#that impact the thing that they are talking about

[becausegoodheroesdeservekidneys]

When you point out how neurodiversity affects whole areas of the brain, not just what we see as the presentation symptoms, it seems so obvious. I've known that many neurodivergent conditions have high rate of co-morbidities, but haven't thought about what that would mean. I really liked your explanation of what else dyslexia affects, it made me recategorise some of my sister's mom behaviours. I see time blindness, some executive dysfunction, organisation difficulties and go, yup, I've got that too, it's normal, and forget that most people don't struggle with that (I've suspected I have undiagnosed ADHD for years, but never got checked for it, since I suggested it my dad freaked out, insisting there was nothing wrong with me. I really should though)

May I ask how your synaesthesia manifests for you? I'm always curious about how neurodiversity manifests in people and how it affects them, because there are so many minor and major things not talked about. I apologise if that question makes you uncomfortable, you don't have yo answer it.

Anyway, thank you for your explanation! It made a lot of things click all at once for me.

If you want lots of examples of how my synaesthesia works, I have a tag you could trawl here. But, I have a few different types; the common numbers-have-colours one, but I also get textures and sensations and feelings, and about... literally everything. Numbers, words, people's voices, names, personalities, the plots of media, images, everything.

Soooo, yeah. Sensory overload is the big impact; trial and error over the years has shown me it's primarily auditory, so if I can wear earplugs I can cope for longer in 'busy' environments. The other thing is that it really does a number on my mathematical ability, though, because, I shit you not, the colours get in the way. When I was a small child I was shown that 3 + 5 = 8, and my brain went "Yes, orange + pink = brown, got it" and ever since then if I see a 3 and a 5 together in a sum it DOES NOT MATTER what the operator is, I immediately assume the answer is 8. 3 plus 5? 8. 3 minus 5? Also 8. 3 times 5? Buddy you'll never guess. But it's 8.

It takes conscious effort not to do this T_T

The other thing is that I really, REALLY suffer from this thing where someone goes "Hey, we should watch Program X" but the problem is, you see, the problem is, I cannot stand the sensation I get from the name Program X, and therefore I will not watch it out of disgust that is totally unrelated to the actual show. This applies to all media, places, human beings, etc. (It is obviously a thing I have to be careful of when it's human beings.)

I think everything else I have is ADHD-related though, so that's probably everything I can put down to the synaesthesia.

[ff-killjam]

How The Tables Turned [Ford x reader oneshot]

Summary: This time, its Ford making you stop what you're going to make sure you get sleep.

Rating: SFW and very fluffy

Warnings: Aside from a slightly suggestive part, none!

AO3 version

A/N: Actually based on a period of time where I tried to learn how to use unity (before the whole drama of it happened). I refused to do ANYTHING but to work on my little project no matter how much I was starving for a few weeks straight. lol.

It’s basically routine at this point for you to drag Ford out of his lab to head for bed. Even if you remind him of the benefits on sleeping and how the lack of it will impact his work, you still needed to get him into bed, sometimes having some food ready for him to make sure he didn’t sleep on an empty stomach.

That’s how its USUALLY IS.

Lately, you’ve started your own personal project involving learning a game engine to play around with. It was mostly just a random idea one day, wanting to try your hand at making your own little “video game”. Nothing too fancy, just something fun to put together and to learn some new skills along the way. There was A LOT you needed to look into and learn to make this happen, however.

From learning a coding language, the game engine itself, a mix between finding free to use assets and even making your own when nothing suited your taste- you had a lot on your plate. It wasn’t all that bad really, considering how this whole thing turned into a full blown hyper fixation fairly soon after starting it. It was easy to let the hours fly by as you were split between watching tutorial videos, drawing and fixing any errors/bugs in any of the codes you wrote down. You were aware of when you needed to sleep, eat and do other things for your health, but something about working on this project made you refuse to move from your chair. And you weren’t the only one to noticed this.

After a decent amount of time being with you, Ford has grown used to the routine of you coming to his lab to check up on him. It got to the point where he purposely stayed late in the lab to get you to come in and “pester” him to take care of himself better. The feeling of knowing you cared and loved him so much to go out of your way to make sure he knew that was something he relished in. Of course, he did felt a little “silly” and “immature” doing this instead of straight up telling you, but there was no harm being done anyways, so it was fine.

So when you stopped checking on him after a few nights, he couldn’t help but to worry a bit. At first, he figured you were just a bit busy, possibly even out for the night, so he didn’t think too much of it. However, when walking into your computer room and seeing you up staring at your screen with an open notebook with various random things written on it, he couldn’t help to smile a bit as you reminded him of his university days. You were just working on something, nothing too bad.

But as time passed by, he soon realizes he only ever sees you in your computer room. You barely went out for anything, even for food. Ford didn’t want to jump to any conclusions, but he was worried. Things escalated for him when he barely sees you in bed anymore.

It’s not like he didn’t talk to you as you were deep in your work. He would sometimes check in on you when things felt a little too quite after he started to noticed your absent in his lab. Ford was happy you were able to pursue something new and to take the time and effort to do it. He was aware of the little game you wanted to make for the sake of saying “I made this!”. When he had the free time, he’ll listen to you talk about the things you learned, some of the issues you faced and how you fixed them, etc etc. But he can only take so much before he had to really step in for your own sake.

The sky was dark out, and it was around 1am. You weren’t in bed yet. Again. Ford was really concerned for you now. Walking through the dim hallway, he opens up the door of your computer room. He can see you fully concentrated on your screen, looking over some codes you put together, as if you were trying to find any errors in the lines of text that was presented in front of you. It was obvious how dry your eyes were, how your body longed for rest, but the urge to keep going and to fix this one mistake kept you from wanting to sleep despite how much you felt the need to do so.

It was almost funny to him. A taste of his own medicine some would say. It reminds him of the many nights on how he too would refuse to stop for the night, always needing to do one more thing before he could let himself rest. How you would do your best to persuade him to let himself walk away from his work, to take care of himself to avoid any health complications, and to spend time with you in the comfort of your bed.

It made him feel guilty as well. The things you did for him and how much you loved him to always go out of your way to show it. Ford knew he was taking full advantage of that, and he wanted to repay it back.

You jumped a little in your seat when you felt his familiar six finger hand land on your shoulder, being so focused on the lines of text on your screen that you forgot where you were for a good bit. You look over at Ford as he stood beside your seat, giving him a weak smile.

“Oh hey! Do you need anything?” You asked before quickly looking back at the screen again.

“Love, when was the last time you ate?” Ford asked you in a gentle voice.

“Uh… I had breakfast?” You answered, only remembering you had some toast with a sunny side egg on top when you last ate. It didn’t seem like it mattered too much though.

“Its almost one am” Ford replied, a little stern this time. You quickly check the clock on your taskbar, feeling surprised from how much time had passed.

“Oh… oops” you spoke mostly to yourself, feeling a little silly for not checking the time more often. “I’ll probably head to bed soon”

“Not soon,” Ford points out, “you’re going to bed now.” His words made you look at him again, confusion viable on your face.

“Just let me do this one fix-” Ford says your name, stern voice again, causing you to stop your sentence.

“You are fully aware of the effects of not taking care of yourself” Ford spoke to you with a smirk on his face. You knew that he was referencing the many of times where you brought out the facts of how the lack of sleep and self care can affect your health and day to day life. It was the best way to convince him to come to bed and let you cuddle with him until you were both asleep. “You’re no different form me, sweetheart. Got to practice what they preach, as they say”

“Uh…. I’m built different?” You gave a half shrug and a low chuckle at your own joke. Obviously, this did nothing to change his mind. You knew he was right, and had nothing to say to argue back. Ford knew this too. “Fine… let me quickly save and shut off my computer…”

Ford watches you quickly save any progress before shutting off your computer, the light of the screen turning off and making the room dark as it was the only thing on. As you start to stand, your body fully conveyed how tired you really were. You were about to walk to the hallway door before Ford lets out a ‘let me’, and you were now being picked up bridle style in his arms. You let out a small gasp, often forgetting how much muscle the older man has as he often hides it away in his iconic turtleneck. The comfort of him holding you made the realization at your own exhaustion hit hard. You can feel yourself somewhat go limp as Ford carried you to your shared room.

Ford felt you quickly relax in his arms, feeling prideful as he carried you to your bed. Sitting you on the side and pulling the blanket back. He lays you on your pillow before fallowing suit into his usual spot on the bed beside you. Your eyes were shut as you let yourself sink into the soft mattress, the weight of the blanket being pulled over you giving a sense of security, along with how his arms wrapped around you to pull you close to his chest. You let out a sigh of relief as you feel him nuzzle his face into the crook of your neck, getting a few shivers down your spine.

“Sorry…” You mumbled to him, feeling guilty now for making him go out of his way to get you to bed. You feel him chuckle into your skin, the smile forming on his face being easily felt on your skin.

“Nothing to be sorry about sweetheart,” his replied, voice audibly sounding more tired, “I should be the one to apologize, making you go through this almost every night. I see how doing this almost all the time can be a bit frustrating for you.”

“Not if its you,” You were quickly to reply, “I’m always happy to make sure you’re okay”. Ford felt his heart flutter at your words. You always did surprised him with how much you loved him despite how many times you pointed it out.

“The feeling is mutual,” Ford placed a kiss on your skin as he caressed one of his thumbs that rested on you, “lets get to sleep now, I’ll be sure to do something for you in the morning” Ford gave another kiss on your skin, and you can’t help but to feel excited for what he had planned.

Silence followed as you two let yourselves slowly fall asleep in each others comfort. Feeling his steady heartbeat on your back lulled you to your sleep.

Ford smiled when he realized you fell asleep before he did. It was no surprise, you needed it really bad. Without fail every night when he has you in his arms like this, he feels like the luckiest man in the multiverse. He didn’t deserve you, but it was almost as if this is the repayment he deserved after many years of suffering, a way of life saying sorry to him.

And he wouldn’t ask for anything else.

[trippinsorrows]

looking through your eyes + seventeen

authors note: this chapter covers the aftermath of solana's attempt in the previous chapter. please heed to content warnings in order to make an informed decision regarding reading this chapter.

i'm going to handle solana's experience in the hospital as realistically as i can, but there are creative liberties taken as well. and don't come for me for the ending either. :/

cw/tw: angst, discussion and coverage of the aftermath of a suicide attempt, mental health discussions.

song inspo: ‘looking through your eyes’ by leann rimes

masterlist

words: 15k

Roman has a long to-do list. He always does and always will. But, this is by far one of the last things he wants to do. 

He’s going on 24 hours of no sleep, which isn’t the first time he’s done as such, but it’s the first time he’s done as such and actually felt the impact of the sleep deprivation. And truth be told, deep down he knows the exhaustion that he feels is more mental than anything.

It’s the result of the toll that finding out Solana tried to kill herself has taken on him. 

Is taking on him.

But, he can’t deal with that shit right now. He can’t deal with it because he’s got his Wise Man, Rikishi, Solo, Jimmy and Jey all sitting around him, wearing various levels of confused expressions. Which only irritates Roman more because Rikishi and Paul are the only ones who should be confused. The twins have been with him dealing with all of the shit the past 24 hours. 

Solo too.

Rikishi is the first to speak, studying Roman. The Tribal Chief is more than sure he noticed the grimace on Roman’s face as he went to roll his shoulders, remembering yet again of the wound that probably won’t heal as quickly as predicted given the fact he’s done the complete opposite of ‘taking it easy.’

“You gonna tell us what happened or—”

“There was an assassination attempt on Solana’s life last night.” Roman’s sentence is matter-of-fact and to the point, nevermind the fact that his right hand forms into a fist at just saying as such. 

Rikishi and Paul share shocked expressions, Roman’s older cousin being the one to ask, “is she—”

“Bullet hit me instead. Didn’t lodge. I’ll be fine.” Roman only adds that last part because of the horrified look on Paul’s face, already knowing his Wise Man will bombard him with questions about his injury. “Xavier Miller and his boy were behind the attempt. I’m handling them now.” 

“But sir, why would Miller want his own daughter dead?”

Roman closes his eyes and rolls his neck, working to settle his rising temper. He hates talking about this shit. It only spikes his eagerness to get his hands on Miller and rip him apart limb by limb. “Because she didn’t go along with his plan.”

Rikishi speaks up again. “Plan?”

Roman’s jaw clenches. “He wanted her to kill me.” 

The rest of the men look equally shocked, Paul gasping loudly, asking, “she’s a traitor?”

If looks could kill, Paul would be six feet under. Roman has to mentally restrain from acting out on his suddenly murderous urges. “She’s my wife.”

Rikishi, however, seemingly tosses his longtime friend a lifeline, trying to reason with his younger cousin. “Uce, that doesn’t mean she can’t be both—”

“What I’m hearing….” Solo surprises the men around the table as he sits forward. “—is that she can’t be trusted.”

Roman isn’t sure just how much of his anger and rage at the accusations being slung against Solana is showing, his Solana, but it must be enough for the twins, of all people, to try and de-escalate.

“Come on now, this is Soso we talking about.” Jimmy is the first to kick off peacemaking. He looks at his father, “pops, you was there when we first met her. She was nervous as shit. Ain’t nothing about that girl dangerous.”

Jey chimes in, handling Solo. “And you of all people should definitely know that’s not Solana. She would never hurt nobody, let alone kill nobody.”

Solo, however, simply scoffs. “Like she ain’t hurt her brother?”

“What was she supposed to do? Let him beat her?” Jimmy is the one to snap, shouting back with a suck of his teeth, “man, that bitch deserved it!”

Rikishi jumps in, defending his younger son. “I think what Solo is trying to say is that it proves she is, in fact, capable of hurting someone if she wanted to.”

“Why would she want to hurt Roman? That don’t even make no—”

“Enough!” Roman’s fist slams down on the table. “The next person to say one more negative thing about my wife is getting a bullet in their fucking skull.” There’s a blanket of silence, all of the men knowing that Roman would absolutely carry through on this threat. A promise, really. 

Roman swallows, both from anger and something else he can’t pinpoint. “Solana tried to kill herself last night. What in the fuck about that presents a danger?” He doesn’t care enough to observe the reactions of that news. Doesn’t give a fuck. “The only person she’s a danger to is herself.”

Paul is the brave soul, or perhaps just stupidly and naively asking, “is she—okay?” 

“I said tried, didn’t I?” Roman snaps, forcing the pudgy man to recoil back in his seat. Roman clenches his jaw yet again, directing his statement to the next older man. “Rikishi.” He runs a hand over his face. “Meet with the Elders. Tell them about the assassination attempt. That it was Miller. Nothing about the plan. And leave it at that.”

Rikishi removes his glasses, sitting up at the table. “Roman, the Elders should know—” 

“The Elders know what I want them to know, and I want them to know that someone tried to kill my wife, and I’m handling it. That’s it.” Incapable of dealing with any more of this shit, Roman stands up from the chair, turning his back on the rest of his family. “Wise Man, let’s go.”

The obese man also shoots up from the chair, nearly tripping over his feet as he wordlessly follows Roman out of the room. 

Left alone is just Rikishi and his sons, the patriarch asking, “she tried to kill herself?”

Jimmy and Jey wear similar frowns, recalling the horrific truth they learned about their ‘Soso’ just hours prior. Jimmy shuts his eyes, unable to push away the memory of a hysterical Naomi throwing herself into his chest at the memory of finding Solana unconscious. 

“It’s….it’s a long story,” Jey answers in a low voice, wanting to be respectful. Aware or not, Solana’s story is hers to tell and hers only. 

Truthfully, he’s slightly surprised Roman even disclosed that part of the past 24 hours. 

“Yeah, there’s a lot of the story that Roman left out,” Solo suddenly finds his voice again, sharing directly to his father and brothers. “Like the fact that Roman took that bullet for her.”

“What?” Riksihi asks, shock stamped all over his voice. 

“I was right there. I saw the whole thing. He pushed her out the way.”

Jimmy shrugs. “He protected his wife. What’s wrong with that? We all would have done the same.”

Jey nods in agreement. Rikishi looks torn. 

Solo continues, pointing out. “But, Roman ain’t like us. He’s the Tribal Chief. He needs to act like it.”

“Careful, son,” Rikishi cautions, seemingly breaking from his conflicted state. “Your Uce sits at the head of the table for a reason. His ways may be unorthodox at times, but his reign won’t be questioned. We won’t disrespect him.”

Solo scoffs. “But you’ll disrespect the other Elders by lying for him?”

Jey jumps in, chiding, “man, what’s up with you tonight?”

Solo scoffs, pointing to himself. “Me? I’m not the one whose judgment is clouded. We all know if this was one of us and the roles were reversed with our wives, Roman would want them executed. He’s not thinking straight.” Solo looks around the room, noticing there’s a brief second of silence. “Ya’ll see it too. I’m just the only one who’s willing to say it. Roman is losing focus—”

“That’s enough, Solo.” Rikishi raises his voice, firmer, that of a father. “You’re out of line, son.” 

Solo looks around the room, halfway waiting for his older brothers to jump to his defense, to agree with what they have to know is the truth. But, when that doesn’t happen, he also shoots up from the table, rocking it in the process, leaving the room without another word.

Once gone, Jimmy motions with his thumb. “Man, he is tripping.” He shakes his head, asking his father, “you want us to talk to him?”

“No.” Rikishi answers almost immediately, sighing heavily, running his hand over his face. “I’ll do it….you all just….watch Roman.” He stands up, as Jey mutters something about having the hard job. “And sons….this conversation doesn’t leave this room, understood?” Jimmy and Jey look slightly confused and taken back, Rikishi explaining, “I know you’re both closer with Roman. But, he’s just your cousin. Solo is your brother. He’s definitely tripping, but he’s still your family too, and there’s nothing more important than brotherhood, alright?”

________

Roman awakens with a heavy sigh that’s followed by his eyes closing. 

His sleep has been shit the past few days, and it’s been solely because his bed is cold and empty on the other side. Because he’s sleeping alone, something he once cherished but now can barely tolerate. He didn’t realize just how much he enjoyed Solana’s soft body pressed up against him, the satisfaction he felt waking up to her every morning.

Now, he just awakens to silence or the sound of Dulce whimpering or barking. 

Dulce’s whimpers on the side of the bed remind him of the fact that she’s still sleeping in his room. In their room. On Solana’s side.

Her empty side.

Moving the blankets off, Roman swings his big body over the side of the bed and walks over to motion for her to follow him. “Come on.”

He knows she has to empty her bladder, but he’s grateful for a reason to leave the space that reeks of Solana, a constant reminder of her absence. 

It’s….an experience, to say the least. 

Picking her up, he carries her down the steps, through the house, and out the back sliding door by the kitchen. Roman places her in the grass, letting her do her business as he goes to sit down on the edge of one of the chaise lounge.

He closes his eyes.

Love. 

Suck a weird fucking thing. Something he’s never really understood. 

Or felt. 

Not….not in this aspect at least. 

He’s always been confounded by the emotion that makes people act so outside of their character, clouds their judgment, and seizes their brain in crippling ways. He never saw the appeal in it. Never wanted it.

And then came Solana. 

If someone had told him four months ago that he’d not only be married to a woman he actually cares about let alone would end up loving, he’d probably knock them flat on their ass. Harshly criticize their stupidity at the very least. 

Falling in love with Solana was never the plan. He never wanted this for himself. He just needed to marry to create an official heir. And that was it. She would do her thing, taking care of the kid and whatnot. And he would still do him, continuing his life of commitment free sexual relations with whoever was his flavor of the week. Or day. 

And yet all of that, just the thought of it, sours his expression. 

He doesn’t want anyone other than Solana. Doesn’t desire to be intimate with anyone other than her. It’s her he wants to wake up to every morning, her he wants to make happy. He just wants her. Nobody else.

Because he loves her.

And it’s a shocking, life changing realization he finally stumbled into while sitting at her hospital bed. An epiphany he’s certain was heavily transitioned from subconscious to conscious given the events that transpired that night.

She almost died, was almost shot, and there’s not a fucking part of him would do anything differently. He’d take that bullet and any other bullet for her anytime. 

Because he loves her.

He stood between her and her piece of shit father, not thinking twice about it, only knowing that decision would forever negatively change her life. Thinking how he promised her he would never let her end up in that position. 

Because he loves her. 

And he sat at her hospital bed, holding her hand, pouring his heart out to her because the second those infamous words left Jey’s mouth, his world nearly collapsed. He couldn’t think straight as he rushed to the hospital, uncaring and uninterested in anything except being with her, holding her, catering to her. Whatever she needed. He just needs her to be okay. 

Because he loves her.

Roman’s head tilts back, the weight of all this lying on his chest. 

He can’t deny it. Can’t deny he loves her. Not to himself, at least. He just doesn’t know what the fuck to do about it.

There’s…..there’s no room for love in his life. No place for it. Love is weakness, and Roman has never and can never be weak. He’s the Tribal Chief. The Head of the Table. The leader of the Bloodline and Cosa Nostra. There is no space for weakness.

Or love. 

And yet….it’s there.

It’s there for her. 

Dulce walking over to the chaise lounge that Roman realizes is usually the one she sits on when she’s writing brings him back to the sadness that creeps in at her absence. Dulce must feel the same as she lays down, ears also down, whimpering.

Roman beckons her over, watching as she slowly walks over to his feet, ears still down as he picks her up and places her on his lap. It’s something not even a week ago he would probably do. But, that was then, and this is now. 

And now, he almost feels a sense of duty to Solana’s puppy. 

Because it’s this same puppy, he’s learned, that barked nonstop at Bayley and Naomi, running over to Solana and starting to cry, effectively alerting them that something was wrong.

Very wrong.

With an uncharacteristic level of emotion, Roman gently strokes the top of her head. “You saved her life….” For his own mental sanity, Roman chooses not to think about what the alternative could have been. What his reality would be if this small, five pound animal didn’t have such a close, protective bond to her human. “Thank you.”

Dulce whimpers in response, laying her body on his lap, staring at the empty pool chair. 

Roman sighs, eyes shutting again. 

The emotion is undeniable as he acknowledges in a soft voice. “I miss her too..”

This shit is much harder than he realized. 

________

Roman: How are you doing? 

Solana glances at her lock screen at hearing the familiar, personalized notification sound. The sound she set specifically for texts from her husband. Her smile is already set on her face but settles into something deeper as another message slides in.

Roman: Do you need me to come home?

Placing the pencil down on the nearest surface, she swaps out her task at hand for a brief break to respond to the question she anticipated would be proposed at some point in the day. 

Just not this soon, perhaps.

Solana wipes one hand on her shorts, the other unlocking her phone to open his thread. Preparing to reply, her gaze shifts over to her sweet baby boy, sleeping peacefully in his infant pillow. Low, relaxing music plays from her Alexa on the nightstand, lulling and keeping him in his slumber. Similarly, Dulce lays peacefully in her bed on Solana’s side of the bed, curled into a little ball.

The smile somehow grows deeper.

Solana: I’m okay. You don’t need to come home, really.

Solana quickly snaps a photo of the baby and includes it with her next message.

Solana: We’re good. :) 

Solana brings her finger to gently caress her son’s cheek. He has such a calm disposition about him. Even at 6 weeks. She can just see he’s taken on more of her demeanor than his dad’s. Granted, she also noticed the same thing about her oldest twin, only for her to gradually be morphing into the female version of her father.

Roman hearting the photo captures her attention once again followed by his reply, which seems to be the result of long distance mind reading.

Roman: He’s been a lot easier than the girls were. But, time will tell. 

Roman: Where are they?

She giggles, imagining his elongated sigh as he considers what could be in store for them once their son starts to get bigger and older. Can move around and get into things with his sisters. It’s more likely than not bound to happen.

Solana: In their playrooms. They’ve been surprisingly quiet too….for now. Lol

Solana knows her girls well enough to know silence with them, mostly when they’re together, isn’t usually long lived. The quieter of the two is very much like Solana, able to stay and keep to herself just fine without making much or any noise. Her sister, however, older by 6 minutes exactly, is not.

She is rambunctious and loud and loves to be moving. And when they’re together, that adventurous nature rubs off on Solana’s twin, usually resulting in them getting into something. More often than not.

Roman: I talked to them last night. Reminded them it's important they listen and help you out.

This is something she already knew, having overheard as he put them to bed while she catered to their newborn. He’s done that a lot since the birth of their son. Really taken over as much as he can with helping the girls, when it’s something he can do. And if he can’t do it, like them wanting to do art with her or bake something, usually the youngest vs the oldest, he’s on baby duty. 

Whether he realizes it or not, he truly is great at being a dad. Though something tells her, always has, that even three kids deep, he struggles with that insecurity at not being good at it.

Not being good enough.

Roman: I still think it was too early for me to come back to work and leave you alone with everything.

And there it is. What Solana already knew he was thinking but is happy to see him finally admit. Roman’s been working from home the past six weeks, since the birth of their son. And while she’s appreciated having him home, helping her out with managing their growing family, it was time for him to return back to the ‘office.’ 

She knows he worries about her, worries about her feeling overwhelmed, but she’s been good the past few years with being open with him. That hasn’t and won’t change. 

Solana: You were going to have to go back eventually, Ro. I’m okay, really. The girls really don’t cause me any issues. And he’s easy.

Solana: Outside of when he’s groping and squeezing the mess out of my breast. 😅

Breastfeeding has never been much of an issue for Solana. And, while it was definitely a bit of a challenge breastfeeding twins, there was never a pressing enough problem for her to not consider doing the same for her third child.

Granted, unlike the girls who, at most, felt around her breast while getting their fill, her son is more handsy. His little palms often slapping, squeezing and even scratching with his nails she makes sure to try to keep cut low. 

She chuckles, thinking about how this could very much be another small sign she’s in store for yet another energetic child. It lines up though. Even when he’s sleepy, little scowl on his face, she sees Roman. In all of the children, really. But with him, the way his little lips dip and light eyebrows cave into a look of unmistakable disapproval, usually when she takes too long to pick him up or feed him, that’s all Roman.

Roman: Smart kid. 

She giggles, sending out a reply that’s a result of years of growing more comfortable with teetering the lines of risque topics and innuendos.

Solana: Your kid, clearly. 😅

Roman: Damn straight.

Chewing on her bottom lip, she keeps the conversation going with another risky text. 

Solana: Just two more weeks until I’m….cleared. 

Over the years, and as she’s continued to heal, Solana has found herself with a sexual appetite that’s nowhere near her husband’s nor most women her age, but it’s there. Coming and going. Ebbing and flowing. And lately, it’s been on the flowing side.

Roman: We should wait longer. 

Roman: I’m not taking any risks.

She sighs at his reply that’s not entirely unsurprising. He absolutely would want to go past the recommended 8 weeks that she was told by her doctor that they would need to wait to resume intimacy. An extended period of time than the usual 6 weeks due to the second degree tear she sustained while birthing her third child. A thing that can happen during childbirth and wasn’t anything too serious, but something she knows her husband sees as just that.

Thus him wanting to not ‘take any risks.’ 

Solana: I understand.

Understanding is different from agreeing, but she won’t push him on it. 

Solana: Besides, don’t want to risk another baby.

Solana: Just yet anyway….

Having this conversation over text probably isn’t the way to go, but she has no doubt he’ll talk with her about it more in person when he comes home tonight, after all three kids are down for bed.

That doesn’t mean they can’t start it now, at least, though.

Roman: Seriously? You really want another baby?

Roman: He isn’t even a year yet.

Roman: You forget I’m 10 years older than you. I’m getting too old for all these kids, Solana.

It’s true they just welcomed their baby boy not even two months ago. And Roman is aging. He’s older, the gray in his beard spreading by the day, but he’s still just as active and fit into his forties as he was when they met years prior. Thus, he’s exaggerating. 

Solana: No, you’re not.

Solana: And that wasn’t a no…..

His reply comes in a bit quicker than she was anticipating. 

Roman: It wasn’t. 

She smiles. Solana has learned her husband well over the years. Knows him well enough to know that if there wasn’t a part of him also interested in maybe having another child, he would be clear about his standpoint. He would express his disagreement. 

So his comment would suggest he’s not team no. That he’s open, and his following texts confirm as such.

Roman: But, this would be it. Four is more than enough.

She smiles, knowing that this definitely will still be discussed in person tonight but happy that he’s unwilling to deny himself. Solana’s love for him has only deepened since seeing him step into the role of fatherhood. 

She just wishes she could get him to see how good he is at this. The girls wouldn’t adore him as much as they do if he was bad at it, per se.

But, he’s not.

If only he could see it. 

Solana: Unless we get another set of twins….😅

Roman: Jesus Christ 

Solana giggles, imagining the look he must have on his face. Probably similar to when they found out about the girls. She wasn’t entirely surprised given how strongly twins run on his side of the family.

But, he most certainly was.

A quiet knock pulls her from the conversation as she lays her eyes on the twins who are waiting by the door with hesitant expressions. She waves them over, placing her finger over her mouth to remind them to be quiet to avoid waking up the still sleeping baby.

They tip toe over to her, moving to her side of the bed, leaning over and looking at him. The oldest is the one to ask, whispering, “why does he sleep so much, mama?”

Solana chuckles. “That’s what babies do. They need a lot of sleep to grow big and strong.”

The quieter of the two of them deviates from her usual silence to predict, “he’s gonna be big and strong like papa.”

The oldest, however, doesn’t hesitate to reiterate. “I’m still gonna be the tribal chief though.”

Solana has such a torn reaction she does well at hiding. As much as she loves how much her technically first born admires Roman and wants to be just like him, she also has no idea just what it is that Roman really does. The true weight that comes with wearing the Ula Fala. 

Or the fact that by his family’s laws and traditions, their son is the true heir to the Bloodline. Granted, she also suspects it’s those same laws and traditions Roman will fight tooth and nail to change should their daughter, even after knowing the truth about the Bloodline, still want to pursue taking his place when the time comes for him to step down.

Roman would do anything to give her just as much a chance to the keys to the kingdom as her brother.

But, that’s so far down the line, and Solana doesn’t like thinking about it too much. She just wants to enjoy her children as they are now, innocent and oblivious.

Ms. Quiet stays on her talking streak, asking quietly, “can we still go to aunt Bayley’s house today?”

Solana nods. She briefly forgot about that, but it’s still very much doable. “Of course.” 

The girls gasp and look at each other, Solana already knowing another request is about to follow. Roman’s little twin ends up being the one to ask, “mama, can we go see papa at his office before?”

She shouldn’t be surprised. One of their favorite things to do is stop by and see Roman while he’s at work. Something she hasn’t done in some time, not since the birth of her son and even then, it had been a few months.

Solana starts to text and ask him if he’s busy, but one look at the happiness on the girls’ faces at being able to see their dad, and she knows she doesn’t need to.

She knows there’s no way on God’s green earth that he would turn them away, even if he stopped or canceled a meeting just to interact with them.

That’s just the kind of father he is.

His kids come first. 

With excitement bubbling in her stomach at seeing her husband, Solana takes a glance at her son, smile growing as he stirs, clearly just as ready to see daddy. 

She then looks back at her just excited girls, sharing, “time to go see papa.”

“Time to get up.”

Solana has to blink a couple of times to reorient herself, almost entirely due to the shocking nature of her dream. A dream she’s now had every night since being admitted to the hospital, glimpses, and what feels like peeks, into the future.

Her future.

But, at the same time, it’s a distant thing that seems unattainable and unrealistic given where she is now. On a legally mandated psychiatric hold after attempting to die by suicide.

“You up, sweetie?”

Solana nods and sits up in the bed, accepting the water and pills in the small medicine bowl. She doesn’t hesitate to swallow all three, offering a small smile to the nurse who’s been assigned to her, making sure she takes her medication as prescribed.

The nurse, Carol, she thinks, reminds, “breakfast starts in twenty.”

Solana nods, pushing back some of her hair, waiting for the older woman to leave before she lays back down on the bed. 

She shuts her eyes. 

The past few days have been…..an experience. An emotional ride unlike any she’s been on in years. The last time she can recall struggling and feeling as heavy as she was was when she woke up from her coma and had it confirmed that her mother was dead. Something she knew but held onto the invisible string of hope that Nina somehow survived. 

Even though Solana still recalls the moment she heard and saw her mother take her last breath. 

It’s a weight that’s lessened tremendously over the past couple of days, since she woke up yet a second time, less irrational, not as hysterical. Part of her reaction was most definitely due to still feeling suicidal, still believing that being dead would be better for everyone. But her reaction was exacerbated by the fact that two male nurses moved to restrain her as she tried to move from the hospital bed. Having male hands on her like that was triggering and made her emotions that much more difficult to manage in an already tense situation.

But the second time she awoke, Solana saw nothing but women. Truth be told, she’s only had women on her care team since being admitted. It’s made such a big difference. 

All of it has.

Being in this space, so separated from the outside world. It’s been both difficult and welcomed. A nice escape from a recently draining reality but also a heavy separation that she’s brought up a couple times now in her individual therapy sessions with her therapist, Gail.

That is the difficulty in being separated from Roman. It’s a dichotomy. As much as she wants to see and talk to him, she wants to hide and avoid him. She wants to explain yet also never have to discuss it again. An avoidance behavior that is typical for survivors of suicide attempts, another thing she’s learned in therapy thus far. 

But more than anything, Solana just wants to talk to him. She remembers from when she was admitted as a teen following her first attempt that communication is typically cut off from the outside. She just didn’t realize it would be the same protocol as an adult. 

Something intended to avoid patients from being re-triggered. She gets that, but it doesn't make her miss him any less. 

This is the first time they’ve been separated from one another since before the wedding, and it’s not a fun experience. 

But yet….

It’s not a horrible experience either.

No one wants to be in the hospital. And no one definitely wants to be in the hospital on a legal hold because they’ve been deemed a danger to themselves and thus needs 24/7 supervision.

That part sucks, but what hasn’t sucked for Solana is being able to be as honest and vulnerable as she needs to be. To cry and fully acknowledge the extent of her feelings, to be as raw as she’s been in her therapy sessions thus far with Gail. The woman whose kind smile, non-judgemental and self-disclosure of also being violated has created such a safe space for her. 

Solana knew, knows, that she can talk to Roman. That he’s made it clear there’s nothing she can’t discuss with him. But, there’s something about speaking to another woman, someone who’s also sadly been through something similar that’s….that’s healing, almost. 

Knowing Carol will be back for another reminder about breakfast, Solana pulls from her thoughts and leaves her bed to start her day.

Everything in the hospital is planned, time cut out for everything from meds, breakfast, group therapy, individual therapy and more. There’s only so much time in the day that’s reserved as ‘free time,’ though being hospitalized doesn’t present a ton of options for one to choose from during said ‘free time.’

However, Solana has always been able to occupy herself and keep herself busy, and this is no different. 

Later that day, she’s in one of the common areas, utilizing her free time with one of her favorite coping mechanisms. One she’s recently revisited and brought back to lean on. Pencil in hand, Solana uses the sketchbook she was given by Gail. No particular drawing in mind, it’s not missed on her how the bare bones outline of the face she’s drawing has very similar features to that of her husband.

“Hey.”

Solana lifts her head from the page, landing on two women who she’s seen in passing and up close in her group therapy. Both are brunette with similar heights yet different builds. The shorter one looks like she keeps herself in the gym, slender muscles visible even with the hospital provided clothing they all wear. The other is a few inches taller and curvier, her breast stretched against the material. The shorter one is the one who spoke. One looks amenable, the other does not. The one who spoke is, unfortunately, not the one with the friendly expression.

Solana swallows, gaze somewhat traveling as she sees one of the orderlies already watching the interaction. Closely. He’s a big man whose size looks disproportionate to the job he holds here, and she’s noticed him watching her a couple of times. Yet, it’s never been a predatory gaze. Almost…..protective.

“Solana, right?” She nods as the two women plop on the other sofa adjacent to the one Solana sits on. “I’m AJ, and this is Candice.” She gestures to the other woman with her thumb, the brunette waving and smiling almost giddily. Before Solana can say anything else, AJ is leaned over, asking in a low voice. “You’re Roman’s wife, right?”

Solana tenses. For some reason, that rubs her the wrong way, sends an unfamiliar chill up her spine. Something in her tells her to lie, but it’s no use in denying the obvious. “Yes.”

AJ snorts and sits back, arm lazily lounged up on the top of the sofa. “Well, I was gonna ask you how’d you end up here, but I guess that’s an obvious answer.” AJ laughs darkly, making her comment to Candice but directing it towards Solana. “I’d try to off myself too if I had to be married to that son of a bitch.”

Clearly, Solana has not been in a good place recently, hence her current situation. Her emotions have been all over the place. That’s why she chalks up her next actions to the fact that she’s still coming down from her relapse. 

Closing up the sketchpad, Solana sits up and doesn't stutter as she states clearly and concisely to AJ, “you have no idea what the hell you’re talking about, so why don’t you just shut up and leave me alone?” 

Candice's shock matches that of Solana’s, but the former doesn’t back down. Doesn’t suddenly regret her statement. Maybe it’s adrenaline. Maybe it’s the fact that Solana feels the anger stirring inside her at even the insinuation that Roman could ever be the cause of her trying to end her life.

When he’s the one that saved it. 

AJ, however, doesn’t look shocked. She looks pissed off.

And then she’s smiling. 

“Oh, sweetie, you have no idea who you’re messing with.” AJ starts to stand up, Candice following suit though she looks more confused and dumbfounded than anything. Like she’s there but not here. “Your psychopath husband isn’t here to save you—”

“You lay one hand on her, and I’ll snap your fucking neck like a twig.”

Three sets of eyes land on the figure who’s way too big for them to have not heard his footsteps, but that’s exactly what’s happened. The orderly who Solana has noticed watching her since her admission is standing almost protectively beside where she still sits on the sofa. His gaze and voice are hard as steel, focused on AJ and Candice. “I suggest you leave. Now. And stay the hell away from her.”

Solana looks between this man who, for some reason, is defending her and AJ, who still looks more amused than anything. She scoffs. “Of course.” Frowning, Solana is still stuck on the fact that this orderly who’s working in a psychiatric wing for women who’ve tried to kill themselves just threatened to kill another woman when AJ simply turns to walk away, Candice hot on her heel.

And as soon as they're out of the vicinity, the man steps back, as if wanting to grant Solana space. He then exclaims, further deepening her shock, “you’ll be safe here, Mrs. Reigns. You have my word.” 

Mrs. Reigns…..

Solana is suddenly taken back to her birthday trip, the way she was addressed by the pilots, the chef, and anyone else that Roman hired to assist them on their vacation. And that’s when it hits her.

“Bloodline…..” It makes so much sense. Why he’s always seemed to be around when she’s not in her room, the way he’s watched her almost nonstop since she arrived, the way he intervened just now. “You’re Bloodline.”

“Dave.” He offers a small, respectful smile that’s all the answer she needs. “But everyone calls me by my last name, Bautista.”

________

“Hey.”

It’s interesting how a simple word can bring on such a reaction.

Just yesterday, the same word was said to her and followed up with a not terrible but strange interaction.

She can only pray this time around is different. 

Solana takes a second to pause and shut her eyes before she looks up from her inner arm where she works on the assignment given in her first group therapy session.

Her eyes land on three women, all familiar faces because they’re all in her group. However, she’s never directly spoken to them prior to now.

Solana swallows and offers a small smile. “Hi….” 

Solana studies all of them, different in skintones, builds, hair colors and even facial expressions. The one who spoke first pushes her raven hair over shoulder and clears her throat, asking, “is it—is it true that your husband had the orderlies and security replaced with Bloodline members?”

The question takes her back, Solana unsure of how to respond, not because she doesn’t know the answer. She does. Baustista indirectly confirming that he was sent by her husband to watch over her has made Solana realize that it’s not just him who she catches watching her whenever she’s not in her room. It’s other men as well. Big, strong, much too in shape for a job like this.

The only logical thing that makes sense to her is that Roman is, once again, looking out for her. As he always does. 

“That’s pretty fucking cool. If so.” Another one comments, her brunette pulled to the side of her neck as she sits down on the sofa opposite Solana. “It was even better seeing AJ put in her place.”

Solana swallows, quite unsure just how to respond to that. “I—I don’t want to cause any problems.”

The first woman scoffs, also sitting down next to the other lady. “You might not, but AJ does. I honestly don’t know why they don’t put her in the other wing with Victoria.”

“The other wing?”

The third woman breaks her silence, explaining, her voice quiet and typical for her equally unassuming demeanor. “There’s two psychiatric wings here. The one we’re in and another for more….severe cases.”

“I.e. the really crazy bitches.”

“Melina!” The woman with brunette hair shakes her head, smiling a little as she formally introduces everyone. “I’m Mickey. This is Melina, and that’s Cameron, but we call her Cam.”

For some reasons, the names fit all of them, Solana moving to the side as Cam gestures to the space next to her and takes an almost apprehensive seat. 

“Solana—”

“Oh, everyone knows who you are, girl.” Mickey snickers, leaning back into the sofa and crossing her legs over one another. “You might just be my new favorite person.”

Solana frowns, completely lost at this seemingly random title. “I don’t—-I don’t understand.”

“AJ thinks she runs shit around here. Her and that dumbass friend of hers, Candice Michelle.” Melina explains, shaking her head. “AJ definitely should be in the other ward with Victoria. She’s the psychiatrist that runs it. Doesn’t put up with shit. Almost polar opposite of Dr. Stratus.”

Solana doesn’t know much beyond what’s being said, but something tells her she’s most definitely in the better of two places. Even if just getting to have Dr. Stratus manages her meds. She really likes her. 

However, this conversation brings up a very valid question that Solana doesn’t exactly know how to word very well but finds it in her to ask. “So you all….you’ve been here before?” 

It’s obvious, given the fact that they’re all so familiar with each other and dynamics. Same with this AJ and Candice person, but Solana doesn’t want to assume.

There’s a silence that falls over the women, and Solana instantly feels bad, feels silly for not recognizing how invasive that question is. However, before she can apologize, Cam is the one to speak up.

Shrugging, her smile is tight and undeniably sad as she says so simply, “demons are hard to kill.”

And just like that, Solana has never related to something more.

Feeling overcome with an almost duty to share, her eyes drop to her arms, the intricate outlines of butterflies camouflaging the scars that will never fully go away. “I get that……I really do.”

Looking up, Solana feels the set of understanding gazes on her, instantly knowing without any of them needing to share specifics that they just get it. They understand the specific and tragic ways one can end up in a place like this, oftentimes due to demons beyond their slaughtering capabilities. 

Mickey clears her throat, gesturing to Solana’s arm. “You’re really good.”

She glances down at her still unfinished art, a small smile falling on her face. “Thank you.” An idea crosses her mind as she notices each of them attempted to follow through on the assignment as well but clearly struggled. “I can—I can help, if you want?” 

Cam gasps, obviously excited by the idea of it. “Really?”

Solana’s smile grows as she explains, “I—I love art.”

Mickey squeals almost and pulls out a black sharpie from her bra, shrugging with a playful smile. 

“We were kinda hoping you said that.”

________

“You’re quiet today.” Gail’s assessment continues as she asks in a gentle voice, “are you nervous?”

Nervous is an understatement. Solana fidgets on the sofa, running her hands down her sweats. “I—I haven’t seen or spoken to him since….you know.”

Gail presses her lips together, nodding. “You don’t know what to expect.”

Solana nods, eyes starting to water. “I don’t—I don’t want him to be upset with me.” 

It’s officially been a week since Solana has been admitted into the psychiatric ward. An interesting experience, to say the least. She’s made enemies, made ‘friends’, worked through and started to process with a professional so much of her trauma, and more. And while her longing for seeing and speaking to her husband has only continued to grow by the day. The day finally being here where she’s allowed a visitor, where he will come to see her this evening feels almost….it feels too soon.

She’s just so nervous, unsure of what that reunion is going to look like. 

Gail sees the thoughts brewing in her client’s head as she asks in an attempt to redirect, “are you responsible for his emotions?”

“No, but….but I—” When she struggles to get out a coherent response, Gail presents a thought provoking question.

“Solana, based upon what you know about Roman, what’s more likely? That he’ll be upset with you or that he’ll just be happy that you’re alive?”

It’s such a good question, one that has the emotion bubbling in the back of her throat, emotion she shows as silent tears begin to fall. “I—I want him to be happy, but…..”

“You’re still struggling with feeling like a burden to him….” It’s an assessment by her therapist that is wholly correct, but one Solana can’t verbally comment on, only offering her agreement with a silent head nod. “Do you remember the exercise we did a couple of sessions ago about faulty thinking? About the ways your trauma influences your thinking.” 

Solana reflects back on that session, so heavy yet so helpful. It provided her such insight on just how deeply her experiences have painted her view of so much. Of everything, really. Including how she so lowly views herself sometimes. 

“I want you to think about that and compare it to the thoughts that you’re having now……where are they coming from?”

Solana closes her eyes and blows out a breath. “My…my fear.”

“And if your fear was a living, breathing entity sitting opposite beside you right now, how would you combat it? Think about the cognitive challenging we discussed.”

Keeping her eyes shut, Solana travels back to that session, utilizing the skills and tips and knowledge she’s learned since her admission.

She takes an ‘efficient breath’, as Gail calls them. “I’d tell my fear that….that you don’t get to control me anymore.”

Gail smiles softly, gently encouraging the young woman to continue. “What else?”

Silent tears continue to fall, but Solana’s voice remains firm and unwavering. “And that….that Roman cares about me and just wants me to be okay and….and get better.”

Gail hasn’t felt so proud and pleased with a client’s response to the empty chair exercise in quite a while. “Exactly.” She sits back in her own chair, jotting down some notes. “Can I ask what you’re feeling right now?”

Solana finally opens her eyes and wipes at her eyes, scoffing quietly. “A…a little better, actually.” She motions to her chest. “It doesn’t….it doesn’t feel as heavy.”

“Good.” Gail makes note of this and starts to ask a follow up processing question when Solana’s soft voice beats her to it.

“Can…..can I talk about something with you?”

Gail’s grin is warm and welcoming as she offers genuine assurance. “Solana, there’s nothing we can’t discuss here.” She’s pleased to see Solana’s smile grow at this reassurance. “What would you like to talk about?”

Feeling on the spot all of a sudden, despite being the one who initiated the conversation, Solana does her best to manage and push through her anxiety. “I—I’ve been….I’ve been having dreams since I got here.”

Gail is mindful of her expression as she asks in a soft voice, “dreams or…..”

Sensing what she’s asking, Solana quickly shakes her head. “No. Not those. Not nightmares. They….they really are dreams. Good dreams, I—I think.”

Studying her, Gail assesses. “You seem unsure.” 

Deciding to bite the bullet, Solana shares in a low voice, “they’re dreams of me in the future…..as….as a mother.”

Gail nods. “I see.” She makes note of one of Solana’s nonverbals. “You’re smiling right now.”

Sniffling, Solana continues to share and exhibit so much vulnerability, most of which is solely because of how safe and non-judged Gail has made her feel. “In the dreams, we have three kids. Twin girls and a baby boy.” She wipes at her nose and swallows deeply. “I—I want to be a mom someday, but I don’t….I don’t want to be a bad mom.”

If these dreams have shown her anything, it’s that she wants more than anything to be a positive influence in her future child, or children's, lives. She doesn’t want to cause them even a fraction of the parental trauma she’s experienced. 

And deep down, Solana knows that she’s absolutely nothing like her father.

But, she knows she’s very much been deeply impacted by her fathers’ abuse. By all of her trauma. And the last thing she wants is for any of that to negatively influence her children. 

“Solana, what makes you think you could ever be a bad mother?” She shrugs, shutting down a bit. Gail sighs lowly, offering words of affirmation and support. “You are not a bad person. You are not a broken person. Not a damaged person. Just a person who’s been dealt some not so  great cards, but you’re here, working on these things. Working on becoming a healthier version of yourself.” Gail chuckles, pointing out, “that doesn’t sound like a bad future mother to me.”

Really sitting on the words of encouragement and doing her best to not let the self-doubt creep in, Solana asks in a voice barely above a whisper, “do you….do you really think I could be a good mother?”

Gail’s response is almost immediate, not a thought to be had as she answers honestly, “Solana, I think you could be a damn good mother.” 

Solana laughs, emotion seeping in as she nods, utterly grateful for such kind words. “Thank….thank you. That….that means a lot to me.”

“Of course.” Gail would like to process this more, maybe get into some additional trauma work, but there’s another important thing on her agenda for this session. “Solana, as you know, your hold will be up exactly one week from now, meaning you’ll be officially discharged and allowed to return home.”

Solana eyes lighten up at that, an expected reaction as Gail gently slides into a deeper conversation pertaining to her release. “But, there’s something I would like to speak to you about.”

________

Roman doesn’t think twice as he walks into the room that’s suspiciously quiet to be located in a hospital, decorated just as one would expect a therapist’s office to look. He only briefly takes a look around before plopping his big body down on the sofa. 

He didn’t even pay any attention to the fact that Gail was attempting to extend an olive branch, offering a handshake that he so rudely ignored, clearly ready to get this over with.

She keeps her togetherness, offering a verbal introduction. “Thank you for com—”

“This has to do with Solana, right?”

Gail makes a face, pressing her lips together as she chuckles quietly. “Of course.”

“Then get to it.” Roman is quick with the demands, asking, “how is she doing?”

Gail offers a tight smile. “I’m Gail Kim, the therapist on staff who’s been handling Solana’s individual therapy sessions.”

“Did I ask you who you were?” His stare is cold and uninterested. “I asked you how she’s doing.”

Sighing, Gail refers to the tablet on her lap, opening up the notes she’s happy that she prepared ahead of time. This is going exactly as she predicted it would. “Your wife is no longer endorsing suicidal ideation which means she’s denying any thoughts and plans to take her life, which is significant progress considering it’s only been a week—”

There’s a hint of hopefulness in both his expression and voice as he asks, “so, she’s ready to come home?”

Gail hesitates. “Not exactly.”

The previous hopefulness melts into something cold and harsh. Roman is visibly and understandably irritated. “You just said she’s not suicidal anymore.”

“Yes, but it’s not that simple. Solana is….she’s an interesting case. Her trauma history is significant. Though she seems to be on the way to stabilization, there’s still a lot of work that needs to be done. She needs continued professional help.”

“Isn’t that why she’s here with you?” His tone is cruel and condescending. “If you’re too fucking incompetent to help her, let me take her home, so I can.”

Gail bites the inside of her cheek. If this was anyone else, she would set them straight on the importance of mutual respect. But, this isn’t just anyone. This is Roman Reigns, and she’s well aware of the fact that one wrong statement or sign of disrespect could very well end her life, so she does her best to remain calm and professional. And she tries an alternative approach. 

“You know, one of the exercises she did in an individual session asks about what safe spaces she has, sources of support and whatnot. And you know what she put down for almost every answer?” Gail gives a small, closed mouth smile. “You.” Well trained in reading nonverbals, she picks up on the brief giveaway sign of emotion that flashes in Roman’s eyes at this. “She put down that you are her number one reason for wanting to live.” 

There’s a good minute of silence before Roman asks in an uncharacteristically low voice. “So why did she do it?”

Gail's smile shifts into a solemn frown. “I’ll leave that discussion to the two of you. She’s expressed wanting to talk with you about that directly.”

“I’m asking you.”

Gail leans back in her chair and goes a different route. “It’s okay to be upset with her. To be angry at her. To be angry at and blame yourself.” Gail catches just a glimpse of surprise in his eyes at the last part. “To actually feel your feelings.”

Roman, however, is uninterested in any of this. Offended even. “Why the hell would I be angry at her?”

“Why wouldn’t you be? She tried to leave you. That’s essentially what suicide is. Escapism. It provides the patient with the peace they’re looking for but leaves the loved ones left behind with a world of questions and emotions.” She explains, mindful of her tone and voice. “Two truths can exist in the same universe. You can be happy she wasn’t successful and still angry at her for trying in the first place.”

Roman is quiet for a good two minutes, Gail wondering if she should transition to another topic when he breaks said silence in that same low voice. 

“I don’t understand why she didn’t call me. I told her to tell me if…..if those thoughts ever returned.”

“But she didn’t…..” Gail’s voice softens as she adds, almost empathetically. “I think you’ll find talking with her will give you some of the answers you’re looking for. But, they truly should come from her.”

Roman won’t push. He wants to, but won’t. If this is something Solana wants to discuss with him herself, he’ll respect that. So long as it’s not triggering to her, which it seems, surprisingly, it’s not. 

Gail clears her throat and transitions to the next section. “Dr. Stratus started her on a medication regimen of Sertraline, 50mg and Wellbutrin, 100mg, once a day in the morning as well as Hydroxyzine, PRN, which means as needed. The Sertraline and Wellbutrin are antidepressants, and Hydroxyzine can be taken when she starts to feel overwhelmed or triggered. So far, she’s responding well, though it typically takes 4 to 6 weeks for patients to truly notice the full benefits.” 

Roman nods, as Gina or whatever her name is, continues to explain what’s otherwise obvious. 

“We’ve been administering her medication and given how she attempted to take her life, Dr. Stratus and I strongly advise that you or someone else take over that administration upon her discharge—”

“Do you honestly think I’m stupid enough to allow her to have unmonitored access to pills again?” Roman doesn’t even try, not that he was before, to hide his frustration and irritation. She’s acting like he’s stupid. His degrees may be in business, but one doesn’t need to have a degree in behavioral health to know thatyou don’t give a formerly suicidal person free access to the same method they used to take their life. 

Gail, however, decides to not feed into it. “You know, anger is sometimes just anger. Just people mad as hell. But sometimes….sometimes it’s what we call a blanket emotion, meaning there are other feelings hiding beneath it, being presented as anger.”

Roma sits forward. “Just what the hell are you trying to insinuate?”

“Nothing at all, Mr. Reigns.” A small smile falls on her face, and that only pisses him off even more. Is this bitch trying to patronize him or something? “But, you should know that we offer support for spouses and loved ones like yourself who are supporting—”

“The only thing I need for you to do is to help my wife, so I can get her the hell out of this place and home where she belongs.”

Gail takes a deep breath. 

It was worth a try. 

“I want to show you something.” She stands up from her chair, moving to her desk as she pulls out a key to unlock the drawer. “Solana signed a full release authorizing us to share all details regarding her care with you. But, there are some things she’s explicitly expressed you not being okay with knowing and seeing. This is not one of them. And I think you would find it interesting….”

If not for the fact that the therapist already made it clear that safety concerns and suicidality are exceptions to confidentiality, Roman would be concerned, wondering just what exactly Solana doesn’t want him to know.

But something tells him she’s perhaps opened up in therapy about specifics regarding her trauma more than she has with him, and if that’s the case, his only hope is that this woman knows what she’s doing and doesn’t trigger Solana further.

She walks back over, handing him a set of sheets. Roman takes them, immediately noticing the handwriting. 

Solana’s handwriting. 

He gets to reading the bolded question that each has answers of varying length.

Who is your safe person? What makes this person safe?

My husband. He’s the first man in my life to not hurt me. The first man I’ve ever trusted.

On a scale of 1 to 10, how much do you trust this person with 1 being none and 10 being absolute trust?

 10

How does this person make you feel safe?

He’s patient with me and listens to me and makes me feel beautiful.

How does this person serve as a member of your support system?

He listens to me and always checks on me. 

How long have you experienced thoughts/urges/practices of self-harming behavior including suicidal ideation and/or attempts?

The first time I felt like I didn't want to be alive anymore was when I was ten. I woke up from my coma and realized my mother was dead. I just wanted to be with her. But it’s my brother constantly telling me I should kill myself after my mom’s murder that made me seriously think about doing it. 

He would tell me that it should have been me who died, and I should just kill myself because no one wanted me.

And I started to believe him. 

It’s been on and off since then.

Has there been a point in time where you have not had these thoughts/urges?

Yes. For the past four months. 

If you answered yes to the previous question, what caused or contributed to the cessation of these thoughts/urges?

I met my husband. I had real friends for the first time. I found myself having a real family for the first time in a long time. 

I was happy.

Prior to this gap, when was the last time you experienced any of these thoughts? What triggered them?

The day of my wedding. This was before I got to know my husband. I was scared he was going to beat me like my dad and brother.

What happened to re-trigger you? If uncomfortable sharing, list the emotions you felt during this episode. 

Sadness. Anger. Confusion.

Do you remember what thoughts you were experiencing before the suicidal and self-harming ideation returned? What were they?

I couldn’t stop thinking about my rape and my mother’s murder. It was like I was reliving them over and over again, and I couldn’t get the memories and flashbacks to stop. It felt like all my progress was reversed, and I’d have to start over, and I didn’t want to put my husband and family through that, as they’re the reason I even started to heal.

I just didn’t want to be in pain anymore, and I thought everyone would be happier if I was dead. I didn’t want to be a burden to my husband.

Looking back and reflecting on your thoughts, have they changed? And if so, how?

I don’t want to die. I still don’t feel as good as I was feeling before I found out the truth, but I’m not thinking or wanting to kill myself anymore. I still have a lot of things I want to do. I’m not ready to be done here. Just want to get better.

 Do you wish you would have done something different? What could you have done differently?

Yes.

Called my husband. 

Can you identify at least one reason your life is worth living?

Roman 

Roman has oscillated through so many different emotions reading through this worksheet from beginning to end. Anger seems like the dominant emotion, his jaw clenching as he learns how close to the paternal tree Solana’s bitch brother remained..

He’s not much better than Xavier. 

If not worse. 

And Roman is determined to find even more, additional ways to make that fucker suffer the way he made Solana suffer for so many years.

He’s also livid and something else unknown that on a day that should have been special for her, she was considering taking her own life.

And he hates himself for putting her in that position in the first place. He was the one who wanted to speed everything up, not even considering how traumatic that process could have been for her. 

But he especially doesn’t know how to feel reading just how highly Solana views and feels about him. She hasn’t been very quiet regarding how much she cares about him, but reading her words, her writing, her honesty, it makes him aware of just how much she cares. 

“You mean a lot to her. And her healing and progress moving forward will require your support.” Gail cuts in, voice calm and almost soothing. “One of the things I ask clients all the time is who their support system is and is there anything else they need from this person or persons….she couldn’t tell me a single thing she needs from you that you don’t already give her.” Roman says nothing, not even offering a nonverbal gesture or movement for her to analyze. Thus, Gail continues, reviewing her notes of topics she wanted to touch on with him prior to his seeing Solana in a few hours. “Now, I will say, Solana does exhibit strong codependent tendencies. Specifically with you. She’s extremely attached to you, and while that should probably be addressed at some point, her stabilization is the priority.”

Roman doesn’t pay much, or any, mind to that last part. He doesn’t care what this woman says. Whatever Solana needs, she’ll get. 

Especially if what she wants is him.

Cause he wants her just as much. 

________

Roman doesn’t get nervous. 

Ever.

But, he’s certain what he’s feeling in his fucking stomach is some level of nerves.

And he hates that shit.

Cause why the fuck is he at his grown age feeling anxious about seeing his wife? Perhaps it’s the fact that it’ll be the first time in a week that he’s actually laid eyes on her, seeing her not lying unconscious in a hospital bed. That he’ll be able to have her big brown eyes focused on him. Hear the sound of her voice, so soft and light.

He shuts his eyes.

Fucking nerves.

He decides to pull out his phone as a distraction while security escorts her to him in the visitors section, remembering a text from Paul that he should probably respond to. Not that he wants to, but it’s better standing here feeling fucking stupid and—

“Roman…”

He wasn’t sure just sure how he would respond or react or even feel seeing her for the first time in a week, but Solana is barely able to get his name out of his mouth when Roman snaps his head up from the phone in his hand to the direction of which the voice came. 

It happens a bit too fast for him to even process. The rise and easy falter of her smile, the gloss of her eyes, the tiny scoff of disbelief that leaves her mouth before she’s running toward him.  Roman wastes not a single fucking second to pick her up the minute she throws her body against him. And just like that, almost every trace of irritation, of vexation, of anger melts away.

Roman’s eyes shut as he holds her close against him, noticing how tightly she’s holding him back. 

Her voice cracks followed by a sniffle as she murmurs against his shoulder. “I’ve missed you….”

For a brief second, he’s angry again. Angry because has she been asking for him? And if so, why was he not informed? Stratus has been texting him frequent general updates. That she’s been consistently opening up in individual therapy, not as open in group sessions, often writes and draws during their designated free time, etc.

But nothing about her asking for him. 

He makes a mental note to ask Stratus about that shit, but not now. Now, his focus is entirely focused on the woman in his arms.

“I missed you too.” Saying he missed her feels like an understatement. Roman has been fucking miserable without her around, but what good would it serve her to share as such? So, he keeps it simple but still accurate.

He ignores the small part of him that dislikes when she finally pulls away, but that dissatisfaction is easily shoved to the side when he sees her eyes watering. “I’m so sorry. I—I didn't mean. I just—”

Roman’s focus is now solely honed in on stopping her from crying. He can’t see her upset. Not after what happened. He moves his hands to her face, gently cupping her cheeks and brushing away her tears. “Let’s talk, okay?”

She nods, stepping back, forcing his hands to drop but easily sliding her hand into one of his as she leads them in the direction from where she came. Roman won’t lie. He’s not paying attention to much in passing. Just her. It’s like there’s a blurred lens on them, distorting everything around them except his wife.

And he has zero issues with this. 

He has zero issues until they’re walking past a group of three women who seem to notice that Solana is crying and stop her, the one who almost looks like she could be Hispanic asks Solana, “are you alright?”

Who the fuck is this? Roman would most definitely ask as such as well as tell her to stay out of their damn business if not for the fact that Solana answers almost reassuringly. 

“Yes, of course.” 

To make matters worse, this irritating ass stranger has the audacity to almost send a suspicious damn near glare his way. Just who the fuck does she think she is? 

The woman on her right suddenly asks, her quiet voice strangely reminding him of Solana. Right off the bat, he can see they have similar demeanors. “You’re still joining us for breakfast, right?”

Solana answers right away, shaking her head. “Of course.”

Joining for breakfast? What the fuck is this? A psychiatric ward or summer camp?

The women all seem to give Solana that ‘call us if you need anything’ nod before finally leaving him alone with his wife. Roman has to keep his sigh to himself.

Only Solana would make ‘friends’ at a damn hospital.

She finally leads him into what he would guess is her ‘room.’ He’s instantly not impressed and annoyed because he directly instructed Stratus to make sure she had the best this place has to offer.

This clearly ain’t it. He adds it to his list of complaints to bring up to the psychiatrist. He’s also annoyed by the ‘sheet’ that serves at the door, irritated that they won’t have total privacy. But, he understands. It’s a psychiatric ward. Not the Four Seasons. 

Roman allows Solana to guide him over to her bed where she motions for him to sit down. He does as such, partially surprised when she climbs onto his lap, legs on either side. He doesn’t protest though, simply holds her by his hips as he shifts so that his back against the wall. 

Solana, however, keeps her head down, her hands scrunching the bottom of his shirt as she seems to force out, “I don’t want to talk about this—”

That’s an easy thing, Roman quickly moving to remind her of her autonomy. “Then don’t—”

She cuts him off. “But, I need to.” She finally lifts her gaze, and my God, he’s missed staring into those pretty eyes, seeing her pretty face. “I can’t—I won’t avoid it.” She takes a deep breath, asking, “what do you want to know?”

He’s partially surprised by how direct she’s being, but in his defense, the last time he spoke to her directly, she was in such a different place. A much darker place.

That doesn’t seem to be the case anymore, but he knows looks can be deceiving, so he remains cautious. His voice is surprisingly gentle, as he answers, “I think you already know the answer to that, Sol.”

Her eyes shut again, and he can’t tell if it’s because of his use of his nickname for her or the emotionality of it all. 

Both, probably. 

She brings her gaze back on him, and he hates seeing the emotion building back up. Logically, he knows that there’s no way to have this kind of conversation and emotion not be present. Doesn’t mean he has to like it though. “I just….I couldn’t think straight that night, Roman. I just kept reliving every bad thing that’s happened to me but now with the knowledge that it was my own father that was responsible. And I just….I couldn't handle it.”

This is the part he can barely handle. The knowing of the role, a large role, he played in what landed her here. He feels like shit about it and prepares to take ownership when she continues. 

“And I thought….I felt like….I felt like all the progress I had made was now gone and that I’d have to start over, and I just—-I couldn’t fathom going through all that again.” She swallows, tears starting to fall. “I felt like I would just be a burden to you and that….it would just be easier for you if I was dead.”

Gutted. Reading it was one thing, but hearing it is an entirely different experience. To know this is truly how she felt, the thought process that led to her making the decision she made. The most likely reason she didn’t call him.

Because she thought she was a burden.

It kills him.

She drops her head, and he moves his hands back to her face. “Solana, look at me.” When she continues to keep her head down, he repeats himself, voice still low and gentle. “Look at me.” She seems to hesitate but follows through, Roman hating how devastated she looks. “Nothing about my life would be easier without you in it. You are never a burden to me. You never have been, and you never will be. I want to help you. Listen to you. Whatever it is you need, I’ll do. I just need you to tell me.” This time, he’s the one swallowing back unfamiliar and uncomfortable emotions. “I just need you to not leave me, alright?” She seems slightly taken back by his honesty and vulnerability. Truthfully, so is he. It was one thing to be so honest with her while she was unconscious, but it’s another when she sits before him, aware and conscious and hanging onto every word. “I’m sorry I didn’t tell you about your father. I should have—”

“No. Please—please don’t.” She shakes her head, interrupting him with that same small voice. “I’m glad you didn’t.” The ‘shocked’ ball is back in his court as she explains, “I don’t….I don’t think I would have ever wanted to know the truth. It’s….it’s been too hard to have to deal with that.” 

Clearly. He can’t even begin to imagine what that’s like for her. To be stuck with the knowledge that her own flesh and blood could be so cruel, so hateful, so evil as to do what Xavier has done to his own daughter.

“The therapy has….it’s helped.” He believes it. Roman has noticed the sheets of paper that have positive affirmations and what he would guess are coping skills taped to the wall opposite her bed. She cracks a small, sad smile. “It’s….it’s been good for me.”

He believes that, too. He can see that. There’s a stark difference in her appearance, even with her being emotional as she is with the conversation at hand. She doesn’t look as fractured as the last time he saw her.

She looks stronger. Happier, even. It makes his chest swell with yet another unfamiliar sentiment.

Love, perhaps?

Just thinking about it has Roman clearing his throat, needing to focus on something other than that right now. “Have they been treating you okay?” This has been pretty high up, if not the highest, thing on his priority list.

She nods, Roman noticing and grateful that her tears are starting to dry up. “Yes. I….how many Bloodline men do you have here?”

“Enough.” She doesn’t need to know the full extent of just how above and beyond he went to ensure no one on staff at this hospital could be questionable about their intentions towards her. “I’m always gonna look out for you, baby. Always.”

Her eyes shut, not from feeling overwhelmed but something else. Something that seems less heavy and more comforting. 

Solana moves around on top of him, Roman somehow sensing what she’s trying to do, and he has zero hesitations.

He shifts his body, so he’s laying on her bed, his feet dangling off the edge of the bed, but it makes no difference to him as soon as she lays on top of him, her head cradled in his neck, her arms around him.’

“I’ve missed you.” Her arm laid against him, Roman reading to close his eyes when he catches onto something for the first time. He doesn’t know he missed it either, because it stands out. Roman gently takes her arm, turning it over.

On her inner forearm are a set of beautifully drawn butterflies of various sizes and colors, the largest being a dark blue color and the smaller one next to it, different shades of red and pinks. There are three much smaller butterflies under the two larger ones, two of them pink and the smallest also that same dark blue.

She looks up at him, offering a small smile. “It’s something they have us do in group therapy. They call it The Butterfly Project.” She shifts her body to show him her other forearm, revealing additional butterflies before she lays back down as she was. “You draw butterflies that represent the people in your life you care about and every time…you think of wanting to self-harm, you remember that you’re killing the butterflies. It’s like….like a reminder that people care about you.”

It’s an interesting concept, and judging by the emotion in her voice, a concept she resonates with deeply. Roman’s long index finger ghosts over the larger blue one as he asks, “who is this one for?” 

Solana’s smile deepens. “You.” He’s grateful that she continues to explain so he doesn't have to think much about that sentiment very similar to love that comes up at that admission. “And this one,” she gestures to the pink and red one. “--is me. My future self.” 

That doesn’t help the building emotion, so he again goes for distraction, motioning to the remaining three, asking, “and those?”

She swallows, something flashing in her eyes he can’t identify, answering gently, “I’ll tell you when I’m ready.”

Her answer confuses him. He doesn’t know what to make of it, but he doesn’t want to push her either. 

“How is Dulce?” She asks suddenly, the sadness in her voice returning.

Roman won’t tell her the way her puppy sometimes sits by the front door around the time she usually gets home from work or the way she whimpers at night every so often, clearly missing her owner. He’ll spare her that, offering only a morsel of the truth. 

“The usual. Sleeping most of the day. You can tell she misses you.” 

Solana frowns. “I miss her too.” She licks her lips, asking almost nervously, “how are Bay—”

Roman is quick to shut that down, a hint of harshness in his voice. “I don’t want to talk about them.”

Truth be told, he’s not sure if he’ll ever be able to look or view them the same ever again. It may be a bit irrational and unfair, but it’s how he feels. And truthfully speaking, he’s got ten million other things on his mind and in his heart he’s trying to sort through. 

“Roman…..” Solana sits up a bit, and he’s taken back for a second by how fucking beautiful she is. Even with the sadness in her eyes. “It wasn’t their fa—”

“Not now, Sol.” His tone takes on a gentler tone as he adds on, for good measure, “please. I just want to enjoy you.”

He knows she’ll bring it up again. She cares too much about the two women who Roman will never trust her with again to just let it go permanently. “Okay.” She lays herself back down on top of him, and Roman kisses the top of her head.

“How are you?”

He’s not quite sure why her question surprises him. But, the answer is an automatic, “fine.”

He’s far from fine, but she doesn't need to know that.

Again, Solana sits up, that frown almost deepening. “Are you sleeping?” She reaches over and caresses his beard. “You look tired. H–have you been taking your medicine?”

Roman is truly dumbfounded. She is the one who is currently a legally mandated patient in a psychiatric ward because she was actively suicidal only a week ago, and yet, she’s laying here worried about him. 

Roman has to push back that love feeling that’s returning. 

“I keep telling you not to worry about me,” he reminds, once again wanting and almost needing to stress to her that worrying about him should be the last thing on her plate.. “I just want you to focus on yourself.”

Her retort surprises him, bold and almost uncharacteristic of her. “And I keep telling you that I’m always going to worry about you.”

Roman chuckles, commenting, “you’re becoming more outspoken….”

She gives him a small smile. “I told you the therapy has been helping.”

Roman scoffs. She’s right. Maybe that Gemma woman does know what she’s doing. 

“Do you need anything?”

Solana says nothing, just lays back down against him, her hand moving over his chest, resting on his heart. “Just you.” She must glance at the clock on the wall as she comments, “we only have 40 minutes left….”

He knows she’s referring to the one hour time block allotted for visitors. Something he absolutely couldn't give two shits about. “I’ll stay as long as you want me to.“ He’d stay the whole night if that was what she wanted. 

“Roman….” It’s funny how he already knows what she’s going to say. “The rules—”

His interruption is sharp, but it’s not aimed towards her. And she knows that. “I don’t give a fuck about rules when it comes to you.” She sighs into his chest, offering no protest, saying nothing else.

Conversation is intermittent over the next two or so hours, Solana eventually falling asleep on top of him. He doesn’t mind. As much as he enjoys talking to her, having her body on top of his is an easy, acceptable alternative.

He’s missed this. Missed being with and around her. Roman is just now realizing just how much he benefits from having her around. He’s been a complete nightmare for everyone around him outside of Dulce, even more temperamental than his usual default setting.

But the minute he laid eyes on her, saw her innocent smile, had her in his arms, everything suddenly felt so better.

That’s what she does for him. What she is for him. 

Medicine. 

An antidote. Something he never knew he was missing until he met her. It seems like it was almost impossible for him to not fall in love with her. 

Love….

Thinking about it again brings a frown to his handsome face, forcing him to face a reality that’s so easy to escape when he’s with her.

Roman may love Solana, but….he can never act on it. Not really. Can never tell her he loves her. That makes it official. That confirms that he finally has something his enemies can use against him, a distraction, a weakness.

Loving her openly would make him vulnerable, would put her at risk, and he couldn’t do that. Not just for himself but most definitely not to her. 

To be with her like this, open and vulnerable, behind closed doors is one thing. It’s an entirely different ballpark though to make that visible and public, even with just telling her.

Feeling her stir against him, Roman kisses the top of her head, tugging her closer. 

He won’t deny that he loves her. 

But, he can’t act on it either. 

He’s just going to have to find someway to push that down, tuck it away for safekeeping.

It’s just better that way. 

________

Roman stays for about two hours, Solana waking up and reluctantly expressing her okayness with him leaving. It’s not what she wants, definitely not what he wants, but it’s what’s necessary.

If even for the fact that Dulce can’t be left alone for too long.  

Solana holds onto his arm as she walks him out, Bautista not too far behind to escort her back to her room.

But, it’s when he turns to tell her bye, Roman about to ask her when she wants him to come see her again (fuck visting days), she surprises him by reaching behind her back and pulling out a sealed envelope. 

Brows furrowed, Roman is curious just how the hell he missed that when she presses it against his chest. “Promise me you won’t read it until you get home.” 

Now he’s extremely confused. It’s been a while since Solana has written to thim. They’ve progressed way past that, and it does concern him a bit that she didn’t just talk to him about whatever lies between the lines of this letter. 

But, he also knows she’s been working hard in therapy and even in being able to open up to him about what happened that night had to have been a lot for her, so he won’t push it and will respect it.

Accepting the letter, he simply says, “okay.”

She offers a close mouthed smile, a sign of appreciation and moves to hug him once more, mumbling something in Spanish against his chest that he can’t make out. When she pulls back, he doesn’t hesitate to cup her cheek, reiterating, “you need anything, you let me know, alright?” They’d already briefly discussed how she had picked up on the fact that he had his men stationed strategically all over this place, and any of them were able to get a message to him. 

She nods, repeating to him, “okay.” Solana tugs on his shirt and leans up to kiss his cheek, murmuring against his ear, “bye, Roman.”

It seems saying goodbye is difficult for her just as much as it is for him, Roman unable to reciprocate it, only letting his gaze follow her retreating form until Bautista gives him a nod and closes the door behind them. 

He stands there for a good minute or two before actually leaving.

Fuck. Leaving her seems to be getting harder and harder. 

Roman is barely in the SUV, door not even shut when his long fingers are moving with all the determination to open up the envelope. He unfolds the piece of paper, unsurprised to find her neat handwriting. 

Roman,

I need to ask you to do something for me, but I need you to please hear me out before you settle on an answer. And please know I wouldn’t be asking this of you if I didn’t believe it’s something I really need. 

I’m so sorry for putting you through this. I never want to cause you any stress or create any problems for you. 

I wasn’t in a good place, and this experience has made me realize there’s still a lot of parts of me that still need to heal. I still have a lot to work through. 

That’s why I’m asking.

Gail mentioned a treatment facility she runs about an hour away. It’s a 6 week program for women coming out of the hospital like I will be. 

Roman, I think I should go. 

I don’t think I should come home just yet.

I don’t feel ready. I’m not having those thoughts or urges anymore, but there’s still things I think I need to work through. I don’t ever want to put you through something like this again. I don’t ever want to end up back here again, but the only way I can do that is by making sure I’m good before I leave.

And I don’t know if another week can do that. 

I miss you. So much. It’s been hard being away from you and Dulce and everyone else. But, I feel like I have to do this. I need to do this. 

For us. 

But mostly for me. 

I want to get better.

Please let me.

Te quiero mucho,

Solana

BTW, I’m saying ‘I love you very much’ in Spanish. 

Because I do. 

I love you, Ro.

And I don’t need you to say it back or feel the same. With what you’ve been through, I’d never expect or ask that of you.

I just need you. Your continued support. That’s all. That’s enough.

With all my love,

Solana

________

“I’m so sick of your bloody fuckin’ shit, Seth! It’s the same fuckin’ thing over and over again, and I’m done!” 

The cadence, melody, and even tone of his wife’s rant serves as the perfect resources for Seth who is lazily sprawled out across their sofa, beer in one hand, the other hand moving as if conducting an orchestra. 

And he is.

Because this has become a song and dance with his fiery tempered, Irish wife.

Seconds later, she’s practically stomping in the living room, their daughter in hand who is most definitely old enough to remember this little spat. He cackles to himself. How unfortunate.

However, Becky’s enraged gaze is focused on him, disgust plastered all over. “Were you even listenin’ to me?”

He makes a sound, unbothered eyes falling on her, that infamous smile growing. “Of course, dear.”

Becky, however, knows better. Has been with this man long enough to know better. And she’s done. “Ya know, I thought you were getting better, yeah? But then that bloke Breaker comes over here looking for you, and I—” Becky cuts herself off, refusing to start yelling with her daughter in her arms. Her accent is even thicker, as she shares while adjusting the bag on her other shoulder, “I’m gonna go stay with Charlotte til’ I can figure out just what I’m gonna do.”

What she’s not saying is that she’ll stay with her closest American friend until she can find the funds and resources to move back home. 

She’s just done.

Seth, however, seems unconcerned by the fact that she’s leaving with their kid. “Okay, dear.” He snorts, falling into that all too familiar maniacal laugh. The one that typically accompanies the reckless and dangerous behavior that has her packed and ready to go. It was one thing when it was just the two of them, but with a child now, Becky has a responsibility to keep her daughter safe.

And there is nothing safe about her husband rekindling ties with the Nightmare Factory.

Not wanting him to see the pending tears, Becky kisses her daughter’s cheek and heads for the door, not allowing herself to hesitate as she rips it open only for her jaw to drop.

She scoffs. Unbelievable. With even more support for her decision to leave, Becky looks over her shoulder at her husband who climbs to his feet. “First the Nightmare Factory, and now the fuckin’ Bloodline?” She shakes her head. “Yeah, you dig your own fuckin’ grave, Seth.” 

And with that, she moves past the figures, determined to not look back this time.

Meanwhile, a massive smile grows on Seth’s unshaven face, delight dancing in his dark eyes.

This is certainly proving to be such an eventful day. 

He practically stumbles over but manages to stand firm as he takes a swig of his beer, burping loudly and then asking with all of the excitement, evil smile on his face.

“How can I help you?”

[fruitgummies01]

What a way to end the first season of AYS!!

I don't even know if I can even put into words what I'm feeling after watching the last episode of Are You Sure. Grateful? Devastated? Sad? Overjoyed? None of those words do justice to my emotions and overall feelings.

What a beautiful way to end this first season. We really got to witness just how much Jimin and Jungkook mean to each other, and it really made it clear to me why they chose to enlist together and not be separated. I can't believe we as fans got to spend such a precious amount of time with jikook right before the start of their military service.

There were so many moments during this last episode that made me emotional. Jimin tearing up on his way to wake Jungkook up on their last day, Jungkook (who we've seen repeatedly enjoying his love for beer) choosing not to drink so that he could drive them to the airport (and have that alone time), jikook reacting to the first episode of AYS and laughing so hard (to the point that Jungkook had to keep wiping the tears from his eyes🥹), Jungkook trying to cheer Jimin up on that last day, Jungkook saying that these trips with Jimin were the best of his entire life 😭, and even the subtle touches. 😩

The car rides. They got to spend so much of their time in the car driving just the two of them since they were constantly saying out loud just how long their drives were, but we only got to see a few minutes of it. I love so much that they had that time just the two of them.

Jimin's absolute love for Standing Next to You is so amazing to see (and also understandable lol). He sings it in almost every episode. It says something about Jimin as a person that he is so selflessly supportive.

Jimin at the end talking about how impactful their trips were to him and how they made him appreciate things like this again. Jungkook wanting to go back to the first day of their trip 🥺. Like Are You Sure meant so much to both of them they even included a clip of them saying their phrase "Are You Sure" on enlistment day 😭.

I am so thankful that Jimin and Jungkook got to show these sides of themselves in AYS, in a way that's different and unique from all the other BTS content. I feel like I got to know them on a deeper level watching their interactions and experiencing some of the joy they were so clearly feeling. I hope Jimin and Jungkook know just how much fans enjoyed watching every minute of their show and the amount of happiness they've given to fans, and I hope they decide to keep the same format going forward with future seasons!! 💜❤️

[stagefoureddiediaz]

Everything Ryan says is so considered and interesting I’m obsessed with him!

His language is so loaded - and gives so many clues about is arc! Machismo and not talking about feelings - ties back to hero complex and his relationship with his father - but also his mother - especially his mother - because she was actually a big part of creating that culture in the diaz house - because Ramon was ‘never there’

Him saying Eddie has spent the last few seasons trying to re-navigate and take new directions but whilst still being the old version of himself - so loud and informative. The play on the Shannon of it all - and the repeating mistakes in new ways. The not allowing himself to actually move on and let go of his ghosts.

That’s also loaded in the other direction as well - this idea that it’s not just him still stuck as this old version of himself - it’s not just him that’s not allowing himself to move on - that the people who represent his past are still holding onto the old him as well - his parents - it’s a statement about how they view him - and ties into the theme of Eddie begins - the idea his parents think they know best and want to dictate how he lives his life - the insistence he should come home or that they should take Chris. Something that’s been brought back into focus with Chris leaving to stay with them. It’s the idea that Eddie us work to do about getting them to recognise and accept the person he is and wants to be - and not to keep treating him as they always have done.

reworking his idealisations of the past brought up with his learnings of the present - and the earlier reference to the 118 and the firefam teaching him stuff. This especially implies what he’s learnt about love - and that what he sees of that with the firefam is vastly different to his experiences of it back in Texas - and with Shannon as well. The Shannon part of it Particularly - it all speaks to Eddie having been wearing rose tinted glasses and putting his relationship with Shannon up onto a sort of pedastal.

Implement is an interesting word choice as well in connection with this. It indicates slow change rather than drastic change - the idea of growth and of not rushing to be fixed and healed.

Idealisation is a direct play on the catholic faith - it’s a play on idolism and

Learnings of the present is also a choice - present can be taken to read all of Eddie’s time in LA - but it infers especially the more recent past - so season 7. Why would Eddie be prepared to implement learnings of the present now at this point. It’s not just the loss of Chris from LA and his home. It’s a big part of it yes, but Season 7 is when so many things converge. It’s the glasses being removed when it comes to Shannon - the break through that’s been brewing. It’s also being confronted with religion and its long lasting impact on who he is. I’ve always found it to be particularly interesting that they chose to have Eddie start dating a diy-er who was a former almost nun. The idea of faith being something under construction (yes the construction on sunset metaphor never goes away) and something you build for yourself rather than how Catholicism is a prefabricated and built by others faith. The juxtaposition of the church - something with the weight of history attached to it and an inability to move with the times and change - and the concept of diy faith being something you construct and build to suit you - the updating of something so that it fits with where you are at now. Marisol is a lesson in choosing to not stick with the status quo if it doesn’t fit, and instead building what you want your life to look like from the foundations that pre-existing faith has given you. It gives rise to the idea that eddies present learning is in part that he can construct a life that fits him and he doesn’t have to mould himself to what someone else prescribed. That he can take the bits of his faith that he does like and build those into something that suits him.

But it’s also Buck - Buck making his own break through and figuring out this big part of himself and choosing to embrace it in season 7 is a part of giving Eddie the confidence to do that for himself. It’s not just about the buddie of it all. The very deliberate decision by the writers to have Eddie be the one Buck is the most concerned about coming out to - the one he intentionally tells in a 1-1 situation and have that be much of the focus of bucks arc in the immediate aftermath of his bi awakening is as much about Buck as it is about Eddie. Buck coming out to Eddie allows the spiral he’s in about his catholic guilt to take on a different direction and ultimately spiral out much further into something that blows up his life. It’s Eddie’s subconscious - his repressed inner self beginning to break free.

This quote also backs this up - the implication being that his relationships have all failed because they were built on a version of religion and spirituality that doesn’t fit with who Eddie is at his core. Referencing that Latino culture is built on Catholicism and that isn’t the actual bedrock of Latino culture is interesting. He also references the Mayans when talking about this and pre colonialisation mesoamerica. (This shows that Ryan is well read and thinks deeply on his heritage). That in combination is interesting as a concept for Eddie. The idea that who he is at his core is actually different to the person he has ended up becoming - implying that the true Eddie is hidden beneath a history that has been imposed on him - in the same way that the culture and faith of the mayans was buried and repressed when the Spanish invaded and conquered Mexico and much of South America.

Using the word ‘wrongly’ infers that Eddie is going to choose to reveal and embrace that repressed version of himself - the version of himself that is his truest form. I already made a post about the Mayan aspect of Ryan’s interview, but I will point it out here as well. The Mayan culture embraced homosexuality, it was an accepted way of life and largely viewed in favourable light and it was in fact a major part of many religious ceremonies and in the healing of people by shamans. So along with everything else I’ve said above, that’s hinting pretty heavily at Eddie’s arc leading to him embracing his queer identity.

[wilcze-kudly]

Someone once said Aang and Katara’s romantic interactions have no impact on their relationship. Which I find a ridiculous notion, given how

One: The Series genuinely wasn’t built around romance.

Two: We do gradually see the characters develop feelings for each other more across the show.

https://www.tumblr.com/melu-lis/762094698681745408/one-of-the-most-baffling-thing-about-kataang-to-me?source=share

Honestly, the fact that Katara and Aang's relationship has that strong aspect of friendship is one of my fave parts of it.

Like, maybe this is an unpopular opinion and I'm just a degenerate little dyke but I'm so so tired of romances having to follow the typical usually heterosexual conventions that have been set ib place both irl and in media.

And not to sound like an old man shaking my fist at a cloud, but in an era where romance is very standardised (look at the plethora of YA romance books selling basically the same plotline but in different aesthetics). It's nice to find a relationship that doesn't fully fit that mold.

Like people have joked about this but Aang and Katara really do follow the famously memed lesbian relationship stereotype of "we've been besties for ages and we've kissed a few times and she's said she loves me and I'm starting to think she's into me but idk". And I love that for them.

Also OP's examples aren't really saying much. They mention that "sokka learns that aang has a crush on katara in the fortuneteller, but we never see aang trying to get advice from sokka after he learns about it" while disregarding the fact that Aang did try to get advice from Sokka, and it backfired. Did we all forget "Soooo... papaya?" (also Sokka didn't realise that Aang had a crush on Katara? He thought Aang had a crush on Meng.)

Another argument from OP is that: "aang and katara kiss in the cave of two lovers but we never see katara's perception of aang change at all" which I find a bit of a flawed idea because there's not really anything in Katara's perception of Aang to change? Like she was already seeing him as a viable romantic partner from at least the Fortune Teller, she was blushing when considering kissing him and offended when he didn't immediately agree to it.

(I actually think this is the moment where Sokka realises there's something between Katara and Aang man look athis face.)

We do not see Katara's pov, but we can pick up her thoughts from how she's animated and other clues because atla makes it quite easy to emphasise with its characters. I talk more about it in the Kaatang and female gaze post.

OP using the description of "natural development of a platonic relationship becoming a romantic one" is also mildy annoting because just because a romance doesn't follow established conventions and timelines, doesn't mean that it's not natural or badly written. We study tropes and aechetypes usually in order to subvert them.

The concept that romance has to be a series of events followed by switches flipping automatically in response is incredibly limiting and, frankly, overdone. I can see the appeal of romantic stories being a series of actions and reactions between two people, but I personally find a slow, budding development even more compelling. But once again, thsi is up to preference. If OP doesn't like this style of romance, than that's fine. Though I will stress the golden rule: your preference doesn't mean that everything else is bad/unnatural/unethical etc.

[diminuel]

I love your comics about Crocodad! In the Canon dynamics...how do you think Croc would react realizing after years that he beat up his son in Alabasta?😂

-PChan

I'm happy you like my Crocodad comics PChan! ♥

Since very little time passes in canon between Crocodile getting beaten up by Luffy and the "Luffy is Dragon's son" reveal at Marineford (we're talking a month, give or take), it'd still be very fresh in his memory once he realizes!

Depending on what his feelings are regarding his child his reactions might be different! I think he'd be momentarily shocked at the reveal, but whether he'd feel guilty, angry or even proud really depends on why Crocodile didn't keep him/ how he feels about the pregnancy/ how he feels about Dragon in general?

He doesn't really seem like a guy to dwell on the past too much apart from his beef with Whitebeard, so of course the circumstances around Luffy's birth might also be something that he's got bottled up and that he might be impacted by now that his son is just within reach. I can see him adapt and course-correct quickly into wanting to see what Luffy can achieve, so he'd protect him. Whether he wants a relationship with him or not would influence whether he'd tell Luffy (Luffy's reaction is of course also up for debate. Luffy completely rejecting the idea of it is just one possibility *lol* He might want to make Crocodile his family, even though I'm not sure what it'll take for Luffy to get over Alabasta? He does seem to be chill around Crocodile after that initial anger, not that we get a lot of interactions.)

That said, since I like to imagine that Crocodile loved his child but knew he couldn't keep him, he'd feel bad about nearly killing him and maybe even curse Dragon mentally that the kid is here on this battlefield, with a target on his back because Sengoku just told everyone who he was. What was the point of the one act of sacrifice for the sake of safety they did as parents? I think he'd be angry and determined to make sure Luffy is going to make it off this battlefield alive. And after that he'd have time to sink into the pull of his old wounds, to feel all that guilt, despair, anger, longing and love. And then he'd either make sure his plans didn't interfere with Luffy, maybe even make sure wipe out obstacles in his way, or he'd tell him and he'd get to be a parent, now that Luffy's making a name for himself in his own right and the world knowing that Crocodile is his parent wouldn't be the worst thing to happen to Luffy in the grander scheme of things.

Now I ranted about more than you asked *lol* Many emotions about this.

[bozers]

Random Mk character headcanons Pt.1 THE MENFOLK

Raiden

Sweaty. Sweats like a mf even when he isn't working. Has to wear undershirts to combat the waterfall coming off him.

Never struggled with anger issues until becoming a champion and getting the amulet.

Secretly a bit freaky. Is down for pretty much anything eye emoji

Reiko

Has a mild ED. Was worse when he was younger, but he's getting better about it. Used to hoard food. Struggles with body dysmorphia due to unrealistic expectations, comparing himself to Shao ( a completely different species...)

Allergic to cats.

Loves the ocean. Dreams of one day owning his own boat to take out sailing whenever he wants.

Kung Lao

Weirdly enough? Introvert. Raiden is one of very few people who doesn't deplete his social battery.

Struggles with bouts of depression. Self medicates with Marijuana.

He is incredibly secure in himself and none of his confidence is an act. That doesn't mean he can't get discouraged sometimes, but he won't try and hide disappointment behind false smiles.

MOAR BELOW vvvvv

Johnny Cage

Struggled with contamination OCD tendencies all his life and coped using substances. His lifestyle is in direct conflict with his illness and it acts like immersion therapy in a way.

Cancer runs in his family so he is vigilant about getting screened once a year.

Life in Hollywood almost crushed him into an apathetic cynic, but somehow, he has managed to stay hopeful if not a bit delusional at times. His hunger for recognition rivaled only by his boundless curiosity.

Smoke

He had a tongue ring for many years and wants to eventually get a tattoo but can't settle on a design.

Can "Slav Squat" and isn't shy about showing off to friends.

Struggles with unhealthy attachment styles.

Rain

Is actually an extrovert. He may think himself above others, but he still requires validation and gets sad if he doesn't get to talk to those close to him.

Iron deficient

If he had never been appointed as High Mage, he would have gone on to teach magic theory at the academy.

Geras

He may be immortal, but that doesn't mean he just sits in a room all day. Geras is endlessly curious, as this is a core part of his very being. Observing and learning new things is both his primary function and an endless font of joy.

He knows how lonely Liu Kang is. Knows that even he can't fill the void left in his masters heart. Time for him is just a function, whereas for Liu Kang, it is and endless road of isolation

Will search up humans in funny situations on the hourglass to watch. It's like his version of FAILARMY.

Liu Kang

Is and has been incredibly lonely for eons. He really thought he would fill the void after reuniting with his old friends, but the feeling isn't the same. They don't know him. Not really.

Once he found a way to connect to his Titan friends, he visits them often. Being able to talk with Lord Raiden again alleviated the strain on his heart tenfold. Reuniting with Kung Lao, (his boy, his bro!!) has also helped give him hope for the next few eons. Same goes for Kitana. (She was the one to find him again after the dust settled.)

His brother is alive in his timeline. Of course they have no relationship, Liu choosing not to intervene due to fears of drawing danger to him. Instead of becoming a shaolin monk, Chan lives happily in the united states as an Ice Road Trucker.

Shang Stung

Has BPD and narcissistic personality disorder. This severely impacted his ability to live peacefully in society and pushed him to grifting. Taking advantage of others was less exhausting than pretending to be a friendly employee to some shopkeeper.

He is half human. Shang's mother traveled to outworld during the last tournament 100 years ago. She was a servant to Liu Kang's champions but ended up running away with a disgraced Edenian.

Doesn't identify as a specific gender, especially after learning shapeshifting. Will often times swap between whatever he feels like that day.

Syzoth

Double jointed and hyper flexible. Shang Stung had to find a way to control him other than shackles, cuz he could always slip out no matter how tight they were.

He is very at ease around children, and falls back into dad mode immediately. Is also a purveyor of terrible dad jokes.

Has Gilberts Syndrome. His species use of bile/acid attacks puts a lot of strain on his liver. Due to his rough living, he didn't get adequate nutrition and now his body struggles to keep balanced out humors.

Only needs to eat once a week, but will happily snack if something tasty comes across his path.

Shao

Has no biological children. Despite his family's standing and pressure to continue the prestigious line, Shao has never taken a wife. Multiple concubines and bastards, but no wife or suitable heirs.

He doesn't view any of the young men and women he mentors as children, just tools. Even though he saw himself in young Reiko, his affection is entirely dependent on his loyalty. Reiko is more of an extension of himself, a way to overcompensate for what he lacks.

Has IBS.

Kuai Liang

He left the Lin Kuei a few years after Tomas was adopted. At odds with his father at the time, he left to go live with their allied clan: the Syrai Ryu. He was born a cryomancer like Bi Han, but chose to pursue pyromancy to distance himself from his lineage. Though able to wield fire, he is still weak to it. When he finally returned home, his father welcomes him back like the prodigal son he was. Bi han deeply, deeply resented this.

Got his tattoo in Hong Kong while he was totally plastered (not a reputable place. They even got the tattoo wrong lol)

Unreadable poker face. DO NOT play cards against this man.

Kenshi

Was forced to drop out of high school to support his family when his older brother was killed, and subsequently got wrapped up in yakuza shit. Has since taken his high school equivalency test (GED) and passed with flying colors

Is addicted to caffeine.

LOVES holidays! Especially Christmas. He may not get all his friends gifts, but the ones he does give are very well thought out and personal.

Bi Han

Doesn't take care of himself or maintain his appearance very well. But he basically won the genetic lottery so it's not that noticeable.

Has a type A personality and is a perfectionist. But he is actually a very gracious person at heart, and will silently shoulder the brunt of responsibility to spare his brothers.

Was happy to mentor Tomas when he first arrived, even though Kuai and Tomas had the stronger friendship. His attitude changed, however, when Tomas choose to stay after Kuai ran off. Instead of seeing the loyalty of Tomas's decision, he saw it as a shallow way to win his fathers favor.

(he couldn't see it was actually jealously. That Kuai could have a choice to leave but he didn't. Tomas had an actual valid reason to want to leave, but he is the one remaining? Bi Han has big feelings and does not process them well )

Quan Chi

Once he started losing his hair, he decided to go bald.

Much prefers to spend his time in the Netherrealm. His dominion there is near absolute, and he would much rather be in the company of those subservient to him. He doesn't see anything wrong with this dynamic, believing this the superior to mutual friendship. (this is laughably hypocritical given his relationship to Shang mf Tsung)

Indulges in all kinds of delicious foods. Sweets, fine drink, rare cuts of meat- the works. Even if he dislikes it, he will eat it anyway just for the sake of it. He made himself ill by eating an entire box of chocolate once.

Havik

Was born in secret to slave parents. They hid him from the government for as long as they could, and so he was able to live a relatively carefree childhood. Other's his age, and of unsanctioned birth, would be seized by the state and put to work as soon as possible.

Fierce passion aside, Havik is very introspective. When not fighting, he often sits in silent contemplation for hours at a time. Before his mind begins to degrade from the blood magic use, he would sit and scrutinize every action he took.

Unlike Quan Chi, Havik cannot bring himself to indulge in luxuries. He feels tremendous guilt given how many of his people are still unable to enjoy even the barest bit of comfort.

He leaves his dick and balls at home for safe keeping.

[zer0brainc3lls]

Dps yap session about how Todd’s relationship with Neil and Mr Keating (mainly Neil) grew his character because I’ll never stop thinking about it (spoilers for the book)

In the movie we all know Todd has issues with public speaking but in the book, it’s not just public speaking. It’s speaking to almost anyone in general. He stutters and pauses between sentences, even being unable to finish what he’s trying to say.

“I… would…. Prefer…. Rowing….. sir,” - Todd “rowing? Did he say rowing? But here it says you played soccer at Balincrest?” - Mr Nolan “I…. Did…. But….” - Todd

The dots are not exaggerated if you haven’t read the book. That’s how it’s shown. Now he doesn’t speak to everyone like this, mainly if he’s asked about an opinion or something of that nature, despite this he speaks softly almost all the time in the start of the book.

But as time goes on and he becomes closer to the dead poets + Mr Keating he opens up, he may not speak much in meetings and in classes doing anything publicly still scared him but he opens up more nonetheless.

Towards the halfway/end of the book he watches Neil find his own voice through acting, standing up to his father and watching Neil grow confident in himself he too becomes more confident. Even putting a lamp shade over his head just for fun, in front of people, being silly. (The lamp shade part is never talked about omg.)

When Neil is performing he even mouthes the lines to himself, even though he knows Neil needed no help. And at the end of the play TODD starts the standing ovation (I think? He’s definitely one of the first.) with a smile on his face, no embarrassment, no shame. Just happy for his best friend for standing up and finally being himself.

This was never shown in the movies but after the play he reaches out for Neil, trying to tell him how well he did and when Mr Perry’s car drives off he screams Neil’s name. In front of a crowd of people.

After the car scene they go back to the cave, not just the dead poets, Chris is there to (someone Todd barely knows!!!) and you know what Todd does? He expresses his anger. In full.

“Todd suddenly jumped up and pounded the walls with his fists. ‘Next time I see Neil's father I'm gonna smash him. I don't care what happens to me!’ ” after this, HE RECITES A POEM IN FRONT OF ALL HIS FRIENDS, MR KEATING AND CHRIS. (THIS WHOLE CAVE SCENE WAS SUCH A PIVOTAL MOMENT FOR TODDS CHARACTER IM SO MAD THEY FUCKING CUT IT)

Todd gained his own voice watching Neil and the dead poets gain theirs.

Then Neil died.

After Neil died? Todd lost his voice. Almost. He almost went back to stumbling his words, he almost went back to speaking softly. But whenever someone tried to speak ill of Neil or Mr Keating? HE WAS ON THEIR CASE.

“You don’t seriously think his father…” -knox “not with the gun! Damn it even if the bastard didn’t pull the trigger he..” - Todd

“ ‘Who else do you think, dumbo? The administration? Mr. Perry? Keating put us up to all this, didn't he? If it wasn't for him, Neil would be cozied up in his room right now, studying his chemistry and dreaming of being called doctor.’ - Cameron ‘That's not true! Mr. Keating tell Neil what to do. Neil loved acting.’ - Todd

And in the books he took a large punishment instead of signing the note to get Mr Keating fired and of course we cannot forget the desk scene at the end of the movie. Todd may never be the same as when Neil was alive and Mr Keating was still his teacher but he grew a confidence from them, even them no longer being apart of his life could take away the impact they had on him.

Idk if this yap session is a “yeah no shit” kind of thing but thanks for coming to my ted talk yall

[purpurussy]

I feel like the "dan is bi" anon is trolling but just in case they're genuinely confused: yes dan said in BIG that he loved and felt attracted to his high school gf (although he also made it pretty clear that they did not have sex so idk where anon is getting the idea that he has slept with "multiple women" 💀), and he alluded to his attraction not being confined to a specific gender in the part where he talked about labels, but you're completely taking all of that wildly out of context and missing the point of the whole video by calling him bi. I feel like this is probably the part that's frying their brain:

(shoutout to the legend @goldenpinof for this transcript!)

But firstly, imo it was very clear from BIG, as well as other stuff he's said over the years, that he just doesn't like labels. Which I find very valid, it took me a long time to figure out how to label myself. I still don't know what my gender is lmao but I started saying "bi" for my sexuality because it's a widely-used term that gets the point across. And I think that's the thing here: he came to the conclusion that the labels "gay" and "queer" are the best descriptors of his identity, which do the most accurate job of approximating something extremely psychologically complex and multilayered and nuanced in a simple everyday term that gets the point across to other people.

Obviously words mean things and it doesn't make sense to just pick a label at random (like for example it wouldn't make sense for me to identify as a lesbian, since I definitely feel attraction to men as well as women and everything outside the binary, and am interested in acting on that attraction at times, so I wouldn't be conveying accurate information to other people if I used the label lesbian for myself) but a label is just supposed to serve the task of conveying relevant information to other people (if a lesbian feels some kind of abstract attraction to dan and phil, that doesn't mean that the alphabet council needs to immediately revoke their lesbian card!! Since the word "lesbian" still does a perfectly good job of conveying relevant information to other people. Likewise if a straight dude has a fun little gay dalliance with his college roommate, but has absolutely 0 interest in men beyond that incident, it wouldn't be remotely necessary for him to start calling himself bi if he didn't want to, because what would be the point in that if he's only interested in women? Like if he told a gay dude who found him attractive that he's bi, only to backtrack... Do you see what I'm saying here?). It's perfectly valid for Dan to use "gay" and "queer" as umbrella terms that in his opinion do the best job of describing him, out of the language that's available. If he's like essentially a kinsey >5 and decided to just round it off to a 6 at this point, who are you to tell him he can't lmao

(shoutout to the legend @goldenpinof for this transcript!

Human sexuality is often way too complicated to boil it down to a single label in a way that doesn't erase any of its nuance, and I feel like this is something he's struggled with in the past, especially with him being a public figure. He's mentioned multiple times that feeling like he had to choose a label was a factor that prolonged his decision to come out.

And this is not even getting into the impact that his trauma from his childhood and also from spending a chunk of his formative years in the public eye probably had on the way he identifies or the way he chooses to label himself. It clearly took so much courage and strength for him to finally be able to call himself gay/queer please have some respect for our brave troops

Ultimately the point is that he uses the labels "gay" and "queer", not "bi", and it really shouldn't be difficult to respect that. It's also not biphobic for him to choose not use the label "bi" (again speaking as someone who uses that label). It's just that he feels "gay"/"queer" are better descriptors for him and nobody gets to determine that except him!! :) He wants people to know he's gay so he calls himself gay and that's that on that.

There are definitely people on here who are way smarter and more well-educated than me who would've done a much better job eloquently discussing this topic without rambling all over the place but that's my take (if anyone would like to add to this please do so, I'm always open to learn more about topics like this. And I'm also not saying that the way I see it is the only objectively correct opinion, but anon is definitely wrong so 💀). Thank you for coming to my ted talk

[novankenn]

Nah-Nah =8P

In their third year as Beacon students team JNPR was sent out on what was supposed to be a simple grimm cull... it was anything but. Under assault from all sides Jaune made a final call, ordering a retreat... it was the last commend he ever made... as he was overtaken by the horde of grimm before reaching the safety of the evac bullhead.

So gathered in a small private conference room, Glynda Goodwitch proceeded to read out Jaune Arc's last will and testament to his grieving team mates.

Glynda: Now considering there are clauses in this document specifically related to Mr. Arc's family, and have been given permission I will address Jaune's final wishes for you... his team. Pyrrha openly crying.

Glynda: I Jaune Luna Arc being of sound mind and body hereby...

Nora: I wouldn't say that... is entirely true.

Glynda: divide the entirety of my estate as follows. To Pyrrha.

Civilian with passing resemblance to Jaune: Honey, they're talking about you.

Pyrrha: *sniffles* What?

Glynda: My dearest Pyrrha, the one who first believed in me and the future I wanted to achieve. My partner who helped me overcome my own foolishness and trained me to be not only a better combatant, but also a better person...

Pyrrha: *sniffles*

Glynda: ... and who abandoned me...

Pyrrha: WHAT?!?

Glynda: ... and our potential future because she was too afraid to take a risk... I leave you... A BOOT TO THE HEAD.

WHAP!

Glynda: And one for the wimp she chose to date...

WHAP!

Pyrrha: *shaking away the impact of Glynda's booted foot.* huh? What? I don't understand?

Glynda: Wait there's more... Dear Pyrrha I know you'll want something to remember me by, and you've always had your eye on my Pumpkin Pete Hoodie... so I...

Pyrrha: Thank you, Jaune... I'll cher...

Glynda: leave you a BOOT TO THE HEAD.

WHAP!

Glynda: And another one for the wimp!

WHAP!

Glynda: To my dear teammate Nora...

Nora: Ah no... I don't want no boot to the head.

Glynda: Who while made my life as a team leader very interesting, but also drove me to the brink of insanity with your vapid schemes and chaotic behavior...

Nora: *Ducking her head under the table* I'm covering my head!

Glynda: I leave three cases of pure Forever Fall refined tree sap...

Nora: Oh wow! Thanks Jau...

Glynda: and a BOOT TO THE HEAD.

WHAP! THUD!

Glynda: And another to Pyrrha and the wimp...

WHAP! WHAP!

THUD! THUD!

Glynda: To Ren...

Ren: It's okay. I don't want anything...

Glynda: ... my friend, and a rock on which I could rest when things were getting too much. You gave me health drinks and teas...

Ren: It was my pleasure...

Glynda: You did you best to curb in Nora and prevent me from strangling her...

Ren: I tried...

Glynda: a BOOT TO THE HEAD.

WHAP! THUD!

Glynda: In closing I hereby leave the entirety of my vast hidden fortune to the people of Vacuo... so they can finally move someplace nice... and a BOOT TO THE HEAD for Pyrrha and the wimp.

WHAP! WHAP! THUD! THUD!

/==/ the Inspiration /==/

[not-goldy]

I think a lot of ship fights might be put to rest if Jungkook starts being more vocal about his relationship with the members.

Right now it's usually Tae and Jimin talking. Jimin actually reduced a lot now and Tae has just increased.

Jungkook can always speak more. Just more about regular things. Like I was out with Jimin, or I called Jimin or I ate with Jimin, you know basic things so Jimin doesn't get called a liar everytime coz JK never says anything to confirm.

Who's calling Jimin a liar???

Give me a lock of their hair☠

Also I don't think he's saying much these days either which to me is a very good thing. Silence is Golden.

On the part of Jungkook I see what you mean but I might have to respectfully disagree with you on this.

He tells and shows just as much. I mean had it not been for Jungkook we wouldn't know most of thr Jikook tea we know today. Their fights, Jimin staying up all night to browse the internet, them sharing a bed, Jungkook elbowing Jimin, their travel show, jikook stonewalling eachother etc

Jimin likes to talk about them but I feel he's very selective in the things he shares. While Kook doesn't have much of a filter so he'll share anything as and when the good and the bad and anything that leaves a lasting impact on him.

Eating Ramen on live- oh that reminds me of the Ramen Jimin and I ate yesterday. We were exercising at the gym last night. Proceeds to akiki over something random Jimin said and did when no one asked. Things like that.

Also, they are both triggered to share by different things. They both may share sometimes just to rub it in our faces. But for Jungkook it's usually when some members make it seem like they are more close to JM than him. He may not care what you or I think of their dynamic because we don't bother him much and he doesn't see us as a threat. Just a bunch of nuisance. However if there was someone present with them in a moment he felt threatened their dynamic he would get triggered sometimes.

Jimin cares about how you and I perceive their relationship. He is rarely bothered by the people around them- except for that one time with V where he felt he needed to assert himself. Even that I feel it was more because we were present on the live.

He cares about these things. So sometimes, sometimes, he likes to talk good about their relationship to us. And he likes to show off his man too. He gets giddy excited when Kook does things for him and he likes to share that too. He's more inclined to let us know he got the price you know, mah man treats me so well kinda shit. My man rich kinda shit. My man man man kinda shit.

Jungkook does this too. He just doesn't do it with words. He does it by bringing Jimin up every five seconds, forces us to watch ours and hours of Jimin content, and laughs all to himself while doing it🥴

They both whipped as fuck

And the fact he would follow Jimin around with a camera make him the focus of his attention zoom in on his face and lips-

He may not have to prove anything and he may not be questioned as much as Jimin is questioned because most times he comes with receipts.

I think what I all comes down to is people questions Jimin's assertions more than they do Jungkook's. Jimin gets called a liar when he shares more than Jungkook does.

I think it's the same for Taehyung. People question the intentions behind him showing off their dynamics more so than they would Jin Jungkook or any other member.

When Jungkook posts Jimin he is ship feeding. No one is assuming he is doing so to piss off certain groups of fans or to incite his shippers. When Tae does it, he is trying to incite his toxic shippers and to piss off jokers.

I think they may have contributed to these assumptions because time and again vmin are the members who frequently say they are taking pictures with Jungkook for "fans". So it stands to reason that people would assume they are fanning shipping flames when they post pictures with Jungkook or speak of their interactions with him

I won't lie to you, I have lost my train of thought 🥲

[jamethinks]

One thing I find very ironic about Spyxfamily is the way the Desmonds are portrayed. I understand that according to the narrative, they (namely Donovan) are the antagonists of the story, but I do find it quite tepid that so many character analysis is bonded by this very dichotomy style approach to understanding the characters (if that makes any sense).

I'm having a hard time approaching my point so bare with me if it starts to get confusing or disjointed.

I always see people talking about how the Forgers (aka the fake family) are able to have a happy relationship and a genuine bond while the Desmonds (aka the real family) are distant and uncaring of one another. There's a lot of emphasis on the parallels between Damian and Anya and how the presence of their fathers impact their lives. Most of the discussion is centered around shaming Donovan for not being more involved in Damian's life but not a lot of people are acknowledging why.

The whole reason for the fake family as part of Twilight's mission is because Donovan is a closed off skeptic who avoids unnecessary social interaction. This mission is supposedly the easiest way to get to him. As the story goes on, we gain a better understanding of just how shut off Donovan is and how much he actually isolated himself, even from his own family.

But the thing is, his actions are justified. The mere existence of Operation Strix validates his fears and anxieties. The fact that Twilight a spy is trying to expoilt the relationship he has with his children in order to get closer to him is the very reason he avoids them so much. It's people like Twilight that make him such a skeptical person.

Again, people praise Twilight for being a good dad, except he isn't really a good dad. It's all a facade. He's so dedicated to his goal as a spy for the West that he's willing to fake an entire family just to find out what Donovan is planning. Everything Donovan hates and resents is embodied in Twilight.

In the end, Twilight is just as harmful to Anya as Donovan is to Damian. He grabbed a random child from an orphanage and is using her for his own personal gain with limited regard for her well-being. We are not even sure what he plans on doing with her when the mission is over. Anya is obviously able to manipulate the situation to her own advantage, but that's only because she's a telepath. Any other kid would just be playing along, assume they just got themselves a new family overnight. We do see him grow and deepen his bond with Anya, in some cases threatening the mission for her benefit, but that was never a guarantee.

In a very frustrating way, Twilight is also contributing to Damian's strained relationship with his father and family. While Donovan obviously doesn't know what Twilight is doing, he's still aware that there are people out there who might. So, he continues to be guarded and make unreasonable demands of his children. He makes Damian feel he has to earn his place in his father's life because people like Twilight push Donovan to limit the number of people that are allowed in his life. I'm not saying it's Twilight specifically who's at fault, but people like him who are very much trying to force their way into his circle.

And I'm not saying of this yo defend Donovan or put down Twilight but I would like for less black and white thinking when talking about a Manga that hinges itself on nuance and the complexity of post war society. I find it a bit tired to keep categorizing characters as good or bad because it really hinders any conversation about them.

Idk I just feel there's a lot of moral ambiguity in sxf that really is intended to make us question our own moral code so it's weird seeing people ignore the actual harm Twilight and Yor cause just to reinforce their own limited moral values.

I don't think this makes much sense honestly.

[sunspots-den-sorts]

The... sacs of blight speak? Or at least have voices coming from within them.

Under cut are some major choice&consequence type spoilers from Act 1. Gathered from multiple people + from a portion of the game they were not allowed to show footage of + information from trailers.

Higher up the spoiler scale + plenty of wild speculation. Proceed with caution.

I've seen a quite few people talking around this when addressing choice and consequence. e.g. Creator A saying: "You can straight up ruin entire cities." Or Creator B talking about where they: "had to save one of two cities." Both use this example when talking about seeing the consequences and significant impacts of choices.

Speculation ahead. About this choice:

We've seen footage from trailers of what seemed to look like blighted!Minrathous - is it one of the two cities?

If it is, then the equivalent 2nd would need to be... Treviso?

I think Rook will be deciding which one is saved and which one is doomed to the blight. The choice being - while the opposing force spends time eating this huge place, we can spend time bolstering our forces.

We will be able to go back to the "ruined city" - and see it now being eaten by the blight? The NPCs we encounter - will we hear them in the blight-sacs? If we get named NPCs talking out of those things - my heart will shatter...

About the size of the game:

Creators were allowed to play: the prologue, a companion recruitment mission, a range of side quests mid-way through Act 1, a major quest midway through Act 1, then the end of Act 1 - ending on a cliffhanger.

Considering they made a major decision and then saw the consequences, the choice between two cities seems to be the major quest midway through Act 1.

I presume we are meant to recruit all companions, meet all factions + have the chance to explore 2 cities prior to making this choice?That is A Lot of game.

Would they really sacrifice one of the two major hubs so early and not have it be useable beyond being blight-infested from midway of Act 1? I would doubt that - so I wonder if we will see significant time skips. Even though this goes slightly against what devs have talked about in terms of the urgency and immediacy of the situation Rook is dealing with.

Maybe it is a sacrifice in Act 1, we can "save it" from acute blight in Act 2 once we raise our reputation with all the factions, and then in Act 3 it is in recovery.

... This is all just so delightful. And I have the perfect solution: simultaneous-Rooks!

Don't want to hear that adorable vendor you met pleading out of a pustule? Simultaneous-Rooks will help! Just load up that 2nd run and everything will be a-okay! 😆😭

[timesomewhere]

in honour of the West End's next to normal closing today I've finally proof-read my 'things I noticed/general thoughts' post that's been sitting in my drafts since I saw it earlier this month. it's very long I'm very sorry.

Act One:

it was really fun watching this show in September given that there's two references to it in the first song

I adore the monologue about the pills that Dr. Fine gives during 'Who's Crazy'. it's rhythmic and funny yet also unnerving. It's such a quick and impactful way to summarise what Diana has been through for the past 16 years

Gabe does a 'one of your French girls' pose on the kitchen counter under the cabinets during 'My Psychopharmacologist and I'

Jamie Parker made direct eye contact with me during the last part of 'Who's Crazy' and it was one of the most intense experiences of my life

I might just be dense but I don't get the point of the neon sign that says 'Fine' which drops down during the Dr. Fine scene. Initially I thought that then one would drop down saying 'Madden' during his scenes to help people differentiate between the doctors but then it didn't so it just feels like a weird extra prop

speaking of random props, shout out to the iPad on the table in the opening scene which Gabe pretty much instantly takes away after telling Diana that she shouldn't obsess over tragic news stories and is then never seen again as far as I remember

Dan in the flashback scene being such an optimist about Diana's pregnancy and the future they're gonna have together... soul-crushing

Caissie Levy's 'I Miss The Mountains.' Holy Shit.

I love how Diana and Gabe are the only characters who sing on/stand on the table. it's as though it's this extra dimension of the house that only they have access to and it's a really neat and subtle way to show that they relate to each other in ways other characters don't

'It's Gonna Be Good' is so underrated. Jamie Parker's somewhat genuine optimism becoming optimism-through-gritted-teeth is incredibly acted

The way Jamie delivers the first line of 'He's Not Here' is devastating. the heaviness of that moment as you feel the audience around you realising what's just happened is something I'll remember forever

Gabe body-blocking Dan from Diana during 'I Am the One' is such good staging. People talk about how Jack Wolfe plays Gabe with a lot of layers and a lot of simultaneous contradiction and this song is one of the best examples of that. how Jack manages to project a character who is goading his father and protecting his mother at the same time is beyond me

also Jack has maybe half-an-inch on Jamie which obviously isn't something the actors control but it does makes Gabe seem just that bit more threatening when he's getting in Dan's face

for the first part of Superboy and the Invisible Girl when it's just Natalie singing, Gabe is actively laughing. He's totally unperturbed by her efforts to make herself seen to her mother. it's only when Diana replies, particularly when she says "you're our little pride and joy, our perfect plan" that you see his face drop and you see him trying to figure out a way to stop her from getting Diana's attention which then results in him kicking her off the melody in her own song

"I'll hurt you" being directed at Dan and "I'll heal you" being directed at Diana as Gabe gently touches her face gets me so bad. but the most painful part of 'I'm Alive' for me is when Gabe looks at Dan as he says "I'm the perfect stranger who knows you too well." that's the first time you realise that perhaps Gabe doesn't just impact Diana, and there's something much larger at play

Caissie and Jack W's voices harmonising on 'Catch Me I'm Falling' was one of my favourite parts of the whole show. Their voices are so magical together and their mother/son chemistry is incredible

The 'I Dreamed A Dance' into 'There's a World' sequence is one of the most tragically beautiful things I've ever witnessed. I went into the show knowing what Gabe was trying to achieve during 'There's A World' and yet Jack's voice is so beautifully haunting you totally forget you're supposed to root against Gabe in that moment

Jamie Parker's 'I've Been' is some of the best acting through song out there. Interestingly my friend and I had very different interpretation's of what Gabe's horrified reaction to the blood meant. I viewed it as him being upset about what he convinced Diana to do - he doesn't like seeing her hurt. Whereas my friend saw it as him being angry at himself that she didn't manage to follow through, meaning that he has failed to regain control over her life

'I'm no sociopath, I'm no Sylvia Plath. I ain't no Frances Farmer kind of find for you' is one of the best musical theatre lyrics of all time. I genuinely don't know why I Miss The Mountains is the 'big song' known from N2N over 'Didn't I See This Movie?', it's just so good

Natalie's 'She trusts you!' line is heartbreaking, I was basically watching that entire scene through my fingers because of how high the emotion was

Act Two:

'Pfizer's woman of the year' will in fact be peak comedy every time. Eleanor's delivery is *chef's kiss*

Gabe having just one line in 'Wish I Were Here', and that line being 'Wish I were here.' Yeah. I feel very normal about that.

Natalie's line of "Can I hide my stupid hunger, fake some confidence and cheer?" being pretty much exactly what Gabe has done throughout the entirety of act 1

"And you're not a scary rockstar anymore" got one of the biggest laughs at both of the shows I went to

Dan's desperation during 'Better Than Before.' He is simultaneously trying to cajole Diana into remembering and get Natalie to be more positive. This one song really highlights how he's being pulled in a million different directions while trying to hold it all together and Jamie portrays that so well

Aftershocks. Wow. The way the last word of each line echoes throughout the theatre is great sound design. I've been in exam halls louder than the audience during that song. Holding a room that captive as a silhouette is quite the feat Jack Wolfe you will always be famous

"I don't know where the fucking pieces go" as Diana pushes things off the table as if there's a real jigsaw there that she's rage quitting and choosing to give up on is such a nice detail

"Have you talked of your depression, your delusions and your son?" The gasp in the theatre both times was sickening

the response of "good' in reply to "name?" when technically that was part of his name as they are the "Goodmans". I don't really have a point here I just think it's neat

The 'It's Gonna Be Good" reprise was one of my favourite Dan/Diana moments. Caissie and Jamie are really pushing each other to their emotional limits and they handle it so well

The first "Why stay?" is so fragile as Diana sits against the kitchen island. Also interesting given that Dan and Gabe will also sit against there later when they are at their lowest point in the story. The idea of the characters crawling to the 'centre/heart' of the home when they are at their weakest

"This is one old game that I can play so well" is the line that has stuck the most with me throughout the show. Jack's delivery of it while striding across the kitchen table - seemingly totally invincible - is crazy.

how Caissie manages to deliver "you shrugged and said that no one really knows" with humour and desperation at the same time is amazing

When Gabe and Diana stand on the table and if they let go of one another they'll fall. yeahhhhh.....

Gabe's realisation that Diana isn't going to give up on getting better. Totally collapsing in on himself and beginning to cry. How you manage to feel bad for him after all the destruction he's caused is wild

Diana's "maybe I'm tired of the game" relating back to Gabe's "this is one old game that I can play so well"

the lyrics in 'Hey #3' clearly reflecting things Diana has done, Henry cutting Natalie off at "bleeding in the bathtub"

"I am the one who'll heal you" being said to Dan not Diana this time

"Why didn't you go with her?" is the most devastating line in the whole musical I said what I said. Jamie's delivery of it is heart wrenching

the drums and bass kicking in for the loud part of I Am The One as Gabe becomes desperate to be seen once again

Jack and Jamie's acting in this moment is so intense. there's a moment where it's genuinely feels as though only one of them can make it out of the interaction alive

Jack's emphasis on the word 'loved' in the line "I am the one who loved you" nearly killed me on the spot. how somebody can deliver a line so desperately while remaining pitch perfect is unfair

Natalie coming in to kiss Dan's head at the start of 'Light' like Gabe kisses Diana's in the first scene. I'm such a sucker for a gut punching

the "And are they real?" line about Diana's parent's from Henry gets such a loud reaction from the audience. Some people laugh immediately, some people clearly get shocked out of their sobs. so good

In conclusion, this is my favourite musical of all time and I'm going to be so annoying waiting for the pro-shot to come out

[appleflavoredkitkats]

i will make a proper analysis post for this one day but i genuinely think the "fundy's mind" stream is fundy's magnum opus. it does so much in one short stream. it perfectly portrays the fundamentals of fundy's character while also leaving so much to be interpreted and decoded.

like of course half of the metaphors and mysteries put into that episode hinted his involvement w las nevadas. but, and i think this point stands better considering how his story was executed and concluded, i think the stream was such a perfect encapsulation of the cyclical nature of fundy's abandonment and self-worth issues. it is "fundy's mind" after all.

we see glimpses of wilbur, literal monologues of how he feels brushed aside. i think back then, our interpretations of the books were a little too literal— which was not wrong to assume at the time. fundy was having prophetic dreams, of course it was normal to think he could have been a time traveler or something of that sort.

but, in the present day, i feel like if you look into the texts of these books in a more metaphorical sense, it makes a lot more sense. there's definitely a theme about "waking up" in a metaphorical sense, but the dreams flip this phrase on its head in some sort of way, as if dream!fundy was trying to get fundy to look away from the books.

i posit that dream!fundy demands fundy to wake up because it actually shields fundy from the painful truth deeply embedded in his psyche. meanwhile, sleeping actually causes fundy to dig into this truth more as it causes him to stay into this dream world. so when fundy chooses to sleep, he's not shielding himself away— rather, it represents the metaphorical "waking up", beholding truths that he typically shies away from.

but then what is this "truth"?

well, when dream!fundy gives up scaring fundy off, he confesses to an evil someone who will destroy fundy and everything he ever loved. of course, this pertains to quackity, but here's the thing. if dream!fundy wanted to protect fundy, then he would have obviously warned him about quackity without hesitance.

i'd argue that quackity being some big baddie is half the "truth" dream!fundy is trying to warn him about. then what is the other half that's missing? i think it has something to do with the "you're not real" statements.

those seem like a scare tactic at first. if not, it does not feel like it's meant to be the "painful truth" dream!fundy is trying to shield from fundy because he says it multiple times before the actual "truth" is revealed. but i think the reveal actually becomes more impactful if you read it as "there will be an evil person out there, always, that will make you not real."

and i guess to explain— there's, like i said, a cyclical nature to fundy's issues. he follows someone, dedicating himself to the country until it all inevitably becomes futile in the end. it happens with all iterations of l'manberg and las nevadas. i've always stated that fundy is the embodiment of the nations he's apart of, and he dies alongside it whenever it comes down to it.

so when the book mentions, "you are not real", "this place isn't real", and "but he [those who left him, specifically quackity] is", i feel like it's not just talking about quackity and las nevadas. rather, if we think about it, this is literally the formula in which fundy's arcs literally follow. he becomes nothing alongside the dissolvement of a nation, because those he trusted and followed were real threats.

and what i think this dream hints in particular is that, las nevadas would be the last straw. after this, his existence becomes virtually nothing. he is rendered nothing.

which is literally what happens in the end.

fundy's storyline has always been about being sidelined, always forgotten or used as a punchline for a joke. in this case, i feel that the dream isn't just warning him about this, but rather it's literally his destiny to be forgotten. that is the painful truth dream!fundy doesn't want fundt to know. that's why he sounded so defeated by fundy's stubbornness and curiosity by the third book— he does not want fundy to know that it's literally in his fate that he ends up becoming nothing.

and, well, it's true. the last we see of fundy is when he jumped into the l'manberg crater after cutting himself off from wilbur. it's even stated that fundy didn't die to end it all, but rather to "get away from wilbur". at the same time, we see fundy donate schlatt's sword, one of his prized possessions, to the museum.

he literally cuts off one of the most integral, most defining, aspects of his character— his devotion to nationhood and those who embodied it. and after that, we never see him again. when fundy chose to choose things for himself, to separate himself from l'manberg, physically and ideologically, he's gone.

it's as if he's not real.

we never really know if fundy left for the best or the worst, really. but in the narrative of the dsmp, separating himself from l'manberg literally makes him null. that's the truth his dreams were trying to shield himself from.