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good-beanswrites · 9 months ago

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An 0309 drabble for an anon ask I got a bit ago :) Thank you for being patient, I really enjoyed writing this!! It's actually a little moment I've wanted to write since I started Milgram fic, but never got around to it. (I mention his injured eye, but don't actually describe anything)

“Stop moving around so much.”

“Don’t tell me what to do.”

“I mean it. You’ll make things worse.”

Mikoto watched as the intensity in Fuuta’s gaze flickered between fire and fear.

He had a doctor’s kit laid out on his lap. Recently, Shidou had his hands full with Mahiru’s treatments and having intense conversations with Haruka, so Mikoto wanted to give him a break. With none of the injuries actually healing as they should, the prisoners were caught in an endless loop of changing bandages and checking for complications.

Shidou was grateful for the help. Many of the others tolerated Fuuta in the same way they spent only the necessary time around Mikoto. They smiled and placated him, acting like he’d gone mad all of the sudden. Whatever was making the others avoid the two of them, it drew the pair together. Mikoto was finding he enjoyed Fuuta’s company. Something about him was rather… charming.

“Me? You’re the asshole that will make things worse. You’re no doctor! Fuck you.”

Eh, maybe he had gone mad.

He took comfort, at least, in the knowledge that Fuuta was growing more comfortable with him. He sure had a special way of showing it, but Mikoto didn’t brag about being a people-person for nothing – he picked up on the way Fuuta sought him out during the day, pretending to be involved in his own activities. The way he struck up a conversation, then acted as if it had been Mikoto’s idea to come over and bother him.

Therefore it was exciting, though not surprising, when Fuuta allowed Mikoto to help treat his injuries. They had only done it a few times, but today brought a whole new challenge.

“I’m not performing surgery or anything. Shidou said it just needs some basic disinfecting.” He flashed his usual grin. “I have a steady hand – I’m a photographer, you know.”

Aside from Shidou, Fuuta hadn’t allowed a single person to look under his eyepatch.

He remained unamused by Mikoto’s smile. For better or worse, he could always tell when it was forced. “It’s not like I have any proof of that. You could be awful at it, for all I know.”

“First chance I get, I’ll request a camera and prove it. Want me to take a picture of you first?”

“If you haven’t already messed up my face…” Fuuta’s focus was glued to the hand carefully reaching towards him.

Mikoto pouted his lips. “Shidou trusted me enough with this. And you must have, because you agreed earlier. So If it’s not about me… You’re not scared, are you?”

There were some things that Fuuta didn’t stop to see through. He sputtered in surprise. “Hell no!” He lifted his chin, finally taking his attention off Mikoto’s hands. He stared defiantly. “I can take it.”

Mikoto felt a bit guilty for resorting to foul play. But not that guilty. “Good. Now hold still...”

He got right to it. One hand held ginger hair out of the way, while the other pinched the corner of the eyepatch. Fuuta’s good eye darted nervously around the room, avoiding the other's close-leaning face. Mikoto peeled it away swiftly, gently

As a horror movie buff, the injury didn’t faze him in the slightest. As someone who’d grown close to Fuuta recently, he felt a wave of anguish at the sight.

Fuuta squirmed. “It’s nasty, isn’t it…”

Mikoto reached down for some supplies. He considered mustering up a smile and saying there was no need to worry so much, but it would have been pointless. Times like these, it was kind of a relief when someone else could see right through him for a change.

“It looks like it hurts.”

“Tch, I don’t need any pity from you.”

“I was going to say, you hide it well. You’re tougher than the warden gives you credit for.”

His cheeks flushed red. “I – I don’t need any flattery from you either!”

“Don’t need anything from anybody, huh?”

Before he could come up with a retort, he hissed through his teeth in pain.

“Ah, sorry.” Mikoto immediately retracted his hand from where it had been dabbing alcohol onto the injury.

Steeling his expression, he muttered, “it’s fine.”

Mikoto tried again. He made sure to move with even more steadiness, his face drawn up in concentration. He saw Fuuta’s features flinch when he touched him, but he stayed still. The two were silent, now, as Mikoto worked. Leaning his face so close made the short task feel much longer. The reddening in his cheeks didn't subside.

He expected Fuuta to snatch the fresh eyepatch away the moment he unwrapped it – he was shocked that Fuuta let him adjust it into place without a word.

“Alright. You’re all set.” He started packing up the kit.

“Listen, don’t tell the others. About my eye.”

Mikoto squinted. He gestured to the right side of his face. “I hate to break it to you, but the big patch kinda gives you away.”

“You idiot! I just mean, don’t tell them what it looks like.” He pulled his hood down over his hair. “I don’t need everyone trying to steal a look at it like I’m some sort of freakshow.”

“Hey, of course.” Mikoto gave him a smile, the kind they both knew was genuine. “I’ve got you.”

Fuuta nodded. He turned his face away, his fingers lingering over where Mikoto’s had just been. “... And… thanks.”

#milgram #fuuta kajiyama #mikoto kayano #0309 #thank you so much for the request woo!!!#lmao it leans more 'serious intimate' than 'sappy romantic' - i hope thats okay #and yeah! i was actually planning to have a chapter in thermoregulation where yuno treated his eye #but every way i envisioned it wouldnt fit right with the tone of the whole thing #so ive been considering other characters and mikoto works So Well -- i was really glad to finally sit and write it out with him!!#its just... having someone as paranoid and ashamed as fuuta actually letting someone close enough to see/touch his most vulnerable injury..#it Gets me man 😭😭😭#and mikoto is also showing a very open side of himself - he has someone who trusts him despite everything thats going on with him/john #someone he doesnt need to preform for -- someone who truly trusts him #;--;#im torn between picturing the prisoners staying away from mikoto t2 or him self isolating while they all still really like hanging out #i went with the first option here but it changes depending on the fic LOL #anyway i hope you enjoyed!!!!#the two start out sitting really far apart and awkward but by the end of t2 with mikoto treating him regularly they start sitting like that #meme where the girl is putting on the others makeup LOL #drabbles #what if i keep procrastinating on school writing and i just write milgram fic forever and ever huh

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todayisafridaynight · 2 years ago

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It's been wonderful being able to talk about these things for me too! I haven't really had the opportunity since Y7 came out, so I'm positively buzzing. And no worries about the tone of your post about Daigo's article haha, I appreciate it when issues are pointed that I might've missed otherwise since that's at least something actionable.

But I'm obviously not going to stop anyone from venting frustrations with the wiki or with Fandom as a platform; I frequently find myself frustrated too! It's one of the things that keeps people editing the wiki. I'm honestly fine with whatever as long as it's not accusing us of being fujoshi for the billionth time lol, but for better or worse I do like to clarify what we're trying to do if there's any confusion.

Speaking of, Mine's relationship tags are kind of a funny story! So a lot of them have these dotted underlines and question marks, right? You're supposed to be able to hover over underlined terms to see a short definition (on desktop) and click the question mark to see an article with all the definitions on mobile, since hover actions aren't possible on a touchscreen.

But since the article was and still is under construction, Fandom doesn't show the link to logged-out users. So I had no idea it just looks like we're saying the tag is ambiguous lol. It's up now though, so it's hopefully easier to understand what we're trying to do!

I just found it funny I specifically added that feature to reduce confusion. Half the grief we get over Mine's "romantic interest" tag is because people assume we're saying it's mutual (we chose the term to try and avoid the "mutual" connotations of "love interest," but I guess that didn't work out). I also thought it might help with somewhat esoteric tags like "co-parent" (which was put in place for Jo and Arakawa and then I kept thinking of others) and "surrogate son." Turns out it's tough to boil complex relationships down to one term!

I definitely have SO many questions about New Year's Day and I probably always will; for the space of only one night, it's a huge blank. I certainly do have to wonder if shipping Masato off to America was decided then and there. There's a lot that could possibly be expanded on in RGGO (further interactions between Arakawa and Jo included lol), so I've got hope for that too now that we're back to random events. I'd be really interested to see how you'd portray it someday!

Talking about Nakai and Tsutsumi reminded me, Nakai mentioned he read the whole script in a day so he "wouldn't do a disservice to Arakawa or Sawashiro's characters." That kind of stuck out to me precisely because there are so few scenes between them compared to like, Arakawa and Ichi, and they're all relatively low-impact in comparison.

Of course, it could be marketing on account of him and Tsutsumi getting to co-star again, or the scenes could simply have stood out to him more for that reason, or he could've had a different impression of the ratios having read the script rather than played the game. But the part of me that makes me want to go Off The Deep End speculating is kind of wondering if there were other scenes planned?

And absolutely! I'm not able to reblog often because the post editor's been crashing whenever I try to tag my posts, but I hope you know I love your work and I'll support pretty much anything you put out! I'm very excited to share my findings as well.

A lot of it's to do with Mine's relationship to Western culture vs. Japanese culture (his "westabooism," basically), so that's specific to him, but there a lot of interesting concepts and theories in Japanese psychology regarding familial bonds, met and unmet emotional needs. They work as an explanation for his probable feelings of alienation from Japanese culture, but I feel they would make for an interesting lens to examine the Arakawas through as well.

I actually hadn't ever considered the similarity with regard to Mine and Jo's dads, but that makes so much sense! If I were to take it a step further, I think feelings of "abandonment" by their fathers have had long-lasting effects on both them and Masato. Jo we've been talking about, his father was technically still "there," but he wasn't in his corner, which feels much the same as abandonment to a child.

I think Mine's internalized a lot of the same feelings even though his father never meant to abandon him (I guess Jo's may not have, necessarily; alcoholism can destroy a family whether the individual wants that to happen or not). Like, unfairness, displacement, lack of control, the loss of the only support you have and so on. I think dwelling on that is what sent Mine's mental state spiraling, and what made it imperative to just believe Daigo was "dead" to try and move on as soon as possible. He didn't want to be hurt the same way again.

It's also probably what he was projecting in his ridiculous villain speech during The Orphanage Scene; the reason offering kids support in the way Kiryu does is a form of "victimization" in his eyes, at that moment, is because that support can be ripped away from you at any time. The scene is kind of hilarious to me because it's like, "okay we need Mine to have a kick-the-dog moment, his actions have been too understandable," but I do get it from that angle.

Similarly, I think those feelings of abandonment are why Arakawa faces the brunt of Aoki's abuse, because it's like, "YOUR negligence is why I had to go through all of that." So I get why Jo, like your sister, wouldn't want the finger pointed at him, but at the same time… damn. Perhaps if Arakawa had never had that talk with Masato, things might've been different. I get the impression he wouldn't be able to endure keeping things to himself for as long as Jo, though, given things like the letter he sent Ichi in prison.

Oh, yeah, Jo is CRAZY protective of Masato too! "If anything happens to him, killing you a thousand times would be insufficient!" I think part of his overreaction to having Masato's money is also that if Ichi can't listen to orders that fundamental, who's to say he listened to the orders to keep Masato safe? I guess if you see Ichiban as incompetent to the point of almost being a malicious actor, you might think that.

I'm sooo so glad you've noticed the rest of those similarities haha, I've been rotating them around in my brain like a cube for ages. A Venn diagram would be so fun to see! That's such an insightful look at the differences between Mine and Jo's offices too. I was a little confused about the placement of the social spaces, or even that they're there, but if you look at it as clearly separate from his personal spaces, it does make sense.

Also, not to harp on the books in the offices too much, but I compared the textures a little earlier. Mine's are basically all (very expensive) encyclopedias and language phrasebooks in English, Italian, French, and German, in contrast to Jo's discrete hardcovers and series of art history books. They're probably all stock assets lol, but I think they're surprisingly good fits; Mine dumping considerable time, money, and energy into his fascination with Western culture and Jo being the type to not want people to know what he's reading totally works for me.

But yes! It's kind of funny, because Yokoyama wasn't much of a Mine fan in his early days, but I hope he and the others keep on writing characters like him. I think of it as Mine's "legacy" in a series where past characters aren't acknowledged too often; the most I can recall are that Hakuho mention in 4 and the fencing around the Touto roof perimeter.

Speaking of, I love Mine's missed shots in the finale specifically because he's an excellent marksman in his Okinawa character story. Why? How? Who Knows, He's Perfect. (Probably not as good of a shot as Daigo though lol)

And yeahhh, there are other interviews, but it ain't the same! It was the most in-depth one I know of. I think this is one of the only remnants, and I shall entrust it to you.

But yes, exactly! And I'm also glad Y7 introduced more people to them (myself included), Tsutsumi's my favorite actor of all time and Nakai's brilliant. They make a great combi! Of the things I've seen where they co-star, I think Princess Toyotomi and Hero SP are both solid; the latter is a special for a longer show, but I honestly didn't even notice lol. Musashi I wasn't personally able to get through even though I've read the book, so I'm not sure how it plays out between them.

Also I DIDN'T KNOW TORU DIED IN PURE??? That came out of nowhere oh my god T___T But if you're ever looking for anything rare, feel free to ask! I might know a guy (gender neutral) with a stash, Fly, Daddy, Fly included.

OH MAN MINE'S WIKI ENTRY I've definitely made my opinions about it known, but now knowing the truth behind it it's kind of funny and still so unfortunate. I'd almost want to recommend a section dedicated to the topic since it's such an integral part of his character, though I also understand wanting to keep the wiki strictly to factual information and to exclude speculation (or "speculation" anyhow- it's definitely more of a concrete situation, especially going off of the information provided in your pinned post on the topic. If anything, that sort of information would belong to the "Trivia" tab wouldn't it- but again, it's such a deep situation it can't really be summarized in one or two sentences) and the topic being too niche to have a page dedicated to it. It's nice to know that the subject isn't trying to be brushed under the rug though and it's just a matter of awkward formatting/incomplete work!

Furthermore on The New Years Event, I would LOVE RGGO to expand on the topic since they've been so liberal with the stories they make and the depth those stories add to the characters. Honestly, I was expecting Masato's card to have that as its accompanying character story, so it's unfortunate that he doesn't get it or any story as far as I'm aware (or maybe he does have one and my poor pull luck has just prevented me from getting the card to find out myself, but I've looked as much as I could and couldn't find an upload of it). Oh well, I guess it's the old "if you want something done you gotta do it yourself-" not that anything I could make could ever be up to scratch, so I'm glad I do have people interested in what I have in mind :)

About Nakai, I wouldn't feel wrong trying to accredit his comment to a time before he knew the full plot or saw the full game and was just debriefed on the general story/character relationships, and I also wouldn't put it past RGG to have deleted scenes/ideas (if those do exist, RGG please let me in your vault I'd like to take a peak...)!

The psychology of Mine is another topic I've been wanting to officially tackle for a while now, so I'm glad I have this chance to share some of what I have mental bullet points for.

Moreover, Mine's dad and how he "left" Mine undeniably impacted him significantly beyond physically leaving him alone, and it definitely manifests in The Orphanage Scene and his idea that killing Daigo would be "putting him out of his misery". In those instances, he sees Daigo and the orphans as victims of an unfair reality, Daigo being comatose, and the orphans having the endure the struggles of being orphans (and that added-on, projected anxiety that their comfortable lives now could vanish at any second like it did for Mine). Mine's mustache-twirling villainy is funny for its absurdity, but I also genuinely appreciate it since it lets us peak into his warps philosophy better. It doesn't justify his actions by any means, but it explains to us why he can justify his actions as from a place of love or pity as opposed to thoughtless evil.

To add on, Mine's relationship with his father, from what we're allowed to gather, was healthy and positive. Because of their positive relationship, the removal of such adds credence as to why Mine's desperate to get that love again. It especially makes sense considering Japan's horrendous attitude and negligence towards orphaned children that was even demonstrated during Mine's childhood while his father was alive.

And as an inverse aside, Jo's relationship with his dad was toxic, whether it was due to blatant abuse or combined negligence. It's fair to assume that Jo never got to experience genuine, secure love growing up, so as a result, it's not something he actively seeks out. He's been without it long enough that it's not something he necessarily craves like Mine who used to have it until it was taken from him.

Masato certainly makes it clear he felt isolated despite the efforts Jo and Arakawa repeatedly went through for him, and it's apparent it's an unfortunate side affect of internalized ableism. It definitely doesn't help anyone's case that Masato had seemingly been informed of the night of his birthday's events (from Arakawa's point of view, obviously), and it's clear that knowledge gives ammunition as to why he resents him.

You're right on Jo potentially seeing Ichi as a bad actor, it's not as if he has disdain for him for no reason! Like even if Ichiban hadn't taken Masato's money the way Jo could have imagined, the idea that Ichi can't be responsible in one avenue can easily lead back to Ichi having the potential to look after Masato, especially when he seems to be the one who predominately looks after him when he's tasked to.

I've already got my program open to make my little chart and have my reference pictures ready, so hopefully I can have that silly thing out soon haha- I'm glad you're interested in seeing it, and I hope other people will like to see it too! Jo and Mine really are my favorite antagonists, so it's funny (and I guess not surprising) that they have parallels to them.

To add on to that though, I think it's fun to look at the extra details, no matter how small; I'm probably more happy than I should be that you looked at their office's books, but I can't help be a fan of the details you found (whether they're generic models or not, I'm running with them- I've done more with less before lmao)! Mine having language books is definitely in-line with his interests, but Jo having art history books is weirdly endearing (and dare I say another point for "these are the same picture" comparing it to Mine's own love for art). Jo being so private to the point of blocking out the binds of the books he owns is so accurate to him and his secrecy, and the concept that he likes to read about art in his spare time is a new favorite concept for me.

Mine really isn't acknowledged much after 4; in comparison to Ryuji and Nishiki, he's remembered throughout the series the least (you can argue the same for Ryuji, but considering he gets a whole new life in Dead Souls, I think it's fair to say that makes up for the mainline series forgetting about him. Though I guess the same could be Mine getting a prominent role as Hijikata in Ishin... Definitely not as cool of a spot as to be a playable protagonist with a machine gun arm if I'm honest). In that, it's great that his likelihood can exist in future characters, and I hope they continue the trend of phenomenal antagonists in LaD8 and onward!

I'm eternally grateful for this frame you've gifted me thank you so much- Nakai's smile is such a blessing honestly, I'm glad if anything survived from the interview it can be this shot at least.

I've got Princess Toyotomi and Hero SP added to my watch list, DEFINITELY something I'll be excited to check out as a reward once I have all my important business taken care of this week! Honestly, I haven't seen Musashi either: while I was looking through their filmography I saw it was a project they did, but I've always been bad at watching long series so I didn't take the time to see their performance together.

For things I have seen though... yeah he dies SORRY IF THAT WAS HOW YOU FOUND OUT </3</3 Honestly I didn't expect myself to love the series as much as I did (admittedly it was predominately because of the leads and their relationship), but when it happened I was both- dare I say crushed- a little humored a little funny in a dark-comedy way.

And if you do have access to harder-to-get films, I'd absolutely be interested in hearing about it. One of Nakai's movies Good Morning Show has been haunting me for weeks: it sounds like such a fun movie yet I can't find it anywhere </3

#long post #fave #i have to fave these now because i be putting my essay notes in these OOPSIE #snap chats #the state of the arakawas is probably one of my favorite things to explain to people BECAUSE its so complicated #i showed my sister the ending of Y7 despite her not knowing anything about the series since i was talking about how upset it made me #and i tried to explain the whole family situation since it was relevent #just... yeah so the guy in blue was put in a locker by his dad and then he got saved by another guy #and he did that because he thought the guy in blue was his kid- who is actually the guy in red #because /his/ mom put him in a locker because of yakuza business and she couldnt take care of him #but now dad-who-put-a-baby-in-a-locker came back so now he co-parents alongside the guy who took his baby #but theyre not together they just. raise 'their' kid but the other guy doesn't know that his co-parent is the /actual/ dad #i know i already made a parody of it but it genuinely has the set up to some goofy slice-of-life manga i love it ☠️☠️#its SO funny to try to explain its easy to understand if you put it down on paper or write it out but to verbally do it 😭☠️☠️#moving on tho i'd love to know more about that japanese psychology bit #im asian myself and tho obviously not all asian cultures are the same they overlap #so im curious to see if i can recognize any of the issues i notice in my own culture with that which can be applied to the arakawas + mine #the bit on his western idolization is something im interested in too ! esp based on the books in his office it could be an interestin topic #man i just keep looking at that interview picture and it really does have the energy of a proud dad and his son #maybe thats just because nakai's smile reminds me of my dads #but yes yes thank you again for writing it ! i know i keep saying it but i cant stress how nice it is to take this extensively #especially because not only do i learn a bit more and learn some details i missed but it also helps me expand my own thoughts #that i hope to make into bigger posts #on that note though i have one more quick post to make after this one then i have to tend to some of that Important Business..#and thank you for being a supporter of me and my work ! sometimes i get a bit self conscious about it #i know i post a lot too and i never expect people to interact with my things so im grateful for the knowledge you enjoy it !

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