#that was my actual thought when i watched the episode

[sarascamander]

So I've finished the first episode of BBC Sherlock and... I watched it while giggling and kicking my feet like it was a bloody romcom instead of a murder mystery. This is not even an exaggeration 💀.

- Sherlock and John were literally so cute, I was rooting for them since day one. Their scenes together are literally the best and again, adorable. It really feels like watching a rom com with so many people assuming they're a couple.

- just an observation (definitely not staring at his lips) but Sherlock has the most perfect cupid bow I've ever seen.

- the ending is when Sherlock realized it was John who shot the villain — I WAS GIGGLING AND SQUEALING. it was so cute, I'm sorry. And the fact that John actually did that.

- Sherlock is such a little shit I LOVE HIM and his pure hatred for Anderson gets me laughing every time.

- Sherlock and John chasing after a cab and giggling together after like teenagers after their first kiss. Guys, they're so in love.

- John is so adorable, I didn't expect him to shoot someone and not regret it in the slightest (I mean it was hinted that he liked the violence but seeing it is different) but honestly, king behavior.

- the ending where John found out about Mycroft was HILARIOUS. I was laughing my ass off because I really thought that he was Moriarty/ any villain instead. My reaction was literally like John's and it was pure comedy, I love it.

There are so many thoughts but it all boils down to this. Just know that I love it SO MUCH. It's humorous, suspenseful, and I LOVE the main characters.

[myechoecho]

Watch the first two episodes of When the Phone Rings and where has something like this been ALL year in kdramaland???

There is something delicious about how Sa Eon and Hee Joo are both in communication yet have zero communication with one another. I love that she told him off at the party in sign language knowing he would not understand. The fact that she's been quietly defying him this entire time and he's only just realizing it now.

Did I suspect that Hee Joo was not actually mute? Absolutely. It would have been more surprising if she was mute. However, I was floored when it was revealed that Hee Joo had the phone and was using it to taunt Sa Eon in a moment of sheer rage and hurt. The utter betrayal she feels because he told the kidnapper to go ahead an kill her then he has the nerve to say at the party she is his weakness what just too much for her. I fully support this deranged and brilliant move.

Now we get this bizarre flirtation between the two, with them weirdly learning more about the other all through the voice modulated cell phone that Hee Joo swiped. . Hee Joo taunting him with all he doesn't know about her. Sa Eon learning he does not know about Hee Joo and then becoming determined to learn about her. Though that, Hee Joo learning that he actually does care and probably always did. This is what is going to push them together.

Though for someone that says they are in absolute control of everything, it's slightly odd that Sa Eon would not learn sign language. Like what if she was telling the ambassador that she is being held hostage and needs help? I guess she's been isolated and hidden enough to not matter. Even the way he "confirmed" how she was home in order for him to say to the kidnapper to kill her was a bit lazy.

At the same time, there was clearly some nagging doubt that Sa Eon had. He was very much relieved that she was safe. He was also absolutely furious to learn that the kidnapping was real as seen by his bloody knuckles. Not sure why he thought he knew her when they did not speak through their 3 year marriage, but now it's driving him nuts to know that there are pieces of her he simply does not understand. He is going to rectify that.

I am very curious as to how their marriage came to be. The reveal at the end that it was Sa Eon to suggest the bride swap seemingly to save Hee Joo from marriage to a terrible person. Even though he is cold and indifferent to her and literally called her a hostage so it's still not a great situation for Hee Joo to be in. I have a strong suspicion that person texting Sa Eon was Hee Joo, and NOT her sister. The language used in the text is identical to the language Hee Joo used in the present to threaten Sa Eon.

If I am right about this, that opens up so many questions. Why did Hee Joo want to stop the marriage? Where is her sister? Did her sister know? What secrets of Sa Eon's family did Hee Joo know? Why did Sa Eon suggest the bride swap after leaning Hee Joo was to be married? Did he always care for her? Why did Hee Joo agree to this marriage, since the person on the other end of the text was obviously thrown by the suggestion? We know that Hee Joo's mom/step mom uses her father to manipulate her so that probably plays a role but is there more to it?

Clearly the kidnapper is also going to make a reappearance since he's not going to let all his carefully laid plans go to waste. The preview for the next episode has me excited. And Hee Joo and Sa Eon have bucket loads of chemistry.

I will end with my now obligatory rant on how this show should be 16 episodes. At least it's 12 episodes since those shows tend to work a bit better than the ones that are 10 eps or less. But I am still bitter about the episode count.

[violent-viscera]

my true (respectful) thoughts of arcane s2

so much of the promotional material promised so much in the way of vi and jinx/powder and their sisterly relationship, but i feel like with the amount of storylines/plotlines they did in this season, it was just too busy to focus on anyone–let alone the two supposed protagonists of the show. i think the best way for me to articulate how i feel about the writing of this show is that it fell flat, lost its heart, and emotional impact of the first season.

i would have been okay with them straying from my personal favourite focus if:

the storylines had been fleshed out better

the decisions the characters made actually made sense

main characters didn't become plot devices (vi)

new additions of the show weren't just plot devices (isha, loris, maddie, etc.)

motivations of characters made sense

characters had even small lines/dialogue to articulate their intentions/ideas

less time spent on off-screen development

and the thing is with the amount of plot lines they were ambitiously aiming to see out to fruition, its really hard to also set up all these new facets or opposing characteristics in former characters–plus adding new ones too. for example:

caitlyn's facist arc that didn't really have much meaning or attention

jinx's s1 mental collapse which changed abruptly into her redemption arc via isha (plot device)

jinx's revolutionist arc (first, reluctantly and then, willingly w ekko)

vi's pitfighter/brawler arc which was literally just one clip (which ended up being a teaser that showed everything)

im almost grateful to the minimal screen time ekko got bc they didn't try to change the core and essence of who he was in s1: he stayed true to himself. he's just a boy with a huge heart and love for his people that chose to leave his happy ending in an alternate timeline to return to the ppl who needed him where he is almost guaranteed heartbreak in some way or another.

i think the main reason so many ppl loved the first season was bc the characters were relatable in one way or another and they became so multidimensional when you explored how their environment/circumstances shaped them. but this season bc it was so purely focused on the endgame instead of HOW everyone got there, the characters fell flatter, they lost a soul and heart, and i felt the show lost its charm.

i know we all have our favourite characters and storylines we want the show to focus on and i would have been okay if i didn't get my way. if the show didn't focus on jinx and vi, i would've lived (although the promotional material was unfairly misleading) if the storylines, characters, and everything else made sense to me.

of course, the animation was lovely and the music was catchy/heartbreaking. i dont regret watching the show out to its final episode. it was one of the most beautiful visual experiences of my entire life. i still love the characters and will never regret staying on board until the final moments.

but i cant lie and say im not a little sad at how it ended too.

edited add-on:

also, the voice actors did phenomenally. ella purnell just absolutely nails the delivery for every line and reed shannon also hurt me with how he portrayed ekko. so on and so forth.

but that being said, i also felt the dialogue and lines of each character felt much less impactful this season (again, writing.)

i liked viktor’s monologue at the end of act 2. that was compellingly well written

but the lines this season weren’t the same quality as silco’s monologue about drowning, jinx’s speech at the beginning of the doomed tea party, etc. everything just felt so flat and shallow this season overall.

[formylovetodaryldixon]

"Catching the fox." Daryl Dixon Imagine.

(Not my gif!)

Jesus only caused problems since you, Daryl and Rick met him during a run, but that doesn’t prevent you all from having a little fun. (Even if you come home empty-handed)

A/N: Based on what is probably the funniest episode of "The Walking Dead" to me. I wrote this a while ago but I'm posting it for my friend, who actually finds this funny hehe Sorry if this is long and boring :c Spoiler alert: Jealous Daryl is my favorite Daryl! I hope you like it!

“So… hunky-dunky. Uh?”

In front of you all, an empty, silent road is always pleasant. Nature wasn’t lost after the apocalypse, not completely, and although the green color of the grass disappeared slowly with the passage of time, Mother Nature still retained her place in the world. Sitting by the window in that big truck full of food, the wind pushes some strands of your hair as you breathe in the fresh air. And, sitting in the middle as Rick drives, Daryl glances at you as he checks Denise’s list.

“Don’t…” He says, warning you, making you chuckle. It was the word that Eugene used when he gave Daryl his map, always using fancy ones. At his side as he drives the truck down the hill, Rick chuckles, too. “Why ya never gave me a list?”

You watch the list in his hand and then, you look back at him.

“I think it's impossible to get a high definition TV with surround sound system so I can watch the games again like in those old days. You know, the ones that were on TV before the world went to hell.”

Both men look at you with a funny look, and you look back at the window as the truck approaches that abandoned gas station on the left side of the road. There are papers and trash everywhere, and Rick parks near the gasoline pumps. All of you get out, but since the silent street is free of any walker, you walk around while Rick goes ahead to check the store door.

“We had that shit in our apartment? That round sound thing.”

You chuckle before turning around towards him, smiling innocently.

“Surround sound system, love, and no, we didn’t. We were always fooling around so we never really had time to watch the games. Remember?”

Your words catch him off guard, and his innocent eyes look at you until he understands what they mean. A second later, the boldness shines in his blue eyes and he closes the distance of a few steps between you two. Daryl encircles your waist with his right arm and pulls you gently towards him, his forehead resting against yours.

“Are ya makin’ fun of me, sunshine?”

You shake your head, softly.

“No, but why?” You whisper. “Does that turn you on?”

“Really?” Rick complains, suddenly, closer than you thought he was. “Now?”

You chuckle pulling away from your husband.

“Sorry, bro.” Says Daryl, taking his arm off of you.

Rick looks at you two with a sarcastic expression and raises an eyebrow.

“I regret coming with you two.”

But he is joking and lets it go quickly.

On the back of the place, Daryl walks over to the black machine lying in the middle, noticing it was a vending machine turning upside down. Although Denise said it wasn’t of the utmost importance, he wants to go back to Alexandria with a gift for Tara, just because Daryl understood the feeling of trying to do something nice for another person. So, minutes later, Rick rolls over the machine with a chain attached to the truck, and as he gets out and walks towards you two, the glass shows that the interior is full.

“It’s soda and Candy.” Rick says while Daryl removes one of the chains. “Why the trouble?”

“It ain’t a trouble.”

But suddenly, out of nowhere, a man turns around the corner and pushes Rick on his way out, raising his hands in the air as Daryl and Rick take their guns to aim at the stranger, your own hand holding your weapon hidden behind your waist, as a reflex in the face of danger.

The bandana that covers half of his face shows only his pretty eyes.

“Hi.” He is agitated, as if he has run for a long time. “I was just running from the dead.”

“How many?” Daryl asks while Rick steps back to look at the corner of the lonely place, searching for any walkers close by.

“10. Maybe more. I’m not risking it. Once it gets to double digits, I start running.”

Daryl doesn’t trust him, and he keeps pointing at him with his gun.

“Where?”

“About a half a mile back. They’re headed this way. You probably have about…” He wiggles his head, looking for the right number. “11 minutes.”

The distrust doesn’t go away, but Rick is the first and the only one who lowers his weapon.

“Okay, thanks for letting us know.”

“Yes.” The man breathes through his bandana. “There’s more of them than us. Right? Gotta stick together.” He looks at Daryl, due to his gun still pointing at him. “Right?”

Although that stranger appeared from nowhere, he finally lowers his gun, too.

“You have a camp?” The man asks.

Maintaining the safety of Alexandria was the main thing, and being selective with the new people you all let in was the first rule until you all knew they could be trusted.

“No.” Daryl says.

“Do you?” Rick asks.

The man thinks about it for a second.

“No.” He finally says, and then, he looks at you standing next to them. “It’s just you two, with a woman?”

Before you realize what he meant, Daryl raises his weapon quickly, his hand tightening around it in anger.

“Ya want me to shoot ya, asshole? She’s ma wife and yer gonna say yer sorry.”

The man breathes in and Rick looks at him.

“You better say it now before he shoots you.”

Before looking at you, the man looks at Daryl who was still aiming him with his gun, so the new one does it. You don’t think what he said was an insult, but it was better to follow the situation calmly before Daryl shoots him for real.

“I’m really sorry, madam. I didn’t mean to offend you.” You move your hand in the air to minimize the misunderstanding, telling him it was okay. “Well… sorry for running into you. I’m gonna go now.” He turns around and starts walking, talking over his shoulder. “This is the next world; I hope it’s good to you, guys.”

Daryl and you share a confused look as Rick watches the man walk away.

“I’m Rick, these are (y/n) and Daryl. What’s your name?”

The man turns around again and pulls his bandana down.

“Paul Rovia. But my friends use to call me Jesus…” He extends his arms out, casually. “You pick.”

“You said you didn’t have a camp.” Rick answers back. “You are on your own?”

“Yeah.” He looks at you all with a sudden confidence. “But still, best not to try anything.”

However, Daryl doesn’t seem impressed, or intimidated.

“Best not to make threats ya can’t keep, either.”

“Exactly.” And the man starts running out of there.

“How many walkers–” Rick tries to ask, but Daryl cut him off.

“No. Not this guy.”

However, Rick makes his question anyways.

“How many walkers have you killed?”

“Sorry! Gotta run. You should too.”

And he disappears around the corner.

Running into new people was still strange, but that situation was a new kind of strange, and hard to understand too.

“What the hell was that?” Daryl asks.

“Yeah. He was clean.” Rick nods. “His beard, it was trimmed.”

“And he was way too confident to be just by himself.” You say.

Rick nods again, because if the man is strange to you both, then that is more than just a coincidence: something else is happening.

“He didn’t have a gun, either.” Daryl frowns, looking down the path Jesus took.

“We could track him.” Rick put away his gun. “Watch him for a while. Get to know him more. See if he’s really alone. Maybe bring him back.”

“No.” Daryl complains, his voice always low and husky. “That guy calls himself Jesus.”

But then, a noise from the front of the place attracts everyone’s attention, the thunderous sound of tires against the pavement.

“Shit.” Daryl says when he realizes the truth. “He swiped yer keys. Didn’t he?”

The moment you all get there; the place is still empty, with the truck full of food moving away up the hill.

“Sorry!” Jesus yells as he drives away, taking the vending machine with him, too.

The three of you stop in the middle of the road, watching with frustration as the truck goes away under your eyes.

“Shit.” Rick says.

The vending machine leaves a path on the middle of the road, like breadcrumbs to track down the thief, until you find it halfway on the way. Daryl opens the case to secure Denise’s sodas for Tara while Rick and you catch your breaths after running up there. The strands of your hair stick to your forehead, while the beads of sweat begin to fall on theirs.

“This is a special request from the doctor.” Daryl says, showing Rick the soda can, opening one to give it to you.

“Hey…” Rick breaths and takes the broken one Daryl gives him. “Whatever she wants. She saved Carl’s life. We didn’t know her, and she turned out to be all right. And If there’s still people out here, and they’re still people, we should bring them in.”

“What? Like this guy?” Daryl points to the road Jesus left.

“No, fuck that guy.” Rick shakes his head and looks inside the machine for something.

You wipe your mouth with the back of your hand, your mind full of thoughts about what had just happened, but without saying anything, at least until you can formulate a coherent opinion.

“What’s on your mind, (y/n)?” Rick asks when he sees you looking at the ground.

“Well, I just think that…” You doubt if you should share with them what you are thinking, but it is a waste of time while the truck is still moving. “It’s nothing. We should keep going.”

You try to take a few steps but Daryl stops you reaching out his arm.

“Hey.” He says softly to you. “S’okay, jus’ say it.”

You are not naive; you know how that world works now. Not only were the alive against the dead ones. That life was a battle against other people as well. However, not everything was black and white. Or it was?

“I don’t say that what he did is right, but no one steals for pleasure these days, so maybe he did it because he needs it, too.”

Rick wiggles his head slowly, half of him giving you the reason because that is true although nothing apologized what that man did.

“So what?” Daryl frowns, his temper rising again. “Would ya jus’ let him go with our stuff?”

His personality is like a roller coaster, full of constant ups and downs, but luckily, you know how to handle it.

“Don’t talk to me like that, Dixon, and it was you who said I could share my opinion. But I am not saying we should let him go just like that. Hell, no.”

Daryl gives a step back, confused by your sudden change of mood, just like his own.

“So?”

You frown back.

“The truck is ours. And, if in this world the strongest wins, that will be us. So, we will get it back.”

The force in your eyes and the way you look at him catches him completely. But Daryl is no longer shy, and although he likes your privacy as a marriage, he can’t help but tangle his hand in your hair, softly.

“Since when ya are this ballsy, woman?”

Playing, you push his hand away.

“Fuck you, Dixon. I was like this long before I met your ass.”

“I really hate you both.” Rick says, making Daryl chuckle.

“Sorry, bro. S’jus’… she looks so hot right now.”

You chuckled as Rick raises an eyebrow.

“It’s because we ran until we got here. Now, we should get going.”

At first, you try to be understanding to the request of both men asking you to wait behind the bushes while they surprise the stranger, who just finished fixing the tire of the truck parked in the middle of the road, away from the danger posed by Paul, or Jesus, or whatever he chose to call himself, but you can’t help but compare him to a fox, somewhat elusive, almost slippery as he managed to dodge the blows of Rick and Daryl, who were hit in the stomach and pushed against the truck, respectively.

So, when Jesus turns around, he stops dead with your gun pointed at his face, his hands in the air.

“You would really shoot me in the face just for a truck?”

You tilt your head, taking the safety off the gun your dad gave you for protection before dying.

“No. Not in the face, but maybe in the legs just below the knees so you stop being so slippery.”

He takes a deep breath.

“You wouldn’t do that.”

Behind him, Rick and Daryl raise their own weapons, making you lower your own.

“Oh, trust me, pretty boy, I totally would.”

But suddenly, before you can say more, a walker comes out of the bushes, grunting at you all.

“Do you even have any ammo?” Jesus asks, but Daryl and Rick are already tired of him, and both shoot the walker at the same time. “Okay, again, are you gonna shoot me over a truck?”

“There’s a lot of foot on that truck.” Rick says. “The keys. Now.”

In the end, Jesus gives them the keys and Rick ties his hands and feet up to leave him there, on a side of the road.

“The knots aren’t that tight.” Rick says to him. “You should be able to get free… after we’re long gone.”

For his part, Daryl growls when he sees that some of the soda cans had crushed during the fight, with all the content dripping from his backpack.

“Maybe we should talk now.” Jesus smiles when Rick walks away.

“Nah.” Daryl walks pass him by and makes you walk with him to the passenger seat. But first, he stops to shake a can and throws it at Jesus. “Here. In case ya gets thirsty.”

When you two get to the passenger seat, Daryl goes up first, and though he has to move to let you go up, too, he takes you by the waist to help you go up to sit between his legs. You are a little surprise by his action, but he just closes the truck door and chuckles as Rick moves the keys around his finger.

“You were right, (y/n).” He smiles at you as he starts the truck. “We are the strongest ones.”

As the truck begins to move, Daryl leans back against the seat and shows his middle finger out the window.

“So long, ya prick!” He yells at Jesus.

The loud music in the truck accompanies you all the way. As you lean your arm against the window frame, the wind makes your tied hair move back, in a soothing and peaceful way. Daryl’s right hand continues to rest against your waist beneath your t-shirt, holding you against him while everything around is still fine.

“He ain’t that pretty, y’know?” Daryl says quietly over the music, after a long moment of silence.

You frown, turning slightly to look at him.

"Are you kidding with me? Jesus...” But you laugh when Daryl frowns, even though you just said the name of the son of God, not that stranger. "That's not what I meant!"

He snorts, But before he can answer back, Rick talks first.

“Hey, look at that.” He says, pointing something on the road in front.

A barn. When you get close, the even path changes for an unstable one as you all enter the barn’s lawn, but, out of nowhere, there is a blow that comes from the roof, getting your attention before theirs.

“You hear that?” You ask as Daryl lowers all the volume of the music.

“I think that son of a bitch is on the roof.”

And then, Rick is really tired of that fox.

“Hold on.” Rick steps on the brake and the truck stops abruptly, throwing Jesus through the air until he falls in front of you all.

But then, he just gets up on his feet, and runs away. It is ridiculous. It is almost comical the way Rick drives to chase him down the field, but in the end, it is Daryl who has enough of him.

“Motherfu-” Daryl stops himself to take you by the waist, and he moves from under you. “Stay here, I’ll be right back.”

Before you react or before Rick could stop the car, Daryl opens the door and gets out of the truck to chase after Jesus on foot.

Rick drives near them as you sigh.

“Sometimes I can’t believe I’m married to that man.”

Rick laughs and tries to move the truck to block Jesus, but that elusive fox is more agile, so Rick steps back the truck as Daryl and Jesus swing from side to side in the middle of the field, waiting for one of them to take the first step.

“We should clear the way for them.” Rick says when some walkers around the place start to move too close to them.

You open the truck door, moving away from it, pulling the knife from the sheath of your waist.

“We came to a conclusion, asshole!” Daryl yells at Jesus, still in the middle of the place when he runs away, so Daryl looks at you two before start chasing him, again. “I got him.”

Some walkers were tied up with around another truck, and you and Rick make them fall when they manage to break the rope free.

Back in the truck, Jesus opens the driver’s door and tries to get in, but Daryl grabs him from his jacket and tries to pull him out.

“Come ‘ere, ya little shit.”

No one sees it coming, no one pays any attention, but a walker comes up to Daryl from behind, walking dangerously until it enters Jesus’s view. So he raises a gun, watching Daryl without moving.

“Duck.” He says.

Daryl understands it at once and crouches. The bullet flies over him and enters directly into the walker’s head causing it to fall. Daryl looks back and studies the body on the ground before turning back to look at Jesus.

“Thanks.” Daryl breathes out and punches him on the face. “That’s ma gun! Come ‘ere.”

The shot pierces your ears and Rick’s, causing to both of you to look at the truck in the distance, and you two run to them. Daryl tries to pull Jesus out of the truck, but Jesus knocks it into neutral, and the vehicle starts rolling into a pond behind. Daryl jumps out of the truck and Jesus followed him, but his head gets hit with the door and he passes out. When Rick and you finally reach the place, you watch Daryl moving Jesus with his boot as the truck sinks.

You sigh heavily when you all see the last of that truck before it disappears forever before everyone’s sight.

The new car you all get is old, ironically, but Rick keeps driving through the silent road in the middle of those huge trees. From the backseat, Daryl pushes Jesus who was still pretty unconscious, but his body continues to fall back on Daryl’s shoulder.

“Is he your new best friend?” You tease him, making Daryl groan. “I’m getting jealous, actually.”

“Be quiet, woman.”

“I told you I could go in the back with him.”

“Yeah?” He says. “Over ma dead body.”

Just to annoy him even more, Rick moves the car so that way Jesus’ body would fall back on Daryl. He growls again, pushing Jesus far from him as Rick drives back to Alexandria.

That same night, Daryl and Rick walk down Alexandria Street back to their homes after leaving Jesus in the basement. He was fine despite the hit, and by now they just had to wait for him to wake up in the morning.

As they arrive at Rick’s house first, it is time to say goodbye.

“It is pretty stupid of us to go out there. Isn’t?” Rick asks as he goes up the stairs of his porch.

“Yep.” Daryl says walking away. “Do it again tomorrow?”

“Yep.” Rick answers watching him go. “Tell (y/n) to come.”

“Hu-uh.” Daryl waves his hand to him.

Two houses away, Daryl goes up the steps to the porch and opens the door to his house. The only light comes from a lamp on the table in the living room, shining with an amber color. Daryl closes the door behind him and watches you come out of the kitchen.

“There’s a couple of sandwiches in case you’re hungry.”

But he just walks towards you while you stop in front of the stairs. You are tired but it had been a funny day in spite of everything, and you laugh when Daryl wraps his arms around your waist to lift you up.

You hold yourself with your hands on his shoulders, your legs around his waist.

“Nah. Jus’ want some time alone with ma wife.”

[sage-nebula]

Okay, so I actually do want to get my thoughts down on why I didn't like season two as much as season one. This is going to be a lot of complaining, but keep in mind that while I don't think season two was as good as season one, I think season one was S tier. Season two was B tier. B tier is still pretty damn good, but it is a noticeable drop, and is disappointing considering that this is the show's finale. But with that said, please do not reblog this yammering about how much you hate the show, you're glad it's over, etc. Despite my criticisms, I don't feel that way, and I don't want to see that on my post.

With that said:

My biggest problem with the show overall is that, between seasons one and two, they seem to have remembered that this is supposed to be a video game show, and so felt compelled to abandon their focus on character work in favor of flashy action sequences. This isn't me being in la la land thinking that season one had no action sequences; obviously it had fight scenes as well. But season one had a heavy emphasis on the characters, their internal worlds and struggles, that I feel was sorely lacking in season two.

The best way to demonstrate why I feel this is is to look at the final episodes of each season. Season one ended with Jinx's family dinner party. That entire scene was one long conversation; although there was a bit of action when Caitlyn freed herself from her bonds and got Pow-Pow (and then Jinx knocked her out and took Pow-Pow back), that isn't what I would call a fight. Neither was Silco shooting at Vi / Jinx killing Silco. Instead, the scene consisted of Jinx walking back and forth along the table, trying to figure out whether Vi or Silco loved her most, and who she should be with therefore. It ends with a quiet, mournful song as Jinx fires the rocket, right as the Piltovan council was deciding in favor of Zaun's independence.

By contrast, the final episode of season two is pretty much a 40 minute battle sequence. The character exploration they could have had (e.g. Ekko convincing Jinx not to commit suicide) was omitted completely in favor of this battle sequence. We couldn't even see Piltover prepare for the battle. Instead, it cut straight from discussion of what they had to do to prepare, to the battle itself. Ekko convincing Jinx was omitted, Jinx making her decision was omitted, Sevika and the Firelights being convinced was omitted, Vi mourning her sister was omitted, how Sevika ended up joining the council was omitted. The only character work we had in the last episode at all was what was between Jayce and Viktor, and even that was barely anything, time-wise, in comparison to all of the battle scenes. (And the fact that the only character work in the finale was between two men when this series was supposed to be about two sisters . . . don't even get me started.)

While the animation in this show is the best animation I've ever seen, period—and while the action sequences always look fantastic because of that—I feel that the shift in focus from character work to action was to the show's detriment. What made Arcane so good, in my opinion, was not the animation—or at least, not just the animation. It was the character work. The fact that we had these three dimensional characters, each with their own rich, internal worlds that drove the story forward—that was what made it worth watching. So to cut that out, and relegate it either to music video montages or off-screen conversations, was a mistake. The characters suffered for it, and so did the story. It turned it from a masterpiece of a narrative, to just another good show. (Although I maintain that season one is a masterpiece. Season two doesn't affect that.)

Having said that, I'm going to break the rest of my critique down into sections.

The Noxus Problem:

Before I go further, let me just say: I love the Medardas. Mel in particular is my second favorite character on the show, and I love how messy the Medarda family is. I'm still fascinated by the Black Rose, and I feel that we weren't given an adequate answer as to what, exactly, the beef between them and Ambessa was. I want to know more about that. I'm really hoping that we get another show with Mel at the main character, to further explore what is going on there.

However, I feel bringing in the Noxian army was a huge, huge mistake, because it took focus away from the socio-political conflict between Piltover and Zaun—and, in the final episode, abandoned it altogether. After all, there is no time to address that if they're being invaded by a foreign army. There is no need to address it, if you show them working together against a common enemy. Except, there really is; we're given no reason to believe that Piltover's oppression of Zaun will stop. Yes, Sevika was given a seat on the council—but we don't know what that deal entails. Was she promised sovereignty for Zaun? If so, then why is she on Piltover's council? Is it merely that now she can vote for it? If so, I can't see that (or any other pro-Zaun measure) going her way, considering the fact that the two people most likely to support her (Mel and s1!Jayce) are both gone.

I understand that the writers' intention was, "they came together to fight an enemy, everything is good now!" but that is simply not how it works. Now that the battle is over, the most realistic thing to assume is that it went back to the status quo prior to martial law. And the status quo was that life in Zaun was suffering. Despite what the alternate timeline in episode seven tried to suggest (and "alternate timeline" feels too gracious; Zaun did not look like that prior to Hextech, Powder was mentally ill since the first episode's cold open—it was an AU on multiple levels), life in Zaun was never good. Characters like Sevika and Silco wanted to fight the enforcers and Piltover rule for a reason. And that reason has never been properly addressed or resolved, and we're given no reason to think that it will be, because they chose to ignore it altogether by making the second season about the Noxus army's invasion rather than letting it actually be about the socio-political struggle between the two sister cities. And for whatever reason that was done—the writers' being scared to commit to either Zaun's independence or Piltover beating them into submission, or the desire to set up the next show—I feel that it was a mistake. The Noxian army should have never invaded this show. Instead, Ambessa should have been saved for the Medarda spin-off, with Mel's decision to return to Noxus instead of staying in Piltover built to a different way.

The Vi Problem:

Of all the characters, I think Vi was written the worst and done the dirtiest in the second season.

The problem with Vi's character stems from inconsistency. We're never given convincing reasons for why she thinks the way she does, or why she does the things she does. The second season opens with her having done a complete 180 on her sister, for reasons that we're left to guess at because they aren't explained. Is it because Jinx fired the missile at the council? Is it because Jinx rejected her by saying "here's to the new us?" We don't know, because no time is spent on character work for that. All we know is that Vi went from telling Jinx "it'll be okay" at the end of s1e9 to begging Caitlyn to let her help hunt and kill Jinx in s2e1, even before the attack on the memorial service. Vi went from being unable to bear the thought of being an enforcer because they killed her parents in the beginning of s2e1, to being willing to gas the Lanes with the Gray in s2e2.

And this inconsistency is not relegated only to act 1. In act 2, Vi strangles Jinx so hard in her apartment that Jinx has trouble speaking after Vi finally releases her—but later, when they fight in the mines, she doesn't do anything to seriously hurt her and instead just tries to pin her down and get her to surrender. Why is she less murderous toward Jinx now? We're not given a reason. After all, she wanted to kill her in the temple; her brief hesitation when Jinx said "it had to be you" is overruled when she raises her fist to deliver the finishing blow, stopped only by Isha's intervention. And again, her first instinct upon seeing Jinx again was to strangle her hard enough to crush her windpipe. But she flipped again, for reasons we're not privy to, because the character work wasn't done. The closest we get is Vi accepting Jinx after Jinx proved she was right about Vander—but even then, that doesn't make up for the above.

And again, it doesn't end there. In act 3, she's furious with Caitlyn for jailing Jinx, and wants to comfort and help her sister. Yet when Jinx leaves her in the jail cell, suddenly it's "tell me you were right, Caitlyn" and "I was an idiot for trusting her" — this, after Jinx was right about Vander. This, after Jinx saved Caitlyn's life. This, after Jinx told her "don't feel guilty about being happy" and "you deserve to be with [Caitlyn]." She does a 180 again simply because Jinx left? Even though Jinx left telling her that she deserved to be happy? Even though Jinx was probably the one who told Caitlyn where Vi was?

In season one, Vi's actions made sense. Her reasoning was always clear. We knew that she hated the enforcers because they killed her parents, and made life worse for those in Zaun; we knew that her priorities were those closest to her (not Zaun itself, never Zaun itself), and that she would do anything for those she loved. And we knew who she loved, without a doubt, and could see exactly why she loved them.

In season two, this is no longer the case. Vi's motivations and goals flip-flop on a whim. Best I can tell by the end of the season, Vi is willing to agree with whoever is closest to her at any given moment in desperation to keep them there. Jinx abandoned her, but Caitlyn was still there, so Vi agreed to be an enforcer and kill her sister. Then Caitlyn abandoned her and Jinx came back, and while Vi blamed Jinx for Caitlyn's abandonment, she was still willing to take Jinx back if it meant having Vander back, too. But then Jinx left again, and Caitlyn was there, so now Caitlyn Was Right and Jinx shouldn't have been trusted. Perhaps if we had the character work to understand what was actually in Vi's head it would make sense and she would seem like a better written character, but we don't, and so instead it seems that her goals shift depending on what the plot needs. The plot needed her to fight Jinx in an Cool Battle Sequence, so that's what happened. The plot needed her to fuck Caitlyn so the show could have a lesbian sex scene, so that's what happened. No thought was given to her character or her relationships at all, despite her being one of the protagonists. (Jinx is the other, of course.)

Speaking of Vi's relationships, though . . .

The Sisters Problem:

This was supposed to be a show about sisters. What happened to that?

In season one, their relationship was handled beautifully. We saw how close they were in childhood, and the moment they fell apart; and we saw them struggling to work their way back together in late teen (Jinx) / adulthood (Vi), only for Jinx to seemingly sever that at the end. Honestly, that is the one complaint I have about the finale of season one; it has never made sense to me that Vi didn't try to argue with Jinx when Jinx asserted that Vi couldn't love her like she used to, because Vi did love her. Even at that moment, she loved her. But I digress. The point is, in season one, the sisters' relationship continued on a strong through-line. We could see where they were going, and how they were getting there, every step of the way. It was strong, it was consistent.

This is not the case for season two. I already talked about this a lot with Vi above, and Jinx's character was written much more consistently; still, there are problems. For one, in act 3, Jinx is made to ignore Vi's own inconsistency; her line "you're never going to give up on me" makes no sense when Vi had already given up on her once before, in act 1 and the beginning of act 2. The bigger problem, though, is that their relationship was sidelined hard and that, as a result, we once again miss the character work. We got a bit of it in episode six, with their talk about their mother next to the chunk of wall that had once been used to mark their heights. And we know that Vi forgave Jinx the moment that she invited her into the group hug with Vander. But for a show that was supposed to be about them, that is nowhere near enough. Jinx telling Vi, "you know I'm always with you" doesn't feel earned when we didn't get to see them reach that point again. Vi not mourning her sister at all, and instead being fine with being "the dirt under [Caitlyn's nails]" feels extremely dissatisfying when the entire show was supposed to be about the sisters. The most important relationship for Vi and Jinx both was the one they had with each other, and that was completely forgotten.

Speaking of the lesbians, though—

The Violyn Problem:

Look, I'm a lesbian myself. Obviously I was on-board for Violyn, and I thought they were well-written in season one. The problem is, they weren't well-written in season two.

To be fair, of the two characters, Caitlyn was better written. While she, too, had problems with inconsistency (we're given no reason as to why she's feeling doubt about martial law or why she wanted to betray Ambessa in act 2, for instance), she was still written more consistently than Vi was. Catilyn being willing to abandon her positive belief in Zaun made sense given the life of privilege she was raised in. Caitlyn turning to martial law made sense when you remember that her dream was to be a cop. Even her turns back toward wanting to remove martial law and betray Ambessa could have been written to make sense, had the character work been put in. It wasn't, but Caitlyn still made more sense than Vi overall.

But this section isn't about Caitlyn, it's about her relationship with Vi. And her relationship with Vi was done dirty. Yes, they ended up together. Yes, they had sex. But again, the character work to get them there was not done. In season one, we see their relationship develop; we see how they go from enemies who oppose each other to friends who build trust (and feelings) between them. We see their growing care for each other, we see them work past their preconceived notions and struggles. Their relationship is slowly and steadily built. It makes sense.

In season two? We kind of get that in act 1, but only because we can continue on from knowledge of where they were in the last act of season one. However, season one can no longer carry them after Caitlyn hits Vi in the stomach with the butt of her rifle and then they break up. They should have had a long way to go toward reconciliation after that; the trust between them was shattered, and it takes a long time to build trust back. But they weren't given that time; Vi's easy acceptance of Caitlyn back in her life the moment they reunite aside, we're given absolutely no reason why Caitlyn—someone who felt horribly betrayed by Vi seemingly choosing Jinx over her—is willing to trust Vi and take her back again. Even putting aside her doubts about Ambessa (which were, again, not built up well enough to justify a betrayal from a writing standpoint), and the fact that she was in a relationship with someone else (and there was never any indication that Maddie was a traitor until the literal second that it happened), Caitlyn felt betrayed by Vi. It isn't believable that she's Completely Over It by the time they reunite again, or that those feelings of betrayal wouldn't come back full force when she sees that Vi is partnered up with Jinx, versus Vi's previous assertion that she was only trying to protect Isha when she stopped Caitlyn from shooting.

And it wasn't only Caitlyn who had reasonable grievances! Vi saw Caitlyn change before her eyes, when that was her worst fear; she saw Caitlyn being willing to shoot at a child, knew that Caitlyn had teamed up with Ambessa to put Zaun under martial law, and then had Jinx imprisoned after Jinx saved her life. She did, very briefly, air those grievances with Caitlyn. But then it was all abandoned a few scenes later so that they could have sex in the dungeon. It was completely forgotten for the sake of a fanservice sex scene.

Listen. As I said before, I'm a lesbian. And I'm always happy to see sapphic relationships in shows. I'm even happy to have messy sapphic relationships in shows, because believe it or not, we sapphics are actual human beings, and sometimes that makes us messy. ACAB, and that includes lesbian cops, but bastards make television entertaining. I'm here for that.

But messy shouldn't mean underdeveloped. It shouldn't mean poorly written. And I for one could not enjoy that sex scene when it wasn't properly built up to at all. When Vi and Caitlyn had all of this unresolved, and now ignored, conflict between them. It wasn't even hate sex, or at least, "we're still not good but we're alone and horny" sex. It was "everything is better and they're a couple now" sex. Which is extremely frustrating, and a complete let down over how well their relationship was written in season one. Despite the "league of lesbians" goof tags, the show wasn't about them, but it still should have done them justice, and it didn't. Not by a long shot.

Other Problems:

I don't like that the only character work in the last episode of the show was between Jayce and Viktor. While even that was lacking, taking a show about two sisters and making its series finale about two men puts a bad taste in my mouth. I understand that the bulk of the fandom cares about the men (or at least it seems like it does when I put "jayvik" into my blacklist and half the Arcane tag disappears), but the show should be written for its narrative, not for the fandom. And I, for one, never cared too much about Jayce or Viktor, but after the way this finale sidelined all of the women in order to focus on them? My feelings are pretty negative toward them now.

I don't like that they tried to do a fake-out with Jinx dying, when it's obvious that she didn't. For one, Riot would never kill off their most popular character. For another, there are too many signs that make it obvious that she survived, from the pink streak right before the main explosion, to the glitchy "the end" message over the airship sailing away (one that Powder said she'd ride on one day). It feels as if they wanted to make it look like she died for shock value, and that's something I thought that this show was above doing. It's cheap, it's bad, and I don't like it.

I don't like that Mel and Ekko were both sidelined so much throughout this entire season. Mel spends the bulk of the season in captivity, and then when she is finally free, she doesn't get to do anything to affect change except be in a magic battle against her mother. Jayce completely abandons her without any insight as to why beyond "the Arcane messed him up", and we're given no indication that Mel had anything to do with the reformation of the council at the end. Ekko, meanwhile, was completely absent in act 2, and while he literally saved the day in act 3:

His convincing Jinx not to commit suicide was off-screen;

His rallying of the Firelights was off-screen

He ends up alone in Zaun with absolutely no indication of what he or the Firelights will do after—was the tree even healed at all?

Ekko and the Firelights should have played a much bigger role. The sanctuary that the Firelights had built for the refugees should have had more of a showing other than "the tree is sick" (a plot line which, as I just said, was never resolved). Episode seven was nice, but the Zaun depicted was completely incongruent with what we knew of Zaun's state at the start of the show, and the depiction of Powder is the same. (Because Powder was hallucinating even as a small child, as shown in the cold open of season 1; Vi's death should have sent her spiraling. The fact that she was Totally Mentally Healthy in the alternate timeline makes absolutely no sense. She was Ekko's Ideal Version of Powder, not who she'd realistically be growing up like that.) He wasn't given justice as a character.

And Mel? Again, she spent most of the season in captivity, had her agency completely ripped away from her, lost everyone she ever cared about, has powers that aren't clearly defined or explained, and is now leaving the only home she has known for years to go back to Noxus. And again, I want that story for her, I want that show, but after we saw her brilliant mind in action in season one and how much change she affected, I still feel that she was done dirty this season. I hate how much she was sidelined; she deserved better.

Final Notes:

Despite all this, I do still love Arcane. Well, I love season one, and season two had parts that I liked (I think that arc 2, despite the lack of Ekko, was the best because of the fleeting character work we did get and the focus on the sisters), despite being a disappointment overall. I think for me, I'm going to just take the parts from season two that I did like and put them into an alternate season two that I have in my mind; one where Noxus didn't invade so that the issues between Piltover and Zaun could be focused on and actually resolved, one where the character work wasn't abandoned for flashy action sequences, and one where there wasn't a fakeout of Jinx's death for shock value.

And now that it's all off my chest, that's all I have to say about that.

[hexite-nightmares]

My very unorganized thoughts on S2 of Arcane but only about Viktor

Alright I finally had time to think and write everything down so here we go. I want to preface that I have been weary about this season ever since I watched the act 1 leaks. Mainly because it was very clear he was never going to be a machine, and they didn't give him enough screen time to develop his motivations into ACT 3 Viktor being convincing enough

LET'S START WITH THE FALSE PROPHET VIKTOR

Alright so he has about 11 minutes ish of screentime. Aside from the glaring issue of Jayce reviving him and not destroying the hexcore, taking away agency from a disabled character. It was clearly a false prophet situation, but it was so fucking confusing on whether he could feel like a regular human, if he was under the Hexcore's control which makes the agency issue worse or just jaded. He all of a sudden starts speaking like he's reading Deuteronomy passages ?? We don't know for sure if he's aware that he's basically creating a hive mind now, did he start his plans of making everyone into one right here? Sky seems to encourage him to do this, what does she know about it since shes been in the hexcore ALONE for a little longer? (writers didnt confirm whether it was the real her or not) . Act 1 Viktor's issues are mostly about agency, and a seeming full abandonment of his identity as a scientist, his personality does a full 180. He doesn’t seem to question that the object that revived him and killed Sky is giving him healing powers, but he’s angry at Jayce so we have no clue if he’s being controlled or not.

The show doesn't seem to care to spend time with him bc Isha and Ambessa I guess.

Anyways lets move on to not even act 2, but ep 6, his only episode in this act.

I had huge gripes with this episode, mainly because whatever the fuck was going on with Viktor trying to "keep" Vander's humanity, when he clearly was taking it away from everyone he touched, does he actually believe what he's saying or is he under the Hexcore's control still?. Obviously the glaring issues of Sky being there without any actual input, they're cosmic friends I guess but with very generic lines, and the fandom has to fill in the blanks with whatever Amanda Overton feels like saying about Sky in the moment(if we don't see it in the show I don't take it as her development, sorry). So Viktor builds Colloidal silver drinking Joshua tree and ppl think it's fucking Eden, Jinx calls him a Machine Herald when there's NO SIGN OF MACHINERY JUST PURPLE MAGICAL METAL LOOKING FLESH. We get a whole ass different realm with no explanation other than, oh yeah Viktor is inside there. Jayce comes in and almost kills him. The only option there is at this point is for Singed to start his MH era. The choice of becoming MH is nonexistent now, other people have to jumpstart things for him. I know some people interprete this commune as Viktor achieving his dreams, thinking he was being himself, that he was in paradise with Sky and.. that wasn’t the case for me.. it was extremely sinister. Worst part of this Act, is that MH was seemingly a damn trial experiment for Orianna.

BONUS:

So it seems that Christian Linke has confirmed Sky was the hexcore using its influence to manipulate viktor into the glorious evolution. He said it was meant to be as a misdirect. So to everyone who got dunked on here for “wanting to be spoonfed” or “not reading into it deep enough” for thinking he was being mind controlled, you were right about it being the hexcore. Viktor has been confirmed to have no agency until episode 9 I guess. He also mentioned Viktor’s goal was getting the most power/influence… we never saw a fucking glimpse of this in season one I’m sorry.

ACT 3

First awful problem here is obviously Singed having to jumpstart things. Viktor is aware for his choice of whatever is happening with the egg thing. Yet....there's still no sign of machinery. We get a scene where Sky fucking dies again, he refers to her as Ms Young, which im guessing is a parallel to the other time he dismissed her in S1. But of course we get the double fridging in the show, cuz making female characters just for the sake of advancing her crush's plot line is sooo amazing. Here lies sky, the character who is barely a character. Well after that we get the sequence of his transformation and we get that butt ugly mask. His personality does another huge change again. So we know the hexcore is not influencing him anymore as the hexcore completed its goal of the glorious evolution.. so I guess viktor really does think this is the right way?

A huge issue I have again, is the lack of agency. In this particular scene Jayce goes "My partner died in this room" yeah..Viktor didn't fully choose to become this right? it all started with Jayce using the hexcore on him, it’s been manipulating him the whole ass season…Kinda wish there was some sort of acknowledgement from Jayce that he’s basically the catalyst of this.

He gets his laser because...fanservice. There's no way he went all the way to the lab and magically attached it to himself just to cut off a wall. He keeps going on that choice is false, but a few minutes before he said he’d evolve all of those willing?

In the cosmos, beautiful sequence. I don’t love Jayce’s dialogue choices(about his disease) here and then it all being about viktor hating himself.. since the hexcore was leading to all of this, his motivation for it all being self hatred feels a bit eh. The sequence is beautiful and Jayce and Viktor destroying the anomaly with the rune shard is nice, that part was cute. But then they kinda disappear and we only know that viktor is alive so far, no clue about Jayce. The sequence is touching towards the end and I’m a sucker for characters finding each other in every timeline/universe but it can’t make up for all the other things that are bothering me. This seems to be the one time Viktor has some sort of agency I guess.

Then obviously the worst part that will bother me forever. The thing that made me almost slam my laptop shut

This retcon is just awful I shouldn’t even have to say why, it makes things fucking weird and it’s frankly stupid. Also viktor can’t rock a beard like that.

Anyways this is very disorganized, fuck you riot I felt like an insane former this whole time but I was right.

[tevantarlos]

Feel free to ignore but I just have to get this out. I know this sounds mean but I´m happy that

a) Tim and Oliver lurk in fandom like no other and are seeing what people say about them and

b) Oliver had months of reprieve from the deranged people that make his following because they were turning all their guns on Lou. In fact he gained popularity because they convinced themselves (with his help, I add) that he is their champion and actually wants Buddie to happen. What does he think will happen now, when in a couple of weeks Buddie still has not happend? There is no Tommy standing in the way anymore and we will go right back to accusations of baiting and of people calling him fat and bald and almost too ugly for Eddie (yes, that happend). And when this happens and he has another whiny outburst on SM I will laugh until I fall over.

They droped the ball with every other LI before because they were to chicken shit to even try putting a stop to the endless harrassment. I think Megan West was the most egregious example of just leaving someone hanging and even encouraging the shit that went on online. They had a chance here, for the first time, to try to get out of this toxic Buddie brew they are in. If nothing else the way the relationship with Tommy was received, the way it garnered press by outlets other than glorified fan blogs like "Fangirlish" and gained them a new audience and the move to ABC all presented an opportunity to combat the toxicity by simply taking the fandom monopoly away from the crazies. But they just did not have the balls and now look at their pathetic attempts to make Brad happen on their IG. Engagement is low and what it there is the usual idiots screaming for Buddie and nothing else.

I hope it was worth it. I don´t see the show getting a 10th season, maybe not even a 9th. The spin off will be cheaper to produce, Peter talked about quitting before and the ratings trend downwards since S6. Not to mention the writing is absolute shit since Tim is back.

Maybe Oliver hopes that Callum Blue is the kind of guy that can get him a job after 911 gets canceled and is worth sucking up to. Last time I checked he couldn´t even get cast on a Hallmark movie so why not try, right? Buddie fans will not follow him either way, I hope he knows that.

Hey, hon. Thanks for the ask. Sorry I haven't posted this or replied before now. I haven't logged into my computer in a few days, have just been doing everything on my phone, and I didn't want to try to reply to this on my phone, that would takes ages.

I've been in the 911 fandom since two months after the last episode of season 1 aired. Oliver and 911 shot themselves in the foot by not shooting this Bvddie bullshit down from the very beginning. They've spent years leading Bvddie fans on, purposely having scenes with Buck and Eddie that cause the lunatics to see things that aren't there, because it gives the show more engagement.

Oliver and 911 know that Bvddie fans will never stop watching the show because they're so sure that at some point, 911 and Oliver will give in and make Bvddie canon because 'it's what they deserve'. At least, that's the bullshit I've read a lot of on Twitter and other places. What Bvddie fans don't understand, is they aren't owed shit.

I learned this the hard way when I was in the 100 fandom. I, and many other Bellarke fans thought that since we were loyal fans of the show, we'd be rewarded by getting Bellarke eventually. But just like Bvddie is never going to happen, Bellarke never happened. The writers and show runners had no interest in going there. They just liked to bait fans. Just like 911 does, with Buck and Eddie.

I personally feel like Oliver was relieved that all the hate was getting thrown at Lou and not himself, and he got a break from those assholes for a few months. But now that Lou and Tommy are gone, they're just going to go back to harassing him because Bvddie isn't canon and never will be, and those dumbasses can't cope.

Oliver knows that if he ever truly tells the Bvddie fans that it's never going to happen, he'll lose a large majority of his fan base. So, he just doesn't say anything. He encourages their twisted thinking and doesn't put them in their place when they're being assholes. Neither does Tim, so it's a monster of their own making. (The Bvddie fandom)

I can't speak on anything to do with the actresses of the other LI's. For many years since I started watching the show, I didn't interact with other fans much. The only time I did, was when I wrote fanfiction when I was a Bvddie shipper for 2 years, but after I found out what a bunch of toxic assholes they were, I ditched that fandom and am so glad I did.

Yeah, I check out the 911 IG page every few days because that's all I can stand. I can't look at it daily. All the Bvddie bullshit on every post claiming 'Bvddie canon, season 8!' It makes me roll my eyes so hard it hurts. Also, the way those idiots talk, like Buck and Tommy weren't in a relationship, like Buck is Eddie's one true love, and the other father of Chris.. God, I can't help but tell them how stupid they are for believing that. Especially since Ryan said in an interview that Chis has only one dad, and Buck sure as fuck ain't it.

The show will be lucky if it gets a season 9. This season is just not good, and I mean that honestly. Putting aside the BuckTommy of it all, it's crap. They focused too much on that Brad character which was a fucking waste of screen time. They traumatized Henren and their kids, had a plot that ended like within 5 minutes with Ortiz, had a decent start for Gerrard being a bad guy and dropped him for BRAD! Who the fuck cares about fucking Brad? No one.

When it comes to the IG posts, the first few days and maybe weeks after the BT breakup, both fans and GA made their feelings about the out of the blue breakup known, but after fighting the stupid Bvddie fans in the comments for a few days, most people backed off. I've gotten messages from people on IG who are BT and GA fans, who said that just like a lot of my comments on the IG page, their comments were removed for supporting BT, and for dishing out some of the bs that the Bvddie's have been doing for years.

Which once again shows that the people who man the 911 IG page, are catering to the most toxic assholes in the fandom. Every fucking post on the 911 IG has bullshit about Bvddie going canon, but people who talk about BT, or who even dare to criticize, in a nice way even, who criticize the plots being cut off, making no sense, the characters doing things that are out of character, they get deleted. But yet the lunatic's comments remain on the posts.

IF the show gets renewed for season 9, I'm betting it will be the last. This season so far has just been a shitshow. In terms of the writing for the show, and in terms of the Bvddie fans taking being complete assholes, to the highest degree imaginable.

I don't give a shit about Brad the character or his actor. I hate the character, he fucking annoys me. I didn't find any of this plot funny, just irritating and I want him gone. The mains were pushed to the background this season for Brad, some dumbass that's not some great character, but some idiot.

Also, Oliver is like a child. He only cares about praise and ass kissers. He says what will cause him to look good. I remember there was one time a few years ago, where he had some contact with a Bvddie fan and when the fan said that he was a dick for leading people on about Bvddie if it's not going to happen, he snapped back and said that he was just an actor doing this job and to stop being so mean to him.

In my opinion, he's a fucking moron who did it to himself. Him and Tim. As I said above, they could've gotten the assholes under control or even gotten rid of them from the start by being honest and just saying their stupid Bvddie is never going to happen. But no, they're too worried about ratings dropping, so they throw in Bvddie scenes every now and then to keep baiting those fans and they eat it all up.

Every time Buck and Eddie share a scene, those idiot's are all, "It's happening! Bvddie canon, y'all!" And then nothing ever happens, and those assholes get mad at being baited once again. It's been 7 1/2 seasons. If Bvddie were ever going to go canon, it would've happened by now.

[littlxpxtal]

A World Alone

TYRANTS || STORY MASTERLIST

PAIRING: rafe cameron x fem!reader

WARNINGS: MDNI 18+ Content, swearing, sexual content, drug and alcohol use, violence

WORD COUNT: 1.4K

All the double-edged people into schemes

They make a mess, then go home and get clean

You're my best friend, and we're dancing in a world alone

World alone, we're all alone

I know we're not everlasting

We're a train wreck waiting to happen

One day the blood won't flow so gladly

One day we'll all get still

December Continued

The aroma of the house smells like a warm cookie. Mom had put out the desserts and I was finally able to excuse myself form the dinner table, down to my room to experience the first moment of silence since 8am this morning. After lighting a candle and changing into my pajamas, I settled into bed, turning on the TV and continuing the episode of The Vampire Diaries I had fallen asleep to last night.

A few moments later my phone started buzzing.

Income FaceTime Call: Rafe Cameron

“Hello?” I ask in a hushed voice as if anyone would know I just answered a phone call from Rafe.

“Alright what the fuck” he starts, his face contorted with anger, a hoodie pulled over his head, airpods in.

“Excuse me?” I ask, sitting up in my bed.

“Just watched the second to last episode of this first fucking season and ‘m pissed.”

I think back to what happens in season 1 in Game of Thrones and begin to laugh.

“Oh yea I should’ve warned you. The ninth episode of every season is like known for being chaotic.” I respond, trying to hold in my giggles at the thought of Rafe being frustrated over the loss of an extremely prevalent character for his first and not last heartbreak of this show.

“Yea a warning would’ve been nice I dont even wanna finish this shit now.” he huffs into the phone.

“What time is it there?” I ask, trying to change the subject and cheer him up.

“It’s like 3:30. What about you?”

“9:30. Im practically ready for bed.” I say with a yawn, laying back down and propping my phone up on my pillow. “How’s your Holiday been?”

“It’s fine. We did the whole forced family bonding earlier. We were out all morning so I’ve just been laying around until it’s time to get ready for dinner.”

“That sounds like fun.” I say, my droopy eyelids fluttered closed for a second.

“What about you sleepy?” he asks. I pop my eyes back open.

“Opened presents bright and early, had breakfast brunch with everyone. We played board games and prepped dinner, had dinner and then sat around and talked.” I went on, recounting my day as Rafe stared at me intently through the phone.

“That actually sounds nice. If it was with people I could stand to be around.” I laugh and rub my eyes.

“Yea, they’re fine. It’s always nice to see them but sometimes I wish I could just go far away.” I murmur.

“Like Bora Bora far?” Rafe says with a grin.

“Yes, Bora Bora far.”

“You should’ve came with us.”

I shake my head and roll my eyes at him.

“‘M serious. You used to come on trips with us all the time.”

I recount the trips I used to take with the Cameron’s when we were kids. For a while there I was practically their fourth kid. We visited Florida numerous times, went up the coast to New York, Boston and Maine. One year we had even convinced our parents to send us all to the same surf camp in California. Lucy and Wheezie were too young to go, but they packed me, Kinsey, Sarah and Rafe on a plane for two weeks.

“You thinking about that one surf camp?” Rafe asks, interrupting my thoughts.

“Yea how’d you know?”

“Cus that was all you and Sarah could talk about for months, how could I forget.” he says with a smile.

“I had my first kiss on the trip.” I gleam into the camera with a full smile.

“Yeah and you wouldn’t shut up about it.” Rafe chuckles.

“Who’re you talking to?” Sarah’s voice comes through the phone, slightly muffled, but it’s so recognizable I wouldn’t miss it.

“Y/N” Rafe says, turning the phone to face Sarah and she leans down and smiles, waving at me.

“Girl why the fuck are you on FaceTime with Rafe.”

“He called me to bitch about Game of Thrones.”

“Oh my god you got him into that shit too?” she asks with a smirk, looking at Rafe and then back at me through the phone screen. “You two are something else.” she says walking away.

“Alright ‘m gonna let you go.” Rafe says, fumbling with something on the couch, probably looking for the remote to watch the season finale.

“Okay, bye Rafe.”

“Bye Y/N Sweet dreams.” he says with a wink. The call ends, and almost immediately my phone starts ringing again.

Incoming FaceTime call: Sarah Cameron

I hesitate for a second, but accept the call. Shes now in a bathroom, away from Rafe.

“So what’s going on between you two.” I’m thrown off by her bluntness as she combs her hair, the phone propped up on the bathroom counter.

“What do you mean?” I ask, unsure of how this conversation was going to go. She starts to part her hair and smiles into the camera.

“You know exactly what I mean.” she was right. I did. I didn’t want to have this conversation over the phone, while she was miles away. I was hoping to have it when they got back form their trip. I sigh and turn over in my bed.

“There’s not much going on. We’ve just been seeing each other a lot more recently.” I say nonchalantly. Not completely lying, but keeping the whole truth in.

“You guys totally fucked.” she says, laughing into the camera, working her hands to complete a dutch braid on the left part of her hair. I gulp and shake my head.

“What?” I ask, dumbfounded.

“You and Rafe were bound to happen.” she says smugly. I furrow my eyebrows.

“What are you talking about?”

“He’s always had a thing for you. It didn’t ever seem like you reciprocated but he’s been after you since I can remember.”

“Sarah what are you talking about?” I ask again, feeling a weird knot in my stomach. Rafe and I’s relationship was purely sexual at this point. We weren’t “together”. What does she mean hes been after me?

“Remember when we used to go to Carowinds, and Rafe always sat by you on the rides, while me and Wheezie sat together?” She says, finishing up the braid and starting up on the other half of her hair.

“I thought that was because Wheezie wanted to sit by you on the big rides.”

“No it’s because Rafe would force us to let him sit with you.” I think back to all the rides we rode the last few times we would take trips to Charlotte and visit the amusement park. Now that the memory resurfaces, I recount all the times Rafe has made his way to the seat right next to me. Every. Single. Time.

“Its not like that.” I finally say.

“I’m sure its not, Rafe’s not one for commitment. But I knew something was up when I saw your name popping up on his phone more than mine.” she says with a straight face.

“Sarah I’m sorry. I really didn’t know how to tell you. I wasn’t even really sure what was happening myself. He’s kind of confusing and I don’t know what he wants. I don’t know what I want. We’re just messing around.” I mumble the last part, embarrassed to see her reaction. She finishes up her last braid and picks the phone up.

“I’m not mad.” she says. “I just want you to be careful. Rafe can do whatever he wants but when it comes to you, “ she pauses for a second. I hold my breath, waiting for her to continue.

“Look you’ve got a lot of people on your side. A lot of people that don’t want to see you get hurt. Just remember that.” I know she’s referencing JJ, John B, Pope and Kiara. I smile faintly at the screen at the thought of my friends having my back, even when I feel like I can no longer return the favor.

“I love you Sarah.” I respond. She smiles sweetly into the phone.

“I love you too. Now help me pick out my dress for dinner.”

Previous Chapter | Next Chapter

[zepskies]

hey friend I dunno if you are taking requests if not (excuse this) if yes i just had a sort of question maybe some hcs so some of us can know what kind of a personality Russell Shaw has...i have only seen snippets of the show and unlike Beau Arlen who felt like a character I could understand, Russell Shaw is still a mystery me, maybe not even hc just a few lines would help too if possible 😅

Hey there!

Well, first off, it's important to note that Tracker is based on a series of books by Jeffery Deaver, starting with The Never Game. But while all the characters in Tracker are based on the book, Jensen brings something extra to Russell Shaw--or so @luci-in-trenchcoats tells me, because unlike me, she's actually read the books. 😂

You'll learn more about who Russell is if you watch the show all the way through, but here are my thoughts.

What is Russell Shaw's personality like?

Russell is interesting because we've only seen two episodes of his character so far, so it can be hard to pin down every aspect of his personality. But, there are notable "Deanisms" in his character, which Jensen has openly admitted to bringing a lot of his Dean to the role.

Overall though, here are a few things I've noticed and/or tried to capture in his personality when I write for him:

Russell has a past enshrouded in secrecy, due to the nature of his black ops work/time served in the military, but it's implied that he's very skilled at what he does.

He lives a very nomadic life due to his contract work (not unlike Dean before he and Sam got the bunker)--jumping from motel to motel. So it implies a "no strings attached" kind of lifestyle.

He's a BIG flirt, but he isn't always as smooth as he thinks he is. lol

In fact, headcanon that he's sometimes kind of a dork. In a big, lovable goofball kind of way.

He ultimately wants to get out of contract work to start his own business (but it's possible that the thrill-seeking behavior he gets to satisfy through contract work is preventing him from settling down, aside from the implication in the show that he's still saving up for it financially).

Russell has a playful personality, but there's still a kind of edge to him, hiding underneath.

He loves his family, but he doesn't easily show truly vulnerable emotions (not unlike Colter). Probably because of the way they were raised, and the men they had to become after their father's death.

There are probably more aspects that I try to write to, but that's what I got off the top of my head! Hope that helps. 😉

[lurkingshan]

Every You Every Me

The Final Story (Part 2)

Time to finish this! [Edit from the future: I did not like this finale, so there's your warning!]

Ngl once the reveal was done and we were just in a bl about two annoying actors with a bad relationship this got less interesting. Still love the narrative device of this being about an actor pair across shows, though, that was clever. I just wish this actual story about Pun and Inn was better.

Part of my issue with this final plot is I still don't even know why Inn broke up with Pun in the first place. I don't really know what Inn's supposed to be apologizing for, other than this vague idea that he was self-absorbed. Meanwhile we actually did see Pun shut Inn out of his career decisions which directly affect him, so this one-sided apology feels weird.

I also don't love the connection they drew here between their personal and professional relationships, like they couldn't do their jobs if they weren't getting along. We know actors can act through a ton of BTS strife and still turn in good performances (EarthMix MLC divorce era, anyone?).

Like, why is Pun sobbing this hard after dumping Inn? Why dump him if he's still this attached?? Why ditch him for a new partner without ever discussing it? I don't really get Pun's deal here.

"Years later" well that's nice and vague, thanks chyron.

Why are the bad actor side pair here in this film? We saw them together and they were terrible, it was part of the plot!

Suddenly, a flashback? Inn is drunk so it's def time for a bl white towel sponge bath.

I am... so confused. When did this drunken heart to heart take place? Before or after the dramatic breakup? And why would they have to wait years to be together? But Pun assumed Inn didn't even remember??

Okay so if I have pieced this together right, they had this drunken convo the same night we saw them out with their friends, then wrapped the show, then had a dramatic breakup despite having already had this conversation and Pun knowing that, but Inn didn't remember/thought it was a dream, and they just didn't speak for years until Inn showed up with the flowers. This is so convoluted and I am just baffled over here.

Anyway, I guess they're gonna get married now even though they have a really bad and non communicative relationship. Sure!

Quite a choice to skip any physical intimacy scenes for the "real" couple after all that. I don't think I like it.

What a mess of a final episode. It's so strange that they went to the trouble of coming up with this interesting and creative narrative and executed it pretty well only to falter on coming up with a basic romance arc to finish the story well. I'm disappointed this didn't end stronger so I could recommend it to people. Ah well, at least Mick and Top are a good pair; their chemistry did a lot of the heavy lifting. And it was fun watching the shows within the show and puzzling out what was going on. I'm glad they tried something different even if they didn't land it in the end.

[legally-allowed-to-slime]

ok the way gem actually was walking towards pearl's general area while pearl was holding the mace. and idk if she actually saw pearl but im pretty sure gem looked up, turned back and walked right to where skizz asked her to??? and pearl just had to stand there and watch as gem basically gave the kill to skizz. like ohhh my god i have so many thoughts about this but all i can say rn is what in the world of yuri.

- 🐫

it’s so funny how they spent half their episodes effectively trying to provoke the other person as much as possible

i mean, do i even need to explain. they want each other baaaaad. on surface it might seem like another failing-to-kill-gem bit, especially with the comical sequences of pearl putting down the creeper eggs and gem easily dodging. however, both pearl and gem approach their “designated” roles of would-be killer and exasperated target a little differently than they did before. pearl doesn’t try her best, and gem doesn’t mock her like she did mumbo/tango.

gem and pearl hold each other in high esteem. even when they hate each other they obviously still respect the other’s skill. i suspect this is part of why gem was so offended when pearl tried to “2v1” her with impulse; because pearl was being stupid by underestimating herself, and then obviously because it was SL all over again.

let’s not even talk about both of them beelining for a camel. this is by far the number one WL ship right now in terms of content and actual interactions (besides ethubs). it’s not shipper mind, they’re actively pulling these stunts to see how crazy they can drive the fandom. like, the thirsty comment, “my poor red pearl”, “gem you’re beautiful”??? i swear they’re scheming on discord before recording or something (jk i know they aren’t).

cc!pearl did mention on stream that she should probably back off which is funny because it shows she didn’t pick up the obvious social cues that gem wanted to give her a chance by offering a 1v1 instead of flat out saying “don’t kill me” or “you suck at killing me”. also, if there are other pearl stream watchers reading this post, you would know that pearl said the same thing about not wanting to bother gem too much over the pickle bit, which is why she dropped it so suddenly. honestly very considerate of her

as for their convo on the camel. gem is explicitly grasping at straws over the end portal thing, but “did you even look me in the face during the murder camel… thing” is a great one-liner out of context. i thought it was going to be like a “you couldn’t even face me properly” but no it was just over the yellow life skin. pearl defending the disloyal allegations by saying scar was her ally is funny as well because it was the exact same argument she gave scott and i don’t think she understands that gem and scott have very different priorities. and gem clarifies she wasn’t upset over the betrayal (suree) but over the 2v1 which reveals some interesting things about her character and moral code which i’ll leave to the gem mains*. i do hope pearl keeps up the “how much do you love/hate me” thing though it’s a funny bit in general, plays into the pining/unmoved dynamic, and opens up the conversation. fluff duo that wants to be angst so badly

and if you’re following me and for some reason don’t watch gem or pearl, please do. there’s a reason why everyone’s saying they’re flirting because they’re toeing the line as close as you can.

what can i even add to this. it’s like going to a michelin restaurant and pointing out that the food is good.

*i always say this but i am effectively a gem main. i think her character is just too difficult for me and i don’t want to admit that i can’t figure out how to approach it

[airenyah]

hello~ i was rewatching the THK trailer again and noticed something interesting: FadelStyle go from using formal/polite khun/pom pronouns -> informal/rude meung/guu later in the series.

In the trailer, I think I hear Fadel using them in the "I don't like being pursued" line and Style uses them when he says "Whenever I'm with you, you either make me feel so scared, or so damn safe".

I was wondering if you had any Thoughts about that? I was surprised they use rude pronouns when it looks like KantBison keep using khun/pom throughout. Do you think the rude pronouns a sign that FadelStyle are closer or more a feature of their personality/dynamics?

I'm still very confused about how any of the pronoun stuff works, so I apologies if this doesn't make any sense. ^^;;

ah, it's funny you should send me this ask because only last night before i went to sleep did i ramble in a group chat about the pronoun use in ep1 😂

disclaimer: i'm not a thai native speaker and i actually get kinda anxious talking about the thai language publicly out of fear of getting something embarrassing wrong lmao. calling fellow language nerd @visualtaehyun as well as Known Native Speakers™ @recentadultburnout and @happypotato48 for double checks and potential corrections in case i'm blabbering bullshit at any point <3

yeah, in the trailer it seemed to me that fadel and style were consistently using guu/mueng for each other except for when style was trying to flirt with fadel on purpose (as in, when he's flirting for kant and the car, not when he's saying flirty or romantic shit bc he genuinely likes fadel now. or at least that's what i thought was going on upon watching the trailer for the first time kfkdkfdkjkjfd)

so when i watched ep1 i was actually kinda surprised bc i hadn't expected them to consistently start out using phom/khun with each other at first! which probably also comes from the fact that i hadn't expected them to meet on their own before kant hires style to hit on fadel hahaha (like, i didn't think the "my nipples are sensitive" scene would happen before kant sets style onto fadel. i thought at that point he was already very purposefully flirting with fadel for the sake of the mission, but instead it's all style himself just to get on fadel's nerves 😂)

anyway, in ep1 fadel and style use pretty much only phom/khun with each other EXCEPT for style at three very specific points:

he uses "guu" to refer to himself at the very end of the scene of their first meeting when fadel drives off and style shouts something about fadel scolding him like a dad when fadel has left already. i'm like 90% sure i hear him say "guu" in that specific sentence

you probably caught him call fadel "nong" to be an extra little shit when he sat down and made fadel get him those beers

when fadel manoeuvers style out of the restaurant and style is raging he uses phom/khun until the very last sentence where the subs say "i'm gonna take you out!". unfortunately i can't understand the entire sentence that well but he starts the sentence with "guu" and i'm fairly sure i hear the words "เป็นแฟนกู" [bpen faen guu] which translate to "be my boyfriend" and so i'm guessing he's saying something along the lines of "i'll make you my boyfriend" or "you will be my boyfriend" (calling a native speaker to pls transcribe that sentence for me thank youuu 🙏🏻🙏🏻🙏🏻)

so we see that style uses the rude pronoun set guu/mueng when he's annoyed (no. 1) and when he's seriously pissed (no. 3). other than that he sticks to formal/polite pronouns throughout the first episode

however, we know that they're gonna be using guu/mueng for each other regularly at some point from the trailer and there's also that scene in the promo for next episode where fadel asks style who sent him: they're both using guu/mueng in the "who sent you?" "i like you" exchange

so now the question is when and why do they switch from polite to rude pronouns? personally i'm speculating that fadel is gonna start using guu/mueng with style once he's seriously fed up and annoyed by style. bc rude pronouns aren't just used to show closeness/intimacy but also when, you know, you're actively trying to be rude. and i could see fadel switch to the rude pronouns for the exact reason of being rude on purpose in order to emphasize his disdain for style and to give him a hint to fuck off. and i could see style going along with the pronoun switch bc he sure ain't intimidated by fadel and won't go away that easily hahaha

and if that really does happen then i could see them just sticking to the rude pronouns from that moment on, since these pronouns can be used in an informal way too and it does fit their dynamic

also, i just went and rewatched the trailer bc i wanted to see if there were any scenes in which fadel and style use phom/khun for each other that we haven't seen yet and yeah, all the scenes from the trailer in which they do use the polite pronouns are scenes that we in fact all got to see in ep1 already. then we have the "good morning krub" scene happening next episode, which i'm guessing is gonna happen before fadel corners style in the locker room. and i'm guessing at that point they (or at least style) will still be using phom/khun since that's what they've established as their pronouns they use to their face (note how in the above list, style is never standing right in front of fadel, yelling directly into fadel's face when he uses "guu", so fadel likely isn't even aware of it). and i'm also guessing that then when fadel is eventually seriously fed up and suspicious of style, he changes to guu/mueng in order to show his anger and to basically declare a war with style. and style switches to guu/mueng too in order to fight back bc he sure as hell won't let fadel intimidate him

idk what language you have as a first/native language, but mine is german and in german we also differentiate between formal and informal pronouns. although for us it's by far (by FAR) not as nuanced as thai pronouns since we differentiate only two pronouns for the 2nd person: formal "you" (Sie - pronounced "see") vs informal "you" (du - pronounced "doo"). and in german it is absolutely considered rude if you use "du" to address a person you should be using "Sie" for. and you can absolutely show your negative emotions (like anger, annoyance, etc) towards your conversational partner who you should be addressing with "Sie" by suddenly switching to "du", esp when you're trying to start a fight. and yeah i can see fadel switching to rude/informal pronounce in this way, to kind of start a fight with style so style will finally fuck off

and in german, usually once you're on a "du" level of addressing each other (esp if you do it regularly and it wasn't just a one-off sentence in an argument or something) then you usually wouldn't go back to using the formal "Sie" for each other. of course in thai everything is muuuuch more complicated and complex than in german when it comes to pronouns, so this is kinda like comparing apples with oranges. but yeah, i can totally see fadel and style sticking to the rude/informal pronouns since they've already crossed that line. since they've already established that they can use this level (register) of language with each other, so why bother going back to a more formal/polite register?

we'll have to wait and see if i'm right with my speculation about the pronoun switch, though. of course it could happen totally differently than what i think (who knows, maybe they'll hop between guu/mueng and khun/phom for a while depending on their moods, like, whether they're being civil to each other bc the given situation calls for it or whether style is actively hitting on fadel or whether they're annoyed/pissed at each other and basically challenging each other to a fight)

and i don't find it surprising that kant and bison would be using different pronouns for each other. they did meet under completely different circumstances and they have a completely different relationship to each other than fadel and style do

one thing thai and german pronouns have in common is that their usage depends heavily on who is talking to whom and also what situation/context the conversation is happening in. german speaking kids are taught that they have to address adults with the formal "Sie" pronoun unless they're given explicit permission by the adult to use the informal "du". german learners who take it up as a second language are taught that they need to use the formal "Sie" when talking to strangers. however, that doesn't reflect the reality at all. there are situation where you can immediately jump to the informal "du" without asking for permission first even when you don't know the person while if you met this very same person for the first time in a different situation you might have to call them "Sie" or else they'd be offended because using "du" would be very rude in this context

now if we look at bison and kant's first meeting... kant is trying to hit on bison. a rude pronoun that you'd use out of negative feelings or with peers/close friends seems a little inappropriate in this situation, don't you think? it would definitely have made the unsolicited advice sound even worse and more invasive, imo 😂

and also throughout the entire episode their goal is to be polite and friendly to the other person, since, you know, they're trying to get on the other person's good side in order to get something out of it. and even when (and after) they get to know each other, well, intimately, they don't really have a reason to be rude to each other or use more vulgar language, i feel like? UNLIKE fadel and style, who are actively trying to piss each other off

i'm not surprised that fadelstyle and kantbison use different sets of pronouns for each other since the couples have very different starting points with very different goals that require very different strategies in order to successfully get there

i hope i managed to explain it in a way that makes sense to you <3

[secriden]

Re-watching the scene where Kant and Style talk outside the diner makes me wonder if Style only suggested Kant's dad's car because he thought Kant wouldn't agree to that deal.

The way he says it, all gleeful and teasing, it's clear he's not expecting Kant to say yes to this.

When Kant agrees, the expression on Style's face is almost fond amusement, like "Oh damn, bro, you're really agreeing to this?? You're THIS gone on him already? After one night??"

He even checks again, to see if Kant's serious, like he's half trying to talk Kant out of the deal.

(Love how the whole time Kant is So Serious. Every frame in this scene is Kant serving Soft, Sad, and Wistful eyes as he gazes longingly at Bison through the window.)

But I love what this shows of their friendship. Style will do this crazy thing for his friend just because Kant is in love (as far as Style's knows) for the first time and asking him to help. And yes, some of it is the car and his own ego/desire to put the hot jerk who refused his attempts at seduction in his place -- but its also kind of sweet. Style is presented in ep 1 as quite selfish and self-centered (not maliciously, but in a careless kind of way), but here we see him agreeing to something quite inconvenient for the sake of a friend.

There's some hints at how sweet their friendship is earlier in this episode actually. In the bowling alley, when Style is acting like a brat:

Maybe its just cuz First is too damn pretty for his own good, but his expression reads as slightly exasperated but very fond. It feels like Kant indulges Style's quirks and brashness a lot, so I can sort of see Style agreeing to get involved with a relative stranger just because his friend asked.

This also fits more naturally into my headcannon for Style being the most naive and therefore vulnerable character in the main cast. He's doing everything for (mostly) genuine reasons and I really hope we get to see an explosive reaction when he finds out that Kant didn't tell him about the whole police pressure situation, not to mention the assassin issue.

But I could also see Style finding out that Fadel is a dangerous assassin and being like, "Wait, and the worse you did to me was prick me lightly with a pin and drag me outside your diner?? Yeah you're definitely attracted to me." Which would be. So Hilarious. Imagine Fadel's face. xD

[flamingo-writes]

Autumn English Sky 

Hobie Brown x Fem!Reader

Third person, self insert, fem reader, she/her pronouns used

Summary: Hobie goes out looking for one of his childhood friends, after a while of being missing and busy due to his Spider-Man duties. However when he finds her, she seems to have been struggling for a while. Hobie sits with her in an attempt to get her to open up about it.  Warnings: cursing, mentions of weight, weight-loss (but there’s no explicit description of the reader’s appearance other that having lost some weight), eating disorders, depression, Word Count: 1.7K 

Big shoutout to: @midnightnoiserose, every so often I go back and read the comments you leave to get a serotonin boost. Thank you for supporting my work so diligently 🥺💜

Putting the Author's note here bcs its longer than usual:

Author’s note: It’s been a while, I know. Life’s been busy I guess. ADHD-ing too close to the sun, dealing with adult life, work, periods where I feel burnt out, depressive episodes that come and go, you know how it is. Even though I’ve been constantly writing, I haven’t finished writing, nor I’ve written something I deem good enough to be posted. Whether it's my impostor syndrome, leaving stuff incomplete, or simply because my writing has been lazier, who knows. The thing is I haven’t posted anything in a while. As I’m writing this, I’m thinking: Hopefully this one will stick to the wall, like spaghetti. If you’re reading this, it means I made it. I finished writing something.  I guess this one will be slightly more personal? I’ve been mostly rummaging in my own life events and thoughts, looking for an outlet, so this might as well be that. 

~~~~~~~~~~

It’s been a while. Hobie can’t exactly place his mind as to how long it has been. He’s been busy. Between taking care of his own universe, protecting people, making art, subversive actions, and taking part in some of the missions assigned in other parts of the multiverse. He was busy, indeed. Not because he had the responsibility to respond to Miguel’s every request, but because his friends asked for help. It’s been hard, tiring even, but not impossible to balance everything happening in his life. Every once in a while he went incognito for a while to catch his breath and ground himself. 

But he had to admit, things slipped off his mind every so often. With Gwen’s constant presence lingering in his sailboat, he’d forgotten to check up on one of his friends. To check up on her, who he called by every pet name in existence but never actually calling her by her actual name. 

“Shit,” he sighed tiredly as he put his guitar aside and got off his bed. Gwen, who was hanging out as usual in his dimension, bouncing her drumsticks on the dining table gazed at him. 

“What did you forget?” She asked, already used to his quirks. 

“I’ll be right back, I might take a while,” he said, completely ignoring her question and grabbing a scarf and heading out into the chilly autumn afternoon. 

Gwen watched him leave, raising an eyebrow. It wasn’t weird for Hobie to avoid questions. So this wasn’t anything new. Also when he said he’d be away for a while, that always ended up being at the very least six hours. So she guessed he had some important business to attend to. She sighed and kept drumming on the table. 

As Hobie swung around the city, his mask on, he took the usual route to her place. It wasn’t far away from the dock where his boat was docked. But as he swung past her flat building, he noticed all the lights were off. Gazing through the windows, there didn’t seem to be anyone inside. So he proceeded to keep swinging around the city, going to the usual spots she frequented. 

It was Saturday afternoon, so stopping by her workplace wasn’t an option, she wasn’t there. He tried her favourite coffee shop, nothing. He headed to the park she usually took her dog to, nothing. As his options narrowed down, he went to the public library, hoping to find her. She wasn’t there, not inside the library at least. But she was hanging out by one of the small gardens inside the old building. 

One of the small gardens, with a small playground, and a couple of benches, he spotted a hooded silhouette. Although, even with the hoodie over the head, he was quick to recognise her smell. That familiar smell he associated with a warm hug the countless times she snuck him into her room when he was homeless and she still lived with her parents and let him spend the night and sleep on the rug beside her bed, wrapped in blankets that smelled just like her. 

“Been lookin’ for ya” He said calmly as she was sipping something out of a paper cup. 

As if snapped out of her trance she looked up at him, meeting his honey eyes and smiled at him. 

“Hobie!” She said happily, although he was quick to pick up on the tired tone in her voice. 

Not only  her voice, but something about the eye bags under her eyes, even the sight of her face, he noticed something different. 

“Are you alright?” He asked as he sat beside her, and noticed her slight shivering, holding on to her paper cup as if clinging to the heat. He took off his scarf and wrapped it around her neck. “If you’re cold why don’t you go inside?”

She shook her head solemnly and gazed at the empty playground looking rather bright compared to the autumn dirty English sky. 

“I don’t mind the cold…” She admitted in a low voice. 

“You’ve lost weight.” He pointed out calmly, looking at her attentively. He was aware of her constant recovering-relapsing cycle, noticing how seeing her gain and maintaining her weight worked as an indicator that she was doing good. Seeing her lose weight meant something had triggered her relapse. 

“Sorry about that…” She sighed defeated. 

“Don’t apologise…” He pointed out as he kept gazing at her. “Is everything alright?” 

Hobie didn’t want to admit it, but he felt partially responsible. He knew how important he was to her, they were close friends. Or at least used to be. He’d been busy, absent, and she also hadn’t been reaching out as she would normally do. But he wasn’t looking for someone to blame. He was more worried about her current state. 

“Could be better, frankly…” She sighed and took another sip to her paper cup. “I’ve been maintaining my current weight for a few weeks…” She explained. “I mean, I know I’m looking thinner that I normally do…I lost weight, haven’t gained it back, but at least I haven’t kept losing any more weight…” 

Hobie hummed, and glanced back at her. “Care to share a little bit more, luv?” 

The silence lingered, filled by the howling of the wind. After several seconds. 

“Frankly speaking, I am not sure what happened…” She admitted. “One day, I just noticed my appetite was gone…” She looked at Hobie. 

The tired look in her eyes was enough to tell him she was telling the truth. Perhaps, in the beginning, her eating disorder was tied to self esteem and image issues. But her most recent relapses seemed to be tied to a feeling of losing control, and even an addiction. She’d explained to him that at some point it just felt like an addiction. It was harming, torturous, self destructive, but something about it was oddly comforting, sometimes even euphoric. It was something he couldn’t understand. His time being a homeless boy, the stomach aches he’d get from being hungry for so long were far from gratifying. He couldn’t understand how she’d find comfort in such a feeling. But he understood how addictions worked, and he was more than aware that addictions simply didn’t make any sense. Yet, they held their victim by the throat and seduced them over and over again despite the number of side effects. 

“I’m sorry,” Hobie said softly, filling in the silence. She hummed. 

“Don’t apologise…” She whispered softly in an attempt to comfort him. “It’s not your fault. I really don’t know what caused it…” 

“Maybe if I hadn’t gone MIA for so long…”

“Or maybe it’s just the seasonal depression,” She added and gazed at him. “You’ve been busy, I know that. And it’s fine. You being gone didn’t cause me to relapse,”

“I’m not saying it did. But maybe if I wasn’t missing for so long, maybe I could’ve checked in on you earlier and helped you,” 

Hobie watched her shake her head slightly and look away. 

“There’s no turning back time, plus it’s fine…My appetite is still gone, but I’m not actively losing weight…I just can’t bring myself to gain it back…”

“Baby steps, huh?” 

“I guess…” 

Hobie sighed and wrapped an arm around her, pulling her close to him, hugging her tightly. 

“I’m still sorry for suddenly disappearing. I just suck at managing my time,” He smiled when he heard her soft chuckle and her free hand wrapping around his body while the other kept holding her paper cup. “But I’m here now, okay?” He said looking down at her and pressing a soft kiss to the top of her head. 

“Thank you,” She whispered softly and gazed at him. “The weather is getting colder, the sun setting earlier…and the fact that I’m busy with work as of lately…It’s starting to mess up with my head,” she explained calmly. “I haven’t been able to make any art either…”

“Life’s been busy, hey? It sucks…” Hobie pointed out. “You haven’t made any art because of a lack of time, or a lack of motivation?” 

“Both,” she admitted and gazed at Hobie. 

Hobie sighed. “Come on,” he said, standing up and offering a hand to her. 

“Where?” She asked and finished her drink. 

“Your place…it’s getting late. We can order some takeout, eat together, and make some art. It’ll do you good…” He purred softly. 

“And make what exactly?” she chuckled awkwardly as she stood up and held his hand as he pulled her with him and headed out of the library. 

“Anything…you draw and paint, the possibilities are endless…” He said with a warm and optimistic tone. “You write too so, either a poem or a short story…Just let that silly creative mind of yours spread it’s wings,” 

She chuckled and followed him. Throwing her paper cup on the first bin she found and headed out of the library. 

As Hobie had said, they stopped by some restaurant, ordered take out and went to her flat. They ate dinner, chatted, caught up, and spent the afternoon together. All attempts at trying to make art failed. Feeling rusty, she wasn’t able to make anything substantial, nor anything she liked. But even just the effort made her already feel some sort of relief. 

At the sight of her smile, Hobie felt his own lips curl into a smile as she watched her get frustrated, laugh, sigh and start over repeatedly, whining about being out of practice. He’d say something back, either a sarcastic comment, or a joke, anything in an attempt to keep that smile on her face. 

He decided to spend the night over, reminiscing of their teenage years, when he’d stay over the night in her room. When they were kids, he’d sleep on the rug next to her bed since her bed was that small. Now her bed wasn’t so small, allowing both of them to fit in there. The chilly weather was the perfect excuse to share the bed and keep each other warm. They kept talking well into the night, snuggled under the bed covers, whispering as if they would wake someone else, despite being the only ones in the apartment. Eventually falling asleep next to each other. The company, the talking and the banter, as well as being pushed to create art were the therapy she needed, granting her a good night sleep in a long while. 

[shigayokagayama]

I really like the choice to have ritsu find out about the car accident in the anime actually and I do think it adds something to the way ritsu is the one with Context already. like teru has encountered ???% before too but ritsu is the one who has been paying the most attention to the mob situation for even longer than we as the audience have and puts the pieces together. he completes his own arc by finally understanding something he's been struggling with for the whole story, so having that last bit of knowledge rounds out ritsu's position as, like, The Knower. also letting him be aware of the Head Trauma Parallel like the incident when they were kids helps kind of put a bow on the start and end of ritsu's storyline. that's just my two cents as a ritsu enjoyer tho

see i kind of get that but i personally feel like it kind of works better if no one knows the specifics of why this is happening. like, ritsu being like "oh youre acting like this because you got head trauma, you also got head trauma when you were a kid and went ???% mode, this makes logical sense" personally to me feels weaker than "i dont know the specifics of why this is happening but you are my brother and i love you even if there are parts of you i find scary and dont understand, and i want you to stop repressing these parts of yourself and i want you to feel like you can talk to me about them so i can understand better"

also it probably comes from having been a manga reader first but and seeing toichiro say "no one can stop him now" then having a hard cut to ritsu standing on a building and watching all this happen after not having seen him AT ALL before that moment made me lose my goddamn mind. i feel like them including all the shots of him trying to find him kind of killed that tension because you spend the whole episode like "oh this is leading to a kageyama bro confrontation" vs the "OH GOD OH NO WHOS NEXT" feeling the manga had where it felt like you were watching ???% just mow through the cast. i thought teru DIED. i thought sakurai and koyama were DEAD.

[loulovingho]

I've been a Lou and Bucktommy fan for a bit, Lou longer though, and I was so happy to get some good bisexual and gay relationship representation or so I thought. After everything that happened with, Tim, I think his name is and Buck's actor it was just heartbreaking that they gave in to the stereotypes. So as a pick me up, I asked for a movie to watch with good rep and I was told about Red, White, and Royal Blue. When I tell you that I was stunned that the representation was representing and that the bisexual character actually said the words bisexual, I jumped for joy.

They even had the whole rom-com arc of enemies to friends to lovers and even a "breakup" where the gay prince wasn't ready to advance their relationship to I love you's due to fear and his status. They had the huge fight where the president's son flew over an ocean to confront him and they had a fight for you lover moment and confession. It was so beautiful to see. Even when they got outed against their will, they stood by each other.

They really could have done that with Buck and Tommy but they ruined it. They could have given them hurdles and had them come out stronger. They could have had them be a power couple. The fact that they put that biphobic speech in that episode made my skin crawl because Henry kissed Alex and they were it for each other. They were the first's and lasts so it is very much so possible.

I'm so sorry for venting in your inbox but I'm just so disappointed in 911 and how they handled Buck and Tommy's relationship.

Not to sound like a broken record, but I hope you are also relaying these thoughts/concerns to abc! The hiatus is a perfect time to let your voice be heard!