#that probably also factors

[essektheylyss]

I will be honest, every time I'm reminded that people in grad school take notes on lectures and readings I have to stop and buffer for a moment to process it. Not because I think that they shouldn't, to be clear, like that is absolutely the responsible approach, I am just so fundamentally incapable of taking notes that I forget it's a thing that the majority of people do.

[reyenii]

a) charles and edwin’s safe place is their office:

b) this scene was so domestic. charles is wearing his white tank top. edwin is wearing a shirt with the sleeves rolled up and the buttons on his top collar unbuttoned. he’s sitting on the couch in a comfortable pose.

c) but we don’t see anything like this when the boys are in port townsend. they "hide" behind their clothes almost all the time cause this is a new “place” for them which is not safe to be in

[egophiliac]

ENG PLAYERS I BESEECH YOU

I have been informed that you guys are getting part 4 of episode 7 tomorrow, which means we are FINALLY going to get the official romanization of Revaan's name, somebody please tell me because I need to know what it is.

like, yes, it's probably just Revan/Levan, but look, I'm sitting here with my finger over the button of all these Laverne and Shirley jokes and just waiting for the opportunity to deploy them --

[maroonmused]

“spider-man 2 was robbed” “the game awards are rigged” and only yuri lowenthal was brave enough to raise the discussion of would peter parker and astarion explore each other’s bodies in their respective action adventure/rpg narratives

[serpentface]

Yotici got another redesign (pictured here with tentacles dropped, which would usually be held flat under the body when not in use).

They still have no definitive place in the tree of life besides 'some kinda stem fish lineage that doesn't exist irl', loosely set within the lobe-finned fish. Their beaks are very similar to parrotfish in being formed of fused teeth, which are very tough and accommodate wear from sediment in their diet (mostly consisted of seagrass, but also including kelps/other seaweeds, algae, living corals, some invertebrates). The tentacles are derived from clasper-like reproductive organs and are functional, fairly strong manipulating limbs (though not built for heavy lifting).

They are large, slow moving animals, capable of delicate maneuvering and short bursts of speed but not continual fast pace. Size and community protection provides most of their defense from common predation, though they are very vulnerable to predation from People with Harpoons due to their slow speed and shallow water habitats.

[aroaceleovaldez]

why are PJO characters most consistently measured in scales of Michaels?

Like. this is some of the most specific height information we have out of most characters, besides maybe Percy being an inch shorter than Jason. The Michaels Scale...

[kindlythevoid]

I have read Fellowship of the Ring more times than I have cared to keep count and every time I read Boromir’s, well, possession for lack of a better word, I have read it in fear, in discomfort, in horror, indifferently.

This was, I think, the first time I read it in pity. I looked at all the plans Boromir was making, how he would save his beloved city, how obstinate he was in his belief that the men of Minas Tirith would not be corrupted when wielding the Ring against Sauron —and I felt sad. He’s waving his hands and hollering and part of him is desperate just for the Ring, of course he is, he’s been traveling beside it with no hope for months, but he’s also desperate for hope. He’s desperate for a chance to save his people, save his brother, save his city.

Moreover, every time he calls out the Elves or the Wizards, you have to remember that he doesn’t know them. All he knows is that he traveled almost a full year to get their advice and they send him on, in his eyes, a hopeless venture. The one hope they give him is Aragorn, who promises to return and help save Minas Tirith with him, but even that all changes once Gandalf dies. They come to Lothlorien and of course it’s a welcome break, but they cannot, or maybe in Boromir’s eyes will not, help his people. And once they leave, Aragorn assumes his role as leader of the Fellowship in Gandalf’s stead more permanently and suddenly even that one, brief, uncertain hope of his is gone. Aragorn will follow Frodo. And it’s almost certain that Frodo will not go to Minas Tirith.

So is it any wonder, really, that tired, desperate, hopeless Boromir, out of his realm, out of his depth, already hanging by a thread when he joins the Fellowship and having been gnawed on by the Ring for months upon months afterwards, finally snaps once it’s clear that he will have to return home empty-handed and almost certain that somewhere far away Sauron is capturing the Ring and killing the companions that he had bonded with? Of course part of the Ring is making him lust for power, but it’s also his only “reliable” (in his mind) source of hope left to save his city.

And so I read Boromir’s (intelligent and thought out, mind you) raving and I don’t feel scared for Frodo, not after reading it so many times and knowing what ultimately happens, but sorrow for Boromir.

[wiremotherofficial]

i'm not good at villains because evil always feels so unrealistic to me, so i gotta ask: is half a million dollars a reasonable amount to inspire some serious evil in a character who's otherwise only a regular grade scumbag?

[qiu-yan]

chengxian (jiang cheng x wei wuxian) and zhancheng (jiang cheng x lan wangji) excluded to keep things balanced

up to you when in the timeline the ship happens

[buwheal]

Is it for the same reason that you have doll joints?

[inkdemonapologist]

My BatDR Take That Used To Be Hot But I Left It Out On The Windowsill To Cool So You Should Be Able to Eat It Now Without Burning Your Tongue

its not actually that hot, is what im saying

Anyway my BatDR hot take is that BatDR's story is not fundamentally worse than BatIM with one exception; an exception that, for BatIM, covers a multitude of sins:

BatIM has a theme.

I can't presume the intentions of the creators, but if I had to write an essay on the themes in BatIM, it wouldn't be hard to pick one out: the cost of obsession, or even just, the ruin Joey brought on the studio. In the very first chapter, Henry asks "Joey, what were you doing?" and every single thing in the rest of the game revolves around that central question: what WAS Joey doing? Each audiolog is a snippet of the studio's path to this messed up state; each character you meet is someone ruined by Joey. The major antagonists echo Joey's flaws -- obsession with Bendy as more than a cartoon, obsession with perfection, obsession with fame and greatness and legacy -- but even without that, they're also each a picture of how the lives of people caught in the path of Joey's dream were ruined by it. Bertrum, for example, doesn't match the concept of rubberhose cartoons, but as yet another person screwed over by Joey, he fits the central question of the story, so he feels like he belongs here. Ultimately, in a narrative sense, the Ink Demon isn't the story's monster -- Joey is; the Ink Demon is just the consequence of his reckless ambition.

But what's the theme or central question of BatDR?

You can... try to pick out a theme. There's some promising options, because it feels like the story WANTED a theme, stating its emotional intentions more overtly -- "there's always a choice" to leave the darkness and chose hope; family and the struggle of living in a heavy legacy's shadow; or even just good old mewtwo-brand The Circumstance's Of One's Birth Are Irrelevant, It Is What You Do With The Gift Of Life That Determines Who You Are.

I think, even WITH the clumsy execution of Joey's "arc" and Audrey's lack of real choices, any of those could work about as well as BatIM. But unlike BatIM, the majority of the game doesn't tie in. Joey's tour can be considered relevant -- a picture of the family legacy and the "darkness" that Audrey doesn't yet know she's inheriting -- but like, the audiologs and hints and environment of BatDR are mostly teasing the question of What Is Gent Up To, and the takeover of Gent is detached from Audrey's choices, her family, her legacy, and Gent never really becomes a relevant threat to those things in this game. The Cult of Amok and the Ghost Train have nothing to do with any of these ideas. It might've been neat if Audrey had ever considered, "Did my father really drive all these people insane?", a hint of actually having to wonder about the darkness in her past. Even Wilson only barely brushes against these concepts; he doesn't like Joey and he also is trying to escape his family's heavy legacy, but it doesn't really reflect on his actions and we don't find that last part out until he's about to be dead.

There's also the question Wilson poses of "real" people versus ink creations, and what counts as valid "life." It would be an interesting theme with a lot to build off of in this setting, it ties into Wilson more as Wilson seems to represent the opinion that Inky Things Aren't Really Alive, which could've tied to Audrey (as an ink-person who has yet to accept that part of herself) and maybe given Wilson a reason to think it's fine to sacrifice her, it could've even tied to Gent (who don't even seem to value human life) -- but after Wilson asks the question, it doesn't tie into the direction things go. He smooshes a little Bendy, we see hints of his disregard for Betty, and then everyone continues with their plan to destroy the Ink Demon without any further moral quandaries about inky life.

The thing is, when you compare an element like, say, audiologs, there's a lot of differences you can point to -- but I don't actually think Lacie Benton's audiolog is notably better, taken on its own, than Grace Conway's or Kitty Thompson's, and yet tons of people were intrigued enough to flesh out Lacie. None of them are big plot points or compelling characters on their own; Lacie and Grace both give us a little note on what it's like working in the Studio, and Kitty shares a little bit on how Gent's expansion is affecting people. But when Lacie talks about Bertrum trying to make a creepy animatronic, that ties back into Joey's ill-fated schemes that are the point of the whole story. The question we're asking through the whole game is "what happened here?" so the fandom is interested in who Lacie is and what her life was like and extrapolates a whole person out of a couple sentences. But that's not the question in BatDR -- what has Wilson done to the Cycle and the Demon? Why? Who is Audrey really, and why is she here? Telling us new things about the Studio's fate seems strangely irrelevant to those questions, just an attempt to create a Mystery To Speculate On like the previous game did... but what question you're asking and how it fits into your story's main theme, like, matters. I absolutely believe that one clock animator guy would've been in EVERYONE'S crew if he'd been introduced in BatIM, but the context makes a difference; fleshing him out feels less relevant here.

The explanations of how and why Wilson did everything he did are baffling and handwavey, but in and of itself that's not a worse problem than anything else in the franchise -- I STILL don't understand why the Ink Machine needs pipes in the walls or even how it works, there's no good reason for Sammy to believe the Ink Demon will "set him free," most of Alice's motives don't make sense, etc etc etc. But the thing is that in BatDR, the wibbly bit is the closest thing to a central question we have! Wilson, what were you doing? The theme doesn't really explore or connect to that question, so the explanations that are finally tossed our way feel lacking in a way that BatIM's handwaved elements don't. There's a lot about Joey's motivation in BatIM that we can't know, but the heart of it resonates -- Joey wanted something, he was willing to exploit people to get it, and he became obsessed and prioritised that dream at any cost. We'll weather a thousand logistical inconsistencies if it's got heart.

But all of that said.... to be honest, I don't think Lacie overtly fits that theme anyway. Even, like, Sammy is iffy -- we don't really know what happened to him, only that he didn't used to be made of ink and worship Bendy, and now he does. We assume Joey's nonsense had something to do with what happened to him (though the books later assert his influence was indirect at best), because when there's a pattern, we can fill in the blank. So many fan creators found a place for Lacie, Grant, and Shawn in the cycle as butcher clones or lost ones, so many people imagined that Wally must be the Boris we meet, because that would've fit the pattern, the idea that the point of what we're seeing is the downfall of the studio. It's not actually that BatIM did a great job tying everything together -- it's that BatIM gave us a compelling idea and that was all it took to make everything else SEEM like it could find a place to fit. This is what I mean when I say BatIM's theme covers a multitude of sins. There's a LOT of characters in BatIM that don't make sense. There's a lot of inconsistencies and things that just sort of happen without any real reason. Characters don't really have "arcs" so much as different states they happen to be in at different times. But because there's a central question and the story doesn't wander away from it, our pattern-loving human brains will slot in all the pieces and do all the work to make the story feel at least somewhat coherent.

The things that happened in BatDR aren't a whole lot less coherent than BatIM imo, they just don't tie into a bigger theme or any of the questions the story's asking, making "how do they fit into all this" feel irrelevant, making it easier to forget entire sections and harder to get invested in audiolog characters. I think a lot of the other criticisms people have for BatDR's story are very valid, but I also suspect that if BatDR had a more successful theme/central question, then a lot of its flaws would be easier to overlook -- just like BatIM.

[jeeaark]

I mean.. GG could disguise themselves after being a mindflayer again and try again! But poor GG. Having to learn now to do normal non-mindflayer things again.

And how freaked was Emps there XD

Ha! And enact the same 'Dream Guardian' Scheme that Emps played on Greygold n' friends that caused a rollercoaster of 'to trust or not to trust' issues? Nay! Greygold would be the ever stubborn lil squid and try to show Emps that wielding the truth is a more effective ally-building tactic than disguising as trust-worthy looking folk.

....

....But on the other hand.......

Adventuring around disguised in literal 'dream armor' would be too delightfully irresistible for Greygold. Thank goodness Greygold is proficient in bullshittery enough to explain why they suddenly have armor that only exists in dreams.

And well. At least Greygold would be able to join the 'has a big backstory secret' club within the squad.

But it's fine. Greygold would still try to strategically reveal to the team about their hrm. squid form and hope for the best reaction.

I'm sure there were a lot of "reloads" with this truth-telling strategy.

[purrfectlycontent]

the newest chapter has me thinking about kdj’s relationship with the fourth wall

[namibozsu]

Gluttonous Beast. Their unending hunger has left millions in their wake

[luddlestons]

Orym is that guy who'd wear his work clothes to the club, probably.

Based on this:

with modifications because Orym is actually even shorter than that model, and a collar suits Ash way better than a tie does

their general fashion sense, especially on Ashton's part, is inspired by Just What I Needed, because it's my favorite ashrym fic and I love all the descriptions of Ashton's wardrobe

[astrowarr]

the urge to write a roomies zombie apocalypse au is so strong right now. they're just the Most zombie apocalypse au people EVER like they would make so much sense as a little gang