#that's when they're the most vulnerable

[vaguely-concerned]

sometimes I think of all the on-the-surface warm, well-meaning but deeply ineffectual advice and attention john gives harrow through harrow the ninth (make some soup and get some sleep! get a hobby! don't be so hard on yourself! self care harrow! as long as I need take no actual responsibility in this relationship whatsoever I would have loved to be your dad!) set up against the stark truth that with his other hand he has been staging her attempted horrific murder again and again and again like a living nightmare on the logic that it will 'put her down or fix her'. and then I find that I wish there is a hell. a special hell where twitch streamers turned necromantic death emperors go

[lanymme]

Hey. Kiara sure likes ohagi, doesn’t she?

It’s a cute quirk, but it’s also deeply, deeply tragic in a very subtle way that's hard to piece together unless you know about japanese sweets or Kiara’s personal history.

So let’s learn a little bit about ohagi, and why Kiara loves it so much!

Ohagi, and the very similar sweet botamochi, are traditional japanese sweets made from glutinous rice with a coating of sweet red bean paste and, optionally, a dusting of something else, often ground black sesame or soybean flower.

Here’s some that I made for Kiara’s birthday last year! They’re very doable and pretty tasty.

Higan is a Japanese buddhist festival celebrated around the spring and autumn equinoxes, and ohagi or botamochi is eaten as a ritual food during that equinox. Sources I found indicated that the difference between ohagi vs botamochi is not easy to pin down, but some say that the sweet is called ohagi when eaten for the autumn equinox. (This is beside the point, but the red spider lily, with which Kiara is strongly associated, also blooms around that time.) If you want to know more, check out this article I found on the history of ohagi and its ritual connection.

Kiara was born as the heir and savior to a mountaintop Buddhist cult. Her upbringing was deeply abusive, and despite the fatal illness she suffered from, for which her community and her father gave her no treatment, she was denied any semblance of a normal childhood while she was molded to be their perfect savior.

Nothing that inspires attachment was allowed to her. The book of fairy tales she ended up with was deemed inappropriate and taken from her because she spent too much time reading it, liked it too much.

It’s hard to imagine her being allowed sweets like a normal kid, since they’re designed for stimulating flavor.

But, of course, ohagi isn’t just a sweet. It’s a ritual food. So they couldn’t deny her that, could they?.

As a child, those 7 days surrounding the equinox twice a year were probably the only time she ever got to have sweets.

And of course, she probably learned to be very careful about not letting on that she was enjoying herself. Not overindulging.

Like fairy tales, it was a tiny piece of happiness that accidentally slipped through the cracks and gave her something to latch onto. And, like fairy tales, she carries it with her into adulthood.

It’s not coincidence that she makes ohagi and tea instead of chocolates for Valentine’s. In this new place where she can heal a little bit from her past and grow, she takes the chance to make ohagi herself, instead of waiting for the proper holiday; and to share them with someone else as a thing she loves, instead of hiding them away.

[raiiny-bay]

the kids released a new album

[cryptocism]

love that Thad interprets inertia to mean continuing at all costs and Three takes it to mean stagnancy, bc theyre both right!! objects in motion saty in motion objects at rest stay at rest just like newton said

exactly yeah! because i knew i wanted Thad to reclaim the name for himself (with the whole "it means what i say it means" mantra) it needed to mean more to him than just a representation of Thawne Legacy Kill The Allens etc.

a reoccurring thing in Frequency that i liked to lean into was this idea of Good Inertia and Bad Impulses (bc Bart and Thad as narrative foils continues to rotate in my brain forever). i think Bart's solo does a cool exploration of both good and bad impulses throughout the run, it's kind of the central conflict of the whole thing, but it's usually in regards to Bart either unwittingly getting himself into trouble or accidentally solving problems by just leaping into everything without thinking twice. but the concept of inertia is pretty exclusively portrayed as negative. which is fair, the phrase "coasting on inertia" is in the lexicon for a reason. but i think it deserved a fair shot - the concept of continuing in spite of everything can actually be a really good instinct when you're in a bad situation. keeping up that momentum, moving forward no matter what, there's definitely something inspirational there that appeals to me.

and an aspect of impulses that didnt get as much spotlight in Bart's solo was the kinds of impulses that recoil at the thought of unpleasantness. the impulse to hide from responsibility, the impulse to distract from pain, to avoid discomfort, etc. (big part of that is because in Bart's solo, most of the worst moments of his life hadn't happened to him yet) so i wanted to explore it a little in Frequency

anyway yeah, Bad Impulses and Good Inertia. which was kinda in conversation with Bart and Thad's dispositions, and how they run counter to typical hero/villain narratives. (Bart doesn't really get people, goes his own way, has pretty emotionally selfish and sometimes violent tendencies when he's pissed off. Thad's much more of a people person, lives for praise and pleasing others, seems to forget to do violence when he's supposed to i.e. that time he put Bart in VR jail even though Bart was completely incapacitated and by Thawne logic Thad should've just killed him. it just... doesn't occur to him as a thing he should do lmao)

[unsurebazookacore]

hot take, mike and el arent in love, because they are fourteen

well i guess mike is fifteen but still like as someone who has been fourteen/fifteen

GUESS WHO I WAS NOT DATING:

A. THE LOVE OF MY LIFE

B. MY FUTURE SIGNIFICANT OTHER

C. ANYONE WHO I WOULD BE ABLE TO SAY "I LOVE YOU" TO AND ACTUALLY FUCKING MEAN IT

D. ALL OF THE ABOVE (the answer is D by the way)

LIKE Y'ALL THEY ARE FOURTEEN

THEY MET WHEN THEY WERE TWELVE

"I knew right then and there in that moment that I loved you" MY ASS

[spectral-honey]

Tim never becoming robin but his parents still dying and him taking over Drake industries as a teenager which turns out to be actually very successful somehow and then uses that exclusively to fuck up lex luthors evil plans

“Oh, did you want that weapons contact? Turns out I made a deal with those guys last week, better luck next time!”

“Lex! You wanted to hire that tech specialist? I just set him up with a great job working on a project overseas, oh I can't quite remember where he's located now! Looks like it'll be a while until you can get in touch with him!”

“The company I just bought was producing an important machine piece for you? Unfortunately we had to discontinue that item due to some errors, you know how quality control can be.”

“Guess what! I just bought the rights to a very important type of laser technology and I'm suing everyone who uses it without permission! Just business, you understand!”

And of course lex tries to kill him but he keeps being saved just in time by various superheros (he probably has someone's personal cell number or an alarm he wired to go to oracle & the watchtower) 

Just civilian Tim doing mental warfare with lex and heros being like "stop antagonizing supervillains!!!!!" And Tim being like "what? I can't hear you over the sound of lex coming to kill me again because I outbid him for his security chief"

[sentient-carrot]

People on Tumblr will just share blatant body shaming shit about dick size or whatever and be like "I am a feminist and care, I am just being funny making body shaming jokes, unlike when the men do it" like sweetie you're exactly the same as the incel men. You are the same, separated only by a position of privilege. Not gonna trust people that would do the exact same shit if the roles were turned, you're most definitely a shit trans and intersex ally if you act that way.

Like it shouldn't be needed to specify, but say trans man instead if you need a minority status to humanise people, and see if you still think the joke is funny, because it isn't and you shouldn't need a minority status to see why body shaming of anyone is bad.

[deathsbestgirl]

thinking about how gently mulder & scully speak to each other when one of them is vulnerable. the way it reminds me of how they speak to children. because children deserve that kindness & compassion, and so do mulder & scully.

[sword-day]

Go. Make the deal.

DAREDEVIL 01.04 In the Blood

[everymadara]

Chapter 622

[seiya-starsniper]

.

[bylertruther]

moodboard for when you lose the idgaf war. or something. again

[phantastragoria]

do you have a favourite portrayal of a character in the gotg game!! who is it and why <3

Oh I think they're all great honestly!!! Part of why I love the game so much is that genuinely, the whole team + supporting characters are written with such obvious love of the source material and equal attention between them all. When I see comments of people saying who their favorite character was from the game and the answer always being different from each person I'm like!! That's how it SHOULD be!!! They're the Guardians of the Galaxy (plural) the focus shouldn't all fall on a singular character like most other GotG media usually ends up as 😭

The two (sorry I can't pick just one) whom I think benefit the most from the game though are Drax and Gamora because they're almost always sidelined both in-and-out of universe by most of the various writers (especially as of late) and in turn the viewers/readers. I've been told plenty of times that they're the most boring members of the "main" team, BUT IT DOESN'T HAVE TO BE THAT WAY! The amount of love the game versions get (by the few who've played it at least) proves that 🥺

I've never really liked 616 Drax shifting to being a complete clown during the 90s and such (and even less so when the MCU followed along 💀) So I appreciate the game taking a bit of his seriousness from the DnA run and just making him struggle with nuance and context clues in a less exaggerated way (autistic Drax I still believe in u) and I feel the focus put on him and how losing his original family + the aftermath deeply affected him hits pretty hard here because it's treated very seriously and shown in depth, especially with how his family (wife) gets actual focus. I cannot tell you anything about Yvette in comparison to Hovat, who actually seemed to have had a personality lol (AND she was on their village's council like omg imagine having more to you than just being The Housewife) Though I will say I flip and flop on my thoughts about Heather being disconnected from Drax's life in this universe... The TLDR is that I think his arc here specifically works stronger when he has to come to terms with losing his entire family and accepting the life he currently has with the Guardians. BUT!!! I very much appreciate that Heather is still confirmed to exist within this universe, even if that means her dad issues would have to be dealt with in a different context if we ever get to see her.

Also? Shoutout to the writers actually bringing up the intense paranoia that always kneecapped 616 Drax but having that be a turning point in his backstory here, with that conversation he has with Peter where he talks about how he was becoming so paranoid of everyone being a chitauri/Thanos conspirator to the point of literally turning into an obsessed maniac like Thanos, and realizing that he desperately needed to turn his life around, it's so ough.

Out of the already many great conversations throughout the game, I think the ones with him are the most poignant. My favorite scene in the whole game is Drax and Pete's little moment on Knowhere... makes me go wahhh

(l also love that out of everyone on the team, it's his headspace that we quite literally get to go into. You KNOW that if this was any other media it'd be going into Rocket or Groot's head and likely treated as a joke.)

And oh my god, Gamora...

I find it so extremely refreshing that her role in the plot doesn't revolve purely around the men in her life, and instead, it's nearly exclusively her connection with other women. Or in the most direct obstacle she has to deal with, being how she starts projecting to the millionth degree on Nikki's situation for reminding her of what happened to her and Nebula. I find that infinitely more fascinating as a reading of her character rather than just dating drama or her arc getting completely overtaken by a man's instead.

And especially in her friendship with Mantis, who, despite having all these futures she's constantly seeing and having to navigate, still makes time to do her best to help her 🥺 From saving her life and being the one who put her on the path to healing on Lamentis, to getting her to join the Guardians and still checking in on her when she's able 😭 Friendship between women can be so powerful... u love to see it (🏳️‍🌈)

I also find it nice that there's this emphasis on her recovering mentally, and the comparison between Thanos essentially teaching her to just Deal with the shit in her life through very simplistic meditation versus the priests of Pama actually teaching her something to help soothe the mind :^( and that she still has moments of relapsing essentially. I find that to be a realistic take on recovery because that's just part of the journey since healing is not linear... and I think it's very sweet that she finds comfort in collecting something ---girly--- like dolls. Love to see a person reclaim a part of their childhood that they weren't allowed to experience. And how she's allowed to make BAD JOKES?? Imagine a woman being written to have multiple dimensions, crazy and absolutely unthinkable, I know.

There's this extremely specific theme in relation to Gamora across media that's been rattling around in my brain since first playing the game. When near the end during the revisit to Knowhere, she's about to completely lose it when Peter tries talking -for- her on what she's so upset about before immediately shooting him down, and she explains what happened between her and Nebula and she starts crying. It really struck me right then that she's never given a moment to cry elsewhere (or in the 616's case, the quite literal inability to.) aside from her shedding a Single Manly Tear (Original Sin) or a single moment out of legit fear (MCU 💀) because she's a hashtag Strong Independant Woman who can't be vulnerable etc etc. But for her to cry in front of the people she's come to care about, It gives her a moment of true vulnerability that I don't think she's allowed ever in most other media.

That and all of the above hits hard and is what makes me genuinely believe that the writers cared about her in the narrative and tried to do right by her when every other bit of media really hasn't nor cared to the majority of the time since the 90s :'^/ Brings a tear to my eye that she's allowed to just... exist in the narrative on her own merits and not on what she can provide to someone else's story.

[lisbonsteresa]

i'm going to SCREAM

[transingthoseformers]

Cybertronians with marsupial-like pouches?

This is an idea I find again and again and I love it

It makes sense based on what I've seen and I find it adorable

Also fun facts about marsupials:

They have pouches because their young are usually born absurd amounts of underdeveloped, like. A baby kangaroo looks identical to a pinkie mouse to me. It's essentially a second womb, or at least that's how it was described to me once

It's wet in there. Like. The fur doesn't follow throught, it's wet skin in there.

[suncaptor]

Also I just think it's fundamentally ableist to assume whether or not someone is a child or not and deserves to be infantilised based on their degree of neurodevelopmental capability to do things such as walk or talk. to be real.