#that's why i was technically dead

[sc-intothedarknightofthesoul]

Won't reveal too much of what I have so far in this current chapter, but let's just say it turned into me making two call backs to Guild Wars 2.

[lotus-pear]

mourning black and the death of ideals

[radiance1]

Damian: [brushing his teeth]

The shadow hanging over his shoulder: [Gets its teeth dangerously close to Damian's shoulder]

Damian: [Shoves a toothbrush into said shadow move and starts brush]

The shadow: [Pauses before starting to let out a contented purr]

Damian then spits out the foam and washes out his mouth, then makes the shadow do the same and then picks out pjs.

Damian: [Currently decided if he should go with the cat, dog, or knife imprinted one]

The shadow: [Starts getting dangerously close to Damian with, toxic green spirals it calls eyes]

Damian: [Throws the dog imprinted one behind him at the shadow and takes the cat imprinted one for himself and tells the shadow to put it on]

The shadow: [Stares at the clothes before hesitantly putting them on before letting out a noise of distress]

Damian: [Turning around to find the shadow somehow stuck in the pjs, lets out a sigh, then starts to help them fit]

Damian then moves over to the bed, he points to one side and tells the shadow to go there. The shadow listens, laying down as Damian also lays down, grabbing the sheets and covering them both.

It barely took a few seconds for the shadow to fall asleep, and Damian stared at it. Damian wasn't quite sure why the shadow of his dead twin was following him, nor why it was even able to and seemed to hide itself from anyone who isn't Damian.

Nobody besides him knew about it, and Damian decided that he liked it. This could have been his younger brother, if the other had survived, and they would have probably been told to fight to the death to decide an heir.

At the very least, that won't ever happen.

Even if his brother was slightly unusual.

===

Danny did not remember much of the before, he remembered people with blurred faces and features, blurred colors. He remembered a lot of colors, then red, then white, then pain.

He doesn't like pain, he believes.

Then he remembered going to sleep, and then he woke up. It was dark and slimy and cramped when he woke up, especially when he realized someone else was in their with him.

Then he fell asleep again, then woke up to that same dark and slimy place, then fell asleep again, all in some weird cycle. Then, moving, and pain.

It hurt, and he was sluggish when it eventually stopped. Then came pain again, and he was asleep.

Then he woke up, again.

He didn't know what was happening, wasn't really aware of too. But he woke up next to the other who was in that dark and slimy with him, and decided he wanted to stay with them.

He wasn't aware enough for most of the things that happened when Damian grew up, but he still stayed regardless, and hide from everyone else.

Danny loves his brother, and he thinks his brother loves him too. Even if he was slightly unusual.

[fridgrave2-0]

hehe ghost-turbo haunting felix au

turbo is connected to the last piece of his code in the whole arcade - a trophy he gifted to felix in mid 80s as a symbol of him genuinely caring about their relationships on par with being the best racer. felix also gave him one of his medals and both kept their gifts next to other rewards, but when roadblasters and turbotime were unplugged, the medal was gone with everything else

now, after burning in cola-lava turbo is basically dead, but scraps of his code still were intertwined with the trophy (after all, it was his first winner's cup, but felix never knew about it), giving turbo an opportunity to exist as a shadow incapable of interacting with anything and anyone besides felix, who kept the trophy even after the roadblasters incident

also I went crazy in tags, feel free to check them out

[ashleyeveerson]

Haven't been able to think about anything other than the victorian/edwardian/WW1 twink and his 80's punk almost-boyfriend for a week, send help

[solitairedeere]

i was never as optimistic about the ending of bnha as some villain stans were, but i never thought it'd end so badly it left me wondering why horikoshi ever bothered to humanize the villains or make them complex characters at all.

like-- i expected that at least 1-2 of the 3 villains who were heavily foreshadowed and outlined by the narrative as people to be saved would be, you know, actually saved. i didn't think that was a high bar. i've been let down before in fandoms where everyone was certain a character would live and then they didn't, so i tried to keep my hopes low. AND YET.

what happened to tomura was upsetting, but i wasn't that shocked after how disinterested the manga has seemed to be in him for like, the past 100 or so chapters. a bit surprised, because you'd think if anyone would succeed in the 'saving' mission it would be the MC, but whatever. dabi, well, they've spent a lot of time showing the way his quirk destroys his body even before this arc, so that also sucked but at least it didn't feel completely out of left field.

........but they're not even letting toga live???

i just-- what have we even been doing here? when zero out of the 3 characters that were marked out for saving were actually saved, you have to acknowledge that something has gone seriously fucking wrong with the storytelling. not even just from the perspective of a villain fan but from the perspective of someone who likes stories to be thematically consistent or satisfying in any way.

you can set up an expectation of these characters being saved and then subvert that and turn it into a tragedy- if done well that could even be worthwhile and interesting. but you can't turn it into a tragedy and then just... keep trucking along with the happy ending messaging and act like anything in the manga has been resolved and that the characters have somehow successfully completed their heroic origin stories.

like, maybe i shouldn't have expected this much from a shounen- at the end of the day it is still a shounen so i didn't expect to feel that it truly satisfactorily wrapped up all the themes it brought up around societal ills. but i expected it to at least resolve those things in a shounen-y way where they punch the problems and help these specific people and then you can feel good assuming that the state of things will continue to improve in the post-canon world of the manga.

instead we got... uh, none of that. the story refused to answer a single one of the larger questions it's been outlining for the past 400+ chapters. in the end, it was all flash and no substance, which again could've been fine, if it weren't for the way the story seemed to spend significant chunks of time trying to delude you into thinking it had substance.

truly makes me wonder what horikoshi thought he was doing the entire time. can it really all be blamed on burnout? the most that can be said for this ending is that it is, well, an ending. fuck dude, it is that.

and that's just... such a sad way to end a project that took up 10 years of your life.

[puppetmaster13u]

Prompt 245

Now Danny would openly admit, if only to himself, that he had a type when it came to relationships. If they were strong, if they were a threat to him, then chances were he would develop some sort of crush. It was how he had dated Sam and Valerie (And Johnny & Kitty) when he was a bit younger, and hell, Sam had technically succeeded in killing him, even if partly. 

Attraction towards smart people who could kill him was honestly par for the course for a Fenton or Nightingale anyway. 

And he’d also admit he enjoyed a bit of time travel, learning about times and culture long before his time, to the point that he could blend in in ancient times just as easily as the time he had been born in. That it was natural to mutter in a language lost to time. 

So color him surprise when another man perks up in the bar he had paused to get a drink in, vibrant green eyes gleaming in interest and responds in turn. And not just in the language, but able to keep up when he talks about things that once existed but haven’t been rediscovered yet. 

And one thing led to the other, and there might have been some assassins and some shenanigans that end with them both laughing together in an inn and then more and- Okay he has a type alright, and he’s ticking each box! How is that fair? 

[thepearlyalbatross]

"Virgin Sacrifice

Mary Ann

'Edwin'

Cost"

"Turn Key to See"

This is my birthday present to meeeeee

[witchkingofanmar]

to me shen jiu and yue qingyuan will end up in every universe together except in pidw and svsss. they have to. Just two universes where it didn't work out from 500000000000000000000000. believe it

[ar1mas]

- a rant

no because ive watched this stupid show 5 years ago, and i only noticed this now?? how???

ok. some context first. this is about fox' gotham, a prequel series to batman. or at least a potential one with slight changes. one of those changes is the relationship between oswald cobblepot and edward nygma (spelled with a 'y' for mayhap legal reasons? idfk its silly). whats their relationship like in the show? well...

theyre gay af. idk what to tell you.

okay so oswalds gay as fuck. edwards... ambiguous. totally ambiguous. he had a girlfriend or 2 and a half (kristen kringle, the-woman-who-shall-not-be-named (aka kristen but... blonde? this show is weird), and lee. not comfy counting lee, but technically shes one, hence the 'and a half')! very straight, much hetero (on another side note how tf is oswald the gay one, like i know he wears make-up and shit but eddies all about theatrics and showmanship and flair and hOW IS OSWALD THE GAY ONE NEXT TO HIM?? ok anyway).

so oswald was (is. be real.) canonically in love with ed, ed was.........., and 'penguin in love' is a piece of music composed by david russo for season three in which the whole "im in love with my best friend" thing took place.

that song has been used all over season three, as far as i can tell not once in season four, and once in season five.

.....or so i thought.

because yesterday, while in another obsession phase (of which i get one a few times a year. ive only ever watched the show once, in 2019, when it ended. still dream about nygmobblepot though. i dont dream about media, like ever, but with them, its different), i saw 5x8 to satiate my never satisfied craving of nygmob scenes, obviously skipping the main story bc i dont care about that straight shit. i got to the scene where oswald kills mr. scarface and frees arthur penn from said mr. scarface, after which ed shoots him in the head because thats what one does in such a situation, thought "aw how cute", again, as one does, and then realised.

what was that background music just now? rewinds.... oh. oh haha, its 'penguin in love'. how fun.

WHAT.

WHY IS THAT IN THERE. WHY DID THEY INCLUDE IT.

correction. it wouldve made sense to have it here. they used it in 5x5 for the speech about not backstabbing each other (wedding vows for murderers fr fr), so using it again after their relationship has solidified wouldve made sense.

note how im saying 'would have'.

because it would have made sense, if they used it when ed said "i accept you for the person that you are, just as you accept me for the cold logician that i am. thats why this friendship is great." they didnt, though. they used another equally heartfelt song for that. dunno what its called, it sounds a bit like 'penguin in love' but isnt, not sure if that one has a specific meaning like 'penguin in love' does.

so when was the song used? at 36:08 – 36:17. barely ten seconds, right before eds lines, right before ed kills penn.

...right when penn was sitting in oswalds lap because theyd been fighting for the gun and os fell on the ground.

now. the most obvious answer to "why in the fucking hell" would be because ooh this dudes on his lap so sexy, but no. no. 'penguin in love' is about one specific thing: love. the pure kind. the kind that makes you giddy with butterflies in your stomach, kicking your legs, while youre on your bed, writing in your diary about this guy you have a crush on. and oswald and penn do have history, oswald was more or less fond of penn, but not in love (i mean where would he have found the room in his heart if it was already filled with EDWARD EDWARD EDWARD martin my sweet boy EDWARD EDWARD EDWA-). im also definitely not thinking that penn was so happy about being free from mr. scarfaces influence and not having to kill oswald (oh yeah, the horror. who would wanna kill oswald, the guy with the big ego, who never does anything for anyone without some kind of endgoal- well, unless your name is edward of course) that he instantly fell in love with the guy. i can deal with the homicidal kind of crazy, but that? no. thats where i draw the line.

the next most obvious answer is that it was about oswalds love for ed. more believable, since its what the song was made for, but more believable doesnt mean believable. or likely. because even if i 100% believe that hes been loving this dude for so long its not something he has to think about anymore for it to be true, im pretty sure that itd be very random to suddenly focus on that when oswald was just about to die. so no, even if its what the song is intrinsically about.

so next most obvious answer is- wait. thats it. huh? theres no obvious answer anymore? everything else is brainrot? oh. oh well. its been five years, im sure its too late to worry about it now. what the hell.

im sure you know where im going with this. or maybe not. honestly idk what the fuck im talking about-

youre smart. you know what im about to say. if it wasnt about what oswald was feeling because he was otherwise preoccupied, and it wasnt about penn because that makes no fucking sense, then who was this song used for? who else was in the room?

...oh.

YOU.

YOU FUCKING IMBECILE. YOU STUPID DENSE PIECE OF-

inhale, exhale. no. don’ get mad, you know he cant help it. you know hes totally helpless when it comes to emotions. just breathe. ok.

i hate him. i hate him so much.

if the song wasnt for oswalds sake, it was for his. because i know hes in love with oswald, but does ed? does the producers??

'penguin in love' is about oswalds love. its about his love for edward. its about their love, their relationship. its about edward just as much as it is about oswald.

a-fucking-PPARANTLY, I DIDNT KNOW THAT!! I JUST THOUGHT OH YEAH OZZY BE THE GAY ONE HAHA FUNNY, I DIDNT KNOW IT COULD BE ABOUT ED DIRECTLY!!!

(why am i like this? what is my life? i will never be normal.)

ed has always been the obsessive one. first kristen (and the woman who shall not be named is just an extention of that ofc), then oswald, then lee. and as weve seen with kristen, when hes obsessed with someone, he can become possessive. absolutely not on the scale oswald is on, but still. theres a wee bit of jelly there. oh you have a boyfriend? better get rid of him! oh you wanna run away from me bc i murdered your boyfriend? better keep you right in place and- oh shit did i kill you? ono D:

this is a huge oversimplification, but you get the point. its there. or at least it has to be there because why else do you get so angy that someone is sitting in the lap of your just friend because they were fighting and they ended up in that position totally accidentally? like thats not normal behaviour, for anyone, unless you have possessive tendencies.

i mean its not like penn was a threat in any way. "he wasnt the threat, the dummy was the-" like i understand ed told penn about the submarine which was supposed to be a secret, but come on, like they couldnt make sure penn wouldnt say anything. so why would ed shoot him? its not even like penn was a random dude where that type of thing would be very inconsequential, oswald knew him. hed worked for oswald, and like i said, oswald was more or less fond of the guy. penns just a poor little meow meow, y u kil him eddie? 🥺

unless this fondness was part of the problem. unless ed saw how happy oswald was to see him, got annoyed but let it slide, then used penn attacking os and knowing about the sub as an excuse to kill him. and why would oswald being happy to see penn be a problem to ed? it wouldnt be. it wouldnt be, unless ed thinks oswald is his.

which makes sense. i know im calling him names and calling him out, but like. oswald told him he loved him like 5 times 2 years prior, i dont blame him for believing that maybe theres something to it (especially since that was the point of 3x14, oswald really being in love with him and surprising himself with it). but i thought ed didnt feel the same way? because hes very hetero? because he had a full-on girlfriend before, twice, technically? because-

"the truth is oswald, you would sacrifice anyone to save your own neck. even me."

"like i said! you will always fail, because youll never change."

hm. i know this is a bit off topic, but i just got a war-flashback and... why did ed sound so hurt when he said that? "youll never change." "you would sacrifice anyone. even me." why does he care? they were friends, best friends, yes, but why does he sound like a heartbroken wife who just found out her husband cheated on her again? why does-

"honestly you deserve this. you are opportunistic, your loyalty is.. shaking, at best, and you will hurt anyone, anyone, to get what you want."

"and yes, i was not a good friend. to you or anyone. its why im alone. but i saw you for what you are and i valued that!"

...why would edward nygma, the man who literally said "i dont love you" to oswald, be jealous of even the idea that maybe penn could have something going on with oswald? and why would he act on it if hes usually so careful to not reveal his feelings (unless its about kristen. the original obsession, the american dream, the just be normal, show them you are normal, and people will accept you)? he wouldnt.

unless oswald just told him that he knows he messed up. that hes sorry for it.

and unless that made him think that maybe theres a chance.

"love is about sacrifice. its about putting someone elses needs and happiness before your own."

"you gave up your revenge for me?"

a chance... for what?

"life begins anew."

"shall we get to work?"

and if theres a chance, hes not about to risk losing it. not this time.

so maybe 'penguin in love' is about more than just oswalds feelings. maybe they were trying to tell us that, yes, we see you traumatised gay kid, were sorry this is all we can give you, but here you go, eds in love with him too, but don’t tell the channel. subtlely. just for barely ten seconds. and maybe it can be enough.

nope, it wont be. im gonna sit here crying about the injustice of not having them kiss on screen in the finale as was originally intended for the rest of my life. seriously though, what is this, nbc's hannibal, where im noticing something new details every single time i watch the show, causing me to spiral? no, i was already spiralling. the spiralling was the reason i rewatched the scene. the scene simply made it worse.

so yeah, im done freaking out about a mediocre show that was cancelled 5 years ago and is honestly not worth anyones time (like, its ok. it might even be better than i remember since its been so long. i doubt it. but its ok).

tl;dr: ive only now realised that a specific gay song plays in a specific episode of a show i watched 5 years ago and the only reason theyd include it in the episode is if the dude that was not canonically in love with the other dude was in fact gay, they just werent allowed to make it canon, so they added the gay song to subtlely tell us about it.

have a wonderful day, hellsite. dont do what i did and go crazy about fictional gay people. i know you will though, that’s why im here too. i hate gay people. these two make me homophobic so bad, i wanna gauge my eyes out and skin myself-

[goldengirlgalaxy]

You know how there's a whole thing about how DC superheroes die and get brought back a lot? Well, for DPxDC, how about this?

Every time a Justice League member gets resurrected, their ghost remains in the Ghost Zone.

So you'll have a member of the Justice League bite the bullet for whatever reason, they'll form as a ghost in the Ghost Zone. They'll make themselves comfortable, maybe they'll even becoming defenders of peaceful ghosts who have no experience fighting or no desire to fight. Maybe they'll find dead family members and re-establish their bonds. Maybe they'll find other dead members of the Justice League and make and undead branch of the Justice League. Maybe they'll meet Danny and either help teach him how to be a hero (if he's still young) or become a hero group supported by him (if he becomes the king).

And then, for whatever reason, someone found the magical amulet that can revive a person, they somehow developed 1-Ups for a limited time, the revival machine finally got a tune up, the hero gets revived. But the ghost doesn't leave the Ghost Zone. Because of this, the revived hero doesn't have any memories of their time in the afterlife. The ghost probably doesn't even notice something changed and that their old body is up and running again.

This all ends up coming to a head when the GIW decide to push the manhunt for Danny Phantom and all other ghosts, lying to the Justice League in order to convince them to help. They eventually decide to hunt down Danny and corner him, ready to capture him...

… And suddenly he's saved by a bunch of ghosts that look identical to them.

[daily-singularity]

Hux reference I made for myself since hes complicated n his canon design will kill me one day

[chibishortdeath]

This is such a niche crossover idk if the fandom even overlaps that much but anyone else like Shaun of the Dead? I was thinking about it a bit ago and thought something along the lines of “Ed gives huge Sans vibes” and then thought about it more and well, et voila lol.

I definitely made Sans’s head too small in the first image but eh whatever. Second image is what the first one is based on, and the last two are based on some other screenshots from the movie (to anyone I accidentally spoiled this film for I am so sorry, but pls watch it anyway it’s so good—)

[sealrock]

tell me, what makes a human?

[panharmonium]

i am not usually interested in dramatically canon-divergent scenarios because the canon story is what compels me, but i've been obsessed with this moment ever since i re-heard it during my second viewing. from the perspective of someone who already finished the story once and now knows the truth - this was wild.

WHAT IF?

[nemaliwrites]

was thinking about that gabriel/emilie pygmalion AU in my drafts and i was like 'oh this'll be easy bc obviously we know which one's pygmalion and which one's galatea!!'

but....do we?

imagine this. imagine that you are a boy, wanting more out of life. you hate your name, your job, your family. you hate yourself.

and along comes a girl. she shows you that there is more to life, as long as you're by her side. so, you break yourself down and build yourself up anew. you change your name, your job, your family. you change yourself.

are you pygmalion, then, or galatea? are you the creator or the creation? which one are you truly in love with: her or yourself when you're with her?

imagine this, now. imagine that you are a girl, wanting nothing more out of life. you love your name, your job, your family. you love yourself.

and along comes a boy. he shows you that your love can extend past yourself, that it can be used to shape another. to mold them to your exact liking.

but as you mold, you yourself are molded. he dresses you in his clothes, hangs paintings of you in the house he has chosen - your likeness, forever imprisoned in the four walls of a frame. he changes you: your belly swollen with a child, hands adorned with a ring.

have you changed yourself? or has he changed you?

which of you is the sculpture, frozen in place? able to do nothing but conform to the other's will?

and which of you is the artist, imposing yourself on your creation?

melded together as you are, maybe both. maybe neither.