#that's it and we get why that happens for the scene it's good

[arlecchinoslefteye]

Never understood the placement of the sex scene. Jinx tells Vi, very clearly in my opinion, that she’s going to [redacted] herself. And they put the sex scene right after that. Why?

You can love the show, love a ship, and still point out just straight up weird details around it.

Like how Jinx, Sevika and Isha created new found family trope and after Isha dies, It’s NEVER addressed again. We don’t see Sevika reacting to it, it’s like it didn’t even happen. She barely even gets any goddamn speaking lines in act 3.

Some characters were introduced and once again we NEVER saw them again?

And once again, say what you will, they butchered up Vi’s character, made her into petty person who doesn’t give two shits if her sister lives or dies. Jinx very clearly states she is removing herself from equation for good, Vi goes and have sex right after, and then I’m supposed to feel bad for her because she lost her sister at the very end.

Sex scene too was so oversexualised and out of place, felt like fan service but not even to lesbians (I’m gay too btw, and even then I found it weird).

I’m saying this, and Jinx isn’t even in top five of my favourite characters on the show, I’m not just ticked off that my favourite blorbo died, truth be told I didn’t really care. But act 3 was genuinely butchered up and it’s INSANE how you’re not allowed to point out ANYTHING otherwise you’re called homophobic, or that you just don’t understand television. I’m gay. I’m not being homophobic, I’m pointing out what was wrong (in my opinion).

"they hated Jesus bc he spoke the truth"

[miwiheroes]

Mike Wheeler and his Promise

"It means something that you can't break. Ever."

A huge part of Mike Wheeler's hidden character arc is set up in season 1, episode 2 with this scene right here. It's pretty much the motivation behind many of his actions towards El and Will, can be a partial explanation for his internalised homophobia and explains why he seems like to have a saviour complex.

Narratively, promises are made to be broken. When writers decide to make a promise 'important' and emphasise that this promise cannot be broken, ever, it will always come back to bite that character in the ass. Promises are either made to be broken in stories like these, or they are made to make a character feel trapped. Promises are rarely ever used in a romantic fashion unless the character cannot keep their promise or they feel like they are forced to.

What makes it really seem like Mike and El are a doomed couple to me is that the writers chose Mike to say: Ever.

No word is misplaced in writing a script. There is no such thing as an unintentional line in Stranger Things tbh, and this word in particular means two things:

Mike will always keep his promises throughout time.

Mike will keep his promises no matter if circumstances change, no matter if his feelings change.

There is no reason for this line to be in there other than to foreshadow the fact that Mike will eventually have to eat the words from his naive 12-year-old self. He will eventually regret promising something, but he'll feel like he can't go back. Ever.

The domino effect Promise begins:

*Smiling* "And we can go to the Snow Ball."

*Smiling* "Promise?"

*No longer smiling* "Promise."

This promise was made in order to foreshadow that it doesn't come true right? Because that is often what happens to promises narratively, and of course, it can't come to be because they get separated and Mike thinks she's died.

But.... the promise does come true.

So instead, this promise was made, narratively, to trap Mike. While this seems harsh of course, this young Mike has no idea that what he has just promised to himself is not only to go to the Snow Ball with El (which was a promise made to comfort her here, to make her feel like she will survive). He doesn't necessarily seem happy about making this promise. He seems more... indifferent. Knowing that this is something he just has to do.

Yeah, because this is definitely the actors' expressions and lighting and scenery you want for a first kiss, right?

So not only has Mike promised to go to the Snow Ball with her, he has also promised to save her, he has promised to be with her. And he can't break this promise, ever.

Even when his feelings change:

The writers separated Mike and El and put Mike with Will in season 2 for a reason. They used it to build up a good development of Mike and Will's dynamic of course, but it was also to change Mike's feelings.

It eventually becomes apparent to the viewer that Mike has resigned himself to not finding El. In season 2 episode 2, the last time we see Mike on the walkie, he walks away. Music swells and El looks onwards. Instead of looking happy, she seems disappointed that her bond with Mike is not as strong as she thought.

Mike, after his talk with Will in the same room, has begun to give up.

And over time, he figures out that maybe... maybe finding and choosing to Will's friend is the best thing he's ever done instead. Once he figures this out, he cries, he's not loud, he's not angry. But it's at least the thing to bring Will's message forward.

Then El comes back, and Mike feels like a liar.

I've never really figured out why Mike shouts 'LIAR!' many times towards Hopper when he's clearly projecting as he starts to cry. Until now. It's the guilt that he didn't keep his promise. The promise he had made back when El had almost died, back when El had clearly thought promises could never be broken. EVER. Even when feelings change.

Of course he'd felt pissed at Hopper. Hopper was the one to keep El safe, not Mike, which is not the thing he had promised.

When El returns, Mike says:

"I never stopped looking for you."

Woops, Michael, that's a bald-faced lie, and you know it. But he also knows what a promise is, something that can't ever be broken.

Mike is now committed into this relationship. He's ready to keep El as his girlfriend for many reasons, but the next commitments he makes (i.e. saying 'I love you') are not intentional.

In season 3:

Saying 'I love her' happens on accident, she's never meant to hear. The next time he's asked about it, he fumbles and wants to deny ever saying it. But when El says it back, he realises... oh shit. I really am in this now. I can't escape, even though I know my feelings are different.

In the famous words of Hopper. "I don't want things to change." "[I want] to go back to how [we] were."

Throughout summer, before the Mindflayer, his relationship with El was easy, it was fine. He could deal with this because he can still go to movie theatres with Will and his friends and El can't go out in public. His relationship isn't real, and the fights they have are just 'silly, stupid fights'.

But then she says she loves him too and now what? He realises this is real, he can't go back on what he's said again. Because no matter what, a promise can't be broken.

Now:

He has to reject childish things and pretend to be 'normal' (but only around El).

He has to keep away from Will, who has the potential to break his promise to El forever.

He still can't say 'I love you' because of this great big commitment, this potential for change, and El clocks him, despite his best efforts to keep up the same relationship he was trying to have in season 3.

When he no longer has the threat of this great big PROMISE looming over him, when he feels that El has no broken up with him through that note signed 'From, El', he now suddenly has the ability to act close to Will. When he's confident that El's safe and that they just need to get back to Hawkins, he's able to express how he really feels.

He can finally, finally work with Will without feeling guilty.

That is, until El's in danger again. Until Argyle reminds him of the ramifications of his girlfriend being missing, reminding him of the promise that he's always made.

That's when this intimacy with Will suddenly feels taboo again:

The next time he needs to make a commitment towards her, it's through pressure. The bottom line is, Mike likes being a hero, he wants to be a saviour, but he was never ready for it to feel like this.

When Will reminds him that he's the heart of the Party in Surfer Boy Pizza, he believes that it could never be Will that needs him, but that Will's telling him that it really is El that still needs him. And that she always will.

So he holds her hand, exactly like he did back in season one, and makes his Promise again, this time, knowing that he's trapping himself.

Now, instead of a naive kid, he's a teenager, he's changed, despite not wanting to. He's resigning himself to a life without truly being able to express his feelings. He's not just some kid going to the Snow Ball with a girl that he cares about, he's promising to love her, knowing he's trapped himself in this promise again.

After all, he's already promised to save her, and if he thinks saying 'I love you' will save her, he's gotta do it no matter his true feelings right?

In season 5, someone, someone needs to tell this poor boy that he does not need to keep his promise. El needs to tell him about her growth, what she has learned from her time at the lab---that is, that she does not need Mike to love her, which she seems to have understood. She has already accepted that her lover won't arrive at the train station.

And Mike should realise that saying 'I love you' did not in fact save El. It was the reminder to fight, that Max is in trouble, that there are more important things, bigger than their relationship, that allowed her to escape the vines.

So when Mike hears that he no needs to keep up this promise, that he no longer has to hate himself for being a 'liar' to someone he cares so much about, that he can open himself up to happiness and understanding again, he'll probably feel pretty complete.

What do you think?

[alewritesfics]

Bridging Realities

ℑℑ. 𝔅𝔯𝔦𝔡𝔤𝔦𝔫𝔤....𝔢𝔫𝔠𝔬𝔲𝔫𝔱𝔢𝔯𝔰

Pairing: Anthony Bridgerton x fem!reader

Word count: 2k

Warnings: unedited, slow burn, eventual smut/ spicy scenes, angst but happy ending, playful banter

⏮️ ⏸️ ⏭️

The Featherington household was a whirlwind of activity The hum of anticipation filled the air, mingling with the clinking of jewelry boxes being opened and the soft rustle of fabric.

You stood before the gilded mirror in the dressing room with all of the featherington women. The butter-yellow fabric shimmered faintly in the candlelight, a stark reminder of the gaudy tastes of your supposed family. You resisted the urge to tug at the neckline, which felt slightly too tight, and instead smoothed the fabric over your waist, trying to appear at ease.

Penelope, seated nearby, was unusually quiet as she read a book. Her dress, a softer shade of yellow, suited her far better than your overly bright attire. She caught your gaze in the mirror and offered a small, nervous smile.

“Would you like me to prepare some potatoes for the ladies downstairs, ma’am?” Varley asks

“Potatoes?” Prudence peeks out from behind the changing screen “Again?”

Philippa pushes you out of the mirror to look at herself instead “Why are we always eating potatoes?” She mutters

“Because these days, I am the housekeeper, lady’s maid, scullery maid, and cook” Varley responds grabbing a spare dress

You sighed, looking at your hideous bright colored dress before snatching the light green- almost blue- dress from her hands “give me that” You huffed, turning to look at Por- your mama. “I am not wearing this hideous dress, I’ll look as if I’m there to bring light into the room as a candle instead of actually participating” is all you say before you push Prudence out of the way to change into a new dress

You ignore all of the talk about the lord featherington, blah, blah, blah- instead, your mind wanders to what you know will happen in this ball. The start of Kate and Anthony’s rivalry.

Although all of the scandal is what made their love strong, you find it all unnecessary for them to relieve it again. In fact, perhaps you should help them get their love story without all of the scandals and hurting Edwina.

You frown as you remember that there was the obstacle called Anthony’s insecurities about love. It will certainly be difficult to get him to ignore his fears and give in to love when that was the whole reason he didn’t get with Kate sooner.

“Y/n!” Portia calls out “Are you done? Or do we need to wait another hour for you? Hurry, child!”

You sighed, stepping out. On to another dreary event, although you cannot deny you are giddy to see the viscount again

The carriage ride to the ball was a mixture of anticipation and tedium. Prudence and Philippa chattered away about the eligible gentlemen expected to attend, while Portia chimed in with pointed reminders about the importance of securing a good match. You stared out the window, the sights of Regency London rolling by, your thoughts firmly fixed on the Bridgertons.

You knew this ball was the catalyst for Kate and Anthony’s love story—a story that would have them at each other’s throats before realizing their undeniable connection. But could you really stand by and let Edwina get caught in the crossfire? She didn’t deserve to have her heart broken, even if it was essential to the plot as you’d watched it.

“We’re here!” Philippa announced as the carriage came to a halt in front of the grand ballroom. The sound of music and laughter spilled out onto the street, mingling with the clatter of carriages and the hum of conversations.

Stepping out of the carriage, you adjusted your skirts, the soft green fabric flowing elegantly. The night air was crisp, and lanterns illuminated the path to the grand entrance.

Inside, the room was a kaleidoscope of color and sound. Gowns in every shade imaginable twirled across the floor as couples danced to the lively strains of the orchestra. Chandeliers sparkled overhead, casting a warm, golden light over the bustling crowd.

You stayed close to Penelope, avoiding Portia’s sharp gaze as she guided Philippa and Prudence toward their “targets.”

And then, as if drawn by some invisible force, your eyes found him. Anthony Bridgerton, stood near the edge of the dance floor, his dark hair perfectly styled, and his sharp features illuminated by the flickering candlelight. His posture was commanding, his expression one of calculated indifference as he surveyed the room. And he was surrounded by a ton of ladies. You chuckled as you remember it was caused by Lady Bridgerton announcing he was marrying this season.

Your breath caught in your throat. Despite all your preparation for this moment, seeing him again was like a shock to your system. You froze, suddenly hyperaware of everything—the way your heart raced, the faint heat rising to your cheeks, and the almost surreal feeling of standing in the presence of someone you’d only ever seen on a screen.

“Y/n?” Penelope’s voice broke through your thoughts. “Are you all right?”

You blinked, tearing your gaze away from Anthony. “I’m fine,” you managed, though your voice betrayed your nerves.

“Good,” she said with a sly smile. “Because it looks like he’s noticed you.”

Your eyes darted back to Anthony, and sure enough, his piercing gaze was locked onto yours.

Holy fuck

You took in a deep breath before approaching him, pushing in between the multitude of ladies. He didn’t say it, but you know he needed saving “Lord Bridgerton,” you say with a smile “ I believe the dance you promised me is next”

Anthony's brow lifted in surprise, though he recovered quickly, offering a polite smile. “Miss Featherington,” he said, his tone smooth yet laced with curiosity. “I must admit, I don’t recall promising a dance. But far be it from me to deny a lady.” Your smile fell slightly

Seriously, doesn’t he get that you’re trying to save him?

Your cheeks burn slightly out of embarrassment but you compose yourself, a smile on your face.

The ladies surrounding him cast you scathing looks, muttering behind their fans as they reluctantly stepped back. You ignored them, meeting Anthony’s gaze with unwavering confidence.

“I distinctly remember, my lord,” you replied, extending your gloved hand. “Perhaps the memory escaped you, given how sought-after you are this evening.”

Anthony let out a low chuckle, his dark eyes sparkling with amusement. “A clever gambit, Miss Featherington. Very well, shall we?”

He took your hand, his touch warm and firm, and led you to the dance floor. The orchestra struck up a lively waltz as he positioned himself opposite you, his hand resting lightly at your waist while the other held yours.

“Bold of you,” he murmured as you began to move in time with the music. “Claiming a dance so publicly. I dare say you’ve left half the room scandalized.”

You tilted your head, offering a coy smile. “I thought it might save you from being devoured alive. Judging by the crowd, you’ve become quite the prize.”

His lips twitched as though suppressing a grin. “And here I thought I was adept at managing such situations.”

“Clearly, even a viscount needs rescuing on occasion,” you teased.

Anthony’s gaze softened, a flicker of intrigue crossing his face. “And what, pray tell, made you decide to be my savior tonight?”

You hesitated for a fraction of a second, masking the true depth of your intentions. “Let’s call it an act of charity. Though I’d be lying if I said I didn’t enjoy the opportunity to dance with the season’s most eligible bachelor, certainly helps me get por- mama, off my back..”

“Charity, you say?” he echoed, his tone half-amused, half-challenging. “And here I thought you were merely bold and wanted to delight in my very sought after company.”

The corners of your lips lifted in a knowing smile. “Why can’t it be both?”

As you twirled across the floor, the room seemed to fade into the background. His steady gaze never wavered from yours, and for a fleeting moment, you felt a crack in the armor he so carefully wore.

“Miss Featherington,” he said quietly, his voice almost too soft to hear over the music, “you are full of surprises.”

“You’ll find I have many more,” you replied, your tone light, though your heart raced.

For the first time, you wondered if you weren’t just saving Anthony from the eager ladies of the ton—but perhaps saving him based on hidden intentions, ones you won’t reveal just yet.

“Say,” you start to speak as he twirls you around “Have you found the woman you have been looking for yet? With a pleasing face, acceptable wit and genteel manners to match a viscountess?” you throw in his future words you know he will say to his acquaintances in a few minutes

Anthony’s brows lifted slightly as he caught your words, his grip on your waist firm yet graceful as he guided you through the dance. A flicker of amusement played at the edges of his mouth. “You seem remarkably well-versed in my supposed preferences, Miss Featherington,” he said. “One might think you’ve spent some considerable time pondering them.”

You laughed softly, tilting your head in mock innocence. “Hardly, my lord. It’s merely what the ton whispers about your requirements. Though, I must say, the criteria sound rather… clinical. Do you plan to select a wife or hire a governess?”

His lips quirked upward at the jab. “I assure you, my intentions are far from clinical. But it is prudent for a man in my position to approach the matter with care. I am, after all, securing the future of my family.”

“How noble of you,” you said, though your tone was laced with playful skepticism. “And here I thought a love match was all the rage these days. Perhaps I’ve misjudged the viscount’s romantic sensibilities.”

Anthony’s eyes narrowed slightly, though not in displeasure. There was a glint of challenge in his gaze. “And what would you suggest, Miss Featherington? That I throw caution to the wind and risk everything for a fleeting emotion?”

“Not fleeting, my lord,” you countered, your voice dropping to a softer, more serious tone. “Love can be enduring. It can be powerful. The kind of love that consumes you entirely—it’s worth the risk.”

For a moment, he seemed caught off guard, his steps faltering ever so slightly before he recovered. His gaze lingered on you, searching, as though trying to discern if your words were meant as a jest or something deeper.

“And what of you, Miss Featherington?” he asked, his tone quieter now, almost curious. “Do you believe in such consuming love?”

You smiled, a hint of mischief returning to your expression. “Oh, I wouldn’t dare admit such a thing in public, my lord. It might give the impression that I’m romantic, and we wouldn’t want that, would we?”

Anthony chuckled, the sound low and rich. “You are an enigma, Miss Featherington. Most ladies are content to charm me with compliments, yet you seem intent on challenging me at every turn.”

“Well, are truly all the ladies of London charmed by a pleasing smile and nothing more to shower you with compliments all the time?” you said, meeting his gaze with a boldness you hadn’t quite expected of yourself, unconsciously speaking out Kate’s sentence “perhaps I prefer to stand out in a crowd. After all, my lord, isn’t that what catches your attention?”

His grip on your hand tightened slightly, his expression softening. “So you find my smile pleasing?” He smirked teasingly

“I won’t deny nor confirm it” You glance at him mischievously

“…You have my attention, Miss Featherington,” he admitted, his voice dropping just enough to send a shiver down your spine. “Though I suspect you knew that already.”

You couldn’t suppress a smile, your heart racing as the dance carried on. “Perhaps,” you said lightly. “Or perhaps I’m simply enjoying the rare occasion of rendering you speechless, Lord Bridgerton.”

Anthony chuckled again, the sound almost indulgent. “A dangerous game you’re playing, Miss Featherington.”

“Life’s more interesting that way, wouldn’t you agree?”

As the final notes of the waltz filled the air, Anthony’s gaze lingered on yours a moment longer than necessary. You had achieved what you’d set out to do—leave the viscount intrigued and just a little off balance. Now, you only hoped it would be enough to further your hidden intentions.

⏮️ ⏸️ ⏭️

Taglist:

@heyyitsreign

@imafangirlofeverything

@stopeatread

@smartiepants217

[phantomrose96]

twice now ive started and not finished silt verses. (no particular reason i didnt finish, ive really enjoyed it both times and keep thinking that i gotta get back to it.)

a moment that really hit me, and i think i'll always remember, is in hayward's first episode. the series starts with carpenter, so we know that worshipping the trawlerman is illegal and a bit about what that worship is like, but not much about how worshipping other gods works. even with the deer/hound people (who i forget if they happened before or after hayward's intro), that's another illegal and hidden religion. it leaves space to assume that the deadliness and the human sacrifice is WHY these gods are forbidden.

and then hayward's ep happens. and he says, offhand, like it's something completely unremarkable (paraphrased), 'people following those kinds of gods wouldn't get in trouble over it if they could just be reasonable about these things. there's a right and wrong way to do this, like how every new building starts construction by drowning two criminals in the cement foundation.' hearing that, and hearing how casual he was about it, i felt my entire understanding of the setting shift drastically.

legality wasn't about whether a group of worshippers do or don't kill. it was about what worshippers kill the acceptable targets, in the right way. and suddenly i find myself much more distrustful of a society that's motivated to create acceptable targets than i ever was of how carpenter and faulkner do things.

its a really chilling and well done bit of writing.

someday ill get past five episodes. im sure i'll really enjoy it.

Yes!!! YES!!!!

I've mentioned once or twice in my ramblings here that that was also my biggest "Oh" moment for TSV.

I started out episode 1 vaguely thinking of Carpenter and Faulkner as if you'd made a podcast following TMA Avatars as main characters. We know right off the bat the Trawlerman's people are human-sacrificing cultists. Obviously Nana Glass wasn't a good person. She killed people! And she got killed in a police stand-off because she was a mass murderer. And we know Carpenter and Faulkner are following in her same line of work so, really, we're following antagonists aren't we?

And then my "Oh" came later with (not necessarily that Hayward scene specifically) but when I went "Oh. The Trawlerman's people are being persecuted by the authorities not because they're human-sacrificing cultists. But because they're the losing human-sacrificing cultists."

Because actually, the legal authorities, the politicians, the corporations, are all very much part of human-sacrificing religions. That part is allowed. These "backwards hick" gods are illegal and horrible, because their kind of human sacrifice is uncivilized. Unlike the civilized people's human sacrifice, which is allowed because the corporations and the institutions have okayed it :).

They do so much with it over the series.

Also I see you're only on episode 5 so actually I'm putting this part beneath a readmore since I checked and this is about episode 7

The episode with Paige recounting what happened to Vaughan is what drove it in for me, I think. It plays out line-for-line like a corporation going through lay-offs "These are tough times :(. We understand this is difficult for everyone leaving us today :(." but they are... just... allowed to kill these employees they're letting go in a ritual sacrifice. To a legal god. And Paige thinks surely they won't--surely good people won't do that--but they do, very much, kill Vaughan.

Money is tight and times are hard and ritualistic human sacrifice is, in fact, incredibly allowed... As long as you're one of the legal powers, doing it the correct way.

[a-bit-too-critical]

Oh yeah, stupid obvious problems with the plot of sinsmas:

1. How the hell is Stolas able to harm Andrelphus?? Andre has even more power than before (enough to form ice in large sculptures, animate said sculptures, so yeah he’s powerful), and Stolas is literally on the power level of an Imp now. If anything I could see a joke where Stolas tries to punch Andre and gets flung back immediately, then has a mental breakdown realizing he can’t do shit to stop any of the Goetia against him

2. …so do hellhounds just have crazy ah quadrupedal forms now??? Why??? They’re the lowest class in hell they have no right to transform into big beats that could easily maul the imps, hellborn, and maybe even sinners they are supposed to work for. Makes 0 sense. Hellhounds should have no extra forms and human forms should be accessible via asmodean crystals and royal objects such as the grimore, not just a thing hellhounds can do.

And some miscellaneous stuff not related to plot issues or holes but just wanted to talk about em:

- The Stolitz dance was just a glaring reminder of Viv changing her stories based on fanwork. Two Stolitz animatics that became very popular a few years ago (Sway and Greg and Rose Dance) are so clearly inspirations for the dance. Blitz climbing up on something, an intimate and comforting moment at the end, cheesy romance music, it’s literally all there like cmon Viv :/. Dance styles are pretty similar too. Inspo is fine but this really feels like she’s just taking fan ideas again

- ohhhh look who came running back to Viv 😭

- I also wanted to yap about Millie’s pregnancy because there’s about 6 possible outcomes that I could see Viv going for:

The best outcome: Millie doesn’t want the baby, her and Moxxie discuss and eventually decide on abortion. Millie trusts Sally May with all her heart and decides to confide in her, which proceeds to turn her whole family against her. Could be a good commentary on how these kinds of political nothing-burgers can straight up tear tight knit families to shreds, and for what? A woman’s personal decision? I’d love for them to show how stupid it is for families to be torn apart over politics, but that’ll never happen

The other great outcome: Millie debates heavily on what to do over the course of many episodes, but eventually her and Moxxie come to the conclusion to keep it and we get a fun arc of them raising a kid and pulling Imp closer together along with their relationship

The neutral outcome: Millie gets rid of it and it’s not really addressed for more than one episode, it’s just kinda there lmao

The pretty freaking bad outcome: Same as the great outcome except the child is used as a substitute for Octavia by Stolas and they basically become his child :/

The really, really bad outcome: Millie is forced to “accept the gift of life” and raise a child she doesn’t want or some stupid pro-life commentary

The Jesus Christ Viv why outcome: extremely sexualized and unnecessarily long pregnancy and birth scene, no I wouldn’t be surprised if this actually happened

So yeah, this could either be great or one of the worst things that has ever come from this show

[theflagscene]

15 Day BL Challenge (part 4)

59. What's a hill you're willing to die on when it comes to BL?

Omg, yes, someone asked me!!!!!

I will die on this hill, fite me.

*ahem*

Cupid’s Last Wish is a good series!

I know there is a shit ton of hate for this series and I have absolutely no idea why. It is a masterclass in physical acting, seriously, it is phenomenal! The story is very basic, because the focus of the series is the character’s journey and self discovery. Korn and Win already knows they’re in love, the story begins with them already knowing that they love one another, they just haven’t acted on those feelings nor have they admitted their feelings to one another. But never once does the narrative act like we the viewers are supposed to wonder if they love one another, that’s not the point of the plot. It’s how miscommunication and grief can blind someone so much that they lose themselves within those feelings.

In the case of the series, Win literally loses himself thanks to his anger. He nearly kills his body and damns his sister’s soul, so he must go on a pilgrimage with Korn to heal his own soul whilst his body is wavering between life and death which could very well take his sister’s soul with it. Korn, his best friend of 22 years and soulmate is the only person who can see him whilst trapped in his sister Lin’s body, because Korn always sees Win for who he really is. And of course we have the conniving mother, a well meaning family friend and a mysterious monk.

This is some of Mix’s best acting, not just as Win since Mix doesn’t usually play such a toxic character. But because for most of the runtime he is playing a male character trapped inside a female’s body, trying to trick everyone expect for three people that he is in fact a woman. Jan is fantastic in the role as well, because when she’s onscreen she must act as if she is a male stuck in an woman’s body with a male’s mind, trying to convince people she’s a woman.

It’s a complete mind fuck! Mix and Jan are fantastic as Win, the way they carry themselves, walk the same, stand the same, take up the same space, speak the same way. But don’t think Earth has it easy in this series either, because he had to make sure he held, touched and spoke to Mix and Jan exactly the same way. So when they edited the scenes to overlap, seeing Jan’s body instead of Mix’s, Earth is in the exact same position with both of them.

Seriously, if you dropped this series, try it again. Watch it just for the acting, because it’s phenomenal.

Also it has what might be the best onscreen reaction to menstruation from a male’s point of view without it being misogynistic, gross or rude. They make some jokes, like Korn not knowing what kind of pads to get for Win when he starts his period, and of course how Win feels having to care for and clean his sister’s body in a respectful manner. How he experiences her emotions, her hormonal shift, the pain of cramps, the way his whole body aches and how sick he feels. Korn is also so caring, trying to help Win through something he’d never experienced before without crossing a line with Lin’s body because whilst it’s Win, his best friend and love of his life, and when he looks at Lin he sees Win in his mind, it is still Lin’s body physically there. And as much as he loved Win, wanted Win, Lin was a baby sister to him and he could not, would not, touch Lin’s body in a sexual manner.

At the end of the series when he admits to Win and Lin’s mother that ‘something happened’ between him and Lin (it was Win, but in Lin’s body) all he meant was that Win had kissed him. Yes, he had kissed Win, shared a bed with Win, but he knew how that looked to people who didn’t know it was Win in Lin’s body. So to keep Lin from being shamed he agreed to marry her, instead of trying to explain to their mother that the assumption she was making about Korn taking Lin’s virginity was wrong.

There are fantastic villain characters in the form of the scheming aunt and uncle. Not to mention the family secret, Win and Lin’s mother facing her homophobia concerning her son, Lin being in love with someone else and of course Korn being forced into a mess that he did not want to be a part of but considering he had been friends with Win for 22 years and loved him more than life, how could he say no?

It’s a beautiful story, it’s funny, well acted and has Mix working with animals!

[bonebabbles]

Star Thoughts

I'm going to gather up all of my thoughts on the Arc as a whole in another post, but for now, I'll just drabble about my thoughts on the ending

I did not like it

I saw a lot of potential in this arc, and I was really optimistic to begin with. ASC actually got me back into WC after a long time away from it, and it was the impetus for me to really jump into the fandom.

But the ending really bites. It was going off the rails for a while, but Star in particular gave me a terribly empty feeling.

It wasn't entirely bad. There was some good in it. But not enough.

First of all, Berryheart.

I hate where they went with her. Sincerely, what the fuck.

We closed off the last book with Sunbeam feeling dread at seeing her xenophobic, radicalized mother taking deputyship in another Clan, thinking about how she will be absolutely ruthless towards foreign people she sees only as pawns

...and then that just gets dropped.

Berryheart reveals to ShadowClan cats that she's actually just teaming up with Splashstar to get rid of Tigerheartstar, but she talks too loud and her stupid ass plan gets reveled

And Splashstar is like "oooo i never trusted you anyway!"

Which gets Owlnose angry at her because "Harelight died because of you" BUT. WHY??

WHY DID THAT EVEN "NEED" TO HAPPEN. SPLASHSTAR JUST DID THAT

Why even take Berryheart in as a deputy?? Why was any of this necessary? How did any of this happen and what did Splashstar gain???

This whole thing feels like an idiot plot. Or, worse, a plot the writer doesn't have to justify because "Splashstar Craaaazy"

But anyway, a fight happens because Splashstar tells her to kill her sister Yarrowleaf and Berryheart says no

Sunbeam comes to help, Berryheart pushes her out of the way, gets a dumbass redemption death saving her daughter.

We already HAD one of these, it was Curlfeather at the beginning of the whole arc. I massively resent that Berryheart did a Dollar Store Curlfeather-- it cheapens what Curl did.

Even the way that Spireclaw rolls up to tell Sunbeam "yeah she was mean but she died saving u" just. Ooooooughhh.

SHE TRIED. TO KILL. YOUR WIFE.

BERRYHEART TRIED TO KILL YOUR WIFE WITH AN ADDER, BRO.

We SAW IT. On the SCREEN. She (Berryheart) (your mom) sent YOUR WIFE (Fringewhisker) (wife) through a PART OF THE GORGE (log bridge) (snake inside) (deadly) YOU KNEW WAS UNSAFE

The way the narrative is desperate to be sympathetic towards violent xenophobes through this whole book absolutely infuriates me, but Berryheart in particular is insufferable

We didn't need "mom heroically dies to save daughter" twice, and we definitely did not need Berryheart to be the one between the two characters to get showered in emotional flashbacks.

Frostpaw had 6 entire books to explore the complicated feelings she has for her mother, and slowly come to unpack them in a nuanced and satisfactory way

So Berryheart's felt tawdry and tacked on, to me.

And poor Fringewhisker, a victim of bigoted harassment for several books, barely gets any say about this. Her tormenter is gone, her mate is eager to forget the bullying, and Star doesn't give a hoot about how she feels on that.

That said...

It's not the idea of Sunbeam having complicated feelings about her mother's death that bother me. Most of those scenes are enjoyable.

I even like the way that Sparrowtail tells Tigerheartstar that Berryheart was the only cat he would ever betray ShadowClan for, and now that she is dead, it is the only thing he's loyal to.

It's that Berryheart had to die by saving her daughter, this "entitles" her to a protracted mourning session with her sacrifice at the forefront, while the narrative's sympathy for Curlfeather runs totally dry.

Just totally jacked Curlfeather's thing; that her ambition ends where her family begins. Man.

And Owlnose. Guy who killed her.

Owlnose what did they DO to you

I stopped liking him the minute he said that RiverClan was just following Splashstar's orders.

And the way he started lamenting how he wished he'd taken responsibility and become RiverClan's leader-- that was the moment i gave up on him.

This is not my beautiful wife.

It would have been one thing if he was constantly framed as pathetic and weak-willed, someone who stays away from power because he hates being stressed out and knows it...

But he becomes deputy at the end of the book, so, no. Everything he did was intended to be legitimately insightful.

I dislike him now.

Then again, I dislike most of RiverClan now.

Star's ultimate statement about the fact the whole Clan fell in line behind Splashstar is that "They Were Just Following Orders."

For those unaware, this is an infamously bad argument called The Nuremberg Defense. It is called that because it was very popular during the trials of Nazi officials who had taken part in the Holocaust.

The Nuremberg Defense, at best, can reduce the severity of your punishment. Pleading this still results in you being held accountable for your crimes.

Unfortunately this is not even the first time WC has posited the Nuremberg Defense unironically... but honestly it shouldn't have even happened once if they're going to botch it this badly!!

Throughout this book and the previous one, RiverClan was growing increasingly xenophobic. They beat the shit out of Wasp, steal kittens to hold as hostages from SkyClan and ShadowClan, try to drown Whorlpelt, and eventually attempt to publicly execute Nightheart.

This is all completely and utterly handwaved away with the death of Splashstar.

Xenophobia and radicalization are not properly addressed at all by Star. In fact, it misses the point so entirely that I have to believe it's on purpose.

He Made Them Bad :(

They all say sorry to the cats they did hate crimes to and it's ok :)

They were just following orders because Splashstar was threatening to kill babies. They Had No Choice.

I swear to god I really try not to throw around the term "idiot plot" lightly, but ALL of ASC from like Book 4 onwards has been Idiot Plot after Idiot Plot. I don't have any other words to describe this!! These characters don't THINK. Most of them seem to only have beliefs at all when the plot needs them to.

And like, circling back around to Splashstar, I honestly think calling all of this an idiot plot is being charitable, because the alternative is that the writing team is being horrifically ableist instead

They turn Splashstar into the stereotype of a "blood-crazed lunatic" in the blink of an eye.

He's yelling at a hallucination of Curlfeather's ghost, experiencing delusions about his righteousness, suddenly snapping and turning violent towards people, acting completely irrationally so he can do whatever the plot demands.

All the while, other cats are noting how he's "crazy" and has "gone mad"

It's REALLY bad.

It almost makes me miss the Evil Chick Tract Atheist of Book 5. At least when I'm getting shit on I know how to make it funny

His death is whatever.

There was a really ridiculous line about how the Clans are going to send an Eviction Notice Patrol to him to "inform him that he is no longer welcome at the lake, not kill him, because we must be better than him 😇💕" but at this point im used to Warrior Cats being Neoliberal Cats. Meowliberal.

And then they kill him lmaoo

Me when i send a Friendly Reminder Squad into Osama Bin Laden's house to let him know he is no longer allowed at McDonald's

I don't have strong feelings on Frostpaw being the one to kill him. I kinda wish it was someone else, but there's also no other worthy or fitting cats in RiverClan.

Just feels odd to me that Harelight died in 1 hit while Frostpaw, who has only really trained to fight for a short time, manages to end him. But whatever.

If I've been talking a lot about Frostpaw it's because she's the most interesting. Sunbeam and Nightheart have never felt more obviously out of place.

The book comes up with SO many excuses to separate Night and Sun that you could probably make a drinking game out of it.

This book needed more time on the editing floor. Errors aside (numerous errors), some chapters feel padded out by Sunbeam and Nightheart telling each other to leave

I feel like you could fill an entire chapter with the scenes of them saying the other should go. Like a Scooby Doo "LET'S SPLIT UP GANG" compilation.

enough has been said about Frostpaw's coma. Tree sucks, I hate how he barges into her dream to yell at her about how she needs to fix RiverClan.

I resent that no one hit the RiverClan cats who started whining about how Frostpaw needs to come back and fix their mess with a baseball bat.

I wish Frostpaw could fire a laser at them from heaven or something

Don't like the way that the narrative sets up Tree demanding she come back like a good thing, and Jayclaw telling her she's allowed to rest and make her own choices like a bad thing.

For the love of god let her have a crumb of autonomy

This book makes me wish I was a paper wasp so I could chew it up into paste and make a sculpture of the RiverClan symbol and then light it on fire, but it's not the worst WC book I've ever read. 4/10

[vigilskept]

Saw your tags on the last few posts and hard agree! Between the ever present Fen'harel foreshadowing AND Sandal's prophecy AND Mythal's reckoning? It always seemed like the Veil coming down was that proper big bang finish that would rewrite all the rules in a satisfying and interesting way. One of my issues with Veilgaurd is I feel like it took the series' opportunity for a destinct ending away. Personally, I believe good stories end. I don't want 30 DA games in a MCU verse. And now, to have the series end they have to come up with a stopping point that makes more sense than the Veil. Or revisit the Veil. And what would be the point in that when they wasted all the foreshadowing?

yes, exactly!! i felt like i was going insane on my soapbox there, thank you!! it really feels like they ran up against the natural end point for the franchise and just decided to do a little shimmy around it. i just don't see what exactly that achieves except to set up a new, bigger bad which we have no real stake in.

was i curious about the executors prior to veilguard? yes! but i expected them to appear in this game since they clearly had an interest in solas' plans!! not for them to have 3 completely missable interactions followed by the worst idea of a post credit scene i've ever seen. whatever curiosity i had about what they were up to & how the kossith relate to what's across the sea is pretty much gone at this point.

a "shadowy cabal" who's secretly responsible for all of the evil enacted in this world by people in power is not a plot i care to see play out in bioware's hands. it's a stupid, elders of zion ass direction to take things and was not worth trashing over a decade of build up.

there is nowhere they could take that plot thread (already relying on the worst possible trope...) that would give dragon age a more satisfying conclusion than dropping the veil.

it would've resolved or set up a potential resolution for all of the major conflicts that have been established up to now!! (mages under the chantry, tevene class structure/slavery, oppression of elves, the blights, the waking titans, etc. etc. i could go on!)

and with the way veilguard ends... it looks to me like they wanted to somehow get the implied resolutions that would come out of dropping the veil without committing to it. that's why no matter what you do, dorian or mae will become archon and singlehandedly restructure tevinter society. the load bearing piece of "mageocracy can't function if everyone's a mage now" is gone, so we have to have a poorly executed sideplot to resolve this plot thread for us instead...

i'm sure people will feel differently, but i personally would've found it more satisfying if the veil fell and the franchise wrapped up there. for good or ill, it changes everything and we can all have the time of our lives speculating about the Implications thereafter.

if they really wanted to(/needed to promise EA they could) make more games in this setting — they could've gone backwards! there's lots of stories you could tell throughout thedas in the gap between the fifth blight and solas' ritual! there's lots of stories you could tell about the centuries between andraste's rebellion and the fifth blight! there's so much happening in the background here that they've hinted at through codices that if they really wanted more content in this setting, there is so much room to expand on those.

could they set up world shattering events like "tearing down the veil" again? no. but i think that was a very obvious one and done situation, and i don't think anyone came into this franchise expecting their dragon age games to have stakes that apocalyptic until trespasser! i think there absolutely would've absolutely been an audience for a game about the assassination of queen madrigal or the fog warriors' resistance on seheron if they hadn't fumbled this....

[elderwisp]

My 𝐓𝐨𝐩 24 𝐒𝐜𝐫𝐞𝐞𝐧𝐬𝐡𝐨𝐭𝐬 from 2024 ⋆ ˚｡⋆୨୧˚

I was tagged by @mikachusblog @aurorangen and @moonwoodhollow however I put together a recap earlier this month! Instead I'll pick about ten story moments I enjoyed from this year under the cut as well as a very special screenshot. I did want to make sure I tagged some people as well! :D

I tag: @acidheaddd @likelyamused @pink-chevalier @changingplumbob @salemssimblr

@matchalovertrait @lre333 @swiftviolets @sirianasims @lynzishell

1. January 8th: Kai shares a secret

⋆ This was a really fun flashback scene! We got to see Kai, Frances, Dan and Atlas in the earlier years of high school as well as learn that Kai has romantic feelings towards Atlas, who happens to be his first kiss! This is also where his arc officially begins in my mind!

2. March 6th: Taryn's skepticism

⋆ I remember being so proud of this scene because it was one of the first scenes I fully posed the conversation. I really enjoyed of Atlas and Taryn's mannerisms peaked through. I think this conversation while it focuses on a different subject, the nature of it shows their personalities. Taryn struggling with self confidence while Atlas's facade starts to unveil just a bit.

3. March 12th: Frances's solo

⋆ I was really proud of these poses as well as the shots. The shots of Icarus and Frances while romantic do say a lot about how each views each other. Your greatest heartbreak being how Frances feels and the deepest regret being how Icarus feels. For the cello poses, I did reference through watching performances but also real life so it was neat combining the two. I am excited for Frances's future in De Sol Valley especially when new faces are introduced to the cast. It might be similar to Atlas's prologue where Frances is the focus but just in a shorter interval.

4. March 9th: A rose and it's bumblebee

⋆ March was a good month. Maybe not for the characters, but a good month creatively for me ! I'm gonna sound so toxic but I love the tension between these two so much like hold out a bit longer please JUSTKIDDINGPFFTorami? anyways structuring taryn's monologue came out of order. the frames where she says "A stubbed toe. A scraped knee. A fall." came first. Everything else was built around those three sentences. The scene following that was fun to put together because Atlas really does struggle to apologize and take ownership over his fuck up that he tries to smooth things over by being charming but Taryn, getting more comfortable, shows her newfound skill of setting boundaries (courtesy of Atlas LMAO) and calls him out on the bullshit.

5. August 9th: Theo's official introduction

⋆ Much of Theo's life is hush hush as following after the WR arc we dive more into their lives but I do want to talk more about them. I liked following their life throughout the day and the general reclusiveness they have in a new city. Their only friend at the time is Gabriel and with no goals of going back to their old life, the only way forward is through. I will say, something about the city has a way of helping people find themselves.

6. August 8th: Of course I had to freaking include this scene

⋆ Gonna be so real right now but I was terrified to post this. Terrified. We see the chaos of Atlas's vices revealing a very important detail, one Rowan reminded us all and that is, Atlas seeks out trouble. The most curious and pressing part is why and how does it end? Any scene with Atlas is scary for me because he leaves a lot of subtle little hints but the extent of his nature is like slowly pulling off a band aid. Are people gonna like what's underneath? I'm never really sure but I do enjoy exploring his character quite a bit.

7. September 3rd: Ojitos lindos

⋆ First, I love Jules. Dude was literally supposed to only be in the one scene and... He wiggled himself into a handful. Second, was very proud of how the dance came out, with Taryn teasing Jules and Jules chasing every second of it until the kiss. OUGH! The little fiend in me blurred out "tu y yo" in the kiss scene to sorta symbolize Taryn beginning to move on from Atlas but as we see later, that was short lived. Taryn's monologue was the easiest to write and it comes from a person struggling with the bitter emotions of heartbreak.

8. October 8th: A formal introduction to Ares's life

⋆ Little lore drop but the Langs have been longtime characters of mine. In fact, longer than everyone else. Chase, Ares's father, was a main character of a youtube series I made long ago over the summers of my school days LMAO! So to revisit and restructure them as has been... WOW ! I wanted everyone to feel like they were a plant on a shelf observing the dynamics of specifically the women in Ares's life as well as the structure of his home. It felt subtle but good :)

9. October 18th: Kai's revelation

⋆ I think I have one more scene left for Kai's arc. I specifically wanted to focus on the concepts of jealousy, cognitive dissonance and religion coupled with Kai being a closeted man. I will say in the beginning, I did struggle to connect with this character. While some elements I can totally relate to, writing about it is different. Envy can be classified as an ugly feeling. It isn't palatable to most and is quickly shood away but because of that, we don't talk about it enough. So I wanted to go into this really humanizing this common emotion but not making it as some caricature of an emotion. I do love Kai's growth, I wanted to make sure he earned it and it sure feels like it.

10. November 23: The freaking arts festival

⋆ There's still like four-ish more posts to go. Those will be a bit less crash-out packed but I think it ends on a high note. There's a lot in these six posts. Some of it slightly nudging certain characters arcs, other parts deepening your knowledge of other oc's. I wanted to start out on the disappointment that Atlas faces seeing that the only person supporting him there is Daniela and how he copes in the only way he knows how. The arts festival is something he helped put together but it seems to be a reoccurring theme that any accomplishment he ever has is always overshadowed. It's always something. Each frame, every detail, to the dialogue in these two posts are intentional. The following scenes after that have some really cool conversations. I think the last post also has some unique dialogue as well but we'll pick back up on January 2nd! :)

Also a bonus! I wanted to show one of these first photos of Tessellate. It's no longer on my blog after the reboot but I wanted to show how much has changed in two years.

[zkylearnstherope]

Victim [An Analysis]

These are my interpretations of the scenes/images shown in the episode Victim. Spoiler warning.

Time to redeem myself from that embarassing AvGeometry Analysis. The AvPhysics one was good though, you should check that out if you haven't yet.

[Part 1] - Part 2

victim and the others know that there is a connection from the PCs to the Outernet.

He roughly knows where the PCs are.

The Outernet has a name ______ Monde.

Being his wife, Mitsi knew about the existence of Animators.

It was Mitsi's idea to build a Repair Business.

They eventually hired more people.

Reminder! Have a nice day! - M ♥

Mitsi was a good boss.

vic made sure that Mitsi has a view of the sunset in her office. Mitsi loves watching the sunset.

It was a successful business.

Looks like Agent is not only the Security Guard, but also their Secretary too.

Incident Report

Someone tried to steal the UI Tools. We can assume that these were either rare, or only vic has them. But Agent was able to take them back because they finally invented the UI Toolbar. Agent will be seen wearing it from this point forward.

CEO Mitsi with the view of the sunset.

vic loves to joke around about his head being a donut, and Mitsi finds it funny each time.

The initial design for the Memory Machine.

His room was more colorful before. The light bulbs were a memorabilia of their first dance. Indigo blanket.

Why did it have to happen in their founding anniversary? 😭

So handsome.

This is the same room where The Box is.

Nuzzles.

He didn't even see her disappear! He was laughing while his back was turned. 😭

Two more disappeared when he turned to pick up Mitsi's hat. He still didn't know what was happening at this point.

This is 100% The Box room.

Sammy (the short figure behind him) was the first one he saw disappear with the Green light.

Everybody was starting to realize what was happening.

The Agent's official name is not the same as the name in here.

Agent was NOT able to bring the UI Toolbar with him. He's powerless again from this point forwards.

These thumbnails getting deleted could mean that their uploaded files in the server were gone as well. That same 0s and 1s animation is the same one that The Salads got when Dark stabbed them with the Virablades.

This could mean that stickfigures are recoverable as long as their server files remain intact. But in this case, their server files were deleted first.

This doesn't bode well for Agent.

This is the only time we see that Dark was the one shooting the fire blasts.

This panning shot was horrifyingly beautiful.

That thumbnail initially looks like the Royals are a happy family. Purple looks back at his parents, possibly initiating a hug.

It's entirely plausible that Navy only gained the obsession of strength and power because of this event as well.

Agent finally arrives. Remember, in vic's POV, these two disappeared mere seconds of one another. All the stuff shown only happened in seconds.

That black guy on the right is running in circles.

[Part 1] - Part 2

[edgy-ella]

SONIC 3 WAS SO GOOD!!!

Extended thoughts below:

The action scenes are by far the best they’ve ever been in the whole series. They’ve really improved how they visually represent Sonic’s speed. The only exception is the gravity scene at GUN HQ, which I think dragged on a little too long and overall wasn’t as impactful as, say, fighting a GUN mech with those same gravity abilities would’ve been.

Keanu is ok as Shadow. If you’ve seen the trailers, that’s about the level he keeps it at for the whole movie. I think I would’ve been more sold on him if he gave a bigger “MARIA!!” when she died.

In the first act, I felt like the movie was kind of on autopilot. Things just kind of happened without a ton of buildup, and the script kind of lacked flavor for the expository scenes. For example: when Sonic asks Olive Garden Guy™ about Shadow, he just starts expositing Shadow’s lore without anything like “this information is top secret, tell no one else about this” or “it’s painful to think about…I wish I could just act like it never happened” or even Sonic questioning how/why Shadow came from a meteorite. Just lore exposition without flavor from the rest of the cast. Throughout the movie, the dialogue felt very on the nose. I wish it was a little more subtle, but it’s a kids movie I get it.

On that note, the movie feels like it just has a checklist of SA2 iconography they had to tick off rather than more naturally integrating that kind of stuff into the plot. For the larger story it works well, like with Shadow and Maria, but stuff like the Chao Garden and “talk about a low budget flight!” just kind of felt…tacked on. In the moment it’s fine because I’m too busy aggressively pointing at the screen, but for someone not as invested in the series as I am, it feels a little random and clunky.

The movie really kicks up when Shadow starts having Maria flashbacks. The little montage they have with them together was so good. The cold cut to the record player stopping was so well done.

In retrospect, when just looking at this movie and not the rest of the franchise, I think Maria and Gerald’s relationship could’ve had some more focus. They never mention anything about Maria being sick in the movie, so it’s not clear why she’s there at the research station to begin with. That being said, Gerald telling Ivo “you’re no Maria” towards the end was gut wrenching. My theater audibly ooh’d.

@allshaftsfall and I were betting that the reason Gerald is still alive would’ve been through time travel shenanigans (which would set up the next movie), but, bizarrely enough, it just seems like Gerald is genuinely that old. He mentions he’s 110. But…how? Did he just survive that long? Did he use Shadow’s quill to expand his lifespan? It’s never explained.

I’m glad they had Knuckles and Tails continue to be proactive and do things instead of just being relegated to cheerleaders and/or comic relief. Knuckles in particular wound up hard carrying Sonic and Tails through most of the action setpieces.

There’s a scene where Tails talks to Agent Stone about being Sonic’s friend and not his assistant like Stone thinks he is, and Tails asks Stone “aren’t you and Eggman best friends too?” Stone replies verily sorrowfully “yeah…friends. Totally friends.” I know it’s meant to read as Stone wishing Eggman treated him better but I could not see it as anything other than Stone thinking “he’s my lover!” but thinking he can’t say that to Tails bc he thinks Tails is homophobic.

YET ANOTHER GOD DAMN CASPER REFERENCE. I cannot believe that both this and Beetlejuice Beetlejuice, my two most hyped movies of the year, both had Casper references in them. I’m losing my mind.

I am so mad they didn’t actually kill off Tom. The setup was right there. They even parallel Sonic grieving him to Shadow grieving over Maria! But noooo he survives. When will we be free of human cop dad.

DUDE. The Super Sonic/Super Shadow fight was SO FUCKING GOOD. Worth the price of admission alone.

I kinda figured Live and Learn was gonna be in the movie going in from how much everyone’s been #KnowingSmile posting about it, but honestly? I was more hyped hearing Eggman’s theme from Unleashed start playing. It was way more of a “oh my god, it’s the thing!” moment. That being said HOLY SHIT LIVE AND LEARN PEAK!!!!!! The movie’s OST had a lot more of a rock influence and I couldn’t be happier.

I have some miscellaneous “I liked this better in SA2” stuff (pissing on the moon, Shadow’s heel-face turn, etc.), but all of them I understand why the filmmakers did what they did so they’re just nitpicks.

The end credits scene is kind of insane because it’s super long. It just feels like a scene from the next movie. Metal looks a little rough, but I’m sure they’ll polish him up for the next movie. They’re probably going to lean into Amy being a magic fortune teller girl given how she shows up in a dark cloak and floats in the air. I hope she’s gonna keep the fangirl energy, but I doubt it. Very interesting choice to do multiple Metal Sonics, though, especially since Sega only likes using the one Metal Sonic rather than having different copies running around. My prediction for the next movie is that Neo Metal Sonic will be the main villain and he’s controlling all the other Metal Sonics from afar.

[myechoecho]

When the Phone Rings, ep 8

I have so many thoughts on this one.

Sa Eon avoids Hee Joo's question about being a good cook. He may say it's sincerity, but I suspect it has much to do with him being forced to eat foods he did not like. I do love that the communication is more open between them, even if Sa Eon is hiding who he is. I laughed at Hee Joo mentioning them no sleeping together and Sa Eon pouncing on that point.

Sa Eon mentioned a plan, which I am thinking he's been methodically working on a way to break free of his own prison. Hee Joo is not part of that plan, so he has been protecting her this entire time.

The back hug was adorable, and we get Sa Eon's inner thoughts which parallel many of Hee Joo's. He fears that she will not accept his true self or forgive him. Hee Joo dreaming that he's left means she has insecurities around him. I adored the spooning in bed, which is a contrast to an earlier episode where they faced one another.

I did like Sa Eon chasing down Hee Joo and Sang Woo. It was surprising to learn that Sang Woo also knows that Hee Joo can speak. Sang Woo is definitely shocked that Hee Joo just goes with Sa Eon so he does not know about their relationship. He also seems genuinely confused at Sa Eon's suspicions about him.

My favourite scene, hands down, is the one by the side of the road. Hee Joo explains why she's scared, why she has doubts and that she thinks she'll be left alone when she learns his secret. What she needs to be reassured is for him to come completely clean. They both need to share their worst in order to be stronger. Sa Eon does not come clean, though he definitely gives some hints.

In the end, what reassures Hee Joo completely is the company photos where Sa Eon's gaze is always on her.

I am actually very invested in the other plot about the past. I genuinely do like In A, and I do think she is on Hee Joo's side. She definitely does not like her step mom and I don't think she's thrilled about her dad. I do also like that she does not pressure Hee Joo to talk.

Kidnapper guy sniffing up Sa Eon and saying he smells nice further still says to me that he is the OG Sa Eon. Our Sa Eon clearly worked around fish and the kidnapper has a fishy smell. Add the fact that our Sa Eon's "parents" recognized the description of the bi coloured eyes and mom gave a coded message.

However, I am less convinced of my previous theory of our Sa Eon having a twin. The pictures we see in his childhood home are only of him. The twins are still key though. Whomever Sa Eon saw being drowned by who I am guessing is the Chairman is one of the twins. The one who is the "master" of OG Sa Eon is the other twin. While I am still suspicious of the assistant, he seems significantly younger that Sa Eon.

Also, wtf happened in the past? i have so many questions:

Did the grandfather kidnap boys from the orphanage, whom he assumed no one would miss, so that OG Sa Eon would have something to torture/kill and then they'd dump the bodies in the lake?

Why did our Sa Eon's father/grandfather go along with it? It seems like he knew and he let the lake be a dumping ground?

Why did he let our Sa Eon go?

Why did Chairman Paik go to Hee Joo's step father for help, ON HIS KNEES, with a gun to his head?

Why did Hee Joo's stepfather help? Why did he make the deal and what does it have to do with the accident that killed his son and caused his daughter's deafness?

Did the Chairman know who was behind the accident and Hee Joo's stepfather was able to take revenge in his own way?

Why is everyone worried about THAT PROBLEM being still alive?

How did the grandfather/father know HE was still alive?

Who tf is HE, exactly?

I suppose I could be wrong about the kidnapper being the OG Sa Eon but I don't think so?

[wandering-pirate]

Permanent Eclipse

Summary: We saw it all happen from Jimmy's eyes, but what was going through the dying intern's mind during his final moments?

Words: 1.5k

Tags: Angst, heavy angsty angst

TW: Character deaths and gore (mouthwashing being mouthwashing)

a/n: i was inspired (tortured) by this tiktok: https://vt.tiktok.com/ZS62aWV9h/

He screwed up. Again.

One chance to redeem himself from all the headaches he caused the whole crew - all down the drain. One chance to save Anya, the person who treated him like a sibling - gone. One chance to make the man he looked up to proud... how he wished to see Swansea smile at something he did, with genuine pride. He'll never be able to see that.

Daisuke's irregular breathing was filling the whole room up, loud and uneven, like the chaos in his head. Regret. Self-loathing. Guilt. And gosh, Anya. He never saw something so empty in his life. Her eyes that used to look at him with warmth and care, were now cold voids.

The gut-clenching pain of the scene twisted harder than his raw and oozing wounds. It didn't matter though, because the only person that could heal him was now sitting lifeless before him. And it was all his fault.

The loud banging of the medbay door snapped him out of his daze. The reason why he climbed the vent came back to him and he limped towards it. The second the lock clicked under his trembling hands, his legs crumpled.

“Hey bud, I got you! What happe--”

“Anya... Anya, she-- she’s--”

One look. Daisuke's brows furrowed, stunned by how the co-pilot didn’t even spare a glance at the nurse's body. His focus solely on finding a spot to lean the wounded intern against.

“I know, I know. Let’s get you cleaned up first, alright?”

Jimmy's arms steadied him, but all the young man could look at was the face of their substitute captain. His pressed lips, the prominent line between his brows, his clenched jaw. Daisuke winced at the pure disappointment silently radiating from him.

He shivered at the cool metal wall Jimmy placed him on. Having a clear view of Anya... and goodness, he forgot about their bandaged captain. What hit him hard was seeing Curly's wide eye transfixed at her, tears were flowing in one continuous stream.

"This might sting, Daisuke, but it'll disinfect your wounds, alright? Just hang in there, bud"

When the mouthwash hit his open flesh, he barely flinched. The sting being a distant feeling perceived by his hazy mind. Receiving the harsh treatment from the co-pilot's hands, Daisuke could not even react. Jimmy worked quickly, but the boy's gaze was glued to Anya. Just lying there. A corpse. Maybe… maybe she wasn’t gone.

Yeah! That's it. Anya was just showing how Swansea and he have acted the past few days with their mouthwash alcoholism. She was just proving a point, right? Just making him have a taste of his own medicine. She'll get up. She'll stop the charade after knowing that Daisuke's hurt... She wasn’t really…

"She's dead, Daisuke. Let's focus on patching you up"

Jimmy cut through him like death's scythe. Cold and unforgiving. His mind wondered why the co-pilot was nonchalant with the whole thing. Maybe he blamed him. There's nothing Jimmy could do because Daisuke failed to save her.

He never even realized how his vision blurred from the tears. Hearing the words he kept denying himself shattered him. Dead. Of course she's dead. And it's all his fault.

His wounds made even the lightest of breaths a battle, the nauseating smell of metal mixed with sweet mint. The guilt clawed at his guts, unforgiving, unrelenting. It was all too much. His body was shutting down.

The last thing he remembered was Jimmy swearing and shouting his name. Yeah, he deserved that, every nasty word thrown at him, he'd take it.

When he woke, he didn’t feel any better. If anything, it was worse. Heat and excruciating pain throbbed under his wounds, radiating out like fire while the rest of him shivered uncontrollably. Every nerve in his body screamed, yet all he could think about was the heavy presence sitting beside him.

Swansea.

Daisuke froze. He wasn't ready to face the man he looked up to. Couldn’t meet the mechanic’s eyes. Daisuke wasn't a shy one nor was he an introvert, but at that moment, all he wanted to do was to dig himself a grave. To hide. To be forgotten. To just.. disappear.

Jimmy’s disappointment was already too much; Swansea’s would destroy him. Daisuke's eyes were closed but his ears were definitely not, and his lips trembled after hearing the older man sigh, deep and gravelly.

"What were you thinking?"

Soft. Too soft. Was it pity? Is it rage masked with calmness? Daisuke panicked. Swansea never used this tone. He yelled, barked orders, always had sarcastic quips. But, not this. This calmness was worse. This calmness meant his mentor had abandoned all hope on him.

"I-I'm sorry..." Daisuke meant it to be a steady apology, but it left his lips in a shaky whisper. He hated how pathetic he was being.

"Look, it ain't yer fault," Swansea rubbed his face. "If anyone is to blame, it's that ass actin' captain this whole damn time."

All those words fell into the fire, burnt into ashes. Daisuke wanted to believe him, but no. Every terrible decision, every wrong turn, it all led back to himself. Anya’s death. His wound. The infection eating away at him.

Every second was agony, it felt like running a marathon just by wiping his tears. Every movement, blades raking through his skin down to the bone.

The world dissolved into a haze, Swansea’s figure reduced to a shapeless blur. Each breath he took felt like dragging shattered glass through his already tired lungs. His thoughts twisted into knots he couldn’t untangle—tight, choking, blaming

It’s all my fault

Home. I just wanna go home. I can’t do this anymore

I should’ve been braver—no, smarter—why wasn’t I smarter? Why did I screw up again?

Anya, I’m sorry. Gosh, I’m so sorry. You didn’t deserve this

I should’ve been stronger, faster. Maybe then… maybe then I could’ve saved you

Swansea… I let you down

Mom, I—Mom, I’m sorry. For everything. For being me. For not being the son you wanted

If only… if only I’d been better. Maybe then none of this would’ve happened

Jimmy and Swansea were arguing but it all blurred into a single incoherent mumble. Every word drifted into a distant echo with the boy's eyelids growing more and more heavy.

For the second time, Daisuke lost consciousness, his body succumbing to the pain. Even in his dreams, his guilt followed him. Denying him rest, plaguing him with nightmares.

His vision blurred after returning to consciousness. His sight flickering in and out of focus. After having some clarity, his eyes met the dull gray metal ceiling, a yellow blob sticking out on his peripheral. He's now reminded of the mechanic's presence. How much time has passed? Did the mechanic stay beside him after all his failures?

The infection, it had to be worse now. It wasn’t just the wound that was tearing at him—it was everything else, unrelenting tidal waves of nausea, the aching, feverish delirium that had him questioning whether he was awake or dreaming.

Daisuke tried to speak, but even a grunt felt like blades were cutting his throat. All he could do was lay there, pathetically, his body too weak to move. Too worn out to ask the mechanic for his forgiveness. It wasn’t just the wound anymore—it was his entire self getting split open from the inside.

He didn’t notice the way his body twitched and jerked. But Swansea saw it all—the tremors in his limbs, the shallow, uneven breaths, the thin sheen of fever-slick sweat on his skin. To anyone with two functional eyes, it was clear: Daisuke’s body was falling apart. Piece by agonizing piece.

"It's alright, Daisuke. Calm down."

The deep voice cuts through the fog. Again with his soft tone, but something was different this time. There was this quiet desperation in the way the gruff man spoke... Was that sorrow?

He opened his eyes, looking up to the mechanic. His senior was furrowing his eyebrows like he usually does, but his eyes. They were mourning.

"You coulda taught an old fool like me a lot"

Daisuke strained hard to understand all the words. He tamed his writhing body, steadied his breathing and kept his half-lidded eyes on Swansea. With every ounce of strength left, he fought to show the man that he was listening.

"Just a damn good kid tryin his best"

It dawned on him - sharp and cold. The man was saying his goodbyes.

"Close your eyes, Daisuke..."

The axehead was above Swansea's head now, and for a moment, Daisuke's thoughts scattered. Was Swansea really going to kill him? He knew he deserved it, but it somehow ached his whole being. It wasn't like the sharp pain from his wounds or the burning fever. It was a numb, suffocating, and heavy kind of ache that sucked him of all his strength.

But even now, with everything crumbling, the intern followed the mechanic's instructions. His lashes fluttered shut, pressing his unshed tears down his fevered cheeks.

Maybe, just maybe, if he got it right this time, he'd finally hear it:

"You did good, kid"

[princess-charlie-of-hell]

Unpopular opinion (I think?)

The fandom needs to accept that Lilith is allowed to be flawed mother, wife and person without being treated like a monster

How was she supposed to perfectly know how to be a mother, she never had any parents from which she could learn to be one. Even parents who grew up in perfectly healthy families aren't perfect parents. She never was a child and therefore doesn't know how hard it is to go through puberty and other parts of growing up

She literally was one of the two first humans and i can image that neither Lilith nor Lucifer knew what it means to be in a super perfect relationship, Adam, Lilith first partner, literally demanded Liliths submissions which caused Lilith to meet Lucifer in the first place. So how is she supposed to know what a healthy relationship is supposed to be.

And from what we know so far fell Lucifer in depression after their fall and this can be hard for a relationship even if it was a healthy one. There was not really therapy invented to this time and for the next like thousand years or more. So how is she supposed to know what the perfect things are to do in this situation so maybe she did things which she thought would be right for him even if she it was wrong because she doesn't know better

We also don't really know how everything which happened affected her yet, we know that she motivated hell but that doesn't mean that she can't be traumatized as well

But from what we know what happened to her, it is just tragic

First she was trapped in a relationship with a misogynistic man who demanded submission from her

She found love with Lucifer and they tried together to give Eve and humanity freewill by giving Eve the apple

But that caused evil to find it's way and Lucifer and Lilith were banished to hell

Lucifer then fell in depression while Lilith motivated Hell with her voice

But that caused then the exterminations to happen in the first place where regularly sinners get killed, so I can image that Lilith was after that maybe not in the best head space

Ruling over hell is also a challenge itself and we don't know how Lucifer and Lilith split their work as being depressed can cause a person to be not able to handle that responsibility in Lucifers case, so maybe she did the main work while he just couldn't do it

The same with parenting Charlie, having a child is straight up exhausting whatever if the child is a human and or Sinner/angel hybrid. And if Charlie is now at least 200 years old how long took it till she was an adult?

We can't really say how she was as a mother but from what we heard from Charlie i can't image her to be cold and distant to her daughter. Charlie believes that Lilith would be proud of her if she saw her right now, she thinks that her mother is doing something important and in the pilot Charlie calls Lilith who disappeared for 7 years rather than her father (again not blaming Lucifer, he just was in shitty situation as well). Sure it could be a red hering so that it is more shocking that she evil but the same could be said about the last scene where we see her on the beach to make us believe that she is a villain despite her having a good reason for everything she does

Despite her being in heaven, we don't know why she is there, maybe she just couldn't take it anymore in hell, maybe she just saw an opportunity to be somewhere without her responsibility as a queen, the deal between her and Adam is unknown so we won't know the exact reason why she is there until later in the show

And honestly even if she is just in heaven for selfish reasons doesn't automatically mean that she is an unredeemable monster, this show afterall is about persons facing their flaws and personal problems to get redeemed so why should Lilith be the exception?

[eggs-attorney]

[<<< First] [< Prev]

Eggman: We now convene for the trial of Yanshu Dryll the Mole. I trust the prosecution is ready to commence?

Payne: The prosecution's been ready for days, your honor.

Eggman: And is the defense ready to proceed?

Reiker: Yes, your honor.

Reiker: (Yeah… Ready. No evidence, no alternate theories… Guess I should just pay attention and do my best.)

Payne: Seems the murderer finally gathered enough funds for a private defender. How'd you do it? Kill another robot? Rob a casino?

Eggman: Actually, this man is our new public defender. This will be his first case.

Payne: Oh, how precious… I bet he'll be running out of town with his tail feathers between his legs after we confirm the guilty verdict.

Reiker: (… Is he serious?)

Eggman: We’ll see, now… Let's not keep this waiting any longer than we already have. Prosecutor Payne, your opening statement?

Payne: The solution to this case is so obvious that no private defense attorney would even pick up the case! In fact, I almost feel sorry for the poor sap standing across from me.

Reiker: Can we get on with it instead of gloating?

Payne: So eager to face your own demise? Very well, then…

Payne: The crime took place around 8:45 PM last Wednesday. The victim, Flash Driver, is a new member of the doctor’s E-5000 line.

Payne: The victim was found with his legs battered and multiple components taken out of their rear hatch. We cannot obtain camera footage due to the parts being missing, however, we have multiple reasons to believe it was the mole standing before us today.

Reiker: Wait, his legs were battered?

Eggman: This is basic information, did you not read the autopsy report!?

Reiker: With all due respect, you never gave me the autopsy report, your honor.

Eggman: Hm… I suppose in this instance your ill-preparedness is somewhat understandable. Don't let it happen again.

Payne: Feh. Here, fledgling - your first piece of evidence. Please try to keep your gape-mouthed self from drooling all over the pages.

Strait: … I think I’ll be fine, thanks.

Autopsy Report (Flash) has been added to the Court Record.

Reiker: (I should take a closer look at that. Remember, Strait - evidence is a lawyer's best friend! Good thing I keep it Pinned at the Top of my mind!)

Reiker: I notice you haven't mentioned a motive, or why my client is your prime suspect. Was she even near the crime scene at the time of the murder?

Payne: Listen, kid, I have this case down tight. Your defendant there is one of 10 people who could have possibly committed the crime at hand.

Reiker: … One of 10? How do you figure?

Payne: Let's just call them the tools of the trade. Specifically, the tool set a Robo-Tech like her uses daily.

Eggman: Ah, you must be referring to the Omnitools, no?

Reiker: Omnitools?

Eggman: You're familiar with the concept of an army knife, correct? Imagine a compact device like that, equipped with every screwdriver, wrench, and key needed to access all the technical parts of my machines, including Robians. This one is assigned to her.

Yanshu's Omnitool has been added to Court Record.

Payne: No one could have accessed the stolen parts without those tools, not to mention that Yanshu was the last person to meet with the victim, during a routine maintenance checkup…

That was anything but routine!

Eggman: Uh... Interesting. In what way was it not routine?

Payne: Well, the perpetrator is right here. Why don't we ask her? Miss, let's start with your name and occupation.

Yanshu: Eep! I, um… M-… My name is Yanshu Dryll. I'm a Class C Robo-Tech, f-for the Main Division…

Payne: And if I'm correct, you assisted the victim…

On the day of the murder!?

Yanshu: W-well, yes, but that doesn't mean I killed him!

Eggman: The court will be the judge of that. Now, if you could please testify regarding this maintenance appointment you had.

Yanshu: Y-yes doctor- I mean, sir! I mean-… Y-yes, your honor!

Testimony 1 - The Maintenance Appointment

1:) I had been assigned to Flash to do a routine checkup, scheduled for Wednesday at noon.

2:) All the required checks were proceeding as normal, and the appointment was rather short.

3:) My boss came by and signed off on my maintenance sheet…

4:) … And shortly after that, Flash left, just like he usually does. That was the last time I saw him.

Reiker: (Hm… Not much to work with... At least that old cat has just as little information as I do.)

Reiker: (But if that’s really the case, why does he look so confident…?)

Payne: … Really? That's all you have to say?

Yanshu: Y-yes, and it’s the truth! Wh-… What more could you want?

Eggman: I will kindly ask the prosecution to not badger the witness. Now, defense, are you ready for the cross examination?

Reiker: (I need more information… Just gotta dive into the old Thought Pool and figure out what to ask. Maybe I'll glean some new information! Once I think I've got it down pat, I can Present an idea by connecting a Statement with an Item in the Court Record!)

[clarasghosts]

I haven't seen the wwdits finale yet, and based on what I've read about it (critical praise, fan complaints, and some plot points), I don't know that I ever will. one thing (but not the only) that annoys me is this insistence that "nothing ever changes", like that's somehow been the theme of the show all along. but the truth is that didn't become the theme until season four. things very much did change in seasons one through three. guillermo was always a dynamic character from the start of the series, and the discovery of his van helsing side affected members of the household and created tension, ultimately leading to growth and a changing role for him in season three (which seemed to be largely retconned in later seasons). nandor was weary of his long life, which propelled a story arc leading to him leaving the household to travel. after guillermo's arc led to them becoming the new vampiric council, nadja took to power and ambition, and looked forward to what she might be able to do as she rose in status. laszlo's discovery of colin's impending death changed how he behaved toward colin, leading him to do the unthinkable - lie to and separate from nadja in order to take care of a newly birthed baby colin.

these were massive fucking changes in the lives of the characters. season three ended on the note that nothing would be the same. nandor believed he'd been abandoned, nadja was heading to england where she would be in a greater position of power, not knowing her husband had left her at the last moment and trapped guillermo into accompanying her.

and then the start of season four deliberately ignored all of these conflicts and stakes. nadja wasn't actually mad at laszlo. nandor wasn't mad at guillermo or laszlo. baby colin was still there, but by the end of the season, that wouldn't matter either. nadja's vampire council storyline was thrown away with a quick line and brief flashback.

I get that they probably didn't have the budget for something huge abroad, but some close-up exterior shots in some of the older streets on the east coast could pass for some english town, and the rest could be interior shots. the characters could even return to new york without immediately erasing all the conflicts set up at the end of season three. the only real answer for what we ultimately got was bad writing.

I often see people complain that the show went downhill after jemaine left, and I think that's always been more in terms of humor than plot because the season three plot built directly from the season two plot (in all honesty, the humor has been fine for me personally). to me, the writing started to decline after stefani left, and the writers that remained all got hung up on their own egos.

sometimes I wonder what happened behind the scenes. why did stefani leave? she's listed as the co-writer for the season four premiere (which is the start of what I'm complaining about here), but was already no longer an executive producer (no longer had creative control) and then disappears from the writing credits altogether. and, whether related to her or not, I've wondered what led to the writers deciding that, not only would nothing really change in the household going forward, but that the audience should feel foolish for believing things would change. after the disappointment of the writers just throwing away the season three finale, the audience was willing (largely) to go with whatever happened next, embracing marwa's character. only for that to be thrown in our faces by the end of the season. then came the mystery behind guillermo's failed transformation and laszlo's experiments, only for the latter to be dropped as if it never happened.

I don't understand the critical praise for this all being so clever, when it's really just the end product of writers who can write funny scenes and good individual episodes, but largely don't seem able to write actual arcs or plots. it's not just threads never getting resolved, it's also threads never connecting. it's not clever to consistently have no larger vision of what you're writing or not be able to maintain a long and cohesive plot.