#that is a really ambiguous one on purpose

[ncfan-1]

It’s interesting how we can interpret the same scene so differently. I think that what exactly Osha is upset with Mae about under the bunta tree in Episode 3 is ambiguous, and purposely so, but I do have a specific interpretation about it, which differs from yours. I don’t think Osha is upset with Mae for hurting the flutterby, and I don’t think this scene necessarily points towards Mae as a child often exerting her power at the expense of other living things—at least, not as her own idea.

After all, Osha was doing the same thing as Mae just a few moments beforehand. She, too, was exerting her power in a way that ignored the will and well-being of a living creature, and didn’t seem to think that there was anything wrong with it when she did it. My interpretation of that scene was that what Osha got so upset with Mae about was that Mae was copying her, and yes, the fact that the copycat is better at it than she is probably plays into her frustration, but my take was that Osha was upset purely because Mae was copying her.

Osha’s desire in Episode 3 is that she have things of her own that are just hers, that she doesn’t have to share with Mae, and she gets frustrated when Mae continually tries to insert herself. So what does it mean that Osha gets so frustrated so quickly when Mae copies her under the bunta tree? That this wouldn’t be the first time that Mae has copied her when she’s exerted her power in that way, or a way like it? I can easily see a scenario in which it would not be one twin or the other exerting their power in that way, but both of them. Sometimes Mae first, sometimes just Mae, but primarily Osha first, and Mae following her lead, much to Osha’s frustration, when all she wants is to have something that is uniquely hers.

I also didn’t get the impression that the witches favored Mae; I didn’t get the impression that they favored one twin over the other at all. The witches seemed to me to treat the twins completely equally, to love and favor them equally.

But Osha looking back on all of this, after having inculcated the Jedi’s values where Force-wielding is concerned? Yeah, that coupled with the self-serving memory which we all have to one extent or the other, and the fact that Mae did not cover herself in glory in the last few hours they spent together, could definitely lead her to interpreting past events very differently than they actually played out. Just sort of forget that Mae was primarily copying her when she used her power in the ways the Jedi would consider injudicious, and rewrite it to be proof all along that Mae was a bad seed.

I think that at least at first, Osha’s swallowing Sol’s narrative of what happened might have been, even if only subconsciously, a form of self-protection, both emotional and practical. After all, she is alone in that ship, surrounded by the Jedi. And if she doubts the Jedi’s narrative of events, that paints her sister as the sole perpetrator, where does that leave her? Surrounded by people she cannot trust, and whom she has good cause to be fearful of. But afterwards, after she came to know and trust Sol, it would become even more difficult for her to consider an alternate theory.

I’m not sure just how devoted Osha was to the idea of becoming a Jedi in the beginning. I think what she primarily wanted was a life other than what she had, a chance to do something else and be something else, and she was still leaning on the framework of a way of life for a Force-wielder, when she would most likely have only heard of her coven and the Jedi wielding the Force. And of course, there’s Sol none-too-gently nudging her towards that conclusion as well, that she should become a Jedi. But I do think Osha became devoted to the idea of becoming a Jedi once she knew for certain that there was no alternative. And in order to be devoted to the Jedi, she has to be devoted to the story the Jedi told her. Because if she isn’t, then she really has no place among them, among the murderers of her kin. And then, she will have nowhere to go and no one to love her at all.

Osha and Mae’s wildly different first impressions of Sol kinda plague me, too.

Like, Osha meets this guy, and being so young, she doesn’t really grasp the full import of the fact that he’s an armed stranger who just broke into her house. She’s been itching for adventure, for a life outside of the one she already has, and this guy smilingly offers it to her at the outset, the hook cunningly hidden within the bait.

And then, Mae steps out from behind the sheltering backs of her aunties, and the same man who was all smiles and soft words with her sister just recoils from her. Starts shouting. Vocally declares that the mark her mother has just given her, the symbol of her place in her community, is something she should never have been given and is something to be ashamed of. Teaches her what it is to be afraid in her own home, surrounded by her family.

Does Osha remember just how differently Sol responded to Mae? Does she ever look back on it years later, and wonder at it? Or is it just one of those things she’s told herself not to think about, because Sol was her savior, after all. He saved her from Mae. Maybe she doesn’t actively think that he could tell what Mae was from the very start, but it might subconsciously seep into her memories of her last days with her family, until her memory of the difference in how Sol treated Mae as opposed to how he treated her just seems small and unimportant.

Mae probably does remember the difference in how he treated them that night. And to Mae, that most likely was, in retrospect, Sol letting the mask drop. Letting his true face peek out from behind the smiling mask he showed to Osha. And she probably wonders why Osha couldn’t see it, too.

[gltownsend]

Dialogue/Character Voice Tag Game

Rules: Rewrite the given line in the voices of characters from your WIP of choice!

Thank you to @inkhelm for tagging me :]!

My line was 'It's better if you leave'.

I think they'd probably be something like

(Nikora) Can you just give me a minute? [<- he is too roundabout to be clear] (Tijil) Leave. [<- he is not] (Anahera) Go away! (Edie) I think it would be better if I did this by myself. (Adityi) (nonserious) Can you get out of my fucking way? (Adityi) (serious) I think you should go.

Tagging @mister-writes, @alnaperera, @urlocalwitch555, and anyone who wants! Your line is 'I don't want to do that'.

[poorly-drawn-mdzs]

Thanks for listening to my sad backstory. Anyway, here's Wonderwall.

[First] Prev <–-> Next

[rawliverandgoronspice]

behold: my second least favorite string of words in the entirety of Tears of the Kingdom.

(it's a little less transparent why this time so I'll explain my thoughts under the cut)

So why do I not like this?

In so many words: because if you remove it, the scene still works, but you lose the moral certainty of what is going on.

This single sentence does so much legwork for the entire game (the kind I dislike), to the point where I'm about 60% sure it's the product of a rework that realized how ambiguous Rauru's position was as the Good Rightful King and needed to nervously reassure the players that Ganondorf Is and Always Was the Invader, Actually.

(no matter that it leaves the gerudos in this awkward in-between state of both invaders and victims, while never dwelling in the specifics of their history and their own agency in the entire thing; brushed off as a sin they have to expiate through loyalty to the winners of that particular strife, but without explicitely blaming them either to avoid the implications of what that would have looked like)

If you remove it, not only do you lose a pretty clunky line that detracts from Ganondorf's intimidating presence (who is he even speaking to? who needs to hear this right now?) that honestly speaks for itself when it comes to his experience with warfare, but also you lose any tension and any mystery regarding why he is attacking in the first place.

You also... kind of rob Ganondorf's motivations of their meaning. "Hyrule will bow down before me" leads to asking... why? What does he want? What does he see in those lands? And what little we get with Rauru and then Link during the final fight begs more questions; why do you prefer hardship to peace? Why do you value strength? What leads you to want to rule a land devoid of survivors, become a king without a kingdom? I don't think we ever get satisfactory answers. If you remove this sentence, on the other hand... Subtextually, it becomes pretty clear that his motivations is that he felt threatened by Rauru's power, which is ripe with subtext and questions about whether this is a legitimate reaction, whether his "no survivor" stance is due to a feeling of betrayal when his own people turned against him post the Demon King shenanigans... I'm not saying it would fix the entire game's writing, far from it, but it would already do *so much more*.

(genuinely, I think he could have stayed completely silent during the Molduga Assault, speaking only in the Show of Fealty before going completely nuts after Sonia's murder, and it would have worked MUCH better in terms of characterization but anyway anyway

EDIT: ALSO!!! that way he wouldn't speak hylian to fellow gerudos, which is weird inherently)

Without this line, the core of the tension between the gerudos and Hyrule comes front in his conversation with Rauru; it allows the cause of his hostility to be Rauru's invitations, that he would have taken as a threat, and would have still made him warlike and domineering without making him cartoonishly flat, because, once again, Rauru is not acting in a particularly more legitimate way when Zelda arrives in Ancient Hyrule; and it would have been... fair to point that out. And make for better characterization for Rauru, and Sonia, and Mineru, and everybody. But the priority was for Hyrule to be pictured as unquestionably holy; always legitimate, always truthful, always beautiful, always just.

Also, and this is more of a nitpick but: why would Ganondorf want Hyrule, specifically, to bow down before him also? Was he at war with the rest of the disparate tribes before, and just carried on his ambitions to the very very newly-founded kingdom as they allied under a new banner? (though it seems to be implies the lands were crawling under monsters in a generic sense, and not Ganondorf's attacks in particular) Why would he even consider Hyrule a legitimate entity worth taking over then, if it is so new, born from the will of a powerful rival, founded by what is basically a stranger to these lands? Why would he covet something so young instead of destroying it and just calling the lands Gerudo Lands II or Grooseland or something?

I don't think any of that was even accounted for, because, beyond everything else: to me, this sentence is so clearly and painfully crammed in here to shield Hyrule from any potential blame and immediately characterize Ganondorf as Bad without having to remove any of the causes that could lead one to side-eye Rauru's little pet project as equally questionable.

Beyond the clumsiness, it is cowardly --and, I think, a little damning.

[vexx-the-egg]

Whenever a fandom is like "I've seen straight women act X around eachother therefore this ship is impossible and not gay" I roll my big gay Bisexual eyes like a hamster wheel.

[thebitchlapin]

The one time (up to all three times if you also count Noah and/or Sylvester) any of Ally's PCs have had romantic feelings for male characters that relationship was already established before the start of the campaign and I like to think (because it's the funniest interpretation) that that's because for the life of them, Ally cannot figure out how to play someone falling in love with a man

[planetsandstarsandstuff]

Astrology Notes/Observations:

(please do not copy or repost on other platforms)

Every time a Saturn-Venus native tries to reduce signs of aging, an angel loses its wings 💔 but seriously, old age suits these people SO well - if you have this placement please keep all your greys and fine lines!! I beg! (i may be slightly biased because i think aging looks great on everyone, but these individuals wear it particularly well).

Mars-Moon/Cancer Mars/Mars influencing the 4th house = angry criers

I find those with Neptune influence on the ascendant can seem to resemble almost anyone they stand next to; they may often be told they remind others of different people. (Neptune = illusions, fluidity, ambiguity, Ascendant = physical appearance).

Mercury in the 5th house synastry: We may be more likely to use pet names/terms of endearment here, even if it's not usually our thing - it feels natural to express affection (5H) in conversation (Mercury). The nicknames we have for each other may also be unique or creative in some way.

Those with Venus in the 1st have an eye for beauty and can really excel in fields related to artistry, appearance, or refinement of some kind (e.g., makeup artistry, styling, design, illustration, etc.) These people instinctively know what looks good.

3H Mars synastry 🤝 arguing like siblings

Having Capricorn over the 5th house can sometimes indicate having a preference for music/films/books that are quite dated; these people tend to have a highly developed and mature taste in art/media.

Having Neptune influencing the 3rd or 11th house can indicate feeling invisible or forgotten among peers - these people might feel they blend into the background in social settings.

Mars transits tend to instill a sense of urgency in whichever house is being affected. For example:

Mars transiting our 6H - feeling pushed to get our life in order, driven to create structure + take action surrounding work/responsibilities.

Mars transiting our 9H - feeling pushed to expand our horizons (possibly through long-distance travel, higher education, etc.) feeling anxious/unsettled staying where we are in life, wanting to explore.

Mars transiting our 10H - feeling pushed to determine our 'purpose'/vocation or take action in pursuing our ambitions, feeling driven toward success.

8th housers often take pride in their ability to psychoanalyze people; they are not, however, always good at it - these people can be real armchair psychologists (sorry).

Saturn transiting the 5th house: Things that may have otherwise been fleeting interests can become long-lasting fixations during this time (i.e., romances, hobbies, modes of self expression). Saturn is infusing this normally carefree house with a sense of gravity and endurance.

Having Uranus in the 4th house can sometimes point to living far away from family or being habitually away from the home/family.

I've found Mercury-Venus aspects in synastry (particularly the harsh aspects) can show up as the Mercury person constantly pointing out Venus' flaws or insecurities, sometimes without even realizing. Mercury can also be critical of Venus' social skills and may try to correct qualities of theirs they perceive as unlikable. Venus is put off by the Mercury person's endless nitpicking and might pull back from connecting as a result.

We might find we cry more easily when the Moon is transiting a water sign (Cancer/Scorpio/Pisces) or when transiting Moon is forming an aspect to our natal Moon. This can also be true for transiting Moon touching our IC/4th house.

I've noticed Mars-Mercury natives tend to enjoy banter more than most.

Neptune influencing Mercury/3H in the natal chart can sometimes indicate being good at impressions or being able to easily alter one's voice/speech - this can be a great placement for actors (especially voice actors).

I find those with 7th house placements are often more codependent/relationship-oriented than those with Libra placements alone.

I know it's been said before, but Scorpio risings really do resemble vampires (Nicole Kidman, Diana Ross, Kate Bush, Prince, Lana Del Ray, Frank Ocean, Lily Rose Depp, Fiona Apple..i mean come on!!)

I recently came across a video of Sheryl Lee Ralph discussing the freedom within her marriage, saying "[My husband] has his own life, I have my own life. He has his own real career, I have my own real career. He has his light to stand in, I have my light to stand in. [...] He's doing his thing, I get to do my thing. We also live in separate places; when I go to see him, love to see him. When it's time to leave, 'bye-bye, see ya soon.' I'm telling you, life is good; perfect!" I looked up her chart and of course she's a Sagittarius Venus LMAO - she really is in her ideal relationship. (Jupiter-Venus natives may relate to this as well.)

That's all, thanks for reading!

[musical-chick-13]

ANYWAY, I love deconstructionist works. :) <3

[theseasideskies]

Ok I've seen these clauses in Terms & Conditions before and the (totally understandable) fear from fan artists that this means it's essentially free labor for the company.

I've also heard from others more familiar with Copyright Law that this is standard phrasing in any Terms & Conditions and it's a lot less scary than most people think.

I want to try and explain this (as best as I can via rambling):

Please keep in mind that my experience with this is just asking lawyers that I know (and YouTube explainers like this one from Tom Scott.) And also that Copyright Law is often intentionally vague and broad.

TL;DR - these clauses are just so TGC can repost fan art on social media as promotion. Since posting on social media legally counts as redistribution, TGC just wants to make sure they can't be sued over that specifically.

As explained here, most types of User Generated Content automatically receive copyrighted status if they're original enough (the legal boundaries between original and reused content from the company are often blurry; again, Tom Scott's video is a helpful guide)

"unrestricted, irrevocable, and universal" just means that the right of the company to redistribute the content isn't limited to specific platforms (Twitter, Tumblr, etc) for a specific time. Crucially, "non-exclusive" right means that you as the creator also have these same rights, and the company can't stop you. Furthermore, the company specifically mentions they have the right to license content for further use, which will often include payment. Again because their rights are "non-exclusive", you have the right to turn any licensing offer down.

If, for example, TGC tries to sell fan art for money or uses it to advertise (which would theoretically generate money for the company) you have the right to take that to court. Whether or not you'd win would be dependent on stuff like how "original" the court finds your UGC to be (again, copyright law is intentionally vague for these situations)

Of course, the legality of these things is totally separate from the court of public opinion. As a business, TGC cares at least a little bit about how we as customers feel about them (insofar as it affects their revenue).

This clause is really just there so TGC can repost art to their social media accounts without risking being taken to court about that, specifically. If we as customers are mad about how far they exercise those rights (reposting without proper credit or even using it to generate new content—or as "concept art") then we can respond by not giving them money.

TGC knows this, and if this clause already allows what's basically free advertising without them needing to direct it; why would they anger their customers more? Of course legally they could (though if this was taken to court then a judge could use the vague copyright law to rule either way based on the specifics of the situation), but as a business they would almost certainly risk a lot there.

It's kinda comparable to that fable about the frog and the scorpion. TGC (the scorpion) has the power to do something potentially harmful to content creators (the frog) and they might even be blameless for it, but the consequences of doing so would hurt the both of them.

holdon hold on hold on we CANNOT gloss over this in TGC’s ToS as i have just learned of

so like… they’re basically treating fan content as free concept art… wtf???

[heylittleriotact]

So I can't stop sharing this after realizing it myself earlier... After Rook tells Emmerich that they're a virgin, during their dinner date, and he clearly processes what is a VERY unexpected fact to him, he tells them that's okay, and you 2 can just take things slowly. :) It's sweet, right? But also... Emmrich... how fast did YOU wanna take things? Because now this man's got me convinced he was SO down bad for Rook, he wasn't gonna waste time NOT hitting it now that they're together. I'm unwell

Okay so I actually really appreciate how ambiguous they left Rook and Emmrich's sexual relationship until the coffin scene in the third act: they wrote it such that the player could headcanon that they had an intimate relationship already leading up to that scene OR it was the first time they slept together, and I think that's AMAZING.

I headcanon that my Rook (not a virgin) and Emmrich slept together for the first time the night of the dinner date, and I think that he planned the night not with the intention of seducing Rook, but with the mindset that if they were interested in moving forward with the sexual aspect of their relationship, the privacy of the Necropolis might be a bit more relaxing that the Lighthouse. It's clear that Emmrich has pulled some strings to have the gardens roped off just for the purpose of their romantic dinner, he goes above and beyond with the meal, they have a very sweet conversation about their feelings and attraction to each other, mention previous dates (or lack of), and the whole thing ends with a fade to black.

... and I'm a romantic degenerate who sighs and stares dreamily into space while twirling my hair at the thought of them making love for the first time on a bed of soft flowers in the garden, illuminated by veilfire as wisps float lazily through the air... but I digress:

Since Emmrich trusts that Rook isn't pursuing him from a place of "charming flattery" I think he takes their new relationship incredibly seriously, and part of that is acknowledging the sexual aspect of it. He strikes me very much an actions over words kind of person (hence the charming flattery remark), and given their circumstances and what they're up against, facing danger, violence and the possibility of death on a daily basis (especially daunting for him), I feel like Emmrich would be very motivated to explore that aspect of the relationship as soon as Rook was comfortable with it.

He's also older, more experienced (even if Rook isn't a virgin), and gives off the vibe that he's extremely comfortable with sex and intimacy based on the banter he has with Davrin. I think he views physical intimacy as yet another way to express his feelings for Rook and show them how much they mean to him. This man isn't sure if they're going to see tomorrow, let alone next week: he's only got so much time to make sure that Rook knows how treasured they are, so that's going to include romantic dates, deep conversations, surprising them with thoughtful gifts, and making love as often as they can get away with it. Regardless of what comes next, he doesn't want Rook to doubt for a second how much they mean to him, but he puts the choice about sex squarely in their hands and will let them ultimately be the one who makes the call as to when they're ready to explore that.

Once their relationship begins, he appears to court Rook quite ardently, with enough enthusiasm that Harding takes notice and points out that he's been mopey and distracted lately, and goes so far as to suggest that perhaps he and Rook are taking things a little fast. Even he's aware that this is moving at quite a pace, and he's clearly worried about how other people will/might perceive that given their respective ages - he probably thinks that people think he's a dirty creepy old man: a besotted fool, but I don't think he could approach Rook any other way even if he tried.

There are no half measures with this man: once he's in, he is IN. He's not fucking playing: this isn't just a casual fling that he expects to end once this evanuris business is over. It's probably why he comes off as a bit guarded and hesitant to engage with Rook's earlier flirtations: he probably puts this amount of care, vulnerability, and passionate authenticity into ALL his romantic relationships, and has probably been hurt in the past because of it.

Anyway, this has become suuuuuper unnecessarily lengthy, but I have so many feelings about this man, and I am indeed unwell too.

[thefudge]

Advice for writing smut???

gonna do bullet-points of things i tend to live by when it comes to smut (this is just my opinion):

don't switch styles: the way you write the smut has to be consistent with the way you write the rest of the story, so if your story is more comedic or romcom-y in nature, the way you write the smut should have those stylings. i personally find it very jarring when authors decide to break the format for the smut, almost like the story has to stop for the sex intermission; if you're writing a horror story, the smut must be informed and influenced by that genre, and if you are breaking genre for the smut portion, tell us why you're suddenly switching gears (it has to be an aesthetic choice you're making on purpose). likewise, if your style in that story is more lyrical, the smut has to be somewhat lyrical too, or if your story is more cormac mccarthy-esque-cut-and-dry, the smut can't suddenly involve an effluvia of purple, sappy prose. integrating the smut in the story and treating it like any other part of the story is key to me. too often i've seen ppl switch to this anonymous pornified style when they get to the smut

which brings me to specificity. i'll talk about het sex, since that's what i tend to write most: not all men are going to be fingering or eating pussy the same way, not all dicks are big and they shouldn't be, not all women immediately get excited by fingering, not everyone moans the same way or makes the same sounds. you're writing about particular characters so it has to be particular to them. i know this is very old advice, but i think it bears repeating

there isn't an exact formula or sequence you have to follow, there aren't precise steps, you don't have to go "well, first he has to kiss down her neck, then reach the boob area, then play with the nipples, then put the nipple in his mouth, then slowly go down on her, then prepare her for entering her etc. etc. etc." this can get boring and repetitive and you start thinking of your characters as these mechanical dolls who have to fuck for your audience. and that can be a vibe too, if you do it on purpose. but sometimes you can get stuck in a porn routine (and ofc, having only the guy show initiative can also get boring)

in order to break that, insert some character moments. what are the characters thinking during this? sometimes they might be thinking of something completely unrelated on the surface, but which has a thematic relevance that can make the scene hotter. likewise, maybe they're doing smth that seems unsexy on the surface, but which, within the context of the story might be really hot. sex doesn't just involve, well, sex, but so much weirdness and humanity and creativity. two bodies (usually) are trying to do this really awkward thing together and they might have a lot of baggage and history to inform it. there's a lot you can do with that.

don't make it glossy and clean, where everyone smells of strawberry shampoo and there is never anything out of sync. the most boring smut tends to be the kind where no one makes any mistakes and everything is super efficient. i imagine it feels like using an industrial pump to milk various farm animals.

and you know what? you can make that hot too. you CAN write a kind of robotic efficient smut and make it really interesting based on the context. let's say you're writing a 1984 AU fic where ppl are forced into intimacy only to procreate and their sex drive is diminished. you can play with that premise and lean into the dehumanizing industrialization of sex, but you have to mean it, aka your narratorial voice must be conscious of these factors.

if you're writing dubcon, make the dubious part present, make sure you draw out the ambivalence and ambiguity. if you're writing noncon, the character whose consent is being violated has to be transformed by this in some way. it can be forced pleasure, for instance, but not only. it has to be a journey for them too, some kind of spiritual pit, or a form of access to terrible knowledge. i know this is a personal thing, but noncon doesn't work for me if the character being noncon'd is just sort of *there*, suffering passively. i think that sort of dead passivity can be done very well too, but the narratorial voice has to persuade me.

that being said, don't be afraid of fear in consensual sex. terror and vulnerability are a part of consensual sex too, imo, and again, depending on the story and the characters, there's a lot you can explore there

i personally find it really hot when the narratorial voice starts discussing some of the ideas that the story wants to convey during the smut. so like, you can characterize person A and outline their worldview and their plans while they're ramming person B, and the thinking & fucking are thus entwined. idk, i dig that

speaking of which, smut can convey world-building details and social/philosophical ideas, not just emotions and character beats

not all smut has to end with mutual orgasm or even one-sided orgasm, it depends what you want to do or where you want to go. again, you don't have to follow a sequence. plus, it's fun (and hot) to write about frustration and failure too.

if you want to mix up the descriptions, resort to the story & characters. you'll find it's easier to describe someone fondling a boob in a new or at least interesting way if you're thinking about that particular character in that particular story, and not just Man X from planet porn (sorry to be snarky, but mainstream erotica is soooo guilty of this)

screaming & really intense reactions are cool but they have to match the characters and the situations

sometimes, it's hotter if an effect is mild or negated, if the usual outcome doesn't happen; mix up the order of events, toy with the usual reactions. it's not about being original, it's about finding out what works for your characters. writing about sex is, in a way, a performance of it, an attempt to go through the sexual motions, to find out what works and doesn't, to engage with the erotics of text (roland barthes entered the chat)

if you are bored by your own smut, that's a problem. i know we all talk about how hard we find writing smut, and IT IS hard, and sometimes it's not enjoyable, because writing itself is often not enjoyable, but even when it's painful and annoying, it gives you that little intellectual kick like "huh, i'm creating this and making these people do this, and ohh look, i can maybe put this unnamable thing into words". but if you become bored, that's a sign you have to look at the language & characters and figure out what's not working for you

last thing i'll underline: pay attention to your narratorial voice. in this ordeal, you are the seducer. not the characters. you have to seduce us with words and context. your voice matters the most. you can persuade us of anything. but you have to be confident in your weirdness and particularity. this is your bedroom (so to speak), so invite us in.

[babyleostuff]

when they take a joke too far | ot13

❥ seungcheol 

as much as i love cheol, i don’t think he’d immediately notice that he took the joke too far, mainly because of the fact that when he’s in the moment, surrounded by other people, you know - trying to be funny (maybe attempting on impressing others with his amazing joking skills), he’d be a bit too focused on the people surrounding him. it doesn’t change the fact that the second he notices you acting a tad bit off, he’s all over you asking you questions - if you are all right, if you want to leave, if you need food or water, his jacket etc etc. when he’d find out you were upset by his joke, oh - he’d be so so disappointed and angry with himself, truly. cheol would apologise, of course, and ask you if you needed space (it would break his heart if you said yes tbh, but he'd understand that). he just wouldn’t want to disappoint and hurt you even more.

❥ jeonghan 

jeonghan knows he can be quite petty and sarcastic at times, and his jokes can be taken ambiguously sometimes, especially when people don’t really know him and his humour. then again, he’d never tell a mean joke on purpose, he’s not mean like that, but sometimes his jokes do not come out as he means them to. it could take him some time to notice you being upset over his joke because after all you’re quite used to his sense of humour, so he’d never think that you could get upset over it. in his mind his joke is just a silly comment, he obviously doesn’t mean for it to upset you, god forbid. when he finds out you’re bothered by it though, he’d apologise in any way he could - he’d be extra attentive, clingy, and careful with you, but giving you space at the same time.

❥ joshua 

immediately feels so bad when he sees your expression fall after his bad joke. does not wait to apologise later or reflect on what he had just said - your visible sadness is enough for joshua to cradle your face in his hands and apologise, as sincerely as he can. even if you’re with friends or other acquaintances, he doesn’t care if people are staring or murmuring to each other, all he cares about is apologising. even if you’d forgive him, joshua would still be a bit more wary around you, making sure to give you space but at the same time still care for you and take care of you, because despite your words - he knew you were still a bit upset.

❥ jun 

wouldn’t be sure whether to pack up his things and move out of your apartment, bury himself under the sheets, or to bawl his eyes out. the worst part is when he doesn’t even realise that he upset you with his joke, because what do you mean that he made you sad and he proceeded to go about his day like nothing happened? HE DIDN’T KNOW, PLEASE FORGIVE HIM. it’s never, ever jun’s intention to make you upset (duh), and it makes everything so much worse - he’s the one who’s supposed to make you laugh, not sad. when he realises that he took the joke too far he’s not sure how to approach you, because if he could he’d apologise immediately, but then again - what if you hate him now?

❥ hoshi 

this man is the epitome of “saying before thinking”, and while he’d never tell a joke to offend someone on purpose, shit happens and not all of his jokes come off as jokes. he also gets easily distracted so it could take some time for him to notice you being upset, but at the same time he’s such a simp for you, so he’d either realise you were bothered by his comment an hour later or the second the joke left his mouth. would be the type to fall to his knees, hug your waist, bury his face in your stomach, and proceed with an at least hour apology because he feels that bad. his dramatic behaviour (and the even more dramatic apology speech) would make you laugh so hard, you’d forget about the joke in seconds. still, hoshi would be extra caring with you because no excuse could justify his joke that was lame and unfunny in the first place.

❥ wonwoo 

to be honest, i don’t see a world where wonwoo would take a joke too far, he’d notice you being uncomfortable before you’d even know you were upset by the joke yourself. BUT, if it (somehow) happened, his apology would come straight away. there is no way he’d be able to proceed with his day without apologising at least fifty times - he’s so in tune with your emotions, it’d be like he could feel you hurting because of the joke himself. wonwoo would feel very ashamed of even thinking, let alone telling such a joke, he’d feel very disappointed in himself, and he’d beat himself up for that for days.

❥ woozi 

would apologise immediately - jihoon doesn’t like bullshitting around stuff, there is no way he’d wait with apologising, not only because he doesn’t like getting into conflicts, but because you deserve that apology. it’s never his intention to upset you, and he wouldn’t be able to proceed with his day without saying something. like, what kind of boyfriend would he be if he didn’t? after incidents like those (not that they happen often), he’s a bit more cautious around you, making sure to not overstep any boundaries, and letting you have some space.

❥ dk 

not happening, sorry - there is no way seokmin would take a joke too far to the point of upsetting someone, especially you. no. freaking. way. he’d rather set his body of fire than make an upsetting joke. 

❥ mingyu 

there’s also a slim chance of mingyu taking a joke too far, he’s too good of a person to upset anyone with his jokes. if it happened, he’d immediately apologise, probably in one of the most dramatic ways ever - throwing himself on his knees, yapping about how sorry he is, and how he didn’t know how such a joke could even come to his mind, while he’s eyes would be screaming “FORGIVE ME PLEASE”. he would be so disappointed and angry at himself for saying the joke, like it would take him days to get over it, even if you said you forgave him. there’s just something about taking a joke too far and making your significant upset because of it that breaks mingyu’s heart.

❥ minghao    

he can be very blunt and petty, his humour is not for everyone, but that still doesn’t mean he’d upset anyone on purpose (unless that person is rude, then they get the full on xu minghao treatment). when he notices he took his joke too far regarding you, he’s kind of clueless on what to do next - it’s not like he can ignore the fact that he said what he said, and he feels so ashamed for making you upset, in fact - too ashamed to apologise immediately. all of his confidence and bluntness suddenly leaves him, because how is he supposed to keep his head high when he just made his significant other upset with a joke, he decided to think of and then say. 

❥ seungkwan 

our savage boo can be a tad too savage at times, and sometimes his remarks can be a bit upsetting. good thing is that he quickly realises when he oversteps the boundary of what is funny and what is not, so it wouldn’t take him much time to understand that you got genuinely upset over his joke. would take your hands in his, and with a lowered head (he’d be too embarrassed and ashamed of upsetting you to look at you), and try to apologise as sincerely as he could. seungkwan would make sure to give you some space, though it would break his heart - but he knew that that was what he had to do for you to forgive him completely.

❥ vernon 

vernon isn’t known for coming up with loud and bold jokes, so he immediately catches himself after telling the joke that clearly wasn’t a good one, especially because it was directed towards you. his first instinct is to watch you to see your reaction, he wouldn’t want to say anything right away, afraid that it would make the situation only worse. he’s very cautious when approaching you, he’d understand if you’d need some space, but at the same time he doesn’t want to wait with his apology, because he feels really, really bad. he's also really good at apologising - maybe taking the full accountability for a bad joke is the bare minimum, but then again finding the bare minimum is very hard lately.

❥ chan

chan is usually quite good at controlling what he’s saying, he’s very cautious of the emotions of the people around him, and how his words might affect them. sometimes shit happens though, and not all of his jokes come out as he’d wish them to. chan’s a simp and he’s a loser for you, so he’d catch on to the fact that he took his joke too far quite quickly, and wouldn’t know how to act. he just made you sad, no - he just offended you. his joke, his words made you upset, and that’s a complete failure of his boyfriend duties, because his jokes are supposed to make you laugh, not upset. wouldn’t know how to approach you, would try to apologise through acts of service.

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[avelera]

I actually really love Mel/Jayce/Viktor as well as Jayce//Viktor and I actually think the show has a couple scenes that lend to a poly interpretation of the three of them (Mel and Jayce both literally handling Viktor’s crutch between them while talking about how much they care for him, hello?? The subtext writes itself) but I found myself staying focused on just Jayce/Viktor at first because it’s a bit simpler to write and because as much as I LOVE the implied moments of their intellectual, ambiguously romantic threesome, I’d need more of Mel and Viktor interacting to really close the loop for shipping it in my mind. As it is, it feels a bit more “This is Mel’s boyfriend, Jayce, and Jayce’s boyfriend Viktor” that Mel still cares about and respects mostly from afar.

I also think that Viktor and Jayce kind of left their relationship at “we’re partners in every sense of the word, why define it further?” And that definition maybe included romantic and sexual moments (at least for fic writer purposes lol) but the fear of losing the amazing working relationship they had, which is so rare in the academic world, kept them from seriously “defining” it as anything official on the person front, which allowed Jayce to take up with Mel without it being “cheating”.

Throw into that the rapid advancement of Viktor’s illness and I can easily see a scenario where Viktor didn’t force the issue and indeed, was happy to see that Jayce had someone else who loved him in his life, knowing he didn’t have much time left and it would take a miracle to save his own life. Basically, I don’t see Viktor as jealous of Mel as a person, even if he was wary / resigned towards Jayce’s political career and would have rather have had him in the lab more often.

There was a happy medium there, I think, where Jayce was happily balanced between the two of them without jealousy from either that the accelerating events of S1 basically prohibited as the crises began to unfold, forcing Jayce into the conflict with Zaun, and Zaun had always been a point of miscommunication and later tension between Viktor and Jayce. An inevitable one I think, since Jayce couldn’t possibly know what it was like to grow up there, and in the course of their work it probably only rarely came up and so wasn’t daily addressed until the crisis made it an ugly conflict between them.

Anyway, I’m mostly just rambling as I think my way through how I write Jayce and Viktor in the fic I’m finishing up. But mostly I wanted to make the point that I see Jayce’s relationship with Mel as real and important and not “getting in the way” of his relationship with Viktor indeed, Viktor and Mel at least seem mature enough to navigate a poly relationship and Jayce has a lot of love to give (he loves SO MUCH guys I’m emotional about it, he’s just a good kid who ended up in a shitty complex situation that went way over his head. Bro didn’t even know if his school OFFERED military history, he was such an easy target and this is why STEM kids need an introduction to liberal arts I swear).

I don’t think S2 is headed towards any sort of unambiguous happy ending for the three of them but there’s definitely a happy AU in my heart where the three of them make it work and are better together than just two out of the pair.

[notherpuppet]

I know they’re probably not going to go into this (which i understand, there’s only so much time in an episode and they’re telling a different story) but I think about Al’s background a LOT. Get ready if ur in the mood for a read.

To be a mixed Black person in America is a…bizarre experience. You come to realize that due to the coincidence of your genetic makeup, white folks may divulge information that they keep so closely guarded from the ears of “more obvious-looking” black folks. Im gonna bring it back to Alastor, but lemme give some personal context. I’m mixed with Filipino, so I’m pretty obviously not white, yet my ambiguous ethnic makeup in a predominantly white suburbia seemed to make white peers and people feel much more at ease in relaying their criticisms or prejudices of black people to me. I would hear someone feel comfy enough to spew vitriolic racist shit with me, then toe the line like a circus acrobat when around someone a few shades darker in skin tone and a few coils curlier in hair texture. It was constantly infuriating and holding my tongue was a practice to both investigate someone’s true nature and preserve my own safety. I did abandon that method of navigating life in America, and experienced the switch-up white folks made when I started ‘broadcasting’ my blackness. (E.G. beyonce pre vs. post Lemonade). The criticisms and prejudice confessions just came less often, til I saw them being caged up completely after white peers experienced backlash from me. After they realized “OH this bitch is a n*****!?”

Now this is from someone who is brown, but i also wanna talk about my white-passing cousin with a similar racial makeup as Al, who is from the south and oh BOY. (Let’s call him J for this post’s purposes). J’s navigation though simple daily life is such a constant contradictory experience, of which he is still working through in therapy. I think of one moment when he was manager at retail gig and his boss told him that whenever a Black customer enters, it’s policy to give them “exceptionally attentive customer service”. Essentially, “follow that n***** around”. This is just one modern incident of when J would hear the quiet part out loud, despite his Blackness, because his appearance was white enough to make white folks drop their guard. Eventually, my cousin and I took to the same direction where we used our advantage of disarming white folks against them when the time came. We would keep note and record of racism and unlock a sort of “this you?” when the opportunity to expose that person’s true nature came. It’s pretty vengeful thinking ngl, but it is really REALLY hard to resist exposing an asshole rather than attempting to teach an asshole to change their ways. Especially given that such an attempt is an ARDUOUS uphill battle. The experience of KNOWING the truth about what someone thinks of your people, and being opened to opportunities and information that you would not have access to if the chance of your genetics was only slightly different is bIZARRE, horrific, and fuel for constant inner turmoil. (It sucks y’all)

Now back to Alastor; to have been a mixed person in the Deep South in 1930s America—it’s not too difficult for me to imagine how traumatic and convoluted that experience must have been. Especially when legally and socially, things were so much more Black and White. And when you’re on the line in between that, when society does not prepare a place for your existence, it can be SO isolating. You may consider the absurdity of such an arbitrary method of determining class, status, and/or caste much earlier in life than peers, which only further isolates you. You hold a resentment of society now that you know exactly how the other side is operating to ensure your oppression.

And then I think of Al’s weird ass moral code. How he arrived in Hell and (according to Mimzy) began killing overlords with reckless abandon. This is someone who likely had to develop the cunning to navigate 1930s Deep South America as a mixed, murdering, psychopath without getting caught by authorities who are already gunning for you. And now he is in Hell where the rules of society have gone up in smoke and he can fully embrace his rage, resentment, and vengeance. A desire to burn down the powerful people of the world can be accommodated and ANY previous inhibitions can finally be released. The morality of rising above someone by cutting them down (instead of developing emotional/spiritual healing) has become the easier and satisfying option. Finally the opportunity to show the power-secure villains of the world how easily you can tear them down when nothing is holding you back any longer.

TLDR; The trauma of racism in America is pretty sufficient cannon fodder for a severe psychotic break, the development of socially debilitating behaviors and isolation, and a quest for profound vengeance. So maybe that can explain some of the enigma that is Alastor.

And this is just ONE facet of Al. I didn’t even get to bring up the isolation that comes with being an aroace nonbeliever in the 1930s Deep South. Like FUCK. I’m a mixed, aroace nonbeliever from a modern day conservative town and yall….what a weird experience for sure lol but anyway lemme get back to my life. Whole point of this was—-WHAT AN INTERESTING FUCKEN CHARACTER TO THINK ABOUT

[gladiatorcunt]

🪺 - # WINTERGREEN CANDY CANE !!

cw: canon typical mind games, baby trapping/pregnancy, manipulation, reader’s emotionally constipated, tashi’s injury, cunnilingus, cockwarming, tit fucking, established tashi & patrick (there’s no feelings between them but they stay together for reader in the beginning), lactation, not rlly smut focused despite the tags, DEAD DOVE: DO NOT EAT, ambiguous baby daddy (even though the ending can be read a certain way), one mention of patrick x art, afab reader, there’s a thought about you being injured but it’s not serious, small time skip (?) type thing and implied future pregnancies, purposefully vague/unreliable narrator vibes

patrick and art’s descriptions are heavily insp. by these posts

consider commissioning me or leaving me a tip if you enjoyed!

They never tell you that Tashi got injured on purpose. She’s too good to fall victim to what plagues so many athletes, but you don’t know that. You, her assumed rival and yet also the poster child of sportsmanship. Rivalry can bring out affection in people, it can highlight the need for someone who can understand you better than anyone else possibly could. You’ve never been anything but soft and sweet, but you can still summon the lightning streaking across the sky in your eyes when the game begins. There’s a glow around you that Tashi craves like a moth craves the shadow behind the light they fly into.

Tashi’s fall from her pedestal was painful and the hardest decision she’s ever made, but for the first time she made it for love. The set up was the easiest part, but now she has to actually make the serve. And she can’t do it alone, she’d be stupid to be blind to how her boyfriend and his best friend’s stares linger. What she and Patrick shared fizzled out a while ago, but if she lets him go, then that signs her up for a battle she’d rather avoid. Sometimes pleasure can be derived from depriving an animal of the chance to kill rather than setting it free and giving it an opportunity to go after you first.

Who knows, maybe someday you and her can share matching injuries.

Luckily, Patrick shares the same sentiment, quickly agreeing to the arrangement and plan when he visited prior to the injury. Art’s good at downplaying his toxicity, so Tashi wasn’t concerned about if he could play the part of a “worried friend”. You’ll bust into the office while she’s getting checked out to see Art there, and the infatuation you've been harboring for him will keep you in place. The queen on the chessboard who can’t really move however they please at all. Patrick will return in a “rush to see his girlfriend”, and you’ll be too intrinscingly intertwined in their web to cut yourself loose.

You weren’t the one she was playing against, but because of your “friendship” you’re there in the audience when it all goes down. The shock of something career ending happening to someone who had the most potential of anyone you’d ever seen is staggering.

You practically run to see if Tashi’s okay, and the disappointment that you might never play with her again is palpable. But she’ll be fine, you tell yourself, she has to be.

Art has already left by the time you get to the room she’s in, doing one of his parts of the plan and allowing Tashi to put everything into motion. He’s waiting nearby, running his hands through his hair as he imagines all the ways he can comfort you. Because you will need comforting later, and your future husband knows the best remedies for your incoming sadness.

You’re standing gobsmacked in front of her bandaged knee, a confirmation that this is really it. You shrug off your bag and let it slide down your arm to the cold floor. Your mouth opens but the words don’t come out. You struggle to know what to say as Tashi’s eyes meet yours.

“What am I supposed to do now, huh? My top competitors gone up and left me hanging.” You sigh, trying to keep the kicked puppy look out of your eyes.

She’s in pain and you’re making this about you. But if you and Tashi aren’t bound by Tennis, then what are you bound by. Your friendship doesn’t go beyond the court, so what do you even share now?

There’s no big declarations, no babbling where you word vomit about glad you are that she’s okay. Neither of you are those kinds of people. The energy in the air is dead, but the situation is too serious for awkward small talk. All you two can focus on is what’s ruined, but only one of you can also acknowledge what stands to be gained.

“Take a break, then.” She says plainly, a touch too proud to beg. “For me, I mean who else am I gonna let see me like this?”

That last is an attempt to lighten the mood, to use humor to point out how you’re truly the only person she’d let see her in tatters. Your eyes widen and you freeze, but then you take a seat next to the cot and take her hand. Your smile could destroy the sun, she thinks, and even if the earth was plunged into darkness you’d make it feel like there was nothing to be worried about at all.

“Okay, just for a little bit.” You chuckle and rub her shoulder delicately.

You don’t know what on earth possesses you to say it, but you realize that the absence of a challenge would drive you insane. There’s other reasons for it, ones you’re aware and ones you’re not. But you and Tashi have a way of saying just enough without ever needing to be raw and reveal what you really mean. If there’s a coherent meaning to be found.

“A little bit” ends up being forever, your pregnancies see to that.

Tashi makes Patrick and Art hinge a match solely on who’d get first crack at it; they play so savagely that you’d think they were stray dogs fighting over moldy scraps of food. She’s there when you get morning sickness and she sends the boys out with a list of what you’re currently craving at that moment. She’ll brush your hair and do your skincare for you, rubbing your belly while everyone’s asleep and telling you’re baby that she’d better be their favorite (after you of course).

Tashi takes pride in how she pleases your pussy when you’re too swollen to put in any of the work. She licks broad stripes up your soaked cunt, nipping at your clit and getting you to cream into her mouth in no time at all. She presses sweet little kisses up and down your folds, wishing you could see her love on your pussy properly. They’ve had competitions on who can make you squirt the fastest, and Tashi will never fail to mention that she’s never lost once.

Patrick gets really into cockwarming, getting you nice and settled in his lap. He has to take deep breaths so he doesn’t immediately start thrusting, he knows he has to think about the baby. But the pregnancy has made you impossibly tight, and your hormones make you go crazy for his sweat and natural musk. You’ll whine at him to hover over your head so you suck on his heavy balls. You nag about how he needs to take better care of himself, but you’ve grown to love swallowing his tangy load while you’re suffocating in his pubes.

When that happens depends on how long either of you can hold out, Patrick will tease you about how slutty you’ve been lately and squeeze your face with one hand. His cock will twitch inside of you, snug and strangled. He'll suck Art off till both of their lips are bleeding and you’ll motorboat Tashi’s tits to pass the time. You’ll start swiveling your hips somewhere along the way and his resolve will crumble like it never existed in the first place.

That’s for later though. He fastens the ugly neon cartoonish headphones over your belly and turns on the attached mic, doing storytime with the softest grin on his face.

Art on other hand likes fucking your leaking tits, he loves when drops of milk lube up the slide of his dick in the valley between them. He’ll thumb at your sensitive nipples and flick them, cooing at you when you moan and lap at his cockhead during the split second it reaches your mouths. He’ll look after your breasts outside of the bedroom. He’ll massage them and drain them for you if they’re feeling particularly sore, two of them will be latching on either tit while the third will be sucking on your tongue. His pecs bounce with every languid roll of his hips through the pocket his hands create, and he brings your hands up to them so you’ll grab on and leave scratches.

Art gives you more cum, his literal breeder balls are too big and full, and he’ll bet that he’ll give you more children. His thrusts have a certain punchy rhyme and rhythm to them while Patrick’s are sloppily enthusiastic and feral.

Art picks out supplies for the nursery with you, supporting your vision wholeheartedly and agreeing with every color and stuffed animal you choose. He and Patrick continue with their careers, and Tashi finds a way to coach them both, they need to support you and the new member of their slightly dysfunctional family. Tashi writes up the speech you give when you announce your early and extremely unexpected retirement, and she massages your feet when you collapse on the couch from the sheer emotional exhaustion. Art pecks each of your toes as she does so. Patrick plays tic tac toe against himself in the hollow of your throat.

And when the baby’s born and they can finally see who actually got you knocked up, Tashi says that maybe Patrick will get to be happy that he’s finally won something.

- faetreides 2024. do not repost, translate, or give my works to ai

[hanaruri-tunes]

The demons’ reactions to Y/N asking them to fuck them (headcanons/short scenarios)

⚠️ As usual MDNI!!!

The MC can be whichever gender you want in this one. (Pretty sure I managed to keep it ambiguous?)

What follows are individual scenarios btw, it’s not MC asking every single one of them at the same time haha (I could write one like that as well though if people like this one? Not sure of how well it would turn out but I could.)

Anyway, enjoy 👇

☆☆☆☆☆☆☆☆☆☆☆☆☆☆

Lucifer

He could tell something was different right away. You’re not the type to be shy with them and particularly not him. Sometimes your blatant disrespect towards him is refreshing… sometimes it’s infuriating, and yet here you are now, shifting in place, fiddling with your hands and looking down nervously. It catches his attention right away.

"Is something wrong? Y/N, if something is troubling you, you can tell me. In fact, please do so freely."

"...lease …uck me."

"...Excuse me?"

Surely he heard wrong, no matter how honest you are, there’s no way you would ask something like that with no build up-

"Please, fuck me…"

"..."

Lucifer puts his hand over his mouth, trying to hide his delight in vain. He has always wondered how to go about it, what to plan, how to charm you and get you in the palm of his hands. To think that you would come marching right ahead, falling into his hands on your own just like that. He approaches you, taking you into his arms, feeling up your body against his.

"But of course, no need to be so shy about it. Shall we go upstairs Dear?"

Mammon

Mammon felt like something was a bit different about you tonight. You kept coming closer to him, more than usual, brushing over him, smiling at him in a special way. Were you seducing him? Because if you were, it was 100% effective! But well, wouldn't it be rude to point it out? What if you stop? What if it wasn’t on purpose? So he keeps quiet and you get more and more frustrated with his inaction until it explodes.

"...Don’t you want to fuck me?!"

"Wha- Yes?!?"

Thinking twice? He didn’t even think once. He was surprised for sure but when you ask for something like this, there’s only one correct answer to give. In a flash, he pounces on you.

"Anytime, anyday, whenever you want. Please only come to me Y/N…"

Leviathan

You were harder to handle today than you usually are. Leviathan is used to holding his breath when you hug him or kiss him on the cheek. He’s used to looking away when you bend down or shutting his eyes tight when your face gets too close. But today? Today was different. You kept clinging to him, not giving him any personal space. Constantly praising and teasing him. His heart had skipped at least eleven beats in total, and even that might still be an understatement. Levi ends up breaking, asking you outright if something is wrong.

"C-Could it be that you want something from me? Sorry, I really don’t know um, if uh. Well I just don’t understand where you're getting at."

You hold back the urge to facepalm, well, it’s not like you didn’t see it coming. Leviathan thinks that he’s so unattractive that no one, and especially not you, could ever want him.

You press yourself against him, circling your fingertips on his chest.

"Jeez, you really are an idiot sometimes Leviathan… I want to fuck you. You get it now?"

His third member rises immediately at the request while his mind is still buffering.

"Uhh?? Um, y-yeah? I mean, errr. Are you like, 100- no, 1000% sure? O-Out of all my brothers me??? Isn’t that um, of course I’m not judging but maybe I’m not-"

You kiss him on the corner of his lips, shutting him up.

"I only want you to fuck me, can you do that?"

"Y-Yes. Anything you want...! ♡"

Satan

There he was again, nose stuck in his books. However your perfume caught his attention right away. You always smell nice but this fragrance was different from your usual scent. It was more mature, more seductive, more… He looks up to you, even your clothes show more than usual. Your hairstyle is different as well. Are you going out? So then why did you come to him? He coughs.

"Excuse me for staring. You look very good. Is there a soirée tonight that I’m not aware of?"

You look to the side, a bit flustered. Without a word you sit next to him on the sofa, then you slide your hand on his knee, not daring to go up to his thigh yet.

"...Would you like to fuck me?"

"..."

Silence.

He’s processing your request, making sure he understands your intentions. After a couple of seconds that seemed to go on forever, Satan closes his book and leaves it on the table. Then he leans over you, encouraging your hand to go higher on his thighs.

"Well, since you asked so politely how could I ever turn you down, hm?"

Asmo

He can tell right away what you really want since he is the avatar of lust. However he lets it play out, curious to see how you’ll go about it. Will you be all shy and cute or will you be more confident? He enjoys seeing the gears turning in your head as you’re awkwardly holding your hands together, sweating from the pressure. However he doesn’t want you to be uncomfortable when asking for something as wonderful as sex, especially with him since he is quite the fanatic.

"Relax your shoulders and breathe Y/N♡"

He places his hands on your shoulders, sliding them down your arms then going back up only to fall down again, on your back this time. He starts massaging you, whispering sweet nothings in your ears, making you comfortable and eager rather than nervous and scared.

"...Asmo?"

"Mh-hm?~"

"I’d like you to fuck me, is that okay?"

He stops, then pulls you over. Your back against his chest, he whispers his answer.

"What a coincidence, that’s what I’ve wanted to do to you since the very first time we met♡ How lucky that you asked for it first..."

Beel

Beel is devouring a rotisserie chicken in the kitchen… again. It seems like that’s all he does, everytime you want to find an appropriate moment to ask, well, it never is a good moment. You look at him, your spirits down, readying yourself to leave as usual. Surprisingly, he stops you and invites you to sit down.

"Y/N… Lately you always look sad when I see you. Would you like some? You know if you’re hungry you can always ask me to share."

"That’s not it Beel…"

You look down, discouraged from asking for it. All Beel always thinks and talks about is food anyway. Will he even care if you ask him something like that? Maybe he has no interest in such things, or in you.

Beel puts the food down, looking grim.

"Beel? What’s wrong…?"

"It’s difficult to enjoy the food when you look down, somehow even the taste turns foul when you’re sad."

Your chest feels tight at his words, maybe it would be good to just be honest and get it over with.

"Beel, truth is- Uhh. ... I want you to f-fuck me… But well, I can understand if you’re not interested in that sort of stuf-"

Beel’s eyes light up, his gaze stuck on you.

He takes you into his arms, carrying you out of the kitchen, heading up the stairs.

"B-Beel?!"

"That’s all you wanted? Should’ve said so earlier, I’ll finally be able to quench my hunger for a while."

Belphegor

You came to wake him as you do every morning, since you’re apparently the most skilled at this task according to the others. Still, some days it’s a challenge even for you. Like today for instance: he keeps complaining, bitching and moaning. You’d like to make this easy for the both of you but it’s complicated to keep finding different ways to encourage him to get up. Kisses, hugs, dates, and the exact same offers rarely work for over 3 times in a row. It pisses you off, could it be that he just got tired of you already?

You give up and lie down next to him, sulking and muttering.

"Asshole… What if I asked you to fuck me. Bet you wouldn’t even care, hm?"

Belphie’s eyes shot wide open, then he turned over to you. Extremely attentive to your every move and word.

"What was that?"

"Nothing. Only good boys who get up at reasonable times have a right to have a go at me."

He clings onto you greedily, begging you to repeat.

"Come on, pleeease? I’ll get up right away if you ask for it."

"Nope, too late to smother me now."

He puts his hand on your waist, grabbing it firmly and pulling you towards him into the bed.

"...Please? I’ll make you feel so good you’ll be the one to ask to stay in bed."

You ponder it for a bit… Well. Truthfully, you do want him so- Shyly, you ask him.

"Mh. Then um. Will you fuck me good…?"

You feel him smile against your neck, and he answers.

"I promise I won’t let you go until you’re completely satisfied with me. ♡"

☆☆☆☆☆☆☆☆☆☆☆☆☆☆

Doneee.

And my askbox is open just so y’all know, no promises on anything but do know that anything you send will definitely be seen/read even if I might not be able to answer to everything! I don’t know if I can say that my "commissions" are open but if you send me ideas and I like them, there is a chance I might write some stuff based on them 🫰