#the adagio complex

[cecilysass]

Milagro Fic Recommendations

These are good for any time of year, of course, not just February 14. But here are my favorite fics related to the season 6 episode Milagro, a long time favorite. (And @sisterspooky1013's favorite episode of all time: happy VD, girl!) I’ve been reading and sifting through these for some time, and I have tried to include some from all eras: newer AO3 fics, some written right after the ep aired, etc. But I'm sure I've missed some, so hit me with your own faves, please.

Because of Milagro's ending, this entire genre of fic tends to be heavy on the hurt/comfort and angst (which is fiiiiine by me), but that’s not all that’s here. Many of these are smutty, but not all.

Adagio - Terma99 A meditative, peaceful take on the aftermath of Milagro by a veteran author that includes both agents realizing something they had learned. Lovely.

Alma - 6hoursgirl (@sixhours) A lovely hurt/comfort Milagro piece. This one is Mulder POV, which is a little less common for post-Milagro, I think, and I like this characterization of Mulder as desperately wanting to help Scully, desperately wanting to protect her, but also a tiny bit scared of the intimacy and relationship he feels they’re on the cusp of. He’s so good-hearted and also a little dysfunctional here, and I love it.

Bated Breath - dreamingofscully (@dreamingofscully) This one has an original take on Scully's experience; it leaves Scully with clarity and new direction in her relationship with Mulder. DreamingofScully tends to write a more confident, in-charge Scully in the MSR than some do, and I appreciate it.

Beyond the Strokes of a Typewriter - storybycorey (@storybycorey) When Scully is stricken and ashamed that it’s been so long since anyone has seen her as a woman as Padgett did, Mulder is pushed to revelations. Mulder 3rd person POV. Very good smut build up. And nobody does a gorgeous feelings reveal from Mulder like storeybycorey, man.

I Believe - Diana Battis There are a lot of lovely, heartfelt hurt/comfort fics about the aftermath of Milagro (for obvious reasons), but this one is especially well done. Viewed from Scully’s third person point of view, it focuses on Mulder’s capacity for tenderness and guilt. Plus some smut.

Don’t Look Up - ArtemisX5 After Padgett's hallway revelation, Scully is horrified that she has no secrets left. But you know, Mulder is much slower on the draw than she gives him credit for. There is also such moving hurt/comfort in this.

Intimacies with Strangers -mldrgrl (@mldrgrl) This mid- and post- Milagro piece has Mulder and Scully simmering in tension and then boiling over. Their relationship is complex and painfully entangled, and I love how it plays out. There is also excellent Scully characterization. This one helps me to get more fully why she might have been drawn to Padgett initially, something I struggle with in the episode.

La Madrugada - h0ldthiscat A carefully told tale of RST that takes both characters seriously and is sincerely moving. Excellent.

Lacuna - Aloysia_Virgata (@aloysiavirgata) This is a longer work, not really a classic post ep per se. But I love this moody, angsty casefile set right after Milagro. This Scully has not come to terms with her emotions, is thoroughly freaked by how she reacted to Padgett, and hasn't even entirely worked out how she feels about Mulder. There is Scully/other here, but the ship is steering home. The end of this is so moving, but cw: dark themes in the casefile, extreme violence against children, traumatized agents.

Still Life - Seek_Its_Opposite (@seek-its-opposite) Ah, this is such a thoughtful and exquisitely written Scully character piece — and it contains some truly beautiful insights about Mulder, too. It suggests the heartbreaking idea that Mulder’s way of showing Scully respect (giving her distance) is continually hurting her. So tragic (and consistent with canon, e.g. Never Again.) One memorable line: “Every one of their fights is about how to care for one another, every last one.”

Alma Gemela - matchingfabric (@matchingfabric) After the events of Milagro, Scully (and Mulder) get accustomed to platonically sharing a bed for comfort. This is a slightly different take on post-Milagro. Exceptionally, irresistibly sweet. Oh, and smutty.

What did I miss? Tell me. And yes, I'm working on my own short Milagro fic that will be coming soon-ish.

[littlesmartart]

DRAWTOBER #19 - Adagio for Crickets and Train Whistle by ChaoticAndrogynous

Brilliant musician Xiao Xingchen is travelling with his old friend from university, Song Lan. They're headed to a rental property for a week of quiet before the next leg of Xiao Xingchen's tour begins. But something is bothering Xiao Xingchen.

a beautiful little modern AU that not only hits my songxiao requirements (exploring Song Lan's mysophobia and XXC's vision impairment!!!) it knocks the whole thing out the park! I've not seen an AU before that explores XXC's past as anything other than him being raised by Cool Hippy Mom Baoshan Sanren, so it's really intriguing to read a fic that allows him a bit more complexity, and Song Lan grappling with his desire for closeness with XXC vs his revulsion with touch is compelling and compassionately written. a sweet and emotionally bittersweet read with a lovely ending.

[ilminnestrone]

I know that probably no ones gives a single fuck about my skincare routine but after my latest flare-up I had to put down this sheet to rebuild it with my favourites.

I suffer from atopic dermatitis and it's a bitch, especially in the coldest months. Treatments are usually flare-up focused and cortisone based with little care for maintanance, so most of us end up using whatever is marketed for dry and sensitive skin, most of the time worsening the condition and winning another ride on the steroid train. Also, most dermatologist warn us against the dangers of hot showers, equating hot with drying, but rarely tell us we need to boost hydration in the winter, so we end up believing the old adagio about skin becoming "resistant" to products and trying all creams on the market. Bullshit: skin has different need during different weathers, and you can easily reuse an efficient routine every year (unless you develop allergies or other conditions).

A couple of years ago I found a light in the darkness, a friend with a special interest for cosmetic, and we read hundreds of INCIs to build my perfect skincare. I found out that Korean skincare is mostly prevention based, sensitive skin proof and very idrating, so most of the product we chose are Korean.

All of this product are vegan and cruelty free. Unluckily most packaging is quite plastic-heavy, but many products from Purito have recharges and La Saponaria (an Italian brand) uses 98% or upcycled plastic in their packaging.

This routine was built with my skin condition in mind, but can be used by anyone with a sensitive and dry-very dry skin like me. All of these products have been tested even during flare-ups** and I can guarantee they are as gentle as they claim.

Summer

Purito SEOUL - From Green Cleansing Oil

Purito SEOUL - From Green Deep Foaming Cleanser

SKIN1004 - Madagascar Centella Hyalu-Cica Brightening Toner

COSRX - Galactomyces 95 Tone Balancing Essence

La Saponaria - Acido ialuronico - multiplo peso molecolare

La Saponaria - Peptidi Complex con Sacha Inchi

SKIN1004 - Madagascar Centella Probio-Cica Bakuchiol Eye Cream ☀️

BEAUTY OF JOSEON - Revive Eye Serum : Ginseng + Retinal 🌙

Purito SEOUL - Oat-In Calming Gel Cream

KAINE - Green Fit Pro Sun SPF50+ PA++++ ☀️

Winter

Purito SEOUL - From Green Cleansing Oil

Purito SEOUL - From Green Deep Foaming Cleanser

SKIN1004 - Madagascar Centella Probio-Cica Essence Toner 

COSRX - Galactomyces 95 Tone Balancing Essence

La Saponaria - Acido ialuronico - multiplo peso molecolare

La Saponaria - Peptidi Complex con Sacha Inchi 

SKIN1004 - Madagascar Centella Probio-Cica Bakuchiol Eye Cream☀️

BEAUTY OF JOSEON - Revive Eye Serum : Ginseng + Retinal 🌙

KAINE - Vegan Collagen Youth Cream

La Saponaria - Biocao Melograno

LADIVAL - Piel seca hydrasalinol SPF50+ crema solar y nieve* ☀️

Altromercato - Olio siero viso - booster - rivitalizzante vitaminico 🌙

*If you find it in your country (it's a Spanish product) go and grab it! It's great and exists in a coloured version for darker skin to avoid any white cast, but sadly it was discontinued in Italy, so I'm switching to:

Isntree - Hyaluronic Acid Natural Sun Cream SPF50+ PA++++

Other products I use for specific necessities:

La Saponaria - Peeling AHA** 📅🌙

MISSHA - Talks Vegan Squeeze Pocket Sleeping Mask - Mega Nutritious 📅🌙

Garnier - Skin Active Nutribomb Milky Mask (Coconut) 📅

Garnier - Skin Active Hydrabomb Tissue Mask (Pomegranade) 📅

Garnier - Skin Active Hydrabomb Tissue Mask (Chamomile) 📅

SOME BY MI - Real Hyaluron Hydra Care Mask 📅

SOME BY MI - Real Cica Calming Care Mask 📅

Any brand - Pure Argan Oil 🌙

** Don't use peelings or scrubs during flare-ups!

[glitterkeecher]

Thoughts on Scaramouche?

I think he's a cutie pie, and I really like his kittyfied self. He's such a fun and complex character, I love seeing him around, man. He's so feisty. And sad.

I've got a playlist about him. Wish they had a tea for him on adagio. He's on my oven mitts, with his little "bleh" tongue out, eye pull face. Adorable. The other side of the mitts is saiouma. Also I really enjoyed naming him. I was on that screen for like an hour, thinking of the perfect name. I picked Shinzo, by the way. Shinzo Kazeno

Those are my pretty general thoughts on him, if you're looking for more in-depth ones, I got those too

[tenderwatches]

𐡷 "Herald of the Lost" blend .:𐫱:.Viktor 𐡸

a sweet and spicy herbal blend with a foundation of honeybush rooibos tea with sharp ginger and peppercorns. cocoa nibs and dark chocolate round out the flavour, and a touch of anise with floral notes brings out the brightness and charm in this otherwise intense tea (much like the man himself). notes: dark chocolate, warm spice, subtle floral and fruit mood: complex, sharp, and nuanced best enjoyed: in thoughtful, cosy solitude or shared with a trusted friend who helps you see the light

(you can actually purchase this at adagio teas, but full disclaimer: we still have it on order so who knows how it tastes 🤷)

[elegantballetalk]

Would Agrippina Vaganova have a heart attack watching Nikolay Tsiskaridze girls exam?

Truthfully? No. Agrippina Vaganova was an innovator and might appreciate that NT is taking the old approach and adding something to it, just like she did. Vaganova herself said ballet was bizarre, and the NT exam was definitely mental. In addition, Agrippina Vaganova had an obsession with allegro rather than adagio, and she never spoke of legs going higher than 135 degrees. That said, she might mourn the loss of precision and tight fifths. However, if you look at videos from back in the day, they weren’t nearly as technically advanced as we are today, by default AV would still be impressed. She might not love the lack of aplomb and épaulement- I also don’t think she would appreciate (from a pedagogical standpoint) the complicated choreography and the music choice, as it lacked the precise tempo required to learn musicality. She would criticise NT as teacher because the exam showcased overly complex choreography and music which compromised his students' ability to demonstrate foundational technique, and thus, compromised their learning.

Controversially, she would appreciate that NT did not have all the girls perform every exercise. He did not make some girls do cabrioles (the hardest and most dangerous jumps) because he said he valued their health and did not want them to get injured for the sake of performing the jumps. AV would approve of this; she herself wanted ballet to be healthy and spoke at length about what teachers should do to prevent their students from getting injuries and to teach "pas" only when students were absolutely ready for them.

You know who I think had a heart attack watching that exam? The beautiful Altynai Asylmuratova. She probably lost ten years of her life watching that exam.

[amadea-nachtmusik]

MOZART: INSTRUMENTAL MUSIC (II)

MOZART AND THE EARLY STRING QUARTET: A JOURNEY THROUGH FORM AND INFLUENCE

THE DEVELOPMENT OF THE STRING QUARTET

The string quartet, emerging as a refined and intimate form of chamber music, became one of the cornerstones of classical instrumental composition. By the mid-18th century, its standard instrumentation—two violins, viola, and cello—allowed for a dialogue of equal voices. Joseph Haydn, considered the "father of the string quartet," established its formal structure, consisting of four movements: a lively allegro, a lyrical andante or adagio, a minuet (later replaced by the scherzo), and a spirited finale.

Mozart, deeply influenced by Haydn, absorbed and expanded on these innovations, creating works that combined structural clarity with expressive depth. His quartets reflect a progression from youthful experimentation to mature mastery.

MOZART’S EARLY QUARTETS

1. The First Quartet: G Major (80 K.) Composed in Lodi, 1770, during Mozart’s first Italian tour, this quartet is remarkable for its early insight into the quartet idiom.

While rooted in the divertimento style, it already displays:Independence of parts, especially the second violin and viola.

Counterpoint and thematic cohesion, albeit in a learner-like manner.

A later addition, the rondo finale, suggests a developing grasp of cyclical form.

This work represents Mozart's initial attempt at treating the quartet as a balanced ensemble, rather than focusing solely on the first violin.

2. Divertimenti for String Quartet (136-138 K.)Written in Salzburg in 1772, these three-movement works are more concise and likely intended as exercises.

Fresh and precise in style, they reflect the composer’s growing familiarity with quartet textures but lack the depth and individuality of his later works.

SIX QUARTETS FROM 1772-1773 (155-160 K.)

Composed in Salzburg and Milan, these quartets demonstrate Mozart’s increasing technical command:

• Each consists of three movements, occasionally with a minuet serving as the conclusion.

• Progression in thematic development is evident, with motifs better suited for elaboration.

• The later quartets in this series (e.g., 159 K. in G minor) display:Greater originality and subtle hints of scherzo-like humor.

An effort to refine smaller sections, contributing to overall cohesion and vitality.

THE VIENNA QUARTETS (168-175 K.)

These six quartets, written during Mozart's stay in Vienna in 1773, mark a significant stylistic leap:

• They were likely composed to order, showcasing Mozart’s response to the sophistication of Viennese musical culture.

• Four-movement structure becomes more common, reflecting Haydn’s influence and the increasing complexity of the genre.

• Notable features:

Counterpoint and imitation dominate, reflecting Mozart’s studies in fugal techniques.The first and last quartets include fugal finales, rich in inversions and stretto.

Thematic unity: The first movement of the D minor quartet (173 K.) revolves entirely around a single motif, showcasing mature compositional focus.

Dynamic contrasts and varied textures in minuets and other movements hint at Haydn's influence.

STYLISTIC TRAITS AND INFLUENCES

1. Counterpoint and Structure: Fugue and imitation are integral to the Vienna quartets, particularly in movements such as the Adagio of 168 K., which begins with a four-part canon.

Mozart’s counterpoint is both a technical exercise and a creative medium, aiming to balance intellectual rigor with musical expression.

2. Expressive Slow Movements: The Andantino grazioso of the last quartet is especially tender and graceful, reflecting Mozart’s innate melodic gift.

3. Role of Instruments: Unlike the earlier quartets, where the first violin often dominated, these works emphasize equality among the four parts, aligning with the fundamental principles of quartet writing.

4. Influence of Joseph Haydn: Haydn’s humor and innovative use of rhythm are evident, especially in Mozart’s more fantastical ideas and playful minuets.

However, Mozart maintains a distinct style, emphasizing elegance, lyricism, and emotional nuance over Haydn’s often jovial character.

THE QUINTET IN G MINOR (173 K.)

• This notable work from the same period introduces an additional viola, enhancing the richness of texture.

• It foreshadows Mozart's later masterpieces in the quintet genre, such as the String Quintets K. 515 and K. 516, where he achieves a remarkable synthesis of dramatic intensity and formal clarity.

Mozart’s violin compositions and his relationship with the instrument reveal his multifaceted talents and his ability to blend technical expertise with musical expressiveness. Although his violin works are sometimes overshadowed by his keyboard and symphonic achievements, they showcase his mastery of the instrument and his innovative approach to composition.

THE QUINTET (174 K.): A STUDY IN PROGRESS

The Quintet in B-flat major (174 K.), written shortly after Mozart's return to Salzburg in December 1773, represents a significant step in his instrumental development. Likely inspired by Michael Haydn, who had composed similar works, this quintet illustrates Mozart’s growing ambition and compositional maturity. Key points about this work include:

1. Broader Scope: The quintet demonstrates a more expansive plan and more substantial execution than Mozart’s earlier works. It hints at the "Mozartian spirit" that would define his later masterpieces.

2. Two Versions of the Finale: Mozart reworked the finale, suggesting he was a self-critical composer who sought to refine his ideas for greater coherence and impact.

The revised version introduces new motifs, expands the development sections, and creates a more fluid structure.

This quintet foreshadows Mozart’s later, more famous quintets, such as K. 515 and K. 516, where his exploration of texture and emotional depth would reach its zenith.

MOZART’S VIOLIN PLAYING AND COMPOSITIONS

Though better known as a keyboard virtuoso, Mozart’s violin abilities were formidable, and his violin compositions reflect his intimate knowledge of the instrument.

MOZART AS A VIOLINIST

1. Early Proficiency: From a young age, Mozart impressed audiences with his violin performances, often encouraged by his father, Leopold Mozart, himself a noted violin pedagogue.

2. Reluctance and Disinterest: Despite his skill, Mozart did not enjoy performing on the violin. By the time of his adult career, he preferred to play the viola in chamber music settings.

His father often lamented his lack of enthusiasm for the violin, encouraging him to pursue its mastery further.

3. Public Performances: During his travels, Mozart occasionally performed on the violin to great acclaim. In Munich (1777), he wrote of playing "as if I were the first violinist in Europe."

However, after moving to Vienna, he largely abandoned public violin performances.

VIOLIN CONCERTOS

Mozart composed five violin concertos in 1775, all of which are staples of the violin repertoire. Each showcases his understanding of the violin’s capabilities and his ability to blend technical brilliance with lyrical expressiveness.

1. Structure: The concertos typically follow the three-movement form: an allegro, a slow movement (andante or adagio), and a rondo finale.

The opening allegro is often aria-like, reflecting Mozart’s operatic sensibilities. The solo violin alternates with orchestral passages, providing a dynamic and conversational texture.

2. Highlights: The Concerto in G major (216 K.) features an andante in G minor, a rare instance of minor-key expressiveness in a concerto of this time.

The Concerto in A major (219 K.) includes a tempo di menuetto finale, with an allegro in A minor that introduces folk-like themes, adding a touch of rustic charm.

3. Innovations: Mozart’s rondo finales often incorporate contrasting sections in different tempos and styles, as seen in the G major and A major concertos.

The "Strasbourg dance" reference in the A major concerto reflects Mozart’s incorporation of popular and dance-like elements into his compositions.

CONCERTANTE WORKS

Mozart’s Sinfonia Concertante for Violin and Viola (364 K.), written in 1780, is a standout in this genre:

• It balances symphonic structure with opportunities for the solo violin and viola to engage in a musical dialogue.

• The viola, often underrepresented in solo repertoire, is tuned higher (scordatura) to enhance its brilliance and match the violin’s tone.

• The work exemplifies Mozart’s maturity, combining lyrical beauty, technical mastery, and a sophisticated interplay between soloists and orchestra.

MOZART’S COMPOSITIONAL PROCESS

The multiple versions of the quintet finale (174 K.) provide a glimpse into Mozart’s compositional process:

• Self-Critique: Mozart often revisited his works, refining themes and structures to achieve greater balance and clarity.

• Destruction of Sketches: Despite his prolific output, Mozart rarely preserved drafts or sketches, likely discarding them once a final version was complete.

• Effortless Mastery: While his music often conveys a sense of spontaneity, it reflects extensive study and careful craftsmanship.

Reflections on Violinists

Mozart's admiration for violinists such as Ignaz Fränzl at Mannheim reflects his discerning appreciation of artistry over technical showmanship. In his letter (November 22, 1777), he praises Fränzl’s ability to make difficult passages appear effortless, calling this "true art." Fränzl's qualities—clarity, precision, and expressiveness—aligned with Mozart's own musical ideals, emphasizing the importance of musicality over mere virtuosity.

COMMISSIONS AND COMPOSITIONS FOR SPECIFIC PERFORMERS

Mozart’s ability to tailor his compositions to specific performers and occasions showcases his versatility and understanding of instrumental capabilities.

1. Oboe Concerto for Giuseppe Ferlendi: Though the concerto itself is lost, Mozart’s account of the work’s enthusiastic reception highlights its success and the growing demand for his music among virtuoso performers.

2. Concerto for the Flute: Likely the Concerto in G major (313 K.), this work was performed in a serenade arranged for Mozart's sister, Nannerl. Its cheerful and virtuosic character reflects the social and entertaining nature of such pieces.

3. Bassoon Concertos: Mozart composed three concertos for Baron Thadäus von Dürnitz, demonstrating his ability to adapt to the bassoon’s unique qualities. These works, such as the Concerto in B-flat major (191 K.), are light, unpretentious, and idiomatic.

4. Duet for Bassoon and Violoncello (292 K.): This unusual combination highlights Mozart’s inventive approach to instrumental writing, showcasing his willingness to explore novel textures.

CLAVIER (KEYBOARD) COMPOSITIONS

Mozart's keyboard works during this period reflect his development as both a composer and performer.

1. Compositions for Practical and Social Use: Early works, such as the Fischer Variations (179 K.), served as showpieces for polite society, emphasizing virtuosity and charm.

Sonatas written for lessons, such as those commissioned by Baron Dürnitz (279–284 K.), combine technical brilliance with structural clarity.

2. Four-Hand Sonatas: The B-flat major Sonata (358 K.) showcases Mozart’s interest in creating engaging music for social music-making. These works balance independent parts for both players, emphasizing collaboration and interplay.

3. Clavier Trio in B-flat Major (254 K.): Composed in August 1776, this trio exemplifies Mozart's growing mastery of chamber music. While the keyboard remains the dominant voice, the violin and cello provide independent contributions, hinting at the more balanced textures of his later works.

CLAVIER CONCERTOS

Mozart’s clavier concertos from this period reveal his progression as both a composer and a virtuoso.

1. Concerto in E-flat Major (271 K.):

Often cited as a turning point in Mozart’s concerto writing, this work displays:Innovative orchestral interplay: The soloist and orchestra are closely integrated, creating a dialogue rather than a simple alternation of tutti and solo sections.

Emotional depth: The andantino expresses deep emotion, with recitative-like passages that foreshadow Mozart’s later operatic style.

Structural novelty: The final rondo includes a minuet cantabile, blending forms and creating a unique, dramatic narrative within the movement.

2. Concerto for Three Claviers (242 K.): Dedicated to the Countess Lodron and her daughters, this work balances technical demands with entertainment. The interplay of the three solo parts is carefully designed to highlight individual voices while maintaining overall cohesion.

MOZART’S APPROACH TO PERFORMANCE

Mozart’s keyboard and violin performances were marked by elegance, expressiveness, and technical mastery:

1. Keyboard Virtuosity: His playing emphasized clarity, precision, and spirit, avoiding excessive technical display for its own sake.

Mozart's improvisatory skills and interpretative depth brought life to his compositions, ensuring that his performances were both technically flawless and emotionally engaging.

2. Violin Playing: While his father championed Wolfgang as a violinist, Mozart himself preferred the viola and increasingly focused on keyboard performance later in life.

His violin compositions, such as the concertos and the Sinfonia Concertante (364 K.), reflect an intimate understanding of the instrument’s expressive and technical potential.

Thank you Alex Rosas Navarro FB @Mozart Group

[ofgreatart]

Gustav Mahler allegedly advised to spend less time studying counterpoint and to read more Dostoevsky. In Mahler as in novels, happiness comes best at the edge of catastrophe

‘how a musical idea, seemingly exhausted, rekindles itself through the unexpected emergence of one of its facets suddenly revealed, how a main phrase becomes secondary under the intrusion of a counterpoint that consciously takes precedence, how this perpetual change of hierarchy occurs…’

Video: Gustav Mahler, Ninth Symphony (adagio). Leonard Bernstein

Adorno: “During a walk with Schönberg and his students, Gustav Mahler allegedly advised the latter to spend less time studying counterpoint and to read more Dostoevsky. If Mahler’s music recalls great novels, it’s not just because it often seems to tell a story. The very curve it describes is novelistic: the way it rises to exceptional situations and collapses. It performs gestures comparable to that of Natasha, the heroine of 'The Idiot,’ burning banknotes, or to Jacques Collin, the convict disguised as a Spanish priest who, in Balzac, prevents young Lucien de Rubempré from suicide and elevates him to temporary splendor. In Mahler as in novels, happiness comes best at the edge of catastrophe. (…) The attitude of those who lament Mahler’s lengthiness is no better than that of promoters of abridged versions of Fielding, Balzac, or Dostoevsky. The generous temporal extension of Mahler’s music… makes no concessions to the comfort of easy listening, which spares the listener from any memory and expectation. His music embraces duration. Mahler makes those who have outlived him shudder like a boat journey makes frequent flyers shudder. Mahlerian duration reminds them that they themselves have lost duration. (…) The epic symphony savors time, surrenders to it; it seeks to materialize measurable time in living duration. It sees in duration itself the image of meaning, perhaps in reaction to the disgrace that duration begins to suffer in the mode of production of advanced industrialism and in corresponding forms of consciousness. Music must cease to deceive the listener about time through a true 'auditory illusion’; time must not pretend to be the moment it is not. Schubert’s celestial lengths were already the antithesis of such an attitude.” (Translated from French. Theodor W. Adorno: Mahler, A Musical Physiognomy)

Pierre Boulez: “Adorno is right about the novelistic structure in Mahler, but he doesn’t delve deep into the analysis. His reflection doesn’t rely on the description of the form, whereas there is so much to say about the form in Mahler, especially in all the finales, which are truly the pages of the highest complexity ever written in music. It would have been fascinating, for example, to show how a musical idea, seemingly exhausted, rekindles itself through the unexpected emergence of one of its facets suddenly revealed, how a main phrase becomes secondary under the intrusion of a counterpoint that consciously takes precedence, how this perpetual change of hierarchy occurs… For instance, consider the adagio of the Ninth, a kind of extraordinary extension of Tristan’s gruppetto: it is truly the Liebestod magnified, amplified by polyphony, and something Wagner would never have dared to dream.” (Translated from French. October 26, 1988, Questions to Pierre Boulez, by Henry-Louis de La Grange, MUSICAL, Châtelet Review - Paris Musical Theater: Mahler and France)

Video: Isolde’s Liebestod “Mild und leise” - Richard Wagner, Waltraud Meier, 1995

'consider the adagio of the Ninth (Gustav Mahler), a kind of extraordinary extension of Tristan’s gruppetto: it is truly the Liebestod magnified, amplified by polyphony, and something Wagner would never have dared to dream'

[symphonybracket]

YouTube Links: Beethoven 8, Vaughan Williams 2

Submitter's Comments:

Beethoven 8 (1 submittal)

beethoven referred to this as his "little" symphony in F and was more fond of it even than his much more popular seventh. even today it's underrated standing between the giants of 7 and 9 but i think its charm comes from its brevity and levity. and it's certainly not lacking in its own complexities! the opening lacks an adagio intro and starts off with full, bright sunshine. the second mvt is witty and playful. the trio in the menuet is one of the most beautiful in all of beethoven, with a soaring horn call answered by the clarinet. and the finale is so exciting. underrated, and probably my favorite beethoven symphony!

Vaughan Williams 2 (1 submittal)

So dreamy and ethereal

[dasiesanddarkness]

fic list

i'm on ao3 at WrittenMagic for everything T and under and spadesofsteel for everything M and up!

Six of Crows

slow and sweet- Wylan thought he was impossible to love. Jesper always had liked doing the impossible.

but i like the sound it makes when it starts pouring rain- Jesper and Wylan kissing in the rain (ft. wesper kids in chapter two!)

the air grows cold, but you will keep me warm- drabbles based on prompts from Wesper Winter

kiss a ginger- Wylan and Jesper's first kiss ft. Inej and national kiss a ginger day

adagio, lento, andante- Wylan needs help reading the words on his sheet music

the ghost of your melody- work in progress, wesper second chance romance ft famous singer Wylan

it was never from a place of love- Wylan fires an ableist tutor and processes his complex feelings about his own father

dirty fantasies- explicit! trans Wylan pegs Jesper

The Owl House

fix me with your grace- anxious Raine and young raeda fluff

Newsies

Bonding Time- Race and Katherine bond

A Picture's Worth a Thousand Words and a Latte Coffee- a Newsies coffee shop au

Jack and Katherine (Almost) Kiss and Smalls and Crutchie And Others (Try To) Watch- a dumb little fic about Race, Smalls, and Sniper following Jatherine around

Gonna Last- Medda has some thoughts about Jack and Katherine's relationship

Survive, Feel, Live- a character study of Jack, Race, and Smalls

Perfect- Jack and Katherine's first kiss

(uselessuselessuse-- Jack has a panic attack and Katherine helps him

This is Not Another Song About Love- a Jatherine TikTok au

Keep Your Head Up- moments from when Jack lived in a group home with Snyder

Miss Missing You- a Miss Missing You by Fall Out Boy song fic in relation with another creator's au

Late Night Reassurances- Race and Jack have a late night talk

Watch My Heart Burn- Smalls' (modern) backstory

Nothing, I Just Love You- sprace say I love you for the first time

Penny Smile- Katherine makes Race acknowledge that he has feelings

Home- Race comes home from a roadtrip, and his baby brother really missed him

I Don't Want the World- Albert's dad does not understand him, and they fight

close your eyes and go- Breakaway by Kelly Clarkson song fic canon divergent au where Jack goes to Santa Fe

It Feels... Right- Izzy (aka Sniper) gets her nickname

Jack Braiding Hair- Jack braiding different people's hair

we'll stay young forever...- Katherine's life told through snippets

Useless Jatherine Fluff- Jack and Katherine have a slow Christmas morning

Useless Sprace Fluff- Race and Spot cuddle to get warm

On Top of the World- Race struggles with being trans and self harm

cause i'm not too far, and you're my favorite place- Favorite Place by All Time Low ft The Band Camino song fic for Jatherine

happy birthday kathy- the different ways Katherine's friends wish her happy birthday

baby, don't you cry for me- a Tell Me I'm Alive by All Time Low song fic where Race is self destructing and Spot is concerned

i'm dying to worship you- a New Religion by All Time Low song fic that unpacks Spot's relationship with religion and Race ;)

happiest with you- a disastrous Ralbert proposal fic

will you hold my hand?- a Jatherine meet cute based on a strange experience i had

chat fic, i suppose- a Newsies chat fic

we're gonna be timeless- Sprace falling in love in different timelines, inspired by Timeless by Taylor Swift

explicit:

lay back and let me love you- Race is on his period but Albert is horny

lay back and let me thank you- Race is no longer on his period and Albert is still horny

no one's ever had me like you- Race and Albert's first time, ft. Race's insecurities about being trans

you get me out of my head- Race is having a bad day and Albert helps him feel better about himself

[leebrontide]

Brain is being bleeguhg tonight so I couldn't do anything that needed it. So I redid the tea flavors based on my MCs from Secondhand Origin Stories, Doll's Eye View, and Names in Their Blood.

I'll add a Martin one when I can figure out what to put on the tin, since I have to upload art. Plus one other character you won't meet till Names in Their Blood comes out. Then I'll have all 6 needed for a fandom box set.

Jamie has bright and refreshing hibiscus and citrus notes in a Ceylon/rooibos tea blend, with a ginger kick

Opal has my best interpretation of a summery cottage garden with notes of rose, cream, raspberry, and cornflowers in a classic black tea mixed with a delicate peony tea.

Yael has a riot of juicy fruit flavors against a complex mix of black tea, green rooibos tea, and pu-erh, with rainbow sprinkles cause fuck it why not.

and Issac has a rich, deep-flavored blend of pu-erh, toasted mate, and black tea, flavored with dark chocolate, hazelnut and caramel, and just a little hint of raspberry leaves to round it out.

[bcbdrums]

Last night's winner was Ali Shan

This might be the most subtly complex tea I've had so far. The flavors are whisper-like, just a touch, but utter perfection. It's...floral? Green and grassy? I taste honey? But they're all just whispers... Absolutely delightful whispers that blend perfectly. And if you're the person who doesn't like that grassy flavor it's so, so faint, and definitely plays second fiddle to the honey and floral notes. WOW!

Adagio countdown! My last three new Adagio teas until they're gone, and then we move on to other things (till I get more Adagio lol).

Tonight's teas:

Yin Hao Long Zhu Wuyi Ensemble

Thanks for helping me get rid of the tea. :)

[thebarefootking]

Hello! Choose three wrestlers and assign a tea flavor/type to each of them!

-Elle/unlikelywrestlingfan

This might be the best ask I have ever gotten.

With the caveat that these are neither necessarily my favorite wrestlers nor my favorite teas, just the ones that were most easily and strongly paired in my mind:

Jon Moxley -- Pu-erh Dante by Adagio Black tea that is then wet-fermented. This tea tastes like a hike around the lake on a fall evening, wearing a leather jacket and old work boots. Hazelnut syrup can help kill the fishiness if it's too strong, but many enjoy the distinct and undeniable earthiness of a ripe pu'er.

2. Zack Sabre Jr. -- Constant Comment Black Tea by Bigelow It's orange and black and named for talking a lot! This is a strong black tea flavored with orange and spices. It's a comfort drink for me, because it was the tea I grew up on as a child when visiting Gran's house. Warm, sweet, spicy, and fruity.

3. Shingo Takagi -- Lapsang souchong (any) Black tea smoked over a pine fire. I use this tea in bulk as the base for my best chai masala (with crushed chilies for extra heat!). It tastes just like a campfire on a summer night, hot and heavy with smoke. Very suitable for the Rampage Dragon!

BONUS! (because I couldn't keep it to just 3 lol)

4. Mike Bailey -- Lichee Black Tea by Golden Sail The lychee sweetness of this tea is gentle, more floral and perfumy than fruity. However, the black tea base packs a solid kick -- don't over-brew it! I can't decide if this tea is very simple or deceptively complex, but I know it's one of my favorites, just like Speedy.

[madwickedawesome]

i need classical music recs for a tragic love story

NOT putting this under a cut actually because i wish to curse everyone's dashes with these songs . they are all so good please listen to them if you like classical pretty please with like 3 cherries on top!!!!

anywaysOK!! a lot of these songs may seem like regurgitated Sad Classical Music that i use for everything but u have to trust me . when u listen to some of these in a Mood ur entire soul will be crushed i Promise u u have to trust me u have to believe m

i didnt know what Specific vibe u wanted so i kind of took my own creative liberties hope thats alright .. !!Also youre going to have to ignore how LONG classical names are

rachmaninoff - rhapsody on a theme by paganini, op. 43: var 18 (andante cantabile) --- this song plays moreso into the love story part of it but this piece is genuinely sooo beautiful (as are all of rachmaninoffs works lets be honest here).. it is SO romantic it kind of feels like being with someone you love and feeling fireworks and explosions upon realizing you love them, it's very very very lovesick and goes to show the giddy feeling of knowing someone is making you and your life better just by being near you <3

albinoni - adagio in g minor --- this specific arrangement in my playlist is my favoriteee ever.. it uses both harp and general orchestral strings to complete an overwhelmingly Emptying piece of music . this song is very like. "i'm lost without them" kind of thing.it's so melancholy but it also just emphasis any holes in a listener's heart; it's kind of boring if you listen to it while you're in a good mood? but Trust me if you're even remotely sad or yearning you will LOVE love love this piece

ravel - pavane pour une infante défunte, m. 19 (pavane for a dead princess) --- this one is another Especially Life Ruining If You're In The Mood piece; as the name suggests, it's a pavane (slow dance, essentially) which already gives it a lovely undertone, but it's for a Dead Princess and is full of grief and is notoriously played excruciatingly slowly. this song really feels like loss, whether it's post-argument or post-relationship or post-right-person-wrong-time, it emphasizes the feeling of being without someone in retrospect and how different emotions manifest themselves. some points in the song are lovely, full of reminiscing on memories of happiness, but the whole song has a freezing blanket thrown over it to remind everyone that it's for a Dead Princess and a Dead Connection

grieg - holberg suite, op. 40: iv. air (andante religioso) --- this piece is just generally soul crushing??? it feels like the air after particularly heartbreaking disputes, losses, rejections, all the like .......?? it generally carries an emptying vibe like the others do, but this one is laced with love through the middle, showing complexities in relationships and how love is inescapable, despite obstacles

cimarosa - sonata no. 42 in d minor --- this piece is short but sweet..... this is mostly a lovey song, but has a vague melancholy vibe if you really listen.. i always love to interpret this song as looking back on memories with a loved one and realizing just how much you miss them, how dull life is without them happy and right by your side . a quite simple piece but it illustrates the vibe perfectly :)

shostakovich - five pieces for two violins and piano: i. prelude --- about 30% of this reasoning behind this song is that it's shostakovich and i must have him inall of my playlists because he is my special guy. BUT this song is So many emotions . it is so heartbreaking initially, briefly grows into moderately upbeat happiness, then returns to a slower tempo soaked in both love and regret. it feels like the air after a loss, the air while missing someone to the point of it eating you alive; it's a gut wrenching rendition of . horrified love ? is the word that came to mind? it is so Sad

tchaikovsky - valse sentimentale, op. 51, no. 6 --- this song is just. emotional . it's full of love and you can hear the happiest parts of love fighting the worst, it's suffocating and captivating all the same??? i'm not 100% sure how i'd place this piece into a situation . maybe desperate pleas with oneself or another to be loved, to experience connection, something like that??? all that's to be sure is that this piece makes chests constrict it is so full of love and care and life but is simultaneously so full of despair and pain and ouuguhgh i just adore this piece really

poulenc - flute sonata, fp 164: ii. cantilena --- this piece is so sad it is so sad. it feels like the realization that you may be losing someone, whether it's to another or to nature or to life or really anything. halfway through, it evolves into more of a hopeful piece, with a flute sounding like a bird singing, but still falls down the steep downhill slope that Will make you So distraught if you listen to this while in the right mood

the entirety of prokofiev's romeo and juliet ballet --- this is mostly a joke but also. juliets death piece (it was WAY too long to put in here) is so heartbreaking so ..? stares at you with big classical loving eyes?

here's all of those wrapped up neatly with a little bow !! (tumblr refuses to let me link directly for some reason???) i hope they work for you!!!!

[computerworks01]

Adagio Software by ComputerWorks: A Complete Guide for Businesses in 2025

In an era where accurate financial reporting, secure data handling, and operational efficiency are crucial, businesses are turning to specialized tools to streamline their processes. One such solution that continues to stand out in 2025 is Adagio Software, developed and distributed by ComputerWorks. Known for its powerful accounting and financial management features, Adagio has carved a niche among small to mid-sized businesses that require robust yet flexible accounting systems.

What Is Adagio Software?

Adagio Software is a modular accounting system designed for growing businesses that have outgrown basic solutions like spreadsheets or entry-level accounting platforms. It offers an integrated suite of applications covering general ledger, accounts payable, accounts receivable, inventory, order entry, and financial reporting.

Unlike many cloud-only solutions, Adagio operates as a desktop-based system with optional remote access, giving businesses more control over their data. This hybrid approach makes it especially appealing to industries where data sensitivity and in-house control are priorities.

Who Is Behind Adagio Software?

ComputerWorks, a Canadian-based software company, is the exclusive distributor and support provider for Adagio Software. With decades of experience in accounting technology, ComputerWorks has built a strong reputation for customer service and technical support. The company works closely with accounting professionals, consultants, and end users to ensure the software continues to evolve in line with real-world business needs.

Key Features and Benefits

1. Modular Architecture

Adagio Software’s modular design allows businesses to implement only the features they need. Whether you're managing basic bookkeeping or full-scale financial reporting, you can build a solution that fits your exact requirements.

2. Strong Financial Reporting

One of the software’s standout features is its reporting capabilities. With customizable financial statements, drill-down analysis, and export-to-Excel features, Adagio makes it easy for finance teams to stay on top of the numbers.

3. Audit Trail and Compliance

Every transaction in Adagio is logged, providing a clear audit trail. This is crucial for organizations that must comply with financial regulations or undergo regular audits.

4. Data Control and Security

By not relying solely on cloud storage, businesses using Adagio retain control over where their data is stored. This can be a significant advantage in industries with strict compliance rules.

5. Multi-User Support

Adagio Software is built for collaboration. It supports multiple users with role-based permissions, allowing teams to work efficiently without compromising security.

Industry Applications

Adagio is especially popular among:

Nonprofits requiring fund accounting and donor reporting

Wholesale and distribution businesses managing inventory and order processing

Accounting firms providing outsourced bookkeeping or controllership services

The flexibility and reporting depth make it suitable for a variety of industries, particularly those with complex financial needs.

Support and Training

ComputerWorks provides extensive training resources, from live webinars and workshops to online documentation and community forums. Their customer support is widely praised for being responsive and knowledgeable, ensuring users can resolve issues quickly and make the most of the software.

Is Adagio the Right Fit for Your Business?

While Adagio Software isn’t aimed at startups or solo entrepreneurs, it shines for organizations needing more than basic accounting tools. If your business is experiencing growth, handling multiple departments, or managing high transaction volumes, Adagio may offer the stability and depth you’re looking for.

Working with ComputerWorks also means you’re supported by a team that understands accounting at both a technical and practical level—something not all software providers can claim.

Final Thoughts

As we move deeper into 2025, having the right accounting infrastructure in place is more important than ever. Adagio Software by ComputerWorks offers a compelling solution for businesses that value control, flexibility, and expert support. Whether you're upgrading from a limited system or preparing for future expansion, Adagio is worth serious consideration.

[teateaware]

Best Teapots for Beginners (Under $30)

If you’re just getting into the world of tea, having the right teapot can make a huge difference in your brewing experience. The best teapots for beginners (under $30) are not only budget-friendly but also easy to use, clean, and stylish enough to impress your guests. Whether you’re sipping green tea or steeping a fruity herbal blend, starting with the right teapot helps you build confidence and enjoy every cup.

Why a Beginner-Friendly Teapot Matters

Tea brewing isn’t just about tossing a bag in hot water—it’s about the ritual, the flavor, and the joy of doing it right. But beginners often find themselves overwhelmed with choices and unsure which teapot to pick.

That’s where beginner teapots come in:

Simple designs make them easy to handle.

Built-in infusers save you from buying extra tools.

Durable materials prevent early breakage.

And most importantly, they’re affordable, so you can explore without overspending.

What to Look for in a Beginner Teapot

Before diving into the top picks, here are some key features beginners should keep in mind:

✅ Built-In Infuser

A built-in stainless steel or mesh infuser helps strain loose-leaf tea easily without additional tools.

✅ Easy to Clean

Teapots with wide openings and removable parts are easier to wash, especially if you switch between different tea types.

✅ Heat-Resistant Materials

Glass, ceramic, and BPA-free plastic are all good options. They’re safe, durable, and allow for consistent brewing.

✅ Compact Size

A teapot with a capacity of 16–24 oz is perfect for solo tea drinkers or small gatherings.

Best Teapots for Beginners Under $30

Here are some of the top-rated and beginner-approved teapots that won’t break the bank:

1. Hiware Glass Teapot with Removable Infuser

Price: Around $20 Why It’s Great:

Borosilicate glass body (heat-resistant)

Stainless steel infuser included

Microwave and dishwasher safe

This is one of the most recommended options in this detailed guide for beginners, which offers even more great picks based on your tea style and budget.

2. Primula Half Moon Teapot

Price: Around $15 Features:

40 oz capacity—great for sharing

Stylish design with glass body and black frame

Heat-resistant handle for safe pouring

Perfect for those who enjoy the beauty of watching their tea steep.

3. Adagio ingenuiTEA Teapot

Price: Around $24 Highlights:

BPA-free plastic

Innovative bottom-dispense system

Easy to clean and great for solo tea drinkers

It’s a favorite among students and office workers due to its compact, no-mess design.

4. Tealyra Small Ceramic Teapot

Price: Around $25 Features:

Classic ceramic design

Stainless steel lid and infuser

Keeps tea warm for longer

Ideal for anyone who loves the traditional tea experience without the complexity.

5. FORLIFE Curve Teapot (11 oz)

Price: Around $28 Why Beginners Love It:

Compact and elegant

Dishwasher-safe

Available in multiple colors

A stylish choice for brewing just the right amount of tea for one.

Final Thoughts: Start Brewing Like a Pro

Getting started with tea doesn’t have to be expensive or complicated. The best teapots for beginners (under $30) offer simplicity, convenience, and quality in one small package. Whether you prefer the elegance of glass, the warmth of ceramic, or the functionality of BPA-free plastic, there’s a perfect teapot out there for you.

For even more beginner-friendly recommendations and detailed reviews, check out this helpful resource: Best Teapots for Beginners.