#the author weaves.
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deermouth · 1 year ago
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Scavengers Reign (Joseph Bennett, Charles Huettner, 2023) // The Southern Reach Trilogy, from Authority and Acceptance (Jeff VanderMeer, 2014)
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dionyrtal · 8 months ago
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"Pain and pleasure usually have the same sound. The horror of seeing the heart of your lover on a silver plate is also thrilling. Deep in your bones, you already know. Matter to matter. Blood gives blood. You'd rather die than not eat away what you love."
Vertigo Peaks by Dion Anja (2024)
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that-butch-archivist · 9 months ago
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"Ruth Ellis, Golden Threads Celebration 1995," from the documentary Golden Threads
source: The Wild Good: Lesbian Photographs & Writings on Love, edited by Beatrix Gates
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shannonpurdyjones · 3 months ago
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Short sample clip because Tumblr is being a butt and refusing to upload the full video without crashing (hellsite my beloved and beloathed)
Here's the link if you want to see the full in-hand spinning demo video with captions (you don't have to subscribe or download anything to watch...I mean it's lovely for me if you do subscribe obviously, but don't let Substack bully you. It's a link. You can open it with no strings, no matter what they say lol.)
More about the textile history inspiration behind my historical fantasy novel Wyrd Weaving below the cut!
When I first conceived of the idea that is now becoming Wyrd Weaving, an historical fantasy novel set between Northumbria and Svealand in the tumultuous early 9th century, I only knew two things for certain. I knew I wanted to write a story centering the lives of women, queer people, and gender-nonconforming people in the 800s. So often stories set in the “Viking Age” center only the pursuits of men (wealthy men especially), and I wanted to dig for what other stories were buried there, waiting to be told. I also knew without doubt that fiber arts would somehow comprise a significant portion of the story’s magical realism elements.
I’ve knitted since my late teens, and have harbored and interest in all sorts of fiber arts for even longer than that. When I decided to get serious about writing a story centering the lives of medieval women (in Europe primarily, though several other unique period cultures factor into the story as well), I knew I had to do a deep dive into historical spinning and weaving. Women at all levels of society spent more time on aspects of cloth production than any other chore during this period, yet arts like spinning and weaving are almost never shown in novels, movies, or TV set in the early Middle Ages.
That wasn’t going to fly for Wyrd Weaving, a story inspired by the countless forgotten fiber artists who quite literally wove the history of our society. This first short video about my (mis)adventures in historical textile research gives you a glimpse at how and why I learned in-hand or “twiddle” spinning, the style of spinning prominent in early 9th century northern Europe. Enjoy!
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blocky-tides · 9 months ago
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squiddo; what more is there to death but life and friends?
for @aliteral-ghost | beta'd by @sloth-sloth-sloth
herman melville / @ssseriema / miranda july / vladimir nabokov / unknown / anne carson / @gremnda / unknown / christina marie brown / jon kabat-zinn / @chimsartblog / hera lindsay bird /adrienne rich / black sails / @mandydoodles / hanya yanagihara / anne carson / erha / gennrose nethercott / @aski-qing / virginia woolf / tony kushner
taglist: @idontreallyexistyet | @routeriver
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nanstgeorge · 11 months ago
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NO ONE EVER DOES. NO ONE EVER LOOKED—NOT REALLY.
djklmnx / x / Gokstadt/Ganymede, Paisley Rekdal / cokegirl / My Love Mine All Mine, Mitski / You (2018–) / retroowl8 / Mariners Apartment Complex, Lana Del Rey / Castlevania (2017–2021) / Louise Gluck
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deadchannelradio · 1 month ago
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my fanfiction abortion morgue is gaining another jayroy victim that is not long enough to clean up for ao3. this was going to be a very long and meandering noodle about in the river that is jason's mental health and trauma and relationships of all types and healing and the asexual/aromantic spectrum (not that that's the verbage jason would use or language hes even aware of) and low sex drives all that beautiful muck and mire but i have not put a single word on it in well over a year now. so i'm letting her go. be free little fish.
-
They’re better now, anyways, better than they ever were before. Jason had a crisis a few months back, stopping himself from reaching reflexively for his phone to give Dick a call about- nothing important. And then he had realized that he had reflexively gone to call Dick about nothing important, and had gone and stared out the window for 15 minutes, trying to work himself into a different, less horrifying conclusion than the one gathering in his brain like an avalanche. Roy had come home in the middle of it, taken one look at his face and dropped his bag on the floor with a thunk.
“Holy shit,” he said. “Who died?”
“I like him,” Jason said, somewhere between incredulous and horrified. “That cunt, that motherfucker- he made me actually like him-,”
“Who?”
“Dick!” Jason had shouted. “That piece of shit, I want to spend time with him, hours out of my actual human life that I can’t get back-,”
Roy had proceeded to laugh in his face for a solid ten minutes, positively gleeful about Jason’s horrible emotional crisis. “He does that to you, man,” he said once they’d settled in, still chuckling as he cracked open a can of soda, posted up on their couch with Ethiopian takeout in his lap. “One minute you’re sitting there thinking oh my god, this guy, he’s so loud and annoying-,”
“And he never fuckin’ stops moving,” Jason groaned from his spot laying on the floor below him. “His body or his mouth. And he chews loud, he’s obnoxious on purpose, and he’s a model and dated Kory but half the time he dresses like something a goodwill dumpster threw up-,”
“Have you seen his new shoes?” Roy asked. “I dress like dogshit, man, but those things-,”
“Wally got them for him,” Jason said, and then immediately slapped his hands over his face, horrified that he knew that. Roy laughed again. “He’s constantly in your fuckin’ business! Constantly! Last time I saw him he knew the social security numbers of the baristas in the coffee shop I’d been going to-,”
“He gets enabled,” Roy muttered, shoveling injera into his mouth.
“He gets enabled!” Jason said. “Everyone enables him! I enable him! And god, his fucking- puns, man, his quips, we’re all guilty of it but this is a fight, not comedy hour, and even if it was you’d get booed off the stage-,”
“He texted me what he said to Mr. Freeze two weeks ago and I wanted to eat my phone,” Roy said. “It’s amazing no villains kill themselves after he hands their asses to them, I would be humiliated.”
“He sucks!” Jason snapped. 
“He sucks,” Roy agreed. “And then you look around one day at your life-,”
“And you go oh shit, I think this motherfucker’s alright!” Jason mimed hitting himself in the face with Roy’s abandoned house slipper. “Fuck! What’s fucking wrong with me?”
Roy laughed at him, again. “Dick Grayson Derangement Syndrome gets us all in the end,” he said. Jason curled a hand around his bare ankle, and Roy looked down to smile at him, the smallest touch making his whole face bloom open like a rose. Jason had to look away from it, wanting to say: stop. No. You know I’m not enough. You know I’m not like you. You know I can’t give you enough.
He’s been wanting to say that a lot, these days. Toss Roy off the sinking ship with a lifeboat before he has to wake up one day, years on, and realize he’s wasted years with Jason, who can’t love that loud.
He wanted to call Dick about it, which was another horrible realization. Hi big bird, I’m having boy problems. Dick would probably tell him that it means more that Jason has to try, that wanting to try for it is selfless, makes it more significant, which is the kind of thinking that lands a motherfucker in bed with Barbara Gordon, who is enough like Jason to warrant a comparison, but not enough to call her and ask what he should do. Babs loves like the Bolton Strid, and sometimes Jason isn’t sure he loves at all. Not like that.
Jason isn’t nearly as selfless as Dick is convinced he is, not deep down. Because he doesn’t want to let Roy go at all.
It’s late, well into the witching hours, and they’re laying in bed in what was formerly Roy’s bedroom but now holds them both, blinds cracked to let the streetlights through. Jason doesn’t like the dark. Roy’s threatening to buy an eyemask. Jason thinks it’s stupid to blind yourself to potential attackers. Neither of them have brought up going back to sleeping separately. Roy’s nose is pressed between Jason’s shoulder blades, breath humid through his shirt. Not asleep yet, but close. Jason’s books are proliferating on Roy’s shelves, his boxers in Roy’s laundry basket, garrotte wires coiled next to bow strings on the desk that has framed photos, past-Jason’s mouth a little white slash in the bar of orange streetlamp.
Something is clawing at the inside of Jason’s chest, scrabbling like a wild little animal. Trying to dig its way through his spine, into Roy. It hurts.
He shifts, turns over, pushes Roy over onto his back and rolls on top of him, propped up on his elbows to look down at him. Roy grunts, half-awake and confused, but takes his weight. He blinks blearily up at Jason, a crease between his eyebrows- Jason must look intense right now. “Jaybird?” he starts, quiet.
Jason knows this feeling- as all-consuming as it is- is fleeting. It’ll be gone in the morning, and he’ll forget it was ever here. He won’t be able to recall its bite until it comes back around again, like Halley’s comet. He should say something now, while he has it. While he feels it. So Roy can know it’s real. He just doesn’t know how to describe it.
“Jase,” Roy says, sounding more concerned, “Jason, what’s-,”
“Something in here,” Jason interrupts, putting a hand on his own chest, a thudding sound of muscle on muscle, “Wants to eat you.” God, he feels dumb. He’s not good at this, he sounds so much better in his head. His words come out of his mouth sour and curdled and stupid, there’s a reason he doesn’t try to talk about this shit-
Roy lights up, slow at first, then all at once, his face creasing up in his smile like old paper, following familiar folds. Jason feels his toes curl next to his calves, his feet pointing and flexing in excitement. Jason wishes he could make himself smile back, anything other than the dead-eyed concentration he knows he’s wearing right now, but the weight in his ribs is too real and too wild for that- if his teeth come out this might get literal. He wants to crack open Roy’s sternum with his bare hands, climb in like a contortionist and slam it shut behind him.
“Really?” Roy asks, small and soft and giddy. Jason nods, serious. Roy’s teeth dig into his bottom lip, smiling so wide his nose is wrinkling up, little inky lines in the artificial twilight. “Cool,” he says. 
Jason’s hands spasm in the sheets next to Roy’s head. “Roy,” he starts, “Can I-,” stops. Doesn’t know what he wants. Maybe just to look at him until the sun comes up, just to watch the light turn his freckles from a smear in the dim to pinprick-sized marigolds. Maybe to go to sleep on him like this, the thunder of his heart under Jason’s cheek. Maybe he wants everything. Maybe he wants to be the greediest son of a bitch in Gotham. 
“You can do anything,” Roy promises, and the sincerity in his voice makes the thing chewing on Jason’s lungs shake. “Anything you want. I’ll let you do everything.”
Jason drops his head against Roy’s chest with a grunt like he’s just been punched, unable to choke it back. He pushes himself up- Roy makes a quiet, sad noise, grabbing for him- and fumbles the bedside lamp on. He wants to see everything. Roy’s pupils are huge, even in the light he’s flinching from, irises that strange half-color, too dark for blue or green and too flat for hazel and too light to be brown. His cowlick’s sending his hair in every direction at the left temple, and he’s still smiling at Jason, like he can’t help it. Jason doesn’t know what to do, now that he’s here. A restaurant with an infinite menu. What he wants is strange, probably. Not how normal people want things, not what they want. Jason is off-putting, sometimes on purpose, frequently not, and he doesn’t know how this will come across. But Roy said he could have anything. Whatever he wanted. Giving up all of himself, for nothing. For free. 
Jason should take it. Roy will stop him, if he needs it. He puts his mouth on the cowlick, not a kiss, tucks his nose into Roy’s hair and breathes in deep. The nothing-smell of hair that’s not clean but not dirty. Roy’s hands are pressing into his lats, his legs spreading and crossing behind Jason’s thighs, holding him there. Jason curls both his hands around Roy’s skull, presses gently, cradling his head- all of Roy is in there, somehow, and he needs to be careful with it. His skull feels too small to hold something so important, too fragile. 
Jason drags his thumbs over his eyebrows, presses a thumbnail into the scar bisecting the left one- string snap, Roy told him, nearly took that eye out. Roy’s looking up at him still, and they’re close enough that Jason could count his eyelashes, if he wanted. He runs his fingers over Roy’s ears, feeling the cartilage, gently pinches the flesh of his earlobe, over the hole where he used to have gauges. He moves down to Roy’s neck, puts his hands around his throat, doesn’t squeeze. He feels it when Roy’s breath hitches. Roy shuts his eyes, swallows, his Adam's apple moving under Jason’s palms. 
Jason bites him where his neck meets his shoulder, hard. He thinks about being normal, trying to make it a hickey- but Roy jerks hard beneath him with a strangled noise and that thing in Jason’s chest makes him hold that position until Roy stops moving, until the bolt of his jaw aches. He lets go, spit shining around the deep purple indents in Roy’s skin. Roy lets out a shaking breath, eyes still shut.
Roy already knows he’s an inscrutable freak, Jason decides. He’s going to do everything he’s ever looked at Roy and thought about doing, everything he thought might be weird that he’s ever refrained from. Roy won’t run.
If he does, well. Jason will chase him. Roy is the one who said he was locking Jason down, said nobody in or out. He can’t get too mad if Jason takes him up on it.
He presses his nose near Roy’s armpit. The sharp, live smell of his sweat in Jason’s lungs, muted by whatever axe deodorant he uses that always makes Jason think of a cold wet morning. He rubs his mouth over Roy’s deltoid, teeth dragging. Jason pushes up and kneels with his thighs on either side of Roy’s torso, picks up an arm, runs his hands over Roy’s bicep, digs his thumbs into his elbow. Puts Roy’s thumb in his mouth, tastes skin and salt, bites the draw calluses on his fingers, gentle. Does the other arm too, to keep it even. Roy’s breathing slow and even, looking at Jason again as he shoves his mouth into Roy’s wrist until he can feel the pulse against his lower lip. Roy’s trying to caress his face with that hand, can’t quite manage more than a brush of his fingertips against Jason’s ear. 
Jason knows what he should say here. What he hasn’t been saying, because he knows it’s not the same as how Roy will say it, thinking that it will somehow be a lie because the meaning’s different. But it’s words, which are only stories. There is nothing in a story that is a lie, and no analysis that is wrong, with supporting evidence. Which Jason has, which Jason has always had. Roy at his right shoulder. Never wanting anyone else at his back. Saying to Dick: if there wasn’t Roy, there wouldn’t be anybody. The way they keep finding each other at the lowest of lows, facedown in bottles or looking down barrels of guns to see if they can spot the bullet. Standing there feeling stupid in the holes they’ve dug, pickaxes in hand, before turning and finding the other, just as deep as they are. Saying: gimme a boost and I’ll give you a hand.
Even if he doesn’t mean it in the same way, he means it. I want you, I want you, I want you. The inflection changes the meaning, but only by the barest degrees. 
“I love you,” Jason says, and he’s not lying, because he means them, even if it’s not always how he thinks he should.
#my writing#jayroy#important to note that JASON'S thoughts on his position on the ace/aro spectrum may not be the most woke or whatever. THE AUTHOR (ME) think#that whatever jazzes your music is great and wonderful#Jason's thoughts are very complicated and he is dealing with a deep and wide trauma base and is not aware of the asexual/aromantic labels#this is not a “this is how YOU should feel!” this is a “how would a character w/o access to that type of language or emotional awareness#handle a situation where he has One Person who he does not know how he feels about just that he cannot let this person out of his life#and feels poorly because he thinks he is 'not enough' or 'does not feel enough' compared to that person? and is worried he will hurt them?"#& trusting and respecting someone enough to believe in them that they know the whole you and are making the choice to be in this#relationship with you with their eyes open and are okay with what they are getting and not trying to throw them out to 'protect them'#i at the time was having some real in depth thoughts about this stuff wrt the guy who i am now dating (he knows this)#and his position on these spectrums and my location on these spectrums etc. it kind of a little bit was a love letter to him.#anyways. it was going to be long and in depth and complicated and i just dont have room in my heart for long complicated in depth jayroy#at the moment. alas#i also then had my trans woman jason epiphany/sign from god and this was going to get EVEN MORE COMPLICATED#just not the threads i want to weave with anymore#if you read all these tags WOW
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thevoyageout · 5 months ago
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Letter from Virginia Woolf to Vita Sackville-West
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sunshinesere · 6 months ago
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Enter Ghost // Isabella Hammad
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codypunk · 7 months ago
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seth & hunter & god as the father
akwaeke emezi - the death of vivek oji / leila chatti - portrait of the illness as nightmare / tumblr user disqualified-human-1103 / rise against - injection / ethel cain - sun bleached flies / stephen adly guirgis - the last days of judas iscariot / chelsea hodson / wwe
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missnarcissistsworld · 2 years ago
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svtfoe-archives · 2 months ago
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we all become our mother in the end // Star & Moon study
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"You can leave it all behind, skip a beat in the bloodline."
-Bloodline / Difficult Things (Orla Gartland)
honeytuesday on tumblr // Kyung-sook Shin, Please Look After Mom // supernatural, s12 ep22 // unknown // Sandy - Alex G // Bloodline / Difficult Things - Orla Gartland // Over your head - Orla Gartland // Venetta Octavia, The Burning // Lidia Yuknavitch, Letter to My Rage // Fairhazel, It Takes Time
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the world is dark (and light is precious) : November 2023
Pete Wentz // D.H. Lawrence // Circa Survive, Your Friends Are Gone // Fall Out Boy, Disloyal Order of Water Buffaloes // u.k. // Jack Gilbert // @/thegirlhoodtheory // Emily St. John Mandel, Station Eleven // @/9710144 // Emily Wilson // Fall Out Boy, Disloyal Order // Lauren Zuniga // Patrick Stump, Spotlight (Oh Nostalgia) // Ellen Bass // 1930s book headers and illustrations via @/nemfrog
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rejoiceandregret · 3 months ago
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I once imagined my mind a beautiful forest, every thought a lush, green tree; but grief set my world on fire, and now every thought is born of ash; every laugh and smile carries the faint scent of smoke.
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cvrwriting · 17 days ago
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SHIROMA by CVR, January 2025
A character study I did recently.
Hope you enjoy!
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bidoofenergy · 10 months ago
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(obsession) why can't i leave
on: quackity and schlatt and a home that mauls you
created for @marrow-and-bone as part of @mcytrecursive
inspired by When the Sunlight Dies
@wormbus-art (x) | "Inferiority complex" - @tapeworrmart | @screenshotsofdespair (x) | "vengeful" - Richie Guzmán (@99centmenu) | "Do Not Bring Him Water" - Caitlin Scarano | “The Night There” - Mahmoud Darwish | "always together" - Franco Anselmi | "tension" - @glaciallis | "love is not always song, but the swelling" - Athena Nassar | New and Collected Poems: 1931-2001 - Czeslaw Miłosz
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