#that's still part of him!!! how does he cope!!!!??

[leo-artista]

There are some things I've been thinking about in regards to Stan and Ford and their relationship with guilt that I don't really know how to express so I'm just gonna ramble about it here bc I need to get this out of my head somehow

Okay, so, Stan's one defining trait is that he feels guilty All The Time about a lot of stuff, and it's kinda what motivates most of his actions. The whole reason he spent 30 years working on the portal is because he felt guilty about accidentaly shoving Ford into it, and you could even argue that it's what leads him to sacrifice himself in the finale (which is actually very depressing if you think about it for too long)

Meanwhile Ford is... a bit more complicated. He does feel guilty, especially about being the reason the portal was made. But I think he also tries to shove guilt and other feelings aside in pursuit of what he thinks is more important- achieving his goals, studying anomalies, stopping Bill, etc, and therefore he doesn't really leave a lot of space to actually feel or process it, and I think it's the reason he can come across as egotistical and uncaring a lot of times

So because of this, I like to think that after weirdmageddon happens and they reconcile, there's a bit of a role reversal between them- Stanley's more at peace with his mistakes now that he's been forgiven, and he's not feeling as much self-guilt as he did before (although it still hasn't gone away completely), but now the one who's forced to come to terms with his guilt for his actions that directly or indirectly hurt other people is Ford since he didn't do that before, because he was more focused on other things and wasn't very self aware. And maybe he struggles with it, trying to make up for not being the best brother/friend he could have been to the people he cares about, thinking of how many chances he had to change and be better but chose not to because he was too self centered- and I think if it came to that, it would be Stanley who would help keep him grounded and prevent his self-blaming from spiraling out of control, because he knows better than anyone the kind of road that line of thinking leads to

Idk man I just like imagining how they would cope with shit like that- Ford making an effort to be more sensible and empathetic to other people's feelings and trying harder to show how much he cares, Stanley learning to not beat himself for his own mistakes after seeing his brother do the same thing and helping Ford understand that not everything was his fault and that circumstances also played a part in how everything turned out- idk I just feel like it would be something interesting to explore

[clockwork-carstairs]

“You made yourself a different person than the one I loved” – on Kit’s letter, his projections & idea of Ty

aka where i try to make sense of kit’s letter in the context of who ty was to him. basically i think that understanding that kit may not have had an accurate image of ty in his head helps to contextualise why kit believes the things he does, regardless of whether they’re fair to ty or not. it makes more sense reading lines like:

“in all the world, kit had never met anyone he believed to be so incapable of evil”

“all his energy had gone into ty, all his devotion and hopes for the future”

because you can see so clearly how much kit was projecting onto ty. ty, more than a friend—or whatever you might call it—was also the personification of this new world and all it meant for kit. kit saw him as this overwhelming force of good, beautiful as an angel, someone who not only wouldn’t do evil but was “incapable” of it.

so you can kind of see why everything was lost for kit once ty went through with the necromancy: because by doing so he was breaking the image kit had of him. of ty as a saviour of sorts from kit’s previous life, the person who convinced him to stay, who made kit feel like he was really a part of something, something magical and exclusive that not everyone got to be.

further evidenced by other lines:

“he had been too fixated on losing ty to tell him what he needed to hear” -> kit knows he should have told ty much sooner how he really felt about the situation. kit knows he deflected and in various ways lied to ty about trying to bring livvy back. but kit had wanted to stay by ty’s side, stay included in ty’s plans, more than his desire to tell ty the truth that he hated the idea.

“you made yourself a different person than the one i loved” -> ty as a person being shaped by kit’s projections of all his hopes and dreams, the face of this new world kit was drawn into, the first person he really got close to after he was pulled from one world to another, the person who convinced him to stay.

was the “person [kit] loved” an accurate reflection of who ty really was, flaws and all? unlikely. and the image of ty in kit’s head didn’t allow room for the real ty’s complicated, overwhelming grief, either, and the ways he would try to cope with it: and i believe this is part of why kit was so shocked by what happened and why he’s still so angry at ty. because ty proved to him that he wasn’t what kit believed him to be, and so all of kit’s hopes for his new life came crumbling down.

do i think it’s fair to ty? no, i don’t. but i think both can be true: that kit is upset and had gone through a traumatic situation, and has valid feelings about it while also understanding that he had a very skewed perception of ty that wasn’t fair to him.

mostly i think we need more room for understanding ty’s feelings*. how it must have felt to lose his twin sister in a horrifying way, devised a plan that (to him) seemed completely reasonable** only to have his best friend switch up on him last minute, tell ty he loved him mid-ritual, later say he wished he’d never met ty and basically tell ty that he was selfish and then on top of that leave without saying goodbye.

i also stand by my belief that “how long do you think it will take you to forgive me” is something both ty and kit could/should be asking each other, not just one way around. i honestly don’t understand why both kit and ty would think only kit needs to forgive ty and not both ways. mostly i just don’t think the narrative that ty’s the only one who needs forgiving is very fair, or makes much sense with their characterisation + the context + what actually happened.

in sum, when kit says “you made yourself a different person than the one i loved”, the person he’s referring to is an idealised version of ty whom he had projected all his hopes and dreams for the future onto, and by going through with the necromancy ty completely shattered kit’s understanding of him. this is consistent with other lines in his letter: “you wanted that more than you wanted me”, “when you brought livvy back, you changed yourself” (did ty really change? or did he just prove to be different from kit’s idea of him? genuine question), and perhaps most strongly evidenced by this line: “i don’t know the person you are now. you took yourself away from me. i can’t forgive that.” i don’t understand why he can’t forgive ty for not being the person kit thought he was, nor how on earth ty was supposed to know this, but i digress.

* i hope this is addressed in TWP because between TDA and now, we’ve had FAR more insight into kit’s thought processes than ty’s and as such we’re only really seeing one side of the situation.

** i also think part of the glaring misunderstanding between kit and ty can be understood from their respective backgrounds. obviously for kit, growing up away from the shadowhunter world, something like necromancy is completely out of the question. the way it would be for you or me. but ty grew up in a world where bringing people back to life was something that could and had actually happened. so it’s a far crazier, more impossible idea to kit than it would’ve been to ty.

[theoddest1]

Regarding Alastor's backstory and how he rose to power in Hell... it just kind of feels out of character to me.

Because he's more like someone who puts in the work for what he wants, because it would feel more rewarding than just asking for it on a silver platter.

Now, I can understand him making the deal if it was around the time he first arrived in Hell and tried to rise up, only to get curb stomped by demons stronger than him and did worse things. And he makes the deal to feel in control again like when he was alive, that I can understand.

But the leak just... completely destroys Alastor's character AND his role in the story.

If I were to write his character, I'd make it where he never really asked for such things because the thought of asking anyone for help was absurd and breaks his already set idea of himself. [outside of the spirits, he asks for help and protection though he sees then more as tools than gods.]

To him, being a Fawn was completely out of the question. No longer will he be under someone else's egregious, yet sloppy, thumb. He pulls the reigns, and so he shall always do so. This also plays a huge part in how I believed he performed his radio host persona when alive.

"Amongst the people, I am the announcer, the charismatic showman, the one who provides the latest news and tales to tell. I have made the stage and set the standards so no man, woman, or child could ever hate or doubt me in a world made against people who look like me. So how, then, would I be touched? I am no ordinary man, I am their star in their night sky, and they don't even see me! Hah! All they see is tale after tale, horrors that they had no rhyme or reason to believe could bleed into their realities. Yet, without a single thought, the one who marks each harrowing inclination that rattles within is the one who made sure each drop of blood stained their perfect white cloth. Oh, how I LIVE for the spectacle, and they live for me."

This is how I viewed him. Meglomaniac, who is assured in his strength, who doesn't think he needs to make deals, or feel threatened when another powerful foe comes to face him regardless if he were dead or alive during this encounter [He is too assured of his self worth to care about what another strong enemy thinks of him]. He is all about being "alive" in the moment and in control. He does what he wants and sees no hope in his well-being, and with that, he manages to at least gain wisdom in being honest with himself. He knows he's a shithead and understands that what he has done was with no remorse or care because he gave up on being a kind soul long....loooong ago. Someone made sure to seal that fate for him. Why should he care what people think when he already has a stubborn viewpoint of himself? It is what it is.

EDIT: I forgot to add that I also made this one of major reasons for why in Hell he is made into a buck/deer. It is a reminder of what he hates most: an animal known stereotyped as docile, a perception he once wore before he turned to a life of crime. This form is a mockery of his ideals and his self-image.

But nah, the show instead has him as a piss baby spouting modern terms like a braindead Twitter user losing an argument over subjective material. He feels far more insecure and irritable, making whatever rule he set up about his smile feel more like cope rather than a well-rounded point. He smiles, yet his irritation and need to prove himself lessens its impact. He laughs, yet will turn around and cuss at someone all cause they think his name for the Hotel is trash rather than making a confident witty comeback. He asserts "dominance" but the way he does this is by using pure force alone and barely any mi d games, making it feel as though he isn't truly as clever or well thought out as he had hoped. Everything we have seen of him in the show destroys what little he had in the promotion of the pilot AND the pilot. He was more witty and charming back when Ed was still his VA on Hunicast. A true waste of a potentially well-made character.

[awzominator]

may I offer u some low quality Rasey in these trying times

Senseless rambling under the cut don’t mind me

I’m stuck in how I want these two’s relationship to go Bc I love rasey but also I love Ramona and both are def gonna happen Bc it’s my AU and what I say goes HOWEVER…..I’m bad at writing and plotting and I’m second guessing everything I come up with snsnsnjs

as of right now Raph/Casey are dating in their teens Raph (and his bros and karai) go missing for like 2ish years and are presumed dead (rip) Casey obvi super distraught and spirals; he struggles and gets super reckless with his life and all that jazz (Bc he’s so well adjusted) anyway I took a lot of inspo from mirage plot line and brought Gabrielle into the mix. In this instead of her lover not being in the picture they just died and I wanted Casey to bond w her thru that and learn how to cope w the death of loved ones and move on even if the pain is still there My dumb of ass however, keeps getting hung up on how it’ll all work out cuz is two years too short for all this to happen???? But also it’s not real and it doesn’t really matter… Casey/Gabe relationship would still be new when Raph gets back (surprise not dead) and idk if I’d want to break them up Bc yay angst but also would Casey really just leave Raph hanging????? ((This is also if I still keep Casey in New York City and not make him have a crisis and road trip like in mirage djsjjsjs))

Raph would prob see how happy Casey is and prob like step back and let him have that relationship all while yearning for what they once had Bc the scariest part is him realizing how Casey has changed ((but so has he hasn’t he?? After everything he just went they and saw it was blink of an eye for him but it felt like a life time)) at the core they’re both the same ppl but they’re not 16/17 anymore…

So the Raph/Mona happens in their young adulthood once the gang goes to space a second time due to Kraang ((shocker))

like it could work but like….does it all sound stupid???? Probably but I It’s what I’ve got as of right now! I don’t do romantic relationships and frankly my experience of lost friendships is just Bc we grew apart and they stopped responding ((or Bc I found out they were racist and I cut them out djsjsjjs)))

[technically-a-kiwi]

Lawful cosmic AU story

Part 1

A small set up:

In this iteration of the AU, cosmic entities are plentiful, and all inhabite the cosmic realm, they watch over universes assigned to them, preventing any anomaly (rips in reality, wormholes, time travel, time paradoxes etc...).

Cosmic entities main powers are reality healing powers (?) basically they can fix anomalies with more or less ease, and shapeshifting. They get more powerfull the older they get.

All cosmic entities are supervised by the cosmic court, they make the rules and assign cosmic entities the universes they watch over. There are three higher ups among the court, who also are responsable for turning people into cosmic entities (Magenta, Cyan, and Yellow higher ups.)

Cosmic entities die when they're saturated with cosmic particles, melting the being.

If you want more stuff about lawful cosmic, I'll guide you to this post.

Beginning:

The Noise meets the higher ups of the cosmic court, they propose him to become a cosmic entity, which he agrees. Peppino soon follows because he knew leaving The Noise in charge of anything will lead to disaster. And just like that, the newest cosmic duo was born ! Both are in dwarf stage so they look like this

Both The Noise and Peppino learn slowly but surely how to use their power and how to work together.

They get into multiple cosmic shenanigans, stoping a mad scientist to create a time machine, closing wormholes etc...

Both learn about memory loss, around that time, Peppino creates a journal even tho it's illegal, The Noise doesn't believe memory loss is real and does nothing to prevent it's damage.

Both learn the harsh consequences of failing their mission.

Both now try to cope with the several tragedies they witnessed. The Noise manages to brush it off by focusing on his dream TV show, a new version of NTV, Noise's Nebula Show ! (NNS), as for Peppino, he tries to brush it off, making pizza is his only source of confort... But he's still is very overwhelmed by the new tragedies he has to witness and can't bring himself to just ignore them as it was nothing... no matter how unfazed the court tells him to be, he's still very human and wants to keep it this way.

During that time, the cosmic duo meets the rest of the PT cast (Pepperman, The Vigilante, Noisette, the Ticket stand, Pizzahead and Mr Stick who's the default boss of the cast) and enters the group "Silly fellas like us should stick together". Both end up finding a "safe place" in this harsh new reality.

After (not) some time

Our cosmic duo looks like this, now in minor stage

In this stage, they gain telepathy and can sense others emotions

The Noise is now a very popular (and the only) cosmic host of the realm, he mastered the art of manipulating the court , capable of persuaving them into brushing off the unforgivable with his incredible eloquence.

Peppino regained some sanity after all this time, being far more confortable with his powers and status, a little full of himself even, his pizzaplace is a little isolated from the rest of Cosmopolis but he still gets clients.

Both are slightly more confortable with the other, they're not friends sure, but they can be seen as colleagues, colleagues that hate eachother.

Now the story begins...

Some random bits :

The Noise tries to remember who his wife was, not being able to remember her makes him realise that memory loss is real and has already taken affects on him (it's very brief because I plan to write out this story in another post ! )

Some developement on the Ticket stand, his booth is conected to some kind of void. With the help of Peppino, the guy in the ticket stand (or Ticket stand guy) and the chef find inside this void like place what looks like... nebulas ? They emanate a LOT of cosmic particles... both don't know where they come from

Little story where Peppino gets busted with his journal by Mr Stick, he uncharacteristically brush it off and reveals he also has a relic of his past, a picture of him and his universe's Burton. Here we have a prime example of the memory loss damage, as Mr Stick really has no memory of his past life, neither remembering what he used to do, who he knew etc... "I have no idea who this Burton guy on the picture is ! He could be a friend, a lover, he could be family for all I know !". Mr Stick leaves and tells Peppino to hold his journal dear, and ESPECIALLY hide it well, it's the only thing with worth in this insane asylum of a realm.

On to the drama part

Peppino meets Maurice, a special Maurice, roughly goes as this story if you've read it

Peppino gets summoned to court for having a mortal friend and revealing too much about the cosmic realm.

Mr Stick gives him a warning before the trial starts "Get summoned once and you might end up fine, get summoned twice and you can bet you'll turn into a puddle of cosmic goo!"

The court pleads guilty until The Noise shows up and with his incredible eloquence manages to make the court brush it off (he didn't do it out of will, it's only because C Noisette asked him)

Except the three higher ups of the court demande for some retrebution, Peppino is sentenced to kill Maurice so he can become a cosmic entity and prevent him from spreading knowledge about the realm.

Peppino is VERY reluctant of doing this, KILLING MY FRIEND ??! NEVER ! But the court doesn't care...He waits and waits maybe hoping that the court forgets about this... until... he's meat with Maurice, looking very different. Someone killed him, but who ?

Maurice is now a constellation, another kind of entity living in the cosmic realm, although they can't leave the place like cosmic entities, they can shapeshift and teleport, the cast welcomes him in the group, he slowly gets acustomed to this new life and tries to move one from his past life... He slowly grows a brother like relationship with Peppino.

The last shot is Peppino and Maurice seen from the back, looking up at the stary sky and the aurora of souls passing through the realm...

And that's it for the first part ! Thank you for waiting, it was a pain to write down!

If you have any question about what I've wrote so far feel free to ask me, I'll be glad to answer !

See ya and may the kiwi be with you 🥝✨✨✨

[knickynoo]

At what point in time do you think the original timeline McFly family started being dysfunctional? I’m sure George and Lorraine were fully in love at first, and Lorraine even still in the 80s seems to look back fondly when recalling how they fell in love. But I do wonder when exactly it started to go downhill, when they started having kids? Just with age? Or maybe it was never really great to begin with before Marty got involved

This is a really interesting ask, and it's something that I've thought about a handful of times. The Twin Pines McFlys fascinate me.

As for my own headcanons about when the dysfunction started, I think it was always there. Dysfunction within families is complex, though, so it likely ebbed and flowed and morphed over the years. Some thoughts! (hehehe, analysis and theories incoming)

I 100% believe George and Lorraine were fully in love at first and are even still in love when we meet them in 1985. It's just that life has beaten them both down in various ways, and they've lost touch with each other and fallen into a pattern of being resigned to (and maybe even comfortable with) all the disconnect within their family. But there's no mistaking the fondness with which Lorraine begins her story of how she and George met and the way it shifts to such sadness within just a few seconds. Her question of, "It was the night of that terrible thunderstorm, remember, George?" is such a clear bid for connection with him. A hope that he'll smile and recall that night and join in on her story. That's what Lorraine wants! But George doesn't even acknowledge her (not on purpose, I'm sure; he's just so wrapped up in watching The Honeymooners), and you see Lorraine gradually deflate from there.

It's so sad because you can see the emotions shift so suddenly in her! That first gif still holds such affection as she recalls their first kiss. It's like she's a girl again, feeling that overwhelming sense of love and all the possibilities for their life together. But then it changes. She's brought back to reality and all the unhappiness, the disappointments, the realization that life isn't what she imagined for herself.

By the last gif, she's a woman who clearly feels trapped. Now stuck with this guy for the rest of her life. And what makes it so awful is that you can TELL Lorraine still loves him. She longs for that happiness they once had, but it takes two people putting in effort to make a marriage work. She can try to reach George all she wants, but if he can't be emotionally present, it isn't going to work.

Also, I'm sure that George loves Lorraine as well, but he's got a whole plethora of issues that just. Haven't been addressed. George has no self-worth. He's meek and lets people walk all over him and is so completely anxious about everything in life that he's mostly shut down. He's trapped too, with no way (that he can see) to change things. So he does what he can to survive, which consists of doing Biff's bidding and retreating to an inner world at the expense of shutting his family out.

I don't think things were always to this extreme, though. For a while I'm sure things were okay, maybe even good. They were young and in love, and while George was still George, I don't think life had defeated him yet. They got married, really established their little life together, and I can see them as both having hope. And even if there were moments that seemed shaky or hinted that things might be difficult down the road, it was easy to brush it aside. They were still finding their footing, and they were young and had their whole future together to make things better. In all honesty, Dave probably got to experience the "best" versions of his parents for the first several years of his life.

However, each year and every hardship (big and small) likely chipped away at the McFlys and brought about additional dysfunction. I don't know if Biff and George started working with each other right out of high school or if they came to work those jobs later on, but I'm sure that was a huge factor. It offered no escape from Biff for either George or Lorraine. Just a predictable cycle of George having to do whatever Biff told him, Biff invading their home whenever he pleased, and everyone having to watch George immediately tuck his tail between his legs.

As I said, I think things gradually kind of unraveled in their house. As the state of their family became more solidified, Lorraine likely began drinking more and withdrawing. I do think they still had their good days, though! Moments that brought them together and where they felt that happiness they once shared (I mean, they had three children together, and it's clear Dave, Linda, and Marty ARE loved and were raised well.) But the state of the McFly household is probably all Marty has known for the majority of his life. I can see situations arising where maybe Dave has told him, "They weren't always like this, you know."

Dysfunctional as they are, George and Lorraine really are trying. I think they can absolutely see the cracks and the flaws—perhaps even the potential damage being caused to their children—but they just have too much brokeness inside themselves to do better. So, they do what they can, which for George involves trying to protect his children's feelings by discouraging them from taking risks. He doesn't want them hurt or sad or disappointed, and his solution is to have them form shells around themselves. Better to save yourself from all the headaches life brings.

Lorraine does her best to protect and guide her kids by way of warning them away from the very things that brought her to where she is in life. We see this manifest in the form of criticism mostly when she's talking to Marty.

Lastly even with Lorraine seeming as downtrodden as she is, I can see her clinging to the possibility of change. Hoping and praying that eventually, George would say enough was enough and stand up for himself. He'd put his foot down, step up as a husband and father, and things would become what she always wanted. She was the one always telling herself, "Someday. Someday..." until the point we see her at during the dinner scene, where she knows that "someday" isn't going to ever happen. Things are just the way they are, and she has to deal with it.

This was a lot, but I have a lot of feelings about the McFly family and how they operated in their day to day life. Especially the implications of the McFly sibs (Marty in particular!) being raised in such an emotionally disjointed environment. Ugh, those gifs of Lorraine make me so sad. The whole thing is sad.

Thanks for the ask, though! I want to write another Twin Pines McFly fic now.

[starscr0ss]

im thinking about celestia and the abyss being literal opposites (chaos and order) and im thinking about childe and lumine being sort of embodiments of that, just not in the way we think. after the latest natlan quest its clear to us what the fatui intends and what they want- i think the tsaritsa more than anything loves humanity, which is why she directly opposes celestia who are known for bringing down different civilizations. childe, as Her weapon and Her blade is an extenction of that: he's a blade forged by the abyss, bathed in Her holyness, meant to strike down those who sin. lumine (talking solely about traveler lumine) is the literal sister of the prince of the abyss, she has clear ties to it and at this point in the story still is hesitant about fully opposing him (i love angst). her entire story revolves around chaose and disrupting celestia's (and the fatui's) order. isnt that fun

i think what childe longs for the most is control- control of himself, his life, his powers, his story, his fate. i think what lumine wants the most is freedom, which is just another phacet of chaos

anyways. you see it. the themes are theming

[kuruna]

anyways 🫶🏾 I will talk about my own OC because god granted me the power to do so

Had a Big realization about Xanthos which is like... I already knew he struggles with guilt Big Time, but I didn't realize just to what extent that guilt informs his each and every action 💔 after an event in which AZ gets badly hurt, Xan starts taking on the "leader" role in their dynamic due to guilt and fear of getting AZ hurt again. When AZ is king, that same guilt affects their dynamic, but now that they're both adults Xan's overprotective nature feels belittling, and it is in a lot of ways. Xan starts doing a lot of the duties of king because he feels that AZ isn't handling them the way he should (which isn't Entirely untrue, it's a big job for someone with little experience in diplomacy to take on), but also because this dynamic has morphed in a way where Xanthos thinks his older brother is Incapable. At its core, the war was a very extreme way of Xan going "I don't think you should do this on your own. Why would you allow ME to handle it instead?!"

It becomes an ironic thing 💔 Xanthos' fear about hurting his brother again leads to him hurting AZ in the worst possible ways. And that sense of guilt only grows stronger 😔 Xan is incapable of asking for help, or being honest about himself and his needs. He's incapable of admitting when he is wrong and incapable of relinquishing control, and all of it comes from now incredibly Guilty he feels all the time and a need to constantly be making up for this guilt as well as his perceived failures as a person. Basically he's sooooooooo so so so sick 💔💔💔

[morocosmos]

FFXIVWrite 2024 Day 11 - Surrogate

Masterlist Fandom: Final Fantasy XIV Characters/Pairings: Leofard Myste & Warrior of Light Rating: Teen & Up Additional Notes: Takes place at during HW patch 3.5. Major spoilers for the Shadow of Mhach alliance raid questline. Ao3 Link

Lady Raimille. The picture painted by Stacia's tale was everything an orphaned child could want from a parent. Everything except that she'd passed on too soon — but not before giving her foster son one last gift.

The noblewoman’s real portrait hung above them, enshrined in Leofard’s quarters. Presiding over his affairs and his family; watching over the man himself. Moro'a knew that paintings like this cost a considerable sum to commission, and that taking care of them required specific knowledge and attention; unexpected obligations for a sky pirate. 

But the painting gleamed, immaculately free of blemishes. “I had wondered as to the origin of his vessel's naming,” Cait Sith said softly, his voice touched with emotion. “‘Tis a most beautiful painting.”

Moro’a’s time in Ishgard had also taught him that portraits like this one were made to memorialise — a likeness captured in brushstrokes, preserved from time. Remember me as I was, in this moment. Remember what this person means to us. Situated where their loved ones could gaze upon them, and never forget.

I doubt I'll ever feel worthy to sit where he sat.

Throughout their adventures, Leofard had pretended as though the portrait wasn’t there, and it was all Moro’a had needed to know not to bring it up. He’d accepted it without judgement, without ever considering otherwise. What was he here for, if not to hide from ghosts and broken hearts; from memory?

But now that Stacia had told them what Leofard would never impart himself, the pieces that made up the leader of the Redbills had finally begun to click: why a man who prized freedom so highly would build his new home a stone's throw from the Holy See, and why the loss of his airship had made Leofard retreat into himself, like a creature seeking familiar refuge. 

It seems she kept him safe until the very end, Utata had said, and Moro’a’s heart had clenched so tight that he thought it might shatter.

It wasn’t any of his business. The voidsent had been stopped, and Cait Sith had found a new home. His time with the Redbills was coming to a close. It’d been an engaging distraction, which was precisely what Moro’a had needed; there were no stones left to overturn, no more accidental revelations to be had. He would go his separate way, into the unknown, and then…

Later, as he was stowing the few essentials he’d brought into the manacutter, Moro’a heard footsteps approaching. He turned to see Leofard, who was already dressed in a clean set of clothes and red-tinted goggles. “I almost forgot,” the sky pirate said, as breezy as could be now as he held something out in his hand. A Redbill scarf.

“You didn’t have to,” Moro’a murmured, feeling a strange mixture of reluctance and guilt. 

“And I say otherwise, Warrior. I reckon you’ve done more than you’ll ever need to to have earned this.” His hand stretched closer, and Moro’a considered refusing. He was ready to quit this place, to move on. I’m not who you think I am, he wanted to say. 

Instead he found himself reaching out for the scarf, and tucking it in with the rest of his things.

If, after he'd said his farewells, his hand reached under the collar of his shirt to gently hold the necklace that rested against his chest, to remember, he was the only one who needed to know.

[pinksilvace]

people will really draw anything but what they're supposed to (I'm people)

[hecksupremechips]

Girl like. The reason he said "this is how it should be" and faced death with a smile....is cuz he wanted to die. For 2 years he sat there thinking he was worthless and deserved to die. If he hadn’t be shot, his death would’ve been suicide, he was fully planning to die in a gutter somewhere undetected. When saying "this is how it should be" hes literally saying "don’t cry because I’m dying, my death is a good thing actually because I fucking suck and you are better off without me". I don’t think that’s badass even slightly, it’s actually really sad and really shitty. Shinjiro is so convinced that he deserves to die and hates the idea of anyone giving a shit about him because he literally can’t wrap his mind around the idea that he will be missed when he’s gone, that his death is a bad thing actually. And his last words were meant to be comforting because he fully did not intend for anyone to be there when he died, he intended to die alone, so he says them as a reminder that he’s not worth crying over

Personally, if it were me, if I was holding my dying best friend in my arms who was deeply depressed and suicidal and he said "this is how it should be" uh. I wouldn’t admire him for it??? Like am I losing my mind when I say the way this game handles Shinji is bad or is anyone else seeing this too 😰

[heybinnie]

i still cant process this

[sunflowers-and-sweetviolets]

anyway - head over heels for that old man <3

[yangjeongin]

i swear i love lovestay so much but i will either cry or come close to tears Every time i hear it i have  problems

[boogiewoogieweeb]

#he's good at his job! #crozier likes him! crozier chose him! #and any enabling of crozier happens because he lives and works in one of the most strictly hierarchical systems to ever exist #where dissidence can be a hanging offence! #and he's so! fucking! angry! about it #also having to deal with a spirit bear on top of everything #that makes you question the very fabric of the assumptions you once had about the world #also his cabin door is stuck!! #we talk a lot about jopson finally snapping and beginning to bite and kick #i really think he should invite edward to the inevitable breakdown - @maedhrus

listen i don't think edward little was actually a bad first lieutenant. when we see him in the first episode he's calm and confident. he does not say much but he's amiable enough. crozier likes him, and i don't think crozier would like anyone he doesn't think capable in some way. generally he's dependable and knows what he's doing. however unfortunately for edward he has these qualities because he has a major case of eldest daughter syndrome, which means he both wants to please his mum (crozier) and has an overdeveloped sense of responsibility for his younger siblings (crew), so when they get stuck in the ice and crozier starts going (more) alcoholic, he enables his mum bc he doesn't want to disappoint her even if he doesn't agree with her, and he has to pick up the tasks and care for his siblings she's not doing, but he can't let his siblings know about their mum's situation because they'll get worried and restless. and like a true eldest daughter he has to bear the brunt of mummy's anger for being a disappointment but he also doesn't want to seek refuge with the man she divorced (fitzjames) because that feels like a betrayal. also while this is going on there is a giant bear who hunts his siblings for sport so they're dying left and right and also a changeling master manipulator who's making his siblings mad at their mum and who wants to fuck said mum before eating her like some sort of praying mantis. anyway i think i would start being miserable and anxious too.

[tofixtheshadows]

I've been thinking a lot lately about how Kabru deprives himself.

Kabru as a character is intertwined with the idea that sometimes we have to sacrifice the needs of the few for the good of the many. He ultimately subverts this first by sabotaging the Canaries and then by letting Laios go, but in practice he's already been living a life of self-sacrifice.

Saving people, and learning the secrets of the dungeons to seal them, are what's important. Not his own comforts. Not his own desires. He forces them down until he doesn't know they're there, until one of them has to come spilling out during the confession in chapter 76.

Specifically, I think it's very significant, in a story about food and all that it entails, that Kabru is rarely shown eating. He's the deuteragonist of Dungeon Meshi, the cooking manga, but while meals are the anchoring points of Laios's journey, given loving focus, for Kabru, they're ... not.

I'm sure he eats during dungeon expeditions, in the routine way that adventurers must when they sit down to camp. But on the surface, you get the idea that Kabru spends most of his time doing his self-assigned dungeon-related tasks: meeting with people, studying them, putting together that evidence board, researching the dungeon, god knows what else. Feeding himself is secondary.

He's introduced during a meal, eating at a restaurant, just to set up the contrast between his party and Laios's. And it's the last normal meal we see him eating until the communal ending feast (if you consider Falin's dragon parts normal).

First, we get this:

Kabru's response here is such a non-answer, it strongly implies to me that he wasn't thinking about it until Rin brought it up. That he might not even be feeling the hunger signals that he logically knew he should.

They sit down to eat, but Kabru is never drawn reaching for food or eating it like the rest of his party. He only drinks.

It's possible this means nothing, that we can just assume he's putting food in his mouth off-panel, but again, this entire manga is about food. Cooking it, eating it, appreciating it, taking pleasure in it, grounding yourself in the necessary routine of it and affirming your right to live by consuming it. It's given such a huge focus.

We don't see him eat again until the harpy egg.

What a significant question for the protagonist to ask his foil in this story about eating! Aren't you hungry? Aren't you, Kabru?

He was revived only minutes ago after a violent encounter. And then he chokes down food that causes him further harm by triggering him, all because he's so determined to stay in Laios's good graces.

In his flashback, we see Milsiril trying to spoon-feed young Kabru cake that we know he doesn't like. He doesn't want to eat: he wants to be training.

Then with Mithrun, we see him eating the least-monstery monster food he can get his hands on, for the sake of survival- walking mushroom, barometz, an egg. The barometz is his first chance to make something like an a real meal, and he actually seems excited about it because he wants to replicate a lamb dish his mother used to make him!

...but he doesn't get to enjoy it like he wanted to.

Then, when all the Canaries are eating field rations ... Kabru still isn't shown eating. He's only shown giving food to Mithrun.

And of course the next time he eats is the bavarois, which for his sake is at least plant based ... but he still has to use a coping mechanism to get through it.

I don't think Kabru does this all on purpose. I think Kui does this all on purpose. Kabru's Post Traumatic Stress Disorder should be understood as informing his character just as much as Laios's autism informs his. It's another way that Kabru and Laios act as foils: where Laios takes pleasure in meals and approaches food with the excitement of discovery, Kabru's experiences with eating are tainted by his trauma. Laios indulges; Kabru denies himself. Laios is shown enjoying food, Kabru is shown struggling with it.

And I can very easily imagine a reason why Kabru might have a subconscious aversion towards eating.

Meals are the privilege of the living.