#that would probably end me

[mellounir]

a face too pretty to live ... oh, wait

[greykolla-art]

Charlie: “I’m so glad my most villain-coded friend is at full power again! 🥰💕”

*throws this to you angst goblins like raw steak* ❤️

(No I will not do a part 2!❤️)

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[poorly-drawn-mdzs]

A procession of confessions.

[First] Prev <–-> Next

[iwoulddieforienzo]

Personally I think percabeth is at its best when Grover is in it. I don’t necessarily mean in a polycule way I just think it’s great when he’s around

[bacchuschucklefuck]

while teen while goblin while aroace while injured while doing your best

[jays-doodle-spool]

someone should write a story where there’s ppl stuck in a time loop, but the pov is from someone who rlly doesn’t care. there’s a whole ‘protagonist group’ or whatever trying to figure out how to escape the loop but this dude has just kept living their life so no one has noticed that they’re also stuck. they’re just sipping the exact same coffee order for the hundredth time watching the group strategize at an adjacent table and thinkin “man, wonder if they’re gonna figure out how to fix that today.”

[mayasaura]

Hey, anyone else think it's super duper suspicious that the Reverend Parents kicked off their abominable baby scheme pretty much simultaneously to Gideon Nav, key to the Tomb, landing on the Ninth? Gideon's more than a year but less than two years older than Harrow. So give it nine months gestation, a few months for prep and planning, and Gideon's arrival lands at exactly the place on the timeline you'd look for an inciting event to the creche massacre

And like, the Revs didn't seem shocked when they heard Harrow had opened the Tomb. They listened solemnly to Gideon spill the beans and then quietly shuffled themselves off the mortal coil, intending to take their pint sized single-serving generation with them. As far as we know they never pressured Harrow to continue the Ninth, either. They checked to make sure she was a powerful necromancer, and that was it. It's almost like they'd been waiting for this.

It's just a hell of a lot of coincidences piling up. Makes me wonder what they knew, who they'd been talking to. How much didn't they tell Harrow?

[bizarrelittlemew]

calling it right now that season 3 starts like this

[hypertechnica]

i’m going to make fiddauthor art with fidds wearing his wedding ring and you are NOT going to like it

big obligatory banner that says “cheating is bad don’t do it i just like stories with relationship drama”

closeted, internally homophobic gay men who are married with kids has to be the trope i’m weakest to. no person involved is escaping the despair brought on by a relationship built on a well intentioned, desperate lie, born out of a desire to be normal and good

he WANTED to love her so fucking badly. he felt no ill will towards her and he loves their son more than words can say. he thought the attraction, the way she felt about him, would come with time. it didn’t. he doesn’t want to hurt her yet was doomed to from the start, and he’s truly, truly sorry. this does not absolve him of anything whatsoever and she has the full right to never want to speak with him again. he lied! he pretended to feel the same when he never once felt anything but platonic affection! he’s been in love with someone else this whole fucking time! and their kid… he’s caught in the middle of it all, too young to understand why his father would hurt his family like this.

and then he disappears and never comes back. imagine you’re 5 and your dad goes to the middle of the woods with his buddy for science shit, all of the sudden your parents are yelling on the phone and signing papers, and then he goes MIA. for years.

imagine your husbands “buddy” was the one he was thinking of all this time, not you, never you. and the first chance he gets to run away from you, he takes, and you should have been suspicious by the rushed frenzy of it all, the phone calls getting shorter and shorter until it fizzles to nothing. he forgot to get you a christmas gift. he hand-made him two. there has to be something wrong with you, it has to be your fault. you wish you married the man he becomes when he’s in his presence.

he folded when you started questioning him directly - he’d been to neurotic to ever be a good liar. you thought he was the one. he thought you were nice.

by the time the divorce is finalized he’s different in a wrong way. confused, angry, forgetful, insane - if the giant homicidal robot pterodactyl you’ve been harassed by is any indication. (he’s had a bad habit of building homicidal robots when he’s mad since they met -engineer things- but it was never directed at her - thankfully it never actually does anything) he’s clearly abusing drugs - you’d feel bad if he hadn’t abandoned you with the burden of explaining why your son can’t see his father anymore.

it’s a rotten bit of your soul, but time heals you. you move on and no longer think of him. trust in your career. find a man who truly loves you with no motives attached. raise your kid to be a good man. and in a fashion not unlike shakespearean dramatic irony, this makes him move to gravity falls to find and take care of his father. you couldn’t care less what hee doing now, but damn it, it’s his father, what is the kid supposed to do? but its futile- he appears to have no remorse, hell, no memory of the incident in the first place. (this isn’t his fault but how are they supposed to know that?) so he grows bitter and cold just like his mother used to be.

imagine that.

all over a mans inability to do anything but live in denial. to force himself to live in a box and pine like a dying man over the right one at the wrong time, destined to crash and burn. to take denial to a new level- a cult, brain damaging radiation, a total ego death - just to take the edge off. take off that damn wedding ring

[keferon]

*clasps your shoulders gently and looks you straight in the eye*

Keferon. Please read Ninth by Kyn on AO3. I think you would love it very much. It has a large chapter count, but don't be intimidated, it's very easy to get into. It is currently unfinished, but is being updated regularly.

You are the seventh person that recommended this fic to me so ahahahaha yeah

I’m doing great Help I hate some parts of it but I love the other parts I’m spinning in the blender

…..I made the moodboard….

[ohitslen]

Something other about his eyes

Bonus! Based on this quick thing I did this afternoon and the idea took a bit more shape and turned into that thing from above uEK

[hypewinter]

Bruce was busy sweet talking yet another heiress at the gala when he felt a tug at his suit. He looked down to see a child very reminisce of his own brood.

The child looked up at him with big blue eyes and asked, "Do you have games on your phone?"

[vaguely-concerned]

thinking about not only the specific people lucanis pulls in to represent the 'locks' in his psyche, but the storytelling that happens in the structure/order of them. the underlying ideas are presented something like:

the lucanis who went into the ossuary never came back out again; he died down there (the boy caterina raised is gone forever) -> you're putting yourself in danger doing this (by being close to me), you should leave because I can't bear it if you get hurt because of me -> it doesn't matter even if we do try this, it won't work anyway (again because of me) ('you know what he's like, you can open the door but he won't walk through it' :'( oofie doofie) -> what if the real secret is that there was never anything but the monster in here from the beginning. you should leave, there was never anything here worth saving in the first place. (implicitly: what if I deserved what happened, all along.)

it runs pretty cleanly from outward-oriented attachment anxiety ('caterina won't even want me back like this, she won't recognize me (the same way I no longer recognize myself)) and gradually deeper inwards until we reach self-image and self worth. or you know, the harrowing basic lack of it lol.

"careful -- they'll know we're not right," spite says in one of their first scenes... but clearly, some very deep part of lucanis has feared or suspected for much longer than that that there's something inherently not right at the core of him, way before any demon entered the picture. and the voice he gives those lines to is the person who should know him better than anyone in the world, who he has loved more than anyone in the world -- and who deliberately chose to hurt him so horrifically anyway. 'It's better if I'm just a monster and deserved what happened than it is to allow for the idea that the brother I love doesn't really exist and maybe never did'. it's better if he's fundamentally flawed in some way that needed fixing to help him survive, and that's why caterina chose to hurt him again and again -- out of love. (this one I think he might have a very sad wakeup call on one day if he ever ends up with the responsibility and care of a child of his own in some way and realizes just how alien the idea of ever intentionally hurting them for any reason is to him. oh buddy. also interesting that he keeps caterina as the outermost lock -- there IS a distance he keeps there that he hasn't with illario. he doesn't resent her 'anymore' he says, but he also keeps her carefully further away from his deepest self.)

as far as I could tell the only note in the mind prison that's fully hidden and needs to be uncovered is the sad painful helpless stupid little truth that even after all this, even knowing what happened... he still loves his brother. is there anything illario could ever do that would make lucanis completely stop loving him, do you think? sometimes the trouble with unconditional love is that it is, well. unconditional, even when some terms and conditions probably would have been in order haha.

that's the pattern you see there again and again; he would rather destroy and abandon and imprison himself at every turn than let go of love, even when it's just scraps, even when there's only ever enough of it to hurt him. it's only when rook shows up and as it were takes his hand and walks along with him that he can entertain the idea of changing the story of what walking out the door might mean in the end.

[poorly-drawn-mdzs]

Let the revenge games begin.

[First] Prev <–-> Next

[egophiliac]

As someone who hasn’t played the twst game very long I just got into it. I wanted to know about events? Like do some not come back? For example do the Masquerade, Port, Beanfest, Ghost bride, starsending events. Do those come back? I hear people say how they missed their chance to get this great card like as if it won’t ever come back and then someone on Reddit will say something like “Oh beanfest happened twice on the JP server” so which events have gotten reruns so far? I would ask about more recent ones like the Easter one but idk if it’s too recent to know if get rerun or if they clarify that it won’t come back? I was really sad to find out about the Silk outfits I missed out on when they visit the scalding sands. I also was really sad to find out i missed out on the anniversary cards because I didn’t play the game yet. I wish they would add the anniversary cards to the store at least…I want to be apart of the celebration :’)

I was looking in the shop and saw all the different groovy items you need to groovify event cards and this question just came to me so I had the urge to ask someone…

welcome to Twst! 🎉 it is a bit confusing to jump right into, especially because. they're not always consistent. :') it sounds like you're probably playing on Eng, which I'm less familiar with, but I'll try based on what I know! (I also don't always remember everything, so somebody please correct me if I get something wrong!)

first, I do recommend the Twst wiki.gg, which seems to stay pretty up-to-date on events for both the Eng and JP versions! it's a great resource for when you want to see if/when an event ran or rerun. in general, I believe that the Eng version only does reruns that have already happened in JP, so if JP has a rerun that hasn't happened yet in Eng, they should get it too eventually! on the other hand, I don't think either version has ever rerun an event more than once. :( BUT this doesn't mean you're entirely out of luck, because:

anniversary events (March for JP, January for Eng) will usually offer a chance to get both an older event SSR and an older birthday SSR in the shop, via buying a special item with exchange currency (which you get by doing pulls on the anniversary gacha, I think you need to do 100-150 pulls for enough currency to buy the item to exchange for an SSR). only SSRs though, and you're limited to one each (one birthday, one event). so if there's an SSR you REALLY want and it's already had its rerun, it's probably worth planning to save up some keys for!

as for actual reruns, they seem to come in a few different flavors:

straight-up rerun, no changes or extra cards

unchanged event story, with a new SSR of a character who wasn't in the story (e.g. Applepom Jamil)

slightly rewritten event story that includes a new SSR (e.g. Ghost Marriage, they don't seem to do this anymore though)

completely new event story that acts as either a sequel or alternate-universe version of the original (e.g. Beans Day part 2, Fairy Gala IF) (though this is pretty rare and might actually count as a separate event, rather than a rerun?)

Master Chef/Culinary Crucible events have never gotten reruns (though they might start now that we've finally gotten through all the characters in JP, time will tell). birthday and Halloween events will also rerun the previous version in addition to the new one -- for instance, Eng should be getting a Glorious Masquerade rerun this year, followed by the new (Playful Land) Halloween event. and a birthday campaign will, in addition to the new card, have a separate pickup for the previous year's birthday card.

for the specific ones you mentioned -- I think Beanfest, Ghost Bride, Fireworks, and Starsending have already rerun in Eng, so those most likely will not be rerun again (at least not anytime soon). Masquerade should be coming back for you guys this Halloween, and Portfest JUST got its rerun in JP, so that should be coming too sometime in the future! (no new SSR though, alas, I was really hoping for a little marching band sailor boy Leona. 😔) the Easter event is the White Rabbit Fest, right? that one hasn't gotten a rerun in JP yet either, so it's still on the table!

all that said, it's entirely possible they'll change the rules at some point and start doing more reruns/chances to get older event cards, especially since the game's been going on for a few years now and some cards haven't been available for a pretty long time! there's only one card that they said was for-realsies limited-time-only and wouldn't ever be available again -- Platinum Grim, since he was to celebrate the 100th anniversary -- so. there's always a little bit of hope for everything else. :D (fairy gala Ortho PLEASE COME BACK SOB)