#the amazing spider man 2 icons

[multifandomworldsposts]

Last Day of Kinktober: Going to The Edge of Heaven with Peter Parker

pairing: Peter Parker x fem!reader

warning: getting handcuffed, eating out, hickeys, make out, unprotected sex

A/N: I just want to say thank you so much for all the love and support you guys have given me for my first kinktober! i’ll for sure do this again next year! once again thank you so much for the love and support!

based on the song: the edge of heaven - wham!

Y/N’s POV

Peter has been wanting to do something differently with our sex life. He wants to do something about chain me up, strap me up, and do other things to me.

One night he wanted to do it so bad so I allowed him.

“Are you sure you want to do this?” I ask him.

“Yes, if I hurt you, we’ll stop and we’ll never do this again.” Peter says.

I nod. Peter gets the stuff he bought, chains, handcuffs, and a dildo. I get nervous, Peter notices.

“Are you sure you want to do this?” Peter asks.

“I want to do this, like you said, if you hurt me we’ll stop.” I say. He knows that’s true.

“Let’s try the handcuffs first.” Peter says getting them prepared to put one on my wrist.

I breathe shakily. Let’s get this over with.

Peter puts a handcuff on one of my wrists and the other one on the bar of our headboard. I try to reach out to him but he put another handcuff on my other wrist and locks the other one on the another bar on our headboard.

“Peter, why did you do that?” I look at where my hands are at and look back at him.

“So you can’t reach out to me, like you always do.” He gives me a smirk.

“This is a new Peter I never met.” I say trying to get in a comfortable position.

“You wanna see him more often?” He asks getting closer to me.

“Sometimes, can you just do something to me?” I say.

“What’d you want me to do?” He holds my face to look at him.

“Anything, I want you to do anything that you have in that bag and do anything dirty to me, please?” I ask.

Peter kisses me on the lips, I try to reach for him but I forgot that I was in handcuffs by feeling them on my wrists. Then he kisses my neck and he gives me so much hickeys, which makes me gasp. I need to touch him.

He kisses my body until he gets to my clit, he eats me out, I gasp again, god I wish I wasn’t in these handcuffs!

“Get me out of these handcuffs Peter, please!” I gasp.

He doesn’t listen. He continues to eat me out but grips my legs so I can’t move at all. I scream with pleasure.

“God Peter, just release me please, I just want to touch you.” I pout.

He stops eating me out and crawls to sit on my lap, gets the keys to the cuffs, he releases me and I makes us flip over so I can be on top of him.

“You really wanted to touch me huh?” He says gripping onto my waist.

“You drive me crazy.” I say touching his chest.

“In what way baby?” He asks confidently while smirking.

God damn it, that smirk, “Come here.” I say making us lay down on the end of the bed.

We make out a few minutes until he gives me more hickeys which made me scream again, I tug on his hair, which made him smirk on my neck. I make him look at me and I begin to give him hickeys on his neck, I can hear him moan.

He enters into me, which made moan, I can hear him groan as he continues to fuck me again and again, god he’s good.

When we got done doing our session, we laid down on the bed heavy breathing, I look at him and cuddle up against him.

“This was different on what we normally do Peter.” I say tapping on his chest.

“We can do it again if you want to Y/N/N?” He suggests.

“Another time Peter, but, um, can you at least not handcuff me again?” I say looking into his eyes.

“Did they really hurt you that much?” He asks.

I nod.

“God damn, I really wore you out didn’t I?” He says.

“Yes you did. How about next time, I handcuff you and I make you beg for me like you did to me.” I suggest.

“Y/N/N, you know I hate begging, especially when you make me.” He says looking at me.

“That’s the point on what you did to me.” I say.

He kisses me, I kiss him back. I never knew that this side of him existed. I’ll love him no matter what happens to our relationship, I hope we can play it safe.

[upsxde]

Andrew Garfield icons!!

like or reblog if u save!!

[cynilox]

𝖠𝖭𝖣𝖱𝖤𝖶 𝖦𝖮𝖠𝖳𝖥𝖨𝖤𝖫𝖣

━ GQ Men Of The Year Awards (November 16, 2022)

[starbursticons]

598 icons of andrew garfield in the amazing spider-man 2. 100x100, intended for roleplay purposes on my peter parker blogs. includes lots of icons of him in the suit. caps taken by @localwebslingers & icons made by me. free for any use & no credit needed, i just ask for a like or reblog if you're using! here.

[myriaeden]

Gwen Stacy Icons

Like and reblog if you use

Don't repost without permission

[shironezuninja]

I’m all caught up with the Species trilogy movies too. The 2nd movie is my least favorite of the 3.

[ordinariumsresources]

944 icons of Andrew Garfield in The Amazing Spider-Man 2!

download here

these are designed as base icons (100x100), you are more than welcome to edit / use as you wish. please like this post if you do!

[felassan]

Post on the Dragon Age website:

"Journal #2 The Voices of the Veilguard Get acquainted with some of the voice actors and join us for our upcoming character panel at SDCC! --- Hey everyone, We're packing our bags and heading down to SDCC this week and alongside that comes more Dragon Age: The Veilguard reveals! Today, we're excited to reveal some of the voice actors who bring our characters to life - a few of whom will be joining us for our character-focused panel at the convention. ICYMI, our SDCC panel "Dragon Age - Meet The Heroic Companions of Thedas” will feature Creative Director John Epler and Creative Performance Director Ashley Barlow as they discuss bringing the cast of Dragon Age: The Veilguard to life. Moderated by Lucy James, host and video producer at GameSpot, panel attendees will hear from Neve, Emmrich, Harding, and Lucanis’ voice actors as they discuss their motivations and inspirations that have lit up the personalities and uniqueness of each companion. The panel will be held on Friday, July 26 from 3:15PM - 4:15PM in Room 6BCF.  If the panel isn't enough to satisfy your Dragon Age cravings and you'll be at SDCC in person, join us at the Dark Horse Comics booth (#2615) where we will have swag to give away as well as talent & developer signings. Keep an eye on our social channels for more information on this. Discord members who drop by the booth and show us that they're a part of the server will receive a Romancer pin while supplies last. For those of you who will be keeping an eye on SDCC coverage from home, we'll have the full panel video available at a later date. Stay tuned. With that said, let’s get into our cast."

-

"Four Rooks are Better than One Featuring the most comprehensive character creator in Dragon Age yet, your character, nicknamed Rook, debuts with four different voice overs to make this story truly your own. Rook is Dragon Age: The Veilguard’s leader in the making who has to bring the Veilguard together to take down the threats on Thedas. Immerse yourself even further by picking your voice, with two options from US/North American personalities and two from the United Kingdom/EU.  Rook’s voices have been provided by iconic television, film and video game personalities Alex Jordan (Cyberpunk 2077, The Amazing World of Gumball), Bryony Corrigan (Baldur’s Gate 3, Good Omens), Erika Ishii (Apex Legends, Destiny 2), and Jeff Berg (Battlefield 1, NCIS). What even is Dragon Age: The Veilguard without the Veilguard? These 7 companions stand ready to join the fight to restore order to Thedas. We're happy to announce that our cast of companions includes: - Ali Hillis (Mass Effect 3, Naruto), returns to the fray as Harding, the dwarven scout, a Dragon Age: Inquisition hero with a big heart, a positive outlook, and a ready bow – as well as unexpected magical powers. - Ike Amadi (Mass Effect 3, Halo 5: Guardians, Insomniac's Spider-Man) as Davrin, a bold and charming Grey Warden who has made a name for himself as a monster hunter. - Jee Young Han (Perry Mason, Unprisoned) as Bellara, a creative and romantic Veil Jumper obsessed with uncovering ancient secrets. - Jessica Clark (True Blood, Pocket Listing) as Neve, a cynic fighting for a better future, both as a private detective and a member of Tevinter's rebellious Shadow Dragons.  - Jin Maley (Star Trek: Picard, Silicon Valley) as Taash, a dragon hunter allied with the Lords of Fortune who lives for adventure and doesn't mind taking risks.  - Nick Boraine (Call of Duty: Modern Warfare, Black Sails) as Emmrich, a necromancer of Nevarra's Mourn Watch who comes complete with a skeletal assistant, Manfred, voiced by Matthew Mercer (Critical Role, Fallout 4). - Zach Mendez (Horizon Forbidden West, Married Alive) as Lucanis, a poised & pragmatic assassin who descends from the bloodline of the House of Crows, a criminal organization renowned throughout Thedas.  Last but not least, we’re excited to let you know Gareth David-Lloyd is returning as Solas, and Brian Bloom as Varric. We have so many more people to introduce you to, including some returning characters, but we’re not quite ready to reveal all those yet, because of you know - story spoilers.  While that’s all we have for now, we’re eager to meet those of you attending SDCC and to continue our summer filled with reveals from Dragon Age: The Veilguard. Talk soon. — The Dragon Age Team"

[source] [Twitter post]

[deadsetobsessions]

Listen, I know it’s not my usual thing, but I just re-read Dark Matter by mysterycyclone (iconic, so good, incredible, I’ve reread this at least ten times) and this newer work, Help Me, I Don’t Feel Like Myself Anymore by Astra_Nova_Kat (it’s off to a really good and fleshed out, very long start- it’s like 20k for the first chapter omg).

I just. Love?? Them??? They’re both, urg, so good. The writing style, the way the story moves, the natural progression of plot and their usage of tropes are so well done that rarely does it feel awkward. Amazing. Anyways, they inspired me to put my two cents into the proverbial offering hat and while this might not ever be a realized fanfic, here it is? This will have multiple parts.

Uh, I’m basing Peter’s personality off of the really tired millennial energy Tobey Maguire gives, the awkward but well meaning disaster vibes of Andrew Garfield, and the sassy acrobatic chaos gremlin of Tom Holland. All kind of mushed together with the hyper competence and maturity of both the PS4 spidey and pretty much most spider people. He’s 22, or something but that doesn’t really matter?? Background doesn’t really matter because I’m basically making my own spider-verse. Spider… past? Eh. New Peter!

Spider in Gotham AU- Pt.1

[Pt.2]

——

Spider-Man swung through the skyscrapers of his city, enjoying the winds and sounds of New York as he kept a sharp eye out for crime.

He remembered doing this without any of the fancy tech his suit had now, when he was dressed in less protective clothing. God, 100% cotton while crime fighting? The spandex was better but god ugly.

His spider-sense blared. Spider-man quickly shot a web to the top of the building, going towards the danger instead of away from it.

He goes in feet first, years of knocking common thugs to legitimate gods to the ground making short work of the people on the roof top. He flips out of the way, dodging a blast of crackling green energy.

“Heyyyy, common robbers! What’s up with shiny lasers, huh? Breaking and entering not doing enough for ya?”

Spider-Man dodges a couple more shots, flipping again to knee a guy in the face, gently. The man goes down in one shot.

“Stay still, you motherfucker!”

“Does that actually work for you guys?? Like I’m down to get killed but, man, I’m not gonna stay still to get downed by some two bit thugs?” Spider-Man kept his words light and mocking, webbing up a laser gun and yanking it out of the woman’s hands. He punches her in the face and knocks her out, using the laser gun like a mildly bulky baton.

“Eat shit, Spider-bitch!”

“Ouch! Oh no, my feelings! You’ve hurt them!” Spider-Man shoots a web at the lady who’d shouted and yanked, before smacking her straight down to the concrete of the rooftop. His hearing picked up two people coming up the stairway and Spider-Man tossed two web bombs, the metal mechanism attached itself to the wall, waiting for their unknowing victims.

Spider-Man ducked and weaved, downing goons as they piled on him while shooting bullets, lasers, and just charging at him with a bat or a crowbar. After eight years of pretty much this exact thing, Spider-Man had gotten the science of breaking up goon dog piles without hurting them too much to an exact measurement. He quipped at them until they got annoyed, which made them sloppy. Spider-Man sighed as another guy came at him with a crow bar and a gun that he was pretty sure was still stuck on safety. He crouched, kicking out their legs and dodging a swipe of a bat where his ribs would have been and webbed the guy to the floor. Yeah, he’ll wrap this up and end patrol. Maybe he still had Mac n’ Cheese at home, or he could stop by Angelo’s for a sub?

Huh. His options for dinner was limited.

“Take this!”

Even without the forewarning of his spidey-sense, Spider-Man would have ducked out of the way regardless.

“Shouting your sneak attacks isn’t actually all that sneaky, you know!” Spider-Man kept his voice cheery and mocking.

“Get him!”

God, why were there so many people trying to break into an insurance company? This definitely doesn’t smell like a regular B&E. With the shit he’s seen in New York, if it smells like a plot, acts like a plot, then it’s probably a villain with a tragic backstory with big, annoying plans.

Great.

Oh, speak of the devil!

“Spider-Man.” His senses blared.

He couldn’t move out of the way fast enough, not without risking the life of the goon he was currently fighting, so Spider-Man took the blast the punched the breath out of his lungs. The wide eyes of the goon made up for some of the pain.

“Ugh!” Spider-Man slammed into an HVAC, denting the metal. His suit, made special polymer blend from Wakanda that he saved for months to get, absorbed some of the shock. Shit, he hoped it didn’t tear. It would be a bitch and a half to dip into the back up stock he had in his hammer space.

The goons left standing quickly rushed him and held him down to face the new boss.

“You’ve been getting on my nerves, Spider.”

“Yeah,” Spider-Man coughed out, letting the two goons think they could hold him down on his knees as he recovered his breath. “I have that effect on people.”

“But you could be an asset, if you’d join me?”

“Uh, I don’t join or sign things without knowing what I’m joining or signing, my guy. My lawyer said so.”

The villain paused, helmeted head cocking to the side.

“You have a lawyer?”

“Yeah. Kind of? He does pro-bono work for the helpless cases. You know, like, a well meaning, crime fighting vigilante?”

“…Does he do cases against insurance companies?”

“Oh man, you too? Dude, this place sucks,” Spider-Man sighed.

“You’ve had trouble too? Then you must see why I’m doing this!”

This was a bit weird, but if there’s anything that brings people together, it’d be corrupt insurance companies. He’s almost tempted to let them break in, just to be extra petty.

“Nah, my neighbor? Sweet old lady. They’re screwing her out of her entire place. I totally get it, man. Hey, if you need a referral, you can tell my lawyer that Spider sent you. He’s real good.”

“How good?” The goons release him and Spider-Man stood up, stretching his limbs.

“Like, Dare Devil good.”

“You know Matt Murdock??”

“Sure do.”

“He… he’ll take on our cases?”

“Dang, all of you?”

“Yes. We can pool enough money to pay him for one or two.”

“Nah, I’m pretty sure he’ll take you guys on for free. But it wouldn’t hurt if you all went to meet him, just so he can decide which one of you has a higher chance to win in court?”

“We will. Uh.” The villain paused sheepishly. Well, not a villain, more like an unfortunately angry and poor decision making citizen. “Sorry about… you know, the blast.”

“It’s cool. I mean,” Spider-Man gestured to the rooftop, the bodies of unconscious people kind of laying around where he knocked them down. “You guys might wanna check on them, yeah? I’ll let you go for now, but if you commit a B&E again, I’ll leave you webbed up for GCPD to find.”

“Got it. Sorry.”

Feeling good about himself, and plotting corporate espionage, Spider-Man went to help pry some people from his webs.

And of course, because Parker Luck kicks in only when Spider-Man felt like life was looking up for himself, Spider-Man’s senses blared once more as he knelt down to pull at some webbing.

“Oh, shit!” He heard, right before a cold blast of something slammed right into his head, knocking him out.

And Spider-Man

F

E

L

L.

——

Larry looked at the the empty space where Spider-Man, the guy who took a hit from his boss’ blaster so he wouldn’t get hurt, used to be.

He twisted.

“Boss, what the fuck?!”

“Shit! That was accident!” Boss pulled herself up from the concrete, where she just ate dirt.

“Where did he go?”

“I don’t know, Larry! That was the experimental warped mode! Crap!” His boss scrambled with the controls, desperately trying to see if the magic gun her magician friend had handed her years ago had a reverse button. It didn’t.

“Why would you bring a test weapon into the field?!”

“I gave you all of my other ones!” She threw up her hands. “Fuck, I feel so bad.”

Larry paled. “Dude, Dare Devil’s gonna kill us.”

“He doesn’t kill!” His boss hesitated. “I think.”

Larry pointed to the empty space. “Yeah? He might start with us. Spidey was a cool guy and you just disappeared him!”

“I know!”

Larry buried his head into his hands and tried not to hate himself for the entire situation.

——

Spider-man woke up, laid flat on the grimy ground of an alleyway.

“Ugh. Just my luck.” He kept his eyes closed for just a beat longer to allow himself time before having to pull his shit together. Why was his voice high? And a bit squeaky? He pulled himself together.

“Okay.” He whispered to himself, before sitting up and taking stock of the situation.

First thing that hit him was that it stunk to high heavens. Gagging, Spider-Man looked to the right and- yeah, that’ll do it. He stood up on wobbly legs to try to move away from the overflowing dumpster.

That’s when the second, more important and decidedly more troublesome, observation hit him.

He’s short. Shorter. And his suit was hanging off of him.

He could tell he still had his normal by now physiology, with the speeding heartbeat and the feeling of super strength. But he’s shorter. With a mounting sense of equal parts dread and resignation, he pulled at the hidden seam by his nape, relying on his both his enhanced senses and spidey-sense to tell if anyone was nearby or looking at him. He pulled the Spider-Man suit off, blankly folding it neatly as he stared dumbly at his hands. They’re small too. Shit. He stumbled to a nearby mud puddle and stared down, seeing his younger face in the contaminated water. Double shit.

He’s starting to loose his composure. He’d gone through a lot of bizarre things over the last eight years. But getting accidentally Detective Conan’ed by a person he just helped was a new low.

The black under layer of his suit, a slash proof and fire resistant polymer Peter had designed himself in MIT’s lab, was in a similar state.

With one hand, Peter Parker numbly rolled up his sleeves and pant hems. Great. Okay. Now what?

Ah. Shoes. He did not want to walk around in his too-big Spider-Man boots. He looked around. Well, there’s the laces of what looked to be like a pair of dumpster shoes. “Yeah, no.”

Shit. Does he still have access to his hammer space?

Peter reached into his pocket, and tried to reach for a pair of normal sneakers. His shoulder slumped as he produced a pair. Fuck yes. He still has access! And shoes! They’re ones he took off of a power line for a well off kid who didn’t want it anymore. He was going to donate them to F. E. A. S. T. but he’s thanking the stars he procrastinated a bit on swinging by the center. He put them on. They’re a bit big, but it’s better than the giant-in-comparison ones he normally wears. You know, as an adult.

He hesitated with his mask. He should at least figure out where he is. He hoped it was still in the states. His mask blinked, the HUD in his lenses informing him that it was trying to find a connection. “That’s weird.” He paused, grimacing at the sound of his voice. But it is weird, because he had his mask automatically connected to the world wide satellites Tony Stark had sent circling the globe for citizens without internet access as a back up option. So either he was somewhere even the Stark Satellites couldn’t reach or…

Peter swallowed, his mask pinging as it found a connection to piggy back on. He clicked his tongue twice to activate the voice controls.

“Connect to the local maps. Where am I?”

His masked followed the order. [Gotham. New Jersey.]

Peter stared at the words, gut churning.

Good news, he was still in the States. Bad news? He’s shrunk, in a totally different state, and possibly in a different world because he’s not connected to the Stark Satellites he knew operated in New Jersey.

Peter Parker tilted his head back and allowed himself one verbal, panic level six and up, curse word.

“Fuck.”

He took off his mask and leaned against a slightly cleaner part of the wall before hyperventilating.

——

Half an hour later, Peter smacked himself on the cheeks and pulled himself together.

“You’re Spider-Man,” he hissed to himself. “Have a mental breakdown somewhere warm, you dumbass.”

Peter Parker was a champion, world class expert at compartmentalization.

He slipped his mask back on, and pulled up his “So You’re Stuck in an Alternate Universe” list he had made with Ned so many years ago when they were high school kids and going through comic books to make contingencies because Peter was a little idiot vigilante hero.

“I didn’t think I’d actually ever need this kind of thing.” Peter muttered. He slipped his black back up gloves on to connect to his mask’s display in order to type.

“Okay,” he glanced at the side by side screens in his lenses. “Money.”

Five things.

1) The emergency cash he’d stashed on him thankfull matched the pictures of cash he’d found on this world’s internet. Yay!

2) He had $1000 tucked away. Not yay. Not if this might be a long term stay before he got back to his own dimension. Not if he wanted a place to sleep.

3) Luckily, thanks to his earlier search of where the hell he was, Peter figured out that due to the high crime rates- “Dang, that’s worse than New York on New Year’s Eve,” he had marveled- Gotham was dirt cheap and that that meant 1k dollars could actually last him a while and he could afford a room for a month on $250. A whole ass apartment for $550. Peter seriously considered staying in this universe just for the rent prices. So what if there’s rampant crimes? He’d deal with it if the rent was that cheap.

4) Problem? He’s fucking tiny. Who would rent to a person that looked like child? Not anyone upstanding, that’s for sure. He’s more likely to get mugged. Counterpoint: he’s in a city where apparently shady people are all around. Also? He doesn’t have an identity.

5) If the fact that he couldn’t connect to the Stark Satellites didn’t convince him he was either in another universe or an alternate dimension, the visual graphics of the websites he visited would. It was like looking at Windows in the early way before Stark Co. bought them out and improved the design. Nauseating.

Okay, so, money’s not too urgent of an issue. Next on Ned’s list: Places of Interest.

Namely, libraries, homeless shelters, crime hotspots, and the like.

Peter snorted when he came across an opinions article talking about how Park Row became Crime Alley. And then he frowned, because that story was not painting this place to be even remotely nice. Then again, considering the crime rates and the various Rogues this place seemed to have in spades, that wasn’t much of a surprise. Peter marks the place in his new mental map of Gotham as a potential area he could either disappear to or get a new identity at. He then marked the libraries, Gotham City Public Library and its many branches all funded by generous donations from a Bruce Wayne, the Martha Wayne foundations’ shelters and charities, two supermarkets near the library, and a coffee shop he thought looked warm and cozy from the shitty pictures they have uploaded online. He needed coffee, dammit, and he needed it hours ago. Alas, he probably wouldn’t get to go to one until he secured his finances.

Well, it’s not like he doesn’t have practice being poor.

3) Which brings him up to Ned’s next, surprisingly reasonable for a teenager hoped up on a mountain load of sugar, point. Level of Tech.

Peter hid next to the dumpster, melding in with the shadows, as he continued his research.

Tech here was… well, he probably wouldn’t have to worry. The thought of not having a Starkphone, even his older model, was painful considering the new versions of these WaynePhones were really… behind. Peter doesn’t remember the last time he had buttons on his phone or let alone a touch screen that didn’t use facial tracking and biometrics or even have a holographic display mode.

“Ugh. Okay. Not the end of the world, Parker.” Peter muttered.

Now… People of Interest.

This was underlined three times with Ned’s red pens, with extensive subcategories.

Subcategory A? Villains, because “what if they put out a warning for a known villain and you get your butt kicked because you didn’t know about them, Peter? Wouldn’t that be embarrassing?”

He had replied, half focused on the list and the other on savoring the Millennium Falcon Lego set May had saved up for months to get him for his birthday, “I feel like if I was getting my butt kicked by a villain, I’d probably have better things to worry about than my utter humiliation, Ned.”

“True that,” Ned had snicked and jotted it down anyways.

And… well, Gotham had a lot of villains. The Joker (ew, that’s a crusty man in crustier face paint. This guy could learn so much from the cool mimes busking in Central Park. Like, how to do face paint. Or how not to be a massive murderous jerk. There’s Clayface, Two-Face, a bald guy in “Metropolis” (a name Peter couldn’t help but snort at because a city named city? That’s like na’an bread being bread bread. Or chai tea being tea tea) named Lex Luthor, and Scarecrow. He tabbed all of them and marked them for further perusal at a later date. From experience, he knew villains with a prominent M.O. and themes usually did more damage. Case in point: Rhino, and the million dollars of property damage the guy did everytime he escaped the Raft. Peter was seriously considering petitioning for the Raft to be placed further out just so he could have more warning the next time some assholes decided to free the prisoners and helped them escape.

He narrowed his eyes at the screen, his mask’s lenses following the movement. He’ll have to pick up a gas mask. Apparently bio-weapons are just a regular thing here and he really didn’t want to get dosed with this “fear toxin.” It’d be dangerous for everyone involved. Maybe if he gets his hands on a sample, he could build up tolerance and see how his immune system and metabolic rates affected the normal progression of the toxin. Ah, off topic. He’s gotta focus.

Subcategory B: Local celebrities.

“Why would I need to know local celebrities?” He’d asked.

“If someone came up to you and asked “Who’s Tony Stark?”, wouldn’t you clock that as super weird? You gotta blend in, Peter. Plus, you gotta keep up with the pop culture, dude. It’s important.”

“You just want alternate universe memes,” Peter grinned.

“That too. If you ever go to an alternate universe and come back, you’d better bring me a truckload of memes or I’ll never forgive you.”

Yeah. So. Wayne? Super important. Like Tony Stark levels of important. He found threads about them and the local vigilantes and their charity works. Peter’s brain instantly catalogued the info, all but memorizing the deluge of pictures he found of Bruce Wayne and his kids. Maybe the man had an adoption problem? Conspiracy threads and memes popped up alongside his research. He tabbed one on secret societies, because as Spiderman, he had fought a disturbing amount of secret societies that, on hindsight, had been theorized about on threads he’s read on his free time. Somehow, somewhere, somewhen, a conspiracy theorist could be right. Peter’s not about to dismiss that. He also saved like thirty different memes to send to Ned when he got back. If he got back.

Peter smacked that thought away. He’ll get back to his city or die trying.

Subcategory C, underlined and starred: Other Superheroes and Vigilantes.

Yeah, Peter’s excited about this one too. After Matt stopped being Dare Devil (but did he actually ever stop?) and Wade dipping in and out of NY, Peter’s gotten lonely as Spider-Man. He missed training with them. Of course, the fantastic four were still operating, but he doesn’t actually interact with them or the Avengers at all. Miles hasn’t been cleared (by his mom) to go out as Spiderman with near as many hours as Peter cleared a night. Peter stood behind that because he remembered how horrible it was to work as Spiderman and try to balance school on top of it. Also, he was terrified of Mrs. Morales and would never endanger her son more than he already does. He did wave to Black Widow from a rooftop once, spider to spider, and that was pretty much the coolest moment of his life.

So. Uh. The amount of vigilantes and heroes in this world? Amazing. In Gotham? There’s like, a whole team of them.

Batman, Nightwing (who, Username: Draken Draken had theorized, was the first iteration of Batman’s sidekick Robin), Red Hood, Black Canary, Huntress, Red Robin, Spoiler, the “day vigilante” Signal, the current Robin, and whispers of a “Black Bat.”

And their unfortunate “No Meta” rule with the singular exception of Signal. Peter figured their term of Meta was essentially the same thing as his world’s mutants. He’s not sure which term he liked more. Eh, he’ll worry about that later.

And there’s a Justice League! Which, to Peter, is just a bigger Avengers. There’s aliens on this world too. Superman. Martian Manhunter.

Peter grinned from his place crouched next to the dumpster. Yeah, this is awesome. He quickly memorized everything he could find, cross referencing posts and picking out the nuggets of truth or at least popular truth from the posts he viewed. Like, Red Hood operated in Crime Alley and was a crime boss with morals. Cool.

He’ll go down the spiral later. He mentally thanked Ned who was the best guy in the chair a teenage vigilante could ask for. He should really text his friend when he got back.

For now, he’ll head to the library and see if he could use their computers. He might need a card though… Peter quickly pulled up the search engine and found an Internet cafe. Ah, 24 hour internet cafes, the savior of his college days. There first, and then library, Peter decided. He memorized the instructions and pulled his mask off, tucking it away in the hammer space.

He walked out the alley and turned left, only to double take at his reflection in a shop window that was partially boarded up. Holy shit, he’s a baby. He’s like. 10!

Oh my god.

Peter twitched, tearing himself away from the window before the shop owner decided he was less curious and more potential mugger before promptly remembering that he looked less of a threat than ever. Mixed feelings.

Peter hurried his way to the internet cafe, paying the guy at the front a little extra so he’d ignore the obvious minor without a guardian thing Peter hasn’t gotten used to. Ugh. That was going to be annoying. He only paid for two hours and pulled up as many listings for a room as possible. By the end of it, he came out with $1 worth of fliers printed out and having funneled some billionaire’s offshore accounts into a new bank account he’d made by hacking into the bank servers. Does he feel bad about stealing? Yeah. But Peter’s a vigilante. He’s done worse than nabbing a monthly sum of a couple of hundreds from Lex Luthor’s off shore accounts. He’s not gonna get caught, and considering the guy’s rants on meta humans, Peter’s not feeling particularly guilty about it. He’ll do something good later to make up for it. Once he gets his footholds and can prepare his way back, he’ll even return to the rest of the money. Probably.

Peter left the cafe with his sheaf of flyers, stopping by an informational stand with free tourist maps and plucked one quickly from its plastic holder. He’ll pick something up from the food vendors on his way to the apartments. Peter began walking, taking in the sights of the gargoyles and-

“Nope!” He caught the wrist of a pickpocket. It’s a kid and he immediately felt bad.

“Lemme go. I ain’t done nothing to ya, ya Yorker tourist.”

“Okay,” Peter shrugged. “Don’t get caught the next time?”

The kid gaped at him. “Shi’, you must be really good at it. I’ve never been caught before.”

Peter wisely refrained from telling the kid it was due to his spidey-sense. He let go of the kid’s wrist and let a bit more of his accent out. “Why’d you need money anyways?”

“Food, duh.”

“Dude, I’m starving. Tell you what. You show me the best sub shop nearby and I’ll pay for your food. Deal?”

The kid stared at him, wide eyed. “You’re fuckin’ nuts. Why’re you being nice?”

“I’m hungry? Do we have a deal, kid?”

“… Fuck it. Fine. And don’t call me kid, shrimp. You’re like what, eight?”

Oh. Yeah. Peter’s a kid now. He shrugged.

“I’m older than you. I’m twelve.”

Peter blinked, frowning at how thin the kid’s wrists were.

“I’m Peter!”

“… Frank.”

He let Frank lead the way. Stranger danger doesn’t apply to him, he’s a grown ass man. In the body of a ten year old him, but still. A couple of minutes, four sandwiches and a load of chips later, Frank was watching wide eyed as he demolished three four dollar subs.

“Holy shit. Where are you packing that away? You’re a stick!”

Peter took a big bite of the sandwich as an answer. Frank looked down at his meal.

“Uh. Hey.”

Peter made a muffled noise of question, mouth stuffed full of steak and cheese.

“Sorry about. Uh. Trynna nick from ya.”

Peter chewed faster.

Frank continued, looking like he hated himself. “I wouldn’t… normally steal from shrimps like you but I was desperate and… really hungry, so. My bad.”

Peter finished chewing. “All good, dude. Eat your sandwich.”

Peter had the sudden urge to adopt Frank. Unlike Wayne, he’s not a billionaire, so he smacked that urge down. He could use a friend though. Now… how to be friends with a literal child!

“If you feel that bad about it, you could… be my friend?”

Peter took in the wide eyed gaze from the twelve year old in front of him. Abort! Abort! That was too direct!

“You’re fucking weird. But… okay.”

“That was easy.”

Frank scowled, kicking Peter’s shin.

“Ow!”

“Whatever, shrimp.”

Peter scowled. On his baby face, it came out as a pout.

Do not start beef with a twelve year old, Peter. You’re a grown ass adult.

“Hey, you know I’m new here, right?”

“Duh.” Frank took a bite of his food.

“Can you tell me which one of these are legit?” Peter handed Frank the flyers. He took them, an odd look passing his face.

“You’re looking for a place?”

“Yeah? Why?”

Frank stared at him. Looked back down. He instantly got rid of four listings out of the ten. “These are too close to the Alley. They’re probably traffickers.”

Peter hummed in agreement. Frank paused.

“You’re just gonna trust me on that?”

“Yeah? I can tell when people are lying.” Well, his spidey sense could, when he cared enough about the subject.

“What the fuck.” Frank shoved the rest the papers at him and guiltily munched on his food. “Are Yorkers all just like you?”

“Dunno? Probably not.”

“… Whatever. The rest of the places should work. They probably won’t ask questions.” Frank flapped a hand at Peter’s new situation. Yeah, the shortness was getting to him too.

Peter nodded. Obviously, they were the more expensive places, but considering the new found resources he’d… acquired during his time at the cafe, it doesn’t really matter.

“Cool! Wanna go see it with me?”

Frank immediately took on a suspicious glare. “Why?”

“I dunno? You don’t have to if you don’t want to. I just thought since you know your way around…”

“Ugh. Fine. But if there’s anything shady, I’m fucking dipping out.”

“Okay!” Peter grinned for the first time the couple of hours he’d been trapped in this new world.

——

They’d found an apartment with a landlord that got a weird, sad face when she was talking to them about the apartment. After like, an hour of walking around and Peter’s spidey sense screaming at him not to even go near the places Frank had left in the pile of maybe’s.

“We walked all the way here. Ya not even gonna go in?”

“The vibes are off. It’s a no.”

And because Peter’s a genius idiot with no self preservation, he’d marked the places to investigate later.

Frank had blinked at him, mildly offended and nonplussed. After a while of spluttering, he just gave up. Eventually, they got here.

“I don’t normally rent to kids,” the landlord lady said. Peter immediately liked her. “But I’ll make an exception if you’ve got the cash.”

“I’d like to see the unit first, please” Peter said. He’s not stupid, and Gotham’s renting scene is both easier and harder than New York.

They toured it. Peter? He’d seen worse. He’d lived worse. Also, it had two bedroom and was $620. Yeah, Peter was really considering just staying here full time and commuting to his New York when he wanted to be a vigilante.

“I’ll take it, ma’am.” The landlord and Frank both snorted, sharing a Gothamite look.

“It’s Georgie, to you, brat. You just need the first month’s rent, since I’ll wave the deposit for you shrimps. Utilities included. Your friend stayin’?”

“No-” Frank had started.

“Yep!” Peter beamed, interrupting his new friend.

“What?” Frank turned, gaping again at this weird little kid who had enough money to rent a place and then invited a whole ass street kid he just met to live with him. “Are you stupid?! What if I rob you? Huh? I don’t need charity!”

Peter slowly looked around the empty unit.

“Uh.”

“No, that’s not the point!” Frank pointed a finger at Peter. “That’s how you get yourself killed!”

“But that’s why you should stay! I don’t know my way around Gotham so…”

Peter looked up at Frank, using his shortness for maximum devastation. “Please?”

Georgie leaned back on the heels of her feet, silently laughing. It’s not every day she sees a Gothamite street kid get out stubborned by an outsider, but she knows better than anyone that Gotham is weak to genuine kindness. And this Peter kid, the one that reminds her so much of her own? He’s practically filled with it.

“Yeah, kid,” she said to Frank, snickering. “Look at him. He’s gonna get mugged two steps into the Alley. Or anywhere.”

Frank flailed, but eventually, Peter handed over the money to an amused Georgie who gave them two keys in return and a move in gift of a pot pie.

“I gotta. Uh. Go get my stuff.” Frank had mumbled, dazed at whatever the hell just happened.

“Okay! I’ll see if I can go get furniture!”

“And lift them with your shrimpy arm? You wish.”

“I can use a cart.”

And really, he could, because Gotham had a lot of abandoned carts laying around. Like a concerning amount.

“Can you even reach the handle?”

“I’m not that short!”

Frank snorted, Georgie’s own chuckles following a beat after. Peter scowled at them.

“Be right back,” Frank promised, holding the key like it was treasure. He had been homeless for two and a half years now, so in his eyes, that key was as good as gold. He had somewhere warm to stay. Trying to pickpocket Peter was the best mistake he’s ever made in his short life. But he didn’t want to take advantage of that, well, no, he did want to, but he doesn’t want to take the genuine kindness for granted so he’ll see if there’s any street furniture he could haul back on his way.

“Okay!”

Georgie watched him go and turned to Peter.

“If you need stuff, there’s a thrift store and a grocery store that way.” She gave him the directions.

——

As soon as Frank and Georgie left, Peter immediately left his new place (and holy shit, he really didn’t expect things to be this easy. In New York, he had to spend at least a week checking out places because he had to figure out whether the problem that cause subtle twinges with his spider sense was worth living with. Here? It’s too obvious.) to buy supplies. He had $400. Until his new card came in, at least. He’d put his new address into that bank account addressed to a “Anthony Benjamin” before ordering a “replacement card.”

Peter ran to the thrift store, hurrying before the last traces of the sun dipped below the smog of Gotham. A frankly absurd amount of blankets, towels, pillows, clothes, packaged boxers, socks and shoes around his size went into the cart. To his chagrin, Peter couldn’t actually see much over the cart. Why the hell was he such a short ten year old? He blasted through the store, also guesstimating Frank’s sizes. He tossed in curtains, a used set of glow in the dark stars, and a lamp.

He also grabbed mismatched mugs, bowls, a bundle of cutlery, and a dented microwave he casually pretended to struggle getting onto the bottom part of the cart. It’s like lifting grapes for him, but he looks like a ten year old so…

He, guiltily, bought a mildly fancy camera in a set, with two separate lenses, even if one was cracked.

Not bad, for $150 total. Peter is going to definitely seriously consider commuting to New York. They didn’t even care when he walked out with the cart! Well, that might be because of the cashier who gave him a pitying glance.

He stopped by a general store on the way back, parking his cart in a rapidly shadowy alleyway. He swung by the new section of the store that reminded him of a Dollar Tree and got cleaning supplies, toiletries, and two pans and a pot. He grabbed some canned food and a couple of frozen meals in the back. Seasonings, ramen, general pantry staples went in. A role of paper towel. Nice. Venom would have loved this store. With half of his budget blown for essentials, Peter quickly cut his spending off and

He quickly gathered his stuff and went back to the apartment, using his strength a bit to lift the full cart up the stairs at the front doors and into the elevator. It creaked like the first time they used it to go see the apartment, but it worked. Peter set everything up in the living room, pillow and blanket wise, and put everything in its proper place. The lamp was put up, giving more light than the old bulb in the ceiling light.

All Peter wanted to do was pass out, but since his dumbass took in a child, he couldn’t sleep until this place was relatively fit for a kid to live in. He also wanted to wait for

So, that’s what he did. Taking a sponge and the cleaning supplies he’d picked up earlier, Peter tackled the living room, scrubbing away at old stains and spraying mildew. He marked trouble spots- like that splinter worthy piece of floor next to the doorway leading to the hall between the bedrooms. Then the kitchen. By the time Frank cautiously peeked his head in from the front door, Peter had already finished scrubbing the over.

“Hey.”

Peter turned, grime on his face but grinning. “Hey!” I bought some stuff!”

Frank snorted at his face before glancing around the living room, eyeing the cart parked neatly on the side.

“So you did. Didn’t get mugged, did ya?”

“Rude. No, of course not.”

Frank gave him a… frankly… unimpressed look and dumped his bag next to the pile of blankets and pillows Peter had piled onto the floor. Sue hi’, they didn’t have beds yet.

“Got somethin’ for ya,” Frank said neutrally before dragging in…

“A coffee table!” Peter bounced towards Frank, hugging him before lugging in the heavy wooden table in. “You’re the best! Where’d you find it?!”

The tension, anxiety about Peter’s reaction, in Frank’s shoulders relaxed and the kid grinned. “Alley. Some asshole just left it there for anyone to hit with their car so I took it.”

“Nice! We can eat on this!”

——

When they were getting ready for bed, Peter insisting on showers for both of them, Frank had reared up at the clothes Peter bought for him. Peter pretended like he didn’t see anything and shove a whole tube of toothpaste and a new toothbrush at him.

“Ew. Do I have to?” Frank asked, wrinkling his nose but taking the items anyways.

“Yeah.” Peter said seriously. Frank gave a moment to wonder why he was taking orders from an eight year old before shrugging. He could brush his teeth in exchange for a roof over his head, food, and clothes. It’s not even a fair trade, for Peter, anyways. Frank was enough of an alley rat to take advantage of that.

——

When Frank passed out, Peter couldn’t sleep. He’s exhausted, but he couldn’t sleep.

So he took his new camera and climbed the fire escape to the roof top.

An hour later, he met his first vigilante.

“Hey, kiddo. I’m gonna need you to back away from the edge.”

“Woah!” Peter startled, jolting slightly off of the ledge he was balanced on. He twisted around to see Red Robin, hand outstretched and panicked look in his eyes.

“Dude. Warn a guy!” Peter said, even though his spider sense warned him of an approaching person that was actively watching him.

Red Robin held his hands up. “My bad. Would you- uh, not be on that ledge?”

“Yeah, sure. My bad, bro.” Peter obligingly stood up and stepped away from the ledge. Red Robin relaxed then did a double take. Peter frowned. Is there something on his face?

“What are you doing up here, kiddo? It’s late.”

Peter decided to scope out the vigilante. “Couldn’t sleep,” he held up his camera. “I’m taking pictures.”

“Oh. That’s cool! Can I see?” Red Robin approached warily, but relaxed when Peter didn’t spook and try to take a shortcut to ground floor.

“Sure! It’s a new, well, not new but new to me, camera so I haven’t had all that time to mess with the specs but the pictures turned out pretty good-”

“Oh, woah. This one’s great. That composition? Amazing. You caught the light perfectly,” Red Robin complimented. Peter brightened, knowing a photography fan when he hears one.

“Photography buddy!” He cheered.

They talked for an hour after that, but Red Robin quickly sent him to bed once he remembered the time.

“Ah, shi- crap. It’s like 2AM. You’ve gotta go to bed.”

“Oh, yeah. Sorry if I interrupted your patrol, Mr. Red Robin!”

“No problem, kid.” Peter slipped back down the fire escape, not caring if the vigilante saw where he lived.

——

Up on the rooftop, Red Robin pressed a hand to his comm.

“Red Robin to Nightwing.”

“What’s up, Red?”

“Do you have a kid you don’t know about?” Tim said, bluntly.

“… What?”

“Oracle, can you share my cowl footage?”

“Copy. Oh, that kid…”

“Looks exactly like Wing?” Tim said, peering down at the empty fire escape. “Yeah. Talked like him too.”

“Oh my god, he’s adorable.” Oracle said. Tim agreed. That curly hair? Baby face? Adorable. A bean. “Did you get DNA?”

“Ah, shit, I knew I forgot something.”

“Do not break into his place and nab a hair,” Nightwing reprimanded, but his voice sounded distracted.

“Holy shit, you guys nerded out about camera placement and lighting for an hour?” Hood piped up.

“Get some rest, Red Robin. You’ve been working too hard,” Batman grunted through the comms. Awkward… but he’s been getting better at communicating his worry for his kids.

“Sure thing, B. Heading back to the main cave. Red Robin out.

——

Peter: lay low and get home

Also Peter: talks to a vigilante

None of them think Peter’s Nightwing’s yet. Peter will know before them… eventually. Once this world’s version of him gives up his memories to be absorbed by AU Peter.

[traincat]

hey!

I recently made a post about wanting to understand the concept of Spideytorch more, and was directed to your blog! If it's not too much of an ask, could you break down their relationship for me?

Sure! I can do that. I'm going to refer back to your post just as a jumping off point -- Spideytorch is definitely, 100% a comics-based thing. Prior to the upcoming Fantastic Four MCU film, the film rights for both characters have never been held by the same company, and "crossover" films are very much a product of the MCU, although ironically Andrew Garfield did once say he wanted Michael B Jordan, who played Johnny in the 2015 Fantastic Four film, to play his Peter's love interest.

Thank you for your service, Andrew.

But while it is comics-based, it's a very different scenario than Spideypool, where the comics are very much based on their popularity as a duo in fandom. I'm not a Spideypool fan, just as like a disclaimer, but as someone interested in the symbiotic relationship between fandom and superhero comics, Spideypool is really interesting because their popularity came first -- they got that team up comic because they were already popular in fandom, they didn't become popular in fandom because they had the team up comic. So it's a really interesting look at how fan activity influences the connections comic characters have. That's not the case with Spideytorch.

(I'm not saying one of those things is inherently better than the other, but since you mentioned Spideypool and their team up comic in your post, I thought it made for an interesting comparison.)

Peter and Johnny literally meet in Amazing Spider-Man #1, back in 1963. The two premier teen heroes of the day, they have a lot of early interaction because they played well off each other -- Peter, a broke loner, was often jealous of Johnny's fame and money, whereas Johnny bemoaned his girl problems compared to chick magnet Peter. (Johnny's girlfriend at the time literally asked him why he couldn't be more like Peter.) They're both pretty big personalities, so there was a lot of pigtail pulling in the early days, but even when they argued there was always a sense that they genuinely liked each other deep down. For Peter, who didn't have friends in the business, Johnny was someone he could rely on, and for Johnny -- who just, like, did not have friends at all until he got to college -- Spider-Man was a peer, someone he looked up to and admired.

(ASM #3)

(ASM #8)

(Strange Tales Annual #2 -- this is the first appearance of Johnny and Peter's "usual place," the Statue of Liberty. Iconic.)

(ASM #19)

(ASM #127)

As Johnny and Peter grew up, the frequency of their team ups faded a little, but their lives have always intersected. In some ways, they've run in parallel. They went to college at the same time, got married at the same time. (Peter's marriage was solid until he sold it to the devil; Johnny's faltered after a decade because sometimes you think you marry someone but they're actually a shapeshifting alien from outerspace who was sent to kill your family. Peter is one of the very few people who Johnny told about that in the aftermath.) Peter unmasked to Johnny, told him his identity, one of the very few people he's done that for. When Johnny "died" (he got better), he left Peter his place on the Fantastic Four. And then, when Johnny came back from the dead, the first person he saw on the other side was Peter.

(FF #1)

(ASM #657, titled Torch Song)

(Fantastic Four #601)

They've lived together, fought together, shared their lives with each other. They trust each other, bone deep, despite their squabbles and differences. It's always been a love connection, however you define that love. It's a connection that has existed from 1963 until today, across multiple fictional universes and continuities. For me, the appeal of them has always been not just their chemistry but also their history.

Also they're just a lot of fun.

(FF #17)

(Fantastic Four v5 #14)

I have a long list of important comics for them in chronological order here, if you want to read more: https://traincat.tumblr.com/post/123691883369/so-ive-only-recently-gotten-into-spidertorch

I hope that helps clear up the history a little bit!

[mikeysagereblog]

⊗ superhero cartoons to watch when little!!! (or big, they're that good imo!!) ⊗

✧.* i've been wanting to make this list for a while now, mainly because i wanna talk about my fav cartoons/open up opportunities for other littles to find something awesome to watch!!! there's gonna be a lot of ranges in age ratings to add some variety for older/younger littles :)

✧.* also, i'd like to put a disclaimer here and say that a lot of these are on streaming services that i own, but other littles may not. i would also like to say that there are ways to get around a paywall if you can't afford certain streaming services!!! you can find full episodes on youtube/other sites for free!!! (just use an adblocker if you're on a site other than youtube if u can!!)

✧.* another disclaimer: any regressor of any age can watch any of these shows!! i just wanted to put the age ratings for those who want to stick to media that's more in their age range!! so, don't feel like you have to limit yourself from watching certain shows just because of how old you regress to!!

✧.* spectacular spider-man (2008-2009, 2 seasons): suitable for 7-8+, but i'd say it'd be okay for littles who regress younger to watch, too!! honestly, my all-time favorite spider-man cartoon!!! not only is it fun to watch while little, you can truly appreciate the show when you're big, too!!! josh keaton's voicework as spider-man is just- ahhhh it's so amazing imo!! the story is really good, the animation/style is just so iconic, and the colors are very easy on the eyes!!! (especially if you're sensitive to bright colors when little/in general) absolute banger of a theme song, too!!!

✧.* x-men: the animated series (1992-1997, 5 seasons): rated for around 7-8+, but i do admit that there can be some scary scenes for especially younger/more sensitive littles. honestly, this show is great!!! i loved all the different story arcs, how colorful the show is, the characters themselves- a lot of cool stuff about this show!!! be warned, there's a sudden drop in quality during season 5... i think they switched animation studios/va's or something because season 5 is NOT the best season of the show, i'll tell you that... 0_0

✧.* x-men '97 (2024-present, 1 season so far): rated for 14+, so this show is more suitable for teen regressors. it's a continuation of x-men:tas, and oh man... this is it. my favorite cartoon of all time!!! the animation is just oh so beautiful!!! the fight scenes are awesome!!! the soundtrack- oh golly the soundtrack!!! the remastered x-men:tas opening is just- wow!!! but, there's definitely reasons why it's rated 14+... not gonna spoil anything, but there's a lot of scenes in the show that can be upsetting for younger littles. trust me, watching some scenes when you're little is just- too much sometimes... (speaking from experience) it's an amazing show, but watch at ur own risk if you're a younger regressor!!!

✧.* batman: the animated series (1992-1995, 4 seasons): i'd say it's for around ages 9-10+, since it can be fairly dark at times. (same goes for a lot of batman related media!!) honestly, this show's pretty good!!! the style of the show is very dark visually, so it's easy on the eyes for those with bright color sensitivities!!! the artstyle itself is also very nice to look at!!! the voicework is amazing as well, especially kevin conroy's (rip) performance as batman himself!!! from what i can remember, the plotpoints were also pretty on-par!! i remember liking the show a lot when i was a kid!! :)

✧.* hulk vs. wolverine (not a show but an animated movie, 2009): this one's rated pg-13, since there's depictions of violence. but, i gotta say- this movie had me hyped up when i watched it as a kid!!! this was part of a straight to video two-movie collection, (the other being "hulk vs. thor") and i gotta say... this movie was awesome!!! the fight scenes were rad as heck, the animation was amazing, even deadpool was in the movie!!! (which, fun fact, was his first appearance in animation!!! other than the 2 second cameo in x-men:tas) very fun movie!!!

✧.* these are just some recommendations!!! i really liked these when i was a kid, and i hope you'll like them too, if you decide to watch them!!!

✧.* (also yay!! finally have a new banner!!! + i updated my blog's theme because nightcrawler is so awesome and he's literally my cg guys!!! he said it himself :3)

[dorothylarouge]

Dorothy's Big List of Comic Book Recs - Marvel Comics Edition

I often get asks about getting into comic books, and how daunting it seems, given the huge back catalog of titles and issues available. I'm here to tell you it doesn't have to be scary! From miniseries that act as good introductions to characters to runs on ongoing titles by individual creators that serve on jumping-on points, there's lots of ways to get into comics without having to have a lot of background knowledge, and I'm going to give you a lot of potential places to start. Please note that this post only covers Marvel Comics; this is a companion to my DC list and I will also have a list for indie comics and smaller companies at some point. Also note that I haven't read everything, and I won't recommend something I haven't read, so a few runs or books some consider must-reads may not be on here. This is based purely on books I have read and enjoy, and that I think are suitable for new readers.

SPIDER-MAN

The Amazing Spider-Man (1963) by Stan Lee, with artists Steve Ditko and John Romita, Sr.: The classic Spider-Man stories which laid the foundation for the character. These stories are filled with the melodrama and pathos that really makes Spider-Man shine, and with two of the greatest artists of the Silver Age on deck, you really can't go wrong. Ditko stays on the book until issue 38, and Lee's run ends at issue 110.

The Amazing Spider-Man (1963) by Gerry Conway, with artists John Romita, Sr., Gil Kane, and Ross Andru: Picking up immediately after the end of Stan Lee's run, Gerry Conway wrote issues 111 to 149. This run includes a number of vital Spider-Man stories, including Spidey's climactic tussle with the Green Goblin and his first brush with the nightmares of cloning.

The Amazing Spider-Man (1963) by Roger Stern: Spanning issues 229 to 252, this brief but memorable run includes several iconic Spider-Man stories and the debut of the Hobgoblin.

The Amazing Spider-Man (1963) by Tom DeFalco and Ron Frenz: DeFalco wrote the book from 253 to 285, and this run included the debut of Silver Sable as well as Spider-Man's black suit.

The Amazing Spider-Man (1963) by J. Michael Straczynski: This should be read in omnibus format as the numbering is a little weird; the run starts during volume 2 of Amazing but the book switched back to volume 1 and original numbering partway through. One of my favorite runs on the book! The creator of Babylon 5 brings Peter Parker into the 21st century, giving him a job as a science teacher and first hinting there might be some destiny at play in how he got his powers. There are a few warts on this run, however, mainly due to editorial mandates: it contains the dreadful "Sins Past" storyline and it ends on the wet fart that is "One More Day."

Peter Parker, the Spectacular Spider-Man (1976) by Bill Mantlo and Al Milgrom: The sister book to Amazing often goes a little overlooked, but this is a great run on it, including one of the best Doctor Octopus stories in Spider-Man history.

Peter Parker, the Spectacular Spider-Man (2017) by Chip Zdarsky: Spectacular was brought back in 2017 with writer Chip Zdarsky at the helm, and it's great. The standout story is probably issue 6, "My Dinner with Jonah," which is one of my favorite Spider-Man issues ever.

Spectacular Spider-Man (1988) by J.M. DeMatteis and Sal Buscema: This run spans issues 178 to 203, and includes Spider-Man's final battle with the second Green Goblin, the standout storyline of the run. DeMatteis also had a turn writing Amazing, but I wouldn't wish the Clone Saga on any new reader.

Spider-Girl (1998) by Tom DeFalco and Ron Frenz: An alternate universe title set in the future and starring the daughter of Peter Parker and Mary Jane, it's great superhero fun featuring everything that made classic Spider-Man great.

Ultimate Spider-Man (2000) by Brian Michael Bendis and Mark Bagley: Another alternate universe book which sought to reintroduce Spider-Man to a new generation. It's a solid book and a good read, but it is very dated to the 2000s for good and for ill.

Ultimate Spider-Man (2023) by Jonathan Hickman: Another alternate-universe take on Spider-Man, this time reimagining him as a family man who gets his powers in his 30s. Whereas most Spider-Man takes start Peter off as a kid with power but no responsibility, this flips the script by having him as an adult with responsibility but no power, as he finds himself drafted into a war against the forces that have taken control of the world.

Miles Morales: Spider-Man (2019) by Saladin Ahmed: Hot off the heels of Into the Spider-Verse, Ahmed's run on Miles' title pushes him forward and secures his place as a leading light of the Marvel Universe, and even gives him his own Clone Saga.

Miles Morales: Spider-Man (2022) by Cody Ziglar: This title is ongoing, but it's a great read that continues the work of carving out Miles' niche in the Marvel Universe and taking him in new directions.

Spider-Man: Life Story (2019) by Chip Zdarsky and Mark Bagley: A thoughtful and heartfelt story that takes Peter Parker on a real-time adventure through the decades, beginning in the 1960s.

Spider-Man 2099 (1992) by Peter David: A cyberpunk romp through a futuristic New York, featuring corporate oppression and intrigue. Miguel O'Hara's best run as Spider-Man.

X-MEN

X-Men (1963) by Stan Lee and Jack Kirby: The initial run of the X-Men lays the groundwork for everything to come, but the book didn't sell well or retain Stan's attention the way Spider-Man or the Fantastic Four could, and he left the book after issue 19. Roy Thomas took over for the rest of the 60s, and there's some good stories in there too, but the real great stuff was still to come.

X-Men by Chris Claremont: MUST be read in omnibus format, because this mammoth run spanned over a decade and a half, including multiple titles - not only the main X-Men book but the New Mutants and the stellar graphic novel "God Loves, Man Kills." THE definitive X-Men run, featuring most of the team's most iconic stories.

New X-Men (2001) by Grant Morrison: Not my favorite work by Morrison, but this is probably the most important run after Claremont. Morrison brings a more militant spirit and a focus on radical activism to the X-Men, and the run opens with a bang - though I have to admit that it closes with two of my least favorite X-Men stories.

X-Men (1991) by Mike Carey: Fun stories featuring an eclectic assortment of characters and interesting team dynamics, but the real treat comes when the book becomes X-Men: Legacy, and a character study on Professor X and his son Legion.

New X-Men (2004): Of course, a classic element of X-Men stories is the school setting, and this book brings that concept into the 2000s, focusing on students at the Xavier School and their interpersonal drama. Degrassi with superpowers.

Wolverine and the X-Men (2011) by Jason Aaron: Another school-set book, this one focuses on Wolverine's efforts to run a school filled with mutant teenagers.

X-Factor (1986) by Louise and Walter Simonson: A very 80s team book focusing on the original X-Men, reconnecting after several years apart, and the conflicts they get drawn into, often the result of their own mistakes. Also features the debut of Apocalypse, one of the best X-villains.

X-Factor (1986) by Peter David: After David took over the book, the focus of X-Factor was shifted from being the original X-Men to an oddball group of government-sanctioned mutants. This book also helped flesh out the character of Mystique.

X-Factor (2006) by Peter David: X-Factor returned under David in the 2000s, this time as a detective agency specializing in cases involving mutants. There's a cynical edge to this book which was common in the 2000s but it really works for this title.

X-Force (1991) issues 116 to 129 and X-Statix by Peter Milligan and Mike Allred: Allred's art is worth the price of admission. Imagine a team where every character is expendable, most of them are liable to die in really nasty ways, and they all have weird and uncomfortable powers. That's X-Statix.

Ultimate X-Men (2024) by Peach Momoko: Probably my favorite of the new Ultimate line. Very different vibes to basically any other X-Men book - this one is essentially a horror manga in the vein of Junji Ito or Shigeru Mizuki.

THE HULK

Hulk: Gray by Jeph Loeb and Tim Sale: A moody and gorgeously-illustrated take on the Hulk's earliest days.

The Incredible Hulk (1962) by Bill Mantlo and Sal Buscema: Buscema is one of the best Hulk artists of all time, and while Mantlo's writing can be hit or miss, when he hits he really hits, as in issue 312, one of the best Hulk issues ever written.

The Incredible Hulk (1962) by Peter David: David's run is considered the definitive Hulk run, and for good reason. It is best read in omnibus format because it is very long, and packs a lot into that long tenure. Bruce Banner's Joe Fixit alter debuts here, as does his Professor persona.

The Incredible Hulk (2000) by Greg Pak: This run includes the Planet Hulk storyline! Exiled from Earth, the Hulk rises to power as a warlord on a hostile alien world. Really scratches that Conan the Barbarian itch.

The Indestructible Hulk (2013): A different take on the Hulk, this time recasting him as an agent of SHIELD with all the adventures and difficulties that brings.

The Immortal Hulk (2018) by Al Ewing: Here we see the difference between "definitive" and "best." While David's run is the definitive Hulk run, for my money Immortal Hulk is the best. It is both a gnarly piece of body horror and a deeply thoughtful title that muses on the nature of anger, of suffering, and of pain, drawing heavily on Kabbalistic imagery and themes.

She-Hulk (2004 and 2005) by Dan Slott: An offbeat workplace comedy set in a law office specializing in cases involving superhumans. The best She-Hulk run in my book, not least because it does not involve John Byrne.

DAREDEVIL AND STREET LEVEL STUFF

Daredevil (1964) by Frank Miller: Probably the definitive Daredevil run, and the only time I've been able to stand Frank Miller, this run features some great art as well as some of the most important Daredevil stories in the character's history.

Daredevil (1964) by Ann Nocenti: Carries on from the Miller run and takes the character of Daredevil, his supporting cast, and Hell's Kitchen in some totally new directions. Includes the story of the excellent villain Typhoid Mary.

Daredevil (1998) by Brian Michael Bendis: A gritty, very 2000s take on Daredevil, Bendis' strengths as a writer are on full display during this run, with grungy art to match.

Daredevil (2011 and 2014) by Mark Waid: A much lighter and more superhero-y run than Daredevil often gets, this excellent run features Matt going up against criminal syndicates, old enemies coming back for revenge, and more.

Hawkeye (2012) by Matt Fraction: Easily the best book Hawkeye has ever had. Spectacular art and excellent scripting featuring both Clint Barton and Kate Bishop in a firmly street-level narrative focusing on threats to the local community.

The Punisher (2011) by Greg Rucka: For my money the best the Punisher (whom I usually don't like) has ever been. A genuinely thoughtful examination of Frank Castle as a human. Many people swear by the Garth Ennis run on the character, but to me this is the definitive Punisher run.

Mockingbird (2016) by Chelsea Cain: A short but fun series focusing on Mockingbird in a number of spy thriller scenarios.

Alias (2001) by Brian Michael Bendis: A mature mystery series starring a former superheroine. It goes into some gnarly territory but it really displays Bendis' strengths in writing street-level, grounded stories within the Marvel Universe.

Moon Knight (1980) by Doug Moench: Moon Knight fans will be mad that this is the only run I have on this list but it's the only one I've read! It's a fantastic read though.

Ms. Marvel (2014 and 2016) by G. Willow Wilson: There's a reason that Kamala Khan has been one of Marvel's biggest breakout characters in recent history, and it all starts in this initial run of comics. Great art and fantastic scripts by Wilson.

Runaways (2004 and 2005) by Brian K. Vaughan: One of my favorite setups in a comic, with a group of teenagers learning that their parents are actually a supervillainous cabal and running away from home in response. Great teen drama with a superpowered twist. The second volume also has a run by Joss Whedon (bear with me) that's also pretty good.

TEAMS AND TEAM-UPS

Fantastic Four (1961) by Stan Lee and Jack Kirby: One of the greatest comic books ever written. Both Lee and Kirby poured their heart and soul into these early adventures, and you can really tell. The first Galactus story is still one of my favorites. Essential reading.

Fantastic Four (1998) by Mark Waid and Mike Wieringo: Probably my favorite Fantastic Four run, with a great focus on Doctor Doom, Mister Fantastic, and Ben Grimm.

Fantastic Four (2022) by Ryan North: The current FF run, this one goes all-out on wacky science fiction adventure, with most stories only taking one or two issues to tell. Bite-size superhero fun, with fantastic characterization. Made me stan Alicia Masters.

The Avengers (1963) by Roy Thomas: The initial run of the Avengers by Lee, Kirby, and Heck, is serviceable, but the team came into their own under Roy Thomas, who introduced mainstays of the team like Vision and Black Panther to the roster, in this run which also incldues the classic "Kree-Skrull War" storyline. Throw in art by legends like John Buscema, Sal Buscema, and Neal Adams, and you've got a great run to get into the Avengers with.

The Avengers (1963) by Roger Stern: Another great Avengers run, this one solidified a roster for the team which included members like Hercules, Black Knight, and the best Captain Marvel aka Monica Rambeau, and includes the best "Avengers Mansion is attacked" story.

The Avengers (1997) by Kurt Buseik and George Perez: A creative dream team relaunched the Avengers in the late 90s to fantastic effect, with several excellent storylines and gorgeous art. This is, for my money, the definitive Avengers run.

Young Avengers (2013) by Kieron Gillan: The Young Avengers have mostly been supplanted as Marvel's premiere team of teenage superheroes, but this is their best book in my view, featuring the team's best roster and some of their best stories.

Champions (2016) by Mark Waid and Humberto Ramos: A great teen team book, the Champions have basically replaced the Young Avengers in no small part due to this run. Makes me yearn for a Waid-penned Teen Titans ongoing.

Defenders (1972): I'm just gonna recommend the whole comic. If you want off-beat and unusual superhero team dynamics and out-there storytelling, this is a good bet. Special attention should go to Steve Gerber's run around issue 20 or so.

MAGIC MARVEL

Doctor Strange: The Oath (2006) by Brian K. Vaughn and Marcos Martin: A good entry point to Doctor Strange and his weird world, featuring some really great art.

Strange Tales (1951) by Stan Lee and Steve Ditko: Never has Steve Ditko's art been better than in those first Doctor Strange stories, weird and wonderful and surreal.

Journey Into Mystery (1951) and Thor (1966) by Stan Lee and Jack Kirby: The first Thor stories are not only great, they feature Kirby's excellent Tales of Asgard backups which he would eventually develop into his Fourth World at DC.

Thor by Jason Aaron: Read in omnibus format. A true epic worthy of Norse legend. Includes some all-time great Thor stories.

The Immortal Thor (2023) by Al Ewing: The current Thor run, with a strong focus on mythology and how stories are constructed and passed down across the years.

Scarlet Witch (2023 and 2024) by Steve Orlando: A fun ongoing that finally made Wanda Maximoff a worthy headliner in Marvel, featuring her protecting a small town from magical threats.

COSMIC MARVEL

Silver Surfer (1968) by Stan Lee and John Buscema: One of my favorite comics as a teenager, this book combines space opera and melodrama to great effect.

Silver Surfer (1987) by Steve Englehart, Jim Starlin, and Ron Marz: The definitive Silver Surfer run. Includes some excellent stories, including some from the master of cosmic Marvel, Jim Starlin.

Silver Surfer (1988) by Stan Lee and Moebius: Must be read for the art alone.

Guardians of the Galaxy (2008) by Dan Abnett and Andy Lanning: This is where the MCU team originated, and it's still the best run the Guardians have ever had.

Quasar (1989) by Mark Gruenwald: Has the energy of a Silver Age comic with none of the baggage. Definition of a hidden gem.

Nova (2007) by San Abnett and Andy Lanning: Probably the definitive Nova run? Spun out of Annihilation which as an event comic I haven't included here but is still a great read.

Eternals (1976) by Jack Kirby: It's kind of Fourth World backwash, but it's Kirby doing wacky cosmic stuff so you know it's a good time.

AND THE REST

Power Pack (1984): What if a bunch of kids got superpowers? No, not teenagers, little kids? It's a thoroughly 1980s premise and one that shines best in the original series from that era.

Captain America (2005, 2011) by Ed Brubaker: A high-octane action-spy thriller which reintroduced Bucky and made him Cap for a while. The definitive modern Captain America run.

2001: A Space Odyssey (1976): A short adaptation of the novel and film, and then like 10 issues of wacky Kirby sci-fi. Really great hidden gem.

Black Panther (1998) by Christopher Priest: The definitive Black Panther run, that set the stage for everything to follow.

Black Panther (2016) by Ta-Nehisi Coates: Another great run exploring the nature of power. Many comic fans do not like it because they are philistines.

Vision (2015) by Tom King and Gabriel Hernandez Walla: Tom King is hit or miss, but this book is great, with the Vision building a family - of a kind - for himself.

[shelbbswrites]

I'll never understand the side of the internet that believes The Amazing Spider-Man movies are the worst superhero movies ever made because they REALLY aren't.

Andrew Garfield and Emma Stone are lightning in a bottle as Peter and Gwen. SALLY FREAKING FIELD as Aunt May.

I especially like how the films move — or swing — through grief and coming of age with heart and humor and heroics from Peter AND Gwen AND May, etc.

The Amazing Spider-Man 2 is proof that the trilogy was only improving, and it’s still such a shame we never got that third movie.

I’ll NEVER get over how phenomenal Andrew Garfield is in his Spider-Man suit.

His physicality breathes life into his iteration of the iconic role. It’s incredible. Garfield’s Peter FEELS like a comic book character come to life in The Amazing Spider-Man movies — and No Way Home.

[titaniumbechloe]

my top 15 ships if anyone cares:

1. Bechloe (duh)

(Pitch Perfect)

2. Romanogers

(Marvel Cinematic Universe)

3. Emisue🌋

(Dickinson)

4. Evelyncelia

(The Seven Husbands of Evelyn Hugo)

5. Deckerstar

(Lucifer)

6. Mondler

(FRIENDS)

7. Calzona

(Grey’s Anatomy)

8. Marina (iconic scene below🙈)

(Station 19)

9. Petergwen

(The Amazing Spider-Man 1&2)

10. Violivia

(She’s The Man)

11. Merder (Grey’s Anatomy)

12. Staubrey (Pitch Perfect)

13. Roey (FRIENDS)

14. Merdison (Grey’s Anatomy)

15. Agentdiamond (D.E.B.S.)

[shironezuninja]

It’s official: Shirakage Mouse has jumped from Nezu-Chan’s World for good now. I don’t know what her visual form should look like in my head yet. But I have named her “GumoWen-Chan”.

It’s possible that she might resemble a combination of Silk (Cindy Moon) and Peni Parker. Anime has raised me to revere Japanese Culture and the black hair that goes with it.

[amazingmsme]

okay okay okay so-

I'm picturing after Dan and Donna take their parental leave the news studio like freaks out and just grabs random Hatchetfield citizens to fill the void and they all do terribly. Like, Ted is just randomly rambling off about some shit and Charlotte's anxiety has just peaked. One time Peanuts and Proud Papa Ed host and it's amazing. Dan and Donna are at home laughing their asses off.

MDHSKSDH I’M FUCKING SCREEEAAAAMING IT’S LITERALLY LIKE THE FUCKING HUNGER GAMES! LIKE THEY DO A RANDOM DRAW & EVERYTHING!

Ok but what if Ted was coanchoring for Tom Houston, & it’s just 2 awkward dudes who aren’t 100% sure they vibe with each other trying to read cue cards. & Ted is trying to make Tom laugh mostly because he’s nervous & he needs to crack a joke or else he’ll explode & Tom is just staring at him like |:/ & Ted chuckles at his joke before turning away into his coffee mug to take a nervous sip

I think the age limit to enter is 18, which means you can have a fresh faced high school senior next to a woman going through a midlife crisis. & because I’m such a comedy genius, I think the cruel fates would pair Charlotte with none other than Max Jagerman. & of course she has no reason to fear him, she has no idea who he is other than “the quarterback.” But every time she stutters or slips up he fucking makes fun of her & it’s honestly painful to watch this sweet woman doing her best get bullied by this young cocky asshole. But hey, views! It escalates when Ted rushes in, wielding Peter’s old metal Spider-Man lunchbox full of rocks btw & whacks him upside the head. He’s barely conscious & Ted says “don’t you dare talk to her like that ever again. And leave my brother the fuck alone” everyone at Hatchetfield High is obsessed with that clip

The Peanuts episode is iconic, Papa Dan is just talking to himself while they put captions for what Peanuts is saying, but it’s just dead silence😂

It’s a much deserved break for Dan & Donna & they’re enjoying all the craziness!