#that’s still up in the air who knows

[ravenw1ngs]

Mentally circling my q!Tubbo is vh!Tubbo AU now that Seapeekay has been confirmed for Purgatory 2.

[phoenixcatch7]

Okay but it's super interesting how

Din = Power = Ganondorf

Naryu = Wisdom = Zelda

Farore = Courage = Link.

Because Din, in the hylian creation myth, created the physical world. Naryu then created the laws - gravity, time, etc. And Farore finally created life - plants and people.

Din created the body, naryu the mind, Farore the soul.

And the triforce and its wielders so perfectly reflect that.

Ganon is physical power, he is big and intimidating and he breaks things. He is cunning and determined, but that's not what he focuses on. He is might makes right.

Zelda is wisdom and cleverness. She is stall tactics and information and team work. She is a powerful mage with a spine of steel, but that's not how she'll win. She is the pen being mightier than the sword.

Link is courage and persistence. He is the wild card sneaking behind enemy ranks, always moving, plunging into terrifying situations head first. He's a phenomenal fighter with a keen wit, but that's not what will get him through his challenges. He is bravery not being the absence of fear but the triumph over it.

They sit in perfect parallels to each other.

And ganon is reborn through his body - his resurrection is immortality. No matter how low he is cast, as long as he has a body he can claw his way back. He can cling to his power, build it ever higher.

Zelda is reborn through the magic of her bloodline. It's the accumulated knowledge handed down for generations, the unique power she must master, the skills she must develop to survive and get her kingdom out the other side intact. Even her name, the knowledge of herself, is handed down from all the way from the very first. Her ancestors knowledge of her future presence, her stability, is what gives her the edge.

Link is reborn in spirit. He is not bound by flesh or blood. Just like his wanderlust soul he can reappear in any time or place. His variation, his unpredictability, is exactly how he fights. It's what makes him so hard to pin down.

Ganons need to build strength means he can't chase after link. Links impulsiveness means zelda can outwit him. Zeldas stationary predictability means she's an easy target for ganon.

But the other direction?

Fire melts ice, ice redirects lightning, lightning burns fire.

And that's the very essence of the triforce.

[bigothteddies]

part of me wonders if like. the whole “threesomes always get so messy!” “throuples never last!” shit is at least partially self fulfilling because people only do one or two and stop and write off the entire idea. like. do you still talk to the first person you dated? do you still talk to the first person you fucked? did your relationship with everyone you ever fucked stay perfect for forever or did it get messy and end? this idea that threesomes and throuples inevitably end in lost friendships and hurt feelings is kind of weird to me because so do 90% of monogamous relationship and flings. humans are messy. fucking someone and absolutely nothing changing about your friendship or relationship is pretty abnormal. I don’t know dude I’m just thinkin aloud here

[sevenines]

i saw this tweet and found it interesting for two reasons. one is that some people base how good cartoon network would be to toh by how it treated su, and despite the fact that su’s treatment by the network was considered poor at the time, now its thought to be exceptionally good in comparison to modern shows.

two is how exactly su got impacted by a limited budget. a common criticism is how characters like connie, peridot, and lapis are left out of missions. but balancing a lot of characters is not only hard but also costly (extra animation, extra voices—it’s been revealed that the show is limited to a set number of characters per episode otherwise they’re over budget). animation mistakes are not uncommon since retakes cost extra. the entire reason the original show got cut short was due to loss of funding!

[puppetmaster13u]

Prompt 278

You know what I’ve gotten obsessed with and inspired by? Dredge. 

You know what is also fun? Merfolk. What’s even better? Lovecraftian corrupted merfolk. Especially if say, one goes with the Lazarus Waters being a form of ectoplasm. So, in this? Lazarus waters are like lakes, while Amity Park, thanks to the Portal, and the barriers? It is an entire sea. 

There are islands, small areas that were once the tips of buildings that have gathered more landmass around them. There are mangroves, trees not like anything on earth or anywhere else stretching up in canopies dark enough to block out the sun, yet lit by the green waters. 

It goes deep. Mariana Trench deep, despite it being impossible. The GIW have explored for caves or tunnels, they’ve tried to find some sort of explanation, but there isn’t one. 

Now all that ecto? That has an effect on people. They mutate, they change, they adapt. Anywhere else would have been a slow death- something the GIW might have even been counting on. But Amity Park? It was founded by witches, it was the hotspot for the supernatural, even before the Fentonwork Portal. They’ve been dealing with this sort of energy in microdoses from the moment they first began to live in the city in any generation. 

But they begin to adapt. Shift into something… other. Some stay contaminated, clinging to human forms as they form homes on the tiny islands, fishing and farming what they can. Others become Liminal, almost seeming to meld with fish, some similar to ones of the Living and others something just to the left. Similar yes, but not quite… right. And then there are those that have truly melded with the energy of the dead, forms torn asunder by it, ripped apart and made anew by it. 

The first sign back when the barrier was activated, when they could no longer leave and were trapped were the fish in the lake. And now they are the same, with gazes of something Else, with gnashing teeth and a hunger gnawing at where hearts once were. 

But they aren’t monsters. They’re still themselves. Just a little… Other now. 

[kacievvbbbb]

At its core the most important relationship arc in Avatar the last air bender is the one between Zuko and Aang honestly if you can’t see that then I don’t think we watched the same show.

Aang and Zuko are the true Yin and Yang in the show the push and pull. Fire and Air right down to their personalities.

It is both of them that have to go on the journey of learning that fire is more than just destruction can be used for more than just to hurt.

And that right there is the point it doesn’t matter if Aang defeats Ozai and they bring the fire nation to heel. Without a character like Zuko the fire nation would be lost forever to distrust and unrest, balance would never be reached. Because despite everything they have done all the damage they have wreaked the world still needs the fire nation and to work with the fire nation they need to know that fire can do more than hurt. And who best to show them than a prince who’s been burned himself?

The war started with the fire nation attacking the air nomads in a bid for control and it will end with the fire lord embracing an air nomad and taking ownership of his nations actions. You must first close a book before you can start a new one.

Aang needed Zuko just as Zuko needed him because to get peace a true lasting peace you can’t just cut off the head of a snake you have to change its mind. The world already lost the air nomads the balance is already precarious, it cannot afford to lose the fire nation too.

Afterall Air can snuff out a flame and it can also fan them. But when the two elements are balanced one existing in peace with the other it can also make a warm hearth for the home.

[screechingfromthevoid]

I made an Orym edit instead of writing or sleeping

[cluescorner]

I love how The Boy Wonder is characterizing Talia. Like, I have some disagreements (mainly in that I still don't like the idea that her relationship with Bruce was somewhat encouraged by Ra's because like...idk it just feels weird to me. I also don't like that Talia seems pretty chill with murder, since I still think she's most interesting as somebody who kills only when there is no other option) but overall I think it's a pretty good way of showing her as a complicated woman.

She knows her father is cruel and will do things that go too far, but she genuinely believes in his mission and will do whatever she thinks will serve it (another benefit of actually touching on the ecologist angle of the LoA). It's also notable that she only fully betrays Ra's when she knows that HE has compromised his own cause at the altar of ego. Her loyalty to the cause doesn't mean she'll let Ra's do whatever he wants, ESPECIALLY as it pertains to her son.

Her relationship with Damian is also complicated in a way that feels a lot more in-character and reasonable than usual. No matter what her intentions were with the action, she abandoned Damian to Bruce and that HURT HIM. It's given him issues where he constantly strives to not just be good but to be BETTER than the others so that he won't be left again. It can be the right decision for both Damian and herself AND ALSO cause them a lot of pain. She loves him dearly, he is her heart. But just like she puts herself through suffering for a goal she believes is righteous and just, she puts her son (her heart) through that same pain because she believes it is the right thing to do. Sometimes it is, sometimes it isn't.

It gets a bit too self-deprecating at the end for me (I honestly don't think Talia would consider herself unworthy to be proud of Damian), but it shows her with a level of self-awareness and an understanding of her errors. Issue 4 also shows a lot of my favorite traits of Talia's in full force: her perseverance and her confidence in her own moral judgements (if not in her interpersonal relationships).

[seiwas]

there is a very specific image in my head of early-mid 20’s iwaizumi hajime

[alongtidesoflight]

so here's my honest thoughts on dragon age: the veilguard, after ~40 hours of playing. i finished the main quest after having finished all companion quests and major faction quests. just to clear up what content i saw, i played as an elven transmasc rook who is a member of the lords of fortune. he romanced lucanis (although after finishing the game i'm now leaning towards taash). i don't know what's happening in playthroughs that have a different race, gender identity, romance or faction going on.

full spoilers ahead, i mean it. don't read further if you want to avoid them. i don't want complaining about it in my asks.

oh and also, if you're worried because of a few negative reviews online i can comfort you by saying don't give a fuck about a certain big name youtuber who is very much tied to bethesda franchises giving this a negative review. i'll explain why.

i'm starting off with the things i liked

the game looks really pretty. i was worried it wouldn't feel like thedas anymore (with them trying to "focus on northern thedas only" i thought they'd make a clear cut in environmental design. they do and they don't. it's complicated. i'll elaborate on it when talking about the negative stuff). anyway it does. minrathous feels like kirkwall. treviso enchanted me like the winter palace did. the hossberg wetlands reminded me of the hinterlands and a couple other inquisition maps. arlathan looked like... arlathan. the crossroads were different, but familiar. overall i like the way it looks and feels. it's thedas, with a twist. it's a good one, and gives everything a solid but unique feel.

combat is top tier. if you're a hardcore dragon age player you WILL miss the tactical aspect of it for a bit, but i promise you, once you're used to the way the combat works, you will be lapping that shit up. and once you get to ability combos you'll mourn the control you used to have over your companions in battle a bit less

the MAIN quest and its story. i expected worse, way worse. and for a while the game even had me tricked (harr harr you'll get it in a second) it is Really That Much Worse. but holy shit was it good. i walked away satisfied ngl.

your choices have SOLID weight. there's consequences, good AND bad. i got minrathous blighted, ruled over by venatori, and the leader of the shadow dragons ultimately died because of my decisions. i made those at the beginning and throughout the game. he died at the end. DAVRIN died because i didn't expect what i was saying to have that much weight. i thought i was in the clear. he had hero status. well turns out, your choices can still get your companions killed even if you do everything right. i fucking love him. he shouldn't have made that sacrifice just because i told him to do everything it takes once.

the inquisitor, morrigan and dorian being there, surprisingly. there's also negatives to this though, see below.

speaking of companions dying and the inquisitor playing a bigger role: the final quest feels like me2's suicide mission. i was blown away by it and the fact that i got to see the results of all my efforts playing out in front of me.

bioware are NOT trying to redeem solas. they love him as a character yes, but i wasn't forced to see any good in him. he betrays you. he fucked my rook over twice. he fucked him over right back, for good this time (the veil wasn't torn down, i anchored it by binding him to it, he's doomed to uphold it). but solas really lives up to his name as the trickster elven god. rip to all the people who grew really attached to him over the years.

varric died. if you like him that's probably as hard reading it as it was watching it. varric died and the game lies about it until the very end. when the realisation hits, it hurts. but in the very best way.

the amount of care they put into gender expression and trans identities this time around. (i'll add onto this with negative points as well too).

rook feels very much ingrained in the world of thedas. he doesn't ask questions that expose the player to lore through dialogue as if he's stepped foot into thedas for the first time. those conversations feel very solid and good. i hope other faction players got as much joy out of this as i did.

and the things i didn't like and boy there's a lot unfortunately

the music. let's just get that out of the way holy shit. it doesn't feel like it belongs in this universe. it gets so incredibly sci-fi-y at times you'd think it's taken straight from mass effect andromeda. there's not a single song unique to veilguard that i really enjoyed. it broke my immersion, real bad. hearing a busker play the tavern songs from inquisition on a lute right after i killed some venatori with wobbly bass songs playing in the background is just odd. weird tonal shift. don't like it. it's made for people who like flashy light-weight cinema.

tevinter nights is required reading. the podcasts are required listening exercises. the game is so fast paced, especially at the start, that there's no time to introduce you to characters and how much weight their names carry in-game. i would not have known who half these people are if i hadn't skimmed over tevinter nights. i'd care even less about them than i already did. there is no time to get properly attached to them. people will act as if you're talking to a legend personified and you'll be thinking man goddamn which chapter of tevinter night were they in again and what did they do???

there's a weird mismatch with the animations. you'll have beautifully fluid ones, like emmrich casting spells. and then you'll have rook's face animating in the most unnatural manner that's sorta reminiscent of mass effect andromeda's "my face is tired" addison, when their emotions SHOULD be landing with the player rn instead.

i'm not vibing with the art style. sometimes it works. most of the time it doesn't. at points i felt like i was watching tangled.

that also brings me to some of the dialogue. same issue. i am watching frozen. i am watching tangled. someone on the writer's team really likes the adorkable trope. bellara is its victim.

for all the talk about identity, bioware sure doesn't like theirs. the grey warden armor got a redesign again and it just makes them look like a generic army. i hate it lol

in general, i don't like the armor design. the wardrobe/appearances system is fine, but it's just not helping if all the armors are just... kinda bland or downight bad looking? and don't get me started on the lords of fortune armor. that is orientalism personified.

the world states should have been carried over, full stop. i know they said they didn't because they want to separate what happens in the north from what happens in the south, which... i could have lived with that. but the inquisitor sends you letters that keep you up to date on... the south of thedas. you learn that there's a blight again, that people are standing strong but it's difficult, denerim's fallen, the rulers are taking care of it, orlais is fighting and they're successful for a while, etc etc. what's good bioware. i thought we don't care about the south this time around. why are you feeding me so much boring generic information. if you're not gonna show any of it and just write letters, then carrying the world state over should not have been an issue. i have a game dev background. those few lines of code would not have broken your budget or pushed your engine's limits. fuck right off.

this gripe of mine carries over to all the cameos. as a lord of fortune you have to deal with isabela a lot. it's fun. i missed her. you get to go drinking with her and taash and bellara! also my hawke romanced her. she's not mentioned once. they had the opportunity to put a sentence or two about her in there with not a lot of effort, trust me.

when varric dies, all she has is a single line about it. for gold, for fortune, for varric. she only says it if you interact with her on your way to the final push. that's not mandatory.

morrigan is there. kieran isn't. the old god soul that mythal and then solas absorbed? who cares at this point, the gods are dead now and solas is locked away for eternity. i suppose? why is morrigan there. she feels unneeded. i wish they'd just left her down south, at least that way i wouldn't have had to witness her god awful redesign.

dorian at least feels as if he belongs in this story. the shadow dragons are a crucial part to protecting minrathous. he's also weirdly underutilised. isabela and morrigan had more lines than him in my playthrough.

on the topic of romance: bro that was underwhelming. no, genuinely. you know when romance picked up a bit? after the point of no return. i heard maybe two lines of companion banter about it before that. maybe i missed something which i honestly doubt, but romance did not play much of a role in lucanis's storyline. i saved his grandmother as he wished me to (and if you read tevinter nights you know she was rather abusive and their relationship not the healthiest) and told him to focus on his family. a reunified family my rook wasn't even introduced to as a partner at the end of all that.

really, do not buy this game if you're only in it for the romances. others might be better, lucanis's basically gave me nothing. except for an outing (the second coffee date i had with him, it was getting repetitive) all of it played out once i committed to the final quest. the sex scene was a fade to black. annoyingly right after davrin died. if you're looking for well paced and good spice, pick up something else. the sweet talk and the final goodbye were nice though.

for all the good the ever-presence of gender identity does, it is brought up in such a disruptive manner too. it doesn't even play out naturally if you CHOOSE the lines that are meant to be said. hearing the words trans and non-binary in this setting doesn't feel right, and i'm saying this as a trans guy. i think it could have been handled more gracefully. the amount of times my rook went "i'm a MAN" as if he's about to start drumming on his chest and roaring any second now got super nerve-grating. "i'm so glad you're into me... the me who is trans. remember?" just. tell me one trans person who'd talk like that to a person they've grown close with and are trying to romance. this game doesn't handle sexuality well, so all this hey my body might not look like the way you're expecting it to look talk amounts to nothing anyway. i feel about this the way i feel about krem: this is partial exposition to trans experiences... packaged up for cis consumption. the ONLY exception to that is interacting with taash. holy shit was all of that heartwarming and bro did it feel good and natural to talk to them about theirs and rook's gender.

rivain and nevarra are new locations added by veilguard. they're also incredibly underwhelming, small and constricted maps. rivain is a coastline with a few ruins. the hall of valor is a partial ruin nestled into a cave on a beach, with a fighting pit. isabela is there in her skimpy outfit commentating your pit fights. that's it. i'm sorry if you were looking for a bustling pirate cove or whatever. you're not gonna get it. the nevarran crypts btw are a long ass dungeon crawl. that's it.

speaking of maps. i thought people were being dramatic when they said you're gonna be fighting the same enemies on them again and again. i thought they were figure of speeching it. they're not. you WILL fight the same amount of enemies. in the same spot. every time you reload the map. best to stay on a map and clear out the enemies and do as much questing on that map as you can before leaving, because you WILL have to do it all over again once you return.

the three choices i made for my inquisitor didn't matter lol she didn't have to face solas and therefore couldn't stop him at any cost as she had sworn (maybe because my rook tricked solas into binding himself to the veil, there was also an option to fight him. would she have stepped in? who knows). blackwall wasn't mentioned. and either her using a small amount of her forces in the final fight was the reason the civilians of minrathous fared so well..... or it just didn't matter. ultimately i think she had very little impact on anything

[dungeons-and-dragon-age]

Hiii everyone, say, how do your Hawkes go go about sharing their estate? If they do it at all? Is everyone free to come and go or are they more private? Or do they only invite their LI to stay? I'm curious!! :)

[bugisbonkerz]

guys genuinely i’m both excited and terrified the dhmis pilot will be shown in full again because . first off, never before seen (by me) content, and we don’t get that a lot in the dhmis fandom. possibly new characters, dialogue, etc!! second, THE CREATORS DONT EVEN LIKE IT AND HID IT FROM THE PUBLIC AFTER IT WAS SEEN ONCE WHAT IS IN ITTT😭

[fisheito]

dante can swim, right? theres' no wauy the Royal Solarian Staff would let their king go his whole life not knowing such a lifesaving skill JUst cuz it's a desert doesn't mean there aren't pools!!! he has to know they HAD to have taught him there's no way he's stepping on a cruise ship surrounded by water while UNable to swim what if he falls in?!? he's not gonna float that's furr sure look at his muscle density and lack of fat the man's gonna sink like cement

[spaciebabie]

hey so im not white

[the-eclectic-wonderer]

I've been trying to make a post about the OMITB finale but I'm just. Overwhelmed. It was too good. I was in tears as soon as the episode started and I kept tearing up all the way through. I suppose it starts with finding your hero. I can't do it, Sazz. Oh, I can't do it by myself / That's why I'm here. Sazz was kind to everyone. He's gonna get you, my... number... one. You know, I appreciate this movie in a whole different way now; I mean, Sazz wrote this. It's just so, so special to have an amazing show like this that's centered on platonic bonds and the love between friends. I loved the wedding, of course, but the true relationship at the core of this show is the one between the trio, and the true relationship at the core of this season was the one between Charles and Sazz, and the way they went about it was everything to me.

I love you, OMITB. You're the most wonderful funky little comfort show ever. Never change.

[screechingfromthevoid]

The cape wrapping was too much for me I have to leave