Okay DBD fandom. Bear with me, this is stupid as hell, but I’m laughing uncontrollably on the floor of my room and I have to share.
For context, there was this show I used to watch: Galavant. It only ran for like two seasons back in 2015, but it was awesome. It was like this fantasy/comedy/musical type thing. I was recently reminded of its existence when I randomly heard one of the songs.
It was a song that they did in the show sang by this evil witch. When the main character meets her, you find out she owns this tavern, and it’s full of all these muscly dudes, so you’re like “oh he’s about to get the shit beaten out of him.” Long story short, no. The witch owns a gay bar, and instead of beating him up, they proceed to do a musical number titled “Off with His Shirt.”
I don’t even know if I have to elaborate more on this, but I’m cracking up at Charles and Edwin meeting Desire and it being exactly like this.
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okay i don't really know how to title this so im just gonna call it how Half tells the story of Kazui's marriage with Stages.
Half opens up with a green apple in the center of a stage, the spotlight illuminating it. The green apple in Kazui's MVs is tied to Kazui's sin. The apple being in the center of the stage before the 'performance' even begins could represent that this is Kazui's main motive for acting and lying, this is the reason for the show.
The Kazui of the present is in the audience of the play. Throughout the entirety of Half he is there watching the events leading up to Hinako's death with us. We are the audience watching the video but also the literal audience of this performance. I think this could represent Kazui reflecting on his actions and what he did throughout his marriage while in Milgram, or right before Milgram (which I'll get into at the end.)
It then cuts back to the stage, where we see the Kazui of the past walk onto the stage wearing a mask - the performance is about to begin. This is, I'm assuming, when he is freshly married. Sure he would've had to lie while they were engaged or simply partners but there's not so much at stake at that stage in a relationship rather then when he's married. Kazui is wearing a mask to cover up his sins with lies and now he is also acting, putting up the performance of a happy marriage for others so they wouldn't question his true motives for getting married or see the real him.
When we see flashbacks of Kazui during his marriage, we can see either stagelights or the background never filling up the entire screen. This also ties to the fact that, even when Kazui isn't wearing his mask, he is still acting and putting up the performance of being content in his marriage with Hinako. I've chosen this scene to showcase this because it shows both at the same time but this happens in the bar scene too.
In this scene Kazui is singing the chorus of Half while acting on stage. However, he is wearing his mask and doesn't show alot of emotain in his movements or expressions. This could be interpretated as the effects of hiding his true self that Kazui experiences, which can really be seen considering the fact that the lyrics and way his VA sings them is very intense and rich with emotain, compared to how Kazui's expression and movements are animated
In this same scene, there is a shot of an empty chair on stage alongside Kazui. This most likely referances Hinako's involvement in Kazui's 'performance', or lack thereof, as empty chairs usually represent the empty space of a person in art. This could be interpreted in different ways: Hinako isn't shown in the performance anymore because she's dead, Hinako isn't shown in the performance because she wasn't aware of it happening so her presence is replaced by a chair - etc.
This scene in Half is one of my favourites for a multitude of reasons, so let's point out the things that stand out first and then we'll delve into my understanding of their meaning. Firstly: Kazui isn't wearing a mask in this scene but he also isn't on the stage, which has more meaning considering the other times we saw Kazui without his mask, he was still on stage - still acting. Here his performance has fallen. Secondly: the green apple is atop the stage in between Kazui and Hinako. I've already established my previous interpretation of the apple on the stage at the very start, but I think its appearance here is in a different context. This is the scene where Kazui tells Hinako the truth, so his mask and performance has stopped because these are both tied to him hiding his true self and his lies. The apple being on the stage in the middle of the two of them could mean that this is the topic of conversation. It is illuminated because they are litteraly bringing to light the elephant in the room that has been putting a wedge in their relationship. The reason why it's still on the stage might be because Kazui is still hiding what his sin is from us, so in a way his sin is putting on its own performance - disguising itself as an apple.
After Kazui tells the truth, his performance is alot more emotional. His movements are more dramatic, and so are his expressions. He's not trying to hide his real feelings anymore, and after years of doing so, they come bursting out all at once. He is still acting and putting on a performance, so we can assume at this point in time Hinako is still alive and they are still married, but he's unmasked. He's no longer lying to her.
In this scene, Kazui takes what looks to be a final bow infront of the chair before walking off the stage. I think this scene shows Kazui's intentions when it came to telling the truth. He told Hinako the truth and expected them too get a divorce afterwards, so he walks off the stage - ending the performance (their marriage.) The bow to the chair could be interpreted in different ways: a goodbye, an apology etc.
However, despite what Kazui's actual intentions where when it came to telling Hinako the truth, they didn't happen. Kazui sees the apple shattered on the ground (Hinako's death) and goes back onto the stage. He starts his performance again, this time as a mourning widow, and starts lying again too. He puts back on the mask, scared of what might happen if he were to reveal the truth about himself to someone again.
Remember what I said at the start of this painfully long post about how this might be pre-Milgram Kazui watching his performance? Yeah, this is where that comes into play. There are things I had to leave out because of tumblr's 10 photo limit, but the main point is that this Kazui on stage at the end of Half and the Kazui in the audience are wearing the same outfit. I think this might be a case of Kazui reflecting on what happened in his marriage right after Hinako's death and pinpointing where he went 'wrong' (in this case, he deciphers that telling the truth was his mistake) and decides to start his performance all over again, careful to not repeat his mistake - vowing to never reveal his sin to anyone else.
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Y’ALL NEED TO STOP ARGUING ABOUT BILLIE EILISH I SWEAR
She was obviously just being funny and in the comments of her post, it looks like other queer public figures (JVN, Lucy Dacus, Amybeth McNulty, Stevie Boebi, Alix Traeger, even Autumn Kennedy who runs tstourtips) are playing along in the comments. I think it’s heartwarming!
Yes, it’s clear she personally does not want to let the topic of her queerness overshadow her art in interviews, and she wasn’t quite ready for that follow up question from the Vareity interviewer. She looked nervous. she wanted to be able to come out casually and move on. (Perhaps she was just tired of being assumed straight or called a queerbaiter, and it was as simple as needing to quickly clear up public misconception. Which is so fair.)
> Especially considering how she was in good spirits during the red carpet interview in question (watch the video, just please watch the video and see for yourself), it’s obvious she’s just trying to lighten the mood (for both herself and everyone else) with that IG caption.
All of that said, she could have taken into account that the media and public can be both dumb and malicious, and that they would try to twist her funky li’l IG vent out of context and then blame the sweet reporter, who was quite nice (plus queer and PoC herself!). To an extent Billie should have expected and prepared for the polite follow-up questions, considering that her ideal world (where sexuality isn’t a big deal) isn’t the world we’re living in yet, especially outside of rich celebrity circles. It is important information that she should clarify, even for her own protection from the media/public trying to twist her initial vague statements about attraction to women this way or that. Her team prepared her poorly.
(We can make the argument that the Variety reporter could perhaps have started with “Are you comfortable answering questions about your sexuality?” … but I’m sure if at any point Billie had said “Actually I would rather talk about my music or fashion right now,” the reporter would have immediately complied anyway. I think she makes it quite clear that she is a part of the community, and ally and a safe space and well intentioned. Billie was just put on the spot, she didn’t think of that route. And she wanted to vent on IG, because it must be so much to deal with when millions of people and the fucking BBC is suddenly talking about your sexuality. That’s all.)
Still, I agree with y’all in that Billie’s wording on the IG post was poor considering how the masses are unsurprisingly thinking of it as an accusation. Perhaps most importantly, using the word “outing” lightheartedly is tone deaf considering recent events where celebrities have been forced to come out or actually outed. And that’s something Billie could take away from the absolute media clusterfuck this is becoming.
Finally, I agree that she is very privileged and has a lot of influence she could use to support the LGBTQ+ community. But she’s still a person and she deserves to “come out” (or like, just start talking about her queerness) and have people not make a big deal about her identity if that is what’s most comfortable to her. This is a right all queer people should have regardless of their status. She doesn’t owe it to us to immediately become a queer spokesperson. Identity is hard for everyone. You guys are quickly forgetting how people accused her of queerbaiting back when she put out the Lost Cause MV and captioned a photo “i love girls”. (Why people are obsessed with labels, and the nuances of it are a whole other rant for another day, but I digress.) And honestly? She’s so right, leave her alone. She’s had fucking enough. Let queer people be.
TL; DR: Billie is not mad at any reporters for “outing” her. Billie doesn’t think anyone “outed” her in the first place! Billie is just annoyed that a big deal was made of her sexuality after she started talking about her queerness (which she did, intentionally and of her own accord, and also confirmed that it was a coming out of sorts from her end). She simply did not feel ready to talk about it again at 11:00 AM on the red carpet and all the attention was nerve-wracking. So she was venting using (albeit tone-deaf) hyperbolae on an IG post. The reporter was great, too, and absolutely should not be canceled. I hope this clears it up.
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