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anghraine · 1 month ago

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It's always been intriguing to me that, even when Elizabeth hates Darcy and thinks he's genuinely a monstrous, predatory human being, she does not ever perceive him as sexually predatory. In fact, literally no one in the novel suggests or believes he is sexually dangerous at any point. There's not the slightest hint of that as a factor in the rumors surrounding him, even though eighteenth-century fiction writers very often linked masculine villainy to a possibility of sexual predation in the subtext or just text*. Austen herself does this over and over when it comes to the true villains of her novels.

Even as a supposed villain, though, Darcy is broadly understood to be predatory and callous towards men who are weaker than him in status, power, and personality—with no real hint of sexual threat about it at all (certainly none towards women). Darcy's "villainy" is overwhelmingly about abusing his socioeconomic power over other men, like Wickham and Bingley. This can have secondhand effects on women's lives, but as collateral damage. Nobody thinks he's targeting women.

In addition, Elizabeth's interpretations of Darcy in the first half of the book tend to involve associating him with relatively prestigious women by contrast to the men in his life (he's seen as extremely dissimilar from his male friends and, as a villain, from his father). So Elizabeth understands Darcy-as-villain not in terms of the popular, often very sexualized images of masculine villainy at the time, but in terms of rich women she personally despises like Caroline Bingley and Lady Catherine de Bourgh (and even Georgiana Darcy; Elizabeth assumes a lot about Georgiana in service of her hatred of Darcy before ever meeting her).

The only people in Elizabeth's own community who side with Darcy at this time are, interestingly, both women, and likely the highest-status unmarried women in her community: Charlotte Lucas and Jane Bennet. Both have some temperamental affinities with Darcy, and while it's not clear if he recognizes this, he quietly approves of them without even knowing they've been sticking up for him behind the scenes.

This concept of Darcy-as-villain is not just Elizabeth's, either. Darcy is never seen by anyone as a sexual threat no matter how "bad" he's supposed to be. No one is concerned about any danger he might pose to their daughters or sisters. Kitty is afraid of him, but because she's easily intimidated rather than any sense of actual peril. Even another man, Mr Bennet, seems genuinely surprised to discover late in the novel that Darcy experiences attraction to anything other than his own ego.

I was thinking about this because of how often the concept of Darcy as an anti-hero before Elizabeth "fixes him" seems caught up in a hypermasculine, sexually dangerous, bad boy image of him that even people who actively hate him in the novel never subscribe to or remotely imply. Wickham doesn't suggest anything of the kind, Elizabeth doesn't, the various gossips of Meryton don't, Mr Bennet and the Gardiners don't, nobody does. If anything, he's perceived as cold and sexless.

Wickham in particular defines Darcy's villainy in opposition to the patriarchal ideal his father represented. Wickham's version of their history works to link Darcy to Lady Anne, Lady Catherine (primarily), and Georgiana rather than any kind of masculine sexuality. This version of Darcy is a villain who colludes with unsympathetic high-status women to harm men of less power than themselves, but villain!Darcy poses no direct threat to women of any kind.

It's always seemed to me that there's a very strong tendency among fans and academics to frame Darcy as this ultra-gendered figure with some kind of sexual menace going on, textually or subtextually. He's so often understood entirely in terms of masculinity and sexual desire, with his flaws closely tied to both (whether those flaws are his real ones, exaggerated, or entirely manufactured). Yet that doesn't seem to be his vibe to other characters in the story. There's a level at which he does not register to other characters as highly masculine in his affiliations, highly sexual, or in general as at all unsafe** to be around, even when they think he's a monster. And I kind of feel like this makes the revelations of his actual decency all along and his full-on heroism later easier to accept in the end.

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*The incompetently awful villain(?) in Sanditon, for instance, imagines himself another Lovelace (a reference to the famous rapist-villain of Samuel Richardson's Clarissa). Evelina's sheltered education and lack of protectors makes her vulnerable to sexual exploitation in Frances Burney's Evelina, though she ultimately manages to avoid it. There's frequently an element of sexual predation in Gothic novels even of very different kinds (e.g. Ann Radcliffe's The Mysteries of Udolpho and Matthew Lewis's The Monk both lean into this, in their wildly dissimilar styles). William Godwin's novel Caleb Williams, a book mostly about the destructive evils of class hierarchies and landowning classes specifically, depicts the mutual obsession of the genteel villain Falkland and working class hero Caleb in notoriously homoerotic terms (Godwin himself added a preface in 1832 saying, "Falkland was my Bluebeard, who had perpetrated atrocious crimes ... Caleb Williams was the wife"). This list could go on for a very long time.

**Darcy is also not usually perceived by other characters as a particularly sexual, highly masculine person in a safe way, either, even once his true character is known. Elizabeth emphasizes the resilience of Darcy's love for her more than the passionate intensity they both evidently feel; in the later book, she does sometimes makes assumptions about his true feelings or intentions based on his gender, but these assumptions are pretty much invariably shown to be wrong. In general the cast is completely oblivious to the attraction he does feel; even Charlotte, who wonders about something in that quarter, ends up doubting her own suspicions and wonders if he's just very absent-minded.

The novel emphasizes that he is physically attractive, but it goes to pains to distinguish this from Wickham's sex appeal or the charisma of a Bingley or Fitzwilliam. Mr Bennet (as mentioned above) seems to have assumed Darcy is functionally asexual, insofar as he has a concept of that. Most of the fandom-beloved moments in which Darcy is framed as highly sexual, or where he himself is sexualized for the audience, are very significantly changed in adaptation or just invented altogether for the adaptations they appear in. Darcy watching Elizabeth after his bath in the 1995 is invented for that version, him snapping at Elizabeth in their debates out of UST is a persistent change from his smiling banter with her in the book, the fencing to purge his feelings is invented, the pond swim/wet shirt is invented. In the 2005 P&P, the instant reaction to Elizabeth is invented, the hand flex of repressed passion is invented, the Netherfield Ball dance as anything but an exercise in mutual frustration is invented, the near-kiss after the proposal in invented, etc. And in those as well, he's never presented as sexually predatory, not even as a "villain."

#self-indulgently long tangents even for me but i had Thoughts!#i almost appended a third footnote to the second footnote. rip #anghraine babbles #long post #fitzwilliam darcy #lady anne blogging #austen blogging #austen fanwank #ivory tower blogging #anghraine's meta #eighteenth century blogging #gender blogging #i do think it's interesting that associating his flaws with lady catherine's is honestly fair - she comes to wonder about this later #but lbr that is totally understandable! lady catherine is the awful parody version of him!#but the times when elizabeth's assumptions are highly inflected by Yes All Men Actually generalizations she's utterly wrong #it's not some horrible misdeed but it's not really fair #not because she's oppressing him (lmao) but because people don't work that way #not saying that p&p is some huge blow against gender essentialism but i do think it's FAR less friendly to it than its fans are

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dudethatsmyundeaduncle · 7 months ago

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Tim Drake's Mom is actually Lara Croft! AU

After getting pregnant Lara Croft disappears off the face of the earth, takes up a shell company in Gotham left to her by her father, and assumes the identity Janet Drake.

(DC made Timmy's parents archeologists! so Sis it was between Indiana Jones or the Tomb Raider and well here we are!)

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Lara Croft has a daring archeological adventure/world saving mission with a dashing man she only knows as N. Drake (if u know u know) and finds out she's pregnant weeks after.

Lara Croft did not expect to be Pregnant. Lara knows that she shouldn't have a baby. She knows this intellectually and emotionally, she doesn't have any family left and after nearly 10 years of traveling the globe and putting herself in life or death situations she knows her life can't accommodate children. Lara knows the responsible thing to do, she makes an appointment with NHS/MSI and focuses on her next project. (TW: Discussion of Abortion)

Lara never gets her appointment. She misses her abortion date in London when she gets caught up in another mad expedition that takes her half way across the world.

On this mission she nearly looses everything, her friends, her own life, what's left of her father's legacy, all for a semi cursed magical artifact that nearly blows up the South American Coast.

Lara's tired, scared, she's been running from Trinity (evil org) for nearly a decade now . She's 29, she's 5 months pregnant, and she's stuck floating on her back in the middle of the South Atlantic sea watching the sky burn.

Lara's rich she could always get the abortion, legally or otherwise, her father left her a billionaire and the souvenirs she'd collected from her travels do nothing but add to that wealth.

Trinity wants Lara Croft dead, they'll never stop chasing, and Lara just wants respite. She wants her quaint childhood in the English countryside with her father, she wants to curl up and sleep for a thousand years. She wants to be someone else, just for a moment.

Her heart beats wildly in her chest and she can almost feel another heart beating alongside it.

Lara Croft makes a decision. She sinks into the sea and doesn't come back up for air even when it burns.

On the shore a nameless woman washes up, water logged and looking for passage to America.

The Croft's have had shell companies for years, one can't be a billionaire these days without at least a few, Medi-industries is an unassuming medical supplier located in Gotham, New Jersey the crime capital of North America. It's the perfect place to disappear.

Janet Drake Lands in Gotham on a gloomy morning in March, she's got enough money to throw around that people forget to ask what family she's from, this is Gotham new money is nearly unheard of.

By mid April Janet has reestablished control of Medi-Industries, Now Drake Industries, and purchased an old English style mansion in Bristol, which the real-estate agent has assured her is a great neighborhood.

Timothy Jackson Drake is born July 19th at nearly 3 in the morning squalling high into the night like a banshee. He is perfectly healthy and perfectly safe in Janet's arms.

It is only in the safety of their home, in the house Janet picked, because it was high on a hill for tactical advantage and had bullet proof glass nestled between quaint wood paneled windows, It is only in the heart of Drake Manor that Lara dares to Whisper her son's name

"Timothy Jackson Croft"

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AU ALSO INCLUDES!

Badass Lara Croft being the cool mom TM

A family portrait of the Drakes, Including Janet, baby Tim, and a mysterious Jack Drake (who was a very discreet and well paid member of Gotham's theatre society, and who was also more then happy to pose as a rich ladies dead husband for a day)

A Socttish Nanny/Housekeeper with a very keen eye and discreet mouth who will not tell a soul that she is fairly sure she's employed by Lord Richard Croft's, eccentric billionares, missing daughter.

precocious and slightly British accented baby Tim who gets to have his Mom with him for 10 whole years! before she inevitably runs back off to save the world

Tim being unaware of his mother's past life beyond her name until the age of 13 when he becomes Robin and is able to actually find out what his mom's been protecting him from his whole life.

I imagine in this AU that eventually Trinity finally catches wind of where Lara is hiding and she has a big confrontation with them in New Jersey. It's way too close to Gotham and Tim for her comfort, she knows this is the only chance she'll get to control the chaos.

So she packs Tim up to move him into the dorms at Gotham Academy and promises she'll write and be home for his birthday in the summer. After she's finished her "company" business first of course.

Tim's confused but he trusts his mom, he gets unsigned postcards from all over the world and pins them above his bed in the dorm and goes to sleep trying to guess what country she's in every night.

The move to the dorm is kind of cool to Tim as well because it means he can start his plan to follow Batman and Robin in the city! (in this AU there's no way Lara wouldn't have noticed him sneaking out at 9, but Gotham academy security? totally oblivious)

Tim celebrates his 10th birthday with his mom at home, he has so many freaking questions about where she was! and she tells him outlandish stories about daring fights and cursed artifacts that he rolls his eyes at but enjoys none the less.

it isn't till he's 15 that his Robin work and his mom's adventures cross paths.

After so many years of close calls, of hiding bruises from his mom with same concealer she uses to hide her own wounds, of wondering if it was selfish to wish his Mom cared a little bit less about the world and would stay with him for more then a few weeks at a time. Finally it all comes to a head in the worst way. Lara Croft's latest adventure puts her right in the middle of a Bat Level investigation. It has Tim near loosing his mind with worry hoping his mom is alive and Lara having the worst freakout/Blow up of her life realizing her son has been putting himself in Danger every night she thought he was safe.

The Drake/Crofts are messy! Bad at communicating! And unfortunately the exact same kind of reckless and self sacrificing!

Fun food for thought:

Lara canonically is a killer, if you've played any of the reboot Tomb Raider series she can be pretty gruesome and efficient! Very cool! Jason would stan! Tim is kind of appalled! Lara is glad Tim's never killed, that he's never had to.

Lara still dies in this AU but it's in a big Trinity X Obeah Man X Captain Boomerang Cluster fuck where Lara finishes off Trinity and Obeah Man for good but looses her own life in the process. Tim is devastated, he feels like they were just starting to really be 100% transparent with each other before her death. Que Tim's not good very bad year!

if you've made it this far in my rambles here's a treat! I actually wrote a lil fuckin blurb for this!

preface: This the first time Robin and Lara Croft have ever met/are on the same mission.

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" mom!" Tim shouts, running before Bruce can even properly land the BatJet.

The old temple is ablaze, the ancient structure already half crumbled in on itself with what's left of it is spewing out clouds of jet black smoke.

Tim's mother limps out what was once the front entrance clutching at her ribs.

She's filthy, covered in a thick layer of dirt and grime. but she's got on a triumphant smile like the cat who got the cream.

" Mom!" Tim yells again watching as she does a double take at his choice of moniker.

Her mouth twists in a grimace as she stumbles and Tim dives under her arm quickly moving to support her left side.

Lara Croft meets the white lenses of Red Robin's eyes in confusion

" What'd you call me?" She slurs trying to blink away the smoke inhalation that makes it hard to focus and leaves her lightheaded.

Lara's right ankle which took the brunt of a very nasty dive from a very high perch, not 20 minutes earlier as she raced out of the Dead Kings Tomb, finally gives up the ghost and she pitches forward taking Red Robin with her.

He's young, she thinks, he's very young.

Before either of them can hit the ground Batman intercepts their fall hefting Lara into a secure hold.

Red Robin catches himself and latches onto Lara's hand.

He yanks off one of his gloves and tries to wipe some of the grime out of her eyes.

" Mum" he croaks this time, voice breaking nearly in half on the last syllable.

Lara furrows her brow, the cowl covers so much of this young man's face, from his nose too his brow bone, but his chin is startlingly familiar as is his absolutely atrocious British accent.

He reminds her terribly of Timothy.

" Tim" she says deliriously, Lara tries to smile but her eyes start to droop and her head lolls slack against Bruce's arm. She's clean out.

Tim makes an odd lunge and jerk movement pressing his fingers into her carotid artery to feel her pulse.

He's shaking, more wrong footed and anxious then Bruce has ever seen him.

Batman is extremely grateful when Nightwing comes up behind him and gently pulls his younger brother's hands away from his mother's comatose body.

" She's fine Red. We need to get her on board so we can get her some oxygen though, the smoke inhalation is getting to her. "

" Right" Tim says, still frozen in place. He shakes it off quickly " Right." he repeats pivoting in place and leading their small party through the remains of the ruins and back to the jet.

" I'll prep the med bay."

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pics or it didn't happen! (ps, if u wanna write, draw, or HC anything for this AU feel free my lads)

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