#that love comes in all forms/places

[blitzbuckz]

I can't help but marvel over this episode over and over. they seriously outdone themselves with every detail, and it really gives you that powerful impact- as if you're going through the scenes with HB's characters. they've improved so much since Season 1 and if this is Season 2's quality- it's going to be CINEMATIC to watch Season 3. many many props to the animators of this show!!! i fucking love you guys to Hell and back!!!!

[poorly-drawn-mdzs]

you are so whimsical i qant to check out this mdzs (..??) because of your whimsical nature thank you sorry im very high and your art moved me emotionally

This is simultaneously the sweetest and funniest thing someone has sent me, thank you.

[fauvester]

chains of love got a hold on me..

[sonknuxadow]

i know murder of sonic isnt really meant to be taken seriously or treated as canon but i do think its funny that shadow only went to sonics birthday party in generations because rouge made him but seemingly willingly went to amys birthday party in murder of sonic and even got her a gift and everything

[thenewgirl76]

It starts off more or less the same. Justice League learns of both the past and present Ghost King, Justice League with JLD's reluctant help summons Ghost King of present hoping to gain another supernatural ally. Justice League learns said king is a child managing all his responsibilities by the skin of his teeth, and offers to help him however they can.

It goes a little differently while becoming acquainted with some of King Phantom's most trusted associates. Specifically when it's Wonder Woman's turn to see how well she holds up against a ghostly opponent with the proper counter measures by sparring with Wulf.

Everything's going smoothly up until Wulf accidently nicks Diana with his claws. It takes so many assurances to let the young king know of any changes or side effects she experiences just to keep him from spiraling.

Not wanting to further burden him Diana does the complete opposite, much to everyone's horror. She doesn't call on Phantom when she becomes overwhelmed by her now heightened senses, especially the hearing and smelling. She refuses to call him when she develops the rather mortifying habit of licking Batman or Superman's face along with anyone else she holds fondness for.

She won't inform him when she keeps picking fights with Hawk Woman and Vixen. And she digs her heels in even further when she starts scarfing down concerning quantities of meat.

She only becomes convinced to let King Phantom know of her predicament when Flash purposely provokes her into exhibiting food aggression by bringing his hand too close to one of the many steak sandwiches on her plate. Once the horrifying realization that she almost literally bit his hand off, and afterwards threatened to leave the speedster with a bloody stump if he ever touched her food again hits her, Diana finally relents and calls up Phantom. Much to the rest of the League's relief.

[extravagav]

AND WE JUST DONT TALK ABOUT THIS?!?!?!!????

[the-travelling-witch]

𝐎𝐂 𝐒𝐇𝐄𝐍𝐀𝐍𝐈𝐆𝐀𝐍𝐒 (𝐟𝐭. 𝐦𝐨𝐨𝐭𝐬' 𝐨𝐜𝐬)

summary: i was plagued by the visions of my twst ocs interacting with my moots’ ocs, so here we are (aka i had a sudden burst of motivation to write about them interacting and now i'm very nervous to post this)

characters: cassandra, selene, angelica, carmilla (my ocs); @crystallizsch’s yuusha and yuuna, @viperbunnies’s oz (ft. yuudai), @anbaisai’s mayu

warnings: bullying (oz's part); jamil slander bc i love him <3 (all parts)

a/n: if i ever manifest in your dms with cryptic questions about your ocs, be not afraid, just answer them :3c (also i need to set up my oc directory and finish some intros fr)

twisted wonderland masterlist

CASS + YUUSHA + YUUNA

The sun was still high and clear in the sky as Yuusha made her way towards Ramshackle. Most students had already either returned to their dorm by this time or were still goofing off with their friends, sparing her any unnecessary run-ins with any of the college’s troublemakers. But, at NRC, a day could only stay peaceful for so long. When she passed by the mirror chamber, her phone vibrated.

Ramshackle Support Group 

yuuna: @.yuusha be careful when you come back to the dorm yuuna: the stairs to the second floor caved in again yuusha: i’m still close to the school, i’ll go talk to crowley about it Cass: Wait for me, I’d also like to have a chat with the Headmage. yuusha: we’re not killing him Cass: Not even a little?

A few hours later, with the sun already far behind the horizon, the three girls fell onto Ramshackle’s rickety couches in exhaustion. Crowley had very generously provided them with funds to purchase supplies for repairing the stairs, but had otherwise not lifted a single clawed finger. Likewise, Grim was nowhere to be seen when he heard of physical labour.

“So,” Cass broke the silence, lifting her head from a cushion, “when are we going to ask Kalim for help instead of that useless weirdo?”

“We can’t just go and mooch off Kalim just because he’s rich,” Yuusha interjected, rolling over and settling into a more comfortable position at the other end of the sofa.

“Why not? Every other student in this school seems to be absolutely loaded. We, on the other hand…” Cass fished out a pillow under her golden locks and demonstrably pulled open the entire seam by a loose thread. “It’s not like Kalim would even notice.”

“Well, by that standard,” Yuuna chimed up while straightening out the bow in their hair, “why don’t you go ask Leona, Cass? I’m sure he’d be more than willing to help you out.”

“Yeah right, and next you know Azul will start handing out freebies,” the blonde snorted. Discarding the thread between her fingers on the coffee table, she started fiddling with the frazzled pillow cover instead. “Why are you bringing him up anyway? Aren’t Idia or Malleus or Vil just as rich?”

Her dorm mates exchanged knowing looks before Yuusha tilted her head towards Cassandra again with a grin. “Oh c’mon, we both have eyes you know.”

“And I’m not sure if those are working correctly.”

“Why deny it?” Yuuna giggled, taking a sip from the mug cradled between their hands. “Sure, Leona’s got an attitude problem and is generally unpleasant, but it could be worse. Probably.”

“You’re imagining things, why would I—“ Breaking herself off with a sharp exhale, Cass pulled the seam taught between her hands. “I’d rather throw myself headfirst into a pit of horned serpents than ask that ass for a favour.”

“Mhm, I’m sure you’d like to ask that ass something else instead,” Yuusha gleefully joined in the teasing. A second later a certain cushion hit her square in the chest, which didn’t deter her. “Or are you saying you decided to join Jack’s morning run, which just so happens to end at Savanaclaw’s morning practice, with no ulterior motive?”

“It certainly wasn’t so I could see Leona more! But anyway, since I already brought up snakes just now,” Cass started, turning her bright eyes on Yuusha. “Why don’t we talk about what I saw when passing by the courtyard this afternoon?”

With a telling glance towards Yuuna, who sat curled up in their armchair now, Cass added, “Involving a certain Vice Housewarden.”

“Oh my god! Did you come home late because you were meeting with Jamil?” There was genuine excitement in Yuuna’s voice as they perked up where they sat. “You gotta spill the beans now.”

“Only if a certain someone spills the tea on her and a certain lion.” The pillow flew back towards Cass.

“There’s nothing to spill here,” Cass retorted, catching the projectile easily.

“Oh right, by the same chance Grim will pass the next potions exam.”

“I noticed you didn’t deny that there was something going on between the two of you.”

“Wouldn’t you like to know?”

“Yes!”

“Both of us actually!!”

It was a long night at Ramshackle. (Some say they’re still debating their terrible taste in men to this day.)

SELENE + ANGELICA + OZ (ft. Yuudai)

Of course this would happen to him of all people. If anyone was unlucky enough to accidentally delete the message stating where the film research club would be meeting and then miss Yuudai, who had forgotten his phone at the dorm that day, by a few minutes, of course it would be him. And though he knew better, when Oz was running all over campus trying to find the prefect, he started hoping to run into someone who could point him in the right direction. Which was when he quite literally ran into magift players on their way home from a gruelling practice and looking to blow off some steam. 

“Tch, I thought I smelled another beastman around,” one of them scoffed as they started crowding around Oz, making him scrunch his nose in distaste. “Turns out it was just this little runt.”

“Yer always hoppin’ all over the place, aren’t ya?” The one on the left joined in, laughing as he started jabbing his finger into Oz’s birthmark. “Why don’t ya show us a trick, ya little freak?”

“Look who’s talking.” A clear voice cut through the air. Over the guys’ shoulders Oz could spot green hair and a pair of orange antennae. Selene looked entirely unimpressed by the scene she was witnessing. The dark-skinned girl walking next to her didn’t look any happier either. “The only freaks I’m seeing are the giant idiots running their mouths for no reason. Are you having fun only picking on people smaller than you?”

“Ha? You got some kind of problem, you bug-legged freak?”

“Oh, no, you’re the only ones with some kind of problem here. Your vernacular for example,” Selene waved them off. Her voice made it clear that she was completely over this conversation and considered talking to them a waste of her time. Slipping a phial out of her pockets, she swirled its luminescent contents around with a pensive look on her face before fixing her gaze on the magift players again. “Since you never pick on anyone your size maybe I should shrink you down to the size of mice? I need to test this one anyway…”

Seeing the seriousness in her expression the guys urgently whispered between each other before deciding to scram but not without hurling a few more insults at the Pomefiore student. In response, Selene only gave them a meaningful look and her lip curled slightly at the corner.

“If I was you, I’d be careful with the cafeteria food for the next few days. Who knows what could accidentally slip in there.”

With the athletes out of sight, Oz’s shoulders finally dropped their tension and he heaved a sigh as he approached the two girls. By now, the potion had already vanished somewhere behind the width of Selene’s flowy sleeves.

“Thanks for stepping in,” Oz started, before adding a little more hesitantly, “but you wouldn’t actually spike their food, right?”

“It’s true that I’ll eventually have to give this potion to a person but I’m still perfecting the ratio of the ingredients,” Selene shrugged nonchalantly. Seeing Oz’s unconvinced expression she added with a small smile, “As long as they think there’s the chance that I would, it’s sufficient. Some people would call human experimentation at this stage unethical. And frankly, that’s more paperwork than I care to bother with, so don’t worry about it.“

“‘Those people’ are called an ethics committee, Sel, for the seven’s sake. Also quit making such jokes or Oz will think you’re being serious about it,” Angelica spoke up, exasperation and fondness mixing in her tone as she smiled at her girlfriend. As she shook her head, the star-shaped buns on her head bobbed, making various accessories in her hair glitter like stars in the night sky. Then she turned her dark eyes on Oz. “Anyway, that aside, are you okay?”

“Just a bit shaken up, but otherwise I’m fine,” he said. Absent-mindedly, one of his gloved hands traced the spot where the guy had poked him but Selene’s dual-coloured eyes caught on to the movement. Digging through her purse, she procured a compact mirror and concealer.

“Your make-up came off a little. If it makes you more comfortable, you can touch it up. It won’t be perfect but our teint is similar enough for it to pass.” Holding the utensils out to him, Oz took them from her. “The cushion’s unused if that’s what you’re worried about.”

“Oh no, that’s not it.” Considering just leaving it at that, Oz trailed off before exhaling deeply. From all the brief times he’d talked to Angelica and Selene, he didn’t think they’d make fun of him for what he was about to say, so he plucked up his courage. “It just feels a little silly sometimes that I care so much about something like a birthmark.”

The girls exchanged a quick glance before Angelica smiled at him warmly, reaching out to hold the concealer while Oz applied it in the mirror. “I don’t think it’s silly at all, if that helps you.”

“I agree,” Selene nodded, adjusting her glasses afterwards. “We all have traits we feel insecure about, especially if others have commented unfavourably on them in the past. Some days we feel more comfortable showing them and on others we’d rather hide them from view. I think most people feel like that.”

When she took the make-up from him again, Oz couldn’t help but notice the pink colour staining her arms from the tips of her fingers to her elbow. He obviously had known it was there, but hadn’t paid it much mind up until now. Something told him Selene had personal experience in the matter as well.

“If you don’t mind me asking,” Angelica spoke up again, “what happened earlier anyway? I find it hard to imagine that you wronged them somehow.”

“Oh!” Oz suddenly remembered the club meet he had to get to, so he very quickly explained his problem to the couple, who listened attentively even as he nervously thumped his foot and nearly bit his tongue. “So just when I started hoping to find anyone from the film research club, I ran into them instead.”

“Well, you found someone who can help you in the end after all. Though we’re not from the film club, Selene has something she wants to ask Vil, so we were actually just on our way to meet them.” The Ignihyde student’s voice was so light and welcoming as she spoke, it was hard to imagine she actually went to NRC. “If you want to, you can accompany us.”

“That would be a big help,” Oz took her up on the offer. 

Soon enough, the late afternoon was filled with the usual complaints levelled at teachers and classmates. Selene described how she had passed by the first year’s botany class on mandrakes recently and had nearly had a heart attack because she had thought she heard one of the plants scream, but it had turned out to be Sebek instead. The art teacher had once nearly tossed out Azul’s assignment because they hadn’t recognised it as a finished painting, Oz told them. Angelica recalled how, in her first year, they had had joint potions classes with the third years once and she had almost passed away when she was partnered up with Leona, only to barely catch his head from nodding off into the potion.

“Looks like we still made it in time,” Angelica sighed in relief as they spotted Vil assigning tasks from a distance. Turning to Oz with a smile, she brushed a stray coil out of her face. “It was fun talking to you. Makes me wonder why we haven’t interacted more before, despite all of us being second years.”

“I don’t think that’s on either of us,” Selene interjected, her antennae and the green-pink moth wings on her back fluttering in the evening breeze. “It probably has something to do with the fact that Oz hangs out with Jamil a lot and that guy has always been giving me the widest berth possible.”

“Ah… Please don’t hold it against him,” Oz tried to defend the vice housewarden, knowing how he already reacted to bugs the size of his finger. While wondering what else he could say, he heard his name being called. “Well, I’ll see you around then. And thank you again for everything.”

“You’re very welcome. And good luck with those photos!” Angelica waved him goodbye as the two made their way over to Pomefiore’s housewarden.

Selene only elegantly tilted her head down as they parted but still left him with a friendly “À bientôt.”

In the meantime, Yuudai had made his way over to him, camera already hanging around his neck as he’d no doubt gone through most of the preparations already. Despite that, he still grinned at the sophomore.

“Oz, there you are. I was already worried you had forgotten that we’re helping Vil today.”

“How could anyone possibly forget that?” Scratching his head, he decided to gloss over most of what had happened. “I just got held up a little. Anyway, what can I help you with?”

CARMILLA + MAYU

“Mayu! Just the person I was looking for~”

Looking over her shoulder for the sweet voice calling her name to find the hallway completely deserted, Mayu shook her head and turned back in the direction she was going. Only to nearly jump out of her skin as she came face to face with a pair of sharp, teal eyes.

“Sorry, did I startle you? That wasn’t my intention,” Carmilla cooed, not sounding all that sorry. The ghostly flames around her flickered mischievously as the fae fell into step next to her. “You were on your way somewhere, weren’t you? Why don’t we walk while we talk, hm? It’s been a while since we last got to chat, how are you doing? Nobody’s giving you any trouble, right?”

“Oh uhm, I’m doing fine and everyone’s very nice to me. Thank you for the concern,” Mayu answered, giving Carmilla a small smile. As they continued towards the library, the prefect fiddled with her cuff sleeves as she hesitated to say what was on her mind, before conceding. “Actually, I’m struggling with Ancient Curses at the moment. I just never seem to get them right.”

“Ancient curses, huh? I’m quite good at them, but so’s Jamil if I remember correctly.” Casting a studying glance at the girl next to her, Carmilla went on smoothly. “Haven’t you asked him for help before? I’m sure he won’t try to weasel himself out of tutoring if it’s you.”

“I did think about it,” Mayu admitted with a sigh, “but he’s been so busy lately, even more so than usual. And I don’t want to bother him.”

A gasp echoed around the hallway as Carmilla halted in her tracks at a crossroad, head whipping around to the younger girl next to her. It made Mayu stop, too, and look at her curiously. 

“Does that mean he hasn’t even been making time for you?” The fox’s usually playful expression had shifted, regarding her with eyes that had softened around the corner in sympathy. 

“No! It’s not–” Mayu immediately piped up, holding her hands up in defence. How did they end up talking about her and Jamil in the first place? “I know that he does try to make as much time for me as possible. He just has a lot on his plate at the moment.”

“Oh dear, that won’t do. Tell you what, I actually came here to ask if you want to take some clothes off my hands.” Procuring two bags stuffed full with fabrics out of thin air, the idol held them out for her to take. “They’re all products from brand deals that aren’t really my style or colour, but I thought they might look cute on you. Especially since you came here without anything you could call a wardrobe. If you end up not liking them, you can just give them back to me, I don’t want you thinking I’m just dumping my old clothes on you.”

“Oh, that’s too kind of you, Carmilla,” Mayu exclaimed, pleasantly surprised by the weighted bags now dangling off her arm. Running her fingers over the soft material lying on top, it reminded her of the comfy hoodies she regularly ‘borrowed’ from a certain someone. “I can’t wait to try them on.”

“Don’t mention it. Normally I’d just leave it at that but considering what you just told me, you should totally wear them the next time you go out with Jamil! In fact, why don’t you just ask him out the next time you see him?” And just like that, all worry was erased from Carmilla’s face and her sunshiney smile was back on as she curled a pink strand around her manicured finger. “Personally I don’t get what you see in the guy at all, but I do commend the charity work. Plus, as you said, he could reaaallllyy use a break~”

“Hm, I don’t know about asking him out all of a sudden,” Mayu contemplated, her dark eyes trailing over the bricks in the walls as she considered it. “But I would like to do something nice for him.”

“I totally support it! Oh, actually, that reminds me! There’s an upcoming festival in Foothill town, celebrating the new year. It’s always super cute and scenic.” As Carmilla spoke, the air around them filled with magic before displaying luminous scenes of people mingling in the streets of the quaint town, various foods and items in hand as the night sky was illuminated by fireworks. “You should really go and experience it for yourself. Can’t let an opportunity like this pass you by, right?”

“Right,” the prefect echoed as she watched the last wisps of the illusion fizzle out into nothingness. With newfound determination, she fixed her big eyes on the fae again. “Thank you so much, Carmilla. For everything.”

“Oh please, I hardly did anything. And about the clothes and the festival,” she leaned towards Mayu with a conspiratorial twinkle in her eyes, “let’s keep it a secret between the two of us, no need to credit me. Consider it my good deed of the day.”

As Mayu nodded, albeit a little confused by the request, Carmilla’s ears twitched at the sound of a familiar set of agitated footsteps. Feigning surprise as she looked down at the time of her phone, she gave the younger girl an apologetic smile.

“I guess that’s my cue to leave. It was fun catching up, we should really do it more often. For now, though, you’ll have to excuse me.” Slinking past Mayu with a wink, the soft fur of Carmilla’s tail brushed against her uniform as the pink fox disappeared the same way she had spontaneously showed up earlier. “Toodles~”

Hand half-raised to wave at the now empty hallway, Mayu took a second to process what had just happened, from beginning to end. The bags in her hand corroborated that she hadn’t just imagined it and when she looked up any events that would soon happen in Foothill Town, the festival was there too. With a shake of her head, Mayu wrote it off as just another one of NRC’s daily occurrences. Just then, someone else rounded the corner. 

“Prefect, what are you doing here?”

“Oh Jamil, hi. I was on my way to the library to look for books on ancient curses.”

“Ancient curses? I still have some notes I could lend you from my first year…”

Carmilla only caught the beginning of their conversation as it trailed off in the distance. Mayu was right when she said Jamil could do with a break. It had gotten to a point where seeing him in the morning started putting her on edge too and it made her fur stand on end. Especially when it affected the other students in the dorm as well. Palpable tension and all that. Needless to say, something had to be done about it if Carmilla wanted to go back to some relaxing peace and quiet.

No harm done by pulling a few strings if placating their vice housewarden also benefited the prefect, right?~

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[afterlife-2004]

Reminds me of “The World Was Wide Enough”, a song from the musical, Hamilton!

[aquanutart]

I absolutely LOVE the Squirtle/Wartortle illustrations by kantaro in Pokemon 151!

The Squirtle jumping so joyfully from the rock into the ocean, the colors are STUNNING! I love the contrast of the Squirtle's aqua blue framed in the vivid orange sky, the soft bit of blue reflecting in its shell and its tail just catching the sun, how little and squishy its body looks as it launches itself towards the water with such tremendous excitement!

The lineless style of the background gives me the feel of a travel poster and I sense the tropical environment around it from the rocks and trees framing the corners, the waterfall splashing with as much energy as the Squirtle!

The layered blues on the surface of the water and the bubbles rising at the corner make me FEEL the liquid rising to meet the Squirtle--I can just feel how the next moment it's going to break through and be immersed in a cool island swim!

And the Wartortle running along the sunset beach, this is somehow everything I always imagined for Wartortle! I adore the way the rich purple melts into the warm red/orange sky, the matching purple clouds and shadows in the foreground, and how the dimming sunlight glows red on Wartortle's deep blues!

I love how the yellow and orange of the sky illuminate the lapping waves, I can just feel the gentle motion of the sea at dusk. The aqua color of the ocean matches Wartortle's ears and tail and sets off the red-orange sand, I just love how the colors are here!

Wartortle looks so round and squishy, I love its happiness as it goes frolicking through the shallows, chasing the bubbles caught in the setting sun! The shine and deep shadow on its shell give it an almost jewel texture like real tortoise shell; I love the silhouetted splash Wartortle leaves as it goes running across the shore. It's so full of energy and delight at the end of a gorgeous day! The colors in these are SO vivid and harmonized and the style is so cute and bursting with energy and joy. I just LOVE it (also Squirtle is my starter)

[pinkopaqued]

for what its worth i no longer have the tumblr app on my phone and my chrome no longer automatically opens to it so uh? Idk maybe im not coming back

[meredoubt]

"Ingellvar not thinking about Lace Harding every second" challenge: failed constantly, frequently, stubbornly, and often!

[niuxita21]

Like Water for Chocolate is the female-centric Mexican period drama I didn't know I needed in my life. Even if I hadn't read and loved the book and weren't completely mind-blown by the fact that it is EXACTLY what imagined, it's still just the kind of visually stunning Bridgerton vibe (with a dash of revolutionary history to keep it grounded) that I always thoroughly enjoy.

That said... IDK what I'm more weirded out by: 1) how young Tita looks given how sexual the book gets at times or 2) how VIOLENTLY ATTRACTED I am to Irene Azuela as Mamá Elena. OMG. If you had told this to my 16-year-old baby lesbian self when she was reading the book and horrified by how awful her character was, her little head would have exploded lmao. Life is weird and wonderful sometimes.

[silverwhittlingknife]

I noticed something in a lot of your Dick and Tim fics. It's probably so obvious, but you always write that Tim is watching Dick. In your newest one, Tim's watching Dick, in The Return Tim's watching Dick, and you even write that Tim is always watching him. Is Tim trying to read Dick? Trying to understand? Or does he understand him by watching? What is he trying to figure out by watching Dick? What does that say about Tim? I really hope this is intentional lmao because I would be embarrassed. Maybe this is just something so obvious that I'm just getting now.

YES IT’S ON PURPOSE <333 Anon. Anon. I'm so sorry this answer took forever, but listen, this was a really delightful ask <333 I think about this a lot.  I really love origin stories—I like stories that resonate through a character’s history. 

And for me, a whole lot of what interests me about Dick and Tim is that theme of watching and being watched. Seeing and being seen.

"Watch me on the trapeze, Tim. I'm going to do my act...'specially for you." | "Timmy, don't look." | "I turned away... I couldn't watch. Then I heard you crying and I turned back... I'm sorry, Dick. I didn't want to hurt you by telling you all this." Dick's watching me. Gauging my reactions. (Tim watching Dick watching Tim!) | "I'm taking off the blindfold." "No!" | "I can't see him. You can't see him. But I know Robin. And Robin's always there when you need him." | I love that kid. Too much to let him see me like this. (But Tim spots him anyway.)

Spotlights and lighthouses and cameras and photographs. Blindness and vision and masks and detective work and trust.

I'm going to try to be coherent about this but it's gonna be incoherent sdfsf BUT I'M GOING TO TRY so. Below the cut, a really long grab-bag of my rambling on vision and watchers and watching.

Tim + watching / Dick + being watched / different dynamics

Tim's origin story

Being watched goes with vulnerability/exposure

Incomplete list of moments with Dick and Tim and vision

Tim + watching

The first time we see Tim's face in LPoD: a close-up on his eyes looking for Dick, a close-up on his eyes at the moment that he sees Dick, a pullback to his face at the moment of recognition, a pullback to his face + his camera (you could maybe even argue that Tim comes into existence at the moment that he sees Dick, like, conceptually. the act of seeing is his defining characteristic. it is the thing that makes his character happen. he is the kid who's watching.)

Tim's a very vision-centric character: he's first introduced as a camera, then as a pair of binoculars, then as a pair of eyes. His whole backstory is about watching: watching Dick's parents die, watching Dick on TV, watching Batman and Robin. I've grabbed a few panels above with Tim watching Dick but there are so many more. His major deductions are all vision-based: he sees Dick-the-acrobat and later recognizes Dick-as-Robin; he sees Bruce-in-the-past and recognizes him as Bruce-of-our-time; the climactic moment in Red Robin is about going into a dark cave with a torch so he can see what's there.

And he's a detective. He pries into secrets. He analyzes people. He's a worrywart and a fusser who always wants to understand what's going on with other people. In a lot of those panels where Tim's watching Dick, his inner monologue is busy deducing Dick's emotions and trying to psychoanalyze him. Tim's caring and watchful and intuitive... but all those qualities also make him very very intrusive.

Dick + being watched

Dick performing acrobatics for Bruce, Donna, and Tim in Detective Comics 38 (his first appearance), New Teen Titans 16, Batman 441, and Nightwing 88 (where he reflects he's glad to be back in the hot glare of the spotlight)

Dick's a detective too, of course - Tim deliberately mirrors Dick, both in-universe and out-of-universe. But also Dick's a performer who loves being watched and also wants to control how he's seen. He gets a kick out of showing off, making puns, kicking ass, taking names, and he gets a kick out of having an appreciative audience. And he's got a kind of yearning for recognition - it hurts, when Bruce won't look at him, and in fights with Bruce, Babs, Roy, he'll often bring up the past, trying to get them to acknowledge a shared history.

At the same time, he's a very private person who withdraws and hides and pushes people away when he's upset. Right before Tim shows up, Dick's just ghosted the Titans because he's having emotional turmoil and doesn't want to have it in front of them, and they're trying to respect his wishes... but that solitude doesn't last long, because then Tim tracks him down. Tim will do this again when Dick's having an emotional crisis and trying to avoid everybody in Nightwing 110.

Possible dynamics

Tim watches Dick in Robin 11, while silently analyzing Dick's anxieties about Two-Face

"The watcher and the person being watched" is a dynamic that really interests me, partly because it can be so complicated?

You can see in Dick and Tim their very first roles: enthusiastic performer and the enthusiastic audience member. Dick likes to perform and show off and entertain; Tim likes to watch; those are roles they both easily slide into and they have a lot of fun together! But also you can look at the harsher side: the crime victim and the voyeur, the amateur photographer and the guy who hates being photographed. Dick's intensely private about his vulnerabilities; Tim's intrusive and watchful and constantly trying to figure out how other people tick. Sometimes Tim's the caring friend who watches Dick closely, reads him well, understands him; sometimes he's the nosy mini-detective who pries into Dick's secrets. And that's just two different ways of describing the same thing!

One of the things that kinda fascinates me about Dick and Tim's relationship is that in a lot of ways it's built on a bunch of low-key boundary violations. A lot of their early relationship is driven by Tim's desire to know more about Dick vs. Dick's reluctance to get close to anyone from Gotham; Tim's often out-of-line, but without his pushiness, it's hard to see how they would've developed a relationship at all. Later on, their friendlier relationship is marked by Dick teasing and low-key bullying Tim; it's pretty obvious that Tim isn't actually bothered by this, but it does involve Dick ignoring whatever Tim's claiming he doesn't like ("Quit it!" "Shh").

And one of the aspects of those boundary-violations is that Tim has a habit of witnessing things that Dick would prefer that nobody see. Tim's a witness to Dick's first and most miserable tragedy; he sees the aftermath of some of Dick's fights with Bruce; he's there when Donna dies. And he's sharp and observant and analytical, and I like to imagine this as being something Dick's not entirely comfortable with.

When Dick first meets Tim, it's before he's learned to wear a mask. And Tim spends a lot of time trying to see through Dick's masks, and he's pretty good at it, and a lot of that prying comes from love and care, because one of the ways that Tim shows love and respect and admiration is by trying to absorb absolutely everything about you, like a little sponge. But there's also something unsparing and even threatening about the search for the truth of someone else. It can be comforting or threatening, to know someone's watching you.

And I love how all that complexity is wrapped up in Tim's origin story? Both the giddy childish "Watch me on the trapeze" and then the awful grim reality of what Tim actually sees as a result and then the difficult connection when Dick and Alfred finally get Tim to explain how he knows their secret identities.

Tim's origin story

Tim (recounting his origin story in LPoD): My parents held me back as the thing moved to you. I cried out to warn you. (Two panels where we see just Tim's eyes, as he watches a crying Dick. He sees Batman approach and start trying to comfort Dick.)

I think fiction sometimes presents "being understood / seen / known" as an uncomplicatedly good thing, and there's nothing wrong with that! But I like complications, and I like the way Tim's origin story frames that moment of witnessing as difficult and fraught. Tim doesn't want to tell Dick how he knows their secret identities because he thinks it'll hurt Dick to know it: I don't want to hurt you, Dick, and I'm really afraid I might. And he's not wrong. It is painful; it does hurt; it's not something Dick's happy to know.

Dick's a very private person, and there's a painful intimacy to Tim's origin story - it's not Tim's fault he was there, but at the same time, it's not like Dick chose to have the most traumatic moment of his life on stage in front of an audience of strangers, you know? It's kind of a violation. In NTT/NT/Nightwing, Dick's pretty violently hostile to photographers, and he's intensely private about trauma in general, and I like to imagine this as partly a reaction to that foundational trauma of losing the most important people in his life and also doing it publicly.

And Tim's part of that audience. And he sees the worst part, the part that Dick can't talk about. He sees the bodies and the blood. He has nightmares about it for years. He hears Dick crying and sees him holding onto his parents' bodies. Not at all the kind of first impression Dick would want to make. Not at all the kind of person he wants to be seen as. And that understanding can be painful, because it's so close to the bone, and when Tim's just a stranger, it's upsetting, because Tim knows things that Dick would never have chosen for him to know. Their few conversations about it are awkward partly because Tim's thirteen and awkward... but at the same time, it's not Tim's fault so much as the situation! There's no way for Tim to talk about what he saw that wouldn't be uncomfortable for Dick.

... And yet, and yet. Tim's also one of the last people to see the Graysons alive. He sees Dick and his parents together; he even takes a picture with them. He remembers the whole thing so vividly he'll recognize Dick's somersault years later. He sees the grief. And so I think of that connection as kind of a metaphor for witnessing. Tim sees these things and they become real; Dick can't hide from them; in the act of being seen he's caught, he's in a spotlight, all the grief made real. You can't hide, that way. And Tim's got this unforgiving memory; he won't ever forget; he won't ever stop knowing.

But then, too: Dick's seen, he's known. Even at the very beginning, when Tim doesn't know enough to understand what he knows, he knows the important things.

So that shared memory is a barrier and a bond between them. It can be a source of discomfort or a source of comfort. And that's how I think about Tim watching Dick in general - it's complicated, and sometimes Dick's glad of it, and sometimes he resents it, and also it just is, it's a fact of Tim, that Tim watches. It's notable when he's not watching, when he's turned away.

Being watched goes with vulnerability/exposure

So I'm going to talk about the fraught feeling of being watched more in a little bit, but first: I think it's fascinating that Dick likes screwing around with games where Tim can't see!

Here's Nightwing 25 - Dick's come up with the idea of trainsurfing while blindfolded:

Tim: Are you sure this is such a good idea? Dick: Shh! Listen. Tune into the changing sounds and - Tim: I'm not so - Dick: JUMP!

Here's Robin 49 - clambering through a tunnel into No Man's Land:

Dick: Hard not to think about the river. All the water above us. And bugs. This tunnels' probably full of 'em. And rats. Big ones. Big blind rats with teeth as long as -

Here's Gotham Knights 9 - ambushing Tim in a sorta game of hide-and-seek:

Dick: Gotcha! Tim: Augh!

I feel like mmm I don't want to emphasize power dynamics too much because it's easy to overplay it BUT when I think about headcanons it's interesting to me to think about how maybe when Tim can't see, Dick's more in charge / in control, and so he feels more comfortable and less vulnerable, and that's often when he's most relaxed and playing around the most?

Whereas the moments when Tim's looking at him are often a bit more fraught, as here in Lonely Place of Dying:

Tim: I'm sorry, Dick. I really am. I didn't want to hurt you by telling you all this. Dick... Dick: It's all right, Tim. No matter how old you are, there are some things you never forget. Or get over. (Silent panel: Tim's watching Dick as Dick turns away and stares into the window.)

Or here in Nightwing 6, when Tim wakes him up from a nightmare:

Dick (internally, imagining a kid falling): He shouts to me. He always shouts to me. I never hear what he says. Tim: Nightwing! Wake up!

Or here in Gotham Knights 26, when Bruce is accused of murder:

(Silent panel where Tim's watching Dick.) Tim: I'm sorry. This must be hard for you. Dick: Me? Why? Tim: Well, I mean, it'd be one thing if we really knew he was innocent, but as it is - Dick: Wait, what? Stop right there. What are you saying, Tim?

Here's Tim spotting him before he can get away in Nightwing 110:

Dick (watching Tim from a distance, internally): Still, Timmy played it through nice and clean. Disarmed the perps, protected and avoided the cops. Kept any civilians from getting shot. God, I love that kid. Too much to let him see me like this. Tim: Hey! (appearing on the roof above him, fake-cheerful) You weren't gonna leave without saying hi, were you? Dick (looking away, very quietly): Hey, Timmy. Tim: Look at you, man! Back on both feet! Think you're done stopping bullets with your body for a while? Dick: Hope springs eternal. (Silent panel with Tim watching Dick, who's turned away.) Tim: You okay, Dick? Dick: I'm fine. Tim: Well, where're you staying these days? Dick: With some people.

Of course, sometimes Tim's watchfulness is frustrating but also a comfort, as in Detective Comics 874:

Tim (watching Dick, who's looking away): Are you listening to me, Batman? I'm saying the gas the Dealer used on you was powerful stuff. Dick: I'm fine, Red Robin. Besides...you're here now. Tim: You're not fine. And with or without me, you shouldn't be out on patrol ye - Dick: Sshhh. Here they come.

(Later in the comic, Dick mentally concedes that Tim's right that he hasn't really recovered from the gas, and Tim saves him from drowning when he's hallucinating. So Dick feels kind of exposed by the scrutiny, but also... he invited Tim along, so there's trust there, too - Tim's perceptiveness can be a good thing, too, when things are serious.)

Incomplete summary of moments with Dick and Tim and vision

I think I already mentioned a lot of these but here is my LIST

almost the first thing that Dick says to Tim is "watch me on the trapeze, Tim" and then Tim does and he basically never stops watching;

Tim watches Dick's parents die and watches Dick sobbing on-stage and watches him on TV and recognizes him by seeing a particular trick because he's dreamed about Dick doing the trick in his recurring nightmares about that night;

in New Titans 65 which is their very first team-up comic after Tim's origin, Dick's training pre-Robin Tim and gives him a test about watching for details and later Tim's takeaway is "I saw how [the Titans] listened to you";

there's a moment in Showcase '93 12 which is just Tim watching Dick and analyzing what's going on with him and there's another moment in Prodigal which is the same thing;

in Nightwing 6 Tim sneaks into Dick's apartment and hides in the dark and Dick spots him and tackles him; one of their most important bonding comics is Nightwing 25, where Dick insists on blindfolding him to get him to rely less on vision; when they sneak into No Man's Land they're in the dark and Tim can't see again and Dick's teasing him;

there are multiple moments when Tim can't see Dick for a bit and panics about his safety, in Nightwing 25, in No Man's Land, in Transference, in Bruce Wayne: Murderer;

Tim's there watching when Dick's wedding to Kory falls apart and he's there watching when Bruce and Dick fight and he's there watching when Donna dies and he's watching when Dick and Bruce swing together on the night before Infinite Crisis, and when Dick goes down and almost dies in Infinite Crisis we cut to Tim watching and seeing it happen and screaming;

there are multiple moments which are just silent panels of them staring at each other trying to figure out what's going on with each other or having a stand-off - in Bruce Wayne: Murderer, in Resurrection, in Red Robin;

in the aftermath of Donna's death there's a panel where Dick's watching Tim from a distance and not approaching;

in the aftermath of Blockbuster Dick spends half the comic just staring at Tim from a distance and hiding himself because "I love that kid - too much to let him see me like this," but Tim sees him anyway and chases him down and then they lie to each other and *ranting* LISTEN TO ME the whole comic is about Dick trying to AVOID being SEEN both literally but also METAPHORICALLY AND --!!!

(the only thing i'm even as halfway obsessive about for them is the heights thing because also there are a bunch of moments involving falling or Tim being anxious about heights and worried that he'll fall or Dick will fall)

In conclusion

Consider the progression in all these moments where Tim's watching an upset Dick and worrying about him!! From reaching out instinctively-but-pointlessly when he's too far away in the LPoD flashback, to almost reaching out in LPoD but hesitating, to putting a hand on Dick's back to walk him back to the Cave in Gotham Knights 10, to physically dragging him clear of the water in Batman: Black Mirror!

In conclusion I don't have a conclusion but basically YES, "watching Dick" is a core Tim characteristic as far as I'm concerned, and Tim watches Dick a lot and that can mean all kinds of things from admiration to nosy intrusiveness to worry to care to gratitude to trying-to-figure-out-what's-going-on-with-him, and sometimes Dick's resentful and sometimes he's relieved and sometimes he's playful and sometimes it's a mix of all those feelings.

And at first it's always Tim watching Dick, but later you've got Dick watching Tim too, and there's that moment where Dick's secretly watching him fight but Tim spots him in Nightwing 110 and there's a silent panel where Dick's watching him in Resurrection and at the very end of Robin there's a scene where Dick's secretly watching him fight but Tim spots him and in the very last issue of Red Robin Dick's watching the end of the confrontation with Boomerang and in Prodigal Dick's the one who notices his face is bruised and aaaaaaah

Anyway I think they're neat <3

[mcsiggy]

Do yall like, know how to enjoy something w/o constantly criticizing it? don't you want to enjoy something-- anything for what it is? if it gives you joy and makes you happy, you dont have to be critical and pick a part about it to be a 'real' fan of the thing, or to show you're aware of the whatever problems it has.

just liking and enjoying it is enough.

[sukunasweetheart]

is it just me or is yuji starting to actually look more and more like sukuna?? Its probably just cause he started pushing his hair back (or just cause geges artstyle changed💀) This is such a obvious observation but i haven't really seen anyone bring it up. Even yuji fanarts are starting to look more like modern au! Sukuna than yuji himself

Yes! The way yuuji can use a different form of his technique says it all... No bc i actually dig this kinda of development so much... gege really showing their blood relation 😇 its interesting to see how theyve influenced each other, cant help but wonder if yuuji will be the one to teach him about "love" at some point, albeit in the form of beatinf the shit out of him (i love sukuna but lets be honest, he deserves it)

Looking forward to seeing sukuna even more bloody and hurt! 🥰🥰���😋😋😋🤗🤭 go yuuji, get that clapback

Hopefully it'll trigger some flashbacks of more sukuna lore 🙏 please i need to see trueform in action during heian era 🙏

[anmaries]

I think another reason why I prefer rogue’s hair to be huge and untamed is because I think it fits her a lot more personality wise. rogue might be southern, but she’s never fit into that southern belle type of box. she was born into a cult, and then she was raised by terrorists, and that made a major impact on the way she deals with her feelings and surroundings. rogue can be incredibly violent and aggressive. whether it be threatening remarks or just actual violence she struggles a lot with having a proper response to certain situations. she has very extreme reactions, like her commitment to being self sacrificial to those who show her kindness, or the fact that a small disagreement can lead to her beating the shit out of someone