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yourqueenb · 1 year ago

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THE TITLE 💀😭 (not a lie in the slightest, I was just caught off guard lmao)

No but in all seriousness, I think I have a bit of a complicated view of Kiara. Imo the issues with her have less to do with her interactions with the other characters as an individual and more to do with how she was treated by said characters, the writers, and fans vs. how the white women of the court were treated — which is why I understand why you often compare her to them and agree that that is pretty much essential to comprehending just how bad the writing for her is.

In an instance where someone is playing chapters with a week in between each one, hiatuses of several months, and give or take a year between each book PLUS all of the retconning throughout, Kiara disappearing for significant periods of time or having minor cameos, and an MC who is not romancing Drake, I think her poor treatment is very easy to miss and it’s equally as easy to take misinterpretations as fact. *I would even say that there is some basis for people to have a less than positive opinion of her if the conversation from book 2 chapter 1 about her and MC’s alliance is one of the factors.

*From what I understand about the fandom at the time of the series’ release, people definitely took the ‘Kiara is a snob’/‘Kiara is so fake’ thing too far. But I think it would be a bit disingenuous to say that she does not come off as rude and snobby in that scene, especially given everything else we know about her. Kiara is intelligent, observant, and calculated. As a diplomat and noblewoman, she values etiquette and propriety. And as a polyglot/linguaphile, she not only has a deep understanding of language but also tends to choose her words and when she participates in conversation overall very carefully. So with all of that in mind, her saying things like “even if MC were someone we deigned to associate with”, ordering Penelope not to “start up on those dogs again”, and pointing out her and Penelope’s high position of honor in response to a disgraced MC asking if they’ll be joining her in the back (which could’ve been meant matter of factly but looks bad within context)…. definitely cuts deep and feels unnecessarily snooty (and patronizing in Penelope’s case). Not to mention the whole “she’s beneath us” comment in response to MC being a bit sarcastic after everything just mentioned.

However, the absolute vitriol many fans had for her along with how eager they were to paint and view her only in a negative light no matter what makes no sense considering all of Penelope, Madeleine, and Olivia’s wrongdoings. Like Kiara doesn’t even come close to being as hateful and malicious as the last two and isn’t fake at all like Penelope. So why do the other three get excessive amounts of grace that they aren’t even deserving of while Kiara gets none and is either actively hated or largely forgotten instead?

If the writers valued and cared for their Black characters as much as they do their white ones and focused on consistency instead of favoritism, then some of the writing for and dynamics between the TRR cast wouldn’t have been as bad. But even then, that would still require entire scenes and chapters to be completely different. And that still doesn’t cover the fans’ eagerness to purposely misinterpret things and project their biases onto Black characters or the writers’ willingness to pander to those fans regardless.

Thankfully, PB didn’t reflect the fans’ view of Kiara as a Jezebel in the writing (which is honestly a bit surprising considering how much they catered to Drake stans and the fact that they have used the stereotype before in other stories as you pointed out). But given this essay and what I remember of this series myself, I just want to briefly point out and comment on some of the other stereotypes and real world experiences I noticed PB perpetuating and reflecting within TRR.

The first is the scene where Drake and MC can prank Kiara by dumping out her hair products. I haven’t read the scene or romanced Drake myself, but I think the inclusion of that at all is… let’s say interesting… considering the fact that attacking Black women’s physical appearance and beauty is often one of the first things non-Black people do when they feel threatened in any way. And of course, the prank seems fairly harmless in the grand scheme of things and is nowhere near equivalent to real life policing of Black hair. However that particular option appearing after the overall rage/jealousy of Drake stans toward Kiara isn’t really something that can be ignored.

The next is all of the questioning, mocking, and challenging of Kiara’s skills and capability. This one especially rubs me the wrong way because it’s such a common microaggression, but I feel like most people didn’t even notice it in the story and definitely don’t irl. Like Olivia is lauded as some sort of badass super spy who Cordonia couldn’t survive without even though she does nothing with any of the intel she manages to get…. But sure, Kiara is the one with delusions of grandeur who needs to prove that she’s as capable as she says she is 🤨

And coming off of that, I think it’s very telling how a lot of the fans take issue with Kiara’s perceived “snobbishness”, but ignore it or find it amusing when Olivia, Madeleine, or anyone else at court acts the same way if not worse. If it were an issue with classism and arrogance in general, then surely Olivia, Madeleine, etc. wouldn’t be exempt from criticism/backlash, right? But they usually are and are even seen as people who deserve to be cocky… so then what could possibly be the issue now??

And once again, I feel compelled to point out how a lot of the time Black people can’t escape the ugly realities of the world that we live in even in fiction. We can’t be too beautiful, too smart, too aware of our accomplishments, or too comfortable in prestigious spaces lest we threaten the inherent superiority of everyone else. Society holds us to a higher standard yet expects so little of us at the same time. And unfortunately, Kiara and many of PB’s other Black characters are indicative of all of this

Drake and Kiara: When You're Fucking Racist

Series - TRR's Alternative LIs - The "Romances" that Didn't Happen

Previous - Hana and Madeleine: When You Reward Your Favourite Bully with One of Her Victims

A/N: Again, apologies for the length. There was a LOT to unpack in this one!! I'm really, really not going to be nice to Drake here. It was harrowing to go through a lot of these scenes again and I honestly don't have the patience or inclination to sugarcoat any of it.

CW: Mentions of gun violence and minimization of trauma. Mentions of racist fan vitriol towards a black character. Examination of the Jezebel stereotype.

Whenever I think about how unhinged the hatred towards Kiara (and especially towards Kiara's attraction to Drake) was, a specific edit comes to mind.

On the surface, it looks quite simple. Kiara in a white wedding dress, Drake right next to her in his blue formal suit. Both of them are smiling at the viewer. The background is a beautiful forest, and the entire picture is bathed in a lovely, muted sepia tone. A sweet, simple wedding scene.

The caption underneath this edit?

Classify under things no one asked for.

Kiara's dream come true!

The tags read "#i barf a little looking at this" and "#i must post to share the suffering". You find out in the comments that the OP created this edit inspired by one of the many fics where Kiara was Drake's stalker, and intended to make her creepy and deranged (but ultimately failed).

The comments are...tbh, things that this fandom has long since normalized and shrugged at when it comes to Drake stans. Multiple puke-face emojis. Multiple gifs signaling disgust. One stan even equates the ship name (Driara) to the word diarrhoea.

"She looks very stalkeresque and white "I drugged Drake so he's marrying me" wedding ready!"

"Well it's close to Halloween so we should expect scary shit"

"THAT is why I made that bitch my Maid of Honor...so she got the message LOUD AND CLEAR...it ain't NEVER gonna happen honey" (right below a barfing gif)

I wish I could say this example of Kiara hatred was the worst of the lot, or even the only one. It wasn't. I'm not sure even an entire essay would be adequate space to explore the sheer levels of vitriol, hatred and double standards dumped on this one character.

Until now, we've seen examples of alternative LIs that were treated with respect. With adulation. Often with kid gloves in case we hurt their poor lill fee-fees. Up until now, no matter what an alternative LI may have done, the LI matched with them wasn't allowed to treat them badly, nor was the MC able to get away with hurting them without punishment.

But in this series, Kiara was, is, and will always be an anomaly.

The Jezebel Stereotype

In most media, black women in particular tend to be subjected to a variety of stereotypes that often have serious, real-world implications. The Mammy, the Sapphire (that over time evolved to what we now know as the "Angry Black Woman" stereotype) and the Jezebel, being the most prominent ones among them. In this essay, I will be focusing specifically on the last.

An article in the Black Then website explains the definition and history of the trope this: "The portrayal of black women as lascivious by nature is an enduring stereotype. The descriptive words associated with this stereotype are singular in their focus: seductive, alluring, worldly, beguiling, tempting, and lewd. Historically, white women, as a category, were portrayed as models of self-respect, self-control, and modesty – even sexual purity, but black women were often portrayed as innately promiscuous, even predatory. This depiction of black women is signified by the name Jezebel."

So it isn't altogether uncommon to see stories where black women are juxtaposed against "pure", "innocent" white/white-passing women, and viewed as lesser. PB hasn't exactly escaped these stereotypes in their stories either - though there are a variety of characters and character types, we can't deny that there was a time when a black woman was made the antagonist, often in ways that were meant to measure her up to the MC/another white woman to her detriment.

(VoS screenshots from the HIMEME YouTube channel, ACOR screenshots from Vika Avey's YouTube channel)

Two very prominent examples of PB using this trope are Scarlett from VoS, and Xanthe from ACOR. There are other black women who serve as antagonists but in a more professional space, but these two particularly are measured on their attractiveness, sex appeal and "purity" in the narrative in comparison to either the MC, or someone close to them.

In VoS, Scarlett Emerson and Kate O'Malley are the sisters of the two male LIs (Grant and Flynn), but their treatment couldn't be any more different. Scarlett's role in the book is pretty short-lived. She's very prominent in the first half of the book as Kate's potential MOH who secretly hates her, before it's revealed in Ch 5 that Tanner was cheating on Kate with her (and that she'd loved him since she was a child). Notably, in that very scene, the MC places most of the blame on Scarlett (rather than on Tanner for choosing to betray his fiancée) by labelling the act as her seduction of him.

Thereafter she is either only mentioned, or has blink-and-you-miss-it appearances in one or two chapters. We see her in the "memory" portion of the bonus scene, but we are never shown what her future is like (even as minor characters like Miss Harleney get one!). Her bonus scene shows us how her bracelet ended up on Tanner's boat, and it is an uncomfortable scene to get through. Tanner berates Scarlett for having sex with him a week before his wedding, but it is she who points out that he asked her to come there! Yet the MC and others view her as the temptress who "seduced" Tanner, as if the man had no mind of his own.

The narrative often juxtaposes her with Kate, the pure, innocent, sweet fiancée (and she actually is! No pretence there) and the fandom lapped it up. There were many demands for Kate to be upgraded to LI status, which eventually resulted in PB allowing us to marry her if we chose. As I mentioned earlier, both Scarlett and Kate are sisters to two of our LIs - but one is made an LI, while no one bothers to even imagine what the other's future entails.

An even worse fate greets that of Xanthe, the sole female antagonist in ACOR. The slut-shaming and disgust over her overt sexuality is far more blatant here. And it is extremely ironic for Xanthe to be viewed in this way, because the MC herself is a courtesan and uses wiles to get men to do her bidding. While Xanthe herself is not perfect by any means - she is depicted as xenophobic and callous, going as far as to mock Syphax when he is sent away to a possible death as a gladiator - the MC's targeting of her goes beyond just her "righteous indignation" and develops into a form of hypocrisy. She has no qualms mocking Xanthe for her direct approach or her skimpy red dress (even though the MC herself wears a skimpy red dress and can seduce a man in a temple not too long after).

The end Xanthe meets is horrific in its implications - the black matron of her scholae (who began by promising the MC herself that "you need do nothing against your will") sends her away to sexual slavery in Sicily, while the black man who was one of the few bastions of morality in the book, escorts her, smiling, to the ship that will take her there. As far as the narrative is concerned, the end was well-deserved...even though PB has had no issues allowing white women to do far worse without any punishment.

We cannot view what ACOR did with Xanthe in isolation. They had built up to it early on - from the MC's reactions towards her, her patrons' dismissiveness of her, the MC's LIs' viewing her with derision and zero respect. The MC - despite her own unscrupulousness - is viewed as the "noble whore" to Xanthe, yet it is clear on even a surface read that there is not much difference between the two women.

The Jezebel stereotype, ultimately, is about dehumanizing the black woman it focuses on, so that her actions and choices are viewed as deviant from what is "normal" - feeding into either responses of disgust and derision, or a desire to objectify her. To some readers, it makes whatever awful or comparatively unfair end they meet, more palatable. Scarlett and Xanthe are not viewed as people by the narrative - especially not the way the MC of their books or even white female antagonists are. No one cares for their backstories, coos over their losses, wonders if they are okay. When they meet their inevitable end, the characters and so many in the fandom alike just shrug and move along.

How does a character like Kiara fit into this? Her smarts and linguistic talents are her most prominent traits, and while she does have feelings for Drake, she never really acts out-of-pocket towards him (more on this later). So at least from what we see in canon, there's very little about her that seems to apply to the Jezebel stereotype. Yet, the fandom is not only inclined, but eager, to view her as one. Kiara's feelings have been viewed in a far more predatory light, perhaps more often than any other female character in the series. Why is this so?

A response I have often seen - on reddit, on Kiara's wiki page, at times on Tumblr too - is how there is a "certain something" about Kiara that people "just don't like". Many players who prefer Penelope to her are often very aware of what she has done, but still insist they like her far more than they do Kiara. On a reddit thread about questioning the logic of having Kiara and Penelope as options for the MC's MOH in TRR3, certain players commented thus:

"I don't know why, I just dislike her a lot. Penelope is fine to me, but Kiara irritates me." (said commenter is an Aerin stan)

"I liked Penelope, I thought she was nice. But Kiara got on my nerves."

In her book, The Sisters Are Alright, Tamara Winfrey Harris makes an eye-opening (to me at least!) observation about how misogynoir works:

"Misogynoir, abetted by dehumanizing caricature, is like water. It fills its vessel, taking many forms, and then overflows, creeping unnoticed into the cracks of things, rotting the foundation. It spreads a belief in Black women’s inherent wrongness." (Italics mine).

Now of course, if I were to ask the current fandom, they would come up with a range of reasons. Some that emerged from fandom myths and became more popular than the truth in time, some from PB's excessive pandering to players that hated her. But the root of it all is in a certain "je ne sais quoi" that makes her automatically unappealing, resulting in those readers leaning towards misreading or misremembering her scenes, misrepresenting her motives, or watering down the impact of worse actions from whiter women. It results in a group of writers (who have thus far gone to the extent of retconning the worst of a white woman's actions just to make her look good) leaning into such readings, even when they're not true.

TRR1 Kiara: Pragmatic Courtier or Backstabbing Snake?

"Kiara is fake", "Kiara is a snob", "Kiara is self-serving", "Kiara promised to be friends with us but dropped us like a hot potato the moment we became unpopular". These are some of the most enduring takes about Kiara in the past few years, and readers who say this usually bring up a vague recollection of TRR1 and 2 as proof. Mostly that "Kiara was our friend" in the first book, and left us hanging at the beginning of TRR2.

Is that reading based in fact, though? Let's take a look at TRR1!Kiara and find out.

We are introduced to Kiara (along with Penelope, and standing next to Hana) in TRR3 when we meet Liam's other suitors. Olivia introduces each woman differently, and the descriptor she uses for Kiara is that she is the "daughter of a diplomat and fluent in ten languages" (note: Kiara never boasts of her linguistic skill, Olivia does. Nor are there any scenes of her looking down on anyone who doesn't speak her mother tongue French, unless of course you accidentally ask her to sleep with you).

Both she and Penelope note immediately that the MC doesn't quite fit in - if the MC questions the women about being allies with Olivia, a woman who calls them "harpies", they view that as an overreaction. When the MC tells the ladies at the Derby about getting lost, Kiara finds her tardiness and inability to fit in, a sign that she cannot keep up with the competition. Until the chapters in Lythikos, Kiara's and Penelope's characterizations are almost interchangeable, personality-wise. It is likely the team envisioned them more as European nobility rather than specifically Cordonian (based on Olivia's introductions), and they are both depicted as poised, refined and aware of their place in court.

It's in Lythikos that Kiara, at least, begins to show a more distinct personality (for Penelope it's after the Regatta). Unlike the rest of the court, who watches Olivia's unwanted kiss on Liam with either mild shock or disinterest, Kiara is angered by what she sees as a very obvious power-play - which gives the MC the opening she needs to gain an alliance.

Now this "alliance" scene of Kiara's is interesting, for two reasons. One is that fandom often uses this scene to establish her "double standards" in TRR2, claiming that Kiara opted to be friends with the MC. Yet nowhere in the scene does the MC or Kiara ever suggest a friendship with each other - they both agree to an alliance. Furthermore, this is an arrangement that benefits the MC more - there isn't exactly anything she contributes (or is expected to contribute) to Kiara from her end. Kiara's promise is that she will put in a good word in the MC's favour, and she upholds that promise throughout the social season.

Another is that among the courtiers, Kiara herself is the first person to identify and respond to the MC's potential if she shows it at the Derby and the tea party (though Hana is also a courtier, I view her strictly as an LI in this context - since her support is by default and is founded on a more emotional basis). Not many nay notice this, but there is a distinction between how Kiara responds to an MC in a successful play vs a failplay...in a way that none of the other suitors do. Take note of the screenshots below:

The top two pictures in this collage are dialogues that feature by default. The bottom two, however, are dependent on branch-coding. They only appear IF the MC has managed to win the approval of the King, the Queen and the press. If you don't succeed in the same, she will not mention your performance in the social season at all, nor will she say anything about the value of your alliance.

That is a far bigger deal than most players of this series realize. It means that Kiara has been watching us closely, and has understood our potential over the course of just three court events. Only two other characters are shown tracking our progress this way: Bertrand (who is our sponsor, so he has to keep track) and Queen Regina (who can guess already her stepson's feelings for the MC, which automatically makes her a person of interest). For Kiara to understand the MC's capabilities, and to openly admit she has potential this early in the competition - it takes a high level of rationality, honesty and pragmatism to come to such a conclusion. Unlike Olivia (who lashes out in jealousy at the MC), Penelope (who has to be told why exactly it's good to have allies), and Madeleine (who dismisses us as competition until it's too late), Kiara actually views the MC with a discerning, impartial eye and an objective approach.

So on the surface, it appears as if Kiara is written by a team that likes her! You could almost be convinced that they thought she was cool but were forced to pander to "crazy Drake stans" in their writing later (which is an argument I have heard often). After all, she's established as beautiful, skilled, smart and observant. You wouldn't do that for a character you don't like, right?

But even as early as TRR1, a disdain for Kiara creeps in from the writing that you rarely see for any of the others.

This is especially apparent when you look at how Kiara's proficiency with language is spoken about. It is supposed to be her most visible skill - Olivia identifies her by it, we see her peppering her English sentences with French words (of course, many may argue that she doesn't exactly sound like an actual French person...but let's remember that her writers aren't exactly very used to the language themselves or interested in doing extra research for authenticity!). As we approach the end of the first book, there are at least two dialogue options that result in people doubting her abilities or mocking her for speaking only English and French most of the time.

In TRR1 Ch 16, Madeleine optionally speaks to the MC over phone (believing her to be a reporter taking her interview) about her thoughts on Kiara. Kiara's tendency to speak mostly in French and English is supposed to be a sign that she "exaggerates her accomplishments". Mind you, this is from the same woman who claims to be the best choice for Cordonia despite her poor strategies and her antagonizing potential allies during the engagement tour (TRR2); who complains if the MC doesn't compliment her for mediocre work as a press sec (TRR3). The MC can also choose to diss Kiara in a similar way, treating Kiara like she is a circus performer and her skills as if they are meant for the MC's entertainment. The only solace I could derive from this dumpster fire of a dialogue option, was that Kiara managed to shut the MC up with her multilingual response.

No other time are we allowed to call a courtier's abilities and skills into question. The MC accepts on faith that Olivia is a badass with great fighting skills. Same with Penelope's ability as a seamstress. The MC is never even allowed to have legitimate complaints about Madeleine's work as press sec, besides maybe that she could "be a little nicer". So the fact that the writers not only have other characters doubt Kiara's talent, but also allow people to mock her about it in all three books...is really something.

Another possible indicator of this disdain is the fact that Kiara is the only suitor who never gets a chance to actually interact with Liam on-screen. Even Penelope, a fellow minor character, can approach and talk to him twice...and her gift to him is shown in Ch 18 whereas Kiara's and Hana's aren't. Despite the fact that Kiara is a potential suitor, the story never allows her to interact with Liam. She doesn't exactly have any interactions with Drake in this book either, but honestly nor does any other couple have much time together besides Liam and Olivia.

Drake and Kiara hardly seemed to be a possibility back in TRR1. Drake himself didn't seem to associate with anyone besides the MC and the group in the first book (and even with the group his interactions were infrequent). Kiara herself doesn't have many scenes that aren't related to the court or to the competition, even once she is no longer participating. The closest she comes to any sort of association besides Penelope, is a friendship with Hana that begins sometime before the Fox Hunt. Drake and Kiara never actually have any scenes together, or interactions, or references. It is likely that the idea to pair them up was entirely a Book 2 thing.

On a fandom level, neither Kiara or Penelope garnered much attention or fan reactions. They weren't noticed much, nor did you see their scenes too often. Probably that is why it was so damn easy to remember Kiara's entire equation with the MC wrong. Why certain stans of the book were able to get away with misrepresenting the relationship between her and the MC in TRR1, to hate on her in TRR2. I will not deny, though, that certain dialogue choices from PB (like "I thought we were friends!" in the Fydelia scene) may have had a hand in those beliefs becoming the "truth".

TRR2 Kiara - Pragmatic Courtier or Backstabbing Snake (Part 2)

I plan to get into the way the Drake and Kiara angle is framed in canon, but before that it's important to tackle that one elephant in the room - Kiara telling the MC the alliance is over. Because very often, people used this scene (coupled with their misinterpretations of Book 1) as their "justification" to hate her. Often, people would choose the ruder options (such as the Christmas card dialogue) and assume that Kiara was rude by default, rather than as a consequence of the MC's behaviour towards her.

Kiara and Penelope are the first to express surprise at the MC's return (and their reactions are shown as representative of the rest of the court). Kiara in fact is shocked that the MC dared to return (which is kinda warranted! Several people in these early chapters view that as a risky move, a gamble that could backfire on her. That's why Bertrand gets her a press secretary). Their scene with the MC immediately follows the MC's conversation with Liam and Madeleine (and mind you, in the option where the MC can tell her she was set up, Madeleine herself voices disbelief of the same. Conveniently, this is never used as a reason to hate her). Both women let the MC know of their change in status, and therefore the change in their relationship with her.

What gets missed overall, is that Kiara is a lady-in-waiting (which is an actual role with specific duties) to Madeleine, which means her loyalty now has to lie with this woman whether she likes it or not. For her to even agree to approach the MC and explain the situation, is a risk. In at least two dialogue options in this scene, she tells the MC straight-up that they will be in trouble if they're even seen talking to her (this becomes a moot point by Ch4, mostly because Madeleine herself is shown talking to the MC and allowing her into conversations in public, once Hana arrives).

Penelope is often viewed in a better light in this scene because of her obvious friendliness and her sadness at no longer being the MC's friend, but once you have the reveal of her being a traitor, her behaviour in this scene seems wildly disingenuous, and I'm surprised more people didn't call her a fake when the reveal came out. She had to know the allegations against the MC were fake when she rushed to hug her, having been an integral part of that fabrication. It makes her lament when she's caught, in the failplay, ("I can't do anything right. You were never supposed to find out!") that much more chilling. She is eager to have the benefit of the MC's friendship and emotional support, without ever being honest about her role in smearing her reputation.

The other was that - no matter what you may choose to think of this scene - Kiara was placing herself at risk to let the MC know it was over. Approaching the MC was the right thing to do, but what is never spoken about is the fact that it was also a brave thing to do. Rather than ghost the pariah of the court and never give an explanation, she tells her honestly what the situation is, and strives to protect her impulsive friend (who could get both of them in trouble) at the same time.

When you view Kiara's actions from that lens - when you look at the facts - suddenly the claims that Kiara was "fake", "a flip-flopper", "a backstabber", "unscrupulous and self-serving", sound pretty hollow.

TRR2: The Drake x Kiara "Romance" Begins...and So Does the Vitriol

So...an interesting thing about the general reaction to Kiara in the early chapters of TRR2. I was new to the fandom when this book was released. There was an annoyance at Kiara when the first chapter came out, but to my surprise it didn't exactly become full-blown hatred until she started showing an interest in Drake in Ch 3.

This book is often used as a reference by Drake stans when they speak of Kiara as an obsessed, stalker-type, sex-hungry woman - often in contrast to their "pure", "innocent" MCs. Basically...the Jezebel. But the five scenes we see of this ship in the book itself tell a completely different story:

1. Drake Helps Kiara Lift A Heavy Beam (TRR2 Ch 3)

Chapter 3 is perhaps the first time we see an indication of Kiara's attraction to Drake on a physical level. The scene takes place at the barn raising, but only if we choose to stay with Drake over Hana for the barn raising activities. Kiara shows up in a rather pitiable state - her friend Penelope abandoned her for thirty whole minutes, leaving her to lift incredibly heavy beams alone. Drake helps Kiara and mildly chides her for not asking for his help, and Kiara stares at his bare chest, mesmerized.

She isn't exactly alone in this - the MC herself ogles at his bare chest at one point (if we go by the lines in the narrative that read "his muscles glisten in the sunlight" which is def from the MC's PoV). This scene was meant as fanservice for stans who wanted to drool over Drake's physique for a bit, and belatedly build up an alternative (at least for all three male LIs, they were trying to do this in TRR2).

The MC can either point out Kiara's obvious attraction towards Drake, or suspect her of being part of the plot. This will not be the last time the MC or the group will view her with suspicion, with little to no basis in fact. In the option that calls attention to Kiara's attraction to Drake, she is shown covertly sneaking a second look at him. Drake is shown with a visible discomfort at even the idea that Kiara could like him, one that only the MC notices considering she is working in proximity with him.

The reaction to this was instantaneous from several Drake x MC shippers. One or two glances at Drake's chest was enough for Drake stans to begin typing posts in capslock, screaming "BACK OFF KIARA HE'S MINE". The excuses given at the time were that the MC didn't get much opportunity to romance him (Drake was trying to refrain from kissing her in Ch 2 because he felt guilty), and largely-inaccurate judgements of Kiara's character. Jealousy of this kind is sometimes seen as the norm when you have a popular ship and a third angle is created, but this was about to take form in some...very disturbing ways in later chapters.

2. Kiara was Once Savannah's Friend/Kiara's long-standing crush on Drake (Ch 4)

A misconception I often see in the fandom (particularly in relation to how Kiara's feelings for Drake aren't given the same level of consideration that Olivia's for Liam is) is that Olivia's are "more genuine", and Kiara's are "mere lust" or "only physical" and this is probably why she's not given as much respect as Olivia was. Even though, tbh, Kiara was far, far more respectful of Drake and his personal space, than Olivia was of Liam in TRR1.

Leaving aside the obvious problems with that train of thought (viewing sexual feelings as "lesser" just because they're not rooted in some intense emotion), this is not even true, and the first part of the Driara garden party scene is proof enough. Kiara says, straight up, that Drake had been "such a good friend to [Liam]. It's part of why I always liked you." (Bold mine). If the MC voices doubts about this (likely incorporated for readers who would question it as a retcon...and it was a retcon since they didn't interact in TRR1), Kiara tells her that she doesn't wear her heart on her sleeve, which actually matches her practical approach to most things. In fact just a few scenes earlier, when the MC questioned her about wanting a husband (when she'd mentioned earlier about wanting to join the ministry), Kiara informs her that it would never hurt to have both. So it makes sense for her character if she's someone who kept her feelings for Drake a secret, especially while in a competition for winning the Crown Prince's hand. But we cannot, in any honest capacity, claim that Kiara's feelings for Drake weren't deep enough, or lasting enough, or genuine enough. At least based on the evidence we have.

Another point this scene brings up is Kiara's friendship towards Savannah. Up until this point, the only people who did reference her were Olivia, Drake and Maxwell - and Olivia's mockery of especially seemed to imply that the ladies of the court weren't very nice to her. Kiara's account is very different from this, and actually quite affectionate ("she was one of us", "she was coming along so well in learning French"). It's not the closest friendship, but Kiara did care enough to tutor her in the language and clearly missed her. It is possible that this scene was positioned to both build up to the alternative romance and foreshadow Savannah's presence in Paris. There is a lot more that could have been done with this angle, but perhaps that is a discussion for another section.

3. Never-Have-I-Ever (Ch 9)

This is a small option in a drinking game - the MC can get to say "never have I ever had a crush on Kiara", and loses, because Drake says she isn't his type (ironically he claims he isn't her type in the next chapter). It's interesting that he does consider her as not as bad as some of the others in that group.

3. Flirting with Drake in Paris (Ch 10)

For five chapters, we don't see any more hints of this romance. We see Drake in plenty, and we see quite a bit of Kiara. But none of it shows them together.

Kiara's scene with Drake at the tea party, is in some ways a continuation of his diamond scene with Savannah. He knows now where his sister is and what her big secret was, but this scene is where he realises how little he actually knew about her, if even her "noblewoman friend" knew she had intentions to go to Paris and he, her brother, didn't. This scene also takes place at what I call a "rest period" in the story - the group has just come out of a high-intensity altercation with Bastien, and it is one chapter before the major reveal about Constantine. So the MC can relax a little, some of the loose ends of previous stories can be tied up, and we get a vibe check on at least two alternative ships.

Drake is rather civil to Kiara in this conversation, mostly because he's trying to get information about his sister out of her. There isn't much he contributes besides this - it doesn't seem to matter much to him that Kiara was a rare friend among the court to Savannah (tho TRR3 would later retcon this), and when she talks about herself he doesn't pay much attention. Kiara does make an attempt at a light flirtation which goes largely unnoticed.

The MC's response when she first sees them goes three ways - a neutral comment about the petit-fours, a "matchmake-y" comment that points to them that they "look cozy", and a "jealous" comment about interrupting them. The third one especially results in Drake inadvertently confirming he doesn't think of Kiara in a romantic light, and Kiara appearing disappointed. Remember, at this point she doesn't see much evidence that Drake and the MC romancing him are an item.

The follow-up conversation with Drake, too, follows along similar lines. The neutral comment just asks him about the information he gathered from Kiara, the "matchmake-y" one points out she has feelings for Drake and the "jealous" one is... something.

The third response is very obviously crafted for the more possessive Drake stans to get satisfaction from dissing Kiara, perhaps in a more aggressive way than the Maxwell stans could. While the Maxwell MC can pass an insult or two to discourage Penelope, the Drake MC will go as far as to tell him he belongs only to her, and can threaten to "push her into the petit-fours".

Ironically, this scene follows a scene with Olivia about her lingering feelings for Liam - and Olivia's grief, the MC's clear sympathy and Liam's concern for Olivia are all by default. There is a certain level of sensitivity the Liam MC is required to have for Olivia that is never once expected of the Drake MC, and that plays out in very dangerous ways in the next book.

This scene, again, brought forth rather violent reactions, and in fact the language of the MC's responses itself seemed to encourage that kind of response. A poster later compiled an entire set of these responses ranging from mocking, to "back off, Kiara!" to straight up demands for murder (I couldn't link to this post because the names of the people involved were included in it, but I do have quite a few of those screenshots for reference).

After this point, you don't see any more scenes where Kiara actively flirts. In fact for most of the second half you see her and Penelope very rarely. So it does feel really wild in retrospect that "obsessed Kiara" became such a popular interpretation, after one checking-out scene, one flirtation and one rather sweet and genuine compliment of him as a person.

4. Pranking Kiara (Ch 17)

A pattern you would have noticed by now is that there is a bit of a mean streak in Drake for Kiara that is either very dominant or latent, based on whether the MC tries to encourage him, or shows jealousy towards her.

And this isn't necessarily an indicator that he can never be interested in Kiara. A distrust for nobility is almost a norm for him at this point, and let's not forget that Drake's first few interactions with the MC too didn't exactly leave her with the best impression of him either. Kiara initially being on Madeleine's side at the beginning of the story could be a factor in some level of disdain too. Such complications could - in a good story - add layers to a potential romance in the future if that was the direction the writing was going for.

Around the MC who doesn't mind them as a pair, he shows a small sliver of an inclination towards Kiara herself. His response if the MC points out that Kiara was flirting with him (Ch 10) is that he doesn't believe he is Kiara's type, not the other way around. In this scene, a drunk Drake who is encouraged to write a "nice note" to her as a prank, can write "your hair is pretty and your French is totally not stupid". Both of these lines present a sign of a possibility that a romance could happen. His behaviour when an MC casually hints at this possibility, is of someone who may like this woman deep down, but show it in very strange ways (akin to the age-old metaphor of the "boy who pulls the pigtails of the girl he has a crush on"). They wouldn't have even needed to show his responses in this way if they weren't trying to hint at a possibility.

His response to a "jealous" MC is to delightedly bask in her possessiveness of him, and to go hand-in-glove with her as she insults or suggests violence on Kiara in any way. Now one could perhaps headcanon this as a behaviour that comes from being unused to female attention focused on him, coupled with his affection for the MC - but when you take into account his behaviour towards Kiara herself in TRR3 as well, there seems to be a blatant lack of consideration or compassion towards her as a human being. Compare this, again, to the way Liam's behaviour towards Olivia is written in canon, and interpreted by the fandom. Liam is expected to be kind to her, even if he's clueless about her feelings or if she is harming him (eg. Even when she kisses him, he cares enough to opt for a reaction that will not publicly humiliate Olivia).

Not so for Drake. He is very happy to follow in the MC's lead, even in hurting Kiara. And in this scene, he pretty much kickstarts it with the suggestion of a prank.

Drake knows where Kiara's room is (thanks to a nameplate on the door, and the familiarity of the hallway, which he likes for the view outside) and wants to prank her. The MC can either accept or refuse. If she accepts, there is one nice option, and two distinctly mean-spirited ones. The first proposes to mess up her book organizational system, and the narrative describes the attempt as "ruining any semblance of order to Kiara's bookshelves". These are materials she likely requires for her career as an aspiring diplomat, or even books she uses to update herself on the world. But to this MC and Drake, her work and interests are little more than a joke.

The second one is not only aggressively mean - it also is an attempt to ruin her personal space with her personal items. Going by the array of haircare the narrative mentions, maintaining her hair is very important to Kiara (I am not equipped enough to speak about black women and their relationship with their hair, but this option did make me very uncomfortable, because of the little I've seen on how essential regular haircare and good products can be for many black women). Not only does the MC suggest using all that product to render Kiara's bed practically unusable, she also insists Drake waste the full bottle of said product. Because, yknow. "It's a prank. Go big or go home". Drake has one moment where he tries to be less mean in this option (when he attempts to use less of her hairspray), but the moment the MC encourages him towards a crueller direction he does not hesitate. In fact, when the MC first suggests this option, he regards her with something approaching awe, and praises her as "an evil genius".

There's a mean streak in Drake here no matter which option you choose. If you do go for the nicer one, he complains at first that it's not exactly a prank and in fact does claim that they "could still put glitter in her cupboard" as an alternative prank. But the other two options encourage the player to give full vent to whatever underlying frustration/enmity/hatred one could possibly have against Kiara, goading a drunk Drake to be merciless towards the things in her room, in her absence.

Maybe, perhaps, one could just view this as a "fun vent" for the "possessive stans". It allowed the Drake MC and her LI the chance to gang up on her, mock her and cause her discomfort through things that were clearly important to her, treat her like the butt of their joke, and get away with it. When you encourage that kind of hatred with your writing, it can go into some very dark, disturbing places. And it did, especially in TRR3.

The overall response to this scene didn't show much, since it was just one small sequence in a larger scene - and most of the focus was on the heartfelt bonding between Drake and the MC when he takes her to his "special hideout" and his reveal about his motives behind calling the MC by her surname.

Many Drake stans, however, took note of this specific section, and took their interpretations in a completely different direction. Questions were asked about why Drake knew about Kiara's room - completely ignoring that he frequented the hallway regardless for its view and her nameplate is literally placed outside her door - and several fans suspected the two to be involved in an affair just on the basis of him knowing where her room was. These suspicions, again, would crop up from the fandom in a more dramatic way in TRR3.

5. Drinks at Homecoming Ball (Ch 19)

This scene takes place in the finale, just before Kiara and Penelope apologize jointly to the MC for their comments in the beer garden.

Drake is, quite predictably, at the bar in this scene. In some ways one could draw a parallel between this one and the "bar" scene between him and the MC in TRR1 - the only differences being that the two were alone in the first, and that he and the MC are free to romance each other now. However this time, the two ladies of the court could also communicate with him about drinks, and he could use his knowledge of alcohol to guess their preferences.

The scene with Kiara is, again, written to be both a possible sign of familiarity and a diss (mostly the second, I think). With Penelope he just vaguely mentions cocktails and focuses on the decoration for the drink - with Kiara he is able to name the specific wine even though in TRR3 he has no idea what tannins are. There are ways one could envision that as a sign that he notices more about Kiara than he lets on.

The diss, of course, comes with his claim that no matter how top-shelf the wine is, it will still always be "old grape juice" (which is a very strange thing to say because most alcohols are fermented from basic ingredients be it fruit or grains - where did he think his high-quality whiskey that he regularly carries around in his personal flask came from??).

Kiara's attempt to impress him is pretty obvious, but the diss isn't something that weighs too much on her mind. There are less indicators here of a dejection if he brushes her aside, unlike the scene in Ch 10 - she just looks a bit surprised he could guess the exact drink she wanted. Kiara in this scene is more likely to shift gears to something more important. In this case, that is apologizing to the MC for what she views as poor behaviour that sprung up under the influence of alcohol, and offering her an olive branch (the specific apology is for her asking the MC if she came to gloat, not for telling her the alliance was over at the beginning of the tour. In that scene specifically she feels she has nothing to apologise for, and I'm inclined to agree for the reasons I stated in that section).

The overall pattern for this ship seems to indicate that it's...kinda there in case the MC doesn't want to pick Drake, but I always feel like they focused a lot more on the jealousy options and didn't spend enough time to see what a possible relationship could look like. They do claim later that Kiara's affections were supposed to be one-sided, but the buildup at least seemed to indicate some small baseline of interest from Drake's end, even if shown in some rather bizarre ways. However, because there seems to be very little respect for this character already, having the MC threaten violence and having her and Drake overreact over what were essentially harmless interactions from Kiara's end really does indicate that the writers didn't mind taking potshots at her whenever they felt like it. Like I've said before, the trashfire that was Kiara's treatment in TRR3 didn't develop overnight.

Smart, Skilled...Disliked?: Kiara and the Writing Team in TRR3

On 25th Sept 2023, PB released a two-chapter series on Storyloom called "Choices Secrets", which involved at least three writers (Andrew, Kara and Chelsa) talking about ideas and plots and backstories that didn't make it to the released book. In one section, Kara Loo speaks specifically about the ending of TRR2:

According to this account, the original idea was to kill off Olivia and possibly use that as a segue into the Nevrakis plot of the book, since her aunt and Justin were the real villains at the end of the series. When they decided to keep her alive in the series, Kara mentions finding "more members of your group get injured, like Drake".

Interestingly, Kara referred to "members" in the plural, and Drake is the only person from the core group to get shot. So it's just as possible that the choice to have Bastien, Justin/Anton and Kiara sustain injuries, was made once they decided to do away with the storyline about Olivia's death.

Olivia got spared because her writers cared for her. Kiara was likely one of the people injured in her stead, and probably the only one out of them (except for the one who was the main villain) who wasn't getting a prominent scene that focused on her being a survivor of the attack until some readers protested (the entire intro of TRR3 was dedicated to Drake recieving tender care from the MC, Bastien gets showered with concern and care from Constantine, Liam and optionally the MC. The MC comes to the estate, makes a perfunctory mention of the injury once and proceeds to emotionally blackmail Kiara into joining the tour. Let's not even talk about Lythikos. That shit warranted its own essay). No matter how much you downplay the situation, the truth is that Kiara got grievously hurt in a terrorist attack and her writers didn't think it was important enough to address.

I often wondered in the beginning, why Kiara was chosen for this. A close friend at the time theorized that perhaps it was done to ensure Madeleine would become our press secretary, because there was no way the MC would be considering her for this position if someone less hostile (like Kiara) was around. Another wondered if we might get opportunities to address palace security through the experiences of the survivors. Being a Drake x Kiara supporter at least by the end of TRR2, I wondered whether it was a coincidence that they both were injured at the same ball, and the possibility of the two bonding over such a painful experience.

Well. Boy was I about to be disappointed.

Because why did Kiara have to be so badly injured, if it was going to amount to nothing? If they weren't even going to address it in her own home? If - after even players who didn't care much for her, noticed the silence around that attack - the best you could offer was a scene that followed the MC and her friends suspecting the victim of this attack??

Had I looked at Kiara's narrative treatment (from TRR1 onwards) closer back then, perhaps I wouldn't have expected so much. It would have occurred to me that maybe they hurt Kiara the most, because they cared for her the least. Kiara is viewed as smart, poised, talented. Madeleine even calls her "one of the more competant courtiers" at some point. But that doesn't always mean that the team that writes her deems her worthy of respect.

For one, the writers tend to lean more into fandom perceptions of her in this book, rather than looking at their own canon. Kiara being a snob is not canon - that is ridiculous considering that she was such good friends with Savannah, and her support of the MC when she fits in well. Kiara acting like her linguistic skill makes her better than anyone else isn't canon either - nor is she obliged to speak in all ten languages on a loop just for the MC's or Maxwell Beaumont's entertainment. Kiara being perpetually mean to her best friend is inaccurate at best - she is often frustrated by Penelope, sure, but she spends far time and energy helping her than anyone else in that court.

Yet the narrative gives both these statements as dialogue options for the MC, where she can bitch about Kiara...but somehow only ever allows the same MC to be nice and caring and loving to Penelope - never once reminding her of the hell she'd put the MC through in the past. And because the fandom expected the Kiara-Penelope friendship to focus only on Penelope, PB got away with having Kiara's "best friend" stay conveniently silent as the MC berated her in her own home. The narrative even threw Kiara under the bus in TRR3 Ch 16, in order to make Madeleine look better in Hana's memories of the TRR2 bachelorette, claiming falsely that Kiara shouted at Penelope so much while drunk, that the latter was brought to tears. There is way more energy spent in painting an inaccurate and negative portrait of Kiara, than there is in showing the truth.

For another, the way the courtiers' and their parents' agreement to join the tour is coded...is extremely suspicious. When you compare both a successful and a failplay, you will find that all the parents have the chance to reject the MC's proposal to join the tour...except for one. Kiara's father, Hakim. In a failplay where you purposely do all the wrong things...out of the entire group of people who are still doubtful about supporting you, only Kiara and Hakim join your tour by default, without any expectation of a reward (Madeleine demands her own department after the wedding). They will be a part of it no matter what you do, no matter your failures, no matter how badly you treat them.

Hakim may have joined mainly to confront his old friend the King, but he still stays on even after Constantine dies. The writers made sure to branch-code things in a way that Kiara and Hakim could never drop out even if the MC was awful to Kiara, and never once acknowledged what it must take for them to do that. After Kiara herself had been fucking stabbed!!!!

Joelle, Kiara's mother, and Ezekiel, Kiara's brother, can reject the offer if they aren't impressed with the MC, but out of these two characters only one is viewed with respect - the one they were going to pair up with Penelope.

The narrative doesn't mind letting the MC mock Joelle for her passionate support of the arts if she doesn't win her approval, and her insistence that it is the sign of a thriving kingdom...and they make her sound petulant and churlish in response to that mockery. This despite the fact that in a successful route, she says one of the most profound political statements in the books:

"Hakim and I don't just want Cordonia to remain stable and peaceful. Those are blessings, naturallement, but our kingdom can do so much more than just survive."

In contrast, when you look at the same failplay, Emmeline and Landon are treated with far more respect from the narrative, even though Hakim and Joelle's plans for the country would benefit Cordonia as a whole. Drake looks up to Penelope's parents as an inspiration, especially if he's going to become a duke. Meanwhile Hakim actually acknowledges Drake and his bravery in a way that none of the other dukes and duchesses did, and Drake never gives a shit.

Emmeline can accuse the MC of not taking their situation seriously, if she does a bad job at the polo match, and the MC only has the grace to look contrite rather than lash out at her. Landon himself is never judged for coddling his daughter the way he does. Their focus on Portavira rather than the country is respected, and the MC not meeting their demands is viewed as her weakness, not an overreaction from their end. They never get the snarky responses Joelle gets, where the MC can outright call her "a handful" in front of her own husband.

And then there is the matter of how PB deals with the problems of all the court ladies.

(Screenshots from the Skylia YouTube Channel)

The period of the Unity Tour isn't exactly an easy time for anyone. The LIs each deal with their own shit, and the ladies of the court themselves have their own reasons for being reluctant to return. The entire point of this tour is to address their specific concerns as well as that of their families', because without the courtiers themselves we wouldn't have as strong a court.

In Madeleine's case, we have to talk to her through a diamond scene and then educate her mother on her ways of mourning lost opportunities, among other things. In Penelope's case we are required to give her complete protection and emotional security, for her to even bother joining the tour (there is branch coding where she can refuse to be a part of the tour at all). Even for Olivia - who is already an ally - the diamond scene encourages us to stand up to her aunt, by letting Olivia know that it is valid for her to lean on others for support without being considered weak.

But for Kiara? The best we can come up with, while in her duchy, is some version of - "You're smart. You'd know that if you left now, people will say bad things about Cordonia and then it would be your fault". You either manipulate her, or insult her as being a useless excuse of a diplomat. As I mentioned in another essay, Kiara's comfort is a non-factor. The gap between the care we were expected to give to Madeleine and Penelope, and what we deign to give Kiara in Castelserraillan (which is...well...nothing), is massive. And this gap would only increase - not reduce - in the books to come.

It might seem a bit irrelevant to talk about this, especially when this essay is about Drake and Kiara. But it's important to take note of this inherent disdain the writers had towards this one character - and people close to her. Because it is only too easy to pretend that the writers "got scared of the crazy stans".

Of course the stans had a huge, huge role in this. Of course their vitriol and racism succeeded in bringing about (what I consider) one of the most disgusting dialogue options in this series...or perhaps in any series. But I doubt those "crazy stans" would have gotten this far, without a team that didn't mind being cruel to Kiara.

When the Fandom and Canon are both Heartless: Drake and Kiara in TRR3

As I've mentioned in previous essays in this series, playthrough divergences truly begin in TRR3 (eg. While the playthroughs acknowledge who you chose as endgame by end-TRR2, you can still access diamond scenes through a small tweak that allows you to romance other LIs). And whichever LI didn't get engaged with the MC had indications of a new romantic possibility coming up. These were scenes you wouldn't find in your own playthrough with that LI as your fiancé/e.

Kiara doesn't appear in TRR3 until Ch 7, when the entourage comes to her estate Castelserraillan. There aren't a lot of Drake and Kiara scenes themselves, and I will get into why, section by section.

1. Kiara Greets the Group at Castelserraillan (TRR3 Ch 7)

Many Drake stans - once they found their MCs engaged to Drake in TRR2 - seemed to be practically giddy at the prospect of showing off their newly-engaged status to Kiara, and hurting her through the news. They were perhaps more excited about this than their upcoming wedding.

Well, they got that chance in Ch 7. In every other playthrough, she still holds the same feelings for Drake, and compliments his suit as Drake awkwardly fails to meet her eye. In his specific playthrough, Drake defiantly shows off his relationship with the MC, and Kiara shows a slight wistfulness before she forces herself to be normal then wishes the happy couple well. You'd think that would be enough to satisfy the stans who had been baying for her blood all of the previous book.

A throwaway line about Drake knowing where Kiara's room was, had already raised the heckles of a whole bunch of his stans. Kiara's "wistful look" in her first TRR3 scene somehow added fuel to that fire. Suddenly, you got to see a raging torrent of posts demanding to know if Drake had had an affair with Kiara. Fanfic had already been written about Drake cheating on the MC with Kiara by this point - and some of those headcanons and fanfic hinged on making Drake the innocent/vulnerable one, taken advantage of by this sexy, obsessed woman who would be either a danger to him or would be juxtaposed with the "pure", "virginal", "perfect" MC. Drake would never be the problem here, and none of the stans screaming over the possibility of Drake sleeping with Kiara would dream of blaming him for it. No, Kiara was predatory, Kiara was obsessed, if anything happened between them it would be likely Kiara's fault.

This is where it's important to note, again, that none of the more obvious signs of the "Jezebel" stereotype seem to be used in canon for Kiara. While cruel in her own way, the TRR MC doesn't exactly slut shame her or believe Drake will be unfaithful to her, Kiara isn't accused of seducing (or even trying to seduce) anyone, and she actually places respectful personal boundaries for herself in her attraction to Drake, that she never crosses. She may indulge in a light flirtation with him, try to impress him or simply talk to him - but you will never catch her forcing her sexual attention on him like Olivia did with Liam. Yet in popular fanlore, even Olivia's feelings were often cast in a far more noble light in contrast to Kiara's.

In her essay, The "Offending" Breast of Janet Jackson: Public Discourse Surrounding the Jackson/Timberlake Performance at Super Bowl XXXVIII, Dr Shannon. L Holland explores the historical and contemporary uses of the Jezebel stereotype in depictions of Black women in popular culture and discourse, especially in contrast to white masculinity (which in these contexts, is often viewed as innocent and blameless - and much of the blame lies with the Jezebel figure). The "Jezebel" stereotype "has come to symbolize both a malign, cunning sexual object and an autonomous, liberated sexual agent" - she is at once an independent sexual being making her own choices, and someone who is "incapable" of reining in her sexual appetite...and is therefore often depicted as not only a threat to the "purer" (and often "whiter" or "lighter skinned") woman, but also dangerous for whoever she is "obsessed" with. And we see this time and again in the discourse around Kiara - the fanfic that depicts her in a range of scenarios (stalker, obsessed lover, abusive girlfriend who will break a bottle over Drake's head, at times even descending into murderer to get the man she wants). Which is how we wound up in a position where Kiara even breathing the same air as Drake was viewed as a threat.

It didn't matter that he was flaunting his love for the Drake MC in that playthrough to send a message to Kiara, or that he stayed silent with the others as his wife badgered her into joining the tour. It didn't even matter that Kiara never got a diamond scene the way the two other women did, despite being the most harmed among the ladies. What mattered was that Kiara existed. Her damn existence was the threat.

2. Cheering for Drake's Victory (Ch 10)

Ch 9 of TRR3 was released to players on April 27th, 2018. Immediately after, a mid-book hiatus was announced, mostly to work on some new art (very possibly the red pandas), work on the wedding, and make changes (such as shifting diamond scenes from character-centric ones to LI specific - they'd already started making changes to LI diamond scenes). The book would return 2 months later, in June.

In a livestream before the hiatus ended, the writers had made it very painfully clear that Kiara's feelings for Drake was one-sided. And by that I mean they really emphasized on the one-sidedness of her affection, almost as if to reassure the panicking stans. This would manifest in any future interactions between the two - both in Drake's single and engaged playthroughs - and any hope that such a pairing would even be hinted at was over. But there was one variation that the team had perhaps neglected to edit out.

A small one-word depiction of Kiara cheering Drake when he wins his duel against Neville, joining his friends to praise him. It really isn't much - just Kiara saying "bravo!" before Savannah rushes up to hug him, which is replaced by a scene of Drake himself going up to the MC and passionately kissing her in his own playthrough. What is definitely striking about this depiction is that Kiara was clubbed with his close friends and his sister, rather than the second group of people that largely represented the larger court (Rashad and Queen Regina) who offer their congratulations.

Given the way the writers wrote any remaining interactions between Drake and Kiara, and the fact that this small appearance doesn't really amount to anything, it is possible that this variation was part of an earlier draft that involved other hints, that the writers failed to notice when they put up Ch 10. If they had, I'm pretty certain it wouldn't have stayed in the book.

3. Leaving Court + Wedding Conversations

Remember how I kept stating in this essay that the narrative was going to take their enthusiastic pandering of the "possessive stans" end of the fandom, to some dark, disturbing places? Well, here we are.

Tbh, the writers could have just stopped showing any interactions between the two, or given Kiara another boyfriend if their aim was simply to show that Drake and Kiara would never be endgame. They had done that with Maxwell and Penelope already...oh. I forgot. They actually wanted us to care for Penelope.

Up until this point, Drake's mean streak re: Kiara was present, but not really as obvious as it gets here. PB takes that cruelty several steps further in these two chapters, starting with Ch 11. Ch 11 was fanservice to the people who shouted abuses and "joked" about killing Kiara in every chance they could get. Ch 12 showed this sentiment at its worst, covered it up with enough fluff so it would be harder for people who liked Kiara to notice...and let those players get away with it.

In Ch 11, Kiara approaches the MC and her group to inform them that she is withdrawing from the tour. Drake is the first to respond to this, remaking at the suddenness of the departure. The MC can speculate on a couple of things, ranging from sympathy (that she might be afraid), selfishness (that she is "bailing out" on the MC) and suspicion (that she is hiding something).

In all three options, a pensive Hana expresses sympathy and encourages the group to "reach out". In all three options, Drake will only view Kiara as a suspect.

Mind you - according to Ch 12, Drake is saying this knowing Kiara was injured at Homecoming Ball...and knowing exactly which weapon she was injured with. Aware that she has gone through an event as traumatic as that (if we go by his "just one step at a time" monologue to Kiara), better aware than most how it would feel...he still opts to act like her motives should be suspicious.

This is further emphasized in the Drake playthrough, through the armory scene that the MC takes with Maxwell.

As I've mentioned in the post on this scene, it is divided into three halves. The first half deals with whoever the MC rejected (either Liam, or Drake in Liam's playthrough). The third is buildup to Lucretia's plans to usurp the throne. The second is supposed to be about the excitement among the members of the court for the wedding, and of course as the only people who come for the tour by default (and Madeleine is already taken for the first scene), Kiara and Hakim are used for this scene!

I will only focus on the Drake version of this scene today. There are a few things you notice straight off the bat:

1. Since this is Drake's playthrough, the narrative seems to do away completely with any lingering feelings Kiara may have had are done away with. In this scene she is quite happy about Drake's wedding - in fact, practically chipper. Literally nothing about her behaviour here serves as a reminder that she once had feelings for him.

2. Drake's response to Kiara attending his wedding ties in pretty well with his earlier default suspicion of her. Unlike Hana who is surprised but also happy that Kiara is attending, he seems to voice it as a doubt or a question. While that makes sense and there is continuity, it's pretty awful that he is allowed to suspect her like this and feel no remorse when the truth about her is revealed.

3. Now as I said in the post, this scene is meant to be a buildup to Drake's ice-palace scene. He speaks about wanting a private, country-style wedding in a natural place there, and Kiara's gentle teasing in this scene is supposed to be an indicator of how much he dislikes the usual fanfare. Okay. Fair enough. You're uncomfortable with the fancy decorations and the insane planning, fine.

4. But it's Drake's attitude towards Kiara in this scene that leaves a bad taste in the mouth (unless you were one of those Drake stans that liked to threaten murder on this character ig). The narrative really went out of their way to make him sound uncommonly angry with her, just for asking about his wedding. He angrily hisses at her to keep her voice down the moment she asks about the wedding, and then lashes out the moment she teases him about his love for the MC and his reluctance to be very public about it in that context. Of course, people who either liked Drake or hated Kiara would downplay this scene - either blaming Kiara for not magically knowing his likes or dislikes, or acting like Drake's behaviour in this scene is no big deal.

And his explanation in the ice palace scene really doesn't cut it as a reason for why he should be this pissed off at Kiara's excitement. There is no real bitterness or resentment tied in with the fancy trappings that are mentioned in that specific scene - it's just that he likes simplicity better. If Kiara doesn't know him well enough to understand that - it's because he has never properly talked to her. She made attempts to converse whenever she could. You can claim he never owed her a conversation - but in that case she doesn't owe him a complete understanding of his wants either. He could have just politely answered the question and changed the subject, or quickly took his leave.

He is well-versed enough in court etiquette by this point that he could have managed to sound civil enough. That he could have made a quick, polite exit. But no, he gave her the kind of anger that one reserves for someone who is kicking a puppy or stealing candy from a child, instead. And it was Kiara's grace that allowed her to view that awful behaviour in a more positive light.

It's pretty clear this scene - and to some extent the framing of the next - was made specifically for those Drake stans who were screaming and throwing tantrums about a possible affair. It was to highlight that there was no way Drake could ever return Kiara's feelings - and the only way they could do that was by making sure he treated her as rudely and inhumanely as possible.

I didn't think it could get any worse than this, when I saw this version of the scene...but then I saw Ch 12.

The Talk

If you were to speak just about fandom reactions to this scene...the responses to Kiara chronicling her trauma after Homecoming Ball, were pretty positive. Plenty chose the middle option "You're suffering from the trauma of the event. You need help", and cooed over Drake's touching little monologue about "taking it one day at a time".

I admit at the time I was fooled too. But one thing did niggle at me as I played both this option, and the "understandably cautious" one (I would later understand that the latter was not very good either - it has a thin veneer of "validating" Kiara's feelings, but it still has the MC and Drake expecting her to put their needs before her own safety and sanity).

Drake was reassuring to an extent in both options, sure. But why were his responses so different? Why was his answer to Kiara so closely tied to whatever point the MC was making, rather than independent of it? After all, he was the one who should be able to better relate to Kiara - wouldn't he have thoughts of his own here? If the MC chose that horrible final option, Drake would correct her and comfort Kiara instead, wouldn't he? Wouldn't he???

It was only when I (reluctantly) pressed that third option ("not as driven as I thought you were") that I understood what Drake's role in this scene was.

He wasn't going to be there for Kiara. He wasn't even sympathetic to her! It wasn't even going to be about two traumatized people connecting over their trauma. Drake was a puppet. He was there to parrot whatever garbage came out of the MC's mouth.

Because in the third - and most horrific - option, the MC is allowed to minimize Kiara's trauma, and mock her ambitions in the face of what she has just gone through. Drake is allowed to agree with her ("sometimes ambassadors have to work in dangerous areas"). Kiara is forced by the same narrative to find value in these words.

And all of this, stems from a scenario where Drake and the MC go in suspecting this woman from the jump. Where Maxwell is happy to make jokes about her being a suspect. Where the only two decent people in this group - Liam and Hana - are conveniently written out of the scene, ensuring that these ghouls can act the way they want around Kiara, and get away with it.

Not once is Kiara herself ever allowed to know that the group suspected her by default, nor is she allowed to go through with her intention to leave court. The very roots of this scene are rotten.

Very often, when this scene in particular is addressed, not many people actually address Drake's behaviour here - or in the previous chapter. Stans will vaguely, and conveniently, blame the group as a whole rather than their favourites. Such a tactic allows them to never name the specific people or specific actions, and therefore the main people involved in speaking to Kiara the way they did never have to be held accountable. This is particularly relevant in the case of Drake.

It was Drake's idea to interrogate her. He was the one constantly harping about her "suspicious behaviour". He was the one aware of what happened to her yet chose to think of her as shady. He was the one who should have known better, yet was absolutely game to minimize her trauma or engage in emotional blackmail. And neither he nor the MC came out of this conversation feeling anything resembling remorse. Because, apparently, they never did anything wrong.

They got what they wanted. At best, Drake and the MC manipulated this woman (again) into returning to their court. At worst, they badgered and bullied her into that decision. Either way, she was going to return, and the narrative was going to pretend that the MC and Drake were great people for making it happen.

I have heard some justifications over the years for Drake's behaviour here. One is that he "tends to act like an asshole to everyone". Another is that Kiara is a noble so he was never going to see her in a positive light. Which is hilarious to me, honestly, because in the same book you have Drake reassure Penelope - the woman who had made the MC the target of a reputation-ending scandal - and comfort her when she sees Madeleine. If this was really about the chip on the shoulder he had for nobility, why was he so kind to Penelope? And if Penelope's mental health warranted a change in mindset and behaviour from Drake's end, why was Kiara not worthy of that as well?

The truth is this. Drake was allowed to express his mean streak to a black woman, bully a black woman (the pranks), lash out at a black woman (the conversation at the Lythikos Ball), suspect a black woman, and finally minimize her trauma if the Duchess he had a crush on wanted to. While being overly protective and chivalrous to the white woman who actually did harm her. No matter what way you spin it, that is what Drake's behaviour - especially in TRR3 - is.

The way the team trampled over this "pairing" post that miniscule hint in TRR3 Ch 7, would make a rampaging elephant look like a ballerina in comparison. They wanted to make it clear after the hiatus that Drake x Kiara would never happen, in any eventuality, in any future, in any universe. And no matter how much we pin this on "crazy stans" (who do hold some responsibility for sure, for their own veiled racism), it's a fact that the writing team was comfortable doing this. They had already found other ways to pile disrespect on their sole recurring black female character - what was a little more?

TRH and Beyond: Taking Away What Was Left of Kiara's Remaining Fanbase

Given all the narrative back-and-forth and shadiness, I'd have to say the end Kiara got in TRR3 was comparatively...decent. Not great...not exactly satisfying...decent.

Her fighting off the assassins at the boutique ("not again...not again!!") was the highlight of that scene. In Hana's playthrough, Kiara was her MOH by default, and the lines the MC could give if you chose her in other playthroughs was pretty sweet. At the end of the book, her father would make Kiara his heir, after her older brother Ezekiel abdicated. There were still things I was always going to hate (such as the fact that we could lie about "having Kiara's back" - we absolutely did not) about the aftermath, but all in all as a fan...I could maybe envision a fairly happy ending for her with what we got.

The next series, The Royal Heir, would debut on June 2019, almost a year after TRR3's own debut. This would be the first series that would go completely LI-divergent, spanning four books. It started out as an attempt to envision the future (and pasts) of the main characters, as well as tie loose ends...but descended into an incoherent, retconning mess with each book.

Kiara doesn't feature much in Book 1, but is pretty prominent in certain chapters like Ch 7 (Savannah's bachelorette), Savannah's wedding, and the Apple Ball in the finale. You'll often find a marked difference between the way she is looked at for most of the book, and how the MC speaks to her in TRH1's finale.

Savannah's bachelorette, for instance, features all the ladies of the court in Texas, with new "country" looks and engaging with Texan culture. Here, too, you see a sign of PB leaning into popular perceptions of Kiara rather than remembering their own writing, when we see how Savannah praises the MC by default but has very little to say about her former friend Kiara. Since Savannah's return to court in TRR3, the team seemed to have forgotten that other ladies of the court weren't very nice to her, and Kiara was the only one concerned for her. They have Olivia act sweet and caring towards Savannah in both TRR3 Ch 17 and TRH1 Ch 7, conveniently forgetting the insults she piled upon Drake's sister in the first book. Savannah never has to talk about Kiara's friendship at all, other than a teasing comment hinting at her French lessons. Savannah was never expected to have any gratitude or affection towards Kiara even though she was the only woman who cared about her in court before she left.

An interesting thing to note in the diamond scene of the bachelorette is the way the courtly ladies' previous/current "romances" are framed. Kiara's, in particular, warrants a lot of discussion. Unlike Olivia (who can address her feelings for Liam regardless of playthrough, if asked, and can actually show some level of resentment towards him for not picking her), Kiara's feelings are addressed only if the MC isn't married to Drake. If she is, Kiara mentions a fondness for "rugged, down-to-earth men" (which the MC and Penelope perceive to mean hunky and muscular), and avoids mentioning his name at all.

There are two very interesting things to note about this sequence. One is the pattern of how, and how far, are Olivia and Kiara are allowed to address their feelings for these men. Not only is Olivia allowed to be open about her feelings and her bitterness (despite Liam actually romancing her in TRR3!), the narrative demands our respect for her position and plight. The Liam MC lauds her honesty and her decision to move ahead, unfazed even by her anger for something Liam didn't even owe her. In contrast, in the Drake playthrough, the writing makes sure Kiara never mentions him by name. And not only that, when the MC and Penelope tease her about her romantic preference, she is shown to stammer and seems downright afraid of the MC.

The fact that there is such a gap in how Olivia and Kiara are allowed to act about the men they love, and the fact that this gap was normalized so much in fandom discourse that it didn't even warrant a discussion, tells us plenty about the fandom too. The fandom position has almost always been that Liam owes Olivia love, appreciation, kindness. And that Drake owes Kiara nothing, not even common human decency. Which is why the fandom wants Liam punished for the high crime of not loving Olivia back. Which is why Drake is allowed to treat Kiara like an irritating pest at his best, and like utter garbage at his worst...and almost no one so much as bats an eyelid.

Since most of the story of TRH1 seemed to revolve around the ranch, the ladies of the court made minimal appearances and most of those were in keeping with patterns established in TRR3 (except for maybe Olivia's spy scenes). Some of their parents - too - feature in Royal Council scenes: Godfrey and Landon are part of this council and are seen during the MC's announcement - no one from Kiara's family, besides her brother Ezekiel who is dating Penelope, make any appearances in this book. Towards the end of the book, however, you suddenly find a scene or two where the narrative is suddenly, and inexplicably, syrupy sweet to Kiara:

(Screenshots from the Skylia YouTube Channel. 1-5 are from Ch 18, during the council meeting. 7-10 are also from Ch 18, at the start of the ball. The last two are from the finale as buildup for the pregnancy photoshoot)

There are indications of Kiara's diplomacy and good advice in other parts of the book too (such as her suggestions for dealing with the foreign royals at the baby shower) but never were the praise and compliments as obvious as they were in the last two chapters of TRH1. Kiara was given a quippy dialogue to spout at Godfrey, who would later be revealed as the murderer of Queen Eleanor. All three of the MC's dialogue options in response would praise Kiara by default (a rarity). King Bradshaw would shower her with compliments too about her talent and expertise. And when Kiara approached us with an offer for a pregnancy photoshoot, the MC could cheerfully say "for you, Kiara? Of course!" as if they'd been bffs from the beginning.

There isn't any obvious reason why we saw this sudden change, but I can make an educated guess or two. A pattern that commonly emerges with attempts to address something that would benefit Kiara, is that the writers often only do it when enough people complain; that was how we got the horrible Lythikos sequence. Midway through TRH1, I managed to put up an essay exploring Kiara's treatment (centered around the Lythikos sequence in TRR3 Ch 12) in comparison to Penelope's and Madeleine's. It did not receive an immediate fandom wide response, but several readers did come away from that essay feeling like Kiara really got the short end of the stick, compared to all the other court ladies. I'm not sure whether that essay had a direct impact, but those three scenes PB added to the finale chapters do make me wonder. Was the team trying to prove to the fandom that they did like Kiara and wouldn't personally sabotage her, either for their own enjoyment or to pander to a section of the fandom?

If they did, then that plan didn't last beyond these two chapters.

Another possibility of course was to give Kiara something slightly positive before they did her dirty - again - in TRH2 and 3. Because in those two books, they managed to first make her - along with the rest of the council - party to a vote (that everyone was involved in, including the LIs!) that would later prove detrimental for the country. They would then have her be the only heir involved in the notorious Coventus Nobilis, which ensured that anyone who wanted to hate Kiara could tie her to her vote in favour of Bartie Sr, without ever asking any further questions. This was a far more successful attempt, because most of the fandom already believed the misconceptions of Kiara's characterization to be truth, and these storylines simply added fuel to the fire.

Kiara's biggest supporters tended to be a section of the Liam fandom, as well as wlw stans who tended to like most of the courtly women. Having her vote for Bartie at the end of TRH2, and her explanations in TRH3 about the "MC's ruling style" (which was really canon's way of making sure she did more a silent diss on Liam) was written specifically to place a serious dent among her fans who liked Liam. And sadly, it worked in part. Because even if one considered Kiara's thoughts on "reactive ruling" accurate, it was a fact that the nobility (she included) would have to be blaming Liam for something that the entire Council voted for, and that Liam and his friends fixed on their own.

Making Kiara the lone person to voice this argument, made her a target in this fandom. I mean, people were ready to praise Madeleine and speak of her as loyal (eagerly ignoring that she was actively involved in the child's kidnapping if you didn't coddle her enough), and badmouth Kiara in the same breath, claiming that Kiara wasn't worth forgiving and people should just get over Madeleine's deeds in the past.

This resurgence of hate didn't just erupt out of nowhere. Once they finished spending two chapters on two-second compliments to Kiara, PB reverted in the next two books to some of their usual patterns with her. For instance, remember how I mentioned that PB had an obsession with never letting Kiara and Liam interact? In TRH, they repeated this pattern, but with the Heir. The only scene Kiara has where she can so much as touch the heir is in the last part of TRH3, if you choose for Kiara to read to her. Penelope is regularly allowed to hold her even though she has often placed this child in dangerous situations (on one occasion, Kiara herself had to stop her) - even Madeleine is given an entire babysitting scene to win her favour. But Kiara is the only lady of the court who is made to stay away or care for the child from a distance.

Kiara's family (besides Zeke, and just because he is Penelope's fiance/husband) is subject to disrespect in this book too. Hakim and Joelle were both conspicuously absent from the pregnancy announcement presscon in TRH1 (where Landon, Godfrey and Bartie Sr somehow featured!!), and future books would either retcon the family or force them to do things the other families didn't have to do. In TRH2, the MC takes a tour of the Great Houses with her newborn daughter, and each house is expected to pledge loyalty to her and the crown in different ways. Hakim is written as "bending to his knees" for the child. This is something only Adeleide and Madeleine - whose house, might I remind you, are considered the house of traitors at this point - have to do. Landon and Emmeline are never expected to express their loyalty to this extent.

In TRH3, the narrative callously pushes the Therons under the bus to make the Ebrim family's reluctance to help the MC make sense - the Therons are now "traditionalists" who frown upon scandals and may not allow Zeke to marry Penelope on the account of her past annulled marriage (this makes no sense when you take a closer look at the Therons themselves in TRR3 - they're a far more balanced, far more progressive family than any of the other Great Houses. They even took Zeke's abdication well!). Furthermore, you'll notice that the framing of Penelope's past with Guy is worlds apart from the disdain the narrative shows for the Therons during the flower festival. It is notable that in the latter, the black women are depicted very negatively - Kiara is shown unable to manage her own competition, Joelle is depicted as pompous and incapable of losing gracefully, Drake gets to take sarcastic potshots at Lerato for trying to charm the MC into voting for her and Drake into convincing her to vote. Meanwhile white people like Landon and Marguerite are presented in a just as humourous but less mocking light (eg. Landon moving his table courteously before flipping it in the flashback).

Even into TRF (Ch12), the narrative gives us choices where we can stand up to people criticizing Landon and Emmeline's parenting ("Duke Landon and his wife raised a kind, generous daughter..."). We are allowed to be far less critical of the Ebrims overall, we are allowed to be more charitable even in the dialogue options for suspecting Landon than we are of Kiara (think of how Maxwell can suspect that Kiara was planning to betray us all along). At the end of the Flower Festival, Kiara is made to appear contrite as the MC can choose to either demand she make this right before the latter can forgive her, or indicate that she never will. Ironically, a Penelope who can choose her fancy wedding over the safety of the MC's child never has to face words that harsh.

You will also notice if you look more closely, that the narrative continues to frame events surrounding Penelope and Kiara in opposing ways. Penelope is perpetually viewed as a victim, and Kiara constantly as a suspect.

We are expected to support Penelope, and to mistrust Kiara. And even though Kiara's feelings had long since become a thing of the past, Drake still maintains his animosity towards her and her family. And like everything else, it is so normalized at this point that you barely even notice it anymore.

In TRH2, Drake is allowed to tar all nobles with the same brush because of Godfrey's actions. Though his statement about the nobility ("We can't trust any of them to have Liam's back...not unless it's in their own selfish interests") is about the entire nobility, it is striking that he says this just before they go to Castelserraillan. The Therons are also the only noble family that Drake makes sarcastic comments about (in reference to Liam informing us that their province is a trade hub, Drake quips that "they are going to want to trade babies with us"). These snide comments he rarely makes about other noble families, and serves as a sharp contrast to how he treats the Ebrims (during Penelope's wedding festivities, he is unnaturally invested in Penelope getting a happy ending with Ezekiel). We can't even claim that his behaviour towards Kiara is in line with his disdain for nobles, because Penelope is proof that he is perfectly capable of showing compassion to most of them!

TRH3 ends with Kiara doing an apology tour of sorts - diplomatic missions aimed at improving Cordonia's international relations. TRF finds almost all the ladies of the court - even Olivia - in very minimal roles, as the focus shifts to the Via Imperii. Still, the narrative makes more references to Penelope than to Kiara, to the extent that the epilogue ends on both the MC and Penelope celebrating their pregnancies (Penelope's first and the MC's second) together.

Overall, you will find that the narrative repeated certain patterns with Kiara - the tendency to find her suspicious, purposely limiting scenes with important characters like Liam (TRR) and the heir (TRH) while the white courtiers get almost unlimited access, the discrepancies in expectations for her vs other ladies (eg. Madeleine is hailed for being "good" even though that is solely dependent on how you treat her. Kiara is largely ignored whenever she does help, and attacked when she is written to support the enemy). Drake - even as a former alternative to her, who should have gotten over whatever nonsense beef he'd had with her earlier - is allowed to make snide remarks about her home and family.

It's pretty clear they could do this because they could get away with it... because most of the fandom made it so easy for them to get away with it.

Fandom

When I look back at how the perception of Kiara in the fandom progressed over the years, I find it half-amusing, half-sad how much of it is rooted more in fanlore, and how little in actual fact. And this is something you couldn't just pin on "crazy Drake stans" - they were the biggest promoters of these lies and misconceptions, sure, but normally analytical, commonsense readers often believed that Kiara was fake and a snob and awful to Penelope too.

I get some of it, given the timing of Kiara and Penelope's scene at the beginning of TRR2. It takes place at a low point in the MC's story, a time when she isn't even sure the LIs want to support her. Coupled with that is the lasting image of Penelope hugging you and complaining about Madeleine, making you feel like she's more willing to give you a sliver of solidarity. Coupled with that, is Olivia's newfound popularity in the fandom - once she emerges in Ch 5 of that book, fans believed they found their wildcard who would stand by them in complete solidarity among the ladies of the court (did they ignore Hana's already massive contributions to the investigation? Yes they did. Yes they did). Madeleine herself is shown giving quotable quotes about female solidarity and Tariq's guilt in TRR2 Ch 7, which - coupled with Justin's high praise of her - made people want to find things to like about her too. Penelope's own betrayal was overshadowed by an expectation to support a person with serious mental health struggles.

Kiara's the only one who doesn't get such backstories or explanations. So at least in the heat of the moment, in reading those chapters between weekly gaps, it makes sense that a false impression of her got somewhat solidified.

But when you build your interpretations out of lies and misinterpretations, how does it become so valid that even the writers bend to it and prefer to show that?

Every fandom has its "crazy stans". And this instance wouldn't be the first or last time they are pandered to. But when the same stans get backed up by the "saner", more commonsense members of fandom; when even neutral readers promote versions of a story without actually looking at the scenes in question - that's when a fandom is in danger of turning a "headcanon" into canon.

Kiara being a horrible friend to Penelope wasn't canon. Kiara being a snob was not canon. Kiara being creepy towards Drake wasn't canon either. Especially when you take the fandom response to Olivia's forced kiss on Liam into account.

And that brings me to another point. I had been asked once why I felt the need to compare Kiara to the other ladies in my defenses of her. It's important, when we speak of the kind of hate Kiara received, to understand how a lot of flaws that the entire court has (eg classism) is often pinned onto a lone person, and how several white female characters could get away with worse behaviour while Kiara alone was slammed for harmless interactions.

This is most apparent when you look at how Olivia's violation of Liam's consent is perceived, vs Kiara's harmless flirtation with Drake in TRR2. Which woman had fans foaming at the mouth and wanting to kill her? Which woman was given dozens and dozens of fanfic and content that depicted her as creepy, desperate, downright obsessed with their man? Which woman got the "oh well, he doesn't owe her anything 🤷🏽‍♀️" vs a "he doesn't love her back?? WHAT AN INSENSITIVE ASSHOLE!!1111"?

Perhaps this Olivia/Kiara comparison is where the fandom's tendency to cast Kiara into the Jezebel stereotype is the most visible. Kiara's very act of talking to Drake sometimes is registered as a threat to those stans, and it reflects in the way they speak of her, the way they speak of their MC's own relationship with Drake in association with her (eg. the number of posts rejoicing at the thought of showing off their "engaged to Drake" status at Kiara's estate), the way they're allowed to dehumanize her and villify her (eg. The edit I mentioned at the beginning). This is often encouraged by their friends who are fans of other characters, and you can see that in sharp contrast, Olivia - despite her actions in Book 1 and her resentment of Liam for not loving her back in other books - is still often viewed with sympathy and respect. Her feelings - still viewed as genuine, even pure. To the point where PB eventually allows Olivia to constantly address her feelings about the MC's and Liam's relationship, while forcing Kiara to not even utter Drake's name in his playthrough.

But you see this with other characters, and in other contexts too. Particularly how Madeleine can be duplicitous, hypocritical, and power-hungry, and it's Kiara who is called these things despite her actual honesty in canon. Madeleine can get away with actually helping Bartie Sr kidnap the MC's daughter in TRH3 without a murmur, in the same fandom where people can curse Kiara for voting for Bartie Sr "to take the child away" (despite her telling the MC and spouse that she was promised they would have custody of the child, therefore the claim that she "voted to take the child away from their parent" is inaccurate).

You saw some of these discrepancies in how Penelope and Kiara were spoken about too - Penelope's crime in TRR2 was considered easily forgiveable, while Kiara's innocence is constantly called into question. Kiara was often viewed negatively for what the fandom perceived as "meanness" to Penelope (when it was in fact Kiara worrying about how Penelope would fare when she wasn't around) while Penelope herself was never expected to be a good friend to Kiara. An interesting thing to note about the fandom response to Penelope and Kiara showed that often when posters wanted to hate on Penelope, she and Kiara would be clubbed together, almost as a unit. This was especially prevalent in TRH3. It was easy to express hatred for Kiara independently, but most posts that showed a dislike for Penelope (besides from specific Kiara stans) would often tie her with Kiara, as if there wasn't much to hate about her otherwise.

It is important to line up whatever hate Kiara gets with the responses to the other women - especially in the face of what the latter are allowed to get away with. In doing so, you get a better sense of what is allowed for a certain subset of women, and what isn't allowed or permitted for black women specifically.

Often, the fans who would not hesitate to call her alone fake, opportunistic and creepy were WOC, and there have been cases where some would use their identity as WOC to shield themselves from the criticism concerning their vitriol. It would often descend into "I don't hate her because she is black, I hate her because {insert inaccurate/false/convoluted justification here}". It didn't matter that much of this information wasn't based in fact, or had a heavy bias that they never applied to anyone else. It only mattered that because they were WOC, somehow that meant that they couldn't possibly be racist. That their unfounded hatred for Kiara had to be legitimate. As if there was no chance that someone who was WOC couldn't be antiblack too.

Overall, it is possible that the fandom did take some of their cues (for their impression of Kiara) from the inherent disdain found in canon itself. But many of them also misinterpreted several things about Kiara, then didn't bother to revisit those biases with a critical eye, or even try to see if they were wrong. And that baseless hatred fed the already-existing disdain that Kiara's own writers had towards her. Resulting in the kind of horrific, racist garbage that we got to see in TRR3, and the constant attempts in canon to pull her down in TRH.

Did Drake and Kiara Ever Have A Chance?

There have been various opinions - from both Kiara fans and haters - for why a Driara ship would never work. He hates nobles, she won't like his disdain for art and culture, he likes the simpler life, she's a snob...so on and so forth. Many people will agree it's not a great ship, but of course with differing opinions on why.

I, however, often wondered at possible scenarios where such a pairing could work. The magic of shipping is often that you can play around with personalities and pair almost anyone, and find enough reasons to explain why they would tick. And in Drake and Kiara's case, personally, I do feel like it's a complicated question to answer - primarily because I feel like the authorial intent at the beginning may have been very, very different to what finally happened in Drake's story.

A lot of Drake's early writing focused on the reasons behind his mistrust of the court and his tendency to view the people he loves who are part of it (eg. Liam and later the group) as anomalies. There are two ways you could take such a story in TRR2 - you could either get him to admit to the flaws in his own thinking (thereby providing a more nuanced insight) and allow him to grow from there, or you could just have him double down on his biases and never change beyond the superficial. The team of TRR - esp the head writers, Kara and Jen who were both v fond of him - definitely seemed to go in the latter direction.

Drake's prediction in Coney Island does indicate that he should let go of the past, and I honestly feel like the sequences where he learned about Maxwell straining House Beaumont's finances to help her, and Kiara and Savannah's friendship, could have been turning points for him if the writers weren't so obsessed with proving him right all the time - even when he was supposed to be wrong. Maxwell and Kiara, in their own ways, were proof that not every noble was the same, nor would every noble treat the commoners around them all the same way. However, the narrative trampled all over this possibility in TRR2 Ch 9, where Drake could optionally claim that the Beaumont brothers (among others) were "just looking out for themselves, no matter the consequences", or later when the narrative had Savannah be grateful to him for breaking her confidence to Bertrand, and have Maxwell try to earn his forgiveness in Ch 12 rather than the other way around. It allowed Drake to be selective about the nobles he admired or defended, while still free to treat certain others like garbage.

I could easily envision a Driara pairing for most of TRR2. I could even see it as potentially salvageable in certain parts of TRR3. But the moment they had Drake readily suspect her, the moment the team thought it would be okay for Drake to even suggest minimizing her trauma...that option was no longer worth seeing. Not for Drake, but for Kiara. Drake would have to be the worst possible guy I could find for her, in such a scenario.

But I could see potential in a storyline that had Drake understand that some of these people weren't the monsters he so desperately wanted them to be. In one where he could hear about Kiara's friendship with his sister, and learn about a whole new side of her. One where he maybe felt insecure ("I'm not her type") and could be reassured by a woman who had likely held a torch for him since they were teens/young adults. One where they could reach out to each other in their pain and trauma, and find solace. One where Drake knew that the family he may be marrying into would respect him, and his father too. There were possibilities there.

It would still take more work - his mean streak for one would need to be reduced by more than a half. A lot of it, of course, was kept for the Drake stans, but it really doesn't add much to Drake's character besides making him a mean-spirited, hypocritical bitch who only targets the lone black woman this way (and Olivia occasionally, if she goads him). If the narrative did want to keep a characterization where Drake acts weird around the girl he likes, they could - but that story would need a lot more work to be palatable.

All of this is to say that regardless of personal bias, there were possibilities there. There was a sliver of potential. And if they wanted to let go of that potential midway, they didn't have to go about that the way they finally did. They could have just worked on creating another love interest for her. They managed to create a brother for her overnight just so Penelope could have a boyfriend; they could have easily done the same for Kiara.

Multiple factors went down that explain why the Driara ship didn't take off. But many of them boil down to one specific root cause - the white women (whether they caused actual harm or not) needed to be protected, needed to be cherished. The black woman who dared to ask for the same things from their pet LI, would be viewed as a threat, a villain, a creep...just for breathing in his direction.

And her writers cared so little, that they took the fanon perception for her and stamped it onto their canon, like it was the truth.

They didn't do any of this for the woman who forced a kiss on a prominent LI. They didn't do this on the woman who betrayed the MC and set her up for assault. They didn't do this to the woman who bullied the lone female LI, and swore to continue doing so till she broke.

They did this for the one woman who was fairly innocent of most of these crimes, actually respected the LI and treated him well.

They did this because they could get away with it. Because they were confident that the fandom they wrote the story for, would let them get away with it. And tragically...they were right.

Resources I used to learn about the Jezebel stereotype:

The "Offending" Breast of Janet Jackson: Public Discourse Surrounding the Jackson/Timberlake Performance at Super Bowl XXXVIII by Dr Shannon Holland

Janet Jackson, Justin Timberlake, the Jezebel and white masculinity by Khadija Mbowe (I actually got the recommendation for the first paper from this video essay).

From Mammy to Jezebel: The Portrayal of Black Women in American Cinema from the BlackThen website

#but anyway…#sorry about the length I added to this lmao #I actually wanted to write more bc I didn’t even get to the crazy extent to which Kiara was portrayed as dangerous and predatory to Drake #or her trauma being ignored and exploited #but as always you did an excellent job of that anyway esp as someone who knows the ins and outs of the story so well #and I basically wrote all this with that weird burst of adrenaline you get when you’re sleep deprived at 3 am 💀💀💀#so sorry about the rambly mess with little connection between points LOL #I just don’t have the energy to make it better now #but on another note something I often think about #is when I first started interacting with PB/Choices through fb #and there were people speculating about the reason for so much inconsistency and favoritism in the popular series #and I had made a comment theorizing that the writers often made changes to the stories based on fan responses #and someone from their social media team actually responded and basically said ‘no we don’t do that don’t believe everything you read guys #meanwhile TRR and OH book 1 already existed…#not to mention all the other ‘too specific to be coincidence’ instances in other books #like who are you trying to fool PB #and speaking of OH Aurora was one of the main characters I was thinking of when I wrote my last paragraph #but that’s a whole other multi paragraph discussion 💀#anyway this was a great series #I have to read some of your other essays bc I think I’ve actually missed quite a few #so def looking forward to that when I have some more free time and good food in front of me 😅#long post

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blkkizzat · 1 year ago

Note

please write nerd geto ! i’m sure you’ll write something amazinggg

Of course doll! Sorry this took a while I was sick most of December and January whooped my ass with classes starting again but I love love the idea of Nerd!Geto especially a Nerd!Geto with glasses so had to write a whole fic. Hope you like it :3 ♡

Lessons in Anatomy

“Shall I give you a lesson, Y/N? Do you want me to teach you how to squirt?”

summary: thanks to some bad choices and party girl ways you're on academic probation and can't afford to fail another test. fortunately your longtime friend nerd!geto is there to give you lessons in both economics and anatomy.

cw: college AU. fingering, squirting, dirty talk, edging, mentions of satosugu, rich party kid shit, incestuous friendships, mentions of reader x other jjk men, mentions of casual sex/hookups, mentions of drinking/drug use, reader is a dumb (and I mean dumb) bimbo, a little bit of a brat too, slight coercion, slight dubcon, virgin!suguru, soft dom!sugu, sex ed!sugu, roleplay as sugu is pre med major, some minor fluff, pet names: slut, bunny etc. a bit of a crack fic too haha. slightly black fem coded, no descriptors. a/n: LOL how this became an 8.2k fic about squirting idk chile... but special shout out to @littlemochabunni who talked me off a ledge when I was being emo and I wanted to scrap the entire thing and start over. w/c: 8.2k

“I can’t believe I’m here and missing the biggest party of the year!”

You groaned as you scrolled through your stories to see all the pics and vids of your friends living their best drunken lives and happily binge drinking on frat row to celebrate your school’s football league championship win.

Toru just did unassisted keg stand pushups and you missed it!

You, on the other hand, were stuck studying with Suguru in his dorm room.

100% sober and being forced to learn 5 weeks of econ, that you never took a single note for, in one weekend.

Well not forced exactly.

You and Satoru had practically begged Suguru to help you study this weekend. If you failed this class you would flunk out as you were already on academic probation.

“Well I for one can’t believe you’re dumb enough to attempt to cheat off Toji and Sukuna of all people.”

Suguru quipped back while pushing up his glasses. He snatched your phone away from you and placed it on the other side of his desk, away from you.

Not that he took offense to the remark, but he too had better things to do on a Friday night than tutoring you. Keggers definitely weren't his scene though and Suguru wouldn’t be caught dead at a party celebrating with those frat monkeys. Even if said monkeys included his childhood friends.

However, as a pre-med student he’d much rather stay in to write his essay for the clinical research internship he was trying to get.

“Hey! I didn’t cheat off them for the record! Toji and Sukuna said they had the hookup for the answers!”

You pouted grumbling as you tried to reach for your phone on the other side of the table only for Suguru to take it again. This time he slid it into his pockets, keeping it away from you for good.

“Urgh, it’s not my fault they got the test for ECON 230A and 230B mixed up. I didn’t even know there was a second section!”

Suguru had to resist the urge to roll his eyes at you again. The pilfered test definitely had ‘ECON 230B’ printed in big bold letters at the top.

You all were idiots.

Unfortunately for you, you were just a cheerleader idiot.

The other idiots, Toji and Sukuna, dubbed the ‘The Boom Bros’, were the reason your team even won the championships in the first place. The best defensive backs your college or any college in your division have seen, ever. Not letting an opposing team score more than 10 points the entire season, there was no way in hell they were going down for that right before the championships.

That left you as the scapegoat, which was something Suguru noted that you happily took the fall for. Although there is a very good possibility of you being a soon-to-be college dropout, your social clout was skyrocketing.

Word spread among the popular social circles fast on how you ‘saved the big game’.

Suguru couldn’t care less about football, though he was getting annoyed at all the texts, DMs and messages you received asking where you were. They were making you completely lose the little focus you were capable of, which is what made him confiscate your phone in the first place.

Sighing, Suguru was pretty sure you would be competent enough to pass if you just applied yourself more to anything other than drinking and parties.

“Y/N, just try to focus on studying, please.”

You pouted, turning back to the textbook in front of you.

How did Suguru’s nerdy ass enjoy studying so much?

Studying, especially anything to do with math, gives you an ick. In fact, you were sure the only reason you graduated from high school and even got into this university was because you played 7-minutes-in-heaven with Choso at the start of senior year.

It had been a secret double dare from Gojo but you sucked the soul out of that boy in Gojo’s closet that night. From then on, Choso pretty much did anything you wanted that year, including all your homework. Hell, he even wrote your college admissions essays and in turn you gave him some sloppy toppy here and there.

Choso was always eager to feel your soft lips on his cock, so you’re sure he could have thought of a better way for you to cheat so you didn't have to study at all and could be out partying right now. It’s just your bad luck that he was studying abroad this semester with his little brother Yuuji.

Although, even if you did flunk out you weren’t that worried. Worst case scenario if you couldn’t find a career or a husband you could always be one of Gojo’s three mistresses he said he would keep once he was older, married and had taken over his family’s company.

He had pinky-pie-promised he would take care of you if you needed it and as one of your best friends you knew he was good for that promise. Even if he did make it while you both were partying, tripping balls off acid so hard that Satoru convinced himself your cunt could produce cotton candy. He chewed on your pussy for 2 hours straight one wild night on your group’s graduation trip where he then asked if you would be his future mistress.

But that didn’t necessarily mean you wanted that life for yourself. You liked your independence and Satoru would be alot to deal with, even with 2 other mistresses and a wife.

Therefore, unless you wanted to resign yourself to that fate, you were stuck with Suguru as your tutor.

It’s not like you didn’t get along with Suguru, he’d been one of your closest friends since you were young along with Satoru. But as you got older your interests kind of drifted apart and you saw him less and less, especially as you got to college.

You wanted to party and Suguru prioritized studying.

You had missed him. You wanted to have fun with him again.

And this was definitely not fun.

Reading the same paragraph for the fifth time and retaining shit all of whatever the passage had said about ‘demand curve fluctuations’, you were ready to climb up the walls.

You began to fidget, still in your cheer uniform from the game earlier. The material of your skirt rode up to your upper thighs when you splayed your knees out and leaned forward to lay your head on the desk face down with an exasperated yawn.

Suguru shared in your exasperation but directed his towards you with another sigh, looking you over. His weariness at you from your inability to study causes his eyes to linger on your form longer than they should.

Resting against his desk, your back had molded into a nice natural little arch as your tits pushed forward . Adjusting his glasses Suguru found it difficult to pull his eyes away once they landed on your thighs. Practically leering, Suguru is transfixed by the way the fabric bunched at your hips digs into your soft skin.

He curses your university’s school colors as the next thing that caught his eye was the bright yellow cheer panties you wore that were tight enough to show the full shape of your cunt. Your panties are so skinforming that they don’t fail to give you camel toe. The indent of the slit between your fat pussy lips is on full display.

You’ve always been attractive, Suguru muses as he feels his pants slightly tighten. But it’s no mystery why you were such a slut now if these were the positions you found yourself in when alone with guys.

“Seeing something you like, Sugu baby?”

Suguru snaps his head up at your teasing to see you looking straight at him, your head still resting on his desk but has since turned to face him. The wink along with the lazy yet knowing smile forming on your cherry stained lips lets him know you know he was staring at your cunt.

Caught red handed, Suguru rolls his eyes and scoffs as he returns back to the textbooks in front of him while you laugh. Dismissing your question entirely he changes the subject back to studying but can’t resist throwing in a little dig to take the heat off himself.

“Y/N, can’t you just focus? You’ve barely made any progress… Or is it that you want to flunk out and be reduced to Toru’s mistress or something?”

Fuck, you forgot Suguru knew about that too. (Duh, of course he did. He was the sober one who found you both, taking care of you once your come downs had hit).

Not letting him get away with that shade, the brat in you clapped back as you returned his sarcasm back at him.

“Okay, well high school was one thing but do you want to go through college without getting any play too? Or are you satisfied just from peeking up a skirt?”

Annoyance flashes in Suguru’s eyes. He thought you had some audacity seeing as you were the one who was casually flaunting your pussy for him in the first place. Nevertheless, you continued, using Suguru as a punching bag for your current academic frustrations.

“Your pocket pussy and getting head from Toru behind the bleachers at prom doesn’t count by the way!”

Suguru pinched the bridge of his nose as his tolerance of the situation had officially bubbled over. He was tired of everyone thinking he was missing out on something just because he didn’t want to kill off brain cells partying every weekend or play STD Roulette with casual hookups.

You bringing up prom was a low blow. It was the first time he’d ever had a drink and Toru had practically begged him. Satoru wanted to know if his head was just as good for guys as it was for girls (spoiler alert: it was).

Also, what you thought just because you fucked around alot it was actually any good?

“Yeah and getting railed by a bunch of banana brained monkey jocks, that counts Y/N? They wouldn’t know what to do with your clit even if it was an actual football.”

Suguru retorted and he watched as your eyes widened with shock then seethed with anger as you finally sat upright in the seat.

Ding Ding! He had hit a nerve.

“Oh and you would know what to do, cherry boy?”

Suguru knows he probably shouldn’t push it further. But like Satoru, you always knew what buttons to push to get under his skin. Suguru can’t help but to want to get under your skin as well, especially since he was never one of the ones getting under your clothes.

“Well I can actually spell clitoris, so that already puts me at an advantage over those ball chasing monkeys. Have you ever even had a real orgasm before, Y/N?”

You started to speak but Suguru cut you off before you could.

“—and I mean one that didn’t come from tripping with Satoru or a toy? I bet you’ve never even squirted before.”

Damn.

You resisted the urge to chew on your lip, not wanting him to know just how right he was but your immediate silence was telling. Racking your brain, you tried to find a way to get your lick back but found yourself at a loss.

It was mostly true to be honest.

A hot and heavy make-out session at a party would typically lead to mostly underwhelming sex and you would have to return to your dorm or wait for them to leave to finish yourself off with your rose or dildo… or both.

Okay and sure, maybe the one and only time you did really have an intense body orgasm was the time you dropped acid with Satoru but… fuck –Wait…squirting?! Wasn’t that just pee? Gross!

Satisfied with your small ammunition, after a pause you bit back again.

“Alright, so frat boys aren’t sex gods, tell me something I don’t know. It’s still sex Suguru—”

You flipped your hair and crossed your legs arrogantly as you continued.

“— sex that you aren’t having, which, duh, is obvious if you think squirting is an actual thing. Because Eww nasty, I’m so not into piss-play, Sugu!”

You waited for his reply, assuring your win but Suguru just blinked at you, dumbfounded.

The thought of you having won shatters when Suguru erupts into a fit of laughter. Hitting the table for emphasis Suguru was near howling as the glasses fell off his face and he had to clutch his sides for support, keeling over in his chair.

Suguru couldn’t actually believe that you believed squirting was the same as urinating!

On second thought, knowing you, this kind of checked out…

Watching Suguru in a fit of hysterics had your face burning with embarrassment as waves of self-consciousness came over you.

To be honest, you weren’t even sure why you were feeling insecure as this was supposed to be your victory! This was not the reaction you expected from him at all to say the least!

Just what made this so funny!? Because you didn’t want to piss yourself during sex?!

“Sugu…”

“Hey, Suguru!!!”

Frustrated with him ignoring you and still laughing after failing to get his attention, you jumped up from your seat and marched directly in front of Suguru. Angrily you yanked his head up by his man bun.

You were so ready to tell Suguru to go to hell for laughing at you. Even if you weren’t too sure exactly what he was laughing at you for, he was still being a jerk right now.

However the words caught in your throat as soon as you saw his face.

Suguru’s wide grin easily illuminated the dimly lit dorm room. Tears gathered in the crinkle around his eyes and pulled into an expression of such warmth that you were reminded of all the fun times you had together goofing off over the years. You nearly forgot what it was like to see him laugh like this.

So nostalgic you almost forgot he was still laughing at your expense — almost.

“Don’t be an asshole Sugu…”

Your voice was low, lacking any real bite as all your fire fizzled and was replaced by a pout.

Defeated, you let go of your stiff grip on his silky bun causing it to unravel and frame his face with thick black strands that flowed down past his shoulders. Although it wasn’t the first time you had seen Suguru with his hair down and no glasses, you couldn’t help but stare at him now.

He had grown much more into his features since high school.

College Suguru had sharper eyes, a slimmer face with a strong jawline and hair that flowed down to his chest. Not to mention his lanky boyish frame had filled out. The muscles underneath were prominent now even if he was wearing a baggy band tee and sweats. Suguru didn’t go to parties but from the looks of him he certainly didn’t miss going to the gym.

He didn’t look much like the nerd you knew him to be right now at all.

Granted, you were still a bit salty with Suguru but didn’t want to fight with him anymore. Especially given the way his dark eyes sparkled as he gazed up at you, your heart nearly skipping a beat as if you were really only noticing him now for the first time.

Sniffling, a cocktail of emotions swirls in you. Moisture pricks in the corners of your eyes despite yourself.

Suguru, who was also staring at you, took notice right away.

“Hey Bunny, I’m sorry...”

You relaxed a bit hearing the old nickname he and Satoru gave to you back in middle school, you couldn’t remember the last time he called you that.

Grabbing your hand in his much larger one, Suguru gave your palm a gentle rub with his thumb. His hand was surprisingly soft.

Despite his sweet gesture, your brow twitched slightly at Suguru’s soft chuckles, still continuing albeit less frequently, at your expense.

“It’s just that… I dunno, I guess I would have expected you to have experienced it at least once before Y/N, it’s definitely not pee.”

You huffed. You still weren’t convinced it wasn’t pee but now you were more curious than anything.

“And how do you know that Suguru? You’ve made a girl squirt before?”

There was no sarcasm in your tone this time, just doubt since he would have told Toru and Toru definitely would have told you if Suguru was getting play from someone.

Suguru to his credit wasn't discouraged though.

If anything, he seemed to gain confidence on the matter now that you weren’t fighting him, rather looking to him for knowledge, for the first time tonight.

“Well, no, but I did get a 4.0 out of Anatomy last semester and unlike you I actually paid attention in Sex Ed. Also, just because I’m a virgin, doesn’t mean I’m completely clueless. There is a little thing called the internet, Y/N.”

You mouthed an ‘O’— a bit ashamed that you actually thought because he was a virgin who didn’t party he was merely just sitting around clueless to everything about sex.

But what could just reading textbooks and the internet teach him over actual experience?

Then again, Suguru was practically a genius, if he was saying something was possible you could be sure it was. Still you couldn’t stop your mind racing as you considered his previous words.

You were the one with all the experience so you should have experienced it before, right?

Maybe the guys you hooked up with weren’t the problem then? Maybe you were.

“What if– w-what if I’m the problem Suguru? What if I just can’t?”

Tugging you closer, his fingers now interlacing with yours, Suguru’s other hand settled on your hip giving you a warm squeeze. You were so close to him now that his chin almost rested on your belly and Suguru was craning his head up to you with a small sly grin still on his face.

“It’s not a matter of can or can’t Bunny, you just don’t know how. Shall I give you a lesson, Y/N?”

“Do you want me to teach you how to squirt?”

You felt a bit lightheaded as you considered the words that just came out of Suguru’s mouth. You weren’t shy at all when it came to matters of sex and you had the reputation to prove it. Yet your stomach still did a little flip at Suguru propositioning you.

Sure you were a bit of a slut and had at least made out with almost every guy in your group of friends, but not Suguru. Not for lack of attraction though, you had teased Suguru in the past but he had always been the responsible one, like an older brother or protector.

Besides, Satoru was always so needy for his attention. There weren’t often times you were with Suguru alone and he never seemed all too interested in sex either, at least when directly compared to a horn dog like Satoru.

You didn’t actually know if he was serious though so you decided to make light of it, giggling.

“If you wanted me to pop your cherry Sugu, all ya had to do was ask.”

Suguru smiled back at you, he shook his head chuckling.

“I’ll only need to use my fingers, Y/N. Besides, this is about you. What I really want is for you to not flunk out, I would miss you, ya know?”

You try to keep a poker face but you couldn’t help feeling giddy at the fact you were extremely happy to hear Suguru would miss you. You had already missed him and combined with the inkling of new feelings stirring in your chest from seeing your old friend in a new light you feel adrenaline begin to pump through you as you brim with nervous energy.

“Let’s think of this as a study break from Economics. You had to miss the party but we can still have some fun. You might even learn something for once, eh?”

His hand left your hip in order to push the books and papers on his desk aside and patted the wooden surface. The hand still intertwined with yours guided you over.

“Hop on up, Bunny. It’s time for your anatomy lesson.”

You look at the desk and pause as if you are unsure, biting your lip.

Thoughts of finally hooking up with Suguru excited and the fact you were nervous whether you would disappoint him if you couldn’t actually squirt flood your mind at once. However when you meet Suguru’s eyes and feel gentle reassuring pressure on your hand your body is already moving towards the desk, making the decision for you.

Your heart is already thudding in your eardrums by the time you settle on top of Suguru’s study desk. Suguru immediately shifts into instructor mode, picking his glasses up off the floor and adjusting them back on his face.

He directs you to lean back and relax and soon your shoulders are against the wall behind the desk as you are propped up on your elbows.

You yelp as Suguru startles you by grabbing your hips with a firm squeeze and scooches you flush to his pelvis. Feet propped up to the edge as well all you needed were the stirrups and you could have been at the gyno's office, giggling now at the thought.

“Sugu, you can’t be serious. I feel like you’re about to give me a pap, not an orgasm.”

Suguru’s mouth twitches up into a smirk.

“There’s a reason they have you lie in this position, makes for easier access. If you’re going to squirt I’m going to need to find that slutty lil’ gland of yours and I don’t mean your clit, Bunny.”

You huffed but you were otherwise agreeable.

You couldn’t deny you were a slut especially not now with your legs spread open wide exposing your bright yellow cheer-panty clad cunt to Suguru. Laid out like this, the thin layer of spandex is stretched to its absolute limits causing your chubby pussy lips to poke out of the sides. This does not go unnoticed by Suguru who hadn’t taken his eyes off your lower half since you initially spread your legs.

His Adam's apple bobbed heavily as he swallowed and breathed deeply at the sight of you.

Suguru can barely believe he’s really about to do this.

If anything he is overconfident in his abilities, despite his lack of actual on-the-job experience so to speak. From all his studying as a pre-med student, books, health articles and yes even porn, Suguru could say he had an in-depth understanding of human anatomy and bodily functions.

But that didn’t mean he didn’t need to calm himself enough to stop his balmy palms from sweating further at the reality of finally being allowed to actually touch you.

“I’ll be in your care then, Doctor Geto.”

You make a lighthearted joke with a nervous laugh to ease your own anticipation. However the joke has the opposite effect for Suguru and he snaps his head up as if you had activated something in him.

Suguru’s fiery expression sends shivers down your back. Although as quickly as it appeared it was gone again, replaced by his trademark comforting grin. Even so your fingers pressed a bit deeper into the wood beneath you, steadying your frazzling nerves.

“Well aren’t you a lucky one then, being my first patient ever. You’ll be a good little pussy and listen to me, won't you?”

Suguru is looking down again, speaking directly to your cunt who is tingling in response to his voice. It’s fucking lewd. But then again so is the studious scrutiny of Suguru’s eyes so single-mindedly transfixed to your cunt you wonder if his leer alone could dissolve the cheer panties right off of you.

You let go of the breath you didn’t realize you were holding once Suguru finally starts touching you.

But not your pussy just yet.

His long thick fingers are surprisingly cool on your skin as they press into your warmth, ghosting just above your knee on both sides.

Gentle strokes travel down along your inner thighs and up again to lightly tickle the backs of your legs. You tense and squirm beneath him when your eyes meet Suguru’s own.

“Sugu–”

“Patience, Bunny. It’s no wonder you never cum if you’re so used to diving right in. You need to relax first. This won’t happen if you aren’t relaxed, can you try to do that for me?”

You nodded back at him, yet the goosebumps left in the wake of Suguru’s soft caresses had you trembling. So used to rushed thrusts and hurried grasps, you don’t know how to just take it in the moment.

You had never been touched this delicately before.

Already oversensitive, if anything you felt like the one who was the virgin in this situation.

If Suguru notices, he says nothing. His touches are progressively firmer, the light pets morphing into soft squeezes and circular strokes of the hand once he traverses closer to your core.

“You know Bunny, the inner thigh area is an erogenous zone? Can you say that, Y/N? Ero-gen-ous?

Suguru pronounces the word out for you as his heavy muscular hands make their way to the crease of your inner thighs, his hands once more perilously close to your pussy as he pauses looking up at you again expectantly.

“Say it, Y/N.”

Your cunt clenches at his command and it leaves you stuttering. Heat blossoms across your cheeks from how needy you sound choking out the word.

“Er-Ero-gennn-ous.”

Suguru rewards you by moving his hands again but to your dismay they pass your core to dig into your hips, his thumbs swirling over your hip bones. He leans his body in closer to you and you break eye contact to turn your head away lest you really start falling apart in his hands.

“Good girl. Ya know, you’re quite bright with the right motivation, Bunny.”

Puffs of moist heat glide over the tip of your ear as his lips are only millimeters away from your skin. His words stimulate a deep in your gut reaching all the way down to your toes, trying to resist how much he’s affecting you.

Suguru chuckles at your bashfulness.

“Are you always this shy, Bunny? Or does that honor just belong to me?”

You whimpered. You aren’t sure how you got here.

How was Suguru, a nerdy virgin, making you come undone like this? You didn’t know where the darkness that crept up on the edges of his eyes was coming from either, yet you squirm in anticipation despite yourself.

You loved it.

Always a know-it-all, so you would hate to admit it outloud, but Suguru was already making you feel more excitement than any frat boy you had been with. Lack of hands-on experience be damned. You’re losing it as his lips sensually flutter against your collarbone.

“Y-you s-said only fingers, S-Sugu!”

Your voice lacks any real reprimand as you are arching up into his touches and quivering for more. Suguru obliges as he alternates between delicate nips and open mouth kisses sinfully marking you. Groaning into the crook of your neck Suguru savors the lingering taste of your perfume and the natural saltiness of your skin.

Returning his attention back to your ear Suguru’s breath trails over your skin until your lobe is once again trapped between his moist lips. He lightly tugs it between his teeth before giving it a sharp bite.

“AHH!”

The sting sends a jolt of electricity shooting straight into your cunt and a strangled noise escapes your lips. Your knees are starting to buckle but Suguru’s quick reflexes stopped your legs from clamping together all the way, bracing you.

Taking your hands and leading them to the backs of your thighs, Suguru is making you steady yourself back into a spread position for him and gives you strict instructions not to move.

“Good girl… This should be more than obvious now Bunny, but there are erogenous zones all over your body that connect to the pleasure nerve endings here.”

Suguru’s voice is silky as his index finger tows long strokes over the slit of your clothed cunt and applies pressure on your clit for emphasis. Whines fumble out of you when Suguru switches from steady swipes to idle flicks with pads of his fingers and your legs twitch again once more.

“It's important to simulate multiple areas simultaneously and I only have two hands, don’t I? You don’t mind Y/N do you?”

You still can’t bear to look Suguru in the eyes, much less respond vocally so you just shake your head.

“Feeling good, Bunny? Which do you like better, the strokes or the flicks?”

Your eyes squeeze shut from Suguru demonstrating both over your covered cunt. You try not to tear up but the amount of autonomy you had in this situation was new to you. Embarrassed and vulnerable you’re realizing that in spite of all your sexual experiences you still don’t feel comfortable expressing your needs.

“Hey, Y/N–”

Suguru clutches your face in his massive grip, squishing both your cheeks with a single hand and forcing your glassy eyes back on him. It was hard to focus on what he was saying anyway while you cooed from the feather-like circles he had been drawing on your clit.

“–you have to talk to me. This and sex in general, is just another form of communication. It won't work well and you definitely won’t squirt unless you can express to your partner what feels good and what doesn’t.”

You are sure he can feel the heat gathering in your cheeks radiating off your skin.

“Stop t-teasing S-Sugu… I-I know you can tell it’s good.”

Suguru eases his hold on you, his smirk deepening at your complaint.

“Oh I can, tell Bunny. Believe me. Your pussy, she’s so sensitive no matter how much you try to hide it from me. But I still need to hear it from your mouth regardless.”

The hand playing with your cunt splays out and Suguru fully cups you in his hands. The pulsing of your clit vibrates against his palm even through your panties.

“If you’re going to be a slut Bunny, at least be a vocal one. Be a slut for your own pleasure...this fat n’pretty cunt of yours deserves it.”

Suguru’s mouth is mere millimeters above yours, floating suspended both your lips are parted as you’re sharing the same air. The dizzying effect of breathing him in only intensifies with his words.

“Or perhaps you just get off on the idea of being free use?”

Suguru chuckles but doesn’t make you answer that question in favor of pulling back from you to inspect the large wet spot you soaked through your cheer panties from all of his taunting.

Pleased he gives your clothed pussy a smack, the moisture underneath the flimsy fabric evident in the soft squelchy sound that fills the room.

Smack, another moist sound echoes from your cunt.

“Oh, looks like she’s ready. This mouth down here is so much more talkative, Bunny.”

Hooking his fingers in the fabric Suguru peels your soaked cheer panties to the side, whistling at the thick strings of your essence that lingered between your cunt and your panties.

“So fucking wet, the prettiest most obedient lil’ pussy, aren’t you?”

A fleeting thought of sassing Suguru since yours is the first real pussy he has actually even seen up close dissipates as soon as your entrance flutters against his two thick fingers that rub over your uncovered opening.

Involuntary bucking your hips, the burning urge to feel him inside you is all you care about now, pride be damned.

You want him.

“Sugu–”

“–Shhh!”

Suguru cuts your pleas short.

“Don’t interrupt Doctor Geto when he’s speaking with his favorite patient, Bunny… Your nasty lil’ cunt is really begging for her treatment, isn’t she?”

You pout at him, quieting down while Suguru rewards your submission by slipping into your folds once more, entering fully past your entrance and into your gummy walls. It’s only a single digit inside you but your pussy is hungrily sucking him in deeper, trying to devour his middle finger whole.

Suguru murmurs intelligible obscenities from how warm and tight you are. He needs to find that spot.

Your hands struggle to keep your legs from quaking when you feel his finger, longer, thicker and far more pointed than your own, bottom out before languidly dragging delicious pressure back through you, exploring your walls in search of–

“Found her.”

Your ass jerks up and nearly off the desk entirely when his finger roughly prods into the firm spongy spot within your cunt you didn’t even know existed until now.

“FAH-FAH-FUHHCKKKKKKKKK–”

Your voice cracks and your vision blurs with tears that finally are cascading down your face smudging your mascara. Your reaction has you missing the wide-eyed look of amazement Suguru gives you utterly entranced by the way your entire body quivered from just a solid tap to the gland.

Suguru had expected an intense reaction. He’d seen and read about how temporary control of muscles and spasms were common when abusing this spot in women. But the one thing textbooks, articles, nor porn could prepare him for was how fucking sexy you’d be while he was doing it.

The ache in his pants has him groaning as he has to lean nearly his entire weight into you in order to get your lower half to settle back down on the desk. Pausing his movements inside of you, Suguru allows you to catch your breath.

Still the heavy pad of his finger is weighing down on you with enough force you still need to suck in your breaths, barely able to squeak out words.

“W-Wh-What is th-that S-Suguuu?!”

Suguru tells you not to worry about the actual name. It’s not very sexy, so you won’t remember it and it’s important that you do, so eventually he tells you to just call it the g-spot.

You groan at the loss of pressure on your g-spot when Suguru removes himself from you entirely in order to bring the finger that had been inside you to his lips. Watching him savoring the essence of your sweet cunt on his tongue, you couldn’t take any longer, finding your voice.

“Su-Surugu, N-Need–N-need more. P—please!”

Suguru obliges, slapping the fat of your ass teetering off the desk and lifts you as his knee slides under your hip. Leaning into you further, Suguru throws one of your shapely legs over his shoulder.

“Oh, you found your voice Bunny? Then tell me what my patient wants. Where does Doctor Geto need to touch you?”

“M-my pussy– fuck– p-please Sugu, wanna feel good there. She’ll be so good for you!”

Suguru’s pleased smile is your only warning before two of his large fingers plunge-in and bottom out inside your cunt, knocking against your cervix. Your jaw completely slacks as you groan at the sudden intrusion, allowing Suguru the perfect invitation to your mouth.

Wasting no time, Suguru crashes his lips into yours. The kiss is sloppy, hot and needy as any cries that attempted to leave you were drowned out in the wet cavern of Suguru’s mouth.

Fuck, you’re greedy as hell.

The kiss makes Suguru’s head spin and he loses himself in your sinful hunger as you wrap your arms around his neck and begin to dominate the kiss, sucking on his tongue. Soon Suguru finds himself groaning against your lips and slowly rocking his cock into the back of your thigh. Fuck, your body was too responsive, too eager for him to slut you out on his fingers.

Suguru couldn’t lose sight of the goal though, you needed to squirt so he needed to take back control.

Catching you off guard, he bullies a third finger– his ring finger, into your cunt as well. Breathless you break the kiss, your eyes sinking back into your head as you meet the thrusts of his fingers with the roll of your hips.

You aren’t able to control the way your body convulses as you writhe against Suguru. His massive body weighed over you as his hair fell in front of his face, hiding his crazed expression from you.

Suguru is also panting as he vigorously pumps the appendages into you. In and out, swirling them Suguru’s fingers take special care to zigzag sweet torment over your g-spot.

You’ve only felt the slight ghostings of this feeling before, nothing so pointed and focused on attacking this spot, while stretching your pussy so well in the process. You want– no need, to feel Suguru’s cock inside you next.

You could tell he must be huge. Heat was radiating off his girthy bulge as it twitched up against your ass cheek even through Suguru’s joggers. The thought causes the hot iron coil in your stomach to tense to its breaking point, begging for release.

Suguru notices.

“A-Are you gonna squirt for me, Y/N?”

For the first time his own voice is ragged, set on keeping his promise to you.

“S-Sugu, I-I– I want to but I–”

Your words catch in your throat as tears that are salty to the taste freely flow past your lips down your chin. You are unsure of what exactly to beg Suguru for even if you could do more than unintelligible babbles at the moment.

It’s coming– you panic— this feeling!

“W-w-ait! Nooo, S–Su–Sugu… I’m g-gonna pee. S-stop, p-puhleaseee!

Your hands slip against Suguru’s shoulders as you try in vain to push him away. So fearful that Suguru was wrong and you may actually piss all over him and his desk.

Suguru isn’t having it though, backhanding your clit with a harsh smack, his knuckle bullying into your bud.

The slap was followed by two more in quick succession, his other hand never slowing inside of you. Disregarding your pleas Suguru ventures even deeper into your guts while pressing down on your lower belly.

“I told you it’s not pee, Bunny. You don’t listen very well, do you?”

Suguru hiss at you, the stress of holding himself back as you fall apart on his fingers was nearly too much, he needed you to lay back, be good for him and take it.

“I-I’m s-sowy, Dr. Geto but– I– wanna–.”

You sniffle back more tears, which has Suguru calming himself in order to soothe you again.

“Shh Bunny, it’s okay– now ask your doctor nicely for what you need. Go on.”

At this point cuming, squirting, whatever Suguru you requires of you in order to release the feral sensations building within you is an essential need to live as much as taking your next breath.

“Doctor Geto, please let me cum! Sugu please! G-gonna s-squirt, gonna squirt s-so g-good for you!!”

“That’s right baby you will… Now squirt on me Bunny, make a pretty mess all over my fucking fingers.”

Timing a particularly hard jolt to your g-spot with simultaneous pressure from over your belly, has you tipping over the edge. Back arching you feel the gratifying release as you squirt hard, fluids spurting all over Suguru’s fingers and spilling down his forearms. The saccharine pleasure of it all is buzzing throughout every cell in your body as your eyes flutter back into your skull.

Your entire body feels like an extension of your pussy, pulsing in tune with your cunt and you don’t realize you are even screaming until Suguru’s mouth is on top of yours once again.

Suguru is tongue fucking your wails all the way back into the depths of your throat until they are mere raspy gurgles.

Riding out your orgasm you protest with choked cries as Suguru's hand abruptly leaves your cunt. Yet before you can process what’s happening you’re mewling loudly again once you feel his lips attacking your cunt. Sucking your clit between his lips, his own groans vibrate into your core making you all the more sensitive.

Your hands fly to him again, tangling up in his long raven locks and trying to push his head away.

Too much! You were far too sensitive right now for him to be lapping at your over stimmed cunt like a mad man.

“Stawwp–”

Your slurs fall on deaf ears as Suguru continues, only pulling back briefly to shush you.

“Haven’t got it all out. This pretty pussy is so fucking nasty she can give a little more, can’t you baby? I know she can.”

Suguru is speaking to you but he sounds a million miles away, focused only on your cunt as he returns to suckling on your clit, his teeth scraping lightly. He knows your pussy will give him the answer he is looking for soon enough.

The iron grip his arms have around your thighs holds you down allowing Suguru unimpeded access to dribble globs of his spit into your folds. His tongue flattens over your clit and his eyes smolder into yours before diving back into your pussy.

So close to cumming yet again your thick thighs clench around him as you unintentionally smother his face deeper into your core. Suguru ignores any need to take breaths, your cunt being the only sustenance needed as he rams his tongue further into your convulsing hole.

Shaking his head around sloppily, Suguru is goading your cunt into giving him more and more. His tongue is a mere worshiper in the temple between your thighs, begging your leaking pussy to give him the last morsels of your squirt.

Not having the willpower to deny him, your pussy gushes out more onto his tongue and shamelessly he swallows all of it as you cum all over again.

By the time Suguru detaches himself from your cunt he looks almost as wrecked as you: hair is matting to the sides of his face, his glasses are clouded with slick and your juices are dripping down his chin.

Although, now that Suguru has had a taste of you he is left craving more. Not letting a single drop of your juices go to waste Suguru is ferally slurping the drippings off your thighs and lowering his head to even zamboni the overflow of your essence off the desk beneath you. Ravenous with thirst for you Suguru is even using his mouth to squeeze out any droplets he could retrieve from your soaked cheer panties.

You on the other hand could only heave as you gasped for breath. Your legs are still twitching in the after shock of your intense orgasm and squirt session. Dizzy and dazed you feel yourself fading out, unsure of how much time has passed or what Suguru was still doing between your legs until the familiar ring of your phone slowly guides you back into the present.

Wiping his face with the back of his hand Suguru stands up and pulls your phone out of his pocket.

The phone is still ringing as he looks down at it and snickers.

“It’s Toru, Y/N. Answer it.”

You give Suguru a frowny pout. You were barely conscious right now, you couldn't handle a drunkenly energetic Satoru.

Seeing you making no attempts to move, Suguru answers it for you and Satoru’s voice overflows through the speakerphone.

“Y/N! Y/N! Where are ya at!? We need the beer pong queen to make her appearance, I need a partner! Nanamin is too good to beat without you!”

Suguru held the phone out to you but you could respond in labored puffs.

“Y/N is taking a study break, a bit tired after her lesson.”

“–Oh it's you Suguru!”

You end up tuning Satoru out as he’s begging Suguru to come to the party with you which you already knew wasn’t going to happen even if he didn’t just make you squirt all over him.

Willing yourself to sit up, your body is immediately revitalized when your eye is drawn to how bricked Suguru currently is in his dark gray sweats.

Suguru arches his brow in amusement as you pull him forward by the band of his joggers. You hurriedly fumble to untie them, pushing them and his boxers down to reveal his hard cock.

The sight of it nearly has you squeeing.

You practically have hearts in your eyes as you gawk at Suguru’s cock, it’s the prettiest you’ve ever seen. The way his girth swayed in front of you as pre marbles on the tip has you openly salivating. To say his length and thickness is above average, was a massive understatement.

You can’t estimate a size but you know he is huge as you eye the a large vein on the underside of his cock that seemed to weigh him down even though fully erect. You squirmed at the thought of that vein scraping inside your pussy as Suguru pounded you.

You need to feel it. Now.

Nevertheless, it isn’t until Suguru snaps his fingers in front of your face did you realize Gojo was now addressing you again through the phone.

“Y/N! You there?! I failed with Sugu! He’s lame! But you’ll be here soon right???”

A sharp contrast to just 30 mins earlier but partying was the last thing on your mind now. You needed to get Satoru off the phone and Suguru’s cock inside you expeditiously.

“Mhm-nh, Toru sorry, I–I really need to get a good grade. I need Sugu to tutor me a bit more. C-Can’t afford to flunk out!”

Although you had teased Suguru earlier about popping his cherry, you didn’t care if he was a virgin now. He had more than proved himself despite his lack of hands-on sexual experience.

You weren’t really paying attention to Satoru any longer as Suguru motions for you to lay back again. Readily, you get in position returning your legs to a stirrup pose.

Suguru rewards your obedience with his cock slapping against your clit.

“Mmmm…FUHH-CK-AH!”

You don’t care that Satoru is still on the line as Suguru is slipping his cock under your cheer panties, rubbing his fat tip along your folds. His cock sandwiched between your messy cunt and the soaked fabric has Suguru groaning at the crazy sensation, he could bust like this for sure.

“Huh? Oh.. OHHHHHH! Haha, I see, I see! Suguru’s lessons are the best, aren’t they Y/N?”

You’re openly moaning now. Barely registering Toru’s words as Suguru grunts, increasing the pace he’s bullying his cockhead across your clit.

“Y-yeah, the besssst-ahhh!”

Satoru, feeling more than a bit left out, starts pouting over the phone.

“Hey, no fair playing with Bunny without me Sugu! Let me join ne–”

Suguru abruptly cuts Satoru’s complaints short, hanging up on him while still rutting his tip over your pussy. His pre leaking out in globs and mixing with your own cum still dripping from you.

He wanted you all to himself, for now at least.

Satoru could fuck off.

“Gawwd Sugu–just fuck m–”

You abruptly stop as your face falls in realization when you feel his warm cum pour over your mound and into your cheer panties.

Suguru is spilling so much of his thick load into you it's even coming out the sides of your cheer panties and running down into the crack of your ass. A few more jerks of his cock through your folds and he is quickly pulling back to tuck his softening length back into his sweats.

“N-no,no no no S-Sugu! Suguru! I-t’s okay you came fast but please— fuck me. I’ll even let you raw me and cum inside puhleaseeee Sugu– need to squirt again all over your cock!”

You don’t know the kind of willpower it takes Suguru to refuse you.

Probably one of the hardest things he’s done in his life, especially as fresh tears trickle from your eyes and he knows you’d be crying just as adorably on his cock. You were too sexy, too perfect and he wanted to fuck you just as badly as he knew you wanted him to.

BUT– more importantly he wanted to enjoy you more than for a quick fuck and if he indulged you now, he couldn’t promise he wouldn’t be relentlessly tearing up your sweet slutty pussy all night.

If you didn’t start studying for real you were definitely going to get kicked out of school and he can’t have that, especially not now after this.

Masking his own lust with a stern instructor voice Suguru chastises you as he ties his hair back onto a bun and begins to give his glasses a proper cleaning before adjusting the books and papers on his desks around you back into their correct piles.

“Absolutely out of the question. Now be a good girl and pull up your panties, Y/N. We have a lot of ground to cover tonight.”

Sticky with Suguru’s cum, frustrated and still horny you groaned loudly but obeyed. You knew Suguru meant business.

You hoped if you listened to him well enough you’d get what you wanted by the end of the night. It would suck for you to suffer through studying but it was the best motivation you had in literal years.

Unfortunately for you, Suguru, focused on the bigger picture, had a larger goal in mind.

“Only smart sluts get dick, Bunny. You’d better get an A on that exam Monday if you really want this cock.”

a/n: I would be willing to write a part 2 (some time in the future) of y/n popping Sugu cherry or even y/n getting double teamed by 'The Boom Bros' as a 'thank you' for taking the fall for them if there was interest. I'm kind of fond of this little college AU.

Reblog for an anatomy lesson from Nerd!Geto but likes and comments are also appreciated as always!

NEXT is back to my own ficcys! Upcoming: The Nursery - Yakuza!Toji x Y/N - teaser/taglist: ╰┈➤here. Delays cause I've been without my adhd meds and getting the first part of the fic beta'd for once but I FINALLY got them today and was able to finish this fic so hopefully I can get back on track! send me good vibes y'all!

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