#that's your tag btw

[twospiritstooprideful]

hello. I. have a crush on you. Yes that’s gay of me. im hiding in a ditch now

YOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO

fag

[chessb0r3d]

Analysis so bad you don't even know what it's talking about anymore.

[planefood]

rules for thee and not for me

[melissa-titanium]

i'd rather be falling with you! :)

[courtmartialme]

same breed of pathetic wet dog guys

[lightboundhellhound]

edit: currently lamenting the fact that i didn’t think of “all of the above” …

[remxedmoon]

HAPPY (kinda late oops) BIRTHDAY MIWA!!!!!!!! ignore the other two LOOK AT HER!!!! IT’S MIRABELLE MSUNDAY!!!!

greyscale versions + my very normal color ramblings below!

ok full disclosure i already had this post drafted before realizing that mira’s birthday was coming up. i kinda debated just posting the mira doodles on their own but!!! i want to talk about my craft/general color headcanons still. and the mira art is part of that!! so be warned. also, this is going to reference my post about my craft headcanons a lot so like. read that if you so desire.

i personally think that mira’s healing craft is some form of creative craft, since the game describes her holding her palms up when she uses it (iirc anyways). this doesn’t really have an effect on anything, but it’s why i decided to color it yellow!

(also i ended up making mira’s scissors craft a lot more orange than i initially planned but that’s ok!!! i think both of her crafts would be pretty Orange. just thought i’d mention that since it’s a bit different from my first post)

i already explained sif’s craft in my last post so now i get to talk about the change god!!!!!! this is like. probably the most out there in terms of my color headcanons? but i have a reason for that. since the change god is, well, a deity, i thought it would be fitting for their design to match the colors of the 3 craft types (red, blue, and yellow)! this was a little hard to work around given that i also try to give my vaugarde designs warmer color palettes, but i think it worked out!

i also gave them a few slightly different palettes, since i think it’ll make sense for the change god’s colors to be variable. they never look the same, so why would their palette look the same? + i’m indecisive and liked all of these palettes lol

sorry for the ramble! i really like talking about character design and i’m not. very succinct. thanks for reading all this (if you did, perfectly fine if you didn’t!), here’s the greyscale versions as promised!!!

[caruliaa]

staff still hasn't given me polls, what should i do?

🟪🟪🟪🟪🟪🟪🟪🟪🟪🟪 their moms 69%

🟪🟪🟪🟪🟪🟪🟪 their dads 31%

grace image os i get to look at her

[tofixtheshadows]

This is one of my favorite minor details in Dungeon Meshi, firstly because what in the femme fatale, but also because it's one of those little things that raises so many questions about worldbuilding.

The Occam's Razor defense attorney in me says that Ryoko Kui gave Kabru a boot knife because she wanted him to escape from his bonds here. And Kabru is a very competent swordsman, why wouldn't he have a boot knife, sure. He's already got a dagger, he can have this too.

And yet: the implications. Kabru, why do you have that? That is not remotely something that could be easily accessed or used in combat. Nobody is pulling out a pen knife from the heel of their boot during a fight with a monster. It's useless in the dungeon ... unless you're the type of person who isn't just worried about monsters.

I've mentioned this before, but I consider one of Kabru's functions in the narrative as being the character who fully brings the idea of human ecosystems into the story. There's a reason why he's always connected to large groups of people (Toshiro's party, the Canaries). He (along with Mr. Tansu, briefly) introduces the reader to the social and political forces working on the dungeon, showing us that none of this is happening in a monster-filled vacuum. His confrontation with the corpse retrievers, who very nearly kill Kabru's party permanently with their reckless murder-for-money scheme, reminds us that monsters are not the only things that prey on humans. Kabru understands the ways the dungeon causes people to put profit over human lives.

We only get hints of it in the story, but like any gold-rush-style economic boom, it's implied that there is a lot of crime and corruption surrounding the dungeon.

So yeah, it really makes me wonder why Kabru keeps a tiny knife in his boot, meant to be carried on him even in situations where he would otherwise be unarmed. Stored exactly in the place where it's easy to reach, even if, for some reason, your hands are tied behind your back.

[soosoosoup]

Chord Striker Au by @thatbennybee

[heybiji]

dandelion's clothes are always either too big or too small for him (because he steals them)

[cringefail-clown]

with friends like you people, who needs enemies

[pa-pa-plasma]

okay look, the real reason that zepotha shit is never gonna be Goncharov (besides it being a marketing ploy) is because Goncharov was treated like a fandom (collaborative including celebrities, built upon over time, openly fictional) & zepotha is treated like a tiktok trend (no collaboration, dies fast, treated like reality recklessly). it doesn't matter if it's interesting or cool or what, they've been built on completely different foundations. you're comparing Spiderverse to Endgame here. hydrogen bomb VS coughing baby. zepotha will never have Lynda Carter & Martin Scorsese's approval.

[archiepelago]

alternate surface au inspired by a few ive seen around on tumblr :3

[torchstelechos]

[Congratulations, congratulations, congratulations.]

[acuar-io]

noodles & tv