#that's not what this post is about. here's an example about me:

[fanfic-reading-challenge]

The 2025 Fanfic Reading Challenge

Welcome to another year of the Fanfic Reading Challenge (FRC)!

I won't bore you with the history of the challenge, this year, but I will welcome you to check out past posts that do explain some of it, as well as include a brief overview of what, exactly, this challenge is, though it does change year to year. (Essentially you read fics to complete goals and win bragging points and an artsy badge.)

This year is especially different, as I had the extreme pleasure of having @noxsoulmate as a partner in crime in keeping me hostage on track to completing this year's FRC. Another valued member of the mod team is @jandjsalmon and speaks for all of us if you need questions answered!

As for the challenge....

This is, indeed, a challenge. Of course.

First of all... you must obviously read fanfiction. As if you don't already!

You also need to download and make your own copy of the spreadsheet, which can be found here, as well as below in the important links section.

To participate in the challenge, you read fics that match the tasks in the challenge. An example of a task can be: "read a fic with a title containing the word purple in it." Should be easy! Of course, there are harder ones.

Which is why there are different modes of challenge to the FRC. These are as follows:

Participation (Complete 1 task)

Regular Mode (Complete 80 tasks)

Hard Mode (Complete 150 tasks)

Extreme Mode (Complete 220 tasks)

Complete (Complete 250 tasks)

The challenge lasts from January 1st, 2025, to December 31st, 2025.

There are badges that go with the modes completed, and even a secret 6th badge that will be fairly obvious if you look at the spreadsheet! Doesn't mean it'll be easy to complete though. *smirks* (Blame Noxy)

Most important of all: this challenge operates on the honour system. We don't check your work, or your reading logs (see below), so I mean, I guess if you want to be slippery with the rules, you do you, and that's on your conscience, but honestly it's so much fun to see how much you can get done by following the letter of the law/tasks! You can be slippery even with following the tasks fully. It's great fun. ;D

I think that's enough for an intro, really, maybe too much.

Important Links and Reading Logs/Trackers

As there is a component of the FRC that includes tracking numbers of words read, most of us use a reading log/tracker to keep count of how many fics we read, including data such as words, of course, chapters, month completed, ship, author, title, fandom, link to the fic, and such. It's a great place to mark what fics you want to read in the future as well!

This year we have FOUR trackers on offer, quite different from one another, so take a look, play around with them and check out their "intros", and choose according to what you think will work best for you!

Fic Tracking Sheets

Juulna's 2025 Reading Log

Noxy's 2025 Reading Log

2025 Jandy's Fic Tracker

Taru's Fic Tracker 2025

Discord

We have a blast on Discord. From general chatter to sharing pet pics to being there for each other during the tough times to forming lasting friendships and making friendships you’d never make in a ship- or fandom-specific Discord, to asking for help ‘rolling the dice’ (pick a number between 1-10!) to choose the next fic to read, to finding some of the really challenging task fills in fandoms people might not have ever read but are willing to try, or finding fandoms someone has never read and is very tentative about stepping out of their box, but they’re being 100% supported and know they don’t need to complete the fic for it to count for the task, stepping out of their comfort zone… we’ve formed a very odd group of, if not friends, then companions (but there are definite friendships that have formed!! Just ask the people who have started watching NHL and NFL together in our off topic channel!).

In any case, our Discord is not necessary, but it is a worthy and tactical element to completing many of the tasks of this challenge. 💙

And.... without further ado....!

The 2025 Fanfic Reading Challenge! (link)

There is an info/rules page as the first sheet on the spreadsheet that should fill in any further questions you have. It also has more contact info than just this page if you have any further questions and perhaps need a more immediate answer for your needs.

*Occasionally you will run into something that looks like an error, and it may in fact be one! Let us know if you see it. It's hard not to make a mistake on as large a spreadsheet as this.*

Please, first of all, have fun and just read fanfiction that you enjoy! I (Juulna) did that last year and didn't even come close to completing the entire challenge, and I still had a blast because I was enjoying what I was reading and rereading. Others took the challenge right to the completed end. Others forgot about it halfway through but still had fun, and some even went back and filled in the sheet for a really good showing! The challenge is what you make of it, what you want from it. So... just have fun. Read fic. Smile. Enjoy. :)

Second of all... well, we would love if you signal boost this post!!!!

Third of all, we do have our pinned post that includes a link to this page and that will include a link to our Discord and all our trackers as well, including past links for memento and informative purposes.

Thank you, and a blessed 2025 to all!

[themaveriqueagenda]

this is really interesting! though parts of it seem slightly contradictory, because there's this

please apply them at will to yourself based on your own ideas about what it means to dress femininely or dramatically or androgynously etc.

but also this:

describing [...] a presentation others might consider masculine/feminine

is it up to one's own interpretation or about how others see you? particularly as an apothibinary person i have a lot of trouble taking on other people's perceptions of me as a self-descriptor, because they're usually binary(-adjacent). i'm also flat out just not going to give people power over my words like that. (i'm not saying that anyone who identifies as masc/fem because that's how others perceive them is wrong btw. i know many do it for simplicity as well as for self-empowerment. i just personally cannot.)

i also take issue with the

masc---fem scale

because if we can acknowledge that the gender spectrum itself isn't linear like that, we must acknowledge this about the spectrum of gender presentation too. you can be outside of the masc---fem scale or you can just simply not label your gender presentation at all.

another thing that feels a little off to me is that fox is described as an

androgynous, fluid, or combined presentation

while also being described as

[not resembling] the other sides of the spectrum

that latter definition is actually broader than androgynous, fluid or combined, as it does technically also include anything outside of that scale or nothing at all, but it's not truly accounting for that.

i'm aware the chart exists mainly for lighthearted silliness, but also you can say that masculinity and femininity are up to interpretation all you want, the chart is once again very stereotypical and doesn't really leave wiggle room for people with broader definitions of masculinity, femininity or androgyny. for example, i sometimes like wearing dresses which most would consider swan/feminine, but i feel deeply uncomfortable calling myself or my dresses feminine or swan (because let's be real, swan here is just another word for feminine).

i know this post is over 7 years old so how we talk about nonbinary presentation has evolved a bit. i'd be curious if anyone ever expanded on these terms to account for other gender presentations.

nonetheless, if i had to put myself on that scale, i'd probably be a crow-fox, because not resembling the other sides is the most how i conceptualise my gender presentation.

however, at this point, i don't really use any gender presentation terms, not even maverine or other outherine terms, because i no longer find them personally helpful to me. i could dress in exclusively skirts and dresses and i would still not consider my gender presentation feminine because i consider that to be misgendering. most people would perceive me as feminine though if i did that, so at that point, i wouldn't really be communicating anything if i called my presentation maverine when everyone else sees someone feminine. at this point, my gender presentation is synonymous with my gender. i'm maverique, so everything i wear is also maverique.

hopefully other people can get more use of this spectrum though and i'd be curious where all the maveriques & friends fall on this.

Non-binary Presentation Terms

Although words like butch, femme, masc, and fem have been applied to nonbinary folk since their inception, they don’t always meet the needs of non-binary people in comfortably describing the way we look. 

So here are a new additional set of options! We’ve considered two different “axes” here – one that relates most closely to the masc—fem scale, and one that considers “effort”, or a level of… drama or ostentation in a look. They can be combined as one pleases or used individually! 

Additionally, please apply them at will to yourself based on your own ideas about what it means to dress femininely or dramatically or androgynously etc. These words are not to be held hostage to cissexism or gender roles. These words also describe presentations that are inherently not binary – the only reason we’re using words like “masculine” and “feminine” to describe them at all is for ease of communication. They can and should describe particular looks, including those that people are inclined to gender, without actually gendering them. 

Note: These are not coined with the intention of being gender identities. They have nothing inherently to do with gender identity. You can be a demigirl stag, etc. (That said, if someone wants to use them as a gender because you feel it’s tied closely to your presentation, we’re certainly not stopping you.) 

Here they are!

Stag: A “masc”, “butch” or “tomcat” equivalent, describing a presentation one considers to be associated with ideas about masculinity, or a presentation others might consider masculine. 

Fox: Describing an androgynous, fluid, or combined presentation; can be applied to any presentation a person feels doesn’t resemble the other sides of the spectrum.  

Swan: A “femme/fem” or “doe” equivalent, describing a presentation one considers to be associated with ideas about femininity, or a presentation others might consider feminine. 

Sparrow: A casual, minimalist, muted or low-effort presentation. For example, for those folks who just roll through their closet and go. 

Crow: For presentations that are in-between, combined, or fluid along a scale of effort/ostentation. 

Peacock: For presentations that are high effort. Glam, dramatic, flashy, flamboyant, attention-drawing, etc. Dressed to the nines, so to speak! 

so anyway tag urself

(chart meant purely to be silly and fun, not to suggest actual criteria or associations. Disregard entirely if you resonate with the terms but not these goofy tidbits.)

Keep reading

[black-occamy-arts-and-crafts]

I have recently received another ask about my canvas pulling and since I've been thinking about making a serious tutorial for a while now, I took the opportunity to take some pics and vids while finishing the tree. Do please enjoy :3

1. Why pulling out canvas at all?

Primarily, this is a fantastic technique to apply cross stitch patterns directly to the item you want OR to make patches from old jeans, like this one:

With small patterns I usually don't bother to sew the canvas prior to embroidering, like with the pupper above. In case of the bigger patterns, I usually sew it lightly on the edges just to keep the canvas in one place. The more stretchy the material type is, the more important it's going to be to keep it in place.

2. Why not use a soluble canvas?

I'm sure you can and that they'll be as successful as the regular one 😁 However, as I mentioned in my previous posts here and here, I prefer to err on the side of cheaper, hence the tutorial.

3. Okay. I'm convinced - I even have a pattern embroidered on! What's next?

With small patterns (like the doggo earlier) it's going to be pretty easy. You just pull the threads one by one - preferably starting on the thinnest part of the pattern - and you may not even need the pliers. The fun (?) is with the large pieces, because the canvas has on average quite fragile threads and they like to break. Note - the canvas I'm using and I suppose most of the existing canvas types, will have four threads per one embroidery row. It's usually easier to pull one first and then the other three, bit that may vary when, for example, you managed to pierce the thread during stitching phase earlier 😉

If you were already careful during the stitching, you paid extra attention to embroider EXACTLY between the canvas threads and avoid piercing them at all. There are two benefits to that being extra careful: one, it's easier to pull it out later; two, the stitching gains an extra precision to it (and it looks great!). I recently discover that the round tip needle is making it much easier and if you're interested, there's a separate post about it as well!

On to the process! You can see from the pictures how I started with cutting out a piece of canvas that I can later reuse for something small (recycling is my hobby 🤷🏻‍♀️). I also pulled loose threads from around the tree:

Next part was to clean up the trunk and the grass on the right:

I then cut off the excess to avoid the threads tangling and slowly moved to the sides of the leaves on right and left:

You'll notice that the last photo has the thread pulled halfway through the pattern. That's because on this stage it's usually impossible to simply pull the thread out - even with the pliers it is just going to break off. I use a needle to pluck it from between the embroidery like this:

If you're more of the visual learner, I made this vid that I hope explains the process in more detail. You'll notice that I'm using my fingers and not the pliers here, because it's faster than to switch between tools.

And finally, when you're left with single direction threads like these, it's just a matter of pulling them out one by one.

And that's it! The final product looks clean and neat, AND you will notice that without the canvas beneath it's also getting a bit of volume that looks cool (and helps even out small mistakes you may have made along the way).

Thanks for reading this far! Let me know if there's something else I forgot to explain 😊

[theunsinkableship1]

DENIAL IS NOT A RIVER IN LUKOLALAND

⚠️DISCLAIMER: This is Lukolaland only. Skip if you don't believe.

Denial is a river in LUKOLALAND?

This has to be a joke, right? Some responses that I have received on my latest posts on TT and Tumblr leave me perplexed. Let me make something clear: I’m not here to convince anyone of anything. You have the right to believe whatever you want, that’s your prerogative. However, this is a Lukola space. It’s a space that exists to celebrate their connection, to nurture it from afar, because it shines brightly and is uniquely beautiful.

I don’t know them personally. I can only judge from what I’ve seen and heard, and I fully acknowledge that my perception is biased. My interpretations come from the way I read into their actions, their words, and their patterns. What I share here isn’t fact, it’s speculation based on observation. The only thing I know for sure is that I don’t know what’s really going on.

First and foremost, they are colleagues and FRIENDS. They’ve said that multiple times, and I believe them. For those who doubt their friendship, I don’t know what to tell you. That’s the foundation here. If you don’t even believe in their bond as friends, this probably isn’t the space for you.

But here’s where it gets complicated: they’re not just platonic friends. You may have missed it, but the signs are there, publicly available. You just need to pay attention. I’m not talking about outlandish theories; I’m talking about what’s right there if you’re willing to see it.

I believe they’re in love with each other. As for their current situation? I’m not certain. But the level of plausible deniability in their story doesn’t make sense to me. Maybe it does to you, but for someone who thinks in layers, patterns, double entendres, and undertones, someone who loves words and has studied communication and PR, this whole narrative is anything but straightforward.

Leaving this much space for misinterpretation is a choice. If they wanted to shut this down entirely, they could’ve done so with clarity and finality. It’s not that they can’t make themselves understood without being misconstrued, they absolutely can. But they haven’t.

It’s wise to keep a level of doubt, it maintains objectivity and prevents overreach. However, when coincidences stack up and patterns emerge, it becomes increasingly unlikely that they’re all mere misunderstandings or products of plausible deniability.

The more coincidences there are, the less likely they are to be unrelated.

On their own, one or two could easily be explained away, “just friends,” “PR,” or “fans reading too much into it.”

When similar themes arise repeatedly over months or years (e.g., their timing, shared themes, subtle nods to one another), the likelihood of them being mere coincidence diminishes.

The concept of plausible deniability hinges on actions that could be explained in multiple ways. However, the more layers of ambiguity and deniability built into their interactions, the more intentional it feels.

The subtleties of their public dynamic suggest a shared awareness of fan interpretations. They know how their actions are perceived. To repeatedly engage in behaviors that could be "misunderstood" suggests either: a) Intentional messaging within safe boundaries. b) A significant lack of care, which doesn’t align with how thoughtful and calculated they seem to be.

Take Nicola’s recent Times interview as an example. She could have ended all speculation right there,

“A lot of people really want me to marry Luke,” she says with a laugh. “We have this gorgeous friendship. We have such a love for one another and this experience that I’ll never have with someone else again. Isn’t it gorgeous that a man and woman can have that sort of relationship with one another?”

but she didn’t. Why? There must be a reason. And no, it’s not just PR. PR campaigns don’t operate on layers of plausible deniability that stretch across years, interweave with personal moments, and rely on such specific timing.

Isn’t it strange that for two people who have been so close, their social interactions have significantly decreased compared to before? Over the past two years, especially after the world tour, they appeared to have solidified a deep friendship. If the intent is to disengage fans from the idea that they might be secretly in love, wouldn’t it be wiser to interact more naturally and perhaps even acknowledge each other’s perceived partners?

From a strategic perspective, a like, a follow, or a simple interaction on social media could have gone a long way in dismantling the Lukola narrative. Such actions would feel natural for close friends, especially ones under public scrutiny. Their reluctance to adopt this approach only adds to the curiosity. Why not lean into a strategy that would be less detrimental and more effective at quelling speculation?

Perhaps they are more active on private social media accounts, but publicly, the absence of these gestures stands out. If the goal truly is to clarify their relationship and put fan theories to rest, this perceived distance feels counterproductive. The choice to refrain from such actions, at least for now, is, at the very least, curious. Could it be that there’s a reason they haven’t done so yet?

Both Luke and Nicola have had ample opportunities to firmly address and deny the Lukola narrative. While they’ve made passing comments about being friends, these have lacked the clarity and directness that would fully quash the speculation. Why leave the door ajar if they truly wanted to shut it?

Their reduced interactions seem to have coincided with the conclusion of the promotional period for Bridgerton. During promotions, they were actively engaging with each other and the fandom, fostering the image of a close bond. The sudden change afterward could indicate a deliberate decision to recalibrate public perceptions of their relationship.

The decrease in public interactions after the “papgate” could be their way of managing fallout from the incident, yet it raises questions: Why would two close friends need to distance themselves so noticeably? It suggests a calculated retreat to reduce speculation. However, this strategy seems counterproductive, as the abruptness of the change has drawn more attention. A gradual shift, paired with natural acknowledgments of their respective supposed personal lives, might have been more effective.

It’s possible they’re still VERY close privately but have chosen to limit their public interactions to avoid misinterpretation, or for privacy reasons. If so, this deliberate choice to create distance publicly could point to a deeper connection they’re trying to shield.

This brings us back to patterns. If you observe their public interactions, their timing, their word choices, the double meanings, they’re not random. These coincidences pile up to the point where it’s hard to believe they’re all meaningless. Their bond transcends the boundaries of PR, platonic friendship, or even ordinary relationships.

If you reason in layers, you’ll see it too. The amount of room they leave for interpretation is extraordinary. It’s not just about what they say, it’s about what they don’t say. It’s about the undertones, the pauses, the way they navigate questions, and even the things they choose to share (or not share) on social media. All of this seems to be deliberate. The picture is larger and more intricate than it seems on the surface.

For example: Am I truly supposed to believe that Nicola, who has a higher degree in English and a major grasp of language, would post a Scrabble board with so many elements that could be interpreted through a Lukola lens purely by coincidence? Yes, she’s an avid player of word games, but let’s examine the board itself. It reflects competent but not advanced gameplay, logical and adhering to Scrabble rules, yes, but lacking the level of complexity, strategy, and nuanced word choice you’d expect from someone of her linguistic caliber or from a player displaying their skill.

For me, this was never just about showing off her love of Scrabble. It felt intentional, like an intended message rather than a casual post. If the goal was simply to share her hobbies or an aesthetic moment, she could’ve easily posted a picture of herself playing Scrabble, perhaps with a pint of Guinness in hand. Or she could’ve showcased a more advanced board to reflect her skills or creativity. Instead, she chose this specific board with these specific words, words that align so conveniently with a narrative many of us have come to associate with Lukola.

And let’s not forget her self-awareness. Why would someone who knows how deeply her posts are analyzed by fans continue to share things that are repeatedly misconstrued? If she didn’t want the association, why add layers of ambiguity, such as the now infamous “the very demure, very mindful” quote? What was the reason?

Just two days ago, she posted a photo in her best of 2024 the phrase "if you know, you know." Let’s be honest, how many Lukola edits have we seen that riff of "when you know, you know"? If this wasn’t related to that, what exactly was the point of the “random” quote?  Is it public knowledge or is it something only some know? Nicola is anything but random on social media. She’s chronically online, she’s clever, and she’s incredibly aware of the narratives circulating around her.

These patterns, Scrabble boards, cryptic quotes, wordplay, and selective ambiguity, don’t feel accidental. They feel curated. For someone so skilled with words and communication, there’s intention behind these choices. If it were just for fun, she could have chosen countless other ways to express herself that wouldn’t leave so much room for interpretation. But she didn’t. And for me, that’s speaks volumes.

I’m mainly talking about Nicola here because there’s simply more material to analyze, her posts, interviews, and public interactions offer more clues and layers to unpack. However, Luke’s activity, or rather, his noticeable lack of activity, is equally intriguing and worth examining.

Luke has always been more reserved on social media compared to Nicola, but his recent silence or carefully curated posts stand out. He’s not just absent; he’s selectively absent. There’s a difference between being inactive and deliberately staying under the radar. For someone who previously shared glimpses of his personal life and participated more openly in fandom engagement, his current approach feels intentional.

When he does post, the content often seems neutral, leaning into professional promotion or generic life updates. Yet, the timing or lack of acknowledgment of certain things, whether related to Nicola or even his supposed personal relationships, leaves room for speculation. It’s almost as if he’s consciously avoiding feeding into narratives while simultaneously not shutting them down.

For instance, why hasn’t he addressed certain rumors head-on, as he has done in the past with other relationships? Luke has historically been upfront about his. It’s a choice.

Considering that Luke has been involved in other projects and worked with other co-stars since the end of the Bridgerton world tour, the ratio of content related to Nicola remains strikingly high. Among the limited glimpses he does share, Nicola accounts for the largest percentage of reposts and interactions. What’s even more telling is that the majority of this content is Lukola-focused, centered on his dynamic with Nicola as individuals, rather than strictly Polin-related, which would be tied to their characters and professional pairing. Yes, she is his MAIN co-star within the Bridgerton universe, but this level of engagement is noteworthy.

This isn’t to say he doesn’t appreciate or acknowledge his other co-stars; it’s just that the weight of attention, however subtle, consistently gravitates toward Nicola. Whether it’s the choice of what he reposts or the absence of comparable attention toward other colleagues, the pattern emerges loud and clear.

If we analyze this through a lens of probability and statistics, the numbers paint an even more intriguing picture. Let’s say Luke has worked with five to seven notable co-stars in other projects and in Bridgerton, if he has been tagged in or had the opportunity to engage with 100 pieces of social media content since the world tour. If Nicola accounts for, say, 60% of the interactions and reposts, despite being one of many co-stars, it defies the expectation of a more even distribution.

For context, if he were equally invested in all professional relationships, the engagement with Nicola might hover closer to 15-20%, proportional to the size of his broader network. The fact that this number is so much higher, let’s conservatively estimate at least three to four times greater raises questions. Is this simply because of their shared Bridgerton fame? Perhaps. But then why focus on individual Lukola moments, bypassing more neutral or inclusive Polin or broader cast content?

From a mathematical standpoint, the odds of this being purely coincidental diminish significantly when you layer in the context:

Nicola has the highest percentage of reposts across Luke's social media activity.

The type of content intimate, personal, or Lukola-specific reflects a curated choice, not random selection.

Even in a professional context, where Polin content would be the obvious promotional focus, the Lukola-centric moments shine through.

Given the numbers and probabilities, it seems less likely that this pattern is accidental or merely reflective of professional obligations. Instead, it suggests an intentionality that aligns with the depth and uniqueness of their connection.

Promotion for Bridgerton Season 3 has come to a halt, creating a quiet period where we can observe and compare how Luke approaches the promotion of his other projects.it could highlight how unique his dynamic with Nicola truly is.

The nature of the content he shares for other projects will be equally telling

By comparing these promotional efforts both in terms of frequency and tone to the patterns established during the Bridgerton promotional cycle, we could gain insight into whether his approach to Nicola was truly unique or simply part of his broader professional routine.

When coincidences pile up, their probability of being just coincidences shrinks dramatically. A single instance might be random, but repeated instances with similar themes, timing, and emotional undertones suggest a deeper meaning. While maintaining doubt is reasonable, the sheer volume of these moments suggests that there’s more at play than mere misunderstanding. It’s not about overreaching, it’s about acknowledging that where there’s consistent smoke, there’s likely some fire. What type of fire is there currently? I’m not sure. Are you? Probably an Eternal flame.

[avelera]

Hi, I wanna say I really like your posts and enjoy your meta's about jayce.

So I wanna ask a question: How do you interpret jayce's behaviour here?

Personally, I have always believed that since jayce came from a family of blacksmiths, he would at least know how to negotiate or essentially haggle to an extent so do you think that it's on purpose that jayce isn't particularly shown to haggle when it comes to his interactions with zaunites?

Also, aside from that I think silco and Jayce's last scene really goes unnoticed by many epssically when jayce genuinely chooses to be fully transparent and honest with silco admitting that he is scared.

Short answer: My interpretation of this scene is that it is meant to show how privileged and naive Jayce is.

Just to be clear, I adore Jayce, but I will still admit to his flaws as a character. But, I will also point out when "flaws" like privilege can also lead to generous or otherwise laudable behavior, because it's easy to be a saint in paradise.

As for the longer answer, Jayce doesn't haggle for a few reasons:

1 ) Jayce doesn't haggle because he's never known real hardship. He's from a family of blacksmiths, yes, but of a particular flavor. He's actually from a family of factory owners and toolmakers. He's middle class shading to upper middle class either by virtue of being the son of a factory owner or certainly by the time Hextech takes off. What Benzo was charging probably didn't cost that much to him, especially with Kiramman money backing him up. He needed the items more than he needed a bargain to have them. It probably didn't even occur to him to try to get a deal because of how little the items cost to him.

2 ) Jayce doesn't haggle because of cultural differences. To a Zaunite, it's unthinkable not to haggle. To a Piltoverian of a certain class, it's probably unthinkable to haggle.

I've felt this cultural difference as a person from the US while traveling. You would never haggle in the area I'm from (I don't claim to speak for the entire US), because most shops have an established price and that's what you pay. It would be incredibly rude in most instances to haggle. But when I've traveled to other parts of the world, Turkey for example, it's not considered rude at all, but expected. In places like the Istanbul Grand Bazaar, it's expected and there's etiquette governing it, and US customers are regularly fleeced for 10x the actual price if not more.

But you have to understand too, in relation to Jayce and as referenced in point 1, one reason US customers get fleeced in those places is because the amount being demanded as 10x more than the cost of the item is still a negligible amount for them. An item that they could haggle down to 50 cents costing $5 instead isn't really a big deal. Especially if you're on vacation anyway, you can afford to be generous, even if it means getting mocked behind your back as a sucker.

And for some there's an element of generosity to not haggling. Why would I haggle to get a $5 item down to $2, when it's a negligible difference for me, I want the item, and the person I'm haggling with needs the money more? Which leads into:

3 ) Jayce doesn't haggle because he's a good person at heart. Zaunites from Ekko to Silco are aghast at Jayce's lack of haggling, so it's not just a financial thing, it's a cultural thing. But even with the case of Silco, I'd argue one reason Jayce doesn't haggle is because he sees himself in a position of strength. He knows that independence matters more to Zaun than it matters to the Councilors in Piltover, who might whinge about it and the potential profit losses of losing sovereignty over Zaun, but they've been neglecting Zaun for years so boohoo, they can suck it up and get over it.

That to me is Jayce's view. Jayce admits that Zaun is asking for a lot of privileges that probably should be haggled over, like access to the Hexgates and blanket amnesty, but all that would do is drag out the process, possibly lead to more conflict if tensions rise again during the negotiations, and it would still lead to the same conclusion: Zaun deserves to be its own nation after Piltover neglected it. Jayce is a direct thinker and he decides it's better to just rip the bandaid off and let the chips fall where they may, rather than try to nickel and dime Zaun's negotiations when it would cost nothing AND be the morally correct choice for Piltover to just let them go.

One a final note: I think one reason we're seeing Jayce become a more beloved figure in S2 is because we can now see how radical and progressive his negotiated peace with Silco actually was.

When we only had the context of S1, Jayce's negotiation can come across as too little, too late, or even foolish. But when you see at the end of S2 that, as far as we can tell, without the negotiation going into place, Zaun doesn't have independence and only gains one seat on the Council, you can really see why Jayce using his position of authority while he had it to cut through the bullshit and right what he saw as a systemic wrong in one fell swoop might have been naive but it might have also been the radical change that the city desperately needed. Granted, we'lll never know if the Councilors were right and there could have been negative consequences to not negotiating more. Maybe handing an independent Zaun to Silco and the Chem Barons without haggling would have led to further disaster.

But as the show's theme constantly reiterates, "What could have been?" I think we can see better now that Zaun didn't get everything Jayce was willing to give them at the end of S1, and that's a tragedy. If nothing else, Jayce's willingness to not haggle even when he could wasn't just foolishness, it was because his heart was in the right place and he thought they deserved it. It might be a long time before there's another chance at that kind of progress again without the Man of Progress.

[froggybangbang]

Image ID below cut

[Image ID.

Original post is a tweet that says "Inventing a new lifestyle philosophy called "The Nine Delights" where each day you try to experience at least three of the nine delights." Followed by a screenshot of note of the Nine Delights:

"Walking around. Fellowship. Deliciousness. Transcendence. Goofing. Amelioration. Coitus. Enthralment."

Below is a reblog with a screenshot of tags that read "#i wish i knew what half these words meant but yeah #me core" to which a screenshot of an answer is answering:

"Here's a guide of what I've determined the meanings to be:

Walking around - self explanatory

Fellowship - hanging out with friends

Deliciousness - having something tasty

Transcendence - feeling that you have reached a different level of done sort; alternatively, when you do one of the other Delights to the extreme and feel really good about it. (You know Transcendence when it happens)

Goofing - having a laugh at something

Amelioration - working towards the betterment of something, for example, working on a skill you hope to improve.

Coitus - Fucking [editor note: the word is whited out]

Enthralment - becoming incredibly engaged in something, hyper focusing on something

Wildcard - anything that you feel was a delight in your day that does not fit one of the above Delights "

Below the list is the "#i like this!" /end image ID]

[galacticsilverplush]

Another post because I remembered something I did. Before I came here, I was on Instagram, and being a Misako fan on Instagram is AWFUL.

Left, Right "jokes" and serious posts about idiots who thought Misako was a cheater were everywhere! So I made a thing.

I made this chart to show how Misako and Garmadon, two brown haired people, could give birth to Lloyd and blonde haired boy. (This is a recreation of the chart). I did it because people who said/say Lloyd is Wu's kid PISSED ME OFF, and they still do!

If you think Lloyd is Wu's child, shut the FUCK up. Lloyd looks like Garmadon because that's how biology fucking works, if Lloyd was Wu's kid he'd look like Wu but... he doesn't! So guess what? LLOYD IS GARMS KID AND MISAKO DID NOT FUCKING CHEAT.

How else do I know? MY OWN LIFE! My parents have dark hair, but I have blonde! (Hair reveal woo). Ninjago fans will ignore genes/biology just so they can hate Misako even though there are REAL LIFE EXAMPLES of children with brown-haired parents being blonde.

According to some Ninjago fans, if you don't perfectly match both your parents, one cheated. Which is wrong. If you think Misako cheated/Wu is Lloyd's 'real biological dad' in 2024, stay the fuck away from me.

The idea Misako cheated is just another bullshit way to claim Misako didn't love her family. Misako loved everyone in her family even if she had to make drastic decisions to protect them, and I wish some people would stop villianizing her. Even if it's not as common anymore, it still happens, and it makes me MAD.

[bulgariansumo]

I see a lot of people in the tags feeling like they can't share their original work until it's complete and published since there's no place like AO3 for original stuff. But there are! Here's a few of the more popular options.

(Note: Traditional publishers tend to not want stories posted anywhere before they do, so keep that in mind.)

Tapas

Tapas is a most known for its webcomics, but it allows webnovels now, too. The most popular types of stories right now are Romance Fantasy (specifically Isekai Regency Romances), Action Fantasy, and BL.

There are slightly different genres available for webcomics, but for webnovels, the genres are: Romance, Romance Fantasy, Fantasy, Action Fantasy, Action, BL, GL, LGBTQ+, Drama, Mystery, Thriller/Horror, Science Fiction, Comedy, and Non-fiction. Stories are allowed to have three genres, but the first one determines where it shows up in searches and rankings. For example, my story is LGBTQ+, Science Fiction, and Slice of Life, but it only shows up in the LGBTQ+ section.

You can tag your story anything you want. Individual chapters are taggable, but that's just for fun, it does nothing for searchability.

Tapas emphasizes bite-sized content, so novel chapters are only able to be up to 15,000 characters (a little over 2,000 words) in length. Users can like and comment on each.

Images go a long way on Tapas, even if you're writing a webnovel. On your story's page, there's space for a banner, the cover (of course), and every chapter can contain a different thumbnail picture. Here's what mine looks like:

Personally, I like to switch the thumbnails with each full mini-story in my novel. I know someone who switches thumbnails based on PoV character, and I've seen people keep the same thumbnail throughout their whole story. It all depends on what you want!

Tapas has a full ban on AI-generated images and text. Mature content is allowed so long as it is appropriately tagged. They're a little stricter on images than text. As long as you're not writing porn without plot, hate speech, or something illegal, you can write pretty much whatever.

There is a Tapas Forums and a Tapas Discord. Personally, I find it easier to chime in and talk shop in the forums. However, the Discord is where Tapas announces contests and offers feature opportunities.

Royal Road

Royal Road is a website that caters to fantasy, sci-fi, and other speculative novels, with a current emphasis on LitRPG Isekai. But you can post other stuff there!

The site has a list of preset genres and tags. You can select up to four genres and however many of the tags you want. Here they are. The images are a little blurry without zooming in, but I included alt text.

If you hover your mouse over the question marks beside each label, it'll show you its definition just in case you're like me and don't know what some of these tags mean.

Your story goes through a 24-hour approval process, and if the moderator decides that it's fit for the site, it goes through.

Just as a heads up, this site has a reputation for being very strict about sexual content, even when it's appropriately tagged. The FAQ doesn't mention there being a limit, but among authors, it's understood that only 10-15% of the words (or chapters??) in a story can contain explicit sexual content. Sometimes less. So be aware of that.

Instead of likes or kudos, stories have the option to be reviewed on a 5-star system. These reviews are either be a short overview of your opinions on a story, or a more in-depth, "Advanced" review rating Style, Story, Characters, and Grammar separately. This helps (or hinders) a story's visibility. However, if you're friends, family, or live in the same house as the author, you MUST state that in the review, or the author could get into trouble.

Readers can comment regularly, but there's also an option to make it so that they can select passages to point out grammar mistakes and things like that.

You can insert images in chapters, but only if they're hosted on a different site, like Imgur or here on Tumblr. You can also put a poll in each chapter.

Royal Road allows AI-generated stuff on its site. There's an option to mark stories as being AI-generated or AI-assisted (using something like Grammarly to spellcheck or clean up wording). The site does have an in-depth search system that allows you to exclude stories tagged this way. However, there's still a lot of stories that use AI covers.

The site also has forums with a bunch of different sections. There's one specifically dedicated to swapping story reviews, but some people there will read, comment, and review on other people's stories just for fun.

Wattpad

Wattpad is probably the most well-known original writing platform. Its most popular story type seems to be any romance involving a rich and/or powerful guy. Sometimes he's a werewolf.

Its list of genres includes: Action, Adventure, ChickLit, Fanfiction, Fantasy, General Fiction, Historical Fiction, Horror, Humor, Mystery/Thriller, Non-fiction, Paranormal, Poetry, Random, Romance, Science Fiction, Short Story, Spiritual, Teen Fiction, Vampire, and Werewolf. You can only pick one of these per story, but like Tapas, you can also tag it anything you want. Each story is allowed 25 tags.

Pictures can be added to chapters, along with a picture, gif, or video above each chapter. Chapters can be commented on and liked. Wattpad's most standout feature is the ability to do in-line comments, where you're able to comment on specific lines or paragraphs. Also, you can see a chart breakdown of your readers' ages and genders.

Wattpad allows AI covers and AI text, and unlike Royal Road, there's no way to filter it out. The site used to have forums but got rid of them mid-2020. It also got rid of DMs earlier this year.

Archive of Our Own

The average person reading this knows more about Archive of Our Own than I do, so I'm just gonna say: AO3 allows original works so long as they're "fannish in nature," otherwise, they'd prefer you not post them there. Original works are tagged under the Original Works fandom.

General Tips

Do not under any circumstances join Webnovel. It's well known for predatory business practices.

If anyone DMs you on one of these sites wanting to sign you onto another, ignore it. It's probably sketchy.

Read other people's stories if you have the time. There's a chance they might like yours too.

If you don't know where to start finding other stories to read, participate in Read for Reads (Review Swaps on Royal Road). Not every story is gonna click with you, but I've found some of the coolest hidden gems from those.

Forums on novel websites are usually full of other creators. Advertising might get you a new reader or two, but not many.

Some of these sites (especially Royal Road) fall victim to web scrapers posting stories to another site. The good news is that they also copy usernames, so the authors still get credit. Also the views and likes on the other sites are often made up. No one really visits these them except for the authors who found out they've been stolen from. I don't really know what the end goal is... I think Tapas might the safest from this, since you can't copy-paste text from there, but that's just a hunch.

Was wishing there was a positivity post for original fiction writers since I see so many about how fanfic writers are doing so much for their communities even when they're not actively writing, and then I thought:

Be the change you want to see in the world.

So this is a positivity post for the writers out here who are working very hard on stories with no established community. Who can't talk about their blorbos and plot lines and brainstorming to anyone and expect them to know what any of it means. Who don't have much to share publicly, but are hoping they will one day.

You're doing a lot of hard work, and I recognize and appreciate what you're putting into the world, even when you're resting.

[warblogs17282]

A look at Stolas' 'happy pills' withdrawal symptoms in Sinsmas.

So, I've been looking at withdrawal effects of antidepressants following Sinsmas, more specifically, SSRIs. More specifically, I found this section:

Symptoms that may feel like your original problem:

anxiety

crying spells

depersonalisation (feeling detached from your surroundings)

depression

disturbed sleep

fatigue (feeling very weary)

mania

mood swings

poor concentration and memory

suicidal thoughts.

Source for this can be found here:

Anxiety: Pretty clear to me that Stolas has always had at least some undercurrent of anxiety flowing within him throughout the episode, starting from his first attempt to call Octavia at the start of the episode. Plus it's also pretty clear during this scene that Stolas is definitely feeling quite a lot of anxiety, I would include the Moxxie and Millie fighting moments but you could explain that one away with Stolas not exactly being accustomed to Sinsmas traditions, even if his anxiety is heightened due to withdrawal symptoms.

Crying Spells: 100%, we see Stolas break into two crying spells upon the realization that he is now poor, and another when the client sinner is recapping the story that led up to this point that hit almost exactly to home for Stolas.

Depersonalisation: Yep, Stolas may have taken another dose of his happy pills by this point, although we weren't shown that on screen, but following the conflict with Octavia, in these two scenes you can just see how detached from the world Stolas is at those moments.

Depression: It's been made pretty obvious that Stolas has depression, so I'm counting this one as a yes.

Disturbed Sleep: Don't think this one applies to Stolas.

Fatigue: Considering that a definition of the term 'weary' is 'very tired or lacking energy and enthusiasm', while this doesn't apply to Stolas all that much during the episode, there's definitely some spells of it throughout the episode, like this one for example.

Mania: Looking at the same website here, there's a few things under the 'how you might feel and behave' sections for mania that I do believe applies to Stolas here, which is pretty much all contained within two scenes.

'Irritable and agitated': We have this entire scene where Stolas loses his shit over a spam call, mainly because he thought it was Octavia calling him back but still.

'Very confident or adventurous': Would say adventurous applies to Stolas here, as most definitions of the word adventurous involve risk and/or danger, and well, in the line before this, Stolas very clearly identifies the potential risks he might be putting himself into by attempting to see Octavia, but goes ahead and does it anyways.

'Like you can perform physical and mental tasks better than normal': Probably applies here due to the absolute beatdown Stolas did on Andrealphus during this scene.

'Talking a lot, speaking very quickly, or not making sense to other people': Yep, see this scene again where Stolas proceeds to talk extremely quickly, which 100% does not make any sense to the other sinner within the room. This entire scene also probably counts for the point 'Saying or doing things that are inappropriate and out of character', plus 'Losing social inhibitions'.

'Being rude or aggressive': yet again, see the scene I just mentioned, and the whole 'you could shut the fuck up' line. (Although she did deserve being told that ngl.)

'Taking serious risks with your safety': I cover this in the 'Very confident or adventurous' section just a few paragraphs above.

With all of this being what I think applies to Stolas during this scene in regards to mania.

Mood Swings: You see Stolas have quite a few mood swings throughout the episode, some of which I have already quite clearly shown throughout this post, 100% applies to Stolas.

Poor concentration and memory: Potentially, although I'm struggling to think of any specific examples and I'm not entirely sure if this scene would fall under this category.

Finally, we have Suicidal Thoughts: Pretty heavy subject but I've said this before and I'll say it again, I'm pretty confident in saying that Stolas has quite high levels of suicidal ideation and/or is passively suicidal.

I love badass Stolas like the rest of you all do, but there's just something about Stolas facing death with absolutely zero fear that just screams to me that Stolas is passively suicidal, especially if we consider what Stolas did during Mastermind as well, however, I cannot fully confirm this at this time.

So while I cannot confirm that Stolas has suicidal thoughts going through him, I suspect that he might have because of my belief that Stolas has high levels of suicidal ideation and/or is passively suicidal.

I gotta give this show credit for depicting mental health realistically, because they really knocked it out of the park with Stolas' withdrawal symptoms as well.

[wardensantoineandevka]

I won't get around to writing a properly developed post on it, but speaking generally and assuming broad good faith, I personally think the anachronism in Veilguard is fine. I know it's a deeply held bit of style for a lot of people, and many hold the directive about no anachronism as important to things feeling properly Dragon Age.

Personally, I never felt it THAT important. I roll my eyes at nitpicking about historically accurate costuming too, and I pause to wonder what IS "anachronism" in fantasy. I think a lot of the style of the games leaned so hard on it that, in some places, it was a substituting this rule in place of developing stronger individual style or voice. I love this series, but I don't feel like characters (notably once you got past core cast), locations, etc. always and consistently had a strong sense of voice, both in terms of diction but also in visual direction. I feel like even the music gets this a little bit, since Veilguard feels more musically interesting to me than many of the prior tracks because, I think, the soundtrack is allowed to feel a little less like vaguely European medieval heroic fantasy.

There's always been anachronism, but I think the strict reliance on adhering to a particular conception of what A Fantasy Story looks and sounds like really hampered, at least for me, the development of style identity. Veilguard's voice and style broke from that in a way that did feel successfully more specific and striking for the story and characters it's trying to dress. I think being released from this directive does—because there's no longer what we bring ourselves to the table from our familiarity with the genre and pattern recognition—however, magnify flaws in how Bioware always has treated the setting as just the backdrop against which these dramas play out. But that's outside the scope of my thoughts here. I'll just summarize that with: that's a consistent Bioware problem, and I don't think it's inherently wrong to approach worldbuilding as merely dressing the set for your story, though perhaps that isn't always the most successful approach here and I know many fans are very invested in the setting itself and its development, so that would put us all at cross purposes.

Don't get me wrong. There IS a place for that sort of directive, a rule against things that scan too modern. But then, I think for it to work, you have to have a very firm idea of your own voice, of your individual style and direction working with that directive, and frankly, I don't think Bioware EVER really had a super strong grasp of it here.

I do think the character design especially, character voice, and visual identity suffered SO much in many earlier instances because of this directive. Meanwhile, I think it's interesting and striking to have things like, for example, Neve clearly drawing from film noir and how that informs how I approach and think about her as a character and how appropriate it feels that Lucanis and Illario end on the stage of an opera house. I feel like being released from having to worry about anachronism has, for me, produced some of the strongest instances of style and voice in the series in a long time.

And I know a lot of people feel the OPPOSITE, which is a matter of personal experience and taste, but for my own, it always felt like the series was weighed down by a notion of needing to properly emulate The Genre. (We've all looked at the infamous browns and muds of Origins, a game I am fond of. This is why it looks and sounds like that, in my opinion.) This fear of being too anachronistic or too modern often left the series not really feeling, to me, like it's really had a firm sense or idea of what its style or voice was, of what made it sound or look like itself, because it was always afraid of being too modern while also feeling afraid to not look enough like a heroic epic fantasy.

I think getting rid of that and no longer fearing it has done a lot for developing a stronger voice with a look, sound, and feel for Veilguard that feels more specific and conveys story and character so much better and more confidently. Because, in the end, that's supposed to be what this is all in service of: conveying character and story. I feel like Veilguard, in being released from this restriction, has developed a stronger voice with which to do it.

[the-sappho-of-lesbos]

Lesbian Pulp Breakdown #2

Here for another pulp breakdown ! (Finally 🙈)

This one will also have spoilers and lots of triggering content. Please be warned.

This pulp fiction breakdown is for Lesbian Love by SV Miller. 100%, absolutely written by a straight man. This book is WILD, and significantly worse than the last one I posted about Alone At Last, which I didn’t think was possible. Because that one was a train wreck.

So in this one we have our protagonist Aggie; now Aggie is married to a man called Jim but she also sleeps around and has affairs a lot. The first three chapters, if I recall, were literally just her having affairs with other men and then getting mad at her husband for accusing her of having affairs. Her and Jim have a very toxic and volatile relationship, as well as being very inconsistent in the way they approach each other, the way the approach themselves and their marriage. It’s wild.

Anyway, she gets to the point where she’s like: I don’t want to be in this marriage anymore. I don’t like him. I don’t like what we’re doing. We’re always fighting, throwing things at each other and then we end up being intimate. She hated it. Then she found an advertisement for a sanctuary away from men that was supposed to heal her, heal the relationship and get her away from there; BUT to get there she had to have a lot of money so she ended up having even more of an affair and putting herself in very dangerous situations to get the money. Though when she did, phew, off she went - she was there. It was all secret and she was given these very weird and ominous directions to get there, she wasn’t allowed to bring certain things with her etc.

When Aggie is there, it becomes very clear to us, the reader, she has just entered a massive cult. It’s also when this book just dives head first into all of its problems.

This isn’t to say Alone At Last was a good book by any stretch of the imagination, however, it did hold little nuggets of positivity, mainly in the areas of acknowledging homosexuality was natural and not having the main lesbian character end up dead or in an institution. This book can’t even say it has that going for it.

This pulp genuinely felt like a homophobic pamphlet fever dream.

There was so much sexual assault in this book committed by a lesbian, but sometimes the author would jump around on if it was assault or not in a very uncomfortable way that felt like it was rooted in a fetish.

So we have our lead lady, Aggie, introduced to this lesbian commune that is run by the lesbian dictator Helen. A rich woman set on assaulting women, keeping them trapped in this isolated location, and “turning” them gay - or as this book likes to paint it, corrupting women to sin.

There is a massive emphasis all throughout the book about how broken, unnatural and wrong lesbians are, ( the very last line is “I feel … normal!”) while simultaneously sexualising them for male titillation. With big strong men to come in towards the end and save them all.

It tries to entice us into the plot with this evil lesbian cult commune plot , where women are forced to pair up with one anther in this instance Aggie is forced to be with both Helen and a woman called Grace ; Grace is also the character Aggie ends up snot being attracted to, but only because she is in a “perverse” place). These women are locked up in torcher chambers if they don’t comply to the Evil Lesbians or try to run away.

In the end this pulp is probably a textbook example of what people think of nowadays when they think of old school lesbian pulp. With terrible writing on top! It was genuinely a slog to get through. Even though it’s relatively small it took me 4 months to finish reading it because it was just so terrible and had no redeeming qualities about it. Just a terrible mess of assault, homophobia and horrible writing.

Let’s hope the next one is better.

[canmom]

yeah, for sure!

it's a portal system, where the playing field is level, meaning there's loads of stuff getting posted and you just have the contents of that box to entice someone to try your story - there's no blurb for them to look at, and of course, here these ads are being shown while you're reading another story so they have only seconds to intrigue you enough to pop it open in another tab. in that context, simple is better! it's the same reason (I imagine) so many Japanese web novels on shōsetsu spell out their entire premise in the title...

a lot of the tools available to printed books aren't available to web novel authors. you don't have a blurb. you don't have famous authors or critics to provide pull quotes about how important or profound the book is. you don't have the style of the binding, communicating what type of novel you have in your hands, or how physically long it is from the spine. with such limited information... well, memes win right? they're a format optimised for rapid communication in tiny boxes.

but what's fascinating about it for me is like, it's a window into a different literary subculture, with totally different priorities to what i'm used to.

fanfics are usually categorised by things like relationship dynamics and in particular the sort of emotions aimed to be evoked by a story. for example, hurt/comfort, slow burn, porn without plot. by far the majority of stories are romances; we have a term gen for the minority category of non-romance stories. as you mention, mainstream fantasy/ya/etc. novels have increasingly started to be marketed in similar terms ('cozy'), as well as emphasising demographic boxes (e.g. asexual protagonist).

here, by contrast, stories are largely sorted by types of power-fantasy premise such as isekai, cultivation, litRPG and harem. the 'MC' exists as a kind of meta-character, an audience-projection figure who will presumably be more or less similar in most stories. it's a feedback system: the more RR becomes known for a certain type of story, the more readers will be attracted there to read it, and the more readers will be inspired to become writers of the kind of genre they've been reading.

at least, that's what I surmise from the window of advert boxes - i've only been on RR to read Worth the Candle and The Flower That Bloomed Nowhere, which don't really fit the stereotype of a RR story, but rather use its familiar genres as a point of departure for character-focused stories and examine familiar science fiction themes like power, mortality, the weirdness of the mind, moral philosophy, sexuality, trauma, and so on.

and maybe some of these stories are that too. after all, you bait the hook with an easy-to-comprehend premise, you can't lead with anything too dry. but i get the impression (from memories of writing similar stories as a kid) a lot of people approach this kind of thing more like a solo TTRPG. it's sort of like. what if you wrote down the narrative you construct in your head when you're playing a game?

anyway i shouldn't speculate too much about a genre i don't read and don't super plan to get into, i just think it's cool to see all the different things people do on earth, you know

so on royalroad, the english-language serial webnovel website, there's ads created by users for other stories at the top of each chapter - you know, for the common case where you're reading a book and you want to suddenly start reading a different book. (they set it up in a way that's fiddly to block.)

they're kinda fascinating? I almost want to start collecting them. they triangulate into genres with bulletpoints. isekai. cultivation. reincarnation. yes romance. no romance. harem. no harem. some of them use anime-styled art or fantasy concept art (most likely a lot of it either AI-generated or used without permission/attribution, I get the vibe)... but a lot of them are straight up just memes.

hell lemme just refresh the page a bit and see what I get. I'm only a liiiiittle selective here.

...I could keep refreshing but you get the picture.

and sure, it's just the same as the AO3 tagging system with a different set of aesthetic priorities right? people are searching for stories which scratch a very specific itch. but there's something weirdly fascinating in advertising a story based on how formulaic it is. or ads for a novel that look like ads for a mobile game. how so many of them refer to their protagonist as 'MC'.

I assume this like, works, or people wouldn't do it? Same principle as long light novel titles. otaku database theory stuff. I just... don't really get it! who's it for?

[epickiya722]

Okay, I read what I can from the epilogue and I just want to put out that I'm not saying I'm right about anything I say here because it's not an official release and I read from fan translations.

『Also refer to this post and this one!』

So, again, I was right about Ozawa meeting Yuji again and they have a little heart to heart.

Talking about snow, what they're doing in the same place, bit about Shibuya, it was cute.

But the ending of it was more open ended (which isn't something I hate to be honest).

Before anyone goes "Oh, they pulled a MHA 431, it's so homophobic", I get that it might feel that way but... in no way did Yuji express anything romantic to Ozawa, let alone any kind of feelings for her. Like, let's take a step back FOR ONCE and analyze what's up here. Here, take my hand. Come on and follow along with me.

If anything, from his side, he thinks she is a cool girl. However, he still barely knows her and I doubt him if confessed to he would be like "Oh, I like you like that, too, Ozawa! Let's date!" She's, at best, an acquaintance. Someone in passing, someone he did go to middle school with.

So, her epilogue isn't even homophobic. At best, it's once again just Ozawa being all starry eyed over Yuji who doesn't know how she feels.

It's actually sad when you think about it.

In no way is her feelings are mutual. If Yuko was looking for love, Yuji may not be that person for it. I get it, sometimes you'll have feelings for the one person who was nice to you, but that doesn't mean it will be the only person.

Yuko being too busy hung up on Yuji may have missed a person who likes in the way she likes Yuji. What if there was someone else who did pay attention to the way she writes? Who did meet her at some point and got to know her and liked her for who she was?

And if not that, Yuko should have took Yuji's words to heart and realized how great she is and learn to love herself a little more.

The thing about the middle school flashback I feel, isn't just a flashback about her, but also to show the kind of person he is.

It shows that he's attentive and thoughtful. But also that his actions tend to be swayed by other people, even forcefully. Which happens often for Yuji. He told those boys he didn't like anybody and when asked again if he had to choose, he choose someone who he thought was a neat person. Those boys forced Yuji to give another answer despite him saying he didn't like anybody the first time.

If anything, that flashback serves as a more gentle example of who Yuji contrasting to Rin, another person who knew Yuji when he was a middle schooler (Rin is actually older than Yuji). In Rin's flashback, we see Yuji defend a kid that was being picked on.

Yuji was being attentive, he didn't ignore a kid being bullied. He stepped up and told them to leave him alone and when they didn't and decided to charge at Yuji, he was then forced to act violently. In turn, Rin was left with the impression he had of Yuji, just as Yuko was.

Bringing up the snow bit, it was cute. I liked it! Yuji being compared to snow. But this is not the first time someone has came across Yuji and thought of snow.

What was the incident they bring up this chapter? The Shibuya Incident, right. And who did Yuji have to fight and had cowering by the end of it? Mahito, yes, him. And other than a wolf, what else did Mahito imagine when he became fearful of Yuji? SNOW!

So like with Rin, Mahito's perception of Yuji is opposite of Yuko's. She got to experience a gentle side which she admires. Rin and Mahito got his violent side, which they feared.

With all that being said, even with this epilogue ending the way it did, it doesn't smell "canon" to me. Especially, on Yuji's end of things.

Yuji may have a type of girl he likes, but he is also someone who doesn't express romantic interest in anybody.

While this is Yuko's epilogue, I do feel like she is also just another character to showcase the kind of person Yuji can be. She being present shows a gentle side of him while characters like Rin and Mahito shows his violent side.

And no, again, I don't think this means they're canon. So I beg, certain shippers who like the same ship I do, don't jump on Yuko, Yuji or Akutami for thinking this is some homophobic chapter when the romance between a girl and a boy here once again went nowhere.

It really didn't feel like Akutami-sensei was really trying to make them canon. And given the track record of F/M ships in this series? Yeah... no...

[utilitycaster]

Inspired actually by me nonstop thinking about the Young Witch Solving The Disappearance Of Her Neighbor's Cat In The Alps tweet since last night and a number of other unrelated posts I have been thinking about the concept of maturity in media, because I think there's a lot of different dimensions to that. It's a series of spectra, rather than a binary, and if you use the terms "mature" or "immature" you can quickly realize that a lot of our societal metrics for what's adult-appropriate vs. child appropriate are very skewed in specific and in my opinion untrue and unhelpful directions. This could honestly be a 10 page essay and I may very well write that when I'm on break but just to give you my outline here:

Stimulation - is it grabbing your attention with bright lights and loud sounds and fast action, or do you have to actively focus? Action films can be just as "jangly keys" as children's animation despite being an "adult" work, whereas something like Mad Men can have vivid colors but would bore a child to tears in terms of pace and action. However, and this will be an ongoing theme, you can have a very choppy, fast-paced narrative that is complex and a very slow and dull one that is incredibly simple and childish.

"Ratings" Subject Matter: Sex/Violence/Profanity. This is the one I think is most misleading, because you can have an incredibly puerile R-rated film, and you can have an immensely complex narrative without any of the above. [note: I have zero patience for people who act like sex and violence are inherently unnecessary wastes of time; they are merely things within a narrative that can be executed well or poorly, but it is true that something can have a simple plot and constant bright lights and stimulation and essentially be big old jingling mobile for infants but there's a sex scene in it so it's Adult Now. Unfortunately a lot of people are like "and this is why YA is inherently better" which we shall see is not the case.]

Other Difficult Subject Matter (I don't have a good name for it, but to give examples, death, racism, genocide, abuse, serious or chronic illness, etc). This one is tricky because all of the above are topics present in works for quite young children, because they can experience all the above or have someone close to them experience them, and fiction is a powerful teaching tool. Obviously the nature of how this is presented varies, and later points will cover it, but while in my opinion the simple presence of these topics says nothing about the work's level of maturity on its own I'm including it because you do get people who think that children should be shielded from all the above and would consider the mere inclusion of those topics as inappropriate. They're wrong, but it's definitely an axis of judgement/categorization that exists.

Adult-level processing of information (probably a misnomer in that teens can do this but like, teens read adult books all the time, and as Tumblr has shown us, many adults cannot do this): does the narrative require you be able to pick up on subtext? Do you need to understand what is relevant to the story and what isn't? Do you need to be comfortable with or at least able to tolerate not knowing entirely what is going on right away? Do you need to have a sense of irony? Is there an unreliable narrator?

Adult-level processing of moral complexity (in my limited, not a parent or educator experience, I honestly think teens do better with the information processing than this, ie, this is one of the last things to develop; also Tumblr is even worse): does the narrative require you accept that sometimes things are unfair and will never be fair? Do you need to accept a story in which the Quote Unquote Bad Guys walk free without real consequence? Do you need to accept a story in which no one's actions are entirely defensible or in which no choices are easy and clean and harmless? Do you need to attempt to understand an alien perspective? Is there senseless tragedy? This incidentally is how you separate out the children's books from the adult books on topics like illness or catastrophic events; a lot of children's books end with a message of "it's hard and sad, but it will be okay eventually" and focus on very relatable POV characters which is understandable! But, to use an example as someone who went to a Jewish school with a robust Holocaust education, elementary schoolers read Number the Stars in which the (entirely fictional) Jewish family escapes to Sweden; middle schoolers read Night in which Wiesel's (real) father dies painfully in front of him.

None of this is to say that escapism/cozy fiction/whatever you want to call it is bad - I am not interested in a diet entirely made of thorny moral quandaries and no happy endings. I enjoy a stupid turn off your brain action movie, or a fluffy romantasy. But I do think that a demand that every ending be happy and that Justice Be Served in every story is no less immature than saying "ew, there's kissing in this???"

[akookminsupporter]

A few days ago, I saw a tweet saying BTS made it look easy. The person was obviously referring to everything BTS has achieved in terms of records, numbers, fame, and their ability to break barriers in the Western market, not to mention their success in grabbing the attention of mainstream Western media. As BTS fans, I think many of us can agree that, despite all their accomplishments and the barriers they’ve shattered, they are still treated differently. There are still significant hurdles to overcome, but it’s undeniable what they’ve achieved, both as a group and, more recently, as solo artists over the past two years.

Yesterday, I remembered that tweet when I saw another one from someone in a different fandom. They were saying that a certain group should be invited to perform at the Grammys, even though they weren’t nominated. This got me thinking: are there other groups that have broken the same barriers BTS has? And I’m not just talking about streaming numbers, but the level of interest from the Western market, the Western music industry. Even if that attention is sometimes driven by convenience—something I feel happened when BTS first gained significant media attention, even though they already had a massive fandom in the West and their tours were already selling out—are there other groups who’ve managed to get this kind of traction? Is there any group that the mainstream media talks about as much as BTS?

One thing I mentioned in a post a few years ago was how BTS, or one of its members, was always trending. News about them would pop up on my timeline, or in the newspapers and magazines I usually read. And that’s something I haven’t really noticed with other groups. I want to clarify that I’m talking about my personal Twitter feed, which is not specifically focused on BTS. I’ve occasionally seen BP or one of their members trending, but it’s rarely related to music. I don’t recall seeing other K-pop groups mentioned in magazines, newspapers, or even tabloids, not even when they perform on music shows. So again, this made me wonder: have these other groups really broken that same barrier, or is it just that I’m not noticing it? Of course, just because I don’t see something doesn’t mean it’s not happening.

I want to emphasize that this isn’t to say that other groups aren’t successful, or that they don’t deserve to be. It’s simply a curiosity about whether other groups have reached the level of recognition in the same way BTS has.

Note: I know that many groups are really popular on platforms like YouTube and TikTok, for example, and obviously have huge fandoms, which gives them a certain level of popularity. But that’s not what I’m referring to here. I hope that’s clear in the post.

[minart-was-taken]

Mr Reca is a Welt Theory🎭

I'm bout to cook. It may not be food but it'll be COOKED.

It's canon in the Hoyoverse that sometimes people have counterparts in different dimensions. These counterparts usually have many similarities to the original such as in name and design, but are also different enough to be considered a different character. In this post I'm going to argue for the case that Mr. Reca and Welt are an example of this.

(Disclaimer: This is for goofs and fun. I do NOT think this is anywhere near canon or even totally sensical.)

Let's go from the least convincing evidence to the most convincing evidence:

Look the same 🫵

Although most of their similarities can be tossed aside as it being an anime game and people in this genre of just tending to look very similar-- I'm still including it. They both have brown hair with a parting a bit to the side, hair that covers one of their eyes partially, and some handsome greying.

We also know when Welt is using his powers his eyes can start glowing red

But uh yea I get it. This is a strech. Moving on.

2. Similar career choices

Welt claims* to have been an animator before boarding the Astral Express. Mr. Reca is a VERY passionate filmmaker. Yes I will point out that these are very different careers, but I will ALSO point out the similarities. Visual storytelling in the form of video!! Both include character development, shot planning, colour theory... The list goes on.

Also for some goddamn reason Welt has the power to summon animations from his homeworld...? That's weird. But it works with my theory so. Uh. Yeah.

Now again, these ARE different things for many reasons. You may even say this bit of evidence is a bit of a stretch-- But, hold on!

Acheron in Honkai Star Rail is an emanator of Nihility. Raiden Shogun, her counterpart in Genshin Impact, is the Archon of Eternity. Extremely similar at face value, but come with very different duties.

*Whether he was or wasn't doesn't really matter for the theory as the fact he chose that still says a lot about the man.

3. Mr. Reca is a Memokeeper Memokeepers canonically give up their mortal bodies to exist as memories so that they may travel the world as efficient as possible with the goal of collecting memories. I can't find confirmation on whether they also give up their memories of their once mortal existence, but whether that's canon or not it's very easy to imagine a Memokeeper could do that to themself.

This leads me to the major point of this theory: If we were to take away Welt's bonds, what would be left? A goddamn nerd. Have you seen how this guy talks about his favourite shows?

So here's the tea. We know our Welt Yang is from an entirely different dimension, meaning there's very much space for a Welt of this dimension to exist as well. I propose that the man may be who Mr. Reca used to be before becoming a Memokeeper.

Here's what I'm imagining: Welt is a very old man, so perhaps long before the events of the game there existed a man who worked passionately in filmmaking. One day for one reason or another he chose to let go off his mortal life and any possible bonds he had, and became an immortal Memokeeper-- Now without bonds, he was stripped to have only one passion: films.

Its certainly an interesting fanfic 👍👍 There's a lot of holes in the theory and in the end it doesn't really matter-- Welt and Mr. Reca would probably never figure out this connections between them and even if the did I doubt they'd care too much.

But it came to my brain and I'm making it everyone else's problem.

TLDR; What if Welt had a counterpart in this universe and that counterpart was Mr. Reca before he basically de-welted himself.