#that was the whole point of leaving

[muse-write]

.

[egophiliac]

do skully have pokemon?

Pumpkaboo is the obvious one, but y'know, sometimes the obvious one is the right one! (we'll say SUPER SIZE Pumpkaboo, just for fun. big pumpkin for big skeleton boy.) and another person actually also suggested Greavard, which I somehow hadn't considered, but feels so perfect that I feel like I should have. dangit.

(they can also have little Nightmare Suit costumes :D)

[hinamie]

itafushi nation how r we Feeling!!!!!!!!!!!

[frogsandmagic]

There’s honestly something so poetic about Wendell and Usha both having this big moment of confronting their alter egos,

but while Wendell is learning how to become one with his persona, Usha is slowly being taken over by hers.

[temporary-tats]

Drew a little comic today!

Viz, let Blake be a little shit to Raven in v10 and my life is yours.

Per usual, do not reupload without credit/permission. Thanks folks!

(My ko-fi, should you wish!)

[trying-to-jew]

Constantly torn between my desire to convert and the crushing weight of knowing that I won’t be able to exist in the wider fandom spaces that I love without being constantly reminded that Jews are always guilty until proven innocent post-Oct 7.

[edorazzi]

Due to scheduling conflicts we're celebrating Tintin Day early this month! 🥳

Someone said in tags that they could totally see Tintin needing International Rescuing at some point. What better way for the Hood to put iR's integrity on the line than revealing all to a world-famous reporter? Would the Tracys jeopardise their whole operation to save just one life?!

(Un)fortunately Tintin hasn't shown up at work since 1929, so the only sacrifice here will be an old man's dignity. Again. 🪦

[turtleblogatlast]

[ cw: death mention / strangulation mention / stabbing mention / blood mention / self-sacrifice / codependency mention in tags / ]

I think a lot about how common it is for Raph to be the one to have direct focus put on him when Leo gets into all his near death experiences.

Like, when Leo is thrown off a building, it’s Raph who’s right there jumping after him, not even thinking about the consequences to himself when he does. When Leo almost gets skewered by the Krang, Raph’s right there to take the blow and send Leo to safety without a second thought. When Leo’s being strangled to near death, it’s a Krangified Raph doing the job, doing exactly what Raph would never, ever want to do. When Leo is telling Casey Jr to close the portal, it’s Raph who tries desperately to convince Leo otherwise.

Likewise, Leo is consistently very single minded when Raph gets forcibly separated from them. Both when in the sewers and by the Krang, Leo is dead set on finding Raph first and foremost.

I also think it’s interesting that during each of Leo’s near death experiences, the lightheartedness of his words during them goes directly hand in hand with both how close Raph is to him physically and how much danger Raph is also in in that moment. From a literal “I told you so” as Leo’s falling away from Raph to a soft joke about how “hero moves” are Raph’s style - both of these are on the more morbidly carefree side and both of these notably take Leo farther away from Raph and, in turn, have Raph not in immediate danger.

On the other side of things is the apology from Leo, heedless of the danger he himself is in as he seriously and genuinely speaks to a Krangified Raph face to face. Then there’s Leo’s freezing and desperation as Raph takes a hit meant for him and sends just Leo to safety, leaving Raph himself behind. Both of these involve much closer proximity and Raph being directly harmed - these together make Leo much more vulnerable in his words and actions, something not even the threat of death can make him.

These two care about each other so much, and they’re way too much alike for their own good.

[justaz]

merlin slipping up early on around arthur and trying to assuage his fears by assuring that the gods would look out for them and arthur pauses before asking “the gods?” and they have a awkward lil conversation where merlin is like “yeah i worship the gods of the old religion” and arthurs like “why?” and merlin goes “well why do you worship the god of the new religion? we just believe in them” and arthur takes in this new information and is eventually like “yeah. sure. i guess its not illegal in essetir is it?” anyways thats it. it doesnt get brought up again until later on

when arthur + the knights and merlin and in that shrine and the knights aren’t taking it seriously and merlin goes “in the time of the old religion, they built shrines like this to appease restless spirits. we shouldn’t be here” and the knights brush it off but arthur knows merlin truly believes in it all so he redirects the knights away and later on its him and merlin at the well and arthur is there to calm merlin after he sees the visions from the raid. merlin’s crying and pleading with arthur to leave, that they shouldn’t be here. arthur agrees and goes to leave when merlin calls out to him. arthur stops but doesn’t turn. merlin wraps his arms around his middle.

“you were here”

arthur doesn’t say anything more and walks away

[raspamon]

making memes for a 20+ year old movie i randomly watched? yes

[poorly-drawn-mdzs]

The girls are plottinggggg

[First] Prev <–-> Next

[ratatatastic]

oh thats-!

6.27.24 (x)

[insomaniacat]

orv spoilers

tbh I'm so happy there is no explicit romance in orv (minus the brief stuff that happens with jhw and lhs) and because of that I feel like I've been able to appreciate kdj in such a profound way as a character

like sure i like joongdok and yoohankim but to me at least kdj has this level of asexuality to him that I don't usually associate him with anyone that romantically. And their relationships are still as complex and has such a great depth that they are like THE foundest of families and I can return to the kim dokja company at the end of the day as all of them being my comfort characters. you know that saying like 'i love you so much i'd make the world burn for you'? it's meant to be this dramatic line about how much you love someone (romantically), but kdj's company fully encapsulates this in a platonic way that just isn't cringey or anything like that

they are all so platonic but they love each other to such an unconditional way that they ALL decide to relive through all the scenarios again in the hope of finding kim dokja again. and later, they all help to write and spread a story - stories, the thing the reader loves - again, in hopes of bringing kdj back home. they aren't sure if it'll work, but it is through this love they all have that they don't give up and put their hope in this seemingly impossible method

and this is also what makes them fundamentally different from kdj. unlike kim dokja in the apocalypse, they do not have any sort of proof their methods will work. kdj has twsa - the novel he grew up reading, the novel he fantasized living in, the novel that he's spent 13 years following, learning every nook and cranny and probably even planning out his own way to survive the apocalypse from this lengthy novel. he has some sort of assurance his methods will work, with the amount of time hsy put into describing the settings (remember that twsa was not popular and one of the complaints was that tls123 put too much emphasis on the settings that deterred people from reading it, when really, that too was a way to ensure kdj survived the apocalypse later on). he has had time to reassure himself and plan for it, and probably had yjh case test them all

but kdj's company had no assurance - they did not grow up with a book that confirmed their methods of bringing kdj back would work. they did not have any 'third plans', no 'ressurections', no 'restarts', that kdj had in the apocalypse. all they had was their own hope - something kdj didn't have when he was fifteen sitting in that hospital bed after that failed suicide attempt, feeling like the whole world was against him. Until he searched up those three words on his phone. Those three words that were probably 'Ways of Survival'.

And then he found his hope in twsa. he found his hope in yjh, the protagonist made just for him. he found hope in the story that he believed in for the next thirteen years. the story that got him through high school, the CSATs, the military. his hope was in this tangible book that carried him through the apocalypse.

kdj's company had none of that. they only had their hope in kim dokja - the man they survived the scenarios with. they could only put their hope in their memories of surviving with the man that saved them, even though there was no evidence he lived in their world anymore. they had to put their hope in the fact that they remembered he existed, even though they had to acknowledge that they didn't know everything about him.

sing shong touches upon this idea a lot throughout orv - does something really exist if no one knows about it? or, in a more modern saying, did a fallen tree in a forest really fall if no one heard it? what proves the existence of something? what proves that something truly happened? sing shong seems to make it pretty clear that the existence of something can be represented metaphorically like a 'story', and stories need a 'reader', some sort of spectator that witnesses it, for the 'story' to exist.

for kim dokja, his final sacrifice, where he split into infinite little pieces scattered across the universe, was to ensure that everything existed. that open ending, as tragic as it was, was meant to be comforting. that his sacrifice was supposed to be so existences like you and me, are real. no matter how lonely we may feel throughout our lives, a metaphorical 'kim dokja' is looking at our own stories, spectating our own stories, even living our own lives himself.

and what i hate to say sometimes is that kim dokja is not really a character - he is an idea. he is an idea of some being affirming our lives, that it's real, that what we do from day to day, even something as simple as getting up in the mornings and brushing your teeth, or thumbing through a store catalog, matters. and this is why kim dokja sacrificed himself. for all the stories that may have not 'existed' if no one was watching it.

and it's out of love. this tragic, terrible love for the world, that eats away at yourself until you are nothing. but at least you exist.

[looking-for-wisdom]

the “ex-something” character in disco elysium is so interesting to me because what we finally learn about the true Dora from harry’s dream sequence & conversations with the 41st precinct initially undercuts the first impression you get as a player. We learn things that makes it seem like Harry should be over her leaving. Specifically, the fact that she and Harry were never actually married and that it has been six years since she left.

Everything we’re told about Dora needs to be taken with a grain of salt, since it primarily comes from Harry. He’s an unreliable narrator and, if we had her perspective on things, there would surely be more to the story. But even with that said, I feel reasonably confident that the player’s first impression — that whoever this ex is did some damage even beyond typical breakup heartbreak — isn’t completely wrong.

We know a few things for certain. Harry was a gym teacher before they met, and Dora was the reason he joined the RCM. We can also do the math to figure out that they were together for around 12 years. Married or not, that’s a serious relationship. There are implications that Dora might have been pregnant at some point.

Dora’s family was wealthier than Harry’s, but they struggled financially when they were together. They had to rely on her parents for support.

Harry is a grown ass man who is responsible for his own choices. None of this changes that. But the way he is starts to make more sense when you consider that it wasn’t just their breakup that was traumatic. Their relationship itself seems unhealthy.

Harry clearly likes working with kids. Kim actually points out how he is easily able to connect with Cuno and the other teens in Martinase. With that in mind, I imagine he probably liked being a gym teacher. But we learn that Dora encourages him to join the RCM to do more for the greater good. Again, Harry had to agree to this — she didn’t force him to quit at gunpoint. But it rubs me the wrong way that, shortly after they start dating, she implies that his work isn’t fulfilling or important (probably patently untrue in an area where kids won’t necessarily have stable home lives). And, more than that, she suggests that joining the police is the solution.

Granted, we’re told there’s a lot of crime in Jamrock. Maybe it is as simple as her thinking law enforcement helps prevent that. But given the political tones of the game, which intentionally critique cops and the moralist forces they represent? I think it’s notable.

Speaking of which. The class difference between Dora and Harry has to be thematic. So much of the game discusses the struggle between the working class and the bourgeoisie. There’s an inherent power dynamic there. It’s her parents who are consistently paying their bills and keeping them afloat. She has an out that Harry doesn’t. Money won’t be an issue for her when they split, but Harry will be left without any support. Regardless of whether she intentionally held this over his head, this game shows that even without meaning to, the capitalist system harms the poor. That strain must be felt in their relationship, and could cause a lot of damage over 12 years.

All this to say: their relationship clearly wasn’t some fling. And, if Harry is to be believed, the blame for things falling apart was largely placed on him: working to much, not bringing home enough money, not being enough. But even if Dora wasn’t actively manipulating him and he came up with all of this on his own, I think the facts still point to a dynamic where he was made to be small in the face of a woman who came from more. Their backgrounds create an imbalance where Harry was always going to feel the flaws in their relationship more acutely. He starts with little, and gives up much of what he does have to pursue something better for the both of them. But when that isn’t all it’s cracked up to be, he’s the only one left with nothing. She can leave the country and start over.

It makes sense, to me, that he might not have recovered from that in six years. Especially when that rock bottom feeling seems so permanent that he isn’t trying to get better so much as numb himself enough to exist another day.

That doesn’t mean he isn’t responsible or that he’s exempt from having to get his shit together. The game very clearly illustrates that everyone will turn away from him if he doesn’t. But it does complicate his character a bit more than “got left by extremely bangable woman, proceeds to make the lives of everyone around him worse.”

[rinbylin]

圣人有情而无累

dihua + 情 | 莲花楼 mysterious lotus casebook

[yelenabemylova]

get those people AWAY from lando's chicken shop date that are coming for amelia's throat because they don't understand the concept of her interviews