’s continuing voyage into the Star Trek franchise.

Fans wanted to see the lore finally expanded into the future after its previous three ventures (Enterprise, Abrams Trek, and Discovery) took place in the past, bring modern themes and ideas to Star Trek’s futurist’s world view in a way that felt fresh and relevant, but most importantly continue the story of the franchise’s greatest captain; Jean-Luc Picard, of course.

(He’s the best captain. This is not up for debate. Don’t @ me!)

In some ways the new series succeeds at this. We get glimpses of the previously untouched world of Star Trek post “Nemesis,” new themes that are resonant with real world events and exploratory, even critical, of the Federation’s worldview, and of course plenty of Picard himself as he navigates the strange new galaxy he inhabits.

But Picard ultimately misses the mark due to rushed storytelling, half-baked side plots, and just plain poor execution overall. It’s sad because “Picard” and this very talented cast and production team have their moments throughout this first season’s ten episode run but somehow even with 10 episodes of content to work with fans still end up with a somewhat jumbled mess.

(Me by like the eighth episode.)

This isn’t to say “Picard” isn’t worth your time if you’re an avid Star Trek fan or just someone who likes Patrick Stewart in this role in general but the first season will leave you still hungry for more and not in a good way.

“Picard” continues the story of the titular captain, now retired admiral, many years after the events of “Nemesis” as a retired Jean Luc reflects on his life in Starfleet and of his late friend Data who gave his life for his. A synth ban has been enacted in Starfleet after a major riot on Mars some years prior and Picard is understandably sour on the idea, given his relationship with Data, while also fighting Starfleet on not helping the exodus of the Romulans after the supernova that wiped out their homeworld in “Star Trek (2009).” When a young woman comes seeking Picard’s aid after an attack by mysterious assailants, revealing that she is an android and the possible daughter of Data, and gets killed, it is up to the retired Admiral to find her twin sister before she suffers the same fate.

Before we get started let’s throw out some of the bad faith arguments on why this series wasn’t all that good.

“Picard” doesn’t suck because it has “politics” in it. At this point, if you are complaining about the existence of social viewpoints and political/philosophical discussions in your Star Trek, or let alone any series for that matter, I don’t know what the hell you’ve been watching the past few decades. Star Trek has always been more than just a show about cool-looking spaceships and laser beams, you neckbeards.

(Hell, even the other “Star” got more going on in it than that.)

It’s also not bad because of female representation or “girl power.” Again, Star Trek has always had this and frankly having a few more instances of the women of Trek taking center stage doesn’t even come close to rebalancing the scales on the overall massive representation of cis white men across the genre and even the series anyways.

Also get the fuck over the use of curse words in this series. While certainly some instances in this show felt awkward, the use of the word “fuck” does not dilute Star Trek’s overall story.

(It would have made earlier season’s funnier for sure.)

Now that that’s out of way let’s get into the real reasons that, for me at least, the series fell short of an otherwise promising goal of delivering great new Star Trek.

The main problem stems from the series overall jumping off point in its first episode. Picard is understandably still upset about the death of Data and having him deal with survivor’s guilt is a great way to bring this character into the future and reexplore the humanist viewpoints Data touched on in the older series. But also having Picard deal with his fallout from Starfleet, both from the synth ban AND the Romulan exodus, creates chasmic diverging plotlines that never quite come together. The story really needed it to be one or the other. Either Picard wanting to advocate for the continued existence of synthetic life or the rescue of the Romulans post super nova. The latter is touched on a bit through the addition of the character Elnor but doesn’t quite work given that majority of the Romulans in this series are portrayed as villains.

There is definitely a post Brexit, anti-immigrant hysteria message being told there but not enough depth and nuance is given to make it look like Starfleet was particularly wrong here to abandon them given that they do end up being spies committing espionage in the Federation and the clear villains of the first season. The showrunners could have brought these two stories together by perhaps making Soji a Romulan bent on bringing down synthetic life because maybe her twin sister died in the riots on Mars, making Picard have to choose between his commitment to both minority groups abandoned by the Federation but of course, that’s not what the series goes with.

Also suddenly shoehorning in a convoluted anti-synth worldview into the already ultra-secretive Romulan empire was muddled to say the least.

(A decent summation of the Romulans, pretty much ever. Also why is the only Asian actress in this scene in Osaka depicted as an alien, Mr Kurtzman?...)

Some of these ideas could’ve been saved through better editing and pacing though but not enough is done in this first season to mitigate these issues. Too much of plot is told through plain exposition; people sitting down and talking for five-ten minutes about prophecies and backstory instead of having the story simply show us instead. It makes the pacing often slow even by Trek standards and grinds the action to a halt even when there are lasers being shot at one another in the next scene.

Many of these plots get barely any attention too. The Borg cube, why it’s abandoned, and why Hugh is working for the Romulans through the Federation is given surface level development at best. Seven of Nine returns and at one point is momentarily hooked up to the Collective and she doesn’t really say much about it after it happens. The new character’s Rios and Raffi both have side stories given to their development that get touched on once and never brought up again. Dr. Jurati straight up murders her lover and is set to turn herself into the Federation and it’s just kind of forgotten about in the finale. And Elnor, well, he gets to do his best Legolas impression slicing and dicing fellow Romulans with his sword I guess.

(He is still best boi though :3...)

The main co-star however, Soji the perfect android, has a particularly rushed development going from a scientist unknowing of her nature, to supposed prophet of doom, to predictably the savior all in one season. Her arc needed more time to develop with perhaps her Romulan love affair with Narek being the first season’s main driving force and her realization as an android being the climax. 

Instead we get basically four seasons of Battlestar Galactica’s Sharon arc crammed into one season and it unfortunately makes the story feel half-baked.

(Ok, Boomer.)

Don’t get the wrong idea, all these new characters have great individual moments as well throughout the season but sooooo much side plot is shoved in already into a muddled overarching narrative that it feels like several seasons worth of storytelling stuffed and edited down into a ten episode arc. Why the series felt it needed to conclude this robust story about synth hating Romulans in “Picard’s” first season feels like an unforced error in this reviewer’s opinion even if Sir P Stew only has maybe a couple seasons of extensive acting left in him anyways.

But the season isn’t completely worthless, as much as this review has been spent dunking on its less than stellar parts. The cast is exceptional, even working with the spare parts they’ve been given. Episode 5’s “Stardust City Rag,” in particular, stands out as a good mix of old and new Trek, with a decent dosage of cheese featuring Patrick Stewart trying on a French accent in a space bar. Santiago Cabrera is delightful as the ship captain Rios while also playing various forms of himself in AI form in equally enjoyable roles. Evan Evagora is fun as the deadly yet somewhat aloof Elnor, even if his character doesn’t do all that much except cut up a few Romulans. Seeing Jonathan Frakes and Marina Sirtis reprise their roles as Riker and Troi respectively in episode 6 was heartwarming and felt the most like TNG out of all the episodes. And Jeri Ryan seems liberated in this series in this version of Seven of Nine, no doubt glad to be rid of that restrictive corset and Rick Berman’s meddling hands.

(Big “Fuck you, Rick Berman” energy going on in this scene.)

The production value is obviously high level as Trek has rarely looked this good on the small screen. There’s some great cinematography throughout the season whether it’s Picard’s chateau winery, the haunting nature of the Borg cube, or the synth homeworld in the season’s final beats. The spaceships look cool as always and the world of the future feels well futuristic.

The musical score is also top notch, with a great opening theme that feels very much in line with Trek at its futurist glimpse into a hopeful cosmos.

The season’s best moments though are between Picard and Data and will remind you why they were more than likely your favorite characters on TNG. Generally speaking, exploring the humanist themes of artificial intelligence in new Trek was a good choice and having Picard deal with survivor’s guilt kept the pulse of the muddled story still beating. Brent Spiner is still great as Data and will remind you all again how talented he has always been as an actor and though his age seeps through the makeup a bit he is nonetheless still a perfect android.

Though the finale as a whole is underwhelming, the characters do share a nice final moment that is both touching and reminiscent of everything a fan loves about Star Trek. It’s a great cap to an otherwise ok return to Star Trek for TNG’s top characters and its truly touching in the best way that this franchise has always been known to be.

(Deactivating my emotions chip because I just..can’t! I just can’t, ok! *Sobs*)

But great acting and high production value can only mask so many flaws with a convoluted plot and “Picard” unfortunately suffers from the bloated and uncooked nature of its many ideas. What the story really needed was three season arc not just ten episodes and it shows. I guess the plus side is with this particular plot wrapped up it leaves the door open for new ideas and a fresh start in the second season but it does feel like an overall miss for Picard’s homecoming back into the universe of Star Trek.

Overall, though there are worse ways a Star Trek fan can spend their quarantine than watching “Picard” and there’s certainly enough here for fans to latch onto and have hope for better things in the next season.

Hopefully things are less rushed or at least more focused in the second season and we can see a more proper return to form for both Picard and future Star Trek.

Here’s hoping the producers and writers make it so…

VERDICT:

3 out of 5

Let’s hope we get a return of Q in the next season.

[animebw]

Short Reflection: Spring 2020 Anime

Spring 2020 was definitely a weird season for anime. With the Coronavirus situation delaying several highly anticipated sequels and even some promising first seasons (Do me a favor, watch Appare-Ranman when it starts airing again in the summer, it’s so damn good), the charts were slimmer picking than usual. There were no huge surprises, few unexpected gems, and in defiance of today’s action-hungry community, by far the most popular and beloved show was the second season of a character-driven rom-com. It feels like 2020′s gonna end up being a transitional year for anime, a passage that connects the old decade to the new while hovering in its own awkward middle zone without many standouts to its same. But while there wasn’t anything I really loved out of what I watched in spring, there was a decent number of shows I liked. If this is going to be a B-tier year overall, at least there’s plenty of good B-tier stuff to pass around

Shironeko Project Zero Chronicle: 3/10

I honestly feel bad for the creators of Shironeko Project. I can imagine some hack writer shoving the script off on the rest of the team and running for the hills after collecting his paycheck, leaving everyone else to try and make something salvageable out of the most agonizingly generic JRPG-inspired fantasy epic imaginable. It’s painful to watch this show at times, because despite how bad it is, you can tell how fucking hard the team is trying to make it work. The musical score is genuinely kinda great, there’s some surprisingly strong dramatic lighting, and while the animation is clearly suffering from abysmal budgeting and scheduling, there are clear attempts to make the battles and emotional tableaus genuinely beautiful. It comes so close to working at times I wish I could bring myself to like it. But the godawful script, ridden with cliches and contrivances and moronic plot turns, coupled with a production nowhere near up to the task to depicting such grand fantasy vistas, suffocate it in the cradle. And to add insult to injury, it can’t even have a conclusive ending, because it has to awkwardly set up all the elements for the start of the game it’s a prequel to. That game will likely not see its own anime adaptation, and if Shironeko Project is anything to go by, that’s probably for the best..

Princess Connect Re:Dive: 4/10

What would you get if you took Konosuba and replaced its biting cynicism with inoffensive blandness? Not very much, if Princess Connect is anything to go by. Created as a tie-in to a mobile game and with the director of Konosuba at the helm, it’s certainly got all the lavish, loose comedic animation necessary for a goofy fantasy lark. And it’s definitely the prettiest show I watched all season; these environments, backgrounds, and action scenes are nothing short of gorgeous. But every single character is a black hole of personality, from the bit parts to the protagonists. The plot is utterly directionless, the chemistry is nonexistent, there’s maybe two good laughs per episode, and every subplot is just an excuse to shove in some other asinine character from the game who will proceed to do fuck-all but stand around and eat up screen time along with every other single member of this unconscionably bloated cast. I might not have been Konosuba’s biggest fan, but Princess Connect is a crushing reminder of why it needed to exist; we should not be wasting this much talent and skill on such utterly flavorless slop.

Tower of God: 5/10

When I started watching Tower of God, I was struck with two distinct thoughts. Thought 1: This is gonna be the dumbest anime bullshit I’ve seen since Akame ga Kill. Thought 2: I’m still probably going to enjoy it. Both those thoughts mostly proved accurate: Tower of God is dumb, dumb, dumb, packed full of over-the-top, one-note characters and ridiculous shonen battle scenarios that stretch all definitions of plausibility. It’s an excuse for a bunch of colorful personalities to butt heads and smack each other with special powers, and whenever it’s focused on that, the slick action animation and the gorgeous, unique use of stark color design make for a decently entertaining ride. Unfortunately, the longer it goes on, the more I started to get frustrated at how little I understood what was actually going on. Where is this Tower? What’s its society like? Why are any of these people even climbing it? What’s the world outside supposed to be? Is there a world outside? Even after thirteen episodes, I still have no idea what the context to any of this is supposed to be. This, folks, is how not to do slow-burn mystery box narratives. Also, Rachel’s by far the best character, fuck you fight me.

Listeners: 5/10

I have not watched Eureka Seven. I didn’t even know Listeners was written by the writer of Eureka Seven until literally everyone mentioned that fact in their review of the first episode. And now that I’ve watched Listeners, I think I need to watch Eureka Seven. Not because Listeners is good; in fact, it’s kind of a giant fucking mess. The plot makes no sense, the CG robot battles aren’t even passable, and it trades any sort of thematic coherency or worldbuilding clarity for eye-rolling references to popular musicians and music genres. But god dammit, sometimes this show is so fucking fun. The casts’ vibrant personalities, full of fascinating motivations and unique perspectives on the world, makes for some delightful chemistry, and there’s a curiously compelling can-do spirit buried underneath the confusing philosophy and nonsensical story beats. If there was a coherent show wrapped around this endearing hodgepodge of human inspiration, I think it would’ve been a pretty good time. Hopefully, that’s what Eureka Seven has to offer. So if nothing else, Listeners, thank you for getting me excited to check out what you might’ve been if you were actually good.

My Next Life as a Villainess: 6/10

This is one of those shows where I’m disappointed I didn’t enjoy it more. A rare female-led isekai that trades the noxious male-centric power fantasy for a jovial skewering of otome game conventions? Subverting the expectation of the bitchy villain by making her fight against her prescribed role and become the nicest person on the face of the earth? While acquiring an honest-to-god bisexual harem in the process? The fact that this show is merely enjoyable instead of outright amazing is an insult of the highest caliber. Maybe the adaptation was rushed, maybe the animation needed improvement, maybe there just wasn’t enough space given for the characters to breathe, but I wish it were so much better than it ended up being. That being said, if this ends up sparking a new trend of otome-game iskeai anime- I’m aware this is quite a popular subgenre in the LN market at the moment- then I will happily sing Hamefura’s praises until the end of time. After how abysmal the modern isekai scene has gotten, this could be just the vaccine necessary to save the genre and turn it into a genuinely positive force for modern anime. Don’t let me down now, Bakarina!

Sing Yesterday for Me: 6/10

If you asked me back at the start of the season which show was probably gonna be my favorite, I would’ve chosen Sing Yesterday for Me with no second thoughts. An achingly realistic depiction of the angst of post-college adulthood? Featuring characters who struggled with messy, indelibly human conflicts around relationships and what it truly means to come of age and take control of your life? Animated with stunning fidelity and spectacular character animation by Doga Koba doing their best KyoAni impression to fill the gap while KyoAni gets back on its feet? This had all the makings of a masterpiece. And then, sadly, the plot gets mired in endlessly spinning its wheels, becoming more invested in dragging out a series of cheap “will-they won’t-they” love triangles than contending with the complex emotions at the core of those conflicts. It gradually loses sight of the maturity that made it so striking and eventually settles for just being a better Domestic Girlfriend, leading to a deeply unsatisfying conclusion that isn’t earned at all. Count your lucky stars that the characters remain so compelling and human despite how the plot dicks them around, in no small part thanks to top-tier vocal performances from everyone involved. Sing Yesterday for Me could’ve been something truly special; instead, it settles for merely being decent and disappointing. What a damn shame.

Kakushigoto: 7/10

I don’t know what mad genius decided that it was time for Hiroshi Kamiya to take on the esteemed role of “eccentric father to an adorable little girl,” but I’d like to shake their hand. Kakushigoto is about mangaka Kakushi Goto, who is keeping a big kakushi goto (translation: “secret”) from his daughter: he kakushi gotos (translation: draws) dirty manga for a living. And if you weren’t turned off by that barrage of Intensely Japanese puns, then you’re sure to have a good time with this show. A setup prime for cringe comedy is instead weaponized for a genuinely sweet tale of what it means to be a single parent, exploring how Goto’s lives as a mangaka and a father intersect and clash as he tries to give his precious Hime the best life he can with the limited resources at his disposal. It’s often hilarious, always touching, packed full of colorful characters and difficult-to-translate puns, and absolutely lousy with humorous observations on the nature of being an artist, as well as how it relates to the nature of being a parent. Not all the humor hits the mark, and there are some frustrating aspects you have to eat around- a gay stereotype, a high school girl who falls in love with Goto (don’t worry, it doesn’t go anywhere)- but if you’re in the mood for something soothing, silly, snarky, and just a little bit saccharine, Kakushigoto will do the trick just fine.