#that is such a queer coded song

[woobiz]

just found out that taylor by ashe is about a MAN?! ABSOLUTELY NOT

[yourlocalabomination]

I am not immune to funny crackships.

+ Bonus

[squidthusiast]

Based on this video; Ashe and I have been hot-potatoeing the brainrot at each other today

[cupids-fiction]

listening to the code, eurostar, and unexplainable in that order consecutively is like having a steak knife twisted 180* in your little trans heart and then getting the shit beat out of you by an electric eel and then on top of that also being hit by a truck

opposite order however is great 10/10 very healing

[thenightshadowqueen]

To anyone making a Clamanda playlist: you need to go listen to Xana (no actual pressure, obviously).

Seriously, though; she has so many sapphic pining songs that are very Amanda-coded. Specifically, I’m thinking of “i did this all for you!”, “The Kicker”, “Alibi”, and “My Therapist Told Me”, but to a lesser extent “Kitchen Light”, “the blue room interlude”, and “12 missed calls”.

[picoledebrocolis]

Soooo, I kind of did something...

No biggies, just how the whole "What is this feeling" music number should have went

What is this feeling

So sudden and new?

I felt the moment

I laid eyes on you

My pulse is rushing

My head is reeling

My face is blushing

What is this feeling?

Fervid as a flame

Does it have a name?

Yes!

Loving

Unadulterated loving

For your face

Your voice

Your clothing

Let's just say, I love it all!

Every little trait, however small

Gives me goosebumps from knowing you

With simple utter loving

There's a strange exhilaration

In such total adoration

It's so pure! So strong!

Though I do admit it came on fast

Still I do believe that it can last

And I will be loving

Loving you

My whole life long!

Dear Glinda, you are just too good!

I cannot stand it? I just need your love!

You're the sun that makes me rise!

Shining bright in morning skys

Dear Glinda please feel the same...

Don't you worry, I could only

Dear Elphie, show my devotion

To you who made me such a better person

Let me hold you in my arms

Confesse my undying love

Lets share our...

What is this feeling

So sudden and new?

I felt the moment

I laid eyes on you

My pulse is rushing

My head is reeling

Oh, what is this feeling?

Does it have a name?

Yes

Loving!

There's a strange exhilaration

In such total adoration

It's so pure, so strong!

Though I do admit it came on fast

Still I do believe that it can last all

And I will be loving

For, forever loving

Truly, deeply loving you

My whole life long!

[franklyimissparis]

mr schwartz: a line-by-line queer-coded lyrical analysis

warning: this is quite long but mr schwartz is one of my favourite songs off the car album (and one of my favourites of alex’s in general) and i’ve ALWAYS read it as super queer but have yet to dive into precisely what makes it queer and the themes within it. it’s TRULY such an understated lyrical masterpiece.

Put your heavy metal to the test

- this is a play on words of the phrase ‘test your mettle’ which basically means to see whether or not someone will carry on through something that is difficult. immediately, this indicates that the relationship between alex and the other person is a difficult one and requires strength/determination to move forward with

- it also could refer to heavy metal music (which isn’t a very traditionally romantic genre) as is played off of in the next few lines

Might be half a love song in it all for you

- the phrase “half a love song” is particularly interesting to me as there are many ways to take it: it could be half a love song because it is unfinished or because it isn’t fully a love song (and both interpretations tie into other lyrics in the song)

- if we go down the route that it’s only half a love song because it isn’t fully a love song, it implies that there is more to the relationship than romance or that the song/relationship isn’t meant to be viewed (solely) through a romantic lens (but the other person may see it as such)

- whereas the idea that the song is unfinished could either suggest a lack of passion or the feeling that the story isn’t done yet.

- it could also communicate that the someone else needs to finish the song for alex - which is somewhat implied in the previous line. this could also indicate that, like alex, the other person gets musical inspiration out of their relationship

Timing wise, it’s probably for the best

- the use of “timing” ties in with the musical references but also highlights that the relationship is heavily tied to the timing of what’s going on in their lives (invoking “right person, wrong time” in a way)

- alex is acknowledging that because of forces outside of their control (i.e. time) it’s probably best they don’t pursue a serious relationship (or, like the previous line, a “full” love song)

Come here and kiss me now, before it gets too cute

- he’s asking his lover to quickly kiss him before they can let the moment become sweet, implying that, while he is fine with the physical aspect, the emotional side of things makes him uncomfortable

- musically, he also wants to avoid being cheesy or overly sentimental which ties in thematically with the ultracheese as well

- it’s important to note that this is also the only explicitly romantic line on the entirety of the car album: this (and the half a love song line) is the only line on the album that cannot possibly be read as platonic

Mr Schwartz is stayin’ strong for the crew

- here we switch to discussing the persona/character of mr schwartz, which as seen later, is obviously meant to be an extension/alter-ego of alex himself

- the reference to “staying strong for the crew” directly after talking about his lover implies that there is a conflict between the two: that staying strong for the crew entails keeping an emotional distance from his lover

- he recognises that those around him rely on him to keep up his persona to do their jobs (in this extended metaphor of a film set)

Wardrobe’s lint-rollin’ your velveteen suit

- alex is known to emphasise his personas via clothing choices and the velveteen suit is representative of that here. the crew removes any imperfections, like the lint, off of the suit (the persona)

- this also ties into alex’s obsession with perfectionism and control and how, though he is wearing the suit (i.e. persona), there is a mutual reliance between him and the “crew” to maintain his image

- also have to mention that velveteen is a rather untraditional material choice for something as traditional as a suit, there is a bit of a clash here between the two (a fully velveteen suit could also be seen as quite camp - and is also very 70s, which ties into eycte’s aesthetic too)

And smudgin’ dubbin on your dancin’ shoes

- dubbin makes leather softer and waterproof: again, others are trying to prevent damage from occurring to the persona

- this could also refer to the musical direction that the band has gone to in tbhc and the car: their music is softer and more contemplative than it was before, especially since ‘dancing shoes’ is also a song off of their first album. this could be commentary on how alex’s personas have evolved and the mixed reactions he’s gotten from his audience over it

Gradually, it’s coming into view

- we move from music imagery to film imagery with the line “coming into view”.. things were blurry or unclear before but he (or the other person) are slowly coming to realizations about their situation

It’s like your little directorial debut

- having a directorial debut suggests that this is the first time they are taking control of a situation and telling others what to do, they are directing someone else instead of being directed - with the word little being used to emphasise that this isn’t a massive change yet

- but he’s also directing himself to behave in a certain way: alex is directing his new persona, mr schwartz, in his debut

As fine a time as any to deduce

- to me this line also implies that this realisation has sort of been a long time coming, they’ve been through this cycle so many times that they might as well come to the realisation now

The fact that neither you or I has ever had a clue

- going into the next verse as well, this hints that alex and his lover have had struggles with seeing where alex ends and the persona begins and have also never been able to get their relationship right as a result

And if we guess who I’m pretending to be

- here he is confirming what is obvious: alex is mr schwartz and the persona is clearly differentiated from himself as “pretending”. alex and his lover are both keenly aware that mr schwartz is a persona which almost becomes a joke to them in the next line

Do we win a prize?

- alex pokes fun at how obvious it is to him and his lover that mr schwartz is a character but i think he’s also pointing out here: do we get anything out of the persona that i’ve created?

- he’s questioning, perhaps for the first time, if in the end keeping the persona up will be worth it to him and his lover or if it is all meaningless

Having attempted twice, both incorrectly

- okay so obviously the majority of us reading this are immediately going to go to a certain side project of alex’s and the two albums they’ve released (with talk of there being a third to complete the trilogy)

- this suggests that there have been two attempts at happiness between him and his lover but both times there was something fundamentally wrong with the relationship that caused them to drift, which is likely related to the act that he is putting on

Do we get a third try?

- the phrasing on this line is interesting as well as alex doesn’t ask his lover directly like “can we have a third try?” instead, he poses this question more existentially: will a third try be given to the two of them? it implies that he and the other person aren’t in control of their situation to some extent, they have to rely on being given chances by others.

- though this also could be interpreted as alex shirking responsibility of the situation onto others instead of being straightforward. he simultaneously wants and does not want control.

The gloved hand’s reachin’ in to hit the switch

- by wearing gloves, there is the desire to avoid leaving fingerprints/evidence of the relationship. and because the hand is gloved it is intentionally anonymous: is it alex’s hand? mr schwartz’s? the other person’s? or someone outside of things meddling in the relationship?

- interesting also that a switch is a binary thing: either on or off (gay or straight, platonic or romantic, alex or mr schwartz) ignoring the possibility of things being on a more complicated spectrum as is implied earlier (“half a love song”)

- hitting the switch is sometimes used as a euphemism for triggering a permanent change but can also be seen as a temporary action (the switch can be endlessly turned off/on), highlighting the back and forth in their relationship.

There’s not one goddamn thing that you can do about it

- this is the only time alex curses in the song which highlights how frustrating the persona and lack of power can be

- he feels stuck in the situation, just continuously flicking the switch between persona and reality, and indicates that his lover is also likely frustrated at this too. though they want to help fix the situation, they can’t, or at least they feel like they can’t

But Mr Schwartz is havin’ tea with the grips

- again, he’s switching back and forth between the real him and mr schwartz: while alex is frustrated and insecure about the lack of control in his life, mr schwartz charms those around him and takes hold of the situation

- more film imagery with mentioning the grips (those who help with camera and lighting equipment on a film set): to me, this line is fascinating as we’ve seen that everyone (including the crew) is working towards keeping the mr schwartz persona up and through the metaphor of the film set they are creating something imaginary, however, behind the scenes the grips still get to be real people with real families while alex, or mr schwartz, has to continue to keep the persona up.

Askin’ after all the wives and the kids

- the use of the phrase “askin’ after” instead of “talking about” etc. implies that the question is not mutual: mr schwartz is not being asked about his wife/kids because he does not have any and the others know it. yet he knows that it is important that he shows interest in their nuclear families. this is also clearly commentary on how alex is the only unmarried and childless member of the band

- it could be seen as him directing conversation away from his personal life: focusing on others and letting them talk is more comfortable than discussing yourself honestly and breaking the act

It’s at the heart of what the business is

- the final line of the song breaks down the essence of why the persona is kept up: ultimately, it is a business decision. alex understands how closely tied together business and personal lives are as a celebrity and is invested in the persona to keep the two separate, though by choice or force is up for debate

- also poses the question of whether or not he’s genuinely interested in their lives or if it is just business to him. it could be read as bittersweet in the sense that the heart of the business is human connection, but if you don’t conform you aren’t allowed to drop the act without punishment

- finally, this line also ties back to “staying strong for the crew”: he has to keep up the persona so that the ‘crew’ can continue to work and take care of their families. and hearing about them is both a reminder of what he is denying himself and what is at stake for the others.

to summarise: alex is torn between putting on the straight persona of mr schwartz and being truly himself within the fractured relationship he has with his lover - which has been heavily influenced by external and internal pressures. gee i wonder who the song is about (rhymes with schmiles schmane.)

[tatumsversion13]

do y’all think stu or billy would’ve been swifties

[obsessed-and-possessed]

Don’t ask me how I came up with this BUT IF Powerwolf ever covers “I kissed a girl” they should call it “I kissed an organ player”

[felixir-of-moths]

🏚️🏚️🏚️

🏚️ Oooh my beloved Hayloft songfic \o/

Okay, I'm pretty excited to share the first snips of it! It's E rated, and for this excerpt there's some CW: homophobic slurs, period-typical homophobia, explicit sexual fantasies (under the read more)

The first time Eddie saw the BMW on the station's parking lot, he wondered what would be different if he had one of those instead of his beat up '77 Chevy. Maybe he would have something to offer – enough to ask Jon to get the fuck away from here with him. If Eddie had that kind of car, he would definitely throw the Byers siblings inside, he would say “fuck it, we ball” with a grounded confidence that they could make it. They could make something out of their life. Then, Jon's lyrics would have been about Eddie, maybe. What a romantic story that could have been. But as soon as the boy came out of the car, with his tight waist, his broad shoulders, his RayBan lifted in his perfect hair, walking toward the station with a feline sway of hips, Lonnie spat on the ground right between himself and Eddie, “another fucking fag”, and Eddie picked up the mop and stopped day dreaming. There was nothing to dream about.

Days go by. The burgundy sedan is there twice a week. Somehow, Lonnie is never there when the pretty boy shows up: maybe he's not a stupid as Eddie thought he was. If Jon isn't there, the boy doesn't ask about him anymore. Something in the smile he throws at Eddie seems to say lesson learned. Eddie always put a pack of Chesterfield on the counter when the car parks in front of the gas station. He wants to ask his name. He wants to ask what makes you come to Hawkins twice a week? He wants to ask would you blow me in the bathroom real quick? or I could fuck you in your car, real quick too, trust me I won't last long, I'm pretty sure I could come just thinking about it, you won't be late anywhere and you'll barely break a sweat. or hi, I'm Eddie, you know that already because there's a name tag on my vest but hi. or are you even real? But Eddie just nods, cashes in, gives change, and stares at the light blue handkerchief through the bay window as it sways away, carefully tucked in the left back pocket of the pretty boy of his dreams. Up for someone worthy enough to grab it.

[rosetinted-escape]

The lighting for stage performances of Verona is the colour of the gay male pride flag btw.

(Pictures not mine, just found them on google).

[thevoidstaredback]

I was looking through some gay playlists on Spotify (made by gays, for gays) to find some more music to add to my own playlists, as ya do, and I'm very disappointed. Not one of them had I'm Too Sexy by Right Said Fred. Have you heard that song? Smh

[omgtheywereawooomates]

......don't mind me, I'm just having some feelings about queer Chris.

about the complex nature of duty vs desire in the context of a world (supposedly. according to jeff) where lgbtqia bigotry has been removed from the equation.

about how that kind of sacrifice, in that context, might feel worse. bc then it's not about bigotry so much as an indifference to him specifically.

bc he doesn't matter enough, outside of his usefulness, for his wants to be respected.

and about how guilt might mix with bone deep relief once the people with the key to those particular shackles are gone.

[vulturegore]

shout out to all the guys that are not the girls they ought to be

The Crane Wives | Florance + The Maschine | Crawlers | Ezra Furman | Mitski | Sosho McCreesh | Car Seat Headrest | MARINA

[ctrl-alt-deleting-yr-face]

HAPPY I JUST SIGHED DAY EVERYONE

[franklyimissparis]

jet skis on the moat: a queer-coded line-by-line lyrical analysis

this one was highly requested by me, myself, and i btw. sorry it’s so long, i truly cannot be concise when analysing alex’s lyrics, i get too into all of the different possibilities lmao.

Jet skis on the moat

- the titular line of the song is an interesting juxtaposition that could be interpreted in many different ways as jet-skiing, an adventurous and adrenaline-seeking activity, is contrasted with the defensive confines of a moat. the moat could be a metaphor for alex’s defenses around himself and his feelings, with the idea of jet-skiing around a moat being akin to doing something that should be fun and freeing while in defence mode.

- it could also imply that things are going in circles, like moats often do. that they’re having a good time but they aren’t able/willing to explore beyond the safety and comfort of their private spaces.

- to me, the phrase also invokes the idea of both being kept close to home (and never allowed to explore without inhibitions) but also being forbidden to enter fully into alex’s inner self

They shot it all in CinemaScope

- cinemascope is a lens adapter invented in the 50s for projectors that can expand the traditional screen to a wider length while using the existing equipment. we know that alex loves film imagery and this ties into the themes he often plays at while using said imagery of performance vs. reality.

- the use of cinemascope also implies to me the idea of making something (or someone) better for a bigger audience - this could tie in with alex’s personas and hiding the true self or referencing the band’s commercial successes. it also implies that there’s something beyond the traditional screen, the picture (or story) stretches out further than is seen with a normal lens. the idea of the lens being removable is also notable, the picture can be seen either way with the original equipment but the lens makes it more impressive. again i think this all ties in with the idea of performance and choosing to present things in a certain light.

- “they” implies that there is an audience or crew watching alex and the subject of the song, the two of them are not shooting this together, it’s being captured by a third party who is presenting things differently than originally intended

As though it's the last time you're gonna ride

- i can’t talk about this line without addressing the sexual undertones of the word “ride” lol. it could refer to the sexual aspect of their relationship, the last ride being the last time they’ll sleep together, or the relationship itself as if this is a couple who has split up and gotten back together multiple times

- with the previous line as well, it implies that the experience of their relationship is being captured (potentially by others) to preserve it, though they don’t see the full picture

- the phrasing “as though” is vague enough to leave it up to interpretation as to whether or not it actually will be the last time, somewhat implying to me that calling it a “last time” is something they’ve done before

- this could also refer to the public and private speculation that the band is finished or the somewhat unfounded worries that their commercial success is slipping away

Showstoppers anonymous

- this is a play on alcoholics anonymous/narcotics anonymous and implies that being a showstopper is somewhat of an addiction. it also invokes the idea that this isn’t a solitary experience by referencing the idea like a group meeting, alex’s lover also has a complex relationship with fame.

- the phrase could also poke at the idea of alex’s personas being disconnected from his true self, the showstopper would actually prefer to be (or has to be) anonymous in some sense.

- like in AA meetings, this could also refer to hiding their affiliation from the world or hiding their true identities within these meet-ups

Come over here and give your buddy a hug

- the word “buddy” implies a platonic relationship (i would say it also implies a friendship with another man but that’s very subjective.) with the later references to this person as a lover, we can infer that their relationship is not just platonic which poses the question of why alex would choose to refer to a lover this way. it could be to emphasise the friendship at the core of the relationship as being the more important or prominent aspect. it could also suggest that alex finds the romantic/sexual elements of the relationship uncomfortable to some extent.

- interestingly, this line is also a direct parallel to “come here and kiss me now before it gets too cute” from mr schwartz, suggesting a connection between the two. while this line can certainly be read as platonic, the line from mr schwartz is explicitly romantic.

- also the first two lines of verse one rhyme, making the listener expect these lines to rhyme as well. in alex’s pronunciation, anonymous would be a near rhyme with kiss and it is slightly surprising to hear hug instead.

So much for decidin' not to let it slide

- it sounds as though either alex or his lover feels that the other did something to wrong them which they refuse to forgive this time, but they end up ‘giving in’ eventually.

- in the context of the showstoppers anonymous line, it could imply that their relationship feels like enabling an addiction, that it is something they come back to time and time again despite saying they won’t. and also that their relationship is directly tied to the fame that they share.

- also interesting to ask: is he addressing himself or his lover? is he the one letting it slide or his lover? the previous line seems to imply that alex is asking the other person to come to him, which could imply that his lover is giving in for agreeing or that he’s giving in by reaching out (or both.)

Is there somethin' on your mind

Or are you just happy to sit there and watch While the paint job dries?

- alex’s lover is troubled over the state of their situation but it’s less painful to just ignore the topic.

- the paint imagery is very interesting as alex has a habit of using paint as a sexual metaphor for a certain bodily fluid - with ‘body paint’ and also in anyways (‘you go hard in the paint’)

- watching paint dry generally refers to something being boring or tedious which could imply that alex’s lover would rather do something painfully dull than discuss the issues in their relationship. but paint can also be used to cover things up which could refer to the idea of hiding the issues within the relationship or with hiding the relationship itself (asking: are you really happy to just let me hide things or will you take a stand?)

- if we think about the implication that this relationship has been off- and on-again, it could refer to ‘fixing up’ the relationship with a new coat of paint - doing surface level things to try to repair the damage - and alex could be asking if they’re willing to wait for things to look better again or if they want to call it quits now

When it's over, you're supposed to know

- this line could also be taken in many ways. it could be in the sense of alex feeling almost pitiful for his lover (or himself), who won’t admit that their relationship is actually over. but it could also refer to it being hard to tell whether the relationship is actually over or not - particularly if the line between having a platonic/romantic relationship has always been blurry with them (like we see with the use of “buddy” etc.)

- the phrasing ‘supposed to know’ implies that they don’t actually know about the state of things, though they’re both aware that they should, also reminds me of the line “the fact that neither you and i has ever had a clue” from mr schwartz

Lights out in the Wonder Park

- i couldn’t find anything to suggest that the ‘wonder park’ refers to any real place so i would wager that it’s alex’s take on a fictional amusement park as a metaphor for the ups and downs of his relationship with the other person.

- the idea of the lights going out in contrast to the “wonder park” implies that the joy and amazement of the relationship has been turned off. it could refer to the relationship being off- and on-again with the implication that the lights will likely turn back on at some point. (which could be connected to “the gloved hand’s reaching in to hit the switch” from mr schwartz)

- to me, “the wonder park” also implies having an audience or crowd around. so lights out here could also refer to stopping a performance, etc.

Your saw-toothed lover boy was quick off the mark

- its interesting to pose if he’s talking about himself or his lover here. i know a lot of people interpret saw-toothed to mean crooked teeth like a certain musical partner in alex’s life but i think the phrase could also represent a ‘sharp tongue/mouth’ with the idea of him (or his lover) normally being witty or cutting but being caught off guard by the situation (similar to the ‘angle grinder smile’ from sculptures of anything goes)

- “quick off the mark” means to be slow to react to a situation which could also tie in with the idea of “watching paint dry” instead of talking about the relationship: they’re reluctant to actually change the back and forth element of their relationship.

- the use of the phrase “lover boy” also solidifies that this is a relationship that is at least somewhat romantic/sexual in nature (vs the earlier use of buddy), it’s telling that this more intimate phrase isn’t used until later in the song

That's long enough in the sunshine for one night

- this line could reference the idiom of something to “seeing the light of day” i.e. to be revealed to the public/to be open, their relationship won’t see the light of day with the sunshine instead being found in the nights

- sunshine could also represent a warmth or happy period in their relationship. with the previous lines, it could imply that they got together/met up again briefly but it didn’t last.

- the phrase “that’s long enough” implies that alex is the one to feel as though things have gone on too long, even though he feels the warmth of it too (he likes the sunshine (or relationship) but he doesn’t think it belongs in the context of the night)

Didn't recognise you through the smoke

- this is a play on the idea of “smoke and mirrors” which ties in with alex’s use of personas and the idea of obscuring the truth.

- implies that alex (or the other person) is used to being able to see through the fantasy but it’s been dialled up since their falling out and they are now obscured.

- could also refer to one of them being deceptive about their feelings, particularly for the other

- also could imply the other person is smoking a lot, etc. which could tie in with the idea of fame/their relationship being an addiction: people sometimes replace heavier drugs with excessive nicotine as a step in their recovery. it could also just imply that the other person is a bit of a mess if they’ve started smoking more.

Pyjama pants and a Subbuteo cloak

- subbuteo is a table-top game where you flick around little football players on a field that is placed similarly to a tablecloth. there was an interview where alex spoke about how he would wear the table-top subbuteo pitch as a cape as a kid. it’s unclear whether alex or the other person is meant to be the one wearing the unusual combination.

- wearing pyjama pants implies a sense of intimacy and vulnerability between the two to see each other in that state, especially as one would not generally wear them in public.

- the combination of the pyjama pants with the subbuteo cloak invokes a sense of nostalgia and innocence, particularly in relation to alex’s memories, as well as implies that the person is kind of dysfunctional to be wearing a sleeping garment in combination with a non-clothing item.

- the use of the subbuteo field as clothing is also interesting as it is a traditionally masculine symbol being used to cover-up or guard oneself - which ties in with the next line.

- the subbuteo field is also an interesting choice as the game centres around people controlling a full team of players in order to win. with one person wearing the field, it could imply that they are being strategic about controlling others or that they themselves are being controlled.

You know that it's alright if you wanna cry

- this is another line that could easily apply to either alex or his lover but i think it ties in well with the first line from there’d better be a mirrorball “don’t get emotional, that’s not like you” which alex has said is directed at himself.

- alex is telling himself or his lover that it’s okay to express their emotions and be upset about the situation, implying that they usually are not as forthcoming or overtly emotional or that they may be hiding their true feelings in the presence of the other to appear less invested or devastated

to summarise: alex and his lover had a falling out over their off- and on-again relationship going in circles and potentially being hidden. neither of them took the split well and they are trying to figure out where they stand with each other and what their connection will mean for them now.